The Best Thing Drama Quotes

yeah - im a drama queen, but im the best damn thing that your eyes have ever seen.

And she comes, she actually bloody well comes, bustling down between the beds, bless her heart, in her best coat and vile black straw hat, more fit for a funeral than anything. He’ll get her another, whatever she wants, the best money can buy. He’s so pleased to see her he could nearly bloody cry.

The best stories come from deep within us and are of us. Either our inner child comes out to play and makes all things possible, or we mold our characters and events from our own experiences, or our dreams of wanting to experience.

I think I realized a lot of things. When it comes to loving yourself, I think it’s about asking yourself a lot of questions and learning more about who you are. I think that’s the foundation and beginning of learning to love yourself” - Jimin told fans what he learned about loving yourself.

But the real drama had already played out in the bathroom. It had played out when, for reasons I don’t understand, I was unable to climb through the mirror and send out my sixteen-year-old self in my place. Until that moment she had always been there. No matter how much I appeared to have changed—how illustrious my education, how altered my appearance—I was still her. At best I was two people, a fractured mind. She was inside, and emerged whenever I crossed the threshold of my father’s house. That night I called on her and she didn’t answer. She left me. She stayed in the mirror. The decisions I made after that moment were not the ones she would have made. They were the choices of a changed person, a new self. You could call this selfhood many things. Transformation. Metamorphosis. Falsity. Betrayal. I call it an education. This story is not about Mormonism.

Next to God, Family is the best thing.

All the great groups that stood about the Cross represent in one way or another the great historical truth of the time; that the world could not save itself. Man could do no more. Rome and Jerusalem and Athens and everything else were going down like a sea turned into a slow cataract. Externally indeed the ancient world was still at its strongest; it is always at that moment that the inmost weakness begins. But in order to understand that weakness we must repeat what has been said more than once; that it was not the weakness of a thing originally weak. It was emphatically the strength of the world that was turned to weakness and the wisdom of the world that was turned to folly. In this story of Good Friday it is the best things in the world that are at their worst. That is what really shows us the world at its worst. It was, for instance, the priests of a true monotheism and the soldiers of an international civilisation. Rome, the legend, founded upon fallen Troy and triumphant over fallen Carthage, had stood for a heroism which was the nearest that any pagan ever came to chivalry. Rome had defended the household gods and the human decencies against the ogres of Africa and the hermaphrodite monstrosities of Greece. But in the lightning flash of this incident, we see great Rome, the imperial republic, going downward under her Lucretian doom. Scepticism has eaten away even the confident sanity of the conquerors of the world. He who is enthroned to say what is justice can only ask: ‘What is truth?’ So in that drama which decided the whole fate of antiquity, one of the central figures is fixed in what seems the reverse of his true role. Rome was almost another name for responsibility. Yet he stands for ever as a sort of rocking statue of the irresponsible. Man could do no more. Even the practical had become the impracticable. Standing between the pillars of his own judgement-seat, a Roman had washed his hands of the world.

Have you ever stopped to think that maybe you were wrong? Maybe, you only saw your point of view and you never once put yourself in the other person's shoes. Maybe, walking away from the senseless drama and spiteful criticism isn't the best thing to do. Maybe, for just once in your life you could wear another person's confusion, pain or misunderstanding. Maybe, your future doesn't require explaining yourself or offering an explanation for your indifference, but your character and reputation does. What if one day you find out that you didn't have all the information you thought you did? What if you find out that your presence was needed for healing? What if you only knew half of it and the other half was just your fear and anger translating everything you experienced? What if you were wrong? What if the same thing happened to you?

I am at the hospital waiting for my friend with Noah. Which is a very couple-like thing to do. All you have to do is watch any teen drama - anytime one of the characters is close to death and/or in a coma, the boyfriend/girlfriend teams always end up at the hospital together. We are eating together. (Another coupley thing to do.) We are talking about my best friend, his girlfriend, and their secret problems that she somehow neglected to tell me. Which means that Noah is the one telling me secrets that even my best friend won't. I like it. All of it. Being here, eating food, telling secrets, everything

Jack gave her a fierce look. “Your mother gave up the best thing she had in her life. I know you miss her, I know you’re confused and have all sorts of questions for her. But you’re better than her, Lola, you’re better than all of this. “She wronged you, not the other way around. You didn’t do anything wrong. You didn’t deserve what happened to you. She’s the one that needs to feel bad, not you. “Sometimes there are no answers. You have to accept that. Maybe you’ll never know what you think you need to know, but do you really need to know all the details, really? You know she wasn’t there when you needed her, she still isn’t here when you need her, but look around, Lola.” Jack opened his arms wide. “You got me. You got your aunt. Jared. Sebastian. Rachel. Even Isabelle. “You need to realize that and move on, as best you can. I had to realize that myself. When you let go of the pain and hurt and unanswered questions, Lola, then you’ll be okay. You’re safe now.” Jack pressed a kiss to her forehead. “You’re safe now. Remember that. Believe that.

Modern culture rejects this belief in a great cosmic plan. We are not actors in any larger-than-life drama. Life has no script, no playwright, no director, no producer – and no meaning. To the best of our scientific understanding, the universe is a blind and purposeless process, full of sound and fury but signifying nothing. During our infinitesimally brief stay on our tiny speck of a planet, we fret and strut this way and that, and then are heard of no more. Since there is no script, and since humans fulfil no role in any great drama, terrible things might befall us and no power will come to save us or give meaning to our suffering. There won’t be a happy ending, or a bad ending, or any ending at all. Things just happen, one after the other. The modern world does not believe in purpose, only in cause. If modernity has a motto, it is ‘shit happens’.

So your hope as a parent is not found in your power, your wisdom, your character, your experience, or your success, but in this one thing alone: the presence of your Lord. The Creator, Savior, Almighty, Sovereign King is with you. Let your heart rest. You are not in this parenting drama alone. Your potential is greater than the size of your weaknesses, because the One who is without weakness is with you, and he does his best work through those who admit that they are weak but in weakness still heed his call.

He’d been kidnapped, betrayed, almost fed to a Diamondscale —yes, a Diamondscale— and now, just to top things off, he was on the run with the man who was responsible for the whole mess.

Books are our friends. Our best friends,” she said with sudden passion. “They’re a portal to other worlds. They’re full of drama and wisdom and fun and showing you how to see things differently.

As with so many other things that are plainly obvious to most people, I had to be told that annoyances were to be expected and tolerated in any relationship, and especially in a marriage. Though I may not have realized that on my own, once it was explained to me, I understood exactly what it meant. Kristen put it this way: “You hog the blankets, Dave. You take months deciding which computer to buy. The instant we all pile into the car and shut the doors, you fart. That stuff is so annoying, and so not a problem.” What was a problem, she explained, was beating myself up over every little thing and creating drama that nobody needed.

No, it has nothing to do with Islam. The Quran grants women the freedom and right to seek divorce. It’s more cultural, or maybe regional. The importance of family values and keeping the family together, that sort of thing.

I did not speak. I have found in any Q&A, in court, in witness interviews, wherever, often the best thing you can do is wait, say nothing. The witness will want to fill the awkward silence. He will feel a vague compassion to keep talking, to prove he is not holding back, to prove he is smart and in the know, to earn your trust.

Our heart is made to live in a larger story; having lost that, we do the best we can by developing our own smaller dramas. Look at the things people get caught up in: sports, politics, soap operas, rock bands. Desperate for something larger to give our lives transcendence, we try to lose ourselves in the smallest kind of stories.

LOST is often lauded as one of the best fantasy dramas in television history, as well as one of the most cryptic and - occasionally – maddening. But confirmation of just how important it is came with an almost unbelievable communiqué from the White House last week. President Obama’s office reassured Lost fans that the commander in chief wouldn’t move his yearly state of the union address from late January to a date that would coincide with the premiere episode of the show’s sixth and final season. That’s right. Obama might have had vital information to impart upon the American people about health care, the war in Afghanistan, the financial crisis – things that, you know, might affect real lives. But the most important thing was that his address didn’t clash with a series in which a polar bear appears on a tropical island. After extensive lobbying by the ABC network, the White House surrendered. Obama’s press secretary promised: “I don’t foresee a scenario in which millions of people who hope to finally get some conclusion with Lost are pre-empted by the president.

See, that’s my point,” she said. “Why do I always have to watch the kids? You travel all the time and you don’t ask for permission. But the moment I want to go somewhere, not only do I have to ask you, but you can say no. It’s a total double standard.” Fadi sighed. “It’s not my fault we live in a world of double standards. It’s not just an Arab thing, it’s everywhere.

The most successful critics are always scribbling things in their programs, largely because it gives them an important and industrious air. Also, it is interesting to try to figure out what you've written afterward. Last week, for instance, I made a very helpful note during the second act of a drama called "They Walk Alone." "Lanchstr get face stuck 1 these nights awful if," it seemed to say.

Depression goes through stages, but if left unchecked and not treated, this elevator ride will eventually go all the way to the bottom floor. And finally you find yourself bereft of choices, unable to figure out a way up or out, and pretty soon one overarching impulse begins winning the battle for your mind: “Kill yourself.” And once you get over the shock of those words in your head, the horror of it, it begins to start sounding appealing, even possessing a strange resolve, logic. In fact, it’s the only thing you have left that is logical. It becomes the only road to relief. As if just the planning of it provides the first solace you’ve felt that you can remember. And you become comfortable with it. You begin to plan it and contemplate the details of how best to do it, as if you were planning travel arrangements for a vacation. You just have to get out. O-U-T. You see the white space behind the letter O? You just want to crawl through that O and be out of this inescapable hurt that is this thing they call clinical depression. “How am I going to do this?” becomes the only tape playing. And if you are really, really, really depressed and you’re really there, you’re gonna find a way. I found a way. I had a way. And I did it. I made sure Opal was out of the house and on a business trip. My planning took a few weeks. I knew exactly how I was going to do it: I didn’t want to make too much of a mess. There was gonna be no blood, no drama. There was just going to be, “Now you see me, now you don’t.” That’s what it was going to be. So I did it. And it was over. Or so I thought. About twenty-four hours later I woke up. I was groggy; zoned out to the point at which I couldn’t put a sentence together for the next couple of days. But I was semifunctional, and as these drugs and shit that I took began to wear off slowly but surely, I realized, “Okay, I fucked up. I didn’t make it.” I thought I did all the right stuff, left no room for error, but something happened. And this perfect, flawless plan was thwarted. As if some force rebuked me and said, “Not yet. You’re not going anywhere.” The only reason I could have made it, after the amount of pills and alcohol and shit I took, was that somebody or something decided it wasn’t my time. It certainly wasn’t me making that call. It was something external. And when you’re infused with the presence of this positive external force, which is so much greater than all of your efforts to the contrary, that’s about as empowering a moment as you can have in your life. These days we have a plethora of drugs one can take to ameliorate the intensity of this lack of hope, lack of direction, lack of choice. So fuck it and don’t be embarrassed or feel like you can handle it yourself, because lemme tell ya something: you can’t. Get fuckin’ help. The negative demon is strong, and you may not be as fortunate as I was. My brother wasn’t. For me, despair eventually gave way to resolve, and resolve gave way to hope, and hope gave way to “Holy shit. I feel better than I’ve ever felt right now.” Having actually gone right up to the white light, looked right at it, and some force in the universe turned me around, I found, with apologies to Mr. Dylan, my direction home. I felt more alive than I’ve ever felt. I’m not exaggerating when I say for the next six months I felt like Superman. Like I’m gonna fucking go through walls. That’s how strong I felt. I had this positive force in me. I was saved. I was protected. I was like the only guy who survived and walked away from a major plane crash. I was here to do something big. What started as the darkest moment in my life became this surge of focus, direction, energy, and empowerment.

Asking a writer why they like to write {in the theoretical sense of the question} is like asking a person why they breathe. For me, writing is a natural reflex to the beauty, the events, and the people I see around me. As Anais Nin put it, "We write to taste life twice." I live and then I write. The one transfers to the other, for me, in a gentle, necessary way. As prosaic as it sounds, I believe I process by writing. Part of the way I deal with stressful situations, catty people, or great joy or great trials in my own life is by conjuring it onto paper in some way; a journal entry, a blog post, my writing notebook, or my latest story. While I am a fair conversationalist, my real forte is expressing myself in words on paper. If I leave it all chasing round my head like rabbits in a warren, I'm apt to become a bug-bear to live with and my family would not thank me. Some people need counselors. Some people need long, drawn-out phone-calls with a trusted friend. Some people need to go out for a run. I need to get away to a quiet, lonesome corner--preferably on the front steps at gloaming with the North Star trembling against the darkening blue. I need to set my pen fiercely against the page {for at such moments I must be writing--not typing.} and I need to convert the stress or excitement or happiness into something to be shared with another person. The beauty of the relationship between reading and writing is its give-and-take dynamic. For years I gathered and read every book in the near vicinity and absorbed tale upon tale, story upon story, adventures and sagas and dramas and classics. I fed my fancy, my tastes, and my ideas upon good books and thus those aspects of myself grew up to be none too shabby. When I began to employ my fancy, tastes, and ideas in writing my own books, the dawning of a strange and wonderful idea tinged the horizon of thought with blush-rose colors: If I persisted and worked hard and poured myself into the craft, I could create one of those books. One of the heart-books that foster a love of reading and even writing in another person somewhere. I could have a hand in forming another person's mind. A great responsibility and a great privilege that, and one I would love to be a party to. Books can change a person. I am a firm believer in that. I cannot tell you how many sentiments or noble ideas or parts of my own personality are woven from threads of things I've read over the years. I hoard quotations and shadows of quotations and general impressions of books like a tzar of Russia hoards his icy treasures. They make up a large part of who I am. I think it's worth saying again: books can change a person. For better or for worse. As a writer it's my two-edged gift to be able to slay or heal where I will. It's my responsibility to wield that weapon aright and do only good with my words. Or only purposeful cutting. I am not set against the surgeon's method of butchery--the nicking of a person's spirit, the rubbing in of a salty, stinging salve, and the ultimate healing-over of that wound that makes for a healthier person in the end. It's the bitter herbs that heal the best, so now and again you might be called upon to write something with more cayenne than honey about it. But the end must be good. We cannot let the Light fade from our words.

Perhaps the best way to understand the book of Revelation is that it is a prophetic critique of civil religion. By civil religion I mean the religion of state where the state is the actual object of worship. Civil religion is religious patriotism. Christians are called to practice responsible citizenship but to renounce religious patriotism. In the practice of civil religion, the truth that the state is what is actually being deified and worshiped is usually carefully concealed. Instead of directly worshiping the state as God, worship of the state is expressed through sacred symbols, myths, and personifications of the state treated with religious reverence. The tendency to deify the state is particularly pronounced in empires—rich and powerful nations that believe they have a divine right to rule other nations and a manifest destiny to shape history according to their agenda. God’s contention with empire is one of the major themes of the Bible. From Egypt and Assyria to Babylonia and Rome, the prophets constantly critique empire as a direct challenge to the sovereignty of God. This prophetic tradition of empire critique reaches its apex in the book of Revelation. John the Revelator tells us that Rome’s claim of a divine right to rule the nations and of a manifest destiny to shape history is the very thing that God has given to his Son, Jesus Christ. Thus the drama of Revelation is cast as an epic conflict between the Lamb (Jesus) and the Beast (Rome).

In his book Real Presences, George Steiner asks us to "imagine a society in which all talk about the arts, music and literature is prohibited." In such a society there would be no more essays on whether Hamlet was mad or only pretending to be, no reviews of the latest exhibitions or novels, no profiles of writers or artists. There would be no secondary, or parasitic, discussion - let alone tertiary: commentary on commentary. We would have, instead, a "republic for writers and readers" with no cushion of professional opinion-makers to come between creators and audience. While the Sunday papers presently serve as a substitute for the experiencing of the actual exhibition or book, in Steiner's imagined republic the review pages would be turned into listings:catalogues and guides to what is about to open, be published, or be released. What would this republic be like? Would the arts suffer from the obliteration of this ozone of comment? Certainly not, says Steiner, for each performance of a Mahler symphony is also a critique of that symphony. Unlike the reviewer, however, the performer "invests his own being in the process of interpretation." Such interpretation is automatically responsible because the performer is answerable to the work in a way that even the most scrupulous reviewer is not. Although, most obviously, it is not only the case for drama and music; all art is also criticism. This is most clearly so when a writer or composer quotes or reworks material from another writer or composer. All literature, music, and art "embody an expository reflection which they pertain". In other words it is not only in their letters, essays, or conversation that writers like Henry James reveal themselves also to be the best critics; rather, The Portrait of a Lady is itself, among other things, a commentary on and a critique of Middlemarch. "The best readings of art are art." No sooner has Steiner summoned this imaginary republic into existence than he sighs, "The fantasy I have sketched is only that." Well, it is not. It is a real place and for much of the century it has provided a global home for millions of people. It is a republic with a simple name: jazz.

One of the best things about owning a brain is how you often seem to phase out of normalcy and briefly see your culture with a weirdly objective frame of mind. At some point every child realizes money is made up of slips of paper with no intrinsic value, and wonders why aloud. So, too, will children ask adults what’s up with shaking hands, or putting your fork on one side of the plate, or saying “Bless you” after a sneeze. Parents apply the glue that holds a culture together when explaining to a child that his socks must match, or that punctuality is paramount, or that picking his nose in public is a terrible habit. When a parent tells a boy he shouldn’t play with dolls, or a girl to wait for a boy to ask her to the prom, they are enforcing norms. When a kid asks, “But, why?” she is rightfully bringing to the attention of the adult world that all this stuff is just made up and mostly arbitrary nonsense often clung to for some long-forgotten reason. That feeling you sometimes get when you snap out of your culture for a moment, when the operating system crashes and slowly reboots, has been the subject of literature and drama for thousands of years.

If something terrible happened – such as war, plague or drought – people consoled themselves that ‘We all play a role in some great cosmic drama devised by the gods, or by the laws of nature. We are not privy to the script, but we can rest assured that everything happens for a purpose. Even this terrible war, plague and drought have their place in the greater scheme of things. Furthermore, we can count on the playwright that the story surely has a good and meaningful ending. So even the war, plague and drought will work out for the best – if not here and now, then in the afterlife.

First and foremost, a Siren must distinguish herself from other women. She is by nature a rare thing, mythic, only one to a group; she is also a valuable prize to be wrested away from other men. Cleopatra made herself different through her sense of high drama; the Empress Josephine Bonaparte’s device was her extreme languorousness; Marilyn Monroe’s was her little-girl quality. Physicality offers the best opportunities here, since a Siren is preeminently a sight to behold. A highly feminine and sexual presence, even to the point of caricature, will quickly differentiate you, since most women lack the confidence to project such an image.

Remember, every relationship is an opportunity to either discover more of your individuality and expand as a human being or do the pretzel dance and twist yourself into a smaller version of you based on who you think your partner wants you to be. Despite what your mind tells you, your partner is attracted to the real you—the authentic you that he first met—not the twisted version you think he wants. When you commit to being yourself from the start and to communicating your truth no matter what, you’ll avoid virtually all the drama, angst, and anxiety of not knowing where things stand that many other women experience on a daily basis. Most women are afraid to be real because they mistakenly believe that they’re not enough as they are. This “I’m not enough” mind-set not only is inaccurate but also destroys your well-being and ability to have a loving and satisfying relationship. Being yourself and speaking your truth from the moment you meet is the secret to having relationships unfold naturally and authentically. It is also the key to maintaining your irresistibility. Be yourself. Communicate what works you and what doesn’t. Do it from day one and never stop. This is the most powerful step you can take at the beginning of any relationship to set it up for long-term success. Speaking of relationship success, don’t confuse relationship longevity with relationship success. Just because a relationship lasts for many years does not mean it’s a success. Many couples cling to a lifeless and miserable existence they call a relationship because they are too afraid to be alone or to face the uncertainty of the unknown. Living a life of quiet desperation devoid of true love, passion, and spiritual partnership is not my idea of success. Relationships, again, are life’s grandest opportunity for spiritual growth and evolution. They exist so that we may discover ourselves, awaken our hearts, and heal our barriers to love. Every relationship you’ve ever had, or you ever will have, is designed to bring you closer to your divinity and ability to experience and express the very best of who you are.

playwright, no director, no producer – and no meaning. To the best of our scientific understanding, the universe is a blind and purposeless process, full of sound and fury but signifying nothing. During our infinitesimally brief stay on our tiny speck of a planet, we fret and strut this way and that, and then are heard of no more. Since there is no script, and since humans fulfil no role in any great drama, terrible things might befall us and no power will come to save us or give meaning to our suffering. There won’t be a happy ending, or a bad ending, or any ending at all. Things just happen, one after the other. The modern world does not believe in purpose, only in cause. If modernity has a motto, it is ‘shit happens’.

psychological protection against disasters. If something terrible happened – such as war, plague or drought – people consoled themselves that ‘We all play a role in some great cosmic drama devised by the gods or by the laws of nature. We are not privy to the script, but we can rest assured that everything happens for a purpose. Even this terrible war, plague and drought have their place in the greater scheme of things. Furthermore, we can count on the playwright that the story surely has a good and meaningful ending. So even the war, plague and drought will work out for the best – if not here and now, then in the afterlife.’ Modern culture rejects this belief in a great cosmic plan. We are not actors in any larger-than-life drama. Life has no script, no

They will call you quiet because you’re perfectly happy in silence. They will call you weak because you avoid conflict and drama. They will call you obsessed for being passionate about the things you love. They will call you rude for not engaging in social pleasantries. They will call you arrogant for having self-respect. They will call you boring for not being extrovert. They will call you wrong for having different beliefs. They will call you shy when you choose not to interact in small talk. They will call you weird because you choose not to conform to societal trends. They will call you fake for trying your best to remain positive. They will call you a loner because you’re comfortable being on your own. They will call you lost for not following the same route as others. They will call you a geek for being a knowledge-seeker. They will call you ugly for not looking like celebrities. They will call you dumb for not being an academic. They will call you crazy for thinking differently from others. They will call you cheap for knowing value for money. They will call you disloyal for distancing yourself from negative people.

The ones who were actually making an effort to follow the general course of events, and trying to get involved through self-sacrifice and heroic conduct, were the least useful members of society; they looked at things the wrong way round, and everything they did, with the best of intentions, turned out to be useless and absurd, like the regiments provided by Pierre and Mamonov that went off to loot Russian villages, like the lint scraped by the ladies that never got through to the wounded, and so on. Even people who just liked to think things through and talk them over couldn't discuss the current situation of Russia without unconsciously lapsing into hypocrisy, falsehood or useless victimization and animosity levelled against individuals they were eager to blame for things that weren't anybody's fault. Historical events illustrate more clearly than anything the injunction against eating of the Tree of Knowledge. The only activity that bears any fruit is subconscious activity, and no one who takes part in any historical drama can ever understand its significance. If he so much as tries to understand it, his efforts are fruitless.

Nowadays, enormous importance is given to individual deaths, people make such a drama out of each person who dies, especially if they die a violent death or are murdered; although the subsequent grief or curse doesn't last very long: no one wears mourning any more and there's a reason for that, we're quick to weep but quicker still to forget. I'm talking about our countries, of course, it's not like that in other parts of the world, but what else can they do in a place where death is an everyday occurrence. Here, though, it's a big deal, at least at the moment it happens. So-and-so has died, how dreadful; such-and-such a number of people have been killed in a crash or blown to pieces, how terrible, how vile. The politicians have to rush around attending funerals and burials, taking care not to miss any-intense grief, or is it pride, requires them as ornaments, because they give no consolation nor can they, it's all to do with show, fuss, vanity and rank. The rank of the self-important, super-sensitive living. And yet, when you think about it, what right do we have, what is the point of complaining and making a tragedy out of something that happens to every living creature in order for it to become a dead creature? What is so terrible about something so supremely natural and ordinary? It happens in the best families, as you know, and has for centuries, and in the worst too, of course, at far more frequent intervals. What's more, it happens all the time and we know that perfectly well, even though we pretend to be surprised and frightened: count the dead who are mentioned on any TV news report, read the birth and death announcements in any newspaper, in a single city, Madrid, London, each list is a long one every day of the year; look at the obituaries, and although you'll find far fewer of them, because an infinitesimal minority are deemed to merit one, they're nevertheless there every morning. How many people die every weekend on the roads and how many have died in the innumerable battles that have been waged? The losses haven't always been published throughout history, in fact, almost never. People were more familiar with and more accepting of death, they accepted chance and luck, be it good or bad, they knew they were vulnerable to it at every moment; people came into the world and sometimes disappeared at once, that was normal, the infant mortality rate was extraordinarily high until eighty or even seventy years ago, as was death in childbirth, a woman might bid farewell to her child as soon as she saw its face, always assuming she had the will or the time to do so. Plagues were common and almost any illness could kill, illnesses we know nothing about now and whose names are unfamiliar; there were famines, endless wars, real wars that involved daily fighting, not sporadic engagements like now, and the generals didn't care about the losses, soldiers fell and that was that, they were only individuals to themselves, not even to their families, no family was spared the premature death of at least some of its members, that was the norm; those in power would look grim-faced, then carry out another levy, recruit more troops and send them to the front to continue dying in battle, and almost no one complained. People expected death, Jack, there wasn't so much panic about it, it was neither an insuperable calamity nor a terrible injustice; it was something that could happen and often did. We've become very soft, very thin-skinned, we think we should last forever. We ought to be accustomed to the temporary nature of things, but we're not. We insist on not being temporary, which is why it's so easy to frighten us, as you've seen, all one has to do is unsheathe a sword. And we're bound to be cowed when confronted by those who still see death, their own or other people's, as part and parcel of their job, as all in a day's work. When confronted by terrorists, for example, or by drug barons or multinational mafia men.

Modern culture rejects this belief in a great cosmic plan. We are not actors in any larger-than-life drama. Life has no script, no playwright, no director, no producer – and no meaning. To the best of our scientific understanding, the universe is a blind and purposeless process, full of sound and fury but signifying nothing. During our infinitesimally brief stay on our tiny speck of a planet, we fret and strut this way and that, and then are heard of no more. Since there is no script, and since humans fulfil no role in any great drama, terrible things might befall us and no power will come to save us or give meaning to our suffering. There won’t be a happy ending, or a bad ending, or any ending at all. Things just happen, one after the other. The modern world does not believe in purpose, only in cause. If modernity has a motto, it is ‘shit happens’. On the other hand, if shit just happens, without any binding script or purpose, then humans too are not confined to any predetermined role. We can do anything we want – provided we can find a way. We are constrained by nothing except our own ignorance. Plagues and droughts have no cosmic meaning – but we can eradicate them. Wars are not a necessary evil on the way to a better future – but we can make peace. No paradise awaits us after death – but we can create paradise here on earth and live in it for ever, if we just manage to overcome some technical difficulties.

Earth (481-640) People with this personality type are likely to become successful leaders. You tend to be more disciplined and careful at planning tasks. Loyalty and trust are important equations in your relationships hence they prove to be your strength in hard times. You respect others and keep people united which makes people flourish under your leadership. Earth signs are efficient decision makers hence always remain firm on the step they took. Fire: (400-300) Fire people are smart enthusiastic and energetic to be around. You are very competitive and curious, and more often very passionate about your goals and desires. Trusting people with a job or any important personal task is hard hence making emotional connections are difficult for you. making friends or getting a lover, your life is full of drama and there’s always a lot happening around you. You are intelligent and always find new ways to do things Water (160-320) Water people are kind and empathetic but sensitive. And you sometimes tend to become people pleasers. being quite impulsive and always in a hurry, you make decisions haphazardly. Water people are shy and introverted while partying around with friends on a weekend would be the last thing you want to do. You dread small talk and expressing yourself to a group of people is quite a demanding job. People feel relaxed in your presence you bring out the best in them. Decision-making can be demanding and you are sometimes regretful of overthinking and hence not capable of finding a firm decision. Air: (0-160) You have quite an entrancing personality. People are naturally drawn towards you and find your company comforting and friendly. Air signs are naturally smart and quite efficient in their workplace. While using your challenges and opportunities wisely you are likely to have great careers. you are good at advising your colleagues. But being bound in a relationship sometimes doesn’t seem to help you, rather you respect open free yet intimate emotional connections. Air people who are artistic and creative always look at things from a unique lens. So now you know your element.

These are the general propositions that form this Humility Code: 1. We don’t live for happiness, we live for holiness. Day to day we seek out pleasure, but deep down, human beings are endowed with moral imagination. All human beings seek to lead lives not just of pleasure, but of purpose, righteousness, and virtue. As John Stuart Mill put it, people have a responsibility to become more moral over time. The best life is oriented around the increasing excellence of the soul and is nourished by moral joy, the quiet sense of gratitude and tranquillity that comes as a byproduct of successful moral struggle. The meaningful life is the same eternal thing, the combination of some set of ideals and some man or woman’s struggle for those ideals. Life is essentially a moral drama, not a hedonistic one. 2. Proposition one defines the goal of life. The long road to character begins with an accurate understanding of our nature, and the core of that understanding is that we are flawed creatures. We have an innate tendency toward selfishness and overconfidence. We have a tendency to see ourselves as the center of the universe, as if everything revolves around us. We resolve to do one thing but end up doing the opposite. We know what is deep and important in life, but we still pursue the things that are shallow and vain. Furthermore, we overestimate our own strength and rationalize our own failures. We know less than we think we do. We give in to short-term desires even when we know we shouldn’t. We imagine that spiritual and moral needs can be solved through status and material things. 3. Although we are flawed creatures, we are also splendidly endowed. We are divided within ourselves, both fearfully and wonderfully made. We do sin, but we also have the capacity to recognize sin, to feel ashamed of sin, and to overcome sin. We are both weak and strong, bound and free, blind and far-seeing. We thus have the capacity to struggle with ourselves. There is something heroic about a person in struggle with herself, strained on the rack of conscience, suffering torments, yet staying alive and growing stronger, sacrificing a worldly success for the sake of an inner victory.

...literature does its best to maintain that its concern is with the mind ; that the body is a sheet of plain glass through which the soul looks straight and clear, and, save for one or two passions such as desire and greed, is null , negligible and nonexistent. On the contrary, the very opposite is true. All day, all night the body intervenes; blunts or sharpens, colours or discolours, turns to wax in the warmth of June, hardens to tallow in the murk of February. The creature within can only gaze through the pane—smudged or rosy; it cannot separate off from the body like the sheath of a knife or the pod of a pea for a single instant; it must go through the whole unending procession of changes, heat and cold, comfort and discomfort, hunger and satisfaction, health and illness, until there comes the inevitable catastrophe; the body smashes itself to smithereens, and the soul (it is said) escapes. But of all this daily drama of the body there is no record. People write always about the doings of the mind; the thoughts that come to it; its noble plans; how it has civilised the universe. They show it ignoring the body in the philosopher's turret; or kicking the body, like an old leather football, across leagues of snow and desert in the pursuit of conquest or discovery. Those great wars which it wages by itself, with the mind a slave to it, in the solitude of the bedroom against the assault of fever or the oncome of melancholia, are neglected. Nor is the reason far to seek. To look these things squarely in the face would need the courage of a lion tamer; a robust philosophy; a reason rooted in the bowels of the earth. Short of these, this monster, the body, this miracle, its pain, will soon make us taper into mysticism, or rise, with rapid beats of the wings, into the raptures of transcendentalism. More practically speaking, the public would say that a novel devoted to influenza lacked plot; they would complain that there was no love in it—wrongly however, for illness often takes on the disguise of love, and plays the same odd tricks, investing certain faces with divinity, setting us to wait, hour after hour, with pricked ears for the creaking of a stair, and wreathing the faces of the absent (plain enough in health, Heaven knows) with a new significance, while the mind concocts a thousand legends and romances about them for which it has neither time nor liberty in health.

Mystery is the sugar in the cup,' said the Doctor. She picked up the container of white crystals the delicatessen had included in the picnic basket and poured a large dollop into her cognac. 'I don’t think I’d do that, Gunilla,' said Darcourt. 'Nobody wants you to do it, Simon. I am doing it, and that’s enough. That is the curse of life—when people want everybody to do the same wise, stupid thing. Listen: Do you want to know what life is? I’ll tell you. Life is a drama.' 'Shakespeare was ahead of you, Gunilla,' said Darcourt. '"All the world’s a stage,"' he declaimed. 'Shakespeare had the mind of a grocer,' said Gunilla. 'A poet, yes, but the soul of a grocer. He wanted to please people.' 'That was his trade,' said Darcourt. 'And it’s yours, too. Don’t you want this opera to please people?' 'Yes, I do. But that is not philosophy. Hoffmann was no philosopher. Now be quiet, everybody, and listen, because this is very important. Life is a drama. I know. I am a student of the divine Goethe, not that grocer Shakespeare. Life is a drama. But it is a drama we have never understood and most of us are very poor actors. That is why our lives seem to lack meaning and we look for meaning in toys—money, love, fame. Our lives seem to lack meaning but'—the Doctor raised a finger to emphasize her great revelation—'they don’t, you know.' She seemed to be having some difficulty in sitting upright, and her natural pallor had become ashen. 'You’re off the track, Nilla,' said Darcourt. 'I think we all have a personal myth. Maybe not much of a myth, but anyhow a myth that has its shape and its pattern somewhere outside our daily world.' 'This is all too deep for me,' said Yerko. 'I am glad I am a Gypsy and do not have to have a philosophy and an explanation for everything. Madame, are you not well?' Too plainly the Doctor was not well. Yerko, an old hand at this kind of illness, lifted her to her feet and gently, but quickly, took her to the door—the door to the outside parking lot. There were terrible sounds of whooping, retching, gagging, and pitiful cries in a language which must have been Swedish. When at last he brought a greatly diminished Gunilla back to the feast, he thought it best to prop her, in a seated position, against the wall. At once she sank sideways to the floor. 'That sugar was really salt,' said Darcourt. 'I knew it, but she wouldn’t listen. Her part in the great drama now seems to call for a long silence.' 'When she comes back to life I shall give her a shot of my personal plum brandy,' said Yerko. 'Will you have one now, Priest Simon?

Have no anxiety about anything,' Paul writes to the Philippians. In one sense it is like telling a woman with a bad head cold not to sniffle and sneeze so much or a lame man to stop dragging his feet. Or maybe it is more like telling a wino to lay off the booze or a compulsive gambler to stay away from the track. Is anxiety a disease or an addiction? Perhaps it is something of both. Partly, perhaps, because you can't help it, and partly because for some dark reason you choose not to help it, you torment yourself with detailed visions of the worst that can possibly happen. The nagging headache turns out to be a malignant brain tumor. When your teenage son fails to get off the plane you've gone to meet, you see his picture being tacked up in the post office among the missing and his disappearance never accounted for. As the latest mid-East crisis boils, you wait for the TV game show to be interrupted by a special bulletin to the effect that major cities all over the country are being evacuated in anticipation of a nuclear attack. If Woody Allen were to play your part on the screen, you would roll in the aisles with the rest of them, but you're not so much as cracking a smile at the screen inside your own head. Does the terrible fear of disaster conceal an even more terrible hankering for it? Do the accelerated pulse and the knot in the stomach mean that, beneath whatever their immediate cause, you are acting out some ancient and unresolved drama of childhood? Since the worst things that happen are apt to be the things you don't see coming, do you think there is a kind of magic whereby, if you only can see them coming, you will be able somehow to prevent them from happening? Who knows the answer? In addition to Novocain and indoor plumbing, one of the few advantages of living in the twentieth century is the existence of psychotherapists, and if you can locate a good one, maybe one day you will manage to dig up an answer that helps. But answer or no answer, the worst things will happen at last even so. 'All life is suffering' says the first and truest of the Buddha's Four Noble Truths, by which he means that sorrow, loss, death await us all and everybody we love. Yet "the Lord is at hand. Have no anxiety about anything," Paul writes, who was evidently in prison at the time and with good reason to be anxious about everything, 'but in everything by prayer and supplication with thanksgiving let your requests be made known to God.' He does not deny that the worst things will happen finally to all of us, as indeed he must have had a strong suspicion they were soon to happen to him. He does not try to minimize them. He does not try to explain them away as God's will or God's judgment or God's method of testing our spiritual fiber. He simply tells the Philippians that in spite of them—even in the thick of them—they are to keep in constant touch with the One who unimaginably transcends the worst things as he also unimaginably transcends the best. 'In everything,' Paul says, they are to keep on praying. Come Hell or high water, they are to keep on asking, keep on thanking, above all keep on making themselves known. He does not promise them that as a result they will be delivered from the worst things any more than Jesus himself was delivered from them. What he promises them instead is that 'the peace of God, which passes all understanding, will keep your hearts and your minds in Christ Jesus.' The worst things will surely happen no matter what—that is to be understood—but beyond all our power to understand, he writes, we will have peace both in heart and in mind. We are as sure to be in trouble as the sparks fly upward, but we will also be "in Christ," as he puts it. Ultimately not even sorrow, loss, death can get at us there. That is the sense in which he dares say without risk of occasioning ironic laughter, "Have no anxiety about anything." Or, as he puts it a few lines earlier, 'Rejoice in the Lord always. I will say, Rejoice!

It (designing) has everything. It’s difficult, it’s hard work, it’s harassing, it’s full of drama. I don’t quite know where I got my ambition but I have it. I go into things with an optimistic point of view and I look at it straight and try to make it the biggest and best success I can. But the thing that holds my interest always is MORE; what’s next, what’s going to be the next exciting thing.

Part of me wonders, in a world that seems so divided and divisive, if we’re really at odds with one another or if we’re just feeling entitled and lazy. Maybe we’re just so bored with our comfortable lives that we have to find something to fill our time. As humans, we are wired for a challenge, so if we don’t challenge ourselves, we’ll find petty drama and arguments to keep us busy. Spend time around people who are truly working to bring the best version of themselves to the world, and my guess is that we won’t feel much like arguing anymore. You become like the people with whom you spend the most time. So it should be no surprise that spending time with people who beat me constantly didn’t deter me from finishing first. Instead, it helped me access my own will to win. Why is it that we get so caught up with thinking that beating someone is bad for them? What if winning is the kindest, bravest, most helpful thing you can do? Healthy competition teaches us. It doesn’t hold us back. It pushes us forward. When we bring our best to the competition, it challenges everyone to dig deep and discover their hidden talents, their buried tenacity, their untapped skill. You were put on this Earth to do something amazing. Something nobody else can do. The only way you can do that thing is to tap into your deepest power, your greatest potential. Far too many of us are missing it because we’re worried about making a way for someone else.

From everything she’d told me that evening, it was clear that if we were going to move forward, then I was going to have to become a well-functioning, fully autonomous man. Or, as I discovered during our laundry fiasco a few months earlier, I was going to have to become an adult. She had been right after all; this was not going to be easy. Kristen fell asleep not long after we finished talking. I didn’t want to go to bed without a plan for turning things around once and for all, so while she slept, I analyzed my notes in an attempt to extract some kind of strategy:   —Respect Kristen’s personal time and space. —Be more involved with the kids. —Manage yourself and your emotions—Kristen shouldn’t have to do that. —Have fun while we do things rather than making everything a “drama fest.”   The single unifying concept seemed to be: Kristen and the kids need you to be able to manage yourself by yourself. Sitting on the bed, with Kristen sound asleep, I once again found myself with a worthy goal and no idea how to define the first step toward achieving it. I was ready to call it a night when one of my notes leaped out at me from the page: Help lighten her burden by showing initiative once in a while. There it was. I realized that if I could take initiative when it came to things like stabilizing my moods then Kristen would be able to go about her day without having to worry about what might set me off. With a sense of initiative, I might actually vacuum once in a while or take the kids to the grocery store so that Kristen could enjoy some downtime—downtime that would be sweetened by the fact that she didn’t have to ask for it. Initiative could make me seem more empathic.

Once the warm jacket was on me, he moved to my side, slipping an arm possessively around my lower back, an action that certainly did not slip past Rich. "Seriously?" he asked, looking a mix of hurt and almost... disgusted? "This is a thing..." he half-asked, half-declared, waving a hand at us. "It's a thing," Brant said with a nod. "You fucked up and lost a good thing. I saw that good thing and scooped it up. And I'm not fucking it up. And you're not getting between. So I think that is all that needs to be said here." Rich's head jerked back like Brant had struck him, but his jaw got tight and his chin lifted. "Knew you were a lot of things, Maddy," he said and I knew whatever was going to follow was out of hurt- hurt heart, hurt pride, but I honestly didn't think he had it in him to be so nasty. "But I didn't think you were a slut." With that, he walked away, leaving me literally with my mouth hanging open. "Five years with you and 'slut' is the best he could come up with?" Brant asked, shaking his head. Then his gaze moved to me, his fingers snagged my chin and tilted it up so he could catch my eyes. "You're not a slut, Maddy," he said, voice firm, brooking no room for argument. "I mean, I'm all for you getting slutty with me, but that doesn't mean you're a slut. He's just being a dick because you bruised his ego." I knew that. And I knew I wasn't a slut. Far from. It was just startling hearing that accusation come from the lips of someone you thought you knew. I gave Brant a slow and saucy smile, eyes going a little wicked. "Well, now that the drama is out of the way...I have an idea of how we can get good and slutty together later." "Oh yeah?" he asked, smirking. "Yeah, it involves pineapples." And later, after we finished work, it did.

Liberal politics is based on the idea that the voters know best, and there is no need for Big Brother to tell us what is good for us. Liberal economics is based on the idea that the customer is always right. Liberal art declares that beauty is in the eye of the beholder. Students in liberal schools and universities are taught to think for themselves. Commercials urge us to ‘Just do it.’ Action films, stage dramas, soap operas, novels and catchy pop songs indoctrinate us constantly: ‘Be true to yourself’, ‘Listen to yourself’, ‘Follow your heart’. Jean-Jacques Rousseau stated this view most classically: ‘What I feel to be good – is good. What I feel to be bad – is bad.’ People who have been raised from infancy on a diet of such slogans are prone to believe that happiness is a subjective feeling and that each individual best knows whether she is happy or miserable. Yet this view is unique to liberalism. Most religions and ideologies throughout history stated that there are objective yardsticks for goodness and beauty, and for how things ought to be. They were suspicious of the feelings and preferences of the ordinary person. At the entrance of the temple of Apollo at Delphi, pilgrims were greeted by the inscription: ‘Know thyself!’ The implication was that the average person is ignorant of his true self, and is therefore likely to be ignorant of true happiness. Freud would probably concur.fn1 And so would Christian theologians. St Paul and St Augustine knew perfectly well that if you asked people about it, most of them would prefer to have sex than pray to God. Does that prove that having sex is the key to happiness? Not according to Paul and Augustine. It proves only that humankind is sinful by nature, and that people are easily seduced by Satan. From a Christian viewpoint, the vast majority of people are in more or less the same situation as heroin addicts. Imagine that a psychologist embarks on a study of happiness among drug users. He polls them and finds that they declare, every single one of them, that they are only happy when they shoot up. Would the psychologist publish a paper declaring that heroin is the key to happiness? The idea that feelings are not to be trusted is not restricted to Christianity. At least when it comes to the value of feelings, even Darwin and Dawkins might find common ground with St Paul and St Augustine. According to the selfish gene theory, natural selection makes people, like other organisms, choose what is good for the reproduction of their genes, even if it is bad for them as individuals. Most males spend their lives toiling, worrying, competing and fighting, instead of enjoying peaceful bliss, because their DNA manipulates them for its own selfish aims. Like Satan, DNA uses fleeting pleasures to tempt people and place them in its power.

It interests me that there is no end of fictions, and facts made over in the forms of fictions. Because we class them under so many different rubrics, and media, and means of delivery, we don't recognize the sheer proliferation and seamlessness of them. I think at some level of scale or perspective, the police drama in which a criminal is shot, the hospital in which the doctors massage a heart back to life, the news video in which jihadists behead a hostage, and the human-interest story of a child who gets his fondest wish (a tourist trip somewhere) become the same sorts of drama. They are representations of strong experience, which, as they multiply, began to dedifferentiate in our uptake of them, despite our names and categories and distinctions... I say I watch the news to "know". But I don't really know anything. Certainly I can't do anything. I know that there is a war in Iraq, but I knew that already. I know that there are fires and car accidents in my state and in my country, but that, too, I knew already. With each particular piece of footage, I know nothing more than I did before. I feel something, or I don't feel something. One way I am likely to feel is virtuous and "responsible" for knowing more of these things that I can do nothing about. Surely this feeling is wrong, even contemptible. I am not sure anymore what I feel. What is it like to watch a human being's beheading? The first showing of the video is bad. The second, fifth, tenth, hundredth are—like one's own experiences—retained, recountable, real, and yet dreamlike. Some describe the repetition as "numbing". "Numbing" is very imprecise. I think the feeling, finally, is of something like envelopment and even satisfaction at having endured the worst without quite caring or being tormented. It is the paradoxically calm satisfaction of having been enveloped in a weak or placid "real" that another person endured as the worst experience imaginable, in his personal frenzy, fear, and desperation, which we view from the outside as the simple occurrence of a death... I see: Severed heads. The Extra Value Meal. Kohl-gray eyelids. A holiday sale at Kohl's. Red seeping between the fingers of the gloved hand that presses the wound. "Doctor, can you save him?" "We'll do our best." The dining room of the newly renovated house, done in red. Often a bold color is best. The kids are grateful for their playroom. The bad guy falls down, shot. The detectives get shot. The new Lexus is now available for lease. On CNN, with a downed helicopter in the background, a peaceful field of reeds waves in the foreground. One after another the reeds are bent, broken, by boot treads advancing with the camera. The cameraman, as savior, locates the surviving American airman. He shoots him dead. It was a terrorist video. They run it again. Scenes from ads: sales, roads, ordinary calm shopping, daily life. Tarpaulined bodies in the street. The blue of the sky advertises the new car's color. Whatever you could suffer will have been recorded in the suffering of someone else. Red Lobster holds a shrimp festival. Clorox gets out blood. Advil stops pain fast. Some of us are going to need something stronger.

If a child lives in constant worry that he might mess up and make his parents unhappy or that he’ll be punished, he won’t feel the freedom to do all the things that grow and strengthen his upstairs brain: considering others’ feelings, exploring alternative actions, understanding himself, and trying to make the best decision in a given situation. We don’t want our discipline to cause our children to focus all of their energy and neural resources on making us happy or staying out of trouble. Instead, we want our discipline to help grow our kids’ upstairs brains.

If a child lives in constant worry that he might mess up and make his parents unhappy or that he’ll be punished, he won’t feel the freedom to do all the things that grow and strengthen his upstairs brain: considering others’ feelings, exploring alternative actions, understanding himself, and trying to make the best decision in a given situation. We don’t want our discipline to cause our children to focus all of their energy and neural resources on making us happy or staying out of trouble. Instead, we want our discipline to help grow our kids’ upstairs brains. And that’s just what No-Drama Discipline does.

However, if we truly love our kids and want what’s best for them, we need to be able to tolerate the tension and discomfort they (and we) may experience when we set a limit. We want to say yes to our children as often as possible, but sometimes saying no is the most loving thing we can do.

Absence Blindness is a cognitive bias that prevents us from identifying what we can’t observe. Our perceptual faculties evolved to detect objects that are present in the Environment. It’s far more difficult for people to notice or identify what’s missing. Examples of Absence Blindness are everywhere. Here’s a common example: great Management is boring—and often unrewarding. The hallmark of an effective manager is anticipating likely issues and resolving them in advance, before they become a problem. Some of the best managers in the world exhibit a quiet sort of competence: there’s little drama, and everything gets done on time and under budget. The problem is, no one sees all of the bad things that the great manager prevents. Less skilled managers are more likely to be rewarded, since everyone can see them “making things happen” and “moving heaven and earth” to resolve issues—issues they may have created themselves via poor Management.

What we must do to avoid this trap is to alter our perspective: instead of instantly focusing on individuals and the drama of the failed action, we must focus on the overall group dynamic. Fix the dynamic, create a productive culture, and not only will we avoid all of the above evils but we will trigger a much different, upward pull within the group. What creates a functional, healthy dynamic is the ability of the group to maintain a tight relationship to reality. The reality for a group is as follows: It exists in order to get things done, to make things, to solve problems. It has certain resources it can draw upon—the labor and strengths of its members, its finances. It operates in a particular environment that is almost always highly competitive and constantly changing. The healthy group puts primary emphasis on the work itself, on getting the most out of its resources and adapting to all of the inevitable changes. Not wasting time on endless political games, such a group can accomplish ten times more than the dysfunctional variety. It brings out the best in human nature—people’s empathy, their ability to work with others on a high level. It remains the ideal for all of us. We shall call this ideal the reality group.

Patrick Jephson As the first and only private secretary to Diana during her life, Patrick Jephson was one of the closest people to the Princess throughout her international charity and diplomatic career. He is also a notable broadcaster and journalist and has contributed to many major British newspapers, including the Times, the Observer, and the Daily Mail. His writing credits include Shadows of a Princess and Portraits of a Princess: Travels with Diana, and several of his books have been international bestsellers. As a nation, the British like to remember things, especially things that make them feel special. Trying to forget Diana is a tall order--and not just for those of us who knew her well. What happened to her during those sixteen years was drama on a Shakespearean scale--just think of love, betrayal, sacrifice, beauty, and death. The curtain may have come down on the tragedy ten years ago. But our farewell to Diana is not yet complete. It probably never will be. It’s a memory that is renewed each time we see a photograph of her sons. William in particular carries the blessing (or the burden) of Diana’s camera-friendly looks. Her DNA in our future heads of state is now an ineradicable biological fact. Time may fade that reality. But nobody can deny it.

Exercise One How Do You React to Yourself and Your Life? HOW DO YOU TYPICALLY REACT TO YOURSELF?          •    What types of things do you typically judge and criticize yourself for—appearance, career, relationships, parenting, and so on?          •    What type of language do you use with yourself when you notice some flaw or make a mistake—do you insult yourself, or do you take a more kind and understanding tone?          •    If you are highly self-critical, how does this make you feel inside?          •    What are the consequences of being so hard on yourself? Does it make you more motivated, or does it tend to make you discouraged and depressed?          •    How do you think you would feel if you could truly accept yourself exactly as you are? Does this possibility scare you, give you hope, or both? HOW DO YOU TYPICALLY REACT TO LIFE DIFFICULTIES?          •    How do you treat yourself when you run into challenges in your life? Do you tend to ignore the fact that you’re suffering and focus exclusively on fixing the problem, or do you stop to give yourself care and comfort?          •    Do you tend to get carried away by the drama of difficult situations, so that you make a bigger deal out of them than you need to, or do you tend to keep things in balanced perspective?          •    Do you tend to feel cut off from others when things go wrong, with the irrational feeling that everyone else is having a better time of it than you are, or do you try to remember that all people experience hardship in their lives? If you feel that you lack sufficient self-compassion, check in with yourself—are you criticizing yourself for this, too? If so, stop right there. Try to feel compassion for how difficult it is to be an imperfect human being in this extremely competitive society of ours. Our culture does not emphasize self-compassion, quite the opposite. We’re told that no matter how hard we try, our best just isn’t good enough. It’s time for something different. We can all benefit by learning to be more self-compassionate, and now is the perfect time to start.

cycling, and from my first days living in Italy I couldn’t help but feel its influence and importance. It played a pivotal part in where I was, what I was doing and who I was trying to become. Once I was in Italy the Giro was forever on my mind. The thing about Italians is they love to talk. They love to talk about anything, but much in line with their Mediterranean cousins in Greece and Spain they love to debate. In Italian the word is polemica – it is what keeps bars in business, cafés bustling, and it is what makes cycling, along with football and politics, so important. The drama and aesthetic beauty set against the titanic physical struggle of cycling make it the perfect subject matter for this kind of debate. In Italy, while one-day races might provide reasons for a good debate for a day or two at best, the real winner is the Giro. It provides one whole month of conversation and argument, and the newspapers and television stations delight in fuelling the conversation – they exist purely to stoke the fire of debate.

That’s one of the key challenges of remote work: keeping everyone’s outlook healthy and happy. That task is insurmountable if you’ve stacked your team with personalities who tend to let their inner asshole loose every now and again. Even for people with the best intentions, relations can go astray if the work gets stressful (and what work doesn’t occasionally?). The best ballast you can have is as many folks in your boat as possible with a thoroughly optimistic outlook. We’re talking about people who go out of their way to make sure everyone is having a good time. Remember: sentiments are infectious, whether good or bad. That’s also why it’s as important to continuously monitor the work atmosphere as to hire for it. It’s never a good idea to let poisonous people stick around to spoil it for everyone else, but in a remote-work setup it’s deadly. When you’re a manager and your employees are far flung, it’s impossible to see the dread in their eyes, and that can be fatal. With respect to drama, it therefore makes sense to follow the “No Broken Windows” theory of enforcement. What are we talking about? Well, in the same way that New York cracked down in the ’90s on even innocuous offenses like throwing rocks through windows or jumping the turnstile, a manager of remote workers needs to make an example of even the small stuff—things like snippy comments or passive-aggressive responses. While this responsibility naturally falls to those in charge, it works even better if policed by everyone in the company.

1) I may lose something today, I may get anything else tomorrow. But, I can never lose and ever get one thing and thats ‘YOU’ So, be my friend forever! 2) I CARE For U Bcoz You Are MY $weet……… friend for ever. 3) Each day i meet some one new, But never find another u..The world is full of ppl its true, Yet no one ever equals a friend like you.. 4) A best friend is one who never get tired ,of listening to your pointless drama over and over again ! 5) Best friends have CONVERSATION impossible to UNDERSTAND for others. 6) A good friend knows all your story , and a best friend has lived them with you. 7) BEST FRIEND knows , how stupid you are, but still choose to be with you . 8) BEST FRIENDS are like stars, you don’t always see them , but they are always there. 9) You are my BEST FRIEND , my HUMAN DIARY and my OTHER HALF , you mean the WORLD for me. 10) Best friends ,make the good time better and the hard times easier !! 11) When destiny forget , to tie some people in relationship,it corrects its mistake by making them your best friends .. 12) Best FRIENDS are like diamond , when you hit them they don’t break, they just slip away from your life. 13) When I die, friends would come at my funeral, good friends would cry for me , but my BEST FRIEND would change my Whatsapp status ” Chilling WITH Jesus ” 14) Weekly One Day Holiday, Monthly One Day Salary Day, Yearly One Day Birthday, Lifely One Day Death Day, But Sharing FRIENDSHIP with BEST FRIEND Is Every Day

Listen, shit gets ripped off at hospitals all the fucking time. I mean Jesus, who wants to work in a hospital? The money sucks and it's boring and disgusting and you can get attacked with like, staplers, because people are genuinely off their rockers, and if I tell anybody something's wrong—any little, the slightest nothing, anything—the whole entire desk gangs up on you like you're some traitor to their mind-blowing incompetence. By law, they have to call the police and file a report. It's a whole thing, a giant hassle, and they all hate you 'cause it means tossing the cells, it really is like jail only everybody knows it's somebody on staff, and that gets them extra table-flipping pissy because it's this big hot steaming pile of extra work for nothing!

Somehow, Midsomer Murders is our best-rated TV import,’ admits Adrian, reluctantly. ‘It’s been getting a 30–40 per cent audience share for the past thirteen years – as long as it’s been around.’ The show is so popular in Denmark that to celebrate the anniversary of the ITV crime drama, bosses teamed up with Danish producers and stars from The Killing and Borgen for a special episode. ‘I think it’s because people find it soothing or something,’ says Adrian. I tell him that The Viking compared the experience of watching Midsomer Murders with eating soup: ‘It’s not the most exciting thing out there but it does make you feel all warm and hygge.

have bested Stella through sheer good luck and Lulu’s kindness, but I know that I can’t push my advantage too far without risking Permanent Exile. The only safe thing to do now is say to Lulu and Chris and Colin, Sorry—see you guys, and break off to reclaim my rightful place as Stella’s Number One, at which point we’ll ditch Iona and Yvette and have a sweet time, the magic of Stella being most intense when we’re first reunited and there is a sparkling surprise even to normal things like Shuffleboard or the Bocce Ball Courts or the Tire Swing. Ditching my new group is the only right move in my Stella drama but I can’t bring myself to do it, it is a split-second decision—NO—so I just smile at Stella and we keep walking and it feels dangerous to do this, I know I will pay later on but now it’s done.

So when Carl said, Why do you take drugs? she told him what she thought, told him the truth because the least such a question deserved was a real answer. She said, Oh, who knows, there are so many good reasons and nobody mentions them and the main thing nobody mentions is the comfort of it, how good it is to be a slave to something, the regularity and the habit of addiction, the fact that it's an antidote to loneliness, and the way it becomes your family, gives you mother love and protection and keeps you safe. Carl, trying to keep to the moral high ground, trying to protect his position as the meeting's architect, said: But there are good habits and there are bad habits. Drugs are a bad habit, so why do it? Because, said Dimple, it isn't the heroin that we're addicted to, it's the drama of the life, the chaos of it, that's the real addiction and we never get over it; and because, when you come down to it, the high life, that is, the intoxicated life, is the best of the limited options we are offered -- why would we choose anything else?

An adult spectator has greater command over his facial expressions, and it is perhaps for that very reason that fictitiously, that is, without a real cause or real action, he even more intensely lives through the entire gamut of noble and heroic feelings presented by the drama, or gives free rein in his imagination to the base and even criminal inclinations of his nature, the feelings he experiences being real, though his complicity in the crimes committed on the stage is fictitious. What interested me most in this argumentation was the element of “fictitiousness.” Thus art (so far in the form of theatre) enables man through co-experience fictitiously to perform heroic actions, fictitiously to experience great emotions, fictitiously to feel himself a hero like Franz Moor, to rid himself of base instincts with the assistance of Karl Moor, to regard himself as a sage like Faust, to feel inspired by God like Joan of Arc, to be an ardent lover like Romeo, to be a patriot like Count de Rizoor, to see his doubts dissipated by Kareno, Brand, Rosmer or Hamlet. More. The best thing about it was that these fictitious actions brought the spectator real satisfaction. Thus after seeing Verhaeren's Les aubes he feels he is a hero. After seeing Calderon's El principe constante he feels he is a martyr. After seeing Schiller's Kabale und Liebe he is overwhelmed by righteousness and self-pity. “But this is horrible!” I shuddered as I was crossing Trubnaya Square (or was it Sretenskiye Gates?). What infernal mechanics governed this sacred art whose votary I had become? That was mere than a lie! That was more than deceit! That was downright dangerous. Horribly, unspeakably dangerous. Only think: why strive for reality, if for a small sum of money you can satisfy yourself in your imagination without moving from your comfortable theatre seat?

I thought having a boyfriend was the best thing ever. I thought I was in love. So I immediately gave everything up. Beth. Everyone else I knew at school. My whole life was at that school. I had... hobbies. Me and Beth did all the school shows. I went to the drama club. I'd always pester the head of drama to let us do a Shakespeare and she'd always give in. I was... happy. I was actually happy. And I gave it all up to be with my boyfriend.

Maybe when a person turns into a vampire, they acquire an encyclopedic and instantly updated understanding of how best to dress for purposes of blending into modern society and attracting victims." He gestured to himself, giving me a broad, dazzling smile. His eyes twinkled with amusement. "What you see before you is the result of millennia of vampire genetic evolution, Cassie. Nothing more." I raised a skeptical eyebrow at him and folded my arms across my chest. "Spare me," I said, though I was on the verge of laughing. "There is no such thing as vampire osmosis or I wouldn't be here. And we didn't buy you those clothes at the mall." He gave me another smile, more bashful this time. "Fine, fine. You've got me." He pointed at the television. "I've been watching subtitled Korean dramas on Netflix." A pause. "Korean dramas?" "Yes," he confirmed. "Did you know that about a decade ago, South Korea's government began investing massive sums in its entertainment industry? It's an entertainment powerhouse now. It has made a science of dressing its actors and actresses attractively. Between our trip to the mall and Crash Landing on You, I've learned an incredible amount." I hadn't seen any Korean television before. But if Frederick had learned how to dress by watching it, I wasn't about to complain.

Nowadays, more and more middle-aged people are suffering from insomnia, as life for the middle-aged is stressful indeed. For one thing, as they are the backbones of their companies, they have plenty of things to do at work. And they usually have to work overtime. For another, they have to take great responsibilities at home, for their aged parents need to be supported and their little children need to be brought up. That's why they don't have enough time to have a good rest. 카톡☛ppt33☚ 〓 라인☛pxp32☚ 홈피는 친추로 연락주세요 구구정판매,구구정파는곳,구구정구입방법,구구정구매방법,구구정구입사이트,구구정구매사이트,구구정지속시간,구구정복용법 비아그라약효,시알리스약효,팔팔정약효,엠빅스약효,비맥스약효,네노마정약효,프릴리지약효,요힘비약효 I have a dream. When I grow up, I want to be an actor. Being an actor can play many roles and experience different lifestyles. It is so cool. What’s more, I can make a lot of money and then travel around the world. I have passion in performance and have joined many dramas. I hope someday I can realize my dream. The physicist: 'Love is chemistry' Biologically, love is a powerful neurological condition like hunger or thirst, only more permanent. We talk about love being blind or unconditional, in the sense that we have no control over it. But then, that is not so surprising since love is basically chemistry. While lust is a temporary passionate sexual desire involving the increased release of chemicals such as testosterone and oestrogen, in true love, or attachment and bonding, the brain can release a whole set of chemicals: pheromones, dopamine, norepinephrine, serotonin, oxytocin and vasopressin. However, from an evolutionary perspective, love can be viewed as a survival tool – a mechanism we have evolved to promote long-term relationships, mutual defense and parental support of children and to promote feelings of safety and security. The philosopher: 'Love is a passionate commitment' The answer remains elusive in part because love is not one thing. Love for parents, partners, children, country, neighbor, God and so on all have different qualities. Each has its variants – blind, one-sided, tragic, steadfast, fickle, reciprocated, misguided, and unconditional. At its best, however, all love is a kind a passionate commitment that we nurture and develop, even though it usually arrives in our lives unbidden. That's why it is more than just a powerful feeling. Without the commitment, it is mere infatuation. Without the passion, it is mere dedication. Without nurturing, even the best can wither and die. The romantic novelist: 'Love drives all great stories

MSN GROUP: Mystery’s Lounge SUBJECT: Field Report—Life at Project Hollywood AUTHOR: Sickboy For those who don’t know, I’ve been sleeping in Papa’s closet at Project Hollywood. Today was the best day I’ve ever had here, despite all the crazy drama that has been going on. I woke up earlier than usual and went surfing in Malibu with Style and his girlfriend, who is really an amazing person. Seeing how cool they get along is really inspiring. He’s one of the few people I’ve met in the game who has something great to show for all the effort he’s put into it. The surfing was amazing. I was so happy to go because I haven’t gone yet this summer. I recommend taking up the sport to anyone who’s never tried it. As soon as you hit the water, your mind clears and it’s almost impossible to think of anything else. It’s truly a relaxing experience. Afterward, we ate at a fish stand right at the edge of the Pacific Ocean and had a great conversation about music, friends, traveling, life, and careers. When I returned to the house, I did some work. Then I watched The Last Dragon with Playboy, whom I’ve become good friends with. During the movie, Herbal and Mystery talked outside and settled their differences. Though Mystery’s still upset at Katya, he said he wouldn’t hold it against Herbal for falling in love with her. And Herbal said that if Mystery paid for the damages to his room, he’d forgive Mystery for his behavior. Thank God. It’s good to see this thing ended in a sane way. Mystery will be moving out of the house tomorrow anyway, which I think is a shame. At about 2:00 A.M., Playboy, Mystery, and I sat in the main room smoking a hookah, listening to music, and talking about our goals in life. I didn’t have a single conversation today about sarging, pickup, or the community. My day was filled with real conversations with real friends. I didn’t need to fuck some L.A. bimbo from the Saddle Ranch for validation. In fact, I didn’t do a single set all day. These are the days that make life worth living. These are also the days that I will miss when I move out of Project Hollywood. —Sickboy

The fervour accompanying these events may be deceptive. If it expresses nothing more than the zeal with which the countries of the East are casting aside the bonds of ideology, or if it is a mimetic fervour - a tribute, as it were, to those liberal countries where all liberty has already been traded in for a technically easy life - then we shall have found out definitively what freedom is worth, and that it is probably never to be discovered a second time. History offers no second helpings. On the other hand, it could be that the present thaw in the East may be as disastrous in the long term as the excess of carbon dioxide in the upper atmosphere, that it may bring about a political greenhouse effect, and so overheat human relations on the planet that the melting of the Communist ice-sheet will cause Western seaboards to be submerged. Odd that we should be in such absolute fear of the melting of the polar ice, and look upon it as a climatic catastrophe, while we aspire with every democratic bone in our bodies to the occurrence of just such an event on the political plane. If in the old days the USSR had released its gold reserves onto the world market, that market would have been completely destabilized. Today, by putting back into circulation their vast accumulated store of freedom, the Eastern countries could quite easily destabilize that very fragile balance of Western values which strives to ensure that freedom no longer emerges as action but only as a virtual and consensual form of interaction; no longer as a drama but merely as the universal psychodrama of liberalism. A sudden infusion of freedom as a real currency, as violent and active transcendence, as Idea, would be in every way catastrophic for our present air-conditioned redistribution of values. Yet this is precisely what we are asking of the East: freedom, the image of freedom, in exchange for the material signs of freedom. This is an absolutely diabolical contract, by virtue of which one signatory is in danger of losing their soul, and the other of losing their creature comforts. But perhaps - who knows? - this may, after all, be the best thing for both sides. Those societies that were formerly masked - Communist societies - have been unmasked. What is their face like? As for us, we dropped the mask long ago and have for a long time been without either mask or face. We are also without memory. We have reached the point of searching the water for signs of a memory that has left no traces, hoping against hope that something might remain when even the water's molecular memory has faded away. So it goes for our freedom: we would be hard put to it to produce a single sign of it, and we have been reduced to postulating its infinitesimal, intangible, undetectable existence in a (programmatic, operational) environment so highly dilute that in truth only a spectre of freedom floats there still, in a memory every bit as evanescent as water's.

(Horses like boys…?) I had to remind myself that I gave up riding before I started eighth grade. I said that because I knew the same tired Jokes were going to roll in soon, about me riding horse-ie’s from the day I was like seven until then.’ ‘I don’t think I could ride now to save my life.’ Jenny said- ‘It’s just like riding a bike you never forget how too.’ ‘How would you know,’ I asked? Jenny said- ‘I still ride from time to time, I just got second place in a jumping competition two weeks ago.’ I whispered- ‘O-oh.’ (On the inside- I was crushed, thinking it okay for you to ride but I can’t. My horse died not long after, I stopped riding her, thinking I didn’t love her anymore. I didn’t want to stop.) I think if she starts making fun of me now, I would bust out crying. And if I cry then I’ll be a BABY! Yet it okay for her to cry to us over stupid boys or her time of the month drama. I could never clear the truth to her: that riding was my favorite thing in this whole wide world. It wasn’t about winning with me, no- it was about having my freedom, my happiness, and my relaxation. The way I could escape from all of them that put me down, back them. I loved it more than boys, more than friends, more than family even. I was the best I could be back then. I was strong then, now I am nothing but a week p*ssy that lets everyone crap on me. I can’t believe that I wanted this life. I loved to be alone in the barn, or out on the fields particularly in the late summer when everything is crunchy and golden, and the plants show off all their wonderful different colors, and it smells of hay, is what made my day complete, racing past all the trees, down the wooded trails, it was more than just jumping her at compassion. We had a bond- I loved brushing my horse down, braiding her main, and being her best friend, feeding her carrots sticks, I loved it all. I gave up my best friends for ones that I can’t always trust. Your horse’s always your trusting best friend. And if I am crying now, it’s not that I am sad, it’s that I am happy. I have to lie…! I am nothing- nothing, but a complete liar, a wide-ranging slut, and a total baby! #- hostage: (Galloping, Groping, Gulping)

One of the best things you can do for yourself and your relationship is to learn how to take control of your emotions.

my shoulder. She dropped her knees and let her feet hit the floor. “I’m sorry. I didn’t mean to get so upset.” Her entire demeanor changed. One quick nod from her father, and Aubrey’s tears dried up. Just how much had he overheard? How much had Aubrey told him before I got here? “Fine,” I said. “I’ll try and think of someone I might have seen after I left the park,” she said. “I’m sure there’s someone,” Dan chimed in. “She hasn’t been sleeping since all this started. You understand.” “I do,” I said rising. “But you both need to understand how serious this is. I need complete honesty. No surprises. I can’t sugarcoat things. I’m not your enemy. Whatever you think you have to protect, it can’t be from me. I need to know it all.” “You do,” Dan said. Aubrey folded herself against her father as he wrapped his arms around her. She looked so small. “I’m going to need access to your medical records, your school records. You made a phone call to a friend of yours earlier in the night. Who was that?” Dan and Aubrey exchanged a glance. “Kaitlyn,” she said. “Kaitlyn Taylor. She’s my best friend. I swear I don’t remember what we talked about.” “Fine,” I said. “I’m going to talk to her too. I’m waiting on the medical examiner’s report on Coach D. We’ll have more to talk about when that gets back. In the meantime, anything I ask for, you need to get it for me. No questions. No arguments. This is the rest of your life we’re talking about, Aubrey. Not your mom’s. Not your dad’s. Yours. Do you understand?” She nodded but dropped her head again. “Good,” I said. “I need to be one step ahead of the prosecution at all times. Is there anything in those records I just mentioned that’s going to make me unhappy?” “Aubrey was seeing a therapist a little while back,” Dan said. “Your basic teenage drama.” Aubrey didn’t make eye contact with me. Teenage drama, my ass, I thought. Something was going on with this girl. Something tricky enough that Larry Drazdowski was bothered by it. And I was starting to believe with all my heart her father was at the center of it. Chapter 8 Someone was lying. Someone was always lying. In Aubrey’s case, it was more a lie of omission. And her father was a problem. Instinct told me he’d been coaching her all along. She still trusted

The ones who were actually making an effort to follow the general course of events, and trying to get involved through self-sacrifice and heroic conduct, were the least useful members of society; they looked at things the wrong way round, and everything they did, with the best of intentions, turned out to be useless and absurd, like the regiments provided by Pierre and Mamonov that went off to loot Russian villages, like the lint scraped by the ladies that never got through to the wounded, and so on. Even people who just liked to think things through and talk them over couldn’t discuss the current situation of Russia without unconsciously lapsing into hypocrisy, falsehood or useless victimization and animosity levelled against individuals they were eager to blame for things that weren’t anybody’s fault. Historical events illustrate more clearly than anything the injunction against eating of the Tree of Knowledge. The only activity that bears any fruit is subconscious activity, and no one who takes part in any historical drama can ever understand its significance. If he so much as tries to understand it, his efforts are fruitless.

Understanding her very well, he embraced her and said, “You are right; love doesn’t exist. We look for love, we open our heart and we become vulnerable, just to find selfishness. That hurts us even if we don’t think we will be hurt. It doesn’t matter how many relationships we have; the same thing happens again and again. Why even search for love any longer?” They were so much alike, and they became the best friends ever. It was a wonderful relationship. They respected each other, and they never put each other down. With every step they took together, they were happy. There was no envy or jealousy, there was no control, there was no possessiveness. The relationship kept growing and growing. They loved to be together, because when they were together they had a lot of fun. When they were not together, they missed each other. One day when the man was out of town, he had the weirdest idea. He was thinking, “Hmm, maybe what I feel for her is love. But this is so different from what I have ever felt before. It’s not what the poets say it is, it’s not what religion says, because I am not responsible for her. I don’t take anything from her; I don’t have the need for her to take care of me; I don’t need to blame her for my difficulties or to take my dramas to her. We have the best time together; we enjoy each other. I respect the way she thinks, the way she feels. She doesn’t embarrass me; she doesn’t bother me at all. I don’t feel jealous when she’s with other people; I don’t feel envy when she is successful. Perhaps love does exist, but it’s not what everyone thinks love is.” He could hardly wait to go back home and talk to her, to let her know about his weird idea. As soon as he started talking, she said, “I know exactly what you are talking about. I had the same idea long ago, but I didn’t want to share it with you because I know you don’t believe in love. Perhaps love does exist, but it isn’t what we thought it was.” They decided to become lovers and to live together, and it was amazing that things didn’t change. They still respected each other, they were still supportive of each other, and the love grew more and more. Even the simplest things made their hearts sing with love because they were so happy.

Teenage girls were so desperate to be needed. None of them actually wanted boyfriends, or high drama, or true pain. They just wanted to feel essential, exposed in some crucial way to the vicissitudes of the world. And so they did things like give blow jobs in movie theaters, cry in public when something tragic happened to strangers across the country, throw themselves into her path in the hallway to ask her how Madison was feeling today. How she was managing. Did Amanda know anything. They just wanted the communal energy of crisis, the sense that they had to yank their best selves from somewhere deep within. They wanted, so very badly, to rise to the occasion.

Being in healthy relationships requires time and consistency. Maintain contact regularly over a period of time, and you will build healthy relationships. Waiting for the other person to reach out first might not help you stay connected in a manner that works for you. If you want a relationship, put your best foot forward, hoping that the other person does the same. Of course, not all relationships will work out. Let go of the ones that need to be released while being open to new ones. Expect some relationships to end; the best thing you can wish for is that they end without drama.

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