“
What? (Nick)
You one of them humans can’t follow Simi speak. That’s okay. This is why the Simi don’t bother talking to most humans ‘cause, no offense, you all weird. Some of you even stupid. Real stupid. Like stump stupid. It’s the lack of hornays, I say. See, only really smart creatures have hornays…except for them moo moo cows – they not bright. But akri says there’s always an exception to every rule. So they would be the exception to the hornay one. But they taste really good so the Simi will forgive them for bringing down her bell curve of superior intellect over all the other nonhorned subspecies. (Simi
”
”
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
“
A woman's income appeal is a bell-shaped curve: men do not want to date low-earning women, but once a woman starts earning too much, they seem to be scared off.
”
”
Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
“
Actually, the full bell curve goes: brilliant; pretty good; mediocre; mediocre and interminable; dire; vile; dire and vile; and dire, vile, and interminable.
”
”
Lois McMaster Bujold (Sidelines: Talks and Essays)
“
Nothing is more seductive that a nice string of data, a single bell curve, or a seemingly peer-reviewed scientific study. After all, it can’t be racist if it is a “fact.
”
”
Angela Saini (Superior: The Return of Race Science)
“
Define excellence vividly, quantitatively. Paint a picture for your most talented employees of what excellence looks like. Keep everyone pushing and pushing toward the right-hand edge of the bell curve.
”
”
Marcus Buckingham
“
After all, a flight is just a random sample of the general population, a classic bell curve. A few assholes and a few exemplars, but primarily, a whole bunch of sheep.
”
”
T.J. Newman (Falling)
“
I’ve come to believe that genius is an exceedingly common human quality, probably natural to most of us. I didn’t want to accept that notion — far from it: my own training in two elite universities taught me that intelligence and talent distributed themselves economically over a bell curve and that human destiny, because of those mathematical, seemingly irrefutable scientific facts, was as rigorously determined as John Calvin contended.
”
”
John Taylor Gatto (Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling)
“
Almost everything in social life is produced by rare but consequential shocks and jumps; all the while almost everything studied about social life focuses on the “normal,” particularly with “bell curve” methods of inference that tell you close to nothing. Why? Because the bell curve ignores large deviations, cannot handle them, yet makes us confident that we have tamed uncertainty. Its nickname in this book is GIF, Great Intellectual Fraud.
”
”
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable (Incerto, #2))
“
Almost everything in social life is produced by rare but consequential shocks and jumps; all the while almost everything studied about social life focuses on the "normal," particularly with "bell curve" methods of inference that tell you close to nothing. Why? Because the bell curve ignores large deviations, cannot handle them, yet makes us confident that we have tamed uncertainty. Its nickname in this book is GIF, Great Intellectual Fraud.
”
”
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
“
The moral ascendancy of equality has made it difficult to use concepts such as virtue, excellence, beauty and – above all – truth.
”
”
Richard J. Herrnstein (The Bell Curve: Intelligence and Class Structure in American Life)
“
For all of us, normal is just temporary, and we are only visiting—for a fleeting moment—the center of the bell curve.
”
”
Jonathan Mooney (Normal Sucks: How to Live, Learn, and Thrive, Outside the Lines)
“
Dear woman, look at yourself in the mirror and be your own favourite person. Every curve, every freckle, every hair on your skin. Because you are worth your tears, your laughter, your joys and your pains. You are worth the broken roads you've traveled, the nights you've spent alone with a bottle of champagne, the times you climbed out of graves. You are worth the smiles only you see, the ones you generously share, then all the others in between. You're worth the love that's meant for you and the pains you've broken through. Dear woman, look at yourself; you love you.
”
”
C. JoyBell C.
“
There was no center to the world. The curves of all our bells are cracked.
”
”
Kevin Powers (The Yellow Birds)
“
And maybe, just maybe, I’d be able to build an authentic, curious, passionate life on the beautifully atypical Belle Curve.
”
”
Jennifer O'Toole (Autism in Heels: The Untold Story of a Female Life on the Spectrum)
“
Charles Murray, who in 1994 cowrote The Bell Curve. When his book was published I was still a student at the University of Leiden, where it seemed everyone was talking about this horribly racist book that argued that black people were genetically of lower intelligence than white people. I read it, of course, and I found it to be the opposite of racist, a compassionately written book about the urban challenges that confront black people more than white. All black people should read it.
”
”
Ayaan Hirsi Ali (Nomad: From Islam to America: A Personal Journey Through the Clash of Civilizations)
“
This is the explanation I used to have on the site before my page got turned into an author's page.
Don't get butt hurt if I give you a 2 or 3 star rating. That means your book was good. I give very few 4 star ratings cause that means your book is gonna be a reread for me. I don't reread a lot of books. I think I gave less than a handful of 5 stars. 5 stars means that I think the book is a GREAT GREAT. Like a classic that will still be read in a 100 years, at least if I were alive it would be.
As you can see I don't buy into the hoopla that everybody is great. It's not true. Most are average. Some suck. Some are great. If you want a visual go google bell curve.
Life has winners and losers. Not everyone deserves a gold star. Suck it up.
”
”
D.R. Slaten
“
The whole edifice of modern financial theory is, as described earlier, founded on a few simplifying assumptions. It presumes that homo economicus is rational and self-interested. Wrong, suggests the experience of the irrational, mob-psychology bubble and burst of the 1990's. A further assumption: that price variations follow the bell curve. Wrong, suggests the by-now widely accepted research of me and many others since the 1960's. And now the next assumption wobble: that price variations are what statisticians call i.i.d., independently and identically distributed-like the coin game with each toss unaffected by the last. Evidence for short-term dependence has already been mounting. And now comes the increasingly accepted but still confusing evidence of long-term dependence.
”
”
Benoît B. Mandelbrot (The (Mis)Behavior of Markets)
“
It's not just college grades that fall in a curve. Human decency is bell-shaped, with some of us slopping over the edges. Saints on one end, sinners on the other.
”
”
Alex Adams (White Horse (White Horse, #1))
“
She scooted next to me, wrapped in a gown that clung to her curves like I would if I wasn’t a hundred and one shades of messed up.
”
”
L.J. Shen (The Villain (Boston Belles, #2))
“
Some humans may be smarter than others, but together we are a mighty moron.
”
”
Brett Stevens
“
Because the bell curve ignores large deviations, cannot handle them, yet makes us confident that we have tamed uncertainty. Its
”
”
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable (Incerto, #2))
“
A quiet but indomitable voice behind me said, “I believe this is my dance.”
It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze.
Kishan narrowed his eyes and said, “I believe it is the lady’s choice.”
Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor.
Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him.
He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist.
When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch.
I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger.
He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret.
He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.”
I nodded my head hesitantly.
“First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.”
He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.”
I sucked in a deep breath.
He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.”
He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer.
“Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Paradoxically, the occult can often become the concern, in different modes, of both the least intelligent and also the most aberrantly intelligent human beings, with those soundly in the middle of the bell curve often unable to tell the difference between genuine intellectual exploration of the universe’s unfathomable and mysterious structure and pre-literate superstition.
”
”
Jason Louv (The Angelic Reformation: John Dee, Enochian Magick & the Occult Roots of Empire)
“
Every audience is spread out along a bell curve of sophistication, and inevitably we’ll bore a few at the top while baffling a few at the bottom; the only question is how many there will be of each.
”
”
Steven Pinker (The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century)
“
It’s simple math, you know. Classic bell curve. Normal distribution. Most people are going to pile up in the middle, not going anywhere, but there’ll be a handful of outliers that go high and low, often for inexplicable reasons. Point is, even survivors don’t really understand why they survive—they just do.
”
”
Peter Cawdron (Losing Mars)
“
There are better and worse ditch diggers and garbage collectors. People who work in industry know that no matter how apparently mindless a job is, the job can still be done better or worse, with significant economic consequences.
”
”
Richard J. Herrnstein (The Bell Curve: Intelligence and Class Structure in American Life)
“
Jack was too absorbed in his work to hear the bell. He was mesmerized by the challenge of making soft, round shapes of hard rock. The stone had a will of its own, and if he tried to make it do something it did not want to do, it would fight him, and his chisel would slip, or dig in too deeply, spoiling the shapes. But once he had got to know the lump of rock in front of him he could transform it. The more difficult the task, the more fascinated he was. He was beginning to feel that the decorative carving demanded by Tom was too easy. Zigzags, lozenges, dogtooth, spirals and plain roll moldings bored him, and even these leaves were rather stiff and repetitive. He wanted to curve natural-looking foliage, pliable and irregular, and copy the different shapes of real leaves, oak and ash and birch.
”
”
Ken Follett (The Pillars of the Earth (Kingsbridge, #1))
“
I Came away from the U.S. Memory Championship eager to find out how Ed and Lukas did it. Were these just extraordinary individuals, pridigies from the long tail of humanity's bell curve, or was there something we could all learn from their talents?
”
”
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
“
The Theorem reste upon the validity of my longstanding argument that the world contains precisely two kinds of people:
Dumpers and Dumpees.
Everyone is predisposed to being either one or the other, but of course not all people are COMPLETE
Dumpers and Dumpees.
Hence the bell curve:"
The majority of people fall somewhere close to the vertical dividing line with the occasional statisticaly outliner (e.g., me) representing a tiny percentage of overall individuals. The numerical expression of the graph can be something like 5 being extreme Dumper, and 0 being me. Ergo, if the Great One was a 4 and I am a 0, total size of the Dumper/Dumpee differetial = -4 (Assuming negative numbers if the guy is more of a Dumpee; positive if the girl is.)
”
”
John Green (An Abundance of Katherines)
“
No one had ever told her this basic fact: not everyone got to be loved. It was like those stupid bell curves they'd had to study in math class. There was the big, swollen, happy middle, a whale lump full of blissful couples and families eating around a big dining room table and laughing. And then, at the tapered ends, there were the abnormal people, the weirdos and freaks, and zeros like her.
”
”
Lauren Oliver (Panic (Panic, #1))
“
Owing to the shape of a bell curve, the education system is geared to the mean. Unfortunately, that kind of education is virtually calculated to bore and alienate gifted minds. But instead of making exceptions where it would do the most good, the educational bureaucracy often prefers not to be bothered.
In my case, for example, much of the schooling to which I was subjected was probably worse than nothing. It consisted not of real education, but of repetition and oppressive socialization (entirely superfluous given the dose of oppression I was getting away from school). Had I been left alone, preferably with access to a good library and a minimal amount of high-quality instruction, I would at least have been free to learn without useless distractions and gratuitous indoctrination. But alas, no such luck.
Let’s try to break the problem down a bit. The education system […] is committed to a warm and fuzzy but scientifically counterfactual form of egalitarianism which attributes all intellectual differences to environmental factors rather than biology, implying that the so-called 'gifted' are just pampered brats who, unless their parents can afford private schooling, should atone for their undeserved good fortune by staying behind and enriching the classroom environments of less privileged students.
This approach may appear admirable, but its effects on our educational and intellectual standards, and all that depends on them, have already proven to be overwhelmingly negative. This clearly betrays an ulterior motive, suggesting that it has more to do with social engineering than education. There is an obvious difference between saying that poor students have all of the human dignity and basic rights of better students, and saying that there are no inherent educationally and socially relevant differences among students. The first statement makes sense, while the second does not.
The gifted population accounts for a very large part of the world’s intellectual resources. As such, they can obviously be put to better use than smoothing the ruffled feathers of average or below-average students and their parents by decorating classroom environments which prevent the gifted from learning at their natural pace. The higher we go on the scale of intellectual brilliance – and we’re not necessarily talking just about IQ – the less support is offered by the education system, yet the more likely are conceptual syntheses and grand intellectual achievements of the kind seldom produced by any group of markedly less intelligent people. In some cases, the education system is discouraging or blocking such achievements, and thus cheating humanity of their benefits.
”
”
Christopher Michael Langan
“
Why would I wish my senses to be dulled when they could be sharpened? Why would I wish to mumble when I could scintillate? Why would I wish to forget when I could remember? Of course, since even in those days I was a loquacious workaholic who liked to stay up late, you might think I’d pick a drug that would nudge me closer to the center of the bell curve instead of pushing me farther out on the edge—but of course I didn’t. Who does? Don’t we all just keep doing the things that make us even more like ourselves? As I lay in bed with a godawful headache, sunlight streamed through the open window, and so did the smell of good French coffee from the hotel kitchen downstairs.
”
”
Anne Fadiman (At Large and At Small: Familiar Essays)
“
A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off.
At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
Then there was the smell of heather crushed and the roughness of the bent stalks under her head and the sun bright on her closed eyes and all his life he would remember the curve of her throat with her head pushed back into the heather roots and her lips that moved smally and by themselves and the fluttering of the lashes on the eyes tight closed against the sun and against everything, and for her everything was red, orange gold-red from the sun on the closed eyes, and it all was that color, all of it, the filling, the possessing, the having, all of that color, all in a blindness of that color. For him it was a dark passage which led to nowhere, then to nowhere, then again to nowhere, once again to nowhere, always and forever to nowhere, heavy on the elbows in the earth to nowhere, dark, never any end to nowhere, hung on all time always to unknowing nowhere, this time and again for always to nowhere, now not to be borne once again always and to nowhere, now beyond all bearing up, up, up and into nowhere, suddenly, scaldingly, holdingly all nowhere gone and time absolutely still and they were both there, time having stopped and he felt the earth move out and away from under them.
”
”
Ernest Hemingway (For Whom the Bell Tolls)
“
So we pour in data from the past to fuel the decision-making mechanisms created by our models, be they linear or nonlinear. But therein lies the logician's trap: past data from real life constitute a sequence of events rather than a set of independent observations, which is what the laws of probability demand.[...]Even though many economic and financial variables fall into distributions that approximate a bell curve, the picture is never perfect.[...]It is in those outliers and imperfections that the wildness lurks.
”
”
Peter L. Bernstein (Against the Gods: The Remarkable Story of Risk)
“
While good taste wants things to be simple and normal, joy thrives out on the edges of the bell curve. This is a different manifestation of the surprise aesthetic, one that disrupts our expectations of how things should look and behave. It has a rebellious insouciance, and I wondered what it might mean to add more of this offbeat spirit to our lives.
”
”
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
“
Stay in the middle of the bell-curve of social norms and follow along, or you will find out the about freedom you never had.
”
”
Bryant McGill (Simple Reminders: Inspiration for Living Your Best Life)
“
the time has come to rehabilitate rational discourse on the subject. It is hard to imagine a democratic society doing otherwise.
”
”
Richard J. Herrnstein (The Bell Curve: Intelligence and Class Structure in American Life)
“
Once again, academia and the mass media are straining every muscle to suppress debate.
”
”
Richard J. Herrnstein (The Bell Curve: Intelligence and Class Structure in American Life)
“
The causes of human deficiencies in intelligence—or parenting, or social behavior, or work behavior—lay outside the individual. They were caused by flaws in society.
”
”
Richard J. Herrnstein (The Bell Curve: Intelligence and Class Structure in American Life)
“
Cognitive sorting continues from the time that students enter college to the time they get a degree
”
”
Richard J. Herrnstein (The Bell Curve: Intelligence and Class Structure in American Life)
“
Many academic intellectuals hold middle-class values in contempt
”
”
Richard J. Herrnstein (The Bell Curve: Intelligence and Class Structure in American Life)
“
the use of tests endured and grew because society’s largest institutions—schools, military forces, industries, governments—depend significantly on measurable individual differences.
”
”
Richard J. Herrnstein (The Bell Curve: Intelligence and Class Structure in American Life)
“
Being “average” has become the new standard of failure. The worst thing you can be is in the middle of the pack, the middle of the bell curve. When a culture’s standard of success is to “be extraordinary,” it then becomes better to be at the extreme low end of the bell curve than to be in the middle, because at least there you’re still special and deserve attention.
”
”
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
“
All day, every day, we are flooded with the truly extraordinary. The best of the best. The worst of the worst. The greatest physical feats. The funniest jokes. The most upsetting news. Nonstop. Our lives today are filled with information from the extremes of the bell curve of human experience, because in the media business that's what gets eyeballs, and eyeballs bring dollars. That's the bottom line. Yet the vast majority of life resides in the humdrum middle. The vast majority of life is unextraordinary, indeed quite average. The deluge of exceptional information drives us to feel pretty damn insecure and desperate, because clearly we are somehow not good enough. So more and more we feel the need to compensate through entitlement and addiction.
”
”
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
“
They laughed good-humoredly, mocking the sense of placelessness that comes when a child’s development is not sheltered under the great umbrella of the bell curve. In the big world and even in this little red schoolhouse, Nathaniel was not an average kid but an outlier, at the map’s edge where ships fall off the flat Earth and dragons roam. Suddenly I wished for a child with Down syndrome so he would not be peerless, in a class by himself.
”
”
Jeanne McDermott (Babyface: A Story of Heart and Bones)
“
Society was not a "social pyramid" with the proportion of rich to poor sloping gently from one class to the next. Instead, it was more of a "social arrow"- very fat at the bottom where the mass of men live, and very thing at the top where sit the wealthy elite. Nor was this effect by chance; the data did not remotely fit a bell curve, as one would expect if wealth were distributed randomly. It is a social law, he wrote: something "in the nature of man.
”
”
Benoît B. Mandelbrot (The (Mis)Behavior of Markets)
“
How large is the black-white difference?
The usual answer to this question is one standard deviation. In discussing IQ tests, for example, the black mean is commonly given as 85, the white mean as 100, and the standard deviation as 15.
”
”
Richard J. Herrnstein (The Bell Curve: Intelligence and Class Structure in American Life)
“
NBC News
"Lead from gasoline blunted the IQ of about half the U.S. population, study says" by Elizabeth Chuck
…on a population basis, shifting the average IQ down even a small amount could have large consequences, said Sung Kyun Park, an associate professor of epidemiology and environmental health sciences at the University of Michigan School of Public Health. The entire bell curve shifts, he explained, with more of the population at what was once the extreme low end of IQ scores.
”
”
Park, Sung Kyun
“
It’s the bell curve again,” I said to Ishtar. “If—as Lazarus thinks, and statistics back him up—every migration comes primarily from the right-hand end of the normal-incidence curve of human ability, then this acts as a sorting device whereby the new planet will show a bell curve with a much higher intelligence norm than the population it came from…and the old planet will average almost imperceptibly stupider.”
“Imperceptible except for one thing!” Lazarus objected.
“That tiny fraction that hardly shows statistically is the brain. I recall a country that lost a key war by chasing out a mere half dozen geniuses. Most people can’t think, most of the remainder won’t think, the small fraction who do think mostly can’t do it very well. The extremely tiny fraction who think regularly, accurately, creatively, and without self-delusion - in the long run these are the only people who count and they are the very ones who migrate when it is physically possible to do so
”
”
Robert A. Heinlein
“
He did atrocious things, but it was him I wanted. Always, only him.
Troy stopped when we were nose to nose. Toe to toe. I loved watching those eyes from up-close. They were so ocean blue, no wonder they made my head swim.
“I love you, Red. I love you determined, tough, innocent, resilient…” His brows furrowed as he drank me in, stroking the curve of my face with his calloused fingertips. “I love you broken, insecure, scared, furious and pissed off…” He let a small smile loose.
I actually felt it, even though it was on his lips.
“I love every part of you, the good and the bad, the hopeless and the assertive. We don’t just love. We heal each other with every touch and complete each other with ever kiss. And fuck, I know it’s corny as hell, but that’s what I need. You’re what I need.”
My eyes fluttered shut, a lone tear hanging from the tip of my eyelash.
“We don’t have ordinary words between us. You always set my fucking brain on fire when you talk to me. We don’t even have ordinary moments of silence. I always feel like I’m playing with you or being played by you when you’re around. And I refuse to let you walk out on this, on us.”
He cupped my cheeks and I locked his palms in place, tightening my grip. I never wanted him to let go. He dipped his head down, tilting his forehead against mine. I knew he was right. Knew that I’d already forgiven him. Probably before I even knew what he did, when we were still living together. Hell, probably on that dance floor, when I was nine.
My capturer.
My monster.
My savior.
“I’m an asshole, was an asshole, and have every intention of staying an asshole. It’s the makeup of my fucking DNA. But I want to be your asshole. To you, I can be good. Maybe even great. For you, I’ll stop the rain from falling and the thunder from cracking and the wind from fucking blowing. And yes, I sure as hell knew you’d come back. You came straight back into my arms, flew back to your nest, lovebird. Now why would you do that if you didn’t love the shit out of me?”
My eyes roamed his face. His hands felt delicious on my skin. It was like he was pumping life into me with his fingertips. Like he made me whole before I even knew parts of me were missing.
”
”
L.J. Shen (Sparrow)
“
I hate you with a festering passion.” She said softly. “But, I don’t want you lost forever somewhere in space and time. I think I might miss you. A little.” Avenant’s mouth curved, realizing that was the sweetest thing Belle had ever said to him.
”
”
Cassandra Gannon (Beast in Shining Armor (A Kinda Fairytale, #2))
“
It looked as though the leaves of the autumn forest had taken flight, and were pouring down the valley like a waterfall, like a tidal wave, all the leaves of the hardwoods from here to Hudson’s Bay. It was as if the season’s colors were draining away like lifeblood, as if the year were molting and shedding. The year was rolling down, and a vital curve had been reached, the tilt that gives way to headlong rush. And when the monarch butterflies had passed and were gone, the skies were vacant, the air poised. The dark night into which the year was plunging was not a sleep but an awakening, a new and necessary austerity, the sparer climate for which I longed. The shed trees were brittle and still, the creek light and cold, and my spirit holding its breath.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
Run through your mental Rolodex of people past eighty: Most of them are either gracious, happy, grateful, patient, loving, self-giving people you know, just happy to be alive and sitting in the same room with you, or the most bitter, manipulative, spiteful people you know, oozing emotional poison into their family lines and reveling in others' pain. Sure, some are in the middle of the bell curve, but most are noticeably to one side.
That's because they've spent almost a century becoming a person. Being formed.
”
”
John Mark Comer (Practicing the Way: Be with Jesus, Become Like Him, Do As He Did)
“
In a room the size of a ballroom the Pattern was laid. The floor was black and looked smooth as glass. And on the floor was the Pattern.
It shimmered like the cold fire that it was, quivered, made the whole
room seem somehow unsubstantial. It was an elaborate tracery of bright power, composed mainly of curves, though there were a few straight lines near its middle. It reminded me of a fantastically intricate, life-scale version of one of those maze things you do with a pencil (or ballpoint, as the case may be), to get you into or out of something. Like, I could almost see the
words “Start Here,” somewhere way to the back. It was perhaps a hundred
yards across at its narrow middle, and maybe a hundred and fifty long.
It made bells ring within my head, and then came the throbbing. My mind recoiled from the touch of it. But if I were a prince of Amber, then somewhere within my blood, my nervous system, my genes, this pattern was recorded somehow, so that I would respond properly, so that I could walk the
bloody thing.
”
”
Roger Zelazny (Nine Princes in Amber (The Chronicles of Amber, #1))
“
Their conversation ceased abruptly with the entry of an oddly-shaped man whose body resembled a certain vegetable. He was a thickset fellow with calloused and jaundiced skin and a patch of brown hair, a frizzy upheaval. We will call him Bell Pepper. Bell Pepper sidled up beside The Drippy Man and looked at the grilled cheese in his hand. The Drippy Man, a bit uncomfortable at the heaviness of the gaze, politely apologized and asked Bell Pepper if he would like one.
“Why is one of your legs fatter than the other?” asked Bell Pepper.
The Drippy Man realized Bell Pepper was not looking at his sandwich but towards the inconsistency of his leg sizes.
“You always get your kicks pointing out defects?” retorted The Drippy Man.
“Just curious. Never seen anything like it before.”
“I was raised not to feel shame and hide my legs in baggy pants.”
“So you flaunt your deformity by wearing short shorts?”
“Like you flaunt your pockmarks by not wearing a mask?”
Bell Pepper backed away, kicking wide the screen door, making an exit to a porch over hanging a dune of sand that curved into a jagged upward jab of rock.
“He is quite sensitive,” commented The Dry Advisor.
“Who is he?”
“A fellow who once manipulated the money in your wallet but now curses the fellow who does.
”
”
Jeff Phillips (Turban Tan)
“
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked.
It took every particle of his will to keep his voice controlled. “Not particularly.”
“I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.”
Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—”
Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth.
Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.”
Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—”
“You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.”
Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him.
He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.”
“I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him.
“Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.”
Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.”
“Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
All day, every day, we are flooded with the truly extraordinary. The best of the best. The worst of the worst. The greatest physical feats. The funniest jokes. The most upsetting news. The scariest threats. Nonstop.
Our lives today are filled with information from the extremes of the bell curve of human experience, because in the media business that's what gets eyeballs, and eyeballs bring dollars. That's the bottom line. Yet the vast majority of life resides in the humdrum middle. The vast majority of life is unextraordinary, indeed quite average.
”
”
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
“
they could code a perfect predictor into their silicon. At least back then they knew a prediction amounted to nothing more than a likelihood of occurrence, a slide and glide along a bell curve, and that no matter how high its probability, total certainty was not one of its properties.
”
”
Eduardo Suastegui (Random Origins: Four Our Cyber World Stories)
“
Richard Lynn was able to assemble eleven studies in his 1991 review of the literature. He estimated the median black African IQ to be 75, approximately 1.7 standard deviations below the U.S. overall population average, about 10 points lower than the current figure for American blacks.
”
”
Richard J. Herrnstein (The Bell Curve: Intelligence and Class Structure in American Life)
“
Each week I plot your equations dot for dot, xs against ys in all manner of algebraical relation, and every week they draw themselves as commonplace geometry, as if the world of forms were nothing but arcs and angles. God’s truth, Septimus, if there is an equation for a curve like a bell, there must be an equation for one like a bluebell, and if a bluebell, why not a rose? Do we believe nature is written in numbers? Septimus We do. Thomasina Then why do your equations only describe the shapes of manufacture? Septimus I do not know. Thomasina Armed thus, God could only make a cabinet.
”
”
Tom Stoppard (Arcadia (Faber Drama))
“
One of the problems I face in life is that whenever I tell people that the Gaussian bell curve is not ubiquitous in real life, only in the minds of statisticians, they require me to “prove it”—which is easy to do, as we will see in the next two chapters, yet nobody has managed to prove the opposite
”
”
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
“
Most Americans think that crime has gotten far too high. But in the ruminations about how the nation has reached this state and what might be done, too little attention has been given to one of the best-documented relationships in the study of crime: As a group, criminals are below average in intelligence.
”
”
Richard J. Herrnstein (The Bell Curve: Intelligence and Class Structure in American Life)
“
The day Emilienne met Satin Lush, she was wearing her cloche hat, newly painted with red poppies. Her hair was curled and peeked lightly out from under the hat to cup the curve of her chin. There was a rip in her stocking. It was May and heavy wet lines of spring rain streamed down the windows of the café where Emilienne had just spent her day serving black coffee and sticky buns to dreamless Irishmen. The smell of glazed sugar and folded pride still lingered on her clothes. As she waited for the rain to let up, the bells of Saint Peter’s chimed five times and the water fell only harder upon the awning over her head. She
”
”
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
“
Gating activity outside of the normal bell-shaped curve for the population of the United States is, generally, considered to be pathological. The more widely open gating channels are, the more likely someone is to be defined as clinically abnormal and to be labeled, one way or another, as having “stimulus filtering difficulties” or “gating deficits.
”
”
Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
“
Africans carried more genetic diversity within their genomes than non-Africans, as a simple result of the fact that humanity had originated on that continent and spread outward. Non-African races had been founded by isolated groups of adventurers. Breeding among themselves, they had created gene pools that were necessarily limited to what they had brought with them: only a subset of what was to be found in Africa. This idea had been used to explain, for example, why Africa contained both the tallest and the most diminutive people in the world, and why so many top athletes were African. It wasn’t because they were naturally better athletes but because the bell-shaped curve of random genetic variation was wider.
”
”
Neal Stephenson (Seveneves)
“
Ode to the Beloved’s Hips"
Bells are they—shaped on the eighth day—silvered
percussion in the morning—are the morning.
Swing switch sway. Hold the day away a little
longer, a little slower, a little easy. Call to me—
I wanna rock, I-I wanna rock, I-I wanna rock
right now—so to them I come—struck-dumb
chime-blind, tolling with a throat full of Hosanna.
How many hours bowed against this Infinity of Blessed
Trinity? Communion of Pelvis, Sacrum, Femur.
My mouth—terrible angel, ever-lasting novena,
ecstatic devourer.
O, the places I have laid them, knelt and scooped
the amber—fast honey—from their openness—
Ah Muzen Cab’s hidden Temple of Tulúm—licked
smooth the sticky of her hip—heat-thrummed ossa
coxae. Lambent slave to ilium and ischium—I never tire
to shake this wild hive, split with thumb the sweet-
dripped comb—hot hexagonal hole—dark diamond—
to its nectar-dervished queen. Meanad tongue—
come-drunk hum-tranced honey-puller—for her hips,
I am—strummed-song and succubus.
They are the sign: hip. And the cosign: a great book—
the body’s Bible opened up to its Good News Gospel.
Alleluias, Ave Marías, madre mías, ay yay yays,
Ay Dios míos, and hip-hip-hooray.
Cult of Coccyx. Culto de cadera.
Oracle of Orgasm. Rorschach’s riddle:
What do I see? Hips:
Innominate bone. Wish bone. Orpheus bone.
Transubstantiation bone—hips of bread,
wine-whet thighs. Say the word and healed I shall be:
Bone butterfly. Bone wings. Bone Ferris wheel.
Bone basin bone throne bone lamp.
Apparition in the bone grotto—6th mystery—
slick rosary bead—Déme la gracia of a decade
in this garden of carmine flower. Exile me
to the enormous orchard of Alcinous—spiced fruit,
laden-tree—Imparadise me. Because, God,
I am guilty. I am sin-frenzied and full of teeth
for pear upon apple upon fig.
More than all that are your hips.
They are a city. They are Kingdom—
Troy, the hollowed horse, an army of desire—
thirty soldiers in the belly, two in the mouth.
Beloved, your hips are the war.
At night your legs, love, are boulevards
leading me beggared and hungry to your candy
house, your baroque mansion. Even when I am late
and the tables have been cleared,
in the kitchen of your hips, let me eat cake.
O, constellation of pelvic glide—every curve,
a luster, a star. More infinite still, your hips are
kosmic, are universe—galactic carousel of burning
comets and Big Big Bangs. Millennium Falcon,
let me be your Solo. O, hot planet, let me
circumambulate. O, spiral galaxy, I am coming
for your dark matter.
Along las calles de tus muslos I wander—
follow the parade of pulse like a drum line—
descend into your Plaza del Toros—
hands throbbing Miura bulls, dark Isleros.
Your arched hips—ay, mi torera.
Down the long corridor, your wet walls
lead me like a traje de luces—all glitter, glowed.
I am the animal born to rush your rich red
muletas—each breath, each sigh, each groan,
a hooked horn of want. My mouth at your inner
thigh—here I must enter you—mi pobre
Manolete—press and part you like a wound—
make the crowd pounding in the grandstand
of your iliac crest rise up in you and cheer.
”
”
Natalie Díaz
“
No one had ever told her this basic fact: Not everyone got to be loved. It was like those stupid bell curves they had to study in math class. There was the big, swollen, happy middle, a whale hump full of blissful couples and families eating around a big dining room table and laughing. And then, at the tapered ends, there were the abnormal people. The weirdos and freaks and zeroes. Like her.
”
”
Lauren Oliver (Panic (Panic, #1))
“
No one had ever told her this basic fact: Not everyone gets to be loved. It was like those stupid bell curves they'd had to study in math class. There was the big, swollen, happy middle, a whale hump full of blissful couples and families eating around a big dining room table and laughing. And then, at the tapered ends, there where the abnormal people, the weirdo's and freaks and zero's like her.
”
”
Lauren Oliver (Panic (Panic, #1))
“
How good a predictor of job productivity is a cognitive test score compared to a job interview? Reference checks? College transcript? The answer, probably surprising to many, is that the test score is a better predictor of job performance than any other single measure. This is the conclusion to be drawn from a meta-analysis on the different predictors of job performance, as shown in the table below.
”
”
Richard J. Herrnstein (The Bell Curve: Intelligence and Class Structure in American Life)
“
Does this ring any bells?’ he murmured against her lips.
‘I——-’
Whatever else she’d been about to say was lost as he kissed her again. His gentleness took her by surprise, and without being fully aware that she was doing it she started kissing him back, just as gently.
His hand curved to fit her waist as he murmured something unintelligible, his long fingers sliding with masterful confidence to her ribcage.
”
”
Lynn Turner (Forever)
“
Yvette is a woman who looks like a church bell. Her copper body curves with purpose, angles on a chair as if from a tower overlooking a village by the sea. Her bones are strong everywhere, in her cheeks, her shoulders, her hands. They are made from something more durable like iron or brass. When she smiles, it is as if a bell has been struck, as if music has entered the world the way God intended: at noon by the sea.
”
”
Daisy Hernández
“
The fairy let her go and pulled aside a piece of bright gold-and-pink silk hanging on the wall. Behind it was the fairy's own private room.
She had a soft bed of bright green moss with several iridescent feathers for a counterpane. A shelf mushroom served as an actual shelf displaying an assortment of dried flowers and pretty gewgaws the fairy had collected. There was a charming little dining table, somewhat bold in irony: It was the cheery but deadly red-and-white amanita. The wide top was set with an acorn cap bowl and jingle shell charger. In the corner, a beautifully curved, bright green leaf collected drops from somewhere in the celling much like the water barrel did, but this was obviously for discreet fairy bathing. An assortment of tiny buds, rough seeds, and spongy moss were arranged neatly on a piece of gray driftwood nearby to aid in cleansing.
”
”
Liz Braswell (Straight On Till Morning)
“
The fairy- again, Wendy assumed- was an angry tinkling ball of light with the prettiest girl imaginable inside. Diminutive but... solid, with a scandalous lack of decorous dress. All she wore was a ragged green shift which barely covered her hips and thighs and breasts and was gathered dangerously over only one shoulder. This was both shocking and delightful; it made the tiny creature resemble statues of ancient nymphs and nereids Wendy had seen. Her hair was even done up in classical style, a goddess-like bun of hair so golden it glowed. Tiny pointed ears curved their way through the few dangling tresses. Her eyes were enormous and not even remotely human: they were far apart and glaring.
The crowning glory was, of course, a pair of delicate iridescent wings sprouting from her back. Their shape was somewhere between butterfly and dragonfly. They were clear as glass and thin as onion skin.
”
”
Liz Braswell (Straight On Till Morning)
“
God’s truth, Septimus, if there is an equation for a curve like a bell, there must be an equation for one like a bluebell, and if a bluebell, why not a rose? Do we believe nature is written in numbers? SEPTIMUS We do. THOMASINA Then why do your equations only describe the shapes of manufacture? SEPTIMUS I do not know. THOMASINA Armed thus, God could only make a cabinet. SEPTIMUS He has mastery of equations which lead into infinities where we cannot follow.
”
”
Tom Stoppard (Arcadia)
“
What makes the SAT bad is that it has nothing to do with what kids learn in high school. As a result, it creates a sort of shadow curriculum that furthers the goals of neither educators nor students.… The SAT has been sold as snake oil; it measured intelligence, verified high school GPA, and predicted college grades. In fact, it’s never done the first two at all, nor a particularly good job at the third.” Yet students who don’t test well or who aren’t particularly strong at the kind of reasoning the SAT assesses can find themselves making compromises on their collegiate futures—all because we’ve come to accept that intelligence comes with a number. This notion is pervasive, and it extends well beyond academia. Remember the bell‐shaped curve we discussed earlier? It presents itself every time I ask people how intelligent they think they are because we’ve come to define intelligence far too narrowly. We think we know the answer to the question, “How intelligent are you?” The real answer, though, is that the question itself is the wrong one to ask.
”
”
Ken Robinson (The Element - How finding your passion changes everything)
“
The first person whom she introduced him to, at that island of fauteuils and androids, now getting up from around a low table with a copper ashbowl for hub, was the promised belle-sœur, a short plumpish lady in governess gray, very oval-faced, with bobbed auburn hair, a sallowish complexion, smoke-blue unsmiling eyes, and a fleshy little excrescence, resembling a ripe maize kernel, at the side of one nostril, added to its hypercritical curve by an afterthought of nature as not seldom happens when a Russian’s face is mass-produced.
”
”
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
“
LTCM is now a classic case of “fat tails” in finance. Portfolio math mimics diffusion physics—a scattergram of the outcomes from trillions of small random movements maps smoothly onto a bell curve. In well-behaved markets, finance looks much the same. But markets are rarely well-behaved for long, and big deviations from the norm happen very frequently in finance—the finance bell curve, that is, has fat tails. When Russia defaulted on its sovereign bonds in 1998, it was a fat tail for LTCM, and it was on the wrong side of the trade, with very heavy leverage.
”
”
Charles R. Morris (The Sages: Warren Buffett, George Soros, Paul Volcker, and the Maelstrom of Markets)
“
Then there was the smell of heather crushed and the roughness of the bent stalks under her head and the sun bright on her closed eyes and all his life he would remember the curve of her throat with her head pushed back into the heather roots and her lips that moved smally and by themselves and the fluttering of the lashes on the eyes tight closed against the sun and against everything, and for her everything was red, orange, gold-red from the sun on the closed eyes, and it all was that color, all of it, the filling, the possessing, the having, all of that color, all in a blindness of that color. For him it was a dark passage which led to nowhere, then to nowhere, then again to nowhere, once again to nowhere, always and forever to nowhere, heavy on the elbows in the earth to nowhere, dark, never any end to nowhere, hung on all time always to unknowing nowhere, this time and again for always to nowhere, now not to be borne once again always and to nowhere, now beyond all bearing up, up, up and into nowhere, suddenly, scaldingly, holdingly all nowhere gone and time absolutely still and they were both there, time having stopped and he felt the earth move out and away from under them.
”
”
Ernest Hemingway (For Whom the Bell Tolls)
“
If you are going to use probability to model a financial market, then you had better use the right kind of probability. Real markets are wild. Their price fluctuations can be hair-raising-far greater and more damaging than the mild variations of orthodox finance. That means that individual stocks and currencies are riskier than normally assumed. It means that stock portfolios are being put together incorrectly; far from managing risk, they may be magnifying it. It means that some trading strategies are misguided, and options mis-priced. Anywhere the bell-curve assumption enters the financial calculations, an error can come out.
”
”
Benoît B. Mandelbrot (The (Mis)Behavior of Markets)
“
The explosion was deafening; a huge cloud of fire rolled out the window after us, its immense heat brushing my face as we tumbled into the snow.
We hit the ground and rolled. Flaming debris from the house came down around us; Griffin shoved me flat on my back, covering us both with his heavy coat.
The echoes of the explosion reflected back across the river, then slowly dwindled away, like dying thunder. The leaping flames threw warm light onto the falling snow, turning it into a storm of sparks pouring down from the heavens.
Griffin started to push himself off of me, then stoped. His hands were braced on either side of my shoulders, his legs twined with mine. Mt heart pounded, my palms sweated, and I was suddenly, acutely aware of how close his face was to mine.
"You're a madman," he whispered. "An utter madman."
"Perhaps," I allowed. "But it worked."
The leaping light from the burning house painted his features in gold, highlighting his patrician nose and finding threads of brown and blue in his green eyes. His pupils widened, the irises contracting to silver. "Whatever am I going to do with you?" he murmured.
The warmth of his breath feathered over my skin. Heat collected in my groin, my lips. My mouth was dry, my voice hoarse, and perhaps he was right and it was madness when I whispered, "Whatever you want."
A shiver went through his body, perhaps because we were lying on the cold ground. But instead of getting up, he leaned closer, his overlong hair tumbling over his forehead. He paused, his mouth almost touching mine, his eyes seeming to ask a question.
It was madness; it was folly; it was sheer selfishness. I was delusional, misguided, wrong, out of control. I needed to pull back, to say something sane, to re-establish mastery over myself. I could not do this. I could not take the risk.
Later tonight, I'd relive this moment in my lonely bed and wonder if I'd done the right thing. But at least that would be familiar, would be something I knew how to cope with.
And yet the very thought felt like dying.
I surged forward, crossing the final, tiny gap and pressing my lips to his. It was awkward and desperate and frantic, but the feel of his mouth against mine sent a bolt of electricity straight down my spine. Just a moment, just this one kiss, surely that would be enough...
Then he kissed me back, and it would never be enough, a thousand years of this would not be enough. His mouth was hungry and insistent, his tongue probing my lips, asking for greater intimacy. I granted it, tongues swirling together, mine followed his when it retreated and tasting him in return.
There came the clanging of bells in the distance, the fire company alerted to the explosion. Griffin drew back a fraction. His breath was as raged as mine, which left me dazed with wonder.
"My dear," he whispered against my lips. Then he swallowed convulsively. "We should leave, before the fire companies come."
"Y-Yes." It was amazing I managed that much coherence.
He closed his eyes and leaned his forehead against mine, our breaths mingling. "Will you come home with me?"
Was he asking...? "Yes." Oh, God, yes.
His lips curved into a smile.
”
”
Jordan L. Hawk (Widdershins (Whyborne & Griffin, #1))
“
I look at the names on the mailboxes and the bells inside number 1940 and pick out a couple of women’s names and press the first one. I stand there waiting, feeling the image
build up and not thinking about what I’m going to say to her because I know
something will come to me like it always does. Nothing happens. I press the second doorbell and in a few minutes she buzzes the door, twice, and I walk into the hallway. The stairs are curved around an elevator and to the right and I go up them, not in a hurry or nothing, just taking them one at a time.
Its funny, isn’t it, how the first woman didn’t answer the bell or wasn’t home or something and just that little chance, you understand what I mean?
”
”
Sebastian Junger (A Death in Belmont)
“
Page 548:
We can imagine no recommendation for using the government to manipulate fertility that does not have dangers. But this highlights the problem: The United States already has policies that inadvertently social-engineer who has babies, and it is encouraging the wrong women. If the United States did as much to encourage high-IQ women to have babies as it now does to encourage low-IQ women, it would rightly be described as engaging in aggressive manipulation of fertility. The technically precise description of America's fertility policy is that it subsidizes births among poor women, who are also disproportionately at the low end of the intelligence distribution. We urge generally that these policies, represented by the extensive network of cash and services for low-income women who have babies, be ended.
”
”
Charles Murray (The Bell Curve: Intelligence and Class Structure in American Life)
“
A light was flashing on the desktop display when Kira entered. Another message. With a sense of trepidation, she pulled it up.
I am the spark in the center of the void. I am the wider shin scream that cleaves the night. I am your eschatological nightmare. I am the one and the word and the fullness of the light.
Would you like to play a game? Y/N
-Gregorovitch
As a rule, ship minds tended to be eccentric, and the larger they were, the more eccentricities they displayed. Gregorovich was on the outer tail of that bell curve, though. She couldn’t tell if it was just his personality or if his behavior was the result of too much isolation.
Surely, Falconi isn’t crazy enough to fly around with an unstable ship mind… Right?
Either way, best to play it safe:
No. -Kira
An instant later, a reply popped up:
☹️ -Gregorovich
”
”
Christopher Paolini (To Sleep in a Sea of Stars (Fractalverse, #1))
“
A light was flashing on the desktop display when Kira entered. Another message. With a sense of trepidation, she pulled it up.
I am the spark in the center of the void. I am the widdershin scream that cleaves the night. I am your eschatological nightmare. I am the one and the word and the fullness of the light.
Would you like to play a game? Y/N
-Gregorovitch
As a rule, ship minds tended to be eccentric, and the larger they were, the more eccentricities they displayed. Gregorovich was on the outer tail of that bell curve, though. She couldn’t tell if it was just his personality or if his behavior was the result of too much isolation.
Surely, Falconi isn’t crazy enough to fly around with an unstable ship mind… Right?
Either way, best to play it safe:
No. -Kira
An instant later, a reply popped up:
☹️ -Gregorovich
”
”
Christopher Paolini (To Sleep in a Sea of Stars (Fractalverse, #1))
“
She looked at me with gentle indignation. She was what we have after sixty million years of the Cenozoic. There were a lot of random starts and dead ends. Those big plated pea-brain lizards didn’t make it. Sharks, scorpions and cockroaches, as living fossils, are lasting pretty well. Savagery, venom and guile are good survival quotients. This forked female mammal didn’t seem to have enough tools. One night in the swamps would kill her. Yet behind all that fragility was a marvelous toughness. A Junior Allen was less evolved. He was a skull-cracker, two steps away from the cave. They were at the two ends of our bell curve, with all the rest of us lumped in the middle. If the trend is still supposed to be up, she was of the kind we should breed, accepting sensitivity as a strength rather than a weakness. But there is too much Junior Allen seed around.
”
”
John D. MacDonald (The Deep Blue Good-By)
“
Lady Isabeau was tall for a woman, nearly as tall as Molly, but slender where Molly was stout, with a smooth immobile face that looked as if it had been carved from ivory, pale and serene. Hob stared at her: glossy black hair bound about the brows with a broad white linen fillet and partly concealed by a veil that draped down her neck; dark eyes beneath dark brows plucked thin; unsmiling lips, full and well-shaped. There was so little expression on her face, and its beauty was so unworldly, that Hob had a moment when he thought her an apparition, or a graven figure. “Blanche comme la neige,” came to his mind, a song Molly had taught him, “belle comme le jour.” The thinnest of scars ran from her hairline down her forehead, divided her left eyebrow, and curved along her cheek to the corner of her mouth, and seemed at once to augment her beauty and to reinforce its carven stillness, as if some wright's chisel had slipped in the course of fashioning her visage. A linen band of the sort known as a barbette ran down from the fillet at her temples and passed under her chin, framing her face, and rendering her features all the more austere.
Her gown was a muted purple; heavy embroidery of red and blue circled its neckline, and it was gathered by a zone of gray silk, sewn with pearls, that circled her hips. From this belt depended a silver ring, as wide around as a big man's fist. On the ring was a bunch of black iron keys, of varying sizes: the symbol and reality of her standing as administrator of the household. As she spoke, she fiddled with the keys as though they were prayer beads; they gave off a continual muted clink, just barely audible to Hob above the rumble of voices, the thuds and thumps of plank tabletops settling onto their trestles.
”
”
Douglas Nicholas
“
Of course, it is not so easy to “falsify,” i.e., to state that something is wrong with full certainty. Imperfections in your testing method may yield a mistaken “no.” The doctor discovering cancer cells might have faulty equipment causing optical illusions; or he could be a bell-curve-using economist disguised as a doctor. An eyewitness to a crime might be drunk. But it remains the case that you know what is wrong with a lot more confidence than you know what is right. All pieces of information are not equal in importance. Popper introduced the mechanism of conjectures and refutations, which works as follows: you formulate a (bold) conjecture and you start looking for the observation that would prove you wrong. This is the alternative to our search for confirmatory instances. If you think the task is easy, you will be disappointed—few humans have a natural ability to do this. I confess that I am not one of them; it does not come naturally to me.*
”
”
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable (Incerto, #2))
“
Marcus had a natural arrogant air to him, thanks to his striking facial features, with his slim nose, square cut jawline and high cheekbones. He also had high arched brows with one that always seemed to be raised as if he was judging every single action you made. But those elongated red diamond shapes that ran through his eyes and curved slightly an inch above his brows reminded me of horns. The opposite ends were drawn down in long points that reached his jaw until they were nothing but a thin line. A set that mirrored the same triangular design starting from under his bottom lip. This thin red line continued all the way down his chin until it disappeared under the shadows of his long neck before it dipped under a crimson red cravat. A colour that matched his unusual hair, with its strands that were twisted back from his face into sections with the ends pointed with little bells attached. All of which adding to the theatrics that rest of his outfit provided. Piercing dark blue eyes studied me as I approached.
”
”
Stephanie Hudson (Quest of Stone (Transfusion Book 14))
“
She sent Amelie to inform Maydrop that she donned an evening dress made of a heavy, supple olive green silk that gleamed under candlelight. It fell from the bodice, but rather than belling out, the silk was cut on the bias and hugged every curve of her body.
The bodice was gathered under her breasts and trimmed with dark copper lace that glimmered with shiny black beads. and widened into short sleeves. Her hair was pulled straight back from her forehead without even a wisp floating at her ears, and she waved away the ruby necklace Amelie offered. She wanted no distraction from her face.
She did, however, slide a sparkling ruby onto her right hand, a present she had given to herself when Ryburn Weavers made its first thousand guineas in profit.
How better to remember that milestone than to wear a sizable percentage it on one's finger?
Finally, Amelie drew out a small brush and skillfully applied a few strategic dabs of face paint. The last thing Theo wanted was to try to look conventionally feminine, but she'd discovered that a thin line of kohl made her eyes look deep and mysterious.
”
”
Eloisa James (The Ugly Duchess (Fairy Tales, #4))
“
There are several different frameworks one could use to get a handle on the indeterminate vs. determinate question. The math version is calculus vs. statistics. In a determinate world, calculus dominates. You can calculate specific things precisely and deterministically. When you send a rocket to the moon, you have to calculate precisely where it is at all times. It’s not like some iterative startup where you launch the rocket and figure things out step by step. Do you make it to the moon? To Jupiter? Do you just get lost in space? There were lots of companies in the ’90s that had launch parties but no landing parties. “But the indeterminate future is somehow one in which probability and statistics are the dominant modality for making sense of the world. Bell curves and random walks define what the future is going to look like. The standard pedagogical argument is that high schools should get rid of calculus and replace it with statistics, which is really important and actually useful. There has been a powerful shift toward the idea that statistical ways of thinking are going to drive the future.” —PETER THIEL
”
”
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers)
“
The scope of Trump’s commitment to whiteness is matched only by the depth of popular intellectual disbelief in it. We are now being told that support for Trump’s “Muslim ban,” his scapegoating of immigrants, his defenses of police brutality are somehow the natural outgrowth of the cultural and economic gap between Lena Dunham’s America and Jeff Foxworthy’s. The collective verdict holds that the Democratic Party lost its way when it abandoned commonsense everyday economic issues like job creation for the softer fare of social justice. The indictment continues: To their neoliberal economics, Democrats, and liberals at large, have married a condescending elitist affect that sneers at blue-collar culture and mocks white men as history’s greatest monster and prime time television’s biggest doofus. In this rendition, Donald Trump is not the product of white supremacy so much as the product of a backlash against contempt for white working people. “We so obviously despise them, we so obviously condescend to them,” Charles Murray, a conservative social scientist who co-wrote The Bell Curve, recently told The New Yorker’s George Packer. “The only slur you can use at a dinner party and get away with is to call somebody a redneck—that won’t give you any problems in Manhattan.” “The utter contempt with which privileged Eastern liberals such as myself discuss red-state, gun-country, working-class America as ridiculous and morons and rubes,” charged Anthony Bourdain, “is largely responsible for the upswell of rage and contempt and desire to pull down the temple that we’re seeing now.” That black people who’ve lived under centuries of such derision and condescension have not yet been driven into the arms of Trump does not trouble these theoreticians. After all, in this analysis Trump’s racism and the racism of his supporters are incidental to his rise. Indeed, the alleged glee with which liberals call out Trump’s bigotry is assigned even more power than the bigotry itself. Ostensibly assaulted by campus protests, battered by theories of intersectionality, throttled by bathroom rights, a blameless white working class did the only thing any reasonable polity might: elect an orcish reality television star who insists on taking his intelligence briefings in picture-book form.
”
”
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
“
Torminster in A City of Bells is Wells. If the houses in the Close, hidden behind their high walls, could be seen with the eyes of imagination as fortresses, the Palace was one in actual fact. Grey, battlemented walls, with loopholes for arrows, surrounded it and its gardens, completely hiding them from sight, and a wide moat, brimful of water, surrounded the walls. The portcullis was still there, and the drawbridge that linked this warlike island to the peace of Torminster. As they stood watching, the swans obligingly rounded the curve of the moat and sailed royally towards the drawbridge… The foremost swan…pulled with his beak the bell-rope that hung from the Palace wall. He rang it once, imperiously…and instantly a human menial showered bread from a window. This ringing of the bell was the superb accomplishment of the swans of Torminster, an accomplishment that had made them world-famous.36 Small wonder that Elizabeth said, linking her own childhood experience with that of Robert Louis Stevenson: Looking back from such a different world, through such a length of time, it seems that the sheltered happy childhoods of Victorian and Edwardian days had a very special magic.37
”
”
Christine Rawlins (Beyond the Snow: The Life and Faith of Elizabeth Goudge)
“
Last Thoughts On Woody Guthrie
When yer head gets twisted and yer mind grows numb
When you think you're too old, too young, too smart or too dumb
When yer laggin' behind an' losin' yer pace
In a slow-motion crawl of life's busy race
No matter what yer doing if you start givin' up
If the wine don't come to the top of yer cup
If the wind's got you sideways with with one hand holdin' on
And the other starts slipping and the feeling is gone
And yer train engine fire needs a new spark to catch it
And the wood's easy findin' but yer lazy to fetch it
And yer sidewalk starts curlin' and the street gets too long
And you start walkin' backwards though you know its wrong
And lonesome comes up as down goes the day
And tomorrow's mornin' seems so far away
And you feel the reins from yer pony are slippin'
And yer rope is a-slidin' 'cause yer hands are a-drippin'
And yer sun-decked desert and evergreen valleys
Turn to broken down slums and trash-can alleys
And yer sky cries water and yer drain pipe's a-pourin'
And the lightnin's a-flashing and the thunder's a-crashin'
And the windows are rattlin' and breakin' and the roof tops a-shakin'
And yer whole world's a-slammin' and bangin'
And yer minutes of sun turn to hours of storm
And to yourself you sometimes say
"I never knew it was gonna be this way
Why didn't they tell me the day I was born"
And you start gettin' chills and yer jumping from sweat
And you're lookin' for somethin' you ain't quite found yet
And yer knee-deep in the dark water with yer hands in the air
And the whole world's a-watchin' with a window peek stare
And yer good gal leaves and she's long gone a-flying
And yer heart feels sick like fish when they're fryin'
And yer jackhammer falls from yer hand to yer feet
And you need it badly but it lays on the street
And yer bell's bangin' loudly but you can't hear its beat
And you think yer ears might a been hurt
Or yer eyes've turned filthy from the sight-blindin' dirt
And you figured you failed in yesterdays rush
When you were faked out an' fooled white facing a four flush
And all the time you were holdin' three queens
And it's makin you mad, it's makin' you mean
Like in the middle of Life magazine
Bouncin' around a pinball machine
And there's something on yer mind you wanna be saying
That somebody someplace oughta be hearin'
But it's trapped on yer tongue and sealed in yer head
And it bothers you badly when your layin' in bed
And no matter how you try you just can't say it
And yer scared to yer soul you just might forget it
And yer eyes get swimmy from the tears in yer head
And yer pillows of feathers turn to blankets of lead
And the lion's mouth opens and yer staring at his teeth
And his jaws start closin with you underneath
And yer flat on your belly with yer hands tied behind
And you wish you'd never taken that last detour sign
And you say to yourself just what am I doin'
On this road I'm walkin', on this trail I'm turnin'
On this curve I'm hanging
On this pathway I'm strolling, in the space I'm taking
In this air I'm inhaling
Am I mixed up too much, am I mixed up too hard
Why am I walking, where am I running
What am I saying, what am I knowing
On this guitar I'm playing, on this banjo I'm frailin'
On this mandolin I'm strummin', in the song I'm singin'
In the tune I'm hummin', in the words I'm writin'
In the words that I'm thinkin'
In this ocean of hours I'm all the time drinkin'
Who am I helping, what am I breaking
What am I giving, what am I taking
But you try with your whole soul best
Never to think these thoughts and never to let
Them kind of thoughts gain ground
Or make yer heart pound
...
”
”
Bob Dylan
“
I've written about persistence
and perseverance
and yet
for those of us with patchwork lives
(projects, earnings, caretaking, home-tending,
playing, friending, loving, celebrating,
hurting, grieving, healing, assessing, re-grouping)
persistence and perseverance
has to be allowed
in patches,
not what from the outside might be viewed as
'normal'
(for whatever worth normal has,
the top of that overused bell curve).
So let me clarify.
When I talk about persistence,
it isn't about persistence of equal measure every day.
It's about not giving up on whatever is important to you,
and, especially, not giving up on yourself.
Some chapters of your life may allow many facets of your being,
others just cannot
and the feeling of failure that can arouse
is of no value.
Sometimes all you can do is ask yourself:
What must I do this week? today? next hour?
to continue the process as healthily as possible?
to accomplish the most?
It may be deep immersion in one,
or it may be an odd mix.
And tomorrow may be different.
And an unexpected gift may come and change everything.
And a Mack truck may hit and change everything.
Our answers to those questions may not look similar
but what I hope is similar
is the acceptance
of what must be.
Persist in your own patches.
Make your own quilt.
”
”
Shellen Lubin
“
He discovered another bell, huge as well, but not plain and bare. Its metal sides were covered in scenes, bas-reliefs spreading their greenish lace over the bronze dress. Its casting mould must have been as complicated as the plate for an etching. From a distance Borluut could make out figures, hazy scenes, but the bell was too high above to make out precisely what they represented. Seized with curiosity, he found a pair of stepladders and climbed up until he was close to them. The bronze was a wild orgy, a drunken, obscene carnival; naked satyrs and women were swirling round the bell, its curve giving movement to their saraband.
At intervals couples had tumbled to the ground, piling up, body against body, mouth to mouth, flesh mingling in the fury of desire. The bronze picked out, emphasized the details... The vine of sin with its feverish fancies, clinging, thrusting up, falling back down the sides - and the breasts plundered like bunches of grapes!
Here and there, away from the rest, on a curve of the bell far from the stampede of the dance, were lovers silently enjoying their love like a fruit. They looked as if they were each, through the other, discovering their naked flesh, which was not yet ripe for sensual pleasure. The idyllic retreats apart, Sex was everywhere triumphant, howling cynical.
”
”
Georges Rodenbach (The Bells of Bruges)
“
Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home.
As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier.
She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.
”
”
Kate Angell (The Cottage on Pumpkin and Vine)
“
Something was flickering and swimming exactly on the spot he was looking at, so that he couldn’t see it clearly, though everything around it seemed clear, at least until he moved his gaze to look at something else and the flickery thing moved too. It was always in the way, and he could see nothing behind it. He brushed the page, but there was nothing there. He rubbed his eyes, but it still didn’t go away. In fact, it was even more curious because he could still see it when his eyes were closed. And it was very slowly getting bigger. It wasn’t a spot anymore. It was a line: a curved line, like a loosely scribbled letter C, and it was sparkling and flickering in a zigzag pattern of blacks and whites and silvers. Asta said, “What is it?” “Can you see it?” “I can feel something. What can you see?” He described it as well as he could. “And what can you feel?” he added. “Something strange, like a sort of far-off feeling…as if we’re a long way apart and I can see for miles and everything’s very clear and calm….I’m not afraid of anything, just calm….What’s it doing now?” “Just getting bigger. I can see past it now. It’s getting closer, and I can see the words on the page and everything through the middle of it. It’s making me feel dizzy, a bit. If I try and look at it directly, it slides away. It’s about this big now.” He held out his left hand with the thumb and forefinger curved round, indicating the gap between them to be about as long as the thumb itself. “Are we going blind?” said Asta. “I don’t think so, ’cause I can see perfectly well through it. It’s just getting closer and bigger, but sort of sliding out of the way too, out towards the edge…as if it’s just going to float past and behind my head.” They sat in the quiet little room, in the warm lamplight, and waited until the sparkling line had drifted closer and closer to the edge of his vision, and eventually just beyond it, and then was gone. Altogether, from beginning to end, the experience lasted about twenty minutes. “That was very strange,” he said. “Like spangled. Like that hymn—you remember: And the Hornèd moon at night, ’Mid her spangled sisters bright. It was spangled.” “Was it real?” “Of course it was real. I saw it.” “But I couldn’t see it. It wasn’t outside. It was in you.” “Yeah…but it was real. And you were feeling something. That was real too. So it must be part of it.” “Yeah…I wonder what it means.” “Maybe…I don’t know. Maybe nothing.” “No, it must be something,” she said firmly.
”
”
Philip Pullman (La Belle Sauvage (The Book of Dust, #1))
“
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time.
I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade.
I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on.
All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling.
At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes.
We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.
”
”
Annie Dillard
“
Sophia counted six clangs of the bell before Mr. Grayson jolted fully awake. He looked up at her, startled and flushed. As though he’d been caught doing something he shouldn’t.
She smiled.
Rubbing his eyes, he rose to his feet. “Will I shock you, Miss Turner, if I remove my coat?”
Sophia felt a twinge of disappointment. When would he stop treating her with this forced politesse, maintaining this distance between them? How many tales of passionate encounters must she spin before he finally understood that she was no less wicked than he, only less experienced? Perhaps it was time to take more aggressive measures.
“By all means, remove your coat.” She tilted her eyes to cast him a saucy look. “Mr. Grayson, I’m not an innocent schoolgirl. You will have to try harder than that to shock me.”
His lips curved in a subtle smile. “I’ll take that under advisement.” She watched as he shook the heavy topcoat from his shoulders and peeled it down his arms. He draped the coat over the back of a chair before sitting back down. The damp lawn of his shirt clung to his shoulders and arms. A pleasant shiver rippled down to Sophia’s toes.
“It doesn’t suit you anyway,” she said, loading her brush with paint.
He gave her a bemused look as he unknotted his cravat and pulled it loose. She inwardly rejoiced. Now, if only she could convince him to do away with his waistcoat…”
“The coat,” she explained, when his eyebrows remained raised. “It doesn’t suit you.”
“Why not? Is the color wrong?” The sudden seriousness in his tone surprised her.
“No, the color is perfectly fine. It’s the cut that’s unflattering. That style is tailored to gentlemen of leisure, lean and slender. But as you are so fond of telling me, Mr. Grayson, you are no gentleman. Your shoulders are too broad for fashion.”
“Is that so?” He chuckled as he undid his cuffs. Sophia stared as he turned up his sleeves, baring one tanned muscled forearm, then the other. “What style of garments would best suit me, then?”
“Other than a toga?” He rewarded her jest with an easy smile. Sophia dabbed at her canvas, pleased to be making progress at last. “I think you need something less restrictive. Something like a sailor’s garb. Or perhaps a captain’s.”
“Truly?” His gaze became thoughtful, then searching. “And even dressed in plain seaman’s clothes, would you still find me handsome enough? In my own way?”
“No.” She allowed his brow to crease a moment before continuing. “I should find you surpassingly handsome. In every way.” She mixed paint slowly on her palette and gave him a coy look. “And what of my attire? If you had your way, how would you dress me?”
“If I had my way…I wouldn’t.”
A thrill raced through Sophia’s body. Her cheeks burned, and her eyes dropped to her lap. She forced her gave back up to meet his. Now was not the moment to lose courage. Nothing held sway over a man’s intentions like jealousy. “Gervais once kept me naked for an entire day so he could paint me.”
He blinked. “He painted a nude study of you?”
“No. He painted me. I took off my clothes and stretched out on the bed while he dressed me in pigment. Gervais called me his perfect, blank canvas. He painted lavender orchids here”-she traced a small circle just above her breast-“and little vines twining down…” She slid her hand down and noted with delight how his eyes followed its path. “I feigned the grippe and refused to bathe for a week.”
Desire and jealous rage warred in his countenance, yet he remained as immobile as one of Lord Elgin’s marble sculptures. What would it take to spur the man into action?
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))