The Barren Grounds Quotes

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I tell of hearts and souls and dances... Butterflies and second chances; Desperate ones and dreamers bound, Seeking life from barren ground, Who suffer on in earthly fate The bitter pain of agony hate, Might but they stop and here forgive Would break the bonds to breathe and live And find that God in goodness brings A chance for change, the hope of wings To rest in Him, and self to die And so become a butterfly.
Karen Kingsbury (Oceans Apart)
The tears of my eyes watered your heart but failed to evoke a response from the barren grounds of what beats in you. They will still come and I will welcome them because they contain you.
Faraaz Kazi
He can make the dry parched ground of my soul to become a pool and my thirsty barren heart as springs of water. Yes he can make this habitation of dragons this heart which is so full of abominable lusts and fiery temptations to be a place of bounty and fruitfulness unto Himself
John Owen (The Mortification of Sin (Puritan Paperbacks))
People encounter God under shady oak trees, on riverbanks, at the tops of mountains, and in long stretches of barren wilderness. God shows up in whirlwinds, starry skies, burning bushes, and perfect strangers. When people want to know more about God, the son of God tells them to pay attention to the lilies of the field and the birds of the air, to women kneading bread and workers lining up for their pay. Whoever wrote this stuff believed that people could learn as much about the ways of God from paying attention to the world as they could from paying attention to scripture. What is true is what happens, even if what happens is not always right. People can learn as much about the ways of God from business deals gone bad or sparrows falling to the ground as they can from reciting the books of the Bible in order. They can learn as much from a love affair or a wildflower as they can from knowing the Ten Commandments by heart.
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
Our tears prepare the ground for our future growth. Without this creative moistening, we may remain barren. We must allow the bolt of pain to strike us. Remember, this is useful pain; lightning illuminates.
Julia Cameron (The Artist's Way: A Spiritual Path to Higher Creativity)
No matter where; of comfort no man speak: Let's talk of graves, of worms, and epitaphs; Make dust our paper and with rainy eyes Write sorrow on the bosom of the earth, Let's choose executors and talk of wills: And yet not so, for what can we bequeath Save our deposed bodies to the ground? Our lands, our lives and all are Bolingbroke's, And nothing can we call our own but death And that small model of the barren earth Which serves as paste and cover to our bones. For God's sake, let us sit upon the ground And tell sad stories of the death of kings; How some have been deposed; some slain in war, Some haunted by the ghosts they have deposed; Some poison'd by their wives: some sleeping kill'd; All murder'd: for within the hollow crown That rounds the mortal temples of a king Keeps Death his court and there the antic sits, Scoffing his state and grinning at his pomp, Allowing him a breath, a little scene, To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life, Were brass impregnable, and humour'd thus Comes at the last and with a little pin Bores through his castle wall, and farewell king! Cover your heads and mock not flesh and blood With solemn reverence: throw away respect, Tradition, form and ceremonious duty, For you have but mistook me all this while: I live with bread like you, feel want, Taste grief, need friends: subjected thus, How can you say to me, I am a king?
William Shakespeare (Richard II)
I trust you have seen the ocean. If you have, then you have witnessed the divine. How barren the ground is in comparison! If I could count the hours I have spent staring out at it! And yet those hours never feel lost. I cannot imagine how else I could refill them were I given a second chance.
David Ebershoff (The 19th Wife)
To a person who expects every desert to be barren sand dunes, the Sonoran must come as a surprise. Not only are there no dunes, there's no sand. At least not the sort of sand you find at the beach. The ground does have a sandy color to it, or gray, but your feet won't sink in. It's hard, as if it's been tamped. And pebbly. And glinting with -- what else -- mica.
Jerry Spinelli (Stargirl (Stargirl, #1))
Grandfather used to say that when a woman got ready to fall in love the man didn't matter, because she could drape her feeling over a scarecrow and pretend he was handsome...
Ellen Glasgow
...your grace's words have been like manure spread on the barren ground of my dry and uncultivated mind.
Miguel de Cervantes Saavedra
In 1930 the price of cotton dropped. And so, in the spring of 1931, Papa set out looking for work, going as far north as Memphis and as far south as the Delta country. He had gone west too, into Louisiana. It was there he found work laying track for the railroad. He worked the remainder of the year away from us, not returning until the deep winter when the ground was cold and barren. The following spring after the planting was finished, he did the same. Now it was 1933, and Papa was again in Louisiana laying track. I
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
The tinker in his burial tree was a wonder to the birds. The vultures that came by day to nose with their hooked beaks among his buttons and pockets like outrageous pets soon left him naked of his rags and flesh alike. Black mandrake sprang beneath the tree as it will where the seed of the hanged falls and in spring a new branch pierced his breast and flowered in a green boutonnière perennial beneath his yellow grin. He took the sparse winter snows upon what thatch of hair still clung to his dried skull and hunters that passed that way never chanced to see him brooding among his barren limbs. Until wind had tolled the thinker's bones and seasons loosed them one by one to the ground below and his bleached and weathered brisket hung in that lonesome wood like a bone birdcage.
Cormac McCarthy (Outer Dark)
It was spring, the barren time in March when you cannot be sure if it is really warner, but you are so desperate for change that you tell yourself the mud at the edge of the sidewalk is different than winter mud and you are sure that the smell of we soil has suddenly a bit of the scent of summer rains, of grass and drowned earthworms. And it has, because it is spring and inside the ground something is stirring.
Maureen F. McHugh
I also read that spending time with a pedophile can be like a drug high. There was this girl who said it’s as if the pedophile lives in a fantastic kind of reality, and that fantasticness infects everything. Kind of like they’re children themselves, only full of the knowledge that children don’t have. Their imaginations are stronger than kids’ and they can build realities that small kids would never be able to dream up. They can make the child’s world… ecstatic somehow. And when it’s over, for people who’ve been through this, it’s like coming off of heroin and, for years, they can’t stop chasing the ghost of how it felt. One girl said that it’s like the earth is scorched and the grass won’t grow back. And the ground looks black and barren but inside it’s still burning.
Margaux Fragoso (Tiger, Tiger)
Wise sayings often fall on barren ground, but a kind word is never thrown away.
Arthur Helps
Stories always lead people somewhere, To a place, to a memory.
David Alexander Robertson (The Barren Grounds (The Misewa Saga, #1))
Her life, she knew, was becoming simplified into an unbreakable chain of habits, a series of orderly actions at regular hours. Vaguely, she thought of herself as a happy woman; yet she was aware that this monotony of contentment had no relation to what she had called happiness in her youth. It was better perhaps; it was certainly as good; but it measured all the difference between youth and maturity.
Ellen Glasgow (Barren Ground)
Crawling across the barren ground, life was hard for the tiny colorless caterpillar. But today, she shimmied in delight like a ballerina twirling before a great audience. She transformed into an iridescent butterfly full of mystery and wonder. As she took flight on a magical adventure, she was caught in a spider’s web. Her story was just beginning.
T.L. Price (Enviro-Scapes (Exiled Elementals #2))
Bereavement is sometimes like wading across a succession of snowfields with no landmark in sight. You are a lone small figure in a vast barren landscape. Other times it’s like a Ferris wheel ride. Like being strapped into a swinging spinning bucket. The dizzying dislocation from familiar grounded reality.
Glenn Haybittle (Byron and Shelley)
And, because in some hard core of me, in some stubborn trench of selfish refusal, I could not, even at ten years of age, surrender to anything or anyone, I fought that pain. I analysed its offensive, and found its lines of attack. It festered, like the corruption in a wound turned sour, drawing strength from me. I knew enough to know the remedy. Hot iron for infection, cauterize, burn, make it pure. I cut from myself all the weakness of care. The love for my dead, I put aside, secure in a casket, an object of study, a dry exhibit, no longer bleeding, cut loose, set free. The capacity for new love, I burned out. I watered it with acid until the ground lay barren and nothing there would sprout, no flower take root.
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
In life, we plant seeds everywhere we go. Some fall on fertile ground needing very little to grow. Some fall on rocky soil requiring a tad bit more loving care. While others fall in seemingly barren land and no matter what you do; it appears the seed is dead. Nevertheless, every seed planted will have a ripple effect. You could see it in the present or a time not seen yet. So be wise about where you plant your seeds. Be very mindful of your actions & deeds. Negativity grows just as fast if not faster than positivity. Plant seeds of kindness, love and peace And your harvest will be abundant living.
Sanjo Jendayi
He fell on his knees on that barren ground, Staring at the sky. And the sky opened up for him by raining. With the rain, every drop of his tear was washed down filling the cracks beneath. nobody got to see his pain and agony. And yet again he remained a mystery that was never solved.
Akshay Vasu
It has bloomed again, This flower that I thought dead. In one moment of despair And pain, I'd trampled it in the ground Upon this barren plain. Little did I know That it would rise again, This flower that I thought dead. My soul would need A surer weapon than despair To crush a thing so bright, so fair.
Ruskin Bond
She made the ground a canvas and transformed the dusty barren land into a beautiful painting ever
Manoj Kumar Duppala (With You)
Creative people live in mortal fear of tossing their seed on barren ground.
Kate Alcott
Now would I give a thousand furlongs of sea for an acre 60 of barren ground;
William Shakespeare (The Tempest)
But when he was a mile from the town, walking through a barren field, toward the low hills where his camp was, all of it suddenly came over him in one crushing shock—the strangeness of it, the danger, the pain and worry in his body—and he fell to the ground and lay there, his body and his mind crying out against the violence that was being done to them by this most foreign, most strange and alien of all places.
Walter Tevis (The Man Who Fell to Earth)
Humans...The land provides everything that anybody would need. If you take only what you need, the land renews itself so that it can provide more. Medicines, water, plants, meat. In exchange, because we don’t really have anything the land wants, we honor it for what it gives us...When you take more than the land can provide, it stops giving. It can’t give. That’s what’s happened here. That’s what happens with humans.
David Alexander Robertson (The Barren Grounds (The Misewa Saga, #1))
The choice word, the correct phrase, are instruments that may reach the heart, and awake the soul if they fall upon the ear in melodious cadence; but if the utterance be harsh and discordant they fail to interest, fall upon deaf ears, and are as barren as seed sown on fallow ground.
Grenville Kleiser (Fifteen Thousand Useful Phrases A Practical Handbook Of Pertinent Expressions, Striking Similes, Literary, Commercial, Conversational, And Oratorical Terms, ... Persons Who Read, Write, And Speak English)
Let, then, thy soul by faith be exercised with such thoughts and apprehensions as these: “I am a poor, weak creature; unstable as water, I cannot excel. This corruption is too hard for me, and is at the very door of ruining my soul; and what to do I know not. My soul is become as parched ground, and an habitation of dragons. I have made promises and broken them; vows and engagements have been as a thing of nought. Many persuasions have I had that I had got the victory and should be delivered, but I am deceived; so that I plainly see, that without some eminent succour and assistance, I am lost, and shall be prevailed on to an utter relinquishment of God. But yet, though this be my state and condition, let the hands that hang down be lifted up, and the feeble knees be strengthened. Behold, 32the Lord Christ, that hath all fulness of grace in his heart, all fulness of power in his hand, he is able to slay all these his enemies. There is sufficient provision in him for my relief and assistance. He can take my drooping, dying soul and make me more than a conqueror.33 ‘Why sayest thou, O my soul, My way is hid from the Lord, and my judgment is passed over from my God? Hast thou not known, hast thou not heard, that the everlasting God, the Lord, the Creator of the ends of the earth, fainteth not, neither is weary? there is no searching of his understanding. He giveth power to the faint; and to them that have no might he increaseth strength. Even the youths shall faint and be weary, and the young men shall utterly fall: but they that wait upon the Lord shall renew their strength; they shall mount up with wings as eagles; they shall run, and not be weary; they shall walk, and not faint,’ Isa. xl. 27–31. He can make the ‘dry, parched ground of my soul to become a pool, and my thirsty, barren heart as springs of water;’ yea, he can make this ‘habitation of dragons,’ this heart, so full of abominable lusts and fiery temptations, to be a place for ‘grass’ and fruit to himself,” Isa. xxxv. 7. So God staid Paul, under his temptation, with the consideration of the sufficiency of his grace: “My grace is sufficient for thee,” 2 Cor. xii. 9. Though he were not immediately so far made partaker of it as to be freed from his temptation, yet the sufficiency of it in God, for that end and purpose, was enough to stay his spirit. I say, then, by faith, be much in the consideration of that supply and the fulness of it that is in Jesus Christ, and how he can at any time give thee strength and deliverance. Now, if hereby thou dost not find success to a conquest, yet thou wilt be staid in the chariot, that thou shalt not fly out of the field until the battle be ended; thou wilt be kept from an utter despondency and a lying down under thy unbelief, or a turning aside to false means and remedies, that in the issue will not relieve thee. The efficacy of this consideration will be found only in the practice.
John Owen (Of the Mortification of Sin in Believers)
When every link to the outside world is severed, time has no meaning. It ceases to exist other than as a dull memory, a vague recollection of what a minute used to be, an hour, a day. Sealed up tight so far beneath the ground, every single second was stretched out almost to infinity—each one a vast and empty abyss where time used to reign, an ageless aeon barren of significance and consequence. When every scrap of light and sound has been taken away, reality has no meaning. It too ceases to exist, for what is reality other than the cumulation of senses—images witnessed by our own eyes and the noises that enter through our ears? But when all those senses are starved, then the real world fades away like the last frantic gasp of a television program when the set is switched off. And when reality goes, sanity has no reason. How can your ability to behave in a normal and rational way still exist when nothing normal or rational remains? As soon as reality breaks, as soon as we are separated from the physical world, the cracks begin to appear in our minds. And through them seeps the madness that has always been there, flowing into your skull like a liquid nightmare.
Alexander Gordon Smith (Solitary (Escape from Furnace, #2))
I stared out the window and watched the land change like it had a mental illness. Dead and barren became spinach, chard and cabbage glittering with the pulsing spray from long-wheeled irrigators, and then a dead stockyard with knocked down fence posts and a collapsed ramp and then a dumping ground for junk cars and raw garbage with turkey buzzards circling overhead and then sudden low orchards, peaches it looked like, with migrants reaching into scraggly trees with dirty pick-sacks slung over their shoulders. And then it was barren again, looking quite scorched, and then we arrived.
Lynda Barry (Cruddy)
I cut from myself all the weakness of care. The love for my dead, I put aside, secure in a casket, an object of study, a dry exhibit, no longer bleeding, cut loose, set free. The capacity for new love, I burned out. I watered it with acid until the ground lay barren and nothing there would sprout, no flower take root.
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
His feeling for the South was not so much historic as it was of the core and desire of dark romanticism--that unlimited and inexplicable drunkenness, the magnetism of some men's blood that takes them into the heart of the heat, and beyond that, into the polar and emerald cold of the South as swiftly as it took the heart of that incomparable romanticist who wrote The Rime of the Ancient Mariner, beyond which there is nothing. And this desire of his was unquestionably enhanced by all he had read and visioned, by the romantic halo that his school history cast over the section, by the whole fantastic distortion of that period where people were said to live in "mansions," and slavery was a benevolent institution, conducted to a constant banjo-strumming, the strewn largesses of the colonel and the shuffle-dance of his happy dependents, where all women were pure, gentle, and beautiful, all men chivalrous and brave, and the Rebel horde a company of swagger, death-mocking cavaliers. Years later, when he could no longer think of the barren spiritual wilderness, the hostile and murderous intrenchment against all new life--when their cheap mythology, their legend of the charm of their manner, the aristocratic culture of their lives, the quaint sweetness of their drawl, made him writhe--when he could think of no return to their life and its swarming superstition without weariness and horror, so great was his fear of the legend, his fear of their antagonism, that he still pretended the most fanatic devotion to them, excusing his Northern residence on grounds of necessity rather than desire.
Thomas Wolfe (Look Homeward, Angel)
I cut from myself all the weakness of care. The love for my dead, I put aside, secure in a casket, an object of study, a dry exhibit, no longer bleeding, cut loose, set free. The capacity for new love, I burned out. I watered it with acid until the ground lay barren and nothing there would sprout, no flower take root. “Come.
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
That man would betray his own shadow. And for what? A child's tale.' 'Is it?' Mag looked at her. 'Is it only a tale?' For a moment, the purple eyes grew dark, black as the little rags of shadows that Mag saw on empty streets or patches of barren ground, attached to nothing, seemingly blown at random from some place adrift in light.
Patricia A. McKillip (Ombria in Shadow)
the sheep in centuries past audiences at symphony concerts were not afraid to act out their displeasure at works which offended them. in our time I have either attended or listened to hundreds of concerts and never have I heard an audience express even the mildest displeasure with any work. have our musical artists improved to such an extent? or is it the decay of courage, the inability of the mass mind to reach its own decisions? not only in the world of music but in the other world? the next time you hear a symphony concert note the obedient applause, the death of the bluebird, the shading of the sun; the hooves of the horses from hell pounding on the barren ground of the human spirit.
Charles Bukowski (Betting on the Muse)
All efforts of persuasion by reasoned argument rely on the implicit assumption that homo sapiens, though occasionally blinded by emotion, is a basically rational animal, aware of the motives of his own actions and beliefs-an assumption which is untenable in the light of both historical and neurological evidence. All such appeals fall on barren ground; they could take root only if the ground were prepared by a spontaneous change in human mentality all over the world-the equivalent of a major biological mutation. Then, and only then, would mankind as a whole, from its political leaders down to the lonely crowd, become receptive to reasoned argument, and willing to resort to those unorthodox measures which would enable it to meet the challenge.
Arthur Koestler (The Ghost in the Machine)
It’s ironic perhaps – but no one wants to lend money to someone or something that has no money or no monetary worth. You wouldn’t plant a seed on barren ground – you plant a seed where there’s already a wealth of resources sufficient to cultivate the seed. It could be a tiny bit of soil in a pot, or the expanse of your front yard. But you’re going to make sure the seed has enough soil to put down roots and a quality of soil that facilitates growth.
Hendrith Vanlon Smith Jr. (Capital Acquisition: Small Business Considerations for How to Get Financing)
Already, even with the great act still ahead, there was flowing in upon me, from the barren years beyond it, a dejection such as I had never conceived. It was not at all like the agonies I had endured before and have endured since. I did not weep nor wring my hands. I was like water put into a bottle and left in a cellar: utterly motionless, never to be drunk, poured out, spilled, or shaken. The days were endless. The very shadows seemed nailed to the ground as if the sun no longer moved.
C.S. Lewis (Till We Have Faces)
He stood hat in hand over the unmarked earth. This woman who had worked for his family fifty years. She had cared for his mother as a baby and she had worked for his family long before his mother was born and she had known and cared for the wild Grady boys who were his mother's uncles and who had all died so long ago and he stood holding his hat and he called her his abuela and he said goodbye to her in Spanish and then turned and put on his hat and turned his wet face to the wind and for a moment he held out his hands as if to steady himself or as if to bless the ground there or perhaps as if to slow the world that was rushing away and seemed to care nothing for the old or the young or rich or poor or dark or pale or he or she. Nothing for their struggles, nothing for their names. Nothing for the living or the dead. In four days' riding he crossed the Pecos at Iraan Texas and rode up out of the river breaks where the pumpjacks in the Yates Field ranged against the skyline rose and dipped like mechanical birds. Like great primitive birds welded up out of iron by hearsay in a land perhaps where such birds once had been…..The desert he rode was red and red the dust he raised, the small dust that powdered the legs of the horse he rode, the horse he led. In the evening a wind came up and reddened all the sky before him. There were few cattle in that country because it was barren country indeed yet he came at evening upon a solitary bull rolling in the dust against the bloodred sunset like an animal in sacrificial torment. The bloodred dust blew down out of the sun. He touched the horse with his heels and rode on. He rode with the sun coppering his face and the red wind blowing out of the west across the evening land and the small desert birds flew chittering among the dry bracken and horse and rider and horse passed on and their long shadows passed in tandem like the shadow of a single being. Passed and paled into the darkening land, the world to come.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
dried-out marsh, now barren of all vegetation and covered with a layer of dust about an inch thick. It was very cold. Zaphod was clearly rather depressed about it. He stalked off by himself and was soon lost to sight behind a slight rise in the ground. The wind stung Arthur’s eyes and ears, and the stale thin air clasped his throat. However, the thing that was stung most was his mind. “It’s fantastic …” he said, and his own voice rattled his ears. Sound carried badly in this thin atmosphere.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
Harriet turned round, and we both saw a girl walking towards us. She was dark-skinned and thin, not veiled but dressed in a sitara, a brightly coloured robe of greens and pinks, and she wore a headscarf of a deep rose colour. In that barren place the vividness of her dress was all the more striking. On her head she balanced a pitcher and in her hand she carried something. As we watched her approach, I saw that she had come from a small house, not much more than a cave, which had been built into the side of the mountain wall that formed the far boundary of the gravel plateau we were standing on. I now saw that the side of the mountain had been terraced in places and that there were a few rows of crops growing on the terraces. Small black and brown goats stepped up and down amongst the rocks with acrobatic grace, chewing the tops of the thorn bushes. As the girl approached she gave a shy smile and said, ‘Salaam alaikum, ’ and we replied, ‘Wa alaikum as salaam, ’ as the sheikh had taught us. She took the pitcher from where it was balanced on her head, kneeled on the ground, and gestured to us to sit. She poured water from the pitcher into two small tin cups, and handed them to us. Then she reached into her robe and drew out a flat package of greaseproof paper from which she withdrew a thin, round piece of bread, almost like a large flat biscuit. She broke off two pieces, and handed one to each of us, and gestured to us to eat and drink. The water and the bread were both delicious. We smiled and mimed our thanks until I remembered the Arabic word, ‘Shukran.’ So we sat together for a while, strangers who could speak no word of each other’s languages, and I marvelled at her simple act. She had seen two people walking in the heat, and so she laid down whatever she had been doing and came to render us a service. Because it was the custom, because her faith told her it was right to do so, because her action was as natural to her as the water that she poured for us. When we declined any further refreshment after a second cup of water she rose to her feet, murmured some word of farewell, and turned and went back to the house she had come from. Harriet and I looked at each other as the girl walked back to her house. ‘That was so…biblical,’ said Harriet. ‘Can you imagine that ever happening at home?’ I asked. She shook her head. ‘That was charity. Giving water to strangers in the desert, where water is so scarce. That was true charity, the charity of poor people giving to the rich.’ In Britain a stranger offering a drink to a thirsty man in a lonely place would be regarded with suspicion. If someone had approached us like that at home, we would probably have assumed they were a little touched or we were going to be asked for money. We might have protected ourselves by being stiff and unfriendly, evasive or even rude.
Paul Torday (Salmon Fishing in the Yemen)
Blood before all,” she murmured, that saying that had followed Alistair and Hendry their whole lives. Even as they slipped outside the manor grounds for entertainment, they knew none of it mattered. Those excursions were ventures into dreams, into a fantasy where they never truly belonged. Their reality was the golden light of the setting sun splintering between the barren trees of their estate. It was the sound of hearths crackling and people barely breathing. It was hiding among forgotten alcoves, avoiding the cruel, disapproving faces of their family, who were always stealing Alistair away to shaded rooms and towers of books.
Amanda Foody, christine lynn Herman (All of Us Villains (All of Us Villains, #1))
You’re not the most troubled person I’ve worked with in my career, but you are unequivocally the strongest. There are some things that can’t be taught. Either you have it or you don’t.” She nodded slowly. “You have it.” Jessica planted her feet on the ground and crossed her arms on the desk. “Have what?” “A will to live that goes beyond circumstance and possibly even reason. You find something from nothing and feed off it. You’re that flower that sprouts through a crack in the barren granite face of a mountain. You feel what everyone else has to see to believe. You sense the sun before you see its light, and you do it subconsciously. That’s a gift. That’s why you’re still here—alive—with me today.
Jewel E. Ann (Dawn of Forever (Jack & Jill, #3))
There were, to be sure, some grounds for the ranchers’ bitterness toward sheep. It was known that sheep cold be destructive to grass. Their small, sharp hoofs knifed deep into the sod, turning it up and cutting it so thoroughly that years were necessary for a new growth of grass to appear. In grazing also it could be held that they were harmful to the ranges because of their method of cropping down close to the roots and at times even below them. A sheep band allowed to graze too long on one range could utterly destroy it, reduce it to barren uselessness as quickly and completely as could a cloud of locusts swarm down and destroy a tract of grain. Bed grounds also were harmful to the pastures. Herders brought their sheep together at night to protect them from the ravages of roving wolves, coyotes, and bears, and should the band be permitted to occupy the same bed grounds for too long a period, the growth was soon worn off, exposing the bare earth, hopeless for future grass.
Jack O'Brien (VALIANT - Dog of the Timberline)
Vague assertions as to the equality of the sexes and the similarity of their duties are only empty words; they are no answer to my argument. It is a poor sort of logic to quote isolated exceptions against laws so firmly established. Women, you say, are not always bearing children. Granted; yet that is their proper business. Because there are a hundred or so of large towns in the world where women live licentiously and have few children, will you maintain that it is their business to have few children? And what would become of your towns if the remote country districts, with their simpler and purer women, did not make up for the barrenness of your fine ladies? There are plenty of country places where women with only four or five children are reckoned unfruitful. In conclusion, although here and there a woman may have few children, what difference does it make? Is it any the less a woman's business to be a mother? And do not the general laws of nature and morality make provision for this state of things? Even if there were these long intervals, which you assume, between the periods of pregnancy, can a woman suddenly change her way of life without danger? Can she be a nursing mother to-day and a soldier tomorrow? Will she change her tastes and her feelings as a chameleon changes his color? Will she pass at once from the privacy of household duties and indoor occupations to the buffeting of the winds, the toils, the labors, the perils of war? Will she be now timid, now brave, now fragile, now robust? If the young men of Paris find a soldier's life too hard for them, how would a woman put up with it, a woman who has hardly ventured out of doors without a parasol and who has scarcely put a foot to the ground? Will she make a good soldier at an age when even men are retiring from this arduous business? There are countries, I grant you, where women bear and rear children with little or no difficulty, but in those lands the men go half-naked in all weathers, they strike down the wild beasts, they carry a canoe as easily as a knapsack, they pursue the chase for 700 or 800 leagues, they sleep in the open on the bare ground, they bear incredible fatigues and go many days without food. When women become strong, men become still stronger; when men become soft, women become softer; change both the terms and the ratio remains unaltered.
Jean-Jacques Rousseau (Emile, or On Education)
The great danger of lying is not that lies are untruths, and thus unreal, but that they become real in other people's minds. They escape the liar's grip like seeds let loose in the wind, sprouting a life of their own in the least expected places, until one day the liar finds himself contemplating a lonely but nonetheless healthy tree, grown off the side of a barren cliff. It has the capacity to sadden him as much as it does to amaze. How could that tree have got there? How does it manage to live? It is extraordinarily beautiful in its loneliness, built on a barren untruth, yet green and very much alive. Many years have passed since I sowed the lies, and thus lives, of which I am speaking. Yet more than ever, I shall have to sort the branches out carefully, determine which ones stemmed from truth, which from falsehood. Will it be possible to saw off the misleading branches without mutilating the tree beyond hope? Perhaps I should rather uproot the tree, replant it in flat, fertile soil. But the risk is great. My tree has adapted in a hundred and one ways to its untruth, learned to bend with the wind, live with little water. It leans so far it is horizontal, a green enigma halfway up and perpendicular to a tall, lifeless cliff. Yet it is not lying on the ground, its leaves rotting in dew as it would if I replanted it. Curved trunks cannot stand up, any more than I can straighten my posture to return to my twenty-year-old self. A milder environment, after so long a harsh one, would surely prove fatal. I have found the solution. If I simply tell the truth, the cliff will erode chip by chip, stone by stone. And the destiny of my tree? I hold my fist to the sky and let loose my prayers. Wherever they go, I hope my tree will land there.
Christine Leunens (Caging Skies)
Can anything possibly be salvaged from it?” Wherever you are right now in the story, I am going to interrupt you with Isaiah 35. The wilderness and the dry land shall be glad, the desert shall rejoice and blossom; like the crocus it shall blossom abundantly, and rejoice with joy and singing. (verses 1–2) There is nothing wrong with a desert that a little rain can’t fix. Dry land is not inherently barren; the dirt itself is not evil. We are after all “formed…of dust from the ground” (Genesis 2:7). And no one’s life is apart from that basic ground from which God can bring his purposes to blossom. There are stretches of time when nothing is growing, but all the while nutrients are in the soil and seeds embedded just beneath the surface. A moment will come when the necessary moisture will bring faith to flower. Strengthen the weak hands, and make firm the feeble knees. Say to those who are of a fearful heart, “Be strong, fear not! Behold, your God will come with vengeance, with the recompense of God. He will come and save you.” (verses 3–4) You think that you have all you can take? That you can’t lift another burden? That you can’t manage another challenge? Well, “Be strong…! Behold, your God.” God comes. He comes in “vengeance.” He will take care, decisively and completely, of all that is wrong with the story. He comes with “recompense.” He will provide everything to make you whole and mature. The word recompense has a root meaning of “weaning from the mother’s breast.” A happy time, for it means you are making a transition from being a weak and dependent infant, but it’s a terrifying time too, for it means you are no longer treated indulgently as an innocent. “He will come and save you.” Everything God does is woven into the plot for your salvation—the judgments on your sin, the weaning from your innocence, the gifts of maturity. At the end of the story, for you who choose to be his people, you will have a put-together life, a life vibrant with health, a life whole and solid in love.
Eugene H. Peterson (As Kingfishers Catch Fire: A Conversation on the Ways of God Formed by the Words of God)
Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.
Laura Brooks (Greek Isles (Timeless Places))
Time evaporate, money is always needed, comforts found where they were not expected and excitement dug up in barren ground.
Susan Sontag (The Volcano Lover)
you see something new, or at least you see it in a different way. I’ve heard people say this land haunts you, and I’ve begun to believe it.” “Well, it must be a pretty well-kept secret, when you think how few people live here.” “Look over there. What’s that?” Just as Opal asked, they heard a whistle. “Prairie dogs, small ground-dwelling mammals. They live in colonies—people call them prairie-dog towns. That whistle was the lookout telling the others that danger is near and to hide back in their burrows. If we had time to sit here and not move, they’d pop out of their holes again. They eat grasses and seeds, so they make their area pretty barren. You try running a horse through a prairie-dog town and, sure enough, he’ll step in a hole and break a leg. You got to be careful about things like that.” “I hope I can come back here sometime,” Opal said, all the while gazing at the place the prairie dog had disappeared from. Ruby could hear Opal’s unspoken wish for soon. If only horses weren’t so expensive to both buy and feed. If Opal had a horse, she would have a friend indeed.
Lauraine Snelling (Ruby (Dakotah Treasures Book #1))
Najibabad must have been one of the least inspiring places on earth. Hot, dusty, apparently lifeless. We spent two hours at the bus-stand, in the company of several donkeys, also quartered there. We were told that the area had once been the favourite hunting ground of a notorious dacoit, Sultana Daku, whose fortress overlooked the barren plain. I could understand him taking up dacoity—what else was there to do in such a place—and presumed that he looked elsewhere for his loot, for in Nazibabad there was nothing worth taking. In due course he was betrayed and hanged by the British, when they should instead have given him an OBE for stirring up the sleepy countryside. There was a short branch line from Nazibabad to Kotdwara, but the train wasn't leaving that day, as the engine driver was unaccountably missing. The bus-driver seemed to be missing too, but he did eventually turn up, a little worse for some late night drinking. I could sympathize with him. If in 1940, Nazibabad drove you to dacoity, in 1960 it drove you to drink. Kotdwara,
Ruskin Bond (Roads to Mussoorie)
And an author can never claim his Story is complete until it has been read by a reader, and only then can the circle be closed. A Story can never remain static, either. For each new reader brings to the Story afresh his own unique set of past experiences, giving him a peculiar lens through which to conjure different emotions out of the very same words . . .
Loreth Anne White (In the Barren Ground)
cannot but complain of, and must condemn the great negligence of Parents, in letting the fertile ground of their Daughters lie fallow, yet send the barren Noddles of their Sons to the University,
Sara Read (Maids, Wives, Widows: Exploring Early Modern Women's Lives, 1540–1740)
Some have too much noise going on in their world and don’t hear the whisper. Others hear, but the thought dies on the barren ground of their low self-esteem or is suffocated under the avalanche of their fears. Still others rationalize that they have too many problems or situations to face. But some know that they must put everything to one side, and, just do it.
John Mullen (Florencia - An Accidental Story)
Life beckoned to me in the form of a blinding white light, coaxing me to come near it and grasp it. To live again. To exist again among the living. But I didn't want to. Not anymore. Death was a better choice. But Death did not want me. Yet. There was only one thing to do, then. I must escape Life. I turned away from the light, but it followed me. I ran, as fast as I can, but it was still behind me. I couldn’t lose it, however hard I tried. It was gaining on me! Out of breath, I turned into a dark alley and found myself in a barren stretch of land. I dropped to the ground as the light came into sight. And I knew that to avoid it, there was nothing else to do…but go underground. With my bare hands, I scratched and scraped and clawed on the ground, and my fingernails cracked, and my hands became bloodied. But I didn't stop. I must not stop. I must not let the light get me. So, I scratched and clawed and scraped the soil. Tears and perspiration mingled on my face, dripping down to the hole I was digging. “Still, I went on, and on, and on, focused on my task. Finally, a hole big enough appeared out of my efforts. Coughing, short of breath, I crawled inside, worming my way in. I curled up my body. I pulled my knees to my chest, folded my arms around them, and wriggled myself in, until I was deeply and comfortably nestled in. No vacant spaces, no empty void. Just me and the hole. I was a perfect fit for the dark pit I created for myself. Gradually, my breathing returned to normal, my heart softly beating. Gratefully, I closed my eyes, allowing the darkness to engulf me wholly, shielding me from the light called Life.
Mayumi Cruz (Chroma Hearts)
I knew enough to know the remedy. Hot iron for infection, cauterize, burn, make it pure. I cut from myself all the weakness of care. The love for my dead, I put aside, secure in a casket, an object of study, a dry exhibit, no longer bleeding, cut loose, set free. The capacity for new love, I burned out. I watered it with acid until the ground lay barren and nothing there would sprout, no flower take root. “Come.
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
And then she hears the sound of a helicopter, from somewhere behind her and, turning, sees the long white beam of light sweeping the dead ground as it comes, like a lighthouse gone mad from loneliness, and searching that barren ground as foolishly, as randomly, as any grieving heart ever has.
William Gibson (Pattern Recognition (Blue Ant, #1))
The hard work of finding a proving ground sufficiently barren and remote and organizing it fell to a compact, close-cropped Harvard experimental physicist named Kenneth T. Bainbridge.
Richard Rhodes (The Making of the Atomic Bomb: 25th Anniversary Edition)
imagination turns out to be the driving wheel of that system as well. Our imagination, the inner picture of ourselves being as rich and comfortable as a Duke of Argyll or a Bill Gates, spurs on our efforts, focusing and directing our energies toward a single purpose. “It is this deception,” Smith adds (with my emphasis), which rouses and keeps in continual motion the industry of mankind. It is this which first prompted them to cultivate the ground, to build houses, to found cities and commonwealths, and to invent and improve all the sciences and arts, which ennoble and embellish human life; which have entirely changed the whole face of the globe, have turned the rude forests of nature into agreeable and fertile plains, and made the trackless and barren ocean a new fund of subsistence, and the great high road of communication to the different nations of the earth.
Arthur Herman (How the Scots Invented the Modern World: The True Story of How Western Europe's Poorest Nation Created Our World and Everything In It)
They thought we had to make the world less perfect or no one would be willing to face the hardships of moving on. There are few people left anywhere who are willing to die for something, for their children maybe, but not for a cause, and certainly not for a patch of raw and barren Mars ground. Apollo thought that we need suffering to create people capable of enduring suffering. World Peace does not breed heroes.
Ada Palmer (Seven Surrenders (Terra Ignota, #2))
All the broken walls inside were hung with the ragged memorials of past times, which showed the sad effects of strife. There were rent robes and broken sceptres, sacred things ruined, shivered spears, and shields torn in twain, great cities ransacked, and strong castles beaten down, nations led into captivity, and huge armies slain -- relics of all these ruins remained in the house of Até. All the famous wars in history found a record here, as well as the feuds and quarrels of private persons too many to mention. Such was the house inside. Outside, the barren ground was full of poisonous weeds, which Strife herself had sown; they had grown great from small seeds -- the seeds of evil words and wrangling deeds, which, when they come to ripeness, bring forth an infinite increase of trouble and contention, often ending in bloodshed and war. These horrible seeds also served Até for bread, and she had been fed upon them from childhood, for she got her life from that which killed other people. She was born of a race of demons, and brought up by the Furies. Strife was as ugly as she was wicked; she could speak nothing but falsehood, and she never heard aright.
Mary Macleod (THE LEGEND OF BRITOMART - Stories from the Faerie Queen Book III)
Then Beren lay upon the ground in a swoon, as one slain at once by bliss and grief; and he fell into a sleep as it were into an abyss of shadow, and waking he was cold as stone, and his heart barren and forsaken.
J.R.R. Tolkien (The Silmarillion)
Rather than domesticating animals for hides and meat, Indigenous communities created havens to attract elk, deer, bear, and other game. They burned the undergrowth in forests so that the young grasses and other ground cover that sprouted the following spring would entice greater numbers of herbivores and the predators that fed on them, which would sustain the people who ate them both. Mann describes these forests in 1491: “Rather than the thick, unbroken, monumental snarl of trees imagined by Thoreau, the great eastern forest was an ecological kaleidoscope of garden plots, blackberry rambles, pine barrens, and spacious groves of chestnut, hickory, and oak.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
I would be lying if I pretended not to find the idea of a new stone circle ersatz. What do they actually mean, these hefts of rock that are not even native to this landscape? What are they supposed to signify? I visited them when they were first laid and found them rather barren, planted in the bald winter ground, still crumbling from their quarrying. I believed at first that they were concrete. They seemed to me to offer and incomplete answer to a question that we have not quite learned how to ask. How do we worship now? How do we get past the blunt knowing of our disenchanted age and tap back into the magic that we used to perceive everywhere? I wanted to touch the stones and for them to return a tingle of meaning laid down over millennia. Instead, they seemed to shrug me off. Make your own meaning, they said. We can't do that for you.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
A strange landscape stared back at her. Delphine gasped and let the tree support her weight as she slowly took in the sight of of the forest drawn tight around the ring of moss surrounding the linden. The trees were skeletal and pale as bone, branches gnarled and twining in complicated knotwork that might have been intentionally woven or might have been the wild striving of trees reaching for the sky. There were no leaves, but a thick hoarfrost of silver coated every branch, every twig, every barren bud. Bracken grew tangled at the roots of the trees; it, too, was layered in sparkling pale beauty. The ground was covered in the same thick silver, which Delphine slowly appreciated was not cold at all, but still as fragile and sharp as frost. No grass grew on the ground, only a thick carpet of the same moss surrounding the tree. The silver didn't pass through the circle, fading to a film near the green encircling the linden tree.
Rowenna Miller (The Fairy Bargains of Prospect Hill)
Of course, most of us, in the service of sanity, don’t fixate on the end. We go about the world focused on worldly concerns. We accept the inevitable and direct our energies to other things. Yet the recognition that our time is finite is always with us, helping to shape the choices we make, the challenges we accept, the paths we follow. As cultural anthropologist Ernest Becker maintained, we are under a constant existential tension, pulled toward the sky by a consciousness that can soar to the heights of Shakespeare, Beethoven, and Einstein but tethered to earth by a physical form that will decay to dust. “Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order blindly and dumbly to rot and disappear forever.”2 According to Becker, we are impelled by such awareness to deny death the capacity to erase us. Some soothe the existential yearning through commitment to family, a team, a movement, a religion, a nation—constructs that will outlast the individual’s allotted time on earth. Others leave behind creative expressions, artifacts that extend the duration of their presence symbolically. “We fly to Beauty,” said Emerson, “as an asylum from the terrors of finite nature.”3 Others still seek to vanquish death by winning or conquering, as if stature, power, and wealth command an immunity unavailable to the common mortal. Across the millennia, one consequence has been a widespread fascination with all things, real or imagined, that touch on the timeless. From prophesies of an afterlife, to teachings of reincarnation, to entreaties of the windswept mandala, we have developed strategies to contend with knowledge of our impermanence and, often with hope, sometimes with resignation, to gesture toward eternity. What’s new in our age is the remarkable power of science to tell a lucid story not only of the past, back to the big bang, but also of the future. Eternity itself may forever lie beyond the reach of our equations, but our analyses have already revealed that the universe we have come to know is transitory. From planets to stars, solar systems to galaxies, black holes to swirling nebulae, nothing is everlasting. Indeed, as far as we can tell, not only is each individual life finite, but so too is life itself. Planet earth, which Carl Sagan described as a “mote of dust suspended on a sunbeam,” is an evanescent bloom in an exquisite cosmos that will ultimately be barren. Motes of dust, nearby or distant, dance on sunbeams for merely a moment. Still, here on earth we have punctuated our moment with astonishing feats of insight, creativity, and ingenuity as each generation has built on the achievements of those who have gone before, seeking clarity on how it all came to be, pursuing coherence in where it is all going, and longing for an answer to why it all matters. Such is the story of this book.
Brian Greene (Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe)
Patience is not simply “teeth-clenched” endurance. It is an attitude of expectation. The farmer patiently watches his barren ground because he knows there will be results. He has patience in his labors because there will be products of his labor. So it is in the spiritual realm. God knows the final product of what is happening to us, and He would have us link patience to our faith. Ask God for the gift of patience—and then use it.
Billy Graham (Hope for Each Day: Words of Wisdom and Faith)
Nearly seven in ten Americans are still Christian. But if White Anglo-Saxon Protestants were indeed the rootstock of the United States, then the mother ground is nearly barren. What's happening is a mass exodus, particularly among the young: 71 percent of people aged eighteen to twenty-four say they have no religion.
Timothy Egan (A Pilgrimage to Eternity: From Canterbury to Rome in Search of a Faith)
The greatest martial arts trainer my world ever produced was asked by one of his students why he showed mercy to an enemy. He said that for a person with no forgiveness in their heart, living is a worse punishment than death.” “Mercy is leaving the roots of trouble to grow back stronger.” “Mercy can seem like foolishness, and perhaps it is. But it’s also the hope for tomorrow. Ruthlessness will never turn an enemy into a friend. It leaves only barren ground, in the world and in your soul. I’ve seen that in a half-dozen years of having power, so you must have seen it over and over.
Shirtaloon (He Who Fights with Monsters 10 (He Who Fights with Monsters, #10))
raced after him, past Fourtrees to the steep slope that led to the uplands. They bounded up, their paws made noiseless by the snow. When they reached the top, Fireheart was battered by a howling wind that turned his ears inside out. The WindClan hunting grounds looked more barren than ever, the gorse hidden by a layer of snow. “Fireheart! You know the way to the WindClan camp!” yowled Tigerclaw above the wind. “Lead us there.” He slowed to let Fireheart pass. Fireheart wondered if the deputy didn’t trust Onewhisker enough to let the WindClan warrior guide them. He looked back at Graystripe, hoping for some help, but the gray warrior had his head bowed low and his shoulders hunched miserably as the wind buffeted his thick fur. There would be little help there. Fireheart turned his eyes to StarClan and sent up a prayer for guidance. He was surprised to find that he recognized the shape of the land even beneath the snow. There was the badger set and the rock Graystripe had climbed to get a better view. He followed the contours he remembered from his journey with Graystripe until he reached the dip in the land that marked the WindClan camp. Fireheart paused at the rim of the hollow. “Down there!” he yowled. For a heartbeat the wind dropped,
Erin Hunter (Fire and Ice)
My feet sink into the soft gravel of war, the precipitate of man’s self-annihilating impulse. A circle of barren ground left like a fingerprint at a crime scene, evidence of a war unprecedented in its scale and destruction, in its reckless devastation.
Cal Flyn (Islands of Abandonment: Life in the Post-Human Landscape)
The property has a barren feel to it, like the very ground is grieving. LIke it's stuck in the memory of that day. And yet the house itself seems detached from the misery. Like it doesn't give a shit what happened here all those years ago. LIke it wouldn't care if it happened again.
Lisa M. Matlin (The Stranger Upstairs)
The property has a barren feel to it, like the very ground is grieving. LIke it's stuck in the memory of that day. And yet the house itself seems detached from the misery. Like it doesn't give a shit what happened here all those years ago. Like it wouldn't care if it happened again.
Lisa M. Matlin (The Stranger Upstairs)
It was a painting of the unfolding of time. Time was merely another color in the painter’s palette. Rudoph II once owned it. Its shapes sang to him. Exhausted men swung scythes, women carried bundles in the distance. On a hillside covered in chest-high, golden wheat, the peasants carried out tasks they had performed a thousand times. The sky was yellow with light. The painting, almost a manual on how to harvest, had neither beginning nor end. Jason had stood before it one hundred times and assumed that the secret to his own existence could be revealed if he approached it from the right angle. At other times he felt the painting was suffocating, monstrous. It was a hymn to death: the infinity of the barren sky, the corporeality of the peasants, the cut wheat on the ground, waiting for workers to bind it. He imagined the painter, brush stroking the wooden panel, believed himself capable of seeing the entirety of the universe.
Bill Whitten (Brutes)
Flower killers ( PART 1 ) Flower killers There is a war going on out there, Wherever you turn to see, it is everywhere, Guns firing bullets that bear one address: kill, Who? Just anyone do it at your free will, And the guns spray death in all directions, Giving rise to endless predilections, That of a father, a mother and a lover, Whoever the bullet may hit, is lost forever, And when bullets turn stray, They hit anything that comes in their way, It does not matter whether you are a foe or a friend, That time the bullet, only its purpose does defend, That to kill and shoot anyhow and anyone, It can be a father, a mother, a daughter, a lover, or just a human someone, And as the victim falls and collapses on the ground, The bullet pierces deeper like the canines of a hungry hound, And no matter how hard you tried it cannot be bound, Because the war is everywhere and so is its echoing and deathly sound, That tempts the bullet to travel and shoot someone, somewhere, And it couldn't be happier than now, because the war is everywhere, Yesterday a stray bullet whizzed through the air, And it hit a flower that had just bloomed and looked fair, Its petals got shredded into countless pieces, The pollen grains flew in the air and fell in different places, And as they fell, they all cried, “murder!” But the bullet had no intention to surrender, The tattered flower petals fell on the ground, I realised there is a new gang called, “flower killers” and they abound, The bee and the butterfly desperately searched for their missing flower, And ah the pain they felt as a dismayed lover, Their wings dropped and they fell to ground like dead autumn leaves, Where except the bullet, even death grieves, The other flowers looked helplessly at the fallen youth and it's still falling memories, And in honour of the killed flower, they named their garden, the garden of tragedies, And to pay their homages, they all wilted on the same day, The garden looked barren even on a new Summer day, The bullet that killed the flower lies embedded in the fence, Same bullet that killed someone who possessed nothing in self defence, Continued in part 2...
Javid Ahmad Tak
The therapists recommended Mrs Dalloway, where I read that madness is simply a loss of proportion. In my case I felt, as I imagined Virginia Woolf concede, that this was certainly a disproportionate response to sudden pain. But at its core lay something frightening and far more challenging to repair. I was simply no longer a child, and the ground was not solid, and the Eastern Cape was barren and poor, and I didn't have a driver's licence. To witness true poverty when you know what it is to live easily is something very hard to come to terms with. I felt in this moment so far away from you, so far below, and most incapable of reaching.
Lethokuhle Msimang (The Frightened)
IN A HOLE IN THE GROUND, there lived a dwarf. The hole was a nasty, damp, foul-smelling pit hacked out of a pile of slag on a barren mountainside, but dwarves are not averse to roughing it, and to this particular dwarf the hole was Home.
M. Jonathan Jones (The Robbit: Or Turned Out Nice Again)
Without having an in-depth knowledge of the role of śakti in spiritual unfoldment, the study and practice of any spiritual tradition is like farming barren ground.
Rajmani Tigunait (Sakti: The Power in Tantra)
She would keep nothing to herself now. Her heart had opened with Beulah's eyes, and gladness had flooded in. She could feel it rising, threatening to overspill its banks. [Nettie Mae - italics] Let joy run out of me. Let it soak the barren ground of this house--my home--and let something new and bright grow up from the field of my past bitterness.
Olivia Hawker (One for the Blackbird, One for the Crow)
The flames were intense, but the darkness seemed to swallow up the light.21 The skyline was barely visible. The darkness was somewhat like a black hole. I have heard scientists say that within our universe’s black holes the pull of gravity is so strong that it actually stops light from traveling, and it cannot escape from the hole. The darkness in hell is like that. It is so dark that it seems to hinder any light from traveling. The only visible area was that which the flames exposed. The ground was all rock, barren and desolate. There was not one green thing, not one living thing, not one blade of grass, not one leaf on the ground—it was just a complete wasteland.22 In Ezekiel 26:20 we read, “Then I will bring you down with those who descend into the Pit… and I will make you dwell in the lowest part of the earth, in places desolate from antiquity, with those who go down to the Pit.” On earth even deserts contain life that has adapted to its harsh environment, and they have a natural beauty. But the place I saw was barren—nothing like the desert.
Bill Wiese (23 Minutes in Hell: One Man's Story About What He Saw, Heard, and Felt in That Place of Torment)
the Valley of High Parking Requirements. On one edge of the valley were single-family homes, fast-food restaurants, low-slung commercial box stores—all the familiar building types that could be comfortably “parked” at ground level, even if parking took up 60 or 70 percent of the property. On the other edge of the valley were high-density, high-value properties like offices, hotels, malls, and condos that could afford to build structured (or even subterranean) parking garages. Anything in between was impossible to build because it was impossible to park—surface parking would take up too much room; structured parking would cost too much to build. The Valley of High Parking Requirements was barren ground where nothing would grow.
Henry Grabar (Paved Paradise: How Parking Explains the World)
The bear is above ground in spring and summer and below ground, hibernating, in fall and winter -- and she emerges with young by her side. I think that's a wonderful model for us, particularly as women. And it's one I've tried to adopt. If we choose to follow the bear, we will be saved from a distracted and domesticated life. The bear becomes our mentor. We must journey out, so that we might journey in. The bear mother enters the earth before snowfall and dreams herself through winter, emerging with young by her side. She not only survives the barren months, she gives birth. She is the caretaker of the unseen world. As a writer and a woman with obligations to both family and community, I have tried to adopt this ritual of balancing public and private life. We are at home in the deserts and mountains, as well as in our dens. Above ground in the abundance of spring and summer, I am available. Below ground in the deepening of autumn and winter, I am not. I need hibernation in order to create.
Terry Tempest Williams (A Voice in the Wilderness: Conversations with Terry Tempest Williams)
One of the Indian boys says we must not pile any more wood,” said Kitty. “Why?” She looked at William angrily as if she expected he would lie to her no matter what. William was tired of trying to smooth things over. It was impossible in such a place. So he said simply, “Piles of wood on this barren ground attract cobras.” “Poisonous snakes,” muttered Kitty. “What else?” “I am going to pray every moment of every day For God to deliver me from this place,” muttered Dolly as she rose to put Jabez to bed. One
Sam Wellman (William Carey)
The Reader flexes a hand that is stiff and still stained with blood. The Reader holds all the power. It is the Reader who breathes life into these words on the page, makes them whole and tangible and frightening in the real world. The
Loreth Anne White (In the Barren Ground)
Living in Wales, an almost island, the seafaring Welsh have had an aptness for travel, yet have been, for the most part, short on resources. This has led to some very imaginative thinking, with otherworldly results, bypassing the expense and hassle of maintaining, say, a populated space station. In the nineteenth century the Welsh colonized the impossible: the barren lands of Patagonia. In the same century things were so bad on the ground that they spent most of the time trying to colonize Heaven, where it was presumed Welsh was the official language. At the same time the heroic Chartist revolutionaries of 1839 imagined a better, fairer society for their children and were given free tickets to Australia.* As a Welsh pop musician I have been given a ticket to a lifestyle once afforded only to soldiers, Miss Universe contestants and long-distance truck drivers.
Gruff Rhys (American Interior: The Quixotic Journey of John Evans)
Taking quick looks behind him on the trail, Lew Basnight was apt to see things that weren’t necessarily there. Mounted figure in a black duster and hat, always still, turned sidewise in the hard, sunlit distance, horse bent to the barren ground. No real beam of attention, if anything a withdrawal into its own lopsided star-shaped silhouette, as if that were all it had ever aspired to. It did not take long to convince himself that the presence behind him now, always just out of eyeball range, belonged to one and the same subject, the notorious dynamiter of the San Juans known as the Kieselguhr Kid. The Kid happened to be of prime interest to White City Investigations. Just around the time Lew was stepping off the train at the Union Station in Denver, and the troubles up in the Coeur d’Alene were starting to bleed over everywhere in the mining country, where already hardly a day passed without an unscheduled dynamite blast in it someplace, the philosophy among larger, city-based detective agencies like Pinkerton’s and Thiel’s began to change, being as they now found themselves with far too much work on their hands. On the theory that they could look at their unsolved cases the way a banker might at instruments of debt, they began selling off to less-established and accordingly hungrier outfits like White City their higher-risk tickets, including that of the long-sought Kieselguhr Kid. It was the only name anybody seemed to know him by, “Kieselguhr” being a kind of fine clay, used to soak up nitroglycerine and stabilize it into dynamite. The Kid’s family had supposedly come over as refugees from Germany shortly after the reaction of 1849, settling at first near San Antonio, which the Kid-to-be, having developed a restlessness for higher ground, soon left, and then after a spell in the Sangre de Cristos, so it went, heading west again, the San Juans his dream, though not for the silver-mine money, nor the trouble he could get into, both of those, he was old enough by then to appreciate, easy enough to come by. No, it was for something else. Different tellers of the tale had different thoughts on what. “Don’t carry pistols, don’t own a shotgun nor a rifle—no, his trade-mark, what you’ll find him packing in those tooled holsters, is always these twin sticks of dynamite, with a dozen more—” “Couple dozen, in big bandoliers across his chest.” “Easy fellow to recognize, then.” “You’d think so, but no two eyewitnesses have ever agreed. It’s like all that blasting rattles it loose from everybody’s memory.” “But say, couldn’t even a slow hand just gun him before he could get a fuse lit?” “Wouldn’t bet on it. Got this clever wind-proof kind of striker rig on to each holster, like a safety match, so all’s he has to do’s draw, and the ‘sucker’s all lit and ready to throw.” “Fast fuses, too. Some boys down the Uncompahgre found out about that just last August, nothin left to bury but spurs and belt buckles. Even old Butch Cassidy and them’ll begin to coo like a barn full of pigeons whenever the Kid’s in the county.” Of course, nobody ever’d been sure about who was in Butch Cassidy’s gang either. No shortage of legendary deeds up here, but eyewitnesses could never swear beyond a doubt who in each case, exactly, had done which, and, more than fear of retaliation—it was as if physical appearance actually shifted, causing not only aliases to be inconsistently assigned but identity itself to change. Did something, something essential, happen to human personality above a certain removal from sea level? Many quoted Dr. Lombroso’s observation about how lowland folks tended to be placid and law-abiding while mountain country bred revolutionaries and outlaws. That was over in Italy, of course. Theorizers about the recently discovered subconscious mind, reluctant to leave out any variable that might seem helpful, couldn’t avoid the altitude, and the barometric pressure that went with it. This was spirit, after all.
Thomas Pynchon (Against the Day)
There are rattlesnakes around here.” His partner grinned in the dark. “Juan, that would be the least of our problems.” A minute later, the handheld radio on his belt chirped with two static transmissions. “That’s him. Let’s move.” They arose and put on light backpacks. Lights from the mine buildings were sprinkled across the hillside in front of them, casting a pale glow over the barren desert. They hiked a short distance to a chain-link fence that encircled the complex. The taller man knelt and rummaged through his pack for a pair of wire cutters. “Pablo, I think we can get through without cutting,” his partner whispered, then pointed to a dry wash that ran beneath the fence. The sandy ground was soft in the middle of the creek bed, and he easily pushed some of it aside with his foot. Pablo joined him in scraping away the loose soil until they had excavated a small hole beneath the fence. Pushing their packs under it, they quickly
Clive Cussler (Poseidon's Arrow (Dirk Pitt, #22))
When a traveller in north central Massachusetts takes the wrong fork at the junction of the Aylesbury pike just beyond Dean’s Corners he comes upon a lonely and curious country. The ground gets higher, and the brier-bordered stone walls press closer and closer against the ruts of the dusty, curving road. The trees of the frequent forest belts seem too large, and the wild weeds, brambles, and grasses attain a luxuriance not often found in settled regions. At the same time the planted fields appear singularly few and barren; while the sparsely scattered houses wear a surprisingly uniform aspect of age, squalor, and dilapidation. Without knowing why, one hesitates to ask directions from the gnarled, solitary figures spied now and then on crumbling doorsteps or on the sloping, rock-strown meadows. Those figures are so silent
H.P. Lovecraft (Complete Collection Of H.P.Lovecraft - 150 eBooks With 100+ Audio Book Links(Complete Collection Of Lovecraft's Fiction,Juvenilia,Poems,Essays And Collaborations))
I knew that once I was sworn in, I would be a Midshipman in the United States Naval Reserve and a Cadet in the United States Maritime Service. That meant that I would be a low life “plebe” or “mugg” to the upperclassmen. Everyone on the bus had a good idea of what we were in for as muggs, and it was not good. The bus rolled through Bucksport and then passed through Orland, which could hardly be called a town, onto even narrower, bumpier roads, to what seemed to be the end of the Earth. By now, it was getting late and the shadows were getting longer, as the bus ground up a long incline and then turned right, past a small golf course on a barren hill. Finally, I saw the “Maine Maritime Academy” sign, indicating that we had arrived. I don’t know what I expected, but the few buildings on the side of this windblown hill wasn’t it! The buildings that I was looking at would be my home for the next three years. The bus took a final left hand turn and pulled up alongside a relatively large red brick building. I could see the upperclassmen through large windows, anxiously awaiting our arrival. Seeing us, they finally knew that they had graduated to the exalted position of “Lord and Master.” For the first time, I got that sickening feeling of total helplessness, mixed with apprehension and anxiety. There was nowhere to hide and I refused to show my feelings, so I compensated by getting off the bus with a swagger and a smug grin that would soon get me into trouble and be wiped from my face. If I wanted to survive, I had better be ready to play their game and put up with the countless acts of immaturity that would be bestowed upon poor me….
Hank Bracker
The months of June and July passed. The monsoons were tardy this year—the nights hinted rain constantly with an aroma in the air, a cooling on the skin, soundless lightning across skies. But when morning came, the sun rose strong again, mocking Agra and its inhabitants. And the days crawled by, brazenly hot, when every breath was an effort, every movement a struggle, every night sweat-stewed. In temples, incantations were offered, the muezzins called the faithful to prayers, their voices melodious and pleading, and the bells of the Jesuit churches chimed. But the gods seemed indifferent. The rice paddies lay ploughed after the pre-monsoon rains, awaiting the seedlings; too long a wait and the ground would grow hard again. A few people moved torpidly in the streets of Agra; only the direst of emergencies had called them from their cool, stone-flagged homes. Even the normally frantic pariah dogs lay panting on doorsteps, too exhausted to yelp when passing urchins pelted them with stones. The bazaars were barren too, shopfronts pulled down, shopkeepers too tired to haggle with buyers. Custom could wait for cooler times. The whole city seemed to have slowed to a halt. The imperial palaces and courtyards were hushed in the night, the corridors empty of footsteps. Slaves and eunuchs plied iridescent peacock feather fans, wiping their perspiring faces with one hand. The ladies of the harem slept under the intermittent breeze of the fans, goblets of cold sherbets flavoured with khus and ginger resting by their sides. Every now and then, a slave would refresh the goblet, bringing in another one filled with new shards of ice. When her mistress awoke, and wake she would many times during the night, her drink would be ready. The ice, carved in huge chunks from the Himalayan mountains, covered with gunnysacks and brought down to the plains in bullock carts, was a blessing for everyone, nobles and commoners alike. But in this heat, ice melted all too soon, disappearing into a puddle of warm water under sawdust and jute. In Emperor Jahangir’s apartments, music floated through the courtyard, stopping and tripping in the still night air as the musicians’ slick fingers slipped on the strings of the sitar.
Indu Sundaresan (The Feast of Roses (Taj Mahal Trilogy, #2))
In the now, the wanderer mind finds a purpose. Like a wayward ship finally dropping anchor in a tranquil bay, it experiences respite. The now, the simple reality of what is, serves as a beacon, illuminating the path for the wanderer. When the mind ceases to roam and learns to reside in the present, it finds itself not in a barren wasteland, but in a fertile ground where the seeds of intention can be sown, where the fruits of action can be reaped.
Kevin L. Michel (The Power of the Present: A Stoic's Guide to Unyielding Focus)
I don't remember falling asleep, but I do remember the dream. I went back in that barren cave, the ceiling heavy and low above me. Annabeth was kneeling under the weight of a dark mass like a pile of boulders. She was too tired even to cry out. Her legs trembled. Any second, I knew she would run out of strength, and the cavern ceiling collapse on top of her. "How are mortal guests?" a male voice boomed. It wasn't Kronos. Kronos's voice was raspy and metallic like a knife scraped across the stone. I'd heard it taunting me many times before in my dreams. This voice was deeper and lower like a bass guitar. It's a force that made the ground vibrate. Luke emerged from the shadows. He ran to Annabeth knelt beside her, then looked back at the unseen man. "She's fading. We must hurry." The hypocrite. Like he cared what happened to her.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Jessica had gone to church all her life, in her frilly pinafores and white gloves, but when she was young it was only another place she had to go. Home, school, church. She didn’t really learn what faith was until after her father died, when she stood on her toes to see what was in the rose-colored casket. She didn’t know what to expect, why she’d been so anxious to take her place in the line at the front of the church, clinging to her mother’s hand. There, inside, was the grim, washed-out face of Daddy. Daddy was going to stay in this box? And they were going to bury this box in the ground? He had to be somewhere else, like her mother kept saying. That wasn’t him at all. On that day, Heaven kept Jessica’s world from caving in. David, somehow, lived without believing in a better place. And yet he could still wake up in the morning and carry out his day and go to sleep without being frozen awake with fears of death, of darkness, of nothing. She didn’t understand how he could do that. She tried, telling herself one night This is all, there is nothing after this, but she felt swallowed by the vast barrenness. She thought of her father’s bones, crumbling to black dust inside that beautiful casket beneath the ground. Maybe David had a point. Religion was a crutch, a way people rationalized away their pain in life, like the slaves yearning for a better existence. A denial. When there is no fear of death, David had told her once, there is no need for religion.
Tananarive Due (My Soul to Keep (African Immortals, #1))