The Anthropocene Reviewed Important Quotes

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We live in hope - that life will get better, and more importantly that it will go on, that love will survive even though we will not. And between now and then, we are here because we're here because we're here because we're here.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
We live in hope—that life will get better, and more importantly that it will go on, that love will survive even though we will not. And between now and then, we are here because we’re here because we’re here because we’re here. I give auld lang syne five stars.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
For many species of large animals in the twenty-first century, the single most important determinant of survival is whether their existence is useful to humans.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
But I think that way of imagining art might make individuals too important
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
Measured against these disasters, we're just not that important. When Earth is done with us, it'll be like, "Well, that Human Pox wasn't great, but at least I didn't get Large Asteroid Syndrome.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
Sixty-six million years ago, an asteroid impact caused a dust cloud so huge that darkness may have pervaded Earth for two years, virtually stopping photosynthesis and leading to the extinction of 75 percent of land animals. Measured against these disasters, we're just not that important. When Earth is done with us, it'll be like, "Well, that Human Pox wasn't great, but at least I didn't get Large Asteroid Syndrome.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
For many species of large animals in the twenty-first century, the single most important determinant of survival is whether their existence is useful to humans. But if you can’t be of utility to people, the second best thing you can be is cute.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
For many species of large animals in the twenty-first century, the single most important determinant of survival is whether their existence is useful to humans. But if you can’t be of utility to people, the second best thing you can be is cute. You need an expressive face, ideally some large eyes. Your babies need to remind us of our babies. Something about you must make us feel guilty for eliminating you from the planet.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
For many species of large animals in the twenty-first century, the single most important determinant of survival is whether their existence is useful to humans. But if you can’t be of utility to people, the second best thing you can be is cute. You need an expressive face, ideally some large eyes. Your babies need to remind us of our babies. Something about you must make us feel guilty for eliminating you from the planet.
Jhon Green
be fair, I was sometimes taught that circumstance played a role in the emergence of greatness. When discussing The Adventures of Huckleberry Finn in high school, one of my teachers pointed out that in order for Mark Twain to become Mark Twain, he had to grow up along the river that separated twentieth-century America during the war that separated nineteenth-century America. But mostly I was taught, and believed, that important work was done not by the times or via massive collaboration, but by heroic and brilliant individuals.
John Green (The Anthropocene Reviewed)
Another sign of mortification’s importance: I don’t remember what I ate for dinner last Tuesday, and I regularly forget where I left my phone. But I can recall my every mortification as if it occurred moments ago. I know this because each evening when I finish reading for the night, I’ll turn off my bedside lamp, roll over onto my side, close my eyes, and my brain will say. “Oh, good evening. Should we play the blooper reel?” And I’ll say, “Ah, you know, I’d really rather not,” and my brain will say, “Excellent. Let’s begin in a high school auditorium outside of San Francisco.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
Cola, after all, is derived from kola nuts and vanilla, two real-world flavors. Sprite has that lemon-lime taste. Purple soda is ostensibly grape-flavored. But Dr Pepper has no natural-world analogue. In fact, U.S. trademark courts have tackled this issue, categorizing Dr Pepper and its knockoffs as “pepper sodas,” even though they contain no pepper, and the “pepper” in Dr Pepper refers not to the spice but either to someone’s actual name or else to pep, the feeling that Dr* Pepper supposedly fills you with. It’s the only category of soda not named for what it tastes like, which to my mind is precisely why Dr Pepper marks such an interesting and important moment in human history. It was an artificial drink that didn’t taste like anything.
John Green (The Anthropocene Reviewed)
I’ve often wished—especially when I was younger—that my work was better, that it rose to the level of genius, that I could write well enough to make something worth remembering. But I think that way of imagining art might make individuals too important. Maybe in the end art and life are more like the world’s largest ball of paint. You carefully choose your colors, and then you add your layer as best you can. In time, it gets painted over. The ball gets painted again and again until there is no visible remnant of your paint. And eventually, maybe nobody knows about it except for you. But that doesn’t mean your layer of paint is irrelevant or a failure. You have permanently, if slightly, changed the larger sphere. You’ve made it more beautiful, and more interesting. The world’s largest ball of paint looks nothing like the baseball it used to be, and you’re part of the reason. In the end, that’s what art is for me. You paint the ball, which changes the way someone else thinks about painting the ball, and so on, until some guy overwhelmed with grief and dread drives out to Alexandria, Indiana, to see what beautiful foolishness thousands of people have made together, and feels a hope that cannot be explained or shared except by painting. That guy adds a layer of his own to the ball, one that won’t last but still matters. Art is not only a genius going forth, as James Joyce put it, “to forge in the smithy of my soul the uncreated conscience of my race.” Art is also picking a light blue for your layer of the world’s largest ball of paint, knowing that it will soon be painted over, and painting anyway. I give the world’s largest ball of paint four stars.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)