That's Pretty Neat Quotes

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I am one beautiful and powerful son of a bitch,' he told himself. 'Smart as a whip, respected, prosperous, beloved and valuable. I have the right to be healthy, happy and rich, for I am the baddest player in this arena or any other. I love myself more than I love money and pretty women and fine clothes. I love myself more than I love neat gardens and healthy babies and a good gospel choir. I love myself as I love The Law. I love myself in error and in correctness, waking or sleeping, sneezing, tipsy, or fabulously brilliant I love myself doing the books or sitting down to a good game of poker. I love myself making love expertly, or tenderly and shyly, or clumsily and inept. I love myself as I love The Master's Mind,' he continued his litany, having long ago stumbled upon the prime principle as a player--that self-love produces the gods and the gods are genius. It took genius to run the Southwest Community Infirmary. So he made the rounds of his hospital the way he used to make the rounds of his houses to keep the tops spinning, reciting declarations of self-love.
Toni Cade Bambara (The Salt Eaters)
Mr. Lindell's English classes are meant to make you think I guess about yourself and people and everything. Some of the kids say it's pretty weird but they're more honest in English than they are anywhere else and they say more about what they feel...Everything that's said in English etches itself clearly and sharply in my mind like letters carved neatly into deep frost. But I never let them see how eagerly I listen.
John Marsden (So Much to Tell You (So Much to Tell You, #1))
Almanzo could see his feet, but of course Alice's were hidden under her skirts. Her hoops rounded out, and she had to pull them back and stoop to drop the seeds neatly into the furrow. Almanzo asked her if she didn't want to be a boy. She said yes, she did. Then she said no, she didn't. "Boys aren't pretty like girls, and they can't wear ribbons." "I don't care how pretty I be," Almanzo said. "And I wouldn't wear ribbons anyhow." "Well, I like to make butter and I like to patch quilts. And cook, and sew, and spin. Boys can't do that. But even if I be a girl, I can drop potatoes and sow carrots and drive horses as well as you can." "You can't whistle on a grass stem," Almanzo said.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
I’m going to a party tonight,” I said, partly just to say it out loud and partly to brag. Conrad raised his eyebrows. “You?” “Whose party?” Jeremiah demanded. “Kinsey’s?” I put down my juice. “How’d you know?” Jeremiah laughed and wagged his finger at me. “I know everybody in Cousins, Belly. I’m a lifeguard. That’s like being the mayor. Greg Kinsey works at that surf shop over by the mall.” Frowning, Conrad said, “Doesn’t Greg Kinsey sell crystal meth out of his trunk?” “What? No. Cam wouldn’t be friends with someone like that,” I said defensively. “Who’s Cam?” Jeremiah asked me. “That guy I met at Clay’s bonfire. He asked me to go to this party with him, and I said yes.” “Sorry. You aren’t going to some meth addict’s party,” Conrad said. This was the second time Conrad was trying to tell me what to do, and I was sick of it. Who did he think he was? I had to go to this party. I didn’t care if there was crystal meth or not, I was going. “I’m telling you, Cam wouldn’t be friends with someone like that! He’s straight edge.” Conrad and Jeremiah both snorted. In moments like these, they were a team. “He’s straight edge?” Jeremiah said, trying not to smile. “Neat.” “Very cool,” agreed Conrad. I glared at the both of them. First they didn’t want me hanging out with meth addicts, and then being straight edge wasn’t cool either. “He doesn’t do drugs, all right? Which is why I highly doubt he’d be friends with a drug dealer.” Jeremiah scratched his cheek and said, “You know what, it might be Greg Rosenberg who’s the meth dealer. Greg Kinsey’s pretty cool. He has a pool table. I think I’ll check this party out too.” “Wait, what?” I was starting to panic. “I think I’ll go too,” Conrad said. “I like pool.” I stood up. “You guys can’t come. You weren’t invited.” Conrad leaned back in his chair and put his arms behind his head. “Don’t worry, Belly. We won’t bother you on your big date.” “Unless he puts his hands on you.” Jeremiah ground his fist into his hand threateningly, his blue eyes narrow. “Then his ass is grass.” “This isn’t happening,” I moaned. “You guys, I’m begging you. Don’t come. Please, please don’t come.” Jeremiah ignored me. “Con, what are you gonna wear?” “I haven’t thought about it. Maybe my khaki shorts? What are you gonna wear?” “I hate you guys,” I said.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
War thoughts again. I think back to the business cards from that health shop earlier on. I think about miniature wars that individuals fight all the time. They fight against cellulite, or negative emotions, or addictions, or stress. I think about how we can now hire all different sorts of mercenaries to help us fight against ourselves…Therapists, manicurists, hairdressers, personal trainers, life coaches. But what’s it all for? What do all these little wars achieve? Although it is a part of my life too, and I want to be thin and pretty and not laughed at in the street and not so stressed and mad that I start screaming on the tube, it suddenly seems a little bit ridiculous. All the time we do these things we are trying to enlist ourselves into a bigger war. We are trying to join up, constantly, with the enemy. - Hitler tried to impose his shiny, blonde, neat, sparkling world on us all and we resisted. So how is it that when McDonald’s and Disney and The Gap and L’Oreal and all the others try to do the same thing we all just say, ‘OK’? Hitler needed marketing, that’s all. His propaganda was, of course, brilliant for its time, everyone knows that. What a great idea, to make people feel that they belong to something, that their identity makes them special. If Hilter had bee able to enlist a twenty-first-century marketing department, would he have been able to sell Nazism to everyone? Why not? You can just see a beautiful, thin woman with her long blonde hair moving softly in the breezes, and the tagline ‘Because I’m worth it’.
Scarlett Thomas (PopCo)
But you know, the longer you listen to this abortion debate, the more you hear this phrase “sanctity of life”. You’ve heard that. Sanctity of life. You believe in it? Personally, I think it’s a bunch of shit. Well, I mean, life is sacred? Who said so? God? Hey, if you read history, you realize that God is one of the leading causes of death. Has been for thousands of years. Hindus, Muslims, Jews, Christians all taking turns killing each other ‘cause God told them it was a good idea. The sword of God, the blood of the land, vengeance is mine. Millions of dead motherfuckers. Millions of dead motherfuckers all because they gave the wrong answer to the God question. “You believe in God?” “No.” Boom. Dead. “You believe in God?” “Yes.” “You believe in my God? “No.” Boom. Dead. “My God has a bigger dick than your God!” Thousands of years. Thousands of years, and all the best wars, too. The bloodiest, most brutal wars fought, all based on religious hatred. Which is fine with me. Hey, any time a bunch of holy people want to kill each other I’m a happy guy. But don’t be giving me all this shit about the sanctity of life. I mean, even if there were such a thing, I don’t think it’s something you can blame on God. No, you know where the sanctity of life came from? We made it up. You know why? ‘Cause we’re alive. Self-interest. Living people have a strong interest in promoting the idea that somehow life is sacred. You don’t see Abbott and Costello running around, talking about this shit, do you? We’re not hearing a whole lot from Mussolini on the subject. What’s the latest from JFK? Not a goddamn thing. ‘Cause JFK, Mussolini and Abbott and Costello are fucking dead. They’re fucking dead. And dead people give less than a shit about the sanctity of life. Only living people care about it so the whole thing grows out of a completely biased point of view. It’s a self serving, man-made bullshit story. It’s one of these things we tell ourselves so we’ll feel noble. Life is sacred. Makes you feel noble. Well let me ask you this: if everything that ever lived is dead, and everything alive is gonna die, where does the sacred part come in? I’m having trouble with that. ‘Cuz, I mean, even with all this stuff we preach about the sanctity of life, we don’t practice it. We don’t practice it. Look at what we’d kill: Mosquitoes and flies. ‘Cause they’re pests. Lions and tigers. ‘Cause it’s fun! Chickens and pigs. ‘Cause we’re hungry. Pheasants and quails. ‘Cause it’s fun. And we’re hungry. And people. We kill people… ‘Cause they’re pests. And it’s fun! And you might have noticed something else. The sanctity of life doesn’t seem to apply to cancer cells, does it? You rarely see a bumper sticker that says “Save the tumors.”. Or “I brake for advanced melanoma.”. No, viruses, mold, mildew, maggots, fungus, weeds, E. Coli bacteria, the crabs. Nothing sacred about those things. So at best the sanctity of life is kind of a selective thing. We get to choose which forms of life we feel are sacred, and we get to kill the rest. Pretty neat deal, huh? You know how we got it? We made the whole fucking thing up! Made it up!
George Carlin (More Napalm and Silly Putty)
What Lin didn’t consider—what none of us considered—was how much of a bubble our city was, how different from the rest of the country with its bearded duck people and Christian communities cropping up like weeds. There was a documentary about one of those places, Glorytown or Gloryville or something like that, where all the women wore pretty blue dresses with high collars and followed special diets and milked cows. The director, when interviewed, had called it “neat.
Christina Dalcher (Vox)
Let’s each take a Sailfish and have a race,” George cried, running over to a pretty light-blue boat, with a yellow sail wrapped neatly around the mast. The mast and rudder had been placed carefully next to the hull. “That sounds like fun,” Nancy said enthusiastically. “Which boat would you like, Bess?” Nancy was eying a dark-green one with a red stripe around it. Its white sail, mast, and rudder were placed exactly like the others. “Someone keeps things shipshape around here,” she thought admiringly. “These boats look like painted wooden soldiers all lined up.” “I’ll stick to the rowboat, thanks,” Bess said. “I’d rather be under my own steam. If I took a sailboat, the wind might blow me somewhere I didn’t want to go,” she added, glancing at a breakwater of rocks not far away. “Don’t worry, Bess,” said Nancy. “Why don’t you come with me? We can always tack back when you say the word. It’s a light offshore wind,” she added, looking up at the pennant on the boathouse. “And I promise to head up into the wind, whenever you’re scared, although I don’t relish getting in irons. Oh well, if we do, you can jump out and push!” Nancy laughed.
Carolyn Keene (The Whispering Statue (Nancy Drew, #14))
He headed in the general direction of the treatment room, feeling that familiar wave of energy surge through him. In another minute, he sensed, he would generate enough energy to found a dynasty, lift a truck, start a war, light up the whole of Clayborne for a week. “I am one beautiful and powerful son of a bitch,” he told himself. “Smart as a whip, respected, prosperous, beloved and valuable. I have the right to be healthy, happy and rich, for I am the baddest player in this arena or any other. I love myself more than I love money and pretty women and fine clothes. I love myself more than I love neat gardens and healthy babies and a good gospel choir. I love myself as I love The Law. I love myself in error and in correctness, waking or sleeping, sneezing, tipsy, or fabulously brilliant. I love myself doing the books or sitting down to a good game of poker. I love myself making love expertly, or tenderly and shyly, or clumsily and inept. I love myself as I love The Master’s Mind,” he continued his litany, having long ago stumbled upon the prime principle as a player—that self-love produces the gods and the gods are genius. It took genius to run the Southwest Community Infirmary. So he made the rounds of his hospital the way he used to make the rounds of his houses to keep the tops spinning, reciting declarations of self-love.
Toni Cade Bambara (The Salt Eaters (Vintage Contemporaries))
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another Diet Dr Pepper? Wait, what? I was torn from my pirate fantasy by the nasal, weenie voice of Richard Harrison, CPA. “Can I get another Diet Dr Pepper, please? And for the lady, another—what was it you’re having, Viv?” “Scotch. Water. Neat.” I answered, looking across the table at the latest in a long line of blind dates. Set up by my mother, which should have been my first clue to say no and run screaming into that good night. Not that she didn’t have good taste; she’d picked a looker with Richard. Strike that—he was a looker if that’s what you were in to. Brown hair. Brown eyes. Brown chinos, perfectly creased. White button-down. White teeth. Blindingly white, actually; I was pretty sure when he smiled chimes went off. Every time a CPA smiled, a fairy got its wings? Jesus, Viv, get a grip. I sipped my Scotch, wincing not only at the good burn, but at the bad turn this conversation was taking. Tax laws over appetizers. Nothing like a little burrata caprese with a side of capital gains. I’d gotten through the first twenty minutes of Current Bad Date by letting my mind
Alice Clayton (Rusty Nailed (Cocktail, #2))
Lincoln reached over his shoulder and neatly snagged a laptop off his desk. “Got her computer. I haven’t found anything yet. Most of her work is password-protected, and she used rotating binary generator accounts to give random pass codes. Based on the Bernoulli equation.” Taylor shook her head. “Huh?” “Bernoulli’s principle? Increases in velocity, decreases in pressure create lift. Commonly taught as why airplanes fly, though it would have to be a perfect world for that particular equation to work. It’s just easy to explain. The binary generator uses the velocity equation from Bernoulli to—” Taylor started laughing. Despite the urbane exterior, Lincoln was a computer genius, a regular geek at heart. “What you’re saying is this is pretty sophisticated stuff for a reporter?” “For anyone, actually. There’s something in here she doesn’t want anyone to read, that’s for sure.
J.T. Ellison (14 (Taylor Jackson, #2))
There’s Tom,” Becky says. He’s been tromping around the city half the day, but I don’t see a speck of mud on him. Though he dresses plain, it always seems he rolls out of bed in the morning with his hair and clothes as neat and ordered as his arguments. We walk over to join him, and he acknowledges us with a slight, perfectly controlled nod. He’s one of the college men, three confirmed bachelors who left Illinois College to join our wagon train west. Compared to the other two, Tom Bigler is a bit of a closed book—one of those big books with tiny print you use as a doorstop or for smashing bugs. And he’s been closing up tighter and tighter since we blew up Uncle Hiram’s gold mine, when Tom negotiated with James Henry Hardwick to get us out of that mess. “How goes the hunt for an office?” I ask. “Not good,” Tom says. “I found one place—only one place—and it’s a cellar halfway up the side of one those mountains.” Being from Illinois, which I gather is flat as a griddle, Tom still thinks anything taller than a tree is a mountain. “Maybe eight foot square, no windows and a dirt floor, and they want a thousand dollars a month for it.” “Is it the cost or the lack of windows that bothers you?” He pauses. Sighs. “Believe it or not, that’s a reasonable price. Everything else I’ve found is worse—five thousand a month for the basement of the Ward Hotel, ten thousand a month for a whole house. The land here is more valuable than anything on it, even gold. I’ve never seen so many people trying to cram themselves into such a small area.” “So it’s the lack of windows.” He gives me a side-eyed glance. “I came to California to make a fortune, but it appears a fortune is required just to get started. I may have to take up employment with an existing firm, like this one.” Peering at us more closely, he says, “I thought you were going to acquire the Joyner house? I mean, I’m glad to see you, but it seems things have gone poorly?” “They’ve gone terribly,” Becky says. “They haven’t gone at all,” I add. “They’ll only release it to Mr. Joyner,” Becky says. Tom’s eyebrows rise slightly. “I did mention that this could be a problem, remember?” “Only a slight one,” I say with more hope than conviction. “Without Mr. Joyner’s signature,” Becky explains, “they’ll sell my wedding cottage at auction. Our options are to buy back what’s ours, which I don’t want to do, or sue to recover it, which is why I’ve come to find you.” If I didn’t know Tom so well, I might miss the slight frown turning his lips. He says, “There’s no legal standing to sue. Andrew Junior is of insufficient age, and both his and Mr. Joyner’s closest male relative would be the family patriarch back in Tennessee. You see, it’s a matter of cov—” “Coverture!” says Becky fiercely. “I know. So what can I do?” “There’s always robbery.” I’m glad I’m not drinking anything, because I’m pretty sure I’d spit it over everyone in range. “Tom!” Becky says. “Are you seriously suggesting—?” “I’m merely outlining your full range of options. You don’t want to buy it back. You have no legal standing to sue for it. That leaves stealing it or letting it go.” This is the Tom we’ve started to see recently. A little angry, maybe a little dangerous. I haven’t made up my mind if I like the change or not. “I’m not letting it go,” Becky says. “Just because a bunch of men pass laws so other men who look just like them can legally steal? Doesn’t mean they should get away with it.” We’ve been noticed; some of the men in the office are eyeing us curiously. “How would you go about stealing it back, Tom?” I ask in a low voice, partly to needle him and partly to find out what he really thinks. He glances around, brows knitting. “I suppose I would get a bunch of men who look like me to pass some laws in my favor and then take it back through legal means.” I laugh in spite of myself. “You’re no help at all,” Becky says.
Rae Carson (Into the Bright Unknown (The Gold Seer Trilogy, #3))
Sometimes, things aren't always black and white. Not everything can be placed in a box and neatly tied together with a pretty bow. Just know that, no matter what, I have your best interests in mind.
Melody Anne (The Lost Tycoon (Baby for the Billionaire, #5))
Here I am!” Captain East was cantering his mount toward them. He rode beautifully, confidently. Molly’s family spent their summers in the country, and she used to say that the way a man rides a horse could give you a pretty good idea how he would do something else. Jane eyed Mr. Nobley on his mount, noted that he was a smooth, gentle rider. The surprise of thinking this while wearing a bonnet made Jane choke. Her breath snarled in her throat, and she laughed. Mr. Nobley’s eyes widened. “What’s funny? You often have some secret laugh, Miss Erstwhile.” “The way you have some secret displeasure?” “No, not displeasure,” he said, and she realized he was right. Sadness, or heartbreak, or grief that there was nothing to give him hope, perhaps. She was pretty sure now that he was Henry Jenkins, poor sop. Captain East reined in beside Jane. “Miss Heartwright had a headache and went inside. So sorry to neglect you, Miss Erstwhile. You must tell me what I missed.” “I’ve discovered that Miss Erstwhile is an artist,” Mr. Nobley said. “Is that so?” “It’s been years since I picked up a paintbrush.” She glared at Mr. Nobley, and zing, there was his smile again, brief, urgent. When his lips relaxed she wanted it to come back. “That is a shame,” said Captain East. That evening when Jane retired from the drawing room, she found a large package on her side table wrapped in brown paper. She ripped open the paper and out tumbled neat little tubes of oil paints and three paintbrushes. She saw now that an easel waited by the window with two small canvases. She felt very Jane Eyre as she smelled the paints and ticked her palm with the largest brush. Who was her benefactor? It could be Captain East. Maybe he still liked her best, even after his tete-a-tete with Miss Heartwright. It could happen. Even so, she found herself hoping it was Mr. Nobley. Instinct urged her to stomp on the hope. She ignored it. She was firmly in Austenland now, she reminded herself, where hoping was allowed. Did Austen herself feel this way? Was she hopeful? Jane wondered if the unmarried writer had lived inside Austenland with close to Jane’s own sensibility--amused, horrified, but in very real danger of being swept away. Ten days to go.
Shannon Hale (Austenland (Austenland, #1))
Look here, he says, what's the matter with you fellows? let's get cracking with this dump. Your road is bad; pave it. Better yet, build a paved road to every corner of the park; better yet, pave the whole damned place so any damn fool can drive anything anywhere is this a democracy or ain't it? Next, charge a good stiff admission fee; you can't let people in free; that leads socialism and regimentation. Next, get rid of all these homely rangers in their Smokey the Bear suits. Hire a crew of pretty girls, call them rangerettes, let them sell the tickets and give the campfire talks. And advertise, for godsake, advertise! How do you expect to get people in here if you don't advertise? Next, these here Arches light them up. Floodlight them, turn on colored, revolving lights -jazz it up, man, it's dead. Light up the whole place, all night long, get on a 24-hour shift, keep them coming, keep them moving, you got two hundred million people out there waiting to see your product-is this a free country or what the hell is it? Next your campgrounds, you gotta do something about your camp grounds, they're a mess. People can't tell where to park their cars or which spot is whose-you gotta paint lines, numbers, mark out the campsites nice and neat. And they're still building fires on the ground, with wood! Very messy, filthy, wasteful. Set up little grills on stilts, sell charcoal briquettes, better yet hook up with the gas line, install jets and burners. Better yet do away with the camp. grounds altogether, they only cause delay and congestion and administrative problems-these people want to see America, they're not going to see it sitting around a goddamned campfire; take their money, give them the show, send them on their way-that's the way to run a business....
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
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ST221
Right. Looks like Mavra and her scourge are in town. One of them came pretty close to punching my ticket tonight.” Bob’s eyelights flickered with interest. “Neat. So the usual drill? Wait for them to try again so you can backtrack the attackers to Mavra?” “Not this time. I’m going to find them first, kick down their door, and kill them all in their sleep.” “Wow. That’s an atypically vicious plan, Harry.” “Yeah. I liked it too.
Jim Butcher (Blood Rites (The Dresden Files, #6))
prettiness and their cut showed off her neat figure. It was a pity that Paul wasn’t there to see the chrysalis changing into a butterfly. She had to make do with Queenie. She had to admit that by teatime, even though she had filled the rest of the day by taking the dogs for a long walk, she was missing him, which was, of course, exactly what he had intended. Mrs Parfitt, when Emma asked her the next day, had no idea when he would be back. ‘Sir Paul goes off for days at a time,’ she explained to Emma. ‘He goes to other hospitals, and abroad too. Does a lot of work in London, so I’ve been told. Got friends there too. I dare say he’ll be back in a day or two. Why not put on one of your new skirts and that jacket and go down to the shop for me and fetch up a few groceries?’ So Emma went shopping, exchanging good mornings rather shyly with the various people she met. They were friendly, wanting to know if she liked the village and did she get on with the dogs? She guessed that there were other questions hovering on their tongues but they were too considerate to ask them. Going back with her shopping, she reflected that, since she had promised to marry Paul, it might be a good thing to do so as soon as possible. He had told her to decide on a date. As soon after the banns had been read as could be arranged—which thought reminded her that she would certainly need something special to wear on her wedding-day. Very soon, she promised herself, she would get the morning bus to Exeter and go to the boutique Paul had taken her to. She had plenty of money still—her own money too…Well, almost her own, she admitted, once the house was sold and she had paid him back what she owed him. The time passed pleasantly, her head filled with the delightful problem of what she would wear next, and even the steady rain which began to fall as she walked on the moor with the dogs did nothing to dampen her
Betty Neels (The Right Kind of Girl)
In the beginning, they were grateful to see their brother married off. “I made him into a mensch,” my mother tells me. “I made sure he always looked neat. He couldn’t take care of himself, but I did. I made him look better; they didn’t have to be so ashamed of him anymore.” Shame is all I can recall of my feelings for my father. When I knew him, he was always shabby and dirty, and his behavior was childlike and inappropriate. “What do you think of my father now?” I ask. “What do you think is wrong with him?” “Oh, I don’t know. Delusional, I suppose. Mentally ill.” “Really? You think it’s all that? You don’t think he was just plain mentally retarded?” “Well, he saw a psychiatrist once after we were married, and the psychiatrist told me he was pretty sure your father had some sort of personality disorder, but there was no way to tell, because your father refused to cooperate with further testing and never went back for treatment.” “Well, I don’t know,” I say thoughtfully. “Aunt Chaya told me once that he was diagnosed as a child, with retardation. She said his IQ was sixty-six. There’s not much you can do about that.” “They didn’t even try, though,” my mother insists. “They could have gotten him some treatment.
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
Joe went home to his house, figuring he really needed a shower and to catch up on homework. He joked that he’d had enough excitement for today and that he couldn’t wait to do something nice and normal like math. ​Becky and I walked Zac, Meg, and Bobby towards their home. After all, since I had shrunk Zac...that was the least I could do. Well, at least that’s what I told him. Actually, I loved spending time with Zac. To think that me, Bella, the one they called pigsty girl, was walking with the cutest boy in the school. I only hoped some classmates would see us. Truthfully, I hoped our entire class would see us. ​“Wow! What an interesting day,” I said to Zac. ​“Yeah! It may very well have been my best day ever!” Zac gushed. “Sure, I was shrunk, but man, nobody else can say that. Well, except for you and my man, Joe.” He grinned. “You are so cool.” ​I felt my face turn bright red. “Gee thanks. It’s so nice to hear that from you. After all, you are the coolest guy in school.” ​Zac nodded. “Yeah, I guess I am!” ​I nudged him. He didn’t shudder. I took that as a good sign. “So I’m more than just pigsty girl?” ​“Man, I never totally thought of you that way. You’re just a girl who has a smart mom who invents some pretty neat and awesome inventions, but who also kind of invents some whacky ones.” ​“Yep, well put,” I giggled. “My mom is different. Her brain doesn’t work like most people’s brains. Sometimes I think I’m the same way. I see things differently too.” ​Zac smiled. “I think that is so amazing!” ​I dropped my head. “Other kids don’t, they think I’m different.” ​“Well, you just said you were.” ​“I mean, they think I’m different in a bad way.” ​Zac gave me a wave of his hand. “Who cares what other kids think of you. You know you’re smart and special and that’s all that matters.” ​Wow! Zac was pretty deep after all. He was right. I was special. I didn’t care what other kids thought. At least I shouldn’t, but I did. ​I looked at him with a tilted head. “I shouldn’t, but I do. When they laugh and joke about me, it hurts my feelings.” ​Zac stopped walking. He squinted his eyes and frowned. “From now on that’s not going to happen!
Katrina Kahler (Attack of the Big Little Sister (I Shrunk My Best Friend! #3))
My first memory is of a song. A song spinning in infinity. A bright red 45 single of a song about farm animals, replete with their individual sounds. Pretty delightful stuff. Over and over—I couldn’t get enough of it. Skip ahead a few years to another single spinning, another eternal 45. I’m in a little room at the very far end of a vast old apartment on Aldine Avenue in Chicago, the home of my Aunt Shirley and Uncle Miles. Dusty sunlight streamed in from the window above almost horizontally, the sun making its early winter descent. I was on the floor with a little electric record player, an ancient small boxy machine that played no LPs, only 45s. In its middle was a black cylinder on which records neatly slid. One side, one song. It was pure and right, and it was the center of my universe, 1966. I was seven. Up on the bookshelf over the bed was the book Frankenstein, tucked in between other nonthreatening titles. But my proximity to it was mildly terrifying. Trying not to look in that direction, I directed my attention instead to what mattered most. The song. Music trumped everything, even being all alone in a giant apartment with volumes about monsters just overhead. I had one record and one only, but it was enough: Simon & Garfunkel, “Homeward Bound.” (On the B-side was “Leaves That Are Green.”) It enthralled me. It was both human and electric, chords shifting from major to minor, simple drums spelling out the folk-rock groove, all crested by two voices in harmony, singing words that to me were the essence of beauty. It was a bit beyond my grasp, this tale of playing music abroad and yearning for home—not only had I never been out of the country at this point, I had never even been away from my happy home in the kingdom of Illinois. But the idea of the narrator being both a “poet and a one-man band” made perfect sense, as I knew—even then—that this same man writing the song was also making the music. And that promise, of a musician performing the thing he creates himself, and the boundless bounty of expression that spelled, shone to me like a bright star. The song spoke to me, and spoke to some place deep in me, and expansive. Even the rhymes thrilled me. I always loved the beautiful completion rhymes bring to an idea, and the whole song started with, “Sitting in a railway station / Got a ticket for my destination.” That made me happy. It still does. A couplet for the ages.
Paul Zollo (More Songwriters on Songwriting)
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