“
I've never been lonely. I've been in a room -- I've felt suicidal. I've been depressed. I've felt awful -- awful beyond all -- but I never felt that one other person could enter that room and cure what was bothering me...or that any number of people could enter that room. In other words, loneliness is something I've never been bothered with because I've always had this terrible itch for solitude. It's being at a party, or at a stadium full of people cheering for something, that I might feel loneliness. I'll quote Ibsen, "The strongest men are the most alone." I've never thought, "Well, some beautiful blonde will come in here and give me a fuck-job, rub my balls, and I'll feel good." No, that won't help. You know the typical crowd, "Wow, it's Friday night, what are you going to do? Just sit there?" Well, yeah. Because there's nothing out there. It's stupidity. Stupid people mingling with stupid people. Let them stupidify themselves. I've never been bothered with the need to rush out into the night. I hid in bars, because I didn't want to hide in factories. That's all. Sorry for all the millions, but I've never been lonely. I like myself. I'm the best form of entertainment I have. Let's drink more wine!
”
”
Charles Bukowski
“
Damn it," I muttered.
"What?" asked Adrian.
"I hate when you're the sane one. That's my job."
"Rose," he said, forcibly trying to keep a serious tone, "I can think of many words to describe you, sexy and hot being at the top of the list. You know what's not on the list? Sane.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
It’s probably my job to tell you life isn’t fair, but I figure you already know that. So instead, I’ll tell you that hope is precious, and you’re right not to give up.
”
”
C.J. Redwine (Defiance (Defiance, #1))
“
Punch a man on the nose, kick an old man downstairs, shoot somebody or any old thing like that, that’s my job. But argue with women in love—no thank you!
”
”
Mikhail Bulgakov (The Master and Margarita)
“
You're more trouble than you're worth."
"I'm a girl. That's my job.
”
”
Tamora Pierce (Street Magic (The Circle Opens, #2))
“
I won't blast people out of my way just because they're there' said Harry. 'That's Voldemort's job.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
It’s not your job to make me happy, okay? You can’t make anyone happy. I’m happy just because you exist, and that’s as much of my happiness as you have control over.
”
”
Emily Henry (People We Meet on Vacation)
“
If you cannot bear these stories then the society is unbearable. Who am I to remove the clothes of this society, which itself is naked. I don't even try to cover it, because it is not my job, that's the job of dressmakers.
”
”
Saadat Hasan Manto
“
There’s nothing wrong with someone saving my life, I’ve realized, especially when I can’t trust myself to get the job done right. People need people. That’s that.
”
”
Adam Silvera (History Is All You Left Me)
“
Some people say, "Give the customers what they want." But that's not my approach. Out job is to figure out what they're going to want before they do. I think Henry Ford once said, "If I'd asked customers what they wanted, they would have told me, 'A faster horse!'" People don't know what they want until you show it to them.
”
”
Walter Isaacson (Steve Jobs)
“
This is so cool!" Nico said, jumping up and down in the driver's seat. "Is this really the sun? I thought Helios and Selene were the sun and moon gods. How come sometimes it's them and sometimes it's you and Artemis?"
"Downsizing," Apollo said. "The Romans started it. They couldn't afford all those temple sacrifices, so they laid off Helios and Selene and folded their duties into our job descriptions. My sis got the moon. I got the sun. It was pretty annoying at first, but at least I got this cool car."
"But how does it work?" Nico asked. "I thought the sun was a big fiery ball of gas!"
Apollo chuckled and ruffled Nico's hair. "That rumor probably got started because Artemis used to call me a big fiery ball of gas.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
I don't suppose that she gave you the job based on looks alone?"
Adrian had been staring off but now flashed me a big smile. "Why, Sage, you sweet talker."
"That's not what I meant! What happened?"
He shrugged. "I told the truth."
"Adrian!"
"I'm serious. She asked me what my greatest strength was. I said getting along with people."
"That's not bad." I admitted.
"Then she asked what my greatest weakness was. And I said, 'Where should I start?'"
"Adrian!"
"Stop saying my name like that. I told her the truth. By the time I was on the fourth one, she told me I could go.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
Some people say, "Give the customers what they want." But that's not my approach. Our job is to figure out what they're going to want before they do. I think Henry Ford once said, "If I'd asked customers what they wanted, they would have told me, 'A faster horse!'" People don't know what they want until you show it to them. That's why I never rely on market research. Our task is to read things that are not yet on the page.
”
”
Steve Jobs
“
keep looking at me like that,"
he warned, leaning casually into the counter and sipping his coffee.
"see what happens."
"i'm going to lose my job over you."
"i'd give you another one."
i snorted. "as what? your sex slave?"
"what a provocative suggestion. let's discuss.
”
”
Sylvia Day (Bared to You (Crossfire, #1))
“
I wake up and tear drops, they fall down like rain. I put on that old song we danced to and then, I head off to my job cause not much has changed. Punch the clock, head for home, check the phone. Just in case. Go to bed, dream of you. That's what I am doing these days.
”
”
Rascal Flatts
“
The world is like a ride in an amusement park, and when you choose to go on it you think it's real because that's how powerful our minds are. The ride goes up and down, around and around, it has thrills and chills, and it's very brightly colored, and it's very loud, and it's fun for a while. Many people have been on the ride a long time, and they begin to wonder, "Hey, is this real, or is this just a ride?" And other people have remembered, and they come back to us and say, "Hey, don't worry; don't be afraid, ever, because this is just a ride." And we … kill those people. "Shut him up! I've got a lot invested in this ride, shut him up! Look at my furrows of worry, look at my big bank account, and my family. This has to be real." It's just a ride. But we always kill the good guys who try and tell us that, you ever notice that? And let the demons run amok … But it doesn't matter, because it's just a ride. And we can change it any time we want. It's only a choice. No effort, no work, no job, no savings of money. Just a simple choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one. Here's what we can do to change the world, right now, to a better ride. Take all that money we spend on weapons and defenses each year and instead spend it feeding and clothing and educating the poor of the world, which it would pay for many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace.
”
”
Bill Hicks
“
Be ruthless about protecting writing days, i.e., do not cave in to endless requests to have "essential" and "long overdue" meetings on those days. The funny thing is that, although writing has been my actual job for several years now, I still seem to have to fight for time in which to do it. Some people do not seem to grasp that I still have to sit down in peace and write the books, apparently believing that they pop up like mushrooms without my connivance. I must therefore guard the time allotted to writing as a Hungarian Horntail guards its firstborn egg.
”
”
J.K. Rowling
“
You mentioned the other day that you think I’m only here to ‘outshine’ you. But that’s the furthest thing from the truth. I broke my engagement, quit my job, and traveled six hundred kilometers into war-torn land to be with you, Iris.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
You don’t need no gun control, you know what you need? We need some bullet control. Men, we need to control the bullets, that’s right. I think all bullets should cost five thousand dollars… five thousand dollars per bullet… You know why? Cause if a bullet cost five thousand dollars there would be no more innocent bystanders.
Yeah! Every time somebody get shut we’d say, ‘Damn, he must have done something ... Shit, he’s got fifty thousand dollars worth of bullets in his ass.’
And people would think before they killed somebody if a bullet cost five thousand dollars. ‘Man I would blow your fucking head off…if I could afford it.’ ‘I’m gonna get me another job, I’m going to start saving some money, and you’re a dead man. You’d better hope I can’t get no bullets on layaway.’
So even if you get shot by a stray bullet, you wouldn't have to go to no doctor to get it taken out. Whoever shot you would take their bullet back, like "I believe you got my property.
”
”
Chris Rock
“
What difference does it make?" he says. "People can think whatever they like. I don't desire their validation."
"So you don't mind," I ask him, "that people judge you so harshly?"
"I have no one to impress," he says. "No one who cares about what happens to me. I'm not in the business of making friends, love. My job is to lead an army, and it's the only thing I'm good at. No one," he says, "would be proud of the things I've accomplished. My mother doesn't even know me anymore. My father thinks I'm weak and pathetic. My soldiers want me dead. The world is going to hell. And the conversations I have with you are the longest I've ever had.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
You take things too personally, Brekker. You should be focused on the job, but you’re too busy holding a grudge.”
“That’s where you’re wrong,” said Kaz. “I don’t hold a grudge. I cradle it. I coddle it. I feed it fine cuts of meat and send it to the best schools. I nurture my grudges, Rollins.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
I don't want to pass through life like a smooth plane ride. All you do is get to breathe and copulate and finally die. I don't want to go with the smooth skin and the calm brow. I hope I end up a blithering idiot cursing the sun - hallucinating, screaming, giving obscene and inane lectures on street corners and public parks. People will walk by and say, "Look at that drooling idiot. What a basket case." I will turn and say to them, "It is you who are the basket case. For every moment you hated your job, cursed your wife and sold yourself to a dream that you didn't even conceive. For the times your soul screamed yes and you said no. For all of that. For your self-torture, I see the glowing eyes of the sun! The air talks to me! I am at all times!" And maybe, the passers by will drop a coin into my cup.
”
”
Henry Rollins
“
Not exactly. You see, Portia and I think that the coal miner thing's very overdone. No one will remember you in that. And we both see it has our job to make District 12 tributes unforgettable,' says Cinna.
I'll be naked for sure, I think.
'So rather than focus on the coal mining itself, we're going to focus on the coal,' says Cinna.
Naked and covered in black dust, i think.
'And what do we do with coal? We burn it,' says Cinna. 'You're not afraid of fire, are you, Katniss?' He sees my expression and grins.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
In my country, we value achievement. People are free to decide what that means to them, and I’ve always considered helping others to be my way of accomplishing something important. I was hoping to serve others with my new job, but that’s history now, so I’m going to have to accomplish something big, or I’ll regret it for the rest of my life.
”
”
Steven Decker (Projector for Sale)
“
Alec?" Magnus was staring at him. He had dispatched the remaining Iblis demons, and the square was empty but for the two of them. "Did you just- did you just save my life?"
Alec knew he ought to say something like, Of course, because I'm a Shadowhunter and that's what we do, or That's my job. Jace would have said something like that. Jace always knew the right thing to say. But the words that actually came out of Alec's mouth where quite different- and sounded petulant, even to his own ears. "You never called me back," he said. "I called you so many times and you never called me back."
Magnus looked at Alec as if he'd lost his mind. "Your city is under attack," he said. "The wards have broken, and the streets are full of demons. And you want to know why I haven't called you?
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
My model for business is The Beatles. They were four guys who kept each other kind of negative tendencies in check. They balanced each other and the total was greater than the sum of the parts. That's how I see business: great things in business are never done by one person, they're done by a team of people.
”
”
Steve Jobs
“
how come you're so ugly?"
"my life has hardly been pretty — the hospitals, the jails, the jobs, the women, the drinking. some of my critics claim that i have deliberately inflicted myself with pain. i wish that some of my critics had been along with me for the journey. it’s true that i haven't always chosen easy situations but that's a hell of a long ways from saying that i leaped into the oven and locked the door. hangover, the electric needle, bad booze, bad women, madness in small rooms, starvation in the land of plenty, god knows how i got so ugly, i guess it just comes from being slugged and slugged again and again, and not going down, still trying to think, to feel, still trying to put the butterfly back together again…it’s written a map on my face that nobody would ever want to hang on their wall.
sometimes i’ll see myself somewhere…suddenly…say in a large mirror in a supermarket…eyes like little mean bugs…face scarred, twisted, yes, i look insane, demented, what a mess…spilled vomit of skin…yet, when i see the “handsome” men i think, my god my god, i’m glad i’m not them
”
”
Charles Bukowski (Charles Bukowski: Sunlight Here I Am: Interviews and Encounters 1963-1993)
“
I went into the bathroom to brush my teeth. It is good to brush your teeth when you are angry, because you brush harder and do a better job.
”
”
Lemony Snicket (Who Could That Be at This Hour? (All the Wrong Questions, #1))
“
I had to use my wits or else I'd have been sunk - and nothings going to sink me. Everyone was always pulling at me, tugging at me, as if they wanted a piece of me. It was always, 'do this, do that,' and not just on the job but off, too. God, I've tried to stay intact, whole.
”
”
Marilyn Monroe
“
And you expect me to commute two hours each way from the Keep to the Order." I kept my voice mild. "I suppose I won't be needing my job, my house, or my clothes anymore."
"I didn't say that. Although let me get back to you on the clothes. It's still under consideration.
”
”
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
“
I’m not laughing.” I was actually crying. “And please don’t laugh at me now, but I think the reason it’s so hard for me to get over this guy is because I seriously believed David was my soul mate. ”He probably was. Your problem is you don’t understand what that word means. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. And thank God for it. Your problem is, you just can’t let this one go. It’s over, Groceries. David’s purpose was to shake you up, drive you out of your marriage that you needed to leave, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life, then introduce you to your spiritual master and beat it. That was his job, and he did great, but now it’s over. Problem is, you can’t accept that his relationship had a real short shelf life. You’re like a dog at the dump, baby – you’re just lickin’ at the empty tin can, trying to get more nutrition out of it. And if you’re not careful, that can’s gonna get stuck on your snout forever and make your life miserable. So drop it.“But I love him.”
“So love him.” “But I miss him.” “So miss him. Send him some love and light every time you think about him, then drop it. You’re just afraid to let go of the last bits of David because then you’ll be really alone, and Liz Gilbert is scared to death of what will happen if she’s really alone. But here’s what you gotta understand, Groceries. If you clear out all that space in your mind that you’re using right now to obsess about this guy, you’ll have a vacuum there, an open spot – a doorway. And guess what the universe will do with the doorway? It will rush in – God will rush in – and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
Disappointment will come when your effort does not give you the expected return. If things don’t go as planned or if you face failure. Failure is extremely difficult to handle, but those that do come out stronger. What did this failure teach me? is the question you will need to ask. You will feel miserable. You will want to quit, like I wanted to when nine publishers rejected my first book. Some IITians kill themselves over low grades – how silly is that? But that is how much failure can hurt you. But it’s life. If challenges could always be overcome, they would cease to be a challenge. And remember – if you are failing at something, that means you are at your limit or potential. And that’s where you want to be.
Disappointment’ s cousin is Frustration, the second storm. Have you ever been frustrated? It happens when things are stuck. This is especially relevant in India. From traffic jams to getting that job you deserve, sometimes things take so long that you don’t know if you chose the right goal. After books, I set the goal of writing for Bollywood, as I thought they needed writers. I am called extremely lucky, but it took me five years to get close to a release. Frustration saps excitement, and turns your initial energy into something negative, making you a bitter person. How did I deal with it? A realistic assessment of the time involved – movies take a long time to make even though they are watched quickly, seeking a certain enjoyment in the process rather than the end result – at least I was learning how to write scripts, having a side plan – I had my third book to write and even something as simple as pleasurable distractions in your life – friends, food, travel can help you overcome it. Remember, nothing is to be taken seriously. Frustration is a sign somewhere, you took it too seriously.
”
”
Chetan Bhagat
“
Marriage isn't a love affair. It isn't even a honeymoon. It's a job. A long hard job, at which both partners have to work, harder than they've worked at anything in their lives before. If it's a good marriage, it changes, it evolves, but it does on getting better. I've seen it with my own mother and father. But a bad marriage can dissolve in a welter of resentment and acrimony. I've seen that, too, in my own miserable and disastrous attempt at making another person happy. And it's never one person's fault. It's the sum total of a thousand little irritations, disagreements, idiotic details that in a sound alliance would simply be disregarded, or forgotten in the healing act of making love. Divorce isn't a cure, it's a surgical operation, even if there are no children to consider.
”
”
Rosamunde Pilcher (Wild Mountain Thyme)
“
Violet Sorrengail,' she whispers, moving closer. 'Are you wearing Riorson's flight jacket?'
Liam's head snaps in my direction, curse his stupidly good hearing.
'Why would you say that?' I do a shitty job of feigning shock and shove the sheaths into every available pocket in this thing. All three of them, which are considerably deeper than the ones in my own jacket.
'Oh, I don't know. Because it's huge on you and there are three stars right here?' She taps where there's only one star on her uniform.
Well, shit. Just goes to show that neither of us was thinking clearly.
'It could be any third-year's.' I shrug.
'With a Fourth Wing shield on the shoulder?' She cocks an eyebrow.
'That does limit it a bit,' I agree.
'And a wingleader emblem beneath those stars?' she teases.
'Fine, it's his.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
Jason sighed miserably. “That’s supposed to be my job. I’m always the one who gets knocked in the head.
”
”
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
“
If you quietly accept and go along no matter what your feelings are, ultimately you internalize what you're saying, because it's too hard to believe one thing and say another. I can see it very strikingly in my own background. Go to any elite university and you are usually speaking to very disciplined people, people who have been selected for obedience. And that makes sense. If you've resisted the temptation to tell the teacher, "You're an asshole," which maybe he or she is, and if you don't say, "That's idiotic," when you get a stupid assignment, you will gradually pass through the required filters. You will end up at a good college and eventually with a good job.
”
”
Noam Chomsky
“
You’ve one mark on your record,” Tamas said. “You once punched a na-baron in the face. Broke his jaw. Tell me about that.”
Olem grimaced. “Officially, sir, I was pushing him out of the way of a runaway carriage. Saved his life. Half my company saw it.”
“With your fist?”
“Aye.”
“And unofficially?”
“The man was a git. He shot my dog because it startled his horse.”
“And if I ever have cause to shoot your dog?”
“I’ll punch you in the face.”
“Fair enough. You have the job.
”
”
Brian McClellan (Promise of Blood (Powder Mage, #1))
“
I just pulled a pretty big job and needed to hide out for awhile."
"...Where's all the loot?"
"That, as my cousin Nord would say, is where my improvised lie falls apart."
Artemis put two and two together and arrived at a very unpleasant four.
"You were here to rob me!"
"No, I wasn't. How dare you?!
”
”
Eoin Colfer (The Last Guardian (Artemis Fowl, #8))
“
The perfect being, huh? There is no such thing as perfect in this world. That may sound cliché, but it’s the truth. The average person admires perfection and seeks to obtain it. But, what’s the point of achieving perfection? There is none. Nothing. Not a single thing. I loathe perfection! If something is perfect, then there is nothing left. There is no room for imagination. No place left for a person to gain additional knowledge or abilities. Do you know what that means? For scientists such as ourselves, perfection only brings despair. It is our job to create things more wonderful than anything before them, but never to obtain perfection. A scientist must be a person who finds ecstasy while suffering from that antimony. In short, the moment that foolishness left your mouth and reached my ears, you had already lost. Of course, that’s assuming you are a scientist
”
”
Tite Kubo
“
But anyway, I look around sometimes and I think - this will maybe sound weird - it's like the corporate world's full of ghosts. And actually, let me revise that, my parents are in academia so I've had front row seats for that horror show, I know academia's no different, so maybe a fairer way of putting this would be to say that adulthood's full of ghosts."
"I'm sorry, I'm not sure I quite --"
"I'm talking about these people who've ended up in one life instead of another and they are just so disappointed. Do you know what I mean? They've done what's expected of them. They want to do something different but it's impossible now, there's a mortgage, kids, whatever, they're trapped. Dan's like that."
"You don't think he likes his job, then."
"Correct," she said, "but I don't think he even realises it. You probably encounter people like him all the time. High-functioning sleepwalkers, essentially.
”
”
Emily St. John Mandel (Station Eleven)
“
That’s been one of my mantras — focus and simplicity. Simple can be harder than complex: You have to work hard to get your thinking clean to make it simple. But it’s worth it in the end because once you get there, you can move mountains. [BusinessWeek, May 25 1998]
”
”
Steve Jobs
“
I was not staring at you,” he told his plate.
I leaned over. “Did you hear that, Dingane’s lunch? He was not staring at you.”
He looked up at me crossly. “I was not staring at you.”
“I never said you were.”
“I was merely explaining that Henry was exaggerating. I did not stare at you.”
“Okay,” I stated, implying in my tone that he had done just that.
“I didn’t. I-I wasn’t.”
“I believe you,” I told him
“I may have looked at you a few times to make sure you were doing your job.”
“Oh, I see then.”
“But I certainly wasn’t staring.”
“We’ve established that you were not staring.”
He breathed deeply a few times, his eyes burning into mine. “Good.”
He’d definitely been staring.
”
”
Fisher Amelie (Vain (The Seven Deadly, #1))
“
She’s not just any Moroi. She’s royal. A princess. And you’ve seen how she is! Smart and strong and beautiful. She’s destined for great things, and one of them isn’t being involved with a controversial guardian like me. Her bloodline’s regal.Hell, I don’t even know who my dad is. Dating her is not even possible. My job is to protect her. To keep her safe. That’s where all my attention needs to be.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
We were fools.”
“You were children. Was there no one to protect you?”
“Was there anyone to protect you?”
“My father. My mother. They would have done anything to keep me from being stolen.”
“And they would have been mowed down by slavers.”
“Then I guess I was lucky I didn’t have to see that.”
How could she still look at the world that way? “Sold into a brothel at age fourteen and you count yourself lucky.”
“They loved me. They love me. I believe that.” He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. “You protected me, Kaz.”
“The fact that you’re bleeding through your bandages tells me otherwise.”
She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. “I need Nina to fix this one.”
He didn’t mean to say it. He meant to let her go. “I can help you.”
Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she’d spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she’d nearly destroyed him. Maybe he should let her finish the job.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Why would you ask for a spell like that!”
“What I asked for was a spell to light my room, you twat, that’s what I got.” To be fair, the incarnate flame was in fact doing a magnificent job of lighting the room.
”
”
Naomi Novik (A Deadly Education (The Scholomance, #1))
“
So it's a coincidence. Just like you said. Two rich parents with two rich kids at the same school. They're both killed in accidents. Why are you so interested?"
"Because I don't like coincidence," Blunt replied. "In fact, I don't believe in coincidence. Where some
people see coincidence, I see conspiracy. That's my job.
”
”
Anthony Horowitz (Point Blank (Alex Rider #2))
“
I don't suppose," I said, once we were in the car, "that she just gave you the job based on looks alone?"
Adrian had been staring off but now flashed me a big smile. "Why, Sage, you sweet talker."
"Thats not what I meant! What happened?"
He shrugged. "I told the truth."
"Adrian!"
"I'm serious. She asked me what my greatest strength was. I said getting along with people."
"Thats not bad," I admitted.
"Then she asked what my greatest weakness was. And I said, 'Where should I start?'"
"Adrian!"
"Stop saying my name like that. I told her the truth. By the time I was on the fourth one, she told me I could go.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
That’s nice of you, but it’s not necessary to loan me a car.”
“I loan you cars all the time.”
“And I almost always destroy them or lose them. I have terrible luck with cars.”
“Working at Rangeman is a high-stress job, and you’re one of our few sources of comic relief. I give you a car and my men start a pool on how long it will take you to trash it. You’re a line item in my budget under entertainment.
”
”
Janet Evanovich (Smokin' Seventeen (Stephanie Plum, #17))
“
Choices
If i can't do
what i want to do
then my job is to not
do what i don't want
to do
It's not the same thing
but it's the best i can
do
If i can't have
what i want . . . then
my job is to want
what i've got
and be satisfied
that at least there
is something more to want
Since i can't go
where i need
to go . . . then i must . . . go
where the signs point
through always understanding
parallel movement
isn't lateral
When i can't express
what i really feel
i practice feeling
what i can express
and none of it is equal
I know
but that's why mankind
alone among the animals
learns to cry
”
”
Nikki Giovanni
“
Just tell me how to be different in a way that makes sense. To make this all go away. And disappear. I know that's wrong, because it's my responsibilty, and I know things have to get worse before they get better. I walk around the school hallways and look at the people. I look at the teachers and wonder why their here. If they like their jobs. Or us. I wonder how smart they were when they were fifteen. Not in a mean way. In a curious way. It's like looking at all the students and wondering who's had their heart broken that day. And how they cope with having three quizes and a book report. On top of that. Or wondering who did the heart breaking. And wondering why. Especially since I know that if they went to another school, the person who had their heart broken would have had their heart broken by somebody else, so why does it have to be personal? It's much easier to not know things sometimes. Things change and friends leave. And life doesn't stop for anybody. I wanted to laugh. Or maybe get mad. Or maybe shrug at how strange everybody was, especiall me. I think the idea is that every person has to live for his or her own life and than make the choice to share it with other people. You can't just sit their and put everybody's lives ahead of yours and think that counts as love. You just can't. You have to do things. I'm going to do what I want to do. I'm going to be who I really am. And I'm going to figure out what that is. And we could all sit around and wonder and feel bad about each other and blame a lot of people for what they did or didn't do or what they didn't know. I don't know. I guess there could always be someone to blame. It's just different. Maybe it's good to put things in perspective, but sometimes, I think that the only perspective is to really be there. Because it's okay to feel things. I was really there. And that was enough to make me feel infinite. I feel infinite.
”
”
Stephen Chbosky
“
Do you understand what I'm saying?"
shouted Moist. "You can't just go around killing people!"
"Why Not? You Do." The golem lowered his arm.
"What?" snapped Moist. "I do not! Who told you that?"
"I Worked It Out. You Have Killed Two Point Three Three Eight People," said the golem calmly.
"I have never laid a finger on anyone in my life, Mr Pump. I may be–– all the things you know I am, but I am not a killer! I have never so much as drawn a sword!"
"No, You Have Not. But You Have Stolen, Embezzled, Defrauded And Swindled Without Discrimination, Mr Lipvig. You Have Ruined Businesses And Destroyed Jobs. When Banks Fail, It Is Seldom Bankers Who Starve. Your Actions Have Taken Money From Those Who Had Little Enough To Begin With. In A Myriad Small Ways You Have Hastened The Deaths Of Many. You Do Not Know Them. You Did Not See Them Bleed. But You Snatched Bread From Their Mouths And Tore Clothes From Their Backs. For Sport, Mr Lipvig. For Sport. For The Joy Of The Game.
”
”
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
“
That’s nice. I like that. You’re sure you’re not the god of wisdom?”
“I applied for the job,” I said, “but they gave it to someone else. Something about inventing olives.” I rolled my eyes.
”
”
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
“
I think it’s important to have a good hard failure when you're young. I learned a lot out of that. Because it makes you kind of aware of what can happen to you. Because of it I’ve never had any fear in my whole life when we’ve been near collapse and all of that. I’ve never been afraid. I’ve never had the feeling I couldn’t walk out and get a job doing something.
”
”
Walt Disney Company
“
You're trying to find it. You're probably trying to find- the reason that you live- all by yourself. Because...because, in reality, there aren't any people who are born with reasons to live. I think that...that everyone has to find their reason to live. A reason to live. A reason to say that it's okay to be here. A reason for being. Everyone must find out and then decide. Maybe in a dream, or in a job, or in a person. "The reason" you find might be unclear, uncertain, and unstable. Even though you may lose it, I want to have a reason for as long as I live. I also want one. And then, if it's possible, I want to find it in somebody's heart. I want to be able to live for someone. I hope that someday, someone would tell me, 'You can think of it that way.' At times I want to give up, but I try my best. That's why...that's why it's okay, for sure, to be shameless. Because if you lead a bold life, someday you might meet someone with whom you'll want to eat takoyaki together.
”
”
Natsuki Takaya
“
People from my first home say I'm brave. They tell me I'm strong. They pat me on the back and say, 'Way to go. Good job.' But the truth is, I am not really very brave; I am not really very strong; and I am not doing anything spectacular. I am simply doing what God has called me to do as a person who follows Him. He said to feed His sheep and He said to care for 'the least of these,' so that's what I'm doing, with the help of a lot people who make it possible and in the company of those who make my life worth living
”
”
Katie Davis (Kisses from Katie)
“
You deserve better than some thief who's going to end up in jail again. Everyone knows it. Even I know it. But you seem determined to believe I'm a actually a decent guy who's halfway worthy of you. So, what scares me most" - he twisted a lock of hair between his fingers - "is that someday even you will realize that you can do better." "Thorne..." "Not to worry." He kissed the lock of hair. "I am a criminal mastermind, I have a plan." Clearing his throat, he started to check things off in the air. "First, get a legitimate job - check. Legally buy my ship - in progress. Prove that I'm hero material by helping Cinder save the world - oh, wait, I did that already." He winked. "Oh, and I have to stop stealing things, but that's probably a given. So I figure, by the time you realize how much I don't deserve you... I might kind of deserve you
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
I’d found my person.
She was the foundation. She was the thing that all other things are built on. Everything was secondary to being with her. It didn’t matter where I worked or if I liked my job, where I lived or how many kids I had. My happiness, my sanity, my well-being – it all started with her. And now that I knew that, I didn’t want to just be her boyfriend – I wanted everything.
”
”
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
“
I’ll go out of my to make their job impossible.”
“No, you won’t,” Sandor told her. “Youre much too smart to resort to such reckless behavior.”
Sophie’s eyebrows shot up. “You sure about that? You’ve seen how much time I spend with Keefe.
”
”
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
“
When you sit that way, you look kind of like a beach ball with a head,” he continued. “Your haircut is really, really bad, I’m probably going to lose my job for helping you this way, and I’m dying to fuck you.”
He glanced at her. “That honest enough for you?
”
”
Suzanne Brockmann (Bodyguard)
“
I'm going to take care of you. I gotcha. Because that's my job, right? Taking care of my pain in the ass little brother.
”
”
Eric Kripke
“
My favourite characters are people who think they’re normal but they’re not. I live in Baltimore, and it’s full of people like that. I’ve also lived in New York, which is full of people who think they’re crazy, but they’re completely normal. I get my best material in Baltimore – you get dialogue that you just couldn’t imagine. I asked this guy in a bar what he did for a living and he said he traded deer meat for crack. I never realised that job even existed. You could make a whole movie about that person. And he was kind of cute too, if you could ignore his eyes rolling around his head. Although I did crack once, accidentally, and I thought: Oh my God, what, am I gonna rob my parents now? I prefer poppers – they’re legal in London, right? I used to do them on roller coasters. They’re illegal in Provincetown, which is the gay fishing village where I live in the summer. In the airport there are signs warning you to get rid of your poppers.
”
”
John Waters
“
I felt the familiar warm tingling at the center of my chest and had just enough time to gasp as some invisible hand yanked me forward, smacking my forehead against the dashboard with enough force to stun me dumb.
Chubs slammed on the brakes, forcing my seat belt to do its job and lock against my chest. I was thrown back into my seat, an explosion of colors bursting in my vision.
"Oh, hell no!" Chubs roared, slamming a hand against the steering wheel. "That's it! We don not use our abilities on one another, goddammit! Behave yourself!
”
”
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
“
The whole time I pretend I have mental telepathy. And with my mind only, I’ll say — or think? — to the target, 'Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller
coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you’ve never even
heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose—allow smells
to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to thatmiserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want. That’s what they tell us at school, but if you keep getting on that train and going to the place you hate I’m going to start thinking the people at school are liars like the Nazis who told the Jews they were just being relocated to work factories. Don’t do that to us. Tell us the truth. If adulthood is working some death-camp job you hate for the rest of your life, divorcing your secretly criminal husband, being disappointed in your son, being stressed and miserable, and dating a poser and pretending he’s a hero when he’s really a lousy person and anyone can tell that just by shaking his slimy hand — if it doesn’t get any better, I need to know right now. Just tell me. Spare me from some awful fucking fate. Please.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
“
The best way to guarantee you have a job tomorrow is to not finish all the work your boss asked of you today. Wait, that’s not right. Sorry, I’m thinking like a government employee again.
”
”
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
“
You are beyond frustrating," she grumbled. "Why can't you do what I ask you to do without issuing a million questions first?"
"I could say the same of you."
"I don't--Argh." She raised a fist at him. "So maybe I do ask a lot of questions. So what. Anyone in my position would do the same. Besides, I'm a girl and that's my job. You're a boy. You're supposed to pound your chest with your fists and grunt, then do everything in your power to please me."
"Hardly. The man you just described is more likely to knock you over the head with a club and drag you away by the hair."
-Annabelle and Zacharel
”
”
Gena Showalter (Wicked Nights (Angels of the Dark, #1))
“
Angela had done a marvelous job, I tell you. The puke was everywhere except the toilet. The walls, the floor, the sinks - even on the ceiling, though don't ask me how she did that. So there I was, perched on all fours, cleaning up the puke at the homecoming dance in my best blue suit, which was exactly what I had wanted to avoid in the first place. And Jamie, my date, was on all fours, too, doing exactly the same thing.
”
”
Nicholas Sparks (A Walk to Remember)
“
Somewhere out there is a true and living prophet of destruction and I dont want to confront him. I know he's real. I have seen his work. I walked in front of those eyes once. I wont do it again. I wont push my chips forward and stand up and go out to meet him. It aint just bein older. I wish that it was. I cant say that it's even what you are willin to do. Because I always knew that you had to be willin to die to even do this job. That was always true. Not to sound glorious about it or nothin but you do. If you aint they'll know it. They'll see it in a heartbeat. I think it is more like what you are willin to become. And I think a man would have to put his soul at hazard. And I wont do that.
”
”
Cormac McCarthy (No Country for Old Men)
“
I have to figure out why I worked at a job I hated for years. I have to find out why I can’t see what everyone else sees in me. I don’t feel beautiful. When I look in the mirror, I never saw beautiful. For this to happen to someone like me, it’s devastating, Jonas. I don’t want you to think it’s vanity, it isn’t. I can’t see me and I need to be able to do that. I need to find out what I’m like and what I want. I have to be comfortable in my own skin before I can be in a relationship the way you want.
”
”
Christine Feehan (Safe Harbor (Drake Sisters, #5))
“
I’m notoriously married to my job.”
“That’s super convenient because so am I. It’ll be like we’re cheating on our jobs with each other.
”
”
Christina Lauren (Dating You / Hating You)
“
Don't let another man, tight wearing fairy or not, help you out of your clothes again," he said, his eyes narrowing just enough to know some scalding emotions were firing through him right now. "If you need help out of so much as a sock, you call me, you got it? That's my job.
”
”
Nicole Williams (Clash (Crash, #2))
“
I was once asked if I had any ideas for a really scary reality TV show. I have one reality show that would really make your hair stand on end: "C-Students from Yale."
George W. Bush has gathered around him upper-crust C-students who know no history or geography, plus not-so-closeted white supremacists, aka Christians, and plus, most frighteningly, psychopathic personalities, or PPs, the medical term for smart, personable people who have no consciences.
To say somebody is a PP is to make a perfectly respectable diagnosis, like saying he or she has appendicitis or athlete's foot . . .
PPs are presentable, they know full well the suffering their actions may cause others, but they do not care. They cannot care because they are nuts. They have a screw loose! . . .
So many of these heartless PPs now hold big jobs in our federal government, as though they were leaders instead of sick. They have taken charge of communications and the schools, so we might as well be Poland under occupation.
They might have felt that taking our country into an endless war was simply something decisive to do. What has allowed so many PPs to rise so high in corporations, and now in government, is that they are so decisive. They are going to do something every fuckin' day and they are not afraid. Unlike normal people, they are never filled with doubts, for the simple reasons that they don't give a fuck what happens next. Simply can't. Do this! Do that! Mobilize the reserves! Privatize the public schools! Attack Iraq! Cut health care! Tap everybody's telephone! Cut taxes on the rich! Build a trillion-dollar missile shield! Fuck habeas corpus and the Sierra Club and In These Times, and kiss my ass!
There is a tragic flaw in our precious Constitution, and I don't know what can be done to fix it. This is it: Only nut cases want to be president.
”
”
Kurt Vonnegut Jr. (A Man Without a Country)
“
There are times when you don't belong and you think you're going to kill yourself. Once I went to a hotel. Later that night I made a plan. The plan was I would leave my family when my second child was born. And that's what I did. I got up one morning, made breakfast, went to the bus stop, got on a bus. I'd left a note. I got a job in a library in Canada. It would be wonderful to say you regretted it. It would be easy. But what does it mean? What does it mean to regret when you have no choice? It's what you can bear. There it is. No-one's going to forgive me. It was death. I chose life." -Laura Brown-
”
”
Michael Cunningham (The Hours)
“
I may be, tied up, but at least, I am HIS. I may be hurting, But I am HIS, I may be reluctant, but I am HIS, I may be lonely, but I am HIS, I may be frustrated, but I am HIS, That’s why I am praising Him, because I’m glad He tied me up. He stopped me from doing the things I would have done, that would’ve messed up myself. When I look at how my friends got loosed, I thank Him for tying me up. When I look at how the neighborhood boys are locked up in jail, I thank Him for tying me up. I am not happy about it then, but I’m glad about it now. When I think about the person I almost married, When I think about the job I almost got, When I think about the people who wouldn’t let me join their clique, When I think about the people who stops talking to me, I thank Him for tying me up. I thank Him for the rope that got me tied up.
”
”
T.D. Jakes
“
I don't do my job to catch the bad guys. Why would I want to do that? No, I do my job to make order out of chaos.
”
”
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
“
Though Donald’s fundamental nature hasn’t changed, since his inauguration the amount of stress he’s under has changed dramatically. It’s not the stress of the job, because he isn’t doing the job—unless watching TV and tweeting insults count. It’s the effort to keep the rest of us distracted from the fact that he knows nothing—about politics, civics, or simple human decency—that requires an enormous amount of work.
”
”
Mary L. Trump (Too Much and Never Enough: How My Family Created the World's Most Dangerous Man)
“
"I gave up a world for you."
He glared at me, not giving me anything.
I kept right on going. "I thought, perhaps, when I learned I had powers, I might be able to use them to go home," his eyes flashed but that was all I got so I kept on going, "but not for good. My father isn't dead." Another flash. "He's alive and at home and living maybe with a fake Circe. He'll know the difference, though, I KNOW it. He's out of his mind with worry, I know that too. He's wondering where I am and if I'm okay and how to get me back. I also know that. I know that and I know that my life was good. I loved my life. I loved my home. I loved my job. I had a lot of people who loved me that loved me back." I sucked in a breath and then whispered, "But as much as your world scared me, as much as our practices repulsed me, I still chose you."
His torso jerked, it was almost imperceptible, but I caught it.
I kept at him. "I gave up my world for you, Lahn. I sat at your side through things people in my world would find loathsome and I did it with my head held high. I even felt 'pride' that I could endure, that I could be a good queen to you.......Everything I did in this fucking place, even before I fell in love with you, was for...fucking...YOU."
”
”
Kristen Ashley (The Golden Dynasty (Fantasyland, #2))
“
That’s the thing about intimacy and truly knowing the person you’re with. They always know when something’s off, no matter how casually you try to sweep your unease away. They know. It’s their job, because in the song of your life, they are the ones listening. It’s when they stop that you need to worry. He’d listened to mine. He knew when a beat was missing, or a note was forgotten. He’d memorized my song, and I was his favorite.
”
”
Kate Stewart (Drive (The Bittersweet Symphony Duet #1))
“
[T]he useful idiots, the leftists who are idealistically believing in the beauty of the Soviet socialist or Communist or whatever system, when they get disillusioned, they become the worst enemies. That’s why my KGB instructors specifically made the point: never bother with leftists. Forget about these political prostitutes. Aim higher. [...] They serve a purpose only at the stage of destabilization of a nation. For example, your leftists in the United States: all these professors and all these beautiful civil rights defenders. They are instrumental in the process of the subversion only to destabilize a nation. When their job is completed, they are not needed any more. They know too much. Some of them, when they get disillusioned, when they see that Marxist-Leninists come to power—obviously they get offended—they think that they will come to power. That will never happen, of course. They will be lined up against the wall and shot.
”
”
Tomas Schuman
“
I know I have a pretty good sense for music, but she was better than me. I used to think it was such a waste! I thought, ‘If only she had started out with a good teacher and gotten the proper training, she’d be so much further along!’ But I was wrong about that. She was not the kind of child who could stand proper training. There just happen to be people like that. They’re blessed with this marvelous talent, but they can’t make the effort to systematize it. They end up squandering it in little bits and pieces. I’ve seen my share of people like that. At first you think they’re amazing. Like, they can sight-read some terrifically difficult piece and do a damn good job playing it all the way through. You see them do it, and you’re overwhelmed. you think, ‘I could never do that in a million years.’ But that’s as far as they go. They can’t take it any further. And why not? Because they won’t put in the effort. Because they haven’t had the discipline pounded into them. They’ve been spoiled. They have just enough talent so they’ve been able to play things well without any effort and they’ve had people telling them how great they are from the time they’re little, so hard work looks stupid to them. They’ll take some piece another kid has to work on for three weeks and polish it off in half the time, so the teacher figures they’ve put enough into it and lets them go to the next thing. And they do that in half the time and go on to the next piece. They never find out what it means to be hammered by the teacher; they lose out on a certain element required or character building. It’s a tragedy.
”
”
Haruki Murakami (Norwegian Wood)
“
Your job then, should you choose to accept it, is to keep searching for the metaphors, rituals and teachers that will help you move ever closer to divinity. The Yogic scriptures say that God responds to the sacred prayers and efforts of human beings in any way whatsoever that mortals choose to worship—just so long as those prayers are sincere.
I think you have every right to cherry-pick when it comes to moving your spirit and finding peace in God. I think you are free to search for any metaphor whatsoever which will take you across the worldly divide whenever you need to be transported or comforted. It's nothing to be embarrassed about. It's the history of mankind's search for holiness. If humanity never evolved in its exploration of the divine, a lot of us would still be worshipping golden Egyptian statues of cats. And this evolution of religious thinking does involve a fair bit of cherry-picking. You take whatever works from wherever you can find it, and you keep moving toward the light.
The Hopi Indians thought that the world's religions each contained one spiritual thread, and that these threads are always seeking each other, wanting to join. When all the threads are finally woven together they will form a rope that will pull us out of this dark cycle of history and into the next realm. More contemporarily, the Dalai Lama has repeated the same idea, assuring his Western students repeatedly that they needn't become Tibetan Buddhists in order to be his pupils. He welcomes them to take whatever ideas they like out of Tibetan Buddhism and integrate these ideas into their own religious practices. Even in the most unlikely and conservative of places, you can find sometimes this glimmering idea that God might be bigger than our limited religious doctrines have taught us. In 1954, Pope Pius XI, of all people, sent some Vatican delegates on a trip to Libya with these written instructions: "Do NOT think that you are going among Infidels. Muslims attain salvation, too. The ways of Providence are infinite."
But doesn't that make sense? That the infinite would be, indeed ... infinite? That even the most holy amongst us would only be able to see scattered pieces of the eternal picture at any given time? And that maybe if we could collect those pieces and compare them, a story about God would begin to emerge that resembles and includes everyone? And isn't our individual longing for transcendence all just part of this larger human search for divinity? Don't we each have the right to not stop seeking until we get as close to the source of wonder as possible? Even if it means coming to India and kissing trees in the moonlight for a while?
That's me in the corner, in other words. That's me in the spotlight. Choosing my religion.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
Good to meet you, Patrick," Will said. "And thank you for the...advice."
"Oh, just trying to help my girlfriend get the best out of her job," he said. "That's all." There was a definite emphasis on the word my.
"Well, you're a lucky man," Will said, as Nathan began to steer him out. "She certainly gives a good bed bath." The words came out so quickly that the door was closed before Patrick even realized what he had said.
”
”
Jojo Moyes (Me Before You (Me Before You, #1))
“
I want to retain my own identity. Therefore the thing I’m most anxious to avoid is any kind of work that can be considered ‘interesting’ in its own right. I want something that can’t possibly touch me. I want some big, swollen corporation that’s been bumbling along making money in its sleep for a hundred years, where they have to hire eight guys for every one job because none of them can be expected to care about whatever boring thing it is that they are supposed to be doing. I want to go into that kind of place and say, Look. You can have my body and my nice college-boy smile for so many hours a day, in exchange for so many dollars, and beyond that we’ll leave each other strictly alone.
”
”
Richard Yates (Revolutionary Road)
“
Meaning - this is perhaps the common note, the bane I am seeking. What is the Meaning of this book, this event in the book, this story ... ? Tell me what it Means.
But that is not my job, honey. That's your job.
”
”
Ursula K. Le Guin (No Time To Spare: Thinking About What Matters)
“
They all want a part of it. A part of the pain that's not theirs. Nod their heads. Wrinkle their foreheads. Now they want to pity it, gorge on my pain. And when they're done or bored or too sad, they whisk themselves away to stare at a screen or stuff their fat faces, thinking 'How lucky am I to be me.' And they they forget the pain and say we should be good citizens. Get a job. Assimilate..
They planted us in stones, watered us with pain, and now marvel how we have thorns.
”
”
Pierce Brown (Iron Gold (Red Rising Saga, #4))
“
The central attitudes driving the Demand Man are:
It’s your job to do things for me, including taking care of my responsibilities if I drop the ball on them. If I’m unhappy about
any aspect of my life, whether it has to do with our relationship or not, it’s your fault.
You should not place demands on me at all. You should be grateful for whatever I choose to give.
I am above criticism.
I am a very loving and giving partner. You’re lucky to have me.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
Consider A Move
The steady time of being unknown,
in solitude, without friends,
is not a steadiness that sustains.
I hear your voice waver on the phone:
Haven't talked to anyone for days.
I drive around. I sit in parking lots.
The voice zeroes through my ear, and waits.
What should I say? There are ways
to meet people you will want to love?
I know of none. You come out stronger
having gone through this? I no longer
believe that, if I once did. Consider a move,
a change, a job, a new place to live,
someplace you'd like to be. That's not it,
you say. Now time turns back. We almost touch.
Then what is? I ask. What is?
”
”
Michael Ryan (New and Selected Poems)
“
I thought I told you to stop doing that," he snapped.
A thin-lipped mouth opened; the jutting chin and nose knocked together indignantly. "Do what?"
"Taking on such a hideous appearance. I've just had my breakfast."
A section of brow lifted, allowing an eyeball to roll forward with a squelching sound.The face looked
unapologetic."Sorry, mate," it said. "It's just my job."
"Your job is to destroy anyone entering my study without authority. No more, no less."
The door guard considered. "True. But I seek to preempt entry by scaring trespassers away. To my way
of thinking, deterrence is more aesthetically satisfying than punishment."
Mr. Mandrake snorted. "Trespassers apart, you'll likely frighten Ms. Piper here to death."
The face shook from side to side, a process that caused the nose to wobble alarmingly. "Not so. When
she comes alone, I moderate my features. I reserve the full horror for those I consider morally vicious."
"But you just looked that way to me!"
"The contradiction being...?
”
”
Jonathan Stroud (Ptolemy's Gate (Bartimaeus, #3))
“
But the one great shocking occasion, when tens or hundreds or thousands will join with you, never comes. That’s the difficulty. If the last and worst act of the whole regime had come immediately after the first and smallest, thousands, yes, millions would have been sufficiently shocked—if, let us say, the gassing of the Jews in ’43 had come immediately after the ‘German Firm’ stickers on the windows of non-Jewish shops in ’33. But of course this isn’t the way it happens. In between come all the hundreds of little steps, some of them imperceptible, each of them preparing you not to be shocked by the next. Step C is not so much worse than Step B, and, if you did not make a stand at Step B, why should you at Step C? And so on to Step D.
And one day, too late, your principles, if you were ever sensible of them, all rush in upon you. The burden of self-deception has grown too heavy, and some minor incident, in my case my little boy, hardly more than a baby, saying ‘Jewish swine,’ collapses it all at once, and you see that everything, everything, has changed and changed completely under your nose. The world you live in—your nation, your people—is not the world you were born in at all. The forms are all there, all untouched, all reassuring, the houses, the shops, the jobs, the mealtimes, the visits, the concerts, the cinema, the holidays. But the spirit, which you never noticed because you made the lifelong mistake of identifying it with the forms, is changed. Now you live in a world of hate and fear, and the people who hate and fear do not even know it themselves; when everyone is transformed, no one is transformed. Now you live in a system which rules without responsibility even to God. The system itself could not have intended this in the beginning, but in order to sustain itself it was compelled to go all the way.
”
”
Milton Sanford Mayer (They Thought They Were Free: The Germans 1933-45)
“
My father could have been a great comedian but he didn't believe that that was possible for him, and so he made a conservative choice. Instead, he got a safe jog as an accountant and when I was 12 years old he was let go from that safe job, and our family had to do whatever we could to survive. I learned many great lessons from my father. Not the least of which was that: You can fail at what you don't want. So you might as well take a chance on doing what you love.
”
”
Jim Carrey
“
Nietzsche was a revelation to me. I felt that there was someone quite different from what I had been taught. I read him with a great passion and broke with my life, left my job in the asylum, left France: I had the feeling I had been trapped. Through Nietzsche, I had become a stranger to all that.
”
”
Michel Foucault
“
Domination was and is at the heart of penis politics: a man maintaining power over a woman through gender or sex-based control…. Andrew (Cuomo) was the master of the art of penis politics. In Washington, he’d given me a job and then worked to undermine me in it. He made me feel as if I were no good at my job and, thus, totally dependent on him to keep it…. I had never seen anyone push so hard, day, noon, and night… But I was soon to learn that, as Andrew pushed up and up, some of us would be pushed aside.
”
”
Karen Hinton (Penis Politics: A Memoir of Women, Men and Power)
“
Why didn’t you dare it before? he asked harshly.
When I hadn’t a job? When I was starving? When I was just as I am now, as a man, as an artist, the same Martin Eden? That’s the question. I’ve been asking myself for many a day. My brain is the same old brain. And what is puzzling me is why they want me now. Surely they don’t want me for myself, for myself the same olf self they did not want. They must want me for something else, for something that is outside of me, for something that is not I. Shall I tell you what that something is? It is for the recognition I have recieved. That recognition is not I. Then again for the money I have earned and am earnin. But money is not I. And is it for the recognition and money, that you now want me?
”
”
Jack London (Мартин Иден)
“
I just want my kids to love who they are, have happy lives and find something they want to do and make peace with that. Your job as a parent is to give your kids not only the instincts and talents to survive, but help them enjoy their lives."
(The Power of One: Belief.net Interview; July 2005)
”
”
Susan Sarandon
“
Had I ever chosen anything? Had I made some kind of choice that led me here? Thinking it over, I stared at the cell phone in my hands. The job that I was doing, the place where I was living, the fact that I was all alone and had no one to talk to. Could these have been the result of some decision that I'd made?
I heard a crow crying somewhere in the distance and turned to the window. It occurred to me that maybe I was where I was today because I hadn't chosen anything.
I applied to whatever colleges my teacher suggested and fell into a job after graduation, which I'd left only because I had to escape. I was only able to go freelance because of all the leg-work that Hijiri did for me. Had I ever chosen anything on my own, made something happen? Not once. And that's why I was here now, all alone.
”
”
Mieko Kawakami (All the Lovers in the Night)
“
Noel chuckles. “I don’t remember you being this fun back in high school.”
“Yeah, well, I don’t remember you being this much of a dick.” I duck behind the menu and bit the inside of my cheek and curse myself for talking to him this way. I’m going to lose this job before dinner is even over.
He clears his throat. “You know, Lane. If you keep talking to me like that, I might have to show you just how nice I can be.
”
”
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
“
I am so sick of you stealing my joy. But that’s changing too. My joy doesn’t come from my friends, it doesn’t come from my job, it doesn’t even come from my husband. My joy is found in Jesus, and just in case you forgot, He has already defeated you. So go back to hell where you belong and leave my family alone!
”
”
Chris Fabry (War Room: Prayer Is a Powerful Weapon)
“
Nora Stephens,” he says, “I’ve racked my brain and this is the best I can come up with, so I really hope you like it.”
His gaze lifts, everything about it, about his face, about his posture, about him made up of sharp edges and jagged bits and shadows, all of it familiar, all of it perfect. Not for someone else, maybe, but for me.
“I move back to New York,” he says. “I get another editing job, or maybe take up agenting, or try writing again. You work your way up at Loggia, and we’re both busy all the time, and down in Sunshine Falls, Libby runs the local business she saved, and my parents spoil your nieces like the grandkids they so desperately want, and Brendan probably doesn’t get much better at fishing, but he gets to relax and even take paid vacations with your sister and their kids. And you and I—we go out to dinner.
“Wherever you want, whenever you want. We have a lot of fun being city people, and we’re happy. You let me love you as much as I know I can, for as long as I know I can, and you have it fucking all. That’s it. That’s the best I could come up with, and I really fucking hope you say—”
I kiss him then, like there isn’t someone reading one of the Bridgerton novels five feet away, like we’ve just found each other on a deserted island after months apart. My hands in his hair, my tongue catching on his teeth, his palms sliding around behind me and squeezing me to him in the most thoroughly public groping we’ve managed yet.
“I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.
”
”
Emily Henry (Book Lovers)
“
Words are small things. No one means any harm by them, they keep saying that. Everyone is just doing their job. The police say it all the time. 'I'm just doing my job here.' That's why no one asks what the boy did; as soon as the girl starts to talk they interrupt her instead with questions about what she did. Did she go up the stairs ahead of him or behind him? Did she lie down on the bed voluntarily or was she forced? Did she unbutton her own blouse? Did she kiss him? No? Did she kiss him back, then? Had she been drinking alcohol? Had she smoked marijuana? Did she say no? Was she clear about that? Did she scream loudly enough? Did she struggle hard enough? Why didn't she take photographs of her bruises right away? Why did she run from the party instead of saying anything to the other guests? They have to gather all the information, they say, when they ask the same question ten times in different ways in order to see if she changes her answer. This is a serious allegation, they remind her, as if it's the allegation that's the problem. She is told all the things she shouldn't have done: She shouldn't have waited so long before going to the police. She shouldn't have gotten rid of the clothes she was wearing. Shouldn't have showered. Shouldn't have drunk alcohol. Shouldn't have put herself in that situation. Shouldn't have gone into the room, up the stairs, given him the impression. If only she hadn't existed, then none of this would have happened, why didn't she think of that? She's fifteen, above the age of consent, and he's seventeen, but he's still 'the boy' in every conversation. She's 'the young woman.' Words are not small things.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
Sir, people never wanted me to make it to squire. They won't like it any better if I become a knight. I doubt I'll ever get to command a force larger than, well, just me.'
Raoul shook his head. 'You're wrong.' As she started to protest, he raised a hand. 'Hear me out. I have some idea of what you've had to bear to get this far, and it won't get easier. But there are larger issues than your fitness for knighthood, issues that involve lives and livelihoods. Attend,' he said, so much like Yayin, one of her Mithran teachers, that Kel had to smile.
'At our level, there are four kids of warrior,' he told Kel. He raised a fist and held up one large finger. 'Heroes, like Alanna the Lioness. Warriors who find dark places and fight in them alone. This is wonderful, but we live in the real world. There aren't many places without any hope or light.'
He raised a second finger. 'We have knights- plain, everyday knights, like your brothers. They patrol their borders and protect their tenants, or they go into troubled areas at the king's command and sort them out. They fight in battles, usually against other knights. A hero will work like an everyday knight for a time- it's expected. And most knights must be clever enough to manage alone.'
Kel nodded.
'We have soldiers,' Raoul continued, raising a third finger. 'Those warriors, including knights, who can manage so long as they're told what to do. These are more common, thank Mithros, and you'll find them in charge of companies in the army, under the eye of a general. Without people who can take orders, we'd be in real trouble.
'Commanders.' He raised his little finger. 'Good ones, people with a knack for it, like, say, the queen, or Buri, or young Dom, they're as rare as heroes. Commanders have an eye not just for what they do, but for what those around them do. Commanders size up people's strengths and weaknesses. They know where someone will shine and where they will collapse. Other warriors will obey a true commander because they can tell that the commander knows what he- or she- is doing.' Raoul picked up a quill and toyed with it. 'You've shown flashes of being a commander. I've seen it. So has Qasim, your friend Neal, even Wyldon, though it would be like pulling teeth to get him to admit it. My job is to see if you will do more than flash, with the right training. The realm needs commanders. Tortall is big. We have too many still-untamed pockets, too curse many hideyholes for rogues, and plenty of hungry enemies to nibble at our borders and our seafaring trade. If you have what it takes, the Crown will use you. We're too desperate for good commanders to let one slip away, even a female one. Now, finish that'- he pointed to the slate- 'and you can stop for tonight.
”
”
Tamora Pierce (Squire (Protector of the Small, #3))
“
Yes! I did [grow up on a Christmas Tree farm], so this is a good season for me. I was too young to help with the hauling of the trees up the hills and putting them onto cars. So, it was my job to pull off the preying mantis pods off of the Christmas trees. The problem with that is if you leave them on there, people bring them into their house. I forgot to check one time and they hatched all over these people’s house. And there were hundreds of thousands of them. And they had little kids, and they couldn’t kill of them because that’d be a bad Christmas.
”
”
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
“
Gun control? My wife had a job for three years before she found out that her boss was a convicted sex offender—a child molester. She used to take our son to work with her. When we found out, she quit her job and filed for unemployment, but was denied because she didn’t have to quit. That’s a true story. I wonder what would happen if a young child walked into a room full of child molesters and executed them with an AR-15? What would congress have to say about gun control then?
”
”
Aaron B. Powell (Quixotic)
“
While I was backstage before presenting the Best New Artist award, I talked to George Strait for a while. He's so incredibly cool. So down-to-earth and funny. I think it should be known that George Strait has an awesome, dry, subtle sense of humor. Then I went back out into the crowd and watched the rest of the show. Keith Urban's new song KILLS ME, it's so good. And when Brad Paisley ran down into the front row and kissed Kimberley's stomach (she's pregnant) before accepting his award, Kellie, my mom, and I all started crying. That's probably the sweetest thing I've ever seen.
I thought Kellie NAILED her performance of the song we wrote together "The Best Days of Your Life". I was so proud of her. I thought Darius Rucker's performance RULED, and his vocals were incredible. I'm a huge fan. I love it when I find out that the people who make the music I love are wonderful people. I love Faith Hill and how she always makes everyone in the room feel special. I love Keith Urban, and how he told me he knows every word to "Love Story" (That made my night). I love Nicole Kidman, and her sweet, warm personality. I love how Kenny Chesney always has something hilarious or thoughtful to say. But the real moment that brought on this wave of gratitude was when Shania Twain HERSELF walked up and introduced herself to me. Shania Twain, as in.. The reason I wanted to do this in the first place. Shania Twain, as in.. the most impressive and independent and confident and successful female artist to ever hit country music. She walked up to me and said she wanted to meet me and tell me I was doing a great job. She was so beautiful, guys. She really IS that beautiful. All the while, I was completely star struck. After she walked away, I realized I didn't have my camera. Then I cried.
You know, last night made me feel really great about being a country music fan in general. Country music is the place to find reality in music, and reality in the stars who make that music. There's kindness and goodness and....honesty in the people I look up to, and knowing that makes me smile. I'm proud to sing country music, and that has never wavered. The reason for the being.. nights like last night.
”
”
Taylor Swift
“
I like you.”
“I like you, too.”
“I’ve liked you since the morning you ran into me.”
I giggle and try to shove him away, but he uses the motion to pull us closer. “You have not,” I say.
“I have,” he whispers, and now his lips brush against my cheek. “I remember thinking, ‘Nice job, dickhead. Add another girl to the list of people who hate you.’”
“I don’t hate you. I’ve never hated you.”
“Now, that’s reassuring,” he says, but I can hear the smile in his voice. He inhales along my cheekbone, and sparks flare through my abdomen. “You should write for Hallmark.”
“All my future love letters will start with ‘To whom it may concern.’”
“Are you going to send me future love letters?”
I flush, and I’m sure he can see it. Feel it.
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
I want you to tell me
about the Survivor," he finally said.
"He was lord of the mists," Demoux said immediately.
"Not the rhetoric," Elend said. "Someone tell me about the man, Kelsier. I never met him, you know. I
saw him once, right before he died, but I never knew him."
"What's the point?" Cett asked. "We've all heard the stories. He's practically a god, if you listen to the
skaa."
"Just do as I ask," Elend said.
The tent was still for a few moments. Finally, Ham spoke. "Kell was . . . grand. He wasn't just a man,
he was bigger than that. Everything he did was large—his dreams, the way he spoke, the way he thought.
. . ."
"And it wasn't false," Breeze added. "I can tell when a man is being a fake. That's why I started my
first job with Kelsier, actually. Amidst all the pretenders and posturers, he was genuine. Everyone wanted
to be the best. Kelsier really was."
"He was a man," Vin said quietly. "Just a man. Yet, you always knew he'd succeed. He made you be
what he wanted you to be."
"So he could use you," Breeze said.
"But you were better when he was done with you," Ham added
”
”
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
“
Paul Edgecomb: What do you want me to do John? I'll do it. You want me to let you walk out of here and see how far you get?
John Coffey: Now why would you want to do a foolish thing like that?
Paul Edgecomb: When I die and I stand before God awaiting judgment and he asks me why I let one of HIS miracles die, what am I gonna say, that it was my job?
”
”
Stephen King
“
If you can see a thing whole," he said, "it seems that it's always beautiful. Planets, lives. . . . But close up, a world's all dirt and rocks. And day to day, life's a hard job, you get tired, you loose the pattern. You need distance, interval. The way to see how beautiful earth is, is to see it from the moon. The way to see how beautiful life is, is from the vantage point of death."
"That's all right for Urras. Let it stay off there and be the moon-I don't want it! But I am not going to stand up on a gravestone and look down on life and say, 'O lovely!' I want to see it whole right in the middle of it, here, now. I don't give a hoot for eternity."
"It's nothing to do with eternity," said Shevek, grinning, a thin shaggy man of silver and shadow. "All you have to do to see life as a whole is to see it as mortal. I'll die, you'll die; how could we love each other otherwise? The sun's going to burn out, what else keeps it shining?"
"Ah! your talk, your damned philosophy!"
"Talk? It's not talk. It's not reason. It's hand's touch. I touch the wholeness, I hold it. Which is moonlight, which is Takver? How shall I fear death? When I hold it, when I hold in my hands the light-"
"Don't be propertarian," Takver muttered.
"Dear heart, don't cry."
"I'm not crying. You are. Those are your tears."
"I'm cold. The moonlight's cold."
"Lie down."
A great shiver went through his body as she took him in her arms.
"I'm afraid, Takver," he whispered.
”
”
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
“
Taylor clapped her hands three times for attention. "Ladies! Ladies! My stars! That's enough. Now. We all know Miss Arkansas's girls are fake, miss Ohio's easier than making cereal, and Miss Montana's dress is something my blind meemaw would wear to bingo night. And Miss New Mexico -- aren't you from the chill-out state? Maybe you can channel up some new-age-Whole-Foods-incense calm right about now, because we have a big job ahead called staying alive.
”
”
Libba Bray (Beauty Queens)
“
Imagine you had a friend who was there for you all the time and you were there for them, but they stopped being there for you as much as they used to which you can understand a little because people have things to do, but then they’re around less and less no matter how much you try to reach out to them. Then suddenly one day - nothing - they’re gone. Just like that. Then you write to them, and you’re ignored, and then you write to them again and you’re ignored and finally you write to them for a third time and they barely even want to make the appointment, they’re so busy with their job, their friends and their car. How would you feel?
”
”
Cecelia Ahern (The Time of My Life)
“
April 6—Today, I learned, the comma, this is, a, comma (,) a period, with, a tail, Miss Kinnian, says its, importent, because, it makes writing, better, she said, somebody, could lose, a lot, of money, if a comma, isnt in, the right, place, I got, some money, that I, saved from, my job, and what, the foundation, pays me, but not, much and, I dont see how, a comma, keeps, you from, losing it,
But, she says, everybody, uses commas, so Ill, use them, too,,,,
April 7—I used the comma wrong. Its punctuation…Miss Kinnian says a period is punctuation too, and there are lots of other marks to learn.
She said; You, got. to-mix?them!up: She showd? me” how, to mix! them; up, and now! I can. mix (up all? kinds of punctuation— in, my. writing! There” are lots, of rules; to learn? but. Im’ get’ting them in my head:
One thing? I, like: about, Dear Miss Kinnian: (thats, the way? it goes; in a business letter (if I ever go! into business?) is that, she: always; gives me’ a reason” when—I ask. She”s a gen’ius! I wish? I could be smart-like-her;
Punctuation, is? fun!
”
”
Daniel Keyes (Flowers for Algernon)
“
I had tried years earlier to kill myself, and nearly died in the attempt, but did not consider it either a selfish or a not-selfish thing to have done. It was simply the end of what I could bear, the last afternoon of having to imagine waking up the next morning only to start all over again with a thick mind and black imaginings. It was the final outcome of a bad disease, a disease it seemed to me I would never get the better of. No amount of love from or for other people0and there was a lot-could help. No advantage of a caring family and fabulous job was enough to overcome the pain and hopelessness I felt; no passionate or romantic love, however strong, could make a difference. Nothing alive and warm could make its way in through my carapace. I knew my life to be a shambles, and I believed-incontestably-that my family, friends, and patients would be better off without me. There wasn't much of me left anymore, anyway, and I thought my death would free up the wasted energies and well-meant efforts that were being wasted on my behalf.
”
”
Kay Redfield Jamison (Night Falls Fast: Understanding Suicide)
“
Everyone has that one line they swear they'll never cross, the one thing they say they'll never do. Not something serious like I'll never kill anyone or I'll never invade Russia in the winter. Usually, it's something less earth-shattering.
I'll never cheat on her.
I'll never work at a job I hate.
I'll never give up on my dreams.
We draw the line. Maybe we even believe it. That's why it's so hard when we break that promise we make to ourselves.
Sage Hendricks was my line.
”
”
Brian Katcher (Almost Perfect)
“
I didn’t know what to say to that. I just stared at him. He was right, of course he was right, but… “I can’t do my job like this.”
“No,” he said, “you can’t.”
Then suddenly I felt the first tear slide down my face.
“No crying,” he said.
Another tear joined the first. I fought not to wipe at them.
His hand dropped to his side and he took a deep breath. “That’s not fair. Don’t cry.”
“I’m sorry, I don’t mean to, but you’re right, I think. I’m pregnant, damn it, not crippled.
”
”
Laurell K. Hamilton (Divine Misdemeanors (Merry Gentry, #8))
“
What drove me? I think most creative people want to express appreciation for being able to take advantage of the work that's been done by others before us. I didn't invent the language or mathematics I use. I make little of my own food, none of my own clothes. Everything I do depends on other members of our species and the shoulders that we stand on. And a lot of us want to contribute something back to our species and to add something to the flow. It's about trying to express something in the only way that most of us know how-because we can't write Bob Dylan songs or Tom Stoppard plays. We try to use the talents we do have to express our deep feelings, to show our appreciation of all the contributions that came before us, and to add something to that flow. That's what has driven me.
”
”
Walter Isaacson (Steve Jobs)
“
We are now ready to tackle Dickens. We are now ready to embrace Dickens. We are now ready to bask in Dickens. In our dealings with Jane Austen we had to make a certain effort to join the ladies in the drawing room. In the case of Dickens we remain at table with our tawny port. With Dickens we expand. It seems to me that Jane Austen's fiction had been a charming re-arrangement of old-fashioned values. In the case of Dickens, the values are new. Modern authors still get drunk on his vintage. Here, there is no problem of approach as with Austen, no courtship, no dallying. We just surrender ourselves to Dickens' voice--that is all. If it were possible I would like to devote fifty minutes of every class meeting to mute meditation, concentration, and admiration of Dickens. However my job is to direct and rationalize those meditations, that admiration. All we have to do when reading Bleak House is to relax and let our spines take over. Although we read with our minds, the seat of artistic delight is between the shoulder-blades. That little shiver behind is quite certainly the highest form of emotion that humanity has attained when evolving pure art and pure science. Let us worship the spine and its tingle. Let us be proud of being vertebrates, for we are vertebrates tipped at the head with a divine flame. The brain only continues the spine, the wick really runs through the whole length of the candle. If we are not capable of enjoying that shiver, if we cannot enjoy literature, then let us give up the whole thing and concentrate on our comics, our videos, our books-of-the-week. But I think Dickens will prove stronger.
”
”
Vladimir Nabokov (Lectures on Literature)
“
How To Tell If Somebody Loves You:
Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage!
Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all.
Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you.
Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love.
Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to.
Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them.
Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
”
”
Ryan O'Connell
“
Is ignoring me supposed to endear you to me somehow?”
“No. That’s the job of my thighs and my get-lost-in-them-forever dreamy eyes.” He leaned in even closer and blinked his eyes several times. “Mesmerizing, aren’t they?”
Irene couldn’t hold it back anymore. It flooded out of her and she couldn’t stop it. Even when everyone turned and stared at her, including Jackie and Paul, she couldn’t stop. And she tried.
Because laughing this much really would only exacerbate his ego even more.
”
”
Shelly Laurenston (When He Was Bad (Magnus Pack, #3.5; Pride, #0.75; Smith's Shifter World, #3.5))
“
He gave her a smile that wasn’t really a smile at all. “Eh, it wouldn’t be so bad. I wouldn’t have to study for the SATs or get a summer job or figure out my major. I can drink Elderflower wine all day, dance all through the night, and sleep on a bower of roses.”
Hazel made a face. “I’m pretty sure there are some colleges where you can do that. I bet there are some colleges where you can major in that.
”
”
Holly Black (The Darkest Part of the Forest)
“
The problem with “everything” is that it ends up looking an awful lot like nothing: just one long haze of frantic activity, with all the meaning sheared away. Time has passed so quickly while I have been raising a child and writing books, and working a full-time job that often sprawls into my weekends, that I can’t quite account for it. The preceding years are not a blank exactly, but they’re certainly a blur, and one that’s strangely devoid of meaning, except for a clawing sense of survival.
”
”
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
“
My aunt made me an offer I had to refuse," said Jared. He looked forbidding.
Kami knew that expression, and remembered the feeling that used to go with it: he was unhappy. "So you ran away from home," she said. "To become a tavern wench."
"I'm not a tavern wench," said Jared. "That's not a job." His voice was slightly less stern than before, as if he was taken aback.
"It sounds like you're a tavern wench," Kami told him. "Fleeing persecution, you have to take up a menial occupation to keep your body and soul together. But at least its honest work, though as you labor, many predatory customers make advances and offer indignities."
"One can only hope," Jared responded.
”
”
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
“
Rosie: I don't know what you're talking about! I am not waiting for Alex!
Ruby: Yes you are, my dear friend. He must be some man because nobody can ever measure up to him. And I know that's what you do every time you meet someone: compare. I'm sure he's a fabulous friend and I'm sure he always says sweet and wonderful thing to you. But he's not here. He's thousands of miles away, working as a doctor in a great big hospital and he lives in a fancy apartment with his fancy doctor fiancee. I don't think he's thinking of leaving that life anytime soon to come back to a single mother who's living in a tiny flat working in a crappy part-time job in a paperclip factory with a crazy friend who emails her every second. So stop waiting and move on. Live your life.
”
”
Cecelia Ahern (Where Rainbows End)
“
Converting a complaint into a positive need requires a mental transformation from what is wrong with one’s partner to what one’s partner can do that would work. It may be helpful here to review my belief that within every negative feeling there is a longing, a wish, and, because of that, there is a recipe for success. It is the speaker’s job to discover that recipe. The speaker is really saying “Here’s what I feel, and here’s what I need from you.” Or, in processing a negative event that has already happened, the speaker is saying, “Here’s what I felt, and here’s what I needed from you.
”
”
John M. Gottman (The Science of Trust: Emotional Attunement for Couples)
“
I‘m very aware that my personal life, my marriage, is the source of speculation and interest in the department and with the public. I can live with that. I’m also aware that my husband’s businesses, and his style of conducting his businesses, are also the source of speculation and interest. I have no particular problem with that. But I resent very much that my reputation and my husband’s character should be questioned this way. From the media, Commander, it’s to be expected, but not from my superior officer. Not from any member of the department I’ve served to the best of my ability. I want you to take note, Commander, that turning in my badge would be like cutting off my arm. But if it comes down to a choice between the job and my marriage, then I lose the arm.
”
”
J.D. Robb
“
David Foster Wallace: I think the reason why people behave in an ugly manner is that it’s really scary to be alive and to be human, and people are really really afraid. And that the reasons…
That the fear is the basic condition, and there are all kinds of reasons for why we’re so afraid. But the fact of the matter is, is that, is that the job that we’re here to do is to learn how to live in a way that we’re not terrified all the time. And not in a position of using all kinds of different things, and using people to keep that kind of terror at bay. That is my personal opinion.
Well for me, as an American male, the face I’d put on the terror is the dawning realization that nothing’s enough, you know? That no pleasure is enough, that no achievement is enough. That there’s a kind of queer dissatisfaction or emptiness at the core of the self that is unassuageable by outside stuff. And my guess is that that’s been what’s going on, ever since people were hitting each other over the head with clubs. Though describable in a number of different words and cultural argots. And that our particular challenge is that there’s never been more and better stuff comin’ from the outside, that seems temporarily to sort of fill the hole or drown out the hole.
Personally, I believe that if it’s assuageable in any way it’s by internal means. And I don’t know what that means. I think it’s fine in some way. I think it’s probably assuageable by internal means. I think those internal means have to be earned and developed, and it has something to do with, um, um, the pop-psych phrase is lovin’ yourself.
It’s more like, if you can think of times in your life that you’ve treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it’s probably possible to achieve that. I think part of the job we’re here for is to learn how to do this.
”
”
David Lipsky (Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace)
“
A woman’s magazine quiz:
Question: You decide to do the dread deed and just as things are starting to get hot he comes, rolls over, and asks, “Was it good for you?”
You:
a. Say, “God, yes! That was the best seventeen seconds of my life”
b. Say, “Sure, as good as it gets for me with a man.”
c. Put a Certs in your navel and say, “That’s for you, Mr. Bunnyman. You can have it on your way back up, after the job is finished
”
”
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
“
When I’m with you, I feel like a different kind of man. I feel better than I’ve ever felt, but a man with all that good in his heart can’t do what needs to be done. So I returned to the man who doesn’t feel. I know I hurt you by doing that, but it was what needed to be done for me to survive. What I do for Cooper is about making people bleed before they do the same to us. That kind of job won’t allow for mistakes just cause my heart belongs to a beautiful angel.
”
”
Bijou Hunter (Damaged and the Knight (Damaged, #2))
“
I'm a librarian in town,' she began.
'You sure about that?'
The words popped out before he could stop them.
Annabelle raised her eyebrows. 'Fairly. It's my job and so far no one has told me to go away when I show up for work.'
smooth, Stryker, he thought, very smooth.
'I was expecting someone wearing glasses. You know. Because librarians read a lot.'
The raised eyebrows turned into a frown. 'You need to get out of the barn more.
”
”
Susan Mallery (Summer Nights (Fool's Gold, #8))
“
Like you? I go out of here every morning… bust my butt…putting up with them crackers everyday…cause I like you? You about the biggest fool I ever saw. It’s my JOB. It’s my RESPONSIBILITY! You understand that? A man got to take care of his family. You live in my house… sleep on my bed clothes…fill you belly up with my food… cause you my son. You my flesh and blood. Not ‘cause I like you! Cause it’s my duty to take care of you. I OWE a responsibility to you! Let’s get this straight right here… before it go along any further… I ain’t got to like you. Mr. Rand don’t five me money come payday cause he likes me. He gives me cause he OWE me. I done give you everything I had to give you. I gave you your life! Me and your mama worked that out between us. And liking your black ass wasn’t part of the bargain. Don’t try and go through life worrying about if somebody like you or not. You best be making sure they doing right by you. You understand what I’m saying, boy?”
- August Wilson, Fences, 1986.
”
”
August Wilson (Fences (The Century Cycle, #6))
“
If I've learned anything in twenty-nine years, it's
that every human being you see in the course of a day has a problem that's sucking up at least 70
percent of his or her radar. My gift - bad choice of words - is that I can look at you, him, her,
them, whoever, and tell right away what is keeping them awake at night: money; feelings of
insignificance; overwhelming boredom; evil children; job troubles; or perhaps death, in one of its
many costumes, perched in the wings. What surprises me about humanity is that in the end such a
narrow range of plights defines our moral lives.
”
”
Douglas Coupland (Hey Nostradamus!)
“
Peter Gibbons: The thing is, Bob, it's not that I'm lazy, it's that I just don't care.
Bob Porter: Don't... don't care?
Peter Gibbons: It's a problem of motivation, all right? Now if I work my ass off and Initech ships a few extra units, I don't see another dime; so where's the motivation? And here's something else, Bob: I have eight different bosses right now.
Bob Slydell: I beg your pardon?
Peter Gibbons: Eight bosses.
Bob Slydell: Eight?
Peter Gibbons: Eight, Bob. So that means that when I make a mistake, I have eight different people coming by to tell me about it. That's my only real motivation is not to be hassled; that, and the fear of losing my job. But you know, Bob, that will only make someone work just hard enough not to get fired.
”
”
Mike Judge
“
I was winning awards, getting raises, lecturing college classes, appearing on TV shows, and judging journalism contests. And then I wrote some stories that made me realize how sadly misplaced my bliss had been. The reason I'd enjoyed such smooth sailing for so long hadn't been, as I'd assumed, because I was careful and diligent and good at my job... The truth was that, in all those years, I hadn't written anything important enough to suppress.
”
”
Gary Webb (Dark Alliance: The CIA, the Contras, and the Cocaine Explosion)
“
She took care of me and my brothers, I’m sure that was really hard for her.’
‘That was her job.’
I feel interrogated, like I can’t say the right thing. I speed up, trying to explain myself.
‘Well, but I mean this was different from most parents.’ Shit. I hated how that came out.
‘How so?’
I pause to compose myself. Laura won’t rattle me. I speak in an even, measured tone.
‘She sacrificed everything for me. She constantly went without so she could take care of me. She put me first, ahead of herself.’
‘Hmm. And do you think that’s healthy?’
What kind of fresh hell is this? What is this impossible-to-ace quiz? I have no idea how I’m supposed to be answering to make Mom look good.
”
”
Jennette McCurdy (I'm Glad My Mom Died)
“
There are a number of things a woman can tell about a man who is roughly twenty-nine years old,
sitting in the cab of a pickup truck at 3:37 in the afternoon on a weekday, facing the Pacific,
writing furiously on the back of pink invoice slips. Such a man may or may not be employed, but
regardless, there is mystery there. If this man is with a dog, then that's good, because it means he's
capable of forming relationships. But if the dog is a male dog, that's probably a bad sign, because
it means the guy is likely a dog, too. A girl dog is much better, but if the guy is over thirty, any
kind of dog is a bad sign regardless, because it means he's stopped trusting humans altogether. In
general, if nothing else, guys my age with dogs are going to be work.
Then there's stubble: stubble indicates a possible drinker, but if he's driving a van or a pickup
truck, he hasn't hit bottom yet, so watch out, honey. A guy writing something on a clipboard
while facing the ocean at 3:37 P.M. may be writing poetry, or he may be writing a letter begging
someone for forgiveness. But if he's writing real words, not just a job estimate or something
business-y, then more likely than not this guy has something emotional going on, which could
mean he has a soul.
”
”
Douglas Coupland (Hey Nostradamus!)
“
That's my school. I worked harder to get in than I did for anything else, ever. I went there because, coming out of it, I'd be able to be President. Or a lawyer. Rich, that's the point. Rich and successful.
And look where it got me. One stupid year and here I am with not one, but two bracelets on my wrist, next to a shrink in a room adjacent to a hall where there's a guy named Human Being walking around. If I keep doing this for three more years, where will I be? I'll be a complete loser. And what If I keep on? What if I do okay, live with the depression, get into College, do College, go to Grad School, get the Job, get the Money, get Kids and a Wife and a Nice Car? What kind of crap will I be in then? I'll be completely crazy.
”
”
Ned Vizzini (It's Kind of a Funny Story)
“
I distrust plot for two reasons: first, because our lives are largely plotless, even when you add in all our reasonable precautions and careful planning; and second, because I believe plotting and the spontaneity of real creation aren’t compatible. It’s best that I be as clear about this as I can—I want you to understand that my basic belief about the making of stories is that they pretty much make themselves. The job of the writer is to give them a place to grow (and to transcribe them, of course). If you can see things this way (or at least try to), we can work together comfortably. If, on the other hand, you decide I’m crazy, that’s fine. You won’t be the first.
”
”
Stephen King (On Writing: A Memoir of the Craft)
“
She glowered at him. 'For your information, in the past week, I have been, oh let's see, nearly raped,
kidnapped, tied to a bedpost, forced to cough my voice into nothingness-"
"That was your own fault."
"Not to mention the fact that I embarked upon a life of crime by breaking and entering into my former
home, was nearly trapped by my odious guardian-"
"Don't forget your sprained ankle," he supplied.
"Ooooohhhh! I could kill you!" Another bar of soap flew by his head, grazing his ear.
"Madam, you are certainly doing an able job of trying."
"And now!" she fairly yelled. "And now, as if all of that weren't undignified enough, I am forced to live
for a week in a bloody bathroom!
”
”
Julia Quinn (To Catch an Heiress (Agents of the Crown, #1))
“
IT'S MORNING, TIME to get up, so get up, Arturo, and look for a job. Get out there and look for what you'll never find. You're a thief and you're a crab-killer and a lover of women in clothes closets. You'll never find a job!
Every morning I got up feeling like that. Now I've got to find a job, damn it to hell. I ate breakfast, put a book under my arm, pencils in my pocket, and started out. Down the stairs I went, down the street, sometimes hot and sometimes cold, sometimes foggy and sometimes clear. It never mattered, with a book under my arm, looking for a job.
What job, Arturo? Ho ho! A job for you? Think of what you are, my boy! A crab-killer. A thief. You look at naked women in clothes closets. And you expect to get a job! How funny! But there he goes, the idiot, with a big book. Where the devil are you going, Arturo? Why do you go up this street and not that? Why go east - why not go west? Answer me, you thief! Who'll give you a job, you swine - who? But there's a park across town, Arturo. It's called Banning Park. There are a lot of beautiful eucalyptus trees in it, and green lawns. What a place to read! Go there, Arturo. Read Nietzsche. Read Schopenhauer. Get into the company of the mighty. A job? fooey! Go sit under a eucalyptus tree reading a book looking for a job.
”
”
John Fante (The Road to Los Angeles (The Saga of Arturo Bandini, #2))
“
Angeline’s gaze swiveled to Zoe.
“Why didn’t you have us pick up
something?”
“Because that’s not my job!” Zoe
lifted her head up high. “We’re here to
keep Jill’s cover and make sure she stays off the radar. It’s not my job to
feed you guys.”
“In which sense?” I asked. I knew
perfectly well that was a mean thing to
say to her but couldn’t resist. It took her a moment to pick up the double meaning.
First she paled; then she turned an angry red.
“Neither! I’m not your concierge.
Neither is Sydney. I don’t know why she
always takes care of that stuff for you.
She should only be dealing with things
that are essential for your survival.
Ordering pizza isn’t one of them.”
I faked a yawn and leaned back into
the couch. “Maybe she figures if we’re
well fed, you two won’t look that
appetizing.”
Zoe was too horrified to respond,
and Eddie shot me a withering look.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
On May 26th, 2003,
Aaron Ralston was hiking,
a boulder fell on his right hand,
he waited four days,
he then amputated
his own arm with a pocketknife.
On New Year’s Eve,
a woman was bungee jumping,
the cord broke,
she fell into a river
and had to swim back to land
in crocodile-infested waters
with a broken collarbone.
Claire Champlin was smashed in the face
by a five-pound watermelon
being propelled by a slingshot.
Mathew Brobst was hit by a javelin.
David Striegl was actually
punched in the mouth by a kangaroo.
The most amazing part of these stories
is when asked about the experience
they all smiled, shrugged and said
“I guess things could’ve been worse.”
So go ahead,
tell me you’re having a bad day.
Tell me about the traffic.
Tell me about your boss.
Tell me about the job you’ve been trying to quit for the past four years.
Tell me the morning is just a townhouse burning to the ground and the snooze button is a fire extinguisher.
Tell me the alarm clock
stole the keys to your smile,
drove it into 7 am
and the crash totaled your happiness.
Tell me.
Tell me how blessed are we to have tragedy
so small it can fit on the tips of our tongues.
When Evan lost his legs he was speechless.
When my cousin was assaulted
she didn’t speak for 48 hours.
When my uncle was murdered,
we had to send out a search party
to find my father’s voice.
Most people have no idea
that tragedy and silence
often have the exact same address.
When your day is a museum of disappointments,
hanging from events that were outside of your control,
when you feel like your guardian angel put in his two weeks notice two months ago
and just decided not to tell you,
when it seems like God
is just a babysitter that’s always on the phone,
when you get punched in the esophagus by a fistful of life.
Remember,
every year
two million people die of dehydration.
So it doesn’t matter if
the glass is half full or half empty.
There’s water in the cup.
Drink it and stop complaining.
Muscle is created by lifting things
that are designed to weigh us down.
When your shoulders are heavy
stand up straight and call it exercise.
Life is a gym membership
with a really complicated cancellation policy.
Remember,
you will survive,
things could be worse,
and we are never given
anything we can’t handle.
When the whole world crumbles,
you have to build a new one
out of all the pieces that are still here.
Remember,
you are still here.
The human heart beats
approximately 4,000 times per hour
and each pulse,
each throb,
each palpitation is a trophy,
engraved with the words
“You are still alive.”
You are still alive.
So act like it.
”
”
Rudy Francisco (Helium (Button Poetry))
“
So, I convinced myself that, because the statistical likelihood of something happening in real life exactly the way I imagined it was so low, if I imagined the worst possible things in vivid detail, I could mathematically reduce the odds of them happening. I convinced myself that my brain had power over the probability projections of the universe. I’d lie awake at night thinking about all the worst stuff that could happen like it was my job, and I don’t know if I ever really broke the habit.
”
”
Casey McQuiston (One Last Stop)
“
I could say it was an accident, I'd meant to take him prisoner and he had tried to get away--Dr. Mensah would never believe that. My accidents were spectacular and usually involved me losing a big chunk of my organic tissue or something; she knew I could stop a human without hurting them, without even leaving a bruise, that was my stupid job. She would never trust me again. She would never stand close enough to touch (but without touching, because touching is gross) and just trust me. Or maybe she would, but it wouldn't be the same. Fuck, fuck everything, fuck this, fuck me especially.
”
”
Martha Wells (Network Effect (The Murderbot Diaries, #5))
“
Going back to the basis, the phrase ‘Fight Like A Girl’, and we’ve all heard that growing up. And by that they mean that you’re some kind of weakling and have no skills as a male. It’s said to little boys when they can’t fight yet, and it ridicules us. By the time we were born, the most of us hear things which program you to accept and know that you are less than your male counter part. It comes apparent in the way you’re paid for your job, it comes apparent when yóu are not allowed to go outside after a certain hour because you stand a good chance of getting raped while no one says that to your boyfriend. While women, anywhere, live in some kind of fear, there is no equality and that is mathematically impossible. We cannot see that change or solved in our lifetimes, but we have to do everything that we can. We should remind ourselves that we are fifty-one percent. Everyone should know that fighting like a girl is a positive thing and that there is not inherently anything wrong with us by the fact that we are born like ladies. That is a beautiful thing that we should never be put down because of. Being compared to a woman should only make a man feel stronger. It should be a compliment. In this world we’re creating it actually is.
I remember this one guy who came to our show in Texas or something and he had painted his shirt “real men fight like a girl”, and I cried, because he was going away in the army next day. He bought my book because he wanted something he could read over there. I just hoped that this men, fully straight and fully male can maintain and retain all of those things that make him understand us, and what makes him so beautiful. A lot of military training is step one: you take all those guys and put them in front of bunch of hardcore videogames where you kill a bunch of people and become desensitised. But that is NOT power! I will not do that. I will not become less of a human being and I refuse to give up my femininity because that’s bullshit. I’m not going to have to shave my head and become all buff and all that to be able to say “now I’m powerful” because that’s bullshit. All of this, all of us, we are power. You don’t have to change anything to be strong.
”
”
Emilie Autumn
“
I’m not sure,” she said. “There’s no one answer to that. You have to
find your own way. Sometimes I try to erase myself. I imagine a big
pink soft soap eraser, and it’s going back and forth, back and forth,
and it starts down at my toes, back and forth, back and forth, and
there they go-poof!-my toes are gone. And then my feet. And then my
ankles. But that’s the easy part. The hard part is erasing my senses-my
eyes, my ears, my nose, my tongue. And last to go is my brain. My
thoughts, memories, all the voices inside my head. That’s the hardest,
erasing my thoughts.” She chuckled faintly. “My pumpkin. And then, if
I’ve done a good job, I’m erased. I’m gone. I’m nothing. And then the
world is free to flow into me like water into an empty bowl.
”
”
Jerry Spinelli (Stargirl (Stargirl, #1))
“
I won't say I'm sorry." He lifted his hand, skimmed his fingers over her cheek. "I wouldn't mean it. But I will say I love you. I've never meant anything more."
He drew her into his arms. She pressed her face to his shoulder and held on. "I've been so messed up."
"So have I." He brushed his lips over her hair, felt his world balance again. "I've missed you, Eve."
"I won't let the job screw this up."
"It doesn't. We manage that on our own." He drew her back, touched his lips gently to hers. "But it keeps things lively, doesn't it?"
She sighed, stepped back. "It's gone."
"What is?"
"I've had this low-grade headache for a couple of days. It's gone. I guess you were my headache."
"Darling. That's so sweet.
”
”
J.D. Robb (Judgment in Death (In Death, #11))
“
No Surprises
A heart that’s full up like a landfill,
a job that slowly kills you,
bruises that won’t heal.
You look so tired-unhappy,
bring down the government,
they don’t, they don’t speak for us.
I’ll take a quiet life,
a handshake of carbon monoxide,
with no alarms and no surprises,
no alarms and no surprises,
no alarms and no surprises,
Silent silence.
This is my final fit,
my final bellyache,
with no alarms and no surprises,
no alarms and no surprises,
no alarms and no surprises please.
Such a pretty house
and such a pretty garden.
No alarms and no surprises,
no alarms and no surprises,
no alarms and no surprises please.
”
”
Radiohead
“
Make no mistake,' He says, 'if you let me, I will make you perfect. The moment you put yourself in My hands, that is what you are in for. Nothing less, or other, than that. You have free will, and if you choose, you can push Me away. But if you do not push Me away, understand that I am going to see this job through. Whatever suffering it may cost you in your earthly life, whatever inconceivable purification it may cost you after death, whatever it costs Me, I will never rest, nor let you rest, until you are literally perfect - until my Father can say without reservation that He is well pleased with you, as He said He was well pleased with me. This I can do and will do. But I will not do anything less.
”
”
C.S. Lewis
“
it is a federal system of sadistic torture, vivisection, and animal genocide, which has been carried on for decades under the fraudulent guise of respectable medical research. And nobody on the outside knows, or wants to know, or is willing to find out. My parents, my friends, my teachers, wouldnt listen to me, or suggested that if it was bothering me that much I just had to quit the job. Just like that. As if that would have solved anything. As if I could ever live with such cowardice. You can't imagine, or maybe you can, how many people are convinced - without knowing the first thing about it - Animal research is essential. Americans have been hopelessly brainwashed on this issue. The animal rights people, by and large, acknowledge the essential futility of trying to change the system. So they address the smaller issues, fighting for legislation which would provide one extra visit per week to the labs by a custodian of the US dept of agriculture. Or demanding that a squirrel monkey be given an extra 12 square inches in his holding pen, before being led to the slaughter. That sort of thing. For whomever, and whatever it's worth, I hope my little write up is clear. I dont have the guts to do whats necessary. I pray there's someone out there who does. God help all of us.
”
”
Michael Tobias (Rage and Reason)
“
It's all Irish politics."
Hal looked at me sharply and shook a finger in my face. "That's bloody dangerous, getting involved in that. You be careful."
I gaped at Hal. "I can't believe you just said that to me."
"What?" Hal protested, shrugging his shoulders and looking aggrieved.
"I called to ask Gunnar for help with the Bacchants yesterday and he shut me down. No well-wishing, no pleas to be careful, nothing. So now we're dealing with the aftermath of what happens when I try to go it alone, , and you tell me to be careful about Irish politics?"
"Well, I know precisely where Gunnar's coming from. It's not our job to keep the magical peace."
"Neither is it mine."
”
”
Kevin Hearne (Hexed (The Iron Druid Chronicles, #2))
“
When rehabilitation works, there is no question that it is the best and most productive use of the correctional system. It stands to reason: if we can take a bad guy and turn him into a good guy and then let him out, then that’s one fewer bad guy to harm us. . . .
Where I do not think there is much hope. . .is when we deal with serial killers and sexual predators, the people I have spent most of my career hunting and studying. These people do what they do. . .because it feels good, because they want to, because it gives
them satisfaction. You can certainly make the argument, and I will agree with you, that many of them are compensating for bad jobs, poor self-image, mistreatment by parents, any number of things. But that doesn’t mean we’re going to be able to rehabilitate them.
”
”
John E. Douglas (Journey Into Darkness (Mindhunter #2))
“
When strangers on a train or a plane ask what I do for a living, I say, "I kill people." This response makes for a short conversation. No eye contact and no sudden movement from my seat-mate. Only peace and quiet. Rare is the fellow passenger who asks why I do it.
I suppose I got tired hanging out in a book all day waiting for a story to begin. I write the kind of novels I want to read. And why the theme of solving murders? Violent death is larger than life and it's the great equalizer. By law, every victim is entitled to a paladin and a chase, else life would be cheapened.
And the real reason I do this? My brain is simply bent this way. There is nothing else I would rather do. This neatly chains into my theory of the writing life. If you scratch an artist, under the skin you will find a bum who cannot hold down a real job. Conversely, if you scratch a bum... but I have never done that.
The heart of my theory has puritan roots: if you love what you do, you cannot call it honest work.
”
”
Carol O'Connell
“
All their lovers' talk began with the phrase "After the war".
After the war, when we're married, shall we live in Italy? There are nice places. My father thinks I wouldn't like it, but I would. As long as I'm with you. After the war, if we have a girl, can we call her Lemoni? After the war, if we've a son, we've got to call him Iannis. After the war, I'll speak to the children in Greek, and you can seak to them in Italian, and that way they'll grow bilingual. After the war, I'm going to write a concerto, and I'll dedicate it to you. After the war, I'm going to train to be a doctor, and I don't care if they don't let women in, I'm still going to do it. After the war I'll get a job in a convent, like Vivaldi, teaching music, and all the little girls will fall in love with me, and you'll be jealous. After the war, let's go to America, I've got relatives in Chicago. After the war we won't bring our children with any religion, they can make their own minds up when they're older. After the war, we'll get our own motorbike, and we'll go all over Europe, and you can give concerts in hotels, and that's how we'll live, and I'll start writing poems. After the war I'll get a mandola so that I can play viola music. After the war I'll love you, after the war, I'll love you, I'll love you forever, after the war.
”
”
Louis de Bernières (Corelli’s Mandolin)
“
when she was 7, a boy pushed her on the playground
she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs
when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you
he probably just thinks you’re cute’
but the thing is,
when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same
you teach her that boys show their affection through aggression
and she grows into a young woman who constantly mistakes the two
because no one ever taught her the difference
‘boys will be boys’
turns into
‘that’s how he shows his love’
and bruises start to feel like the imprint of lips
she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist
the one adult she tells scolds her
‘you know he loses his temper easily
why the hell did you have to provoke him?’
so she shrinks
folds into herself, flinches every time a man raises his voice
by the time she’s 16 she’s learned her job well
be quiet, be soft, be easy
don’t give him a reason
but for all her efforts, he still finds one
‘boys will be boys’ rings in her head
‘boys will be boys
he doesn’t mean it
he can’t help it’
she’s 7 years old on the playground again
with a mouth full of rocks and blood that tastes like copper love
because boys will be boys baby don’t you know
that’s just how he shows he cares
she’s 18 now and they’re drunk
in the split second it takes for her words to enter his ears they’re ruined
like a glass heirloom being dropped between the hands of generations
she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment
she touches the bruise the next day
boys will be boys
aggression, affection, violence, love
how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war
she draws tally marks on her walls ratios of kisses to bruises
one entire side of her bedroom turns purple, one entire side of her body
boys will be boys will be boys will be boys
when she’s 20, a boy touches her hips and she jumps
he asks her who the hell taught her to be scared like that and she wants to laugh
doesn’t he know that boys will be boys?
it took her 13 years to unlearn that lesson from the playground
so I guess what I’m trying to say is
i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things
baby they exist in different universes
my niece can’t even speak yet but I think I’ll start with her now
don’t ever accept the excuse that boys will be boys
don’t ever let him put his hands on you like that
if you see hate blazing in his eyes don’t you ever confuse it with love
baby love won’t hurt when it comes
you won’t have to hide it under long sleeves during the summer
and
the only reason he should ever reach out his hand
is to hold yours
”
”
Fortesa Latifi
“
Have they been educated to the level of their intellectual ability or ambition? Is their use of free time engaging, meaningful, and productive? Have they formulated solid and well-articulated plans for the future? Are they (and those they are close to) free of any serious physical health or economic problems? Do they have friends and a social life? A stable and satisfying intimate partnership? Close and functional familial relationships? A career—or, at least, a job—that is financially sufficient, stable and, if possible, a source of satisfaction and opportunity? If the answer to any three or more of these questions is no, I consider that my new client is insufficiently embedded in the interpersonal world and is in danger of spiraling downward psychologically because of that.
”
”
Jordan B. Peterson (Beyond Order: 12 More Rules for Life)
“
We all have days when we feel small. Really small. Completely inadequate but saddled with all this responsibility...I have to fight battles against people who shouldn't be my enemies - especially when there are allready plenty of enemies to go around. There are days when I would love to pull the cover over my head and say to hell with it.
But I don't do that. And most people don't do that. Most people get up and do their jobs and work their asses off for no reward at all - but just so they can get up the next day and do the whole thing over again. World isn't perfect, and some days it wears you down. You can either accept that, and face it, and be a help to others instead of a hindrance. Or you can decide the rules are too tough and they shouldn't apply to you, and you can ignore them and make things harder for everybody else. Sometimes life is about being sad and doing things anyway. Sometimes it's about being hurt and doing things anyway. The point isn't perfection. The point is doing it anyway.
”
”
Chloe Neill (Biting Cold (Chicagoland Vampires, #6))
“
You’re always doing this” she whispers.
“Doing what?”
“Saving me.”
I smile, just a bit. “I don’t mind.”
“Because it’s your job?” she asks.
“Yes.”
“And because maybe, sort of, you kind of like me too? Just a little?”
A chuckle scratches my throat. “Just a little.”
She wets her lips, those eyes still holding me close.
“And maybe because, when you save me it feels like…I belong to you? Even just a tiny bit?”
I know what I should say, but I can’t bring myself to do it. She’ll never remember this anyway. So instead, I let my fingers trace her lovely face slowly, from her temple down her soft cheek to her jaw. Like I have the right to touch her. Like she belongs to me.
“That’s right, Ellie.
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
One semester later I did, indeed, graduate with a 4.0. I had done it. And after that, my GPA did . . . Nothing. I never planned on going to graduate school. I wasn’t applying for jobs that used grades as a measurement. I didn’t need that GPA for any single reason other than to SAY I had it and impress people. I could turn this into an argument for “Let’s reward a high GPA after college in LIFE! Can we get priority seating on Southwest? A free monthly refill at Starbucks? SOMETHING to make four years of my life chasing this arbitrary number WORTH it?!” (Great idea. Never gonna happen.) Or I could argue that if I’d been easier on myself and gotten 10 percent worse grades I could have had 50 percent more friendships and fun. If someone’s takeaway from this story is “Felicia Day said don’t study!,” I’ll punch you in the face. But I AM saying don’t chase perfection for perfection’s sake, or for anyone else’s sake at all. If you strive for something, make sure it’s for the right reasons. And if you fail, that will be a better lesson for you than any success you’ll ever have. Because you learn a lot from screwing up. Being perfect . . . not so much.
”
”
Felicia Day (You're Never Weird on the Internet (Almost))
“
There are many of us here. A whole street. That's what it's called--Chernobylskaya. These people worked at the station their whole lives. A lot of them still go there to work on a provisional basis, that's how they work there now, no one lives there anymore. They have bad diseases, they're invalids, but they don't leave their jobs, they're scared to even think of the reactor closing down. Who needs them now anywhere else? Often they die. In an instant. They just drop--someone will be walking, he falls down, goes to sleep, never wakes up. He was carrying flowers for his nurse and his heart stopped. They die, but no one's really asked us. No one's asked what we've been through. What we saw. No one wants to hear about death. About what scares them.
But I was telling you about love. About my love...
-- Lyudmila, Ignatenko,
wife of deceased fireman, Vasily Ignatenko
”
”
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
“
I’m very interested in the emotional honesty of things, which at times looks kind of ugly and at times looks scary and not polished, and so there were many times when I would audition for something and I would come from, for me, a very honest place, but it’s completely not what they’re looking for for that type of material. But I was always very steadfast in what I was interested in, and I felt like, I’m gonna tell the truth as best as I know it. And you eventually start to understand that the projects find you that meet up with that. It takes as long as it takes, and for me it took like 20 years, but I’m really glad. You know, the jobs always ultimately end up going to the person who’s supposed to tell that story, and those weren’t my stories to tell.
”
”
Brie Larson
“
Tentacles is my term — the Tentacles are the evil tasks that invade my life. Like, for example, my American History class last week, which necessitated me writing a paper on the weapons of the Revolutionary war, which necessitated me traveling to the Metropolitan Museum to check out some of the old guns, which necessitated me getting the subway, which necessitated me being away from my cell phone and email for 45 minutes, which meant that I didn’t get to respond to a mass mail sent out by my teacher asking who needed extra credit, which meant other kids snapped up the extra credit, which meant I wasn’t going to get a 98 in the class, which meant I wasn’t anywhere close to a 98.6 average (body temperature, that’s what you needed to get), which meant I wasn’t going to get into a Good College, which meant I wasn’t going to have a Good Job, which meant I wasn’t going to have health insurance, which meant I’d have to pay tremendous amounts of money for the shrinks and drugs my brain needed, which meant I wasn’t going to have enough money to pay for a Good Lifestyle, which meant I’d feel ashamed, which meant I’d get depressed, and that was the big one because I knew what that did to me: it made it so I wouldn’t get out of bed, which led to the ultimate thing — homelessness. If you can’t get out of bed for long enough, people come and take your bed away.
”
”
Ned Vizzini (It's Kind of a Funny Story)
“
She raised the long glass and peered back down at the harbor, at the passengers disembarking, but the image was blurry. Reluctantly, she released his hand. It felt like a promise, and she didn’t want to let go. She adjusted the lens, and her gaze caught on two figures moving down the gangplank. Their steps were graceful, their posture straight as knife blades. They moved like Suli acrobats.
She drew in a sharp breath. Everything in her focused like the lens of the long glass. Her mind refused the image before her. This could not be real. It was an illusion, a false reflection, a lie made in rainbow-hued glass. She would breathe again and it would shatter.
She reached for Kaz’s sleeve. She was going to fall. He had his arm around her, holding her up. Her mind split. Half of her was aware of his bare fingers on her sleeve, his dilated pupils, the brace of his body around hers. The other half was still trying to understand what she was seeing.
His dark brows knitted together. “I wasn’t sure. Should I not have—”
She could barely hear him over the clamor in her heart. “How?” she said, her voice raw and strange with unshed tears. “How did you find them?”
“A favor, from Sturmhond. He sent out scouts. As part of our deal. If it was a mistake—”
“No,” she said as the tears spilled over at last. “It was not a mistake.”
“Of course, if something had gone wrong during the job, they’d be coming to retrieve your corpse.”
Inej choked out a laugh. “Just let me have this.” She righted herself, her balance returning. Had she really thought the world didn’t change? She was a fool. The world was made of miracles, unexpected earthquakes, storms that came from nowhere and might reshape a continent. The boy beside her. The future before her. Anything was possible.
Now Inej was shaking, her hands pressed to her mouth, watching them move up the dock toward the quay. She started forward, then turned back to Kaz. “Come with me,” she said. “Come meet them.”
Kaz nodded as if steeling himself, flexed his fingers once more.
“Wait,” he said. The burn of his voice was rougher than usual. “Is my tie straight?”
Inej laughed, her hood falling back from her hair.
“That’s the laugh,” he murmured, but she was already setting off down the quay, her feet barely touching the ground.
“Mama!” she called out. “Papa!”
Inej saw them turn, saw her mother grip her father’s arm. They were running toward her.
Her heart was a river that carried her to the sea.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
I paid you five thousand instead and promised the balance only if you made the match. As it turns out, this is your lucky day because I've decided to write you the full check, whether the match comes from you or from Portia. As long as I have a wife and you've been part of the process, you'll get your money." He toasted her with his beer mug. "Congratulations."
She put down her fork. "Why would you do that?"
"Because it's efficient."
"Not as efficient as having Powers handle her own introductions. You're paying her a fortune to do exactly that."
"I'd rather have you."
Her pulse kicked. "Why?"
He gave her the melty smile he must have been practicing since the cradle, one that made her feel as though she was the only woman in the world. "Because you're easier to bully. Do we have a deal or not?"
"You don't want a matchmaker. You want a lackey."
"Semantics. My hours are erratic, and my schedule changes without warning. It'll be your job to cope with all that. You'll soothe ruffled feathers when I need to cancel at the last minute. You'll keep my dates company when I'm going to be late, entertain them if I have to take a call. If things are going well, you'll disappear. If not, you'll make the woman disappear. I told you before. I work hard at my job. I don't want to have to work hard at this, too."
"Basically, you expect me to find your bride, court her, and hand her over at the altar. Or do I have to come on the honeymoon, too?"
"Definitely not." He gave her a lazy smile. "I can take care of that all by myself.
”
”
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
“
His Facebook post is pure Jamie: Hi all. I feel like a heel doing this over Facebook, but I can’t reach everyone by tomorrow. You’re all going to discuss me on Sunday, anyway. And in case you think my account was hacked, it wasn’t. As proof I’ll confess that I’m the one who broke Mom’s Christmas tree angel when I was seven. It was death by baseball, but I swear she didn’t suffer. Anyway, I have to catch you up on a few developments. I’ve taken the coaching job in Toronto, and I’ve declined my spot in Detroit. This feels like the right career move, but there’s something else. I’m living with my boyfriend (that was not a typo.) His name is Wes, and we met at Lake Placid about nine years ago. In case you were lacking something to talk about over dinner, I’ve fixed that problem. Love you all. Jamie
”
”
Sarina Bowen (Him (Him, #1))
“
I am in this same river. I can't much help it. I admit it: I'm racist. The other night I saw a group (or maybe a pack?) or white teenagers standing in a vacant lot, clustered around a 4x4, and I crossed the street to avoid them; had they been black, I probably would have taken another street entirely. And I'm misogynistic. I admit that, too. I'm a shitty cook, and a worse house cleaner, probably in great measure because I've internalized the notion that these are woman's work. Of course, I never admit that's why I don't do them: I always say I just don't much enjoy those activities (which is true enough; and it's true enough also that many women don't enjoy them either), and in any case, I've got better things to do, like write books and teach classes where I feel morally superior to pimps. And naturally I value money over life. Why else would I own a computer with a hard drive put together in Thailand by women dying of job-induced cancer? Why else would I own shirts mad in a sweatshop in Bangladesh, and shoes put together in Mexico? The truth is that, although many of my best friends are people of color (as the cliche goes), and other of my best friends are women, I am part of this river: I benefit from the exploitation of others, and I do not much want to sacrifice this privilege. I am, after all, civilized, and have gained a taste for "comforts and elegancies" which can be gained only through the coercion of slavery. The truth is that like most others who benefit from this deep and broad river, I would probably rather die (and maybe even kill, or better, have someone kill for me) than trade places with the men, women, and children who made my computer, my shirt, my shoes.
”
”
Derrick Jensen (The Culture of Make Believe)
“
When I was younger, I often thought I should travel more and farther, spend more time in foreign countries, that I should be in a constant state of velocity so that I could get out of there and truly live, but with time I have come to understand that everything I was looking for was right here, inside of me, inside the things that surround me, in the money bobs that turned into my actual jobs, in the constancy of the everyday, in the eyes of the people I meet when I allow my gaze to linger. I'm writing again after the fever, as if an old, welcome wound has opened and started to bleed, and I guess it's an incomplete puzzle, these pictures of others and whoever they end up portraying. . . . 'Soon it will be too late,' [Sally] says, and hands me the thermos. 'And that's why we have to exert ourselves to the utmost.
”
”
Ia Genberg (Detaljerna)
“
I don't have to tell you things are bad. Everybody knows things are bad. It's a depression. Everybody's out of work or scared of losing their job. The dollar buys a nickel's worth, banks are going bust, shopkeepers keep a gun under the counter. Punks are running wild in the street and there's nobody anywhere who seems to know what to do, and there's no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TV's while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that's the way it's supposed to be. We know things are bad - worse than bad. They're crazy. It's like everything everywhere is going crazy, so we don't go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is, 'Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials and I won't say anything. Just leave us alone.' Well, I'm not gonna leave you alone. I want you to get mad! I don't want you to protest. I don't want you to riot - I don't want you to write to your congressman because I wouldn't know what to tell you to write. I don't know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you've got to get mad. You've got to say, 'I'm a HUMAN BEING, God damn it! My life has VALUE!' So I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window. Open it, and stick your head out, and yell, 'I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!' I want you to get up right now, sit up, go to your windows, open them and stick your head out and yell - 'I'm as mad as hell and I'm not going to take this anymore!' Things have got to change. But first, you've gotta get mad!... You've got to say, 'I'm as mad as hell, and I'm not going to take this anymore!' Then we'll figure out what to do about the depression and the inflation and the oil crisis. But first get up out of your chairs, open the window, stick your head out, and yell, and say it: "I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!
”
”
Paddy Chayefsky (Network [Screenplay])
“
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze.
A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that?
Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind.
In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday.
Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us.
It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral.
All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
”
”
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
“
daughter of the servants.” “Gee, you must have been lonely, Judge, having nobody to play with.” “I played with Sam Westing—chess. Hour after hour I sat staring down at that chessboard. He lectured me, he insulted me, and he won every game.” The judge thought of their last game: She had been so excited about taking his queen, only to have the master checkmate her in the next move. Sam Westing had deliberately sacrificed his queen and she had fallen for it. “Stupid child, you can’t have a brain in that frizzy head to make a move like that.” Those were the last words he ever said to her. The judge continued: “I was sent to boarding school when I was twelve. My parents visited me at school when they could, but I never set foot in the Westing house again, not until two weeks ago.” “Your folks must have really worked hard,” Sandy said. “An education like that costs a fortune.” “Sam Westing paid for my education. He saw that I was accepted into the best schools, probably arranged for my first job, perhaps more, I don’t know.” “That’s the first decent thing I’ve heard about the old man.” “Hardly decent, Mr. McSouthers. It was to Sam Westing’s advantage to have a judge in his debt. Needless to say, I have excused myself from every case remotely connected with
”
”
Ellen Raskin (The Westing Game)
“
Some years ago I had a conversation with a man who thought that writing and editing fantasy books was a rather frivolous job for a grown woman like me. He wasn’t trying to be contentious, but he himself was a probation officer, working with troubled kids from the Indian reservation where he’d been raised. Day in, day out, he dealt in a concrete way with very concrete problems, well aware that his words and deeds could change young lives for good or ill.
I argued that certain stories are also capable of changing lives, addressing some of the same problems and issues he confronted in his daily work: problems of poverty, violence, and alienation, issues of culture, race, gender, and class...
“Stories aren’t real,” he told me shortly. “They don’t feed a kid left home in an empty house. Or keep an abusive relative at bay. Or prevent an unloved child from finding ‘family’ in the nearest gang.”
Sometimes they do, I tried to argue. The right stories, read at the right time, can be as important as shelter or food. They can help us to escape calamity, and heal us in its aftermath. He frowned, dismissing this foolishness, but his wife was more conciliatory. “Write down the names of some books,” she said. “Maybe we’ll read them.”
I wrote some titles on a scrap of paper, and the top three were by Charles de lint – for these are precisely the kind of tales that Charles tells better than anyone. The vital, necessary stories. The ones that can change and heal young lives. Stories that use the power of myth to speak truth to the human heart.
Charles de Lint creates a magical world that’s not off in a distant Neverland but here and now and accessible, formed by the “magic” of friendship, art, community, and social activism. Although most of his books have not been published specifically for adolescents and young adults, nonetheless young readers find them and embrace them with particular passion. I’ve long lost count of the number of times I’ve heard people from troubled backgrounds say that books by Charles saved them in their youth, and kept them going.
Recently I saw that parole officer again, and I asked after his work. “Gets harder every year,” he said. “Or maybe I’m just getting old.” He stopped me as I turned to go. “That writer? That Charles de Lint? My wife got me to read them books…. Sometimes I pass them to the kids.”
“Do they like them?” I asked him curiously.
“If I can get them to read, they do. I tell them: Stories are important.”
And then he looked at me and smiled.
”
”
Terri Windling
“
Years ago, I dated a lovely young woman who was a few thousand dollars in debt. She was completely stressed out about this. Every month, more interest would be added to her debts.
To deal with her stress, she would go every Tuesday night to a meditation and yoga class. This was her one free night, and she said it seemed to be helping her. She would breathe in, imagining that she was finding ways to deal with her debts. She would breathe out, telling herself that her money problems would one day be behind her.
It went on like this, Tuesday after Tuesday.
Finally, one day I looked through her finances with her. I figured out that if she spent four or five months working a part-time job on Tuesday nights, she could actually pay off all the money she owed.
I told her I had nothing against yoga or meditation. But I did think its always best to try to treat the disease first. Her symptoms were stress and anxiety. Her disease was the money she owed.
"Why don't you get a job on Tuesday nights and skip yoga for a while?" I suggested.
This was something of a revelation to her. And she took my advice. She became a Tuesday-night waitress and soon enough paid off her debts. After that, she could go back to yoga and really breathe easier.
”
”
Randy Pausch (The Last Lecture)
“
I plunked down on the couch beside him.
"I don't have any accomplishments of any kind. I'm stupid and boring. I don't have any hobbies. I don't play sports. I don't write poetry. I don't travel to interesting places. I don't even have a good job."
"That doesn't make you stupid and boring," Morelli said.
"Well, I feel stupid and boring. And I wanted to feel interesting. And somehow, someone told my mother and grandmother that I played the cello. I guess it was me...only it was like some foreign entity took possession of my body. I heard the words coming out of my mouth, but I'm sure they originated in some other brain. And it was so simple at first. One small mention. And then it took on a life of it's own. And next thing, everyone knew."
"And you can't play the cello."
"I'm not even sure this is a cello."
Morelli went back to smiling. "And you think you're boring? No way, Cupcake."
"What about the stupid part?"
Morelli threw his arm around me. "Sometimes that's a tough call.
”
”
Janet Evanovich (Eleven on Top (Stephanie Plum, #11))
“
Another tidbit you might be interested in is when it comes to chicks and open mouths, guys -" Decebel leaned over and covered Jen's mouth with his hand and warned her with a glare to swallow her words.
"Thanks, Dec. That's usually my job,"
Sally told him. "But I was in such shock that I couldn't get my limbs to move."
Decebel inclined his head. "Is that why you always seem to stand so close to her?"
"It's of utmost importance that whoever is within her reach be ready at any and all moments to intercept what might come from that wicked tongue."
en was frantically trying to talk around Decebel's hand at Sally's comment. Decebel was quickly learning how Jennifer's brain worked, and could only imagine what she wanted to voice in regards to Sally's wicked tongue comment. He leaned forward to whisper in her ear. "I'm going to uncover your mouth. It would be wise of you to just let the wicked tongue comment slide."
Jen glared at him from the corner of her eye, and after a tense moment finally nodded once in submission. Decebel slowly uncovered her mouth, ready if need be to slap it right back over her lips.
The room began to get quiet and they all directed their attention to the front of the room. As Vasile welcomed everyone for coming and began to explain about the meeting he had with the other Alphas, Jen leaned over to Decebel. "You owe me. Sally walked right into it with that whole wicked tongue thing."
Decebel chuckled and whispered back,
"For some reason, ţinere de meu inimă (one who holds my heart), I have a feeling there will be plenty of opportunities for you to embarrass your friends for questionable comments they innocently walk into."
Jen shrugged. "True enough, but you still owe me. And what are you calling me when you speak Romanian? You've said the same phrase to me twice now."
Decebel patted her leg, causing all sorts of tingling sensations. "Dar tu romaneste, Micul meu lup. (but you speak Romanian, my little wolf)"
"I know what lup is and I am not a wolf.
Whatever else you said I'm sure is a load of crap as well.
”
”
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
“
The Amy of today was abrasive enough to want to hurt, sometimes. I speak specifically of the Amy of today, who was only remotely like the woman I fell in love with. It had been an awful fairy-tale reverse transformation. Over just a few years, the old Amy, the girl of the big laugh and the east ways, literally shed herself, a pile of skin and soul on the floor, and out stepped this new, brittle, bitter Amy. My wife was no longer my wife but a razor-wire knot daring me to unloop her, and I was not up to the job with my thick, numb, nervous fingers. Country fingers. Flyover fingers untrained in the intricate, dangerous work of solving Amy. When I'd hold up the bloody stumps, she'd sigh and turn to her secret mental notebook on which she tallied all my deficiencies, forever noting disappointments, frailties, shortcomings. My old Amy, damn, she was fun. She was fun. She made me laugh. I'd forgotten that. And she laughed, From the bottom of her throat, from right behind that small finger-shaped hollow, which is the best place to laugh from. She released her grievances like handfuls of birdseed: They are there, and they are gone.
”
”
Gillian Flynn (Gone Girl)
“
He set the RAM on the desk, then reached into his back pocket to pull out his grimoire. The size of a small paperback novel, it'd been a gift from Ambrose to help him understand some of the madness that surrounded him, and to answer some of the "other" questions that came up.
"All right, Nashira," Nick said in a low tone. "Talk to me. What the heck is watching me?"
He slid his knife out of his pocket, opened the book, and pricked his finger, allowing three drops of blood to touch a blank page. "Dredanya eire coulet" he whispered, waking the female spirit who lived inside the enchanted pages. The moment he finished speaking, his blood began swirling until it formed words:
Do not fear that which cannot be seen.
For they are lost in between.
'Tis the ones who come alive
That your blood will allow to thrive.
Nick snorted at the cryptic stanzas. "Not really useful, Nashira. Doesn't answer my question."
His blood crawled over to the next page.
Answer, answer, you always say,
But it doesn't work that way.
In time, the truth you shall find.
And then you will understand my rhyme.
"I'm such a masochist to even try talking to you"
Underneath the words, a picture of an obscene gesture formed.
"Oh very nice, Nashira. Very nice. Wherever did you learn that?"
In your pocket I reside.
Ever privy to your deride.
But more than that, I can see.
And that includes bathroom stall graffiti
Nick screwed his face up in distaste. "Oh my God, no. Tell me you haven't been spying on me in the rest room. You perv!"
Calm yourself, you evil troll.
My job is not to console.
But if it is privacy you seek,
Leave me in your backpack so I can't peek.
Now he understood why other people got so aggravated with his attitude disorder. He wanted to strangle his book.
”
”
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
“
i g l o o
his name was Eddie and he had a
big white dog
with a curly tail
a huskie
like one of those that pulled sleighs
up near the north pole
Igloo he called him
and Eddie had a bow and arrow
and every week or two
he'd send an arrow
into the dog's side
then run into his mother's house
through the yelping
saying that Igloo had fallen on
the arrow.
that dog took quite a few arrows and
managed to
survive
but I saw what really happened and didn't
like Eddie very much.
so when I broke Eddie's leg
in a sandlot football game
that was my way of getting even
for Igloo.
his parents threatened to sue my
parents
claiming I did it on purpose because
that's what Eddie
told them.
well, nobody had any money anyhow
and when Eddie's father got a job
in San Diego
they moved away and left the
dog.
we took him in.
Igloo turned out to be rather dumb
did not respond to very much
had no life or joy in him
just stuck out his tongue
panted
slept most of the time
when he wasn't eating
and although he wiped his ass
up and down the lawn after
defecating
he usually had a large fragrant smear of
brown
under his tail
when he was run over by an
icecream truck
3 or 4 months later
and died in a stream of scarlet
I didn't feel more than the
usual amount of grief
and loss
and I was still glad that I
had managed to
break Eddie's leg.
”
”
Charles Bukowski
“
I wish I could give you your due,” Rangi muttered after some time had passed. “The wisest teachers. Armies to defend you. A palace to live in.” Kyoshi raised an eyebrow. “The Avatar gets a palace?” “No, but you deserve one.” “I don’t need it,” Kyoshi said. She smiled into Rangi’s hair, the soft strands caressing her lips. “And I don’t need an army. I have you.” “Psh,” Rangi scoffed. “A lot of good I’ve been so far. If I were better at my job you would never feel scared. Only loved. Adored by all.” Kyoshi gently nudged Rangi’s chin upward. She could no more prevent herself from doing this than she could keep from breathing, living, fearing. “I do feel loved,” she declared. Rangi’s beautiful face shone in reflection. Kyoshi leaned in and kissed her. A warm glow mapped Kyoshi’s veins. Eternity distilled in a single brush of skin. She thought she would never be more alive than now. And then— The shock of hands pushing her away. Kyoshi snapped out of her trance, aghast. Rangi had flinched at the contact. Repelled her. Viscerally, reflexively. Oh no. Oh no. This couldn’t—not after everything they’d been through—this couldn’t be how it— Kyoshi shut her eyes until they hurt. She wanted to shrink until she vanished within the cracks of the earth. She wanted to become dust and blow away in the wind. But the sound of laughter pulled her back. Rangi was coughing, drowning herself with her own tears and mirth. She caught her breath and retook Kyoshi by the hips, turning to the side, offering up the smooth, unblemished skin of her throat. “That side of my face is busted up, stupid,” she whispered in the darkness. “Kiss me where I’m not hurt.
”
”
F.C. Yee (Avatar: The Rise of Kyoshi (The Kyoshi Novels, #1))
“
Why Does He Do That?
That's the number one question, isn't it? Maybe it's his drinking, you say. Maybe it's his learning disabilities. It's his job; he hates it. He's stressed. I think he's bipolar. It's his mother's fault; she spoiled him rotten. It's the drugs. If only he didn't use. It's his temper. He's selfish. It's the pornography; he's obsessed.
The list could go on and on. You could spend many years trying to pinpoint it and never get a definite answer. The fact is, many people have these problems and they aren't abusive. Just because someone is an alcoholic doesn't mean he is abusive. Men hate their jobs all the time and aren't abusive. Bipolar? Okay. Stressed? Who isn't! Do you see where I am going with this?
Off the subject a bit, when someone commits a violent crime, they always report in the news about his possible motive. As human beings, we need to somehow make sense of things. If someone murders someone, do you think it makes the family of the victim feel better to know the murderer's motive? No. Except for self-defense, there really is no excuse for murder. Motive, if there is any, is irrelevant.
The same is true of abuse. You could spend your whole life going round and round trying to figure out why. The truth is, the why doesn't matter. There are only two reasons why men commit abuse—because they want to do so and because they can.
You want to know why. In many ways, you might feel like you need to know. But, if you could come up with a reason or a motive, it wouldn't help you. Maybe you believe that if you did this or that differently, he wouldn't have abused you. That is faulty thinking and won't help you get better. You didn't do anything to cause the abuse. No matter what you said, no matter what you did, you didn't deserve to be abused.
You are the victim and it won't help you to know why he supposedly abused you. No matter what his reason, there is no excuse for abuse. You are not to blame.
”
”
Beth Praed (Domestic Violence: My Freedom from Abuse)
“
Keep his mind on the inner life. He thinks his conversion is something inside him, and his attention is therefore chiefly turned at present to the state of his own mind--or rather to that very expurgated version of them which is all you should allow him to see. Encourage this. Keep his mind off the most elementary duties of directing it to the most advanced and spiritual ones. Aggravate the most useful human characteristics, the horror and neglect of the obvious. You must bring him to a condition in which he can practise self-examination for an hour without discovering any of those facts about himself which are perfectly clear to anyone who has ever lived in the same house with him or worked in the same office.
2. It is, no doubt, impossible to prevent his praying for his mother, but we have means of rendering the prayers innocuous. Make sure that they are always very 'spiritual', that is is always concerned with the state of her soul and never with her rhuematism. Two advantages will follow. In the first place, his attention will be kept on what he regards are her sins, by which, with a little guidance from you, he can be induced to mean any of her actions which are inconvenient or irritating to himself. Thus you can keep rubbing the wounds of the day a little sorer even while he is on his knees; the operation is not at all difficult and you will find it very entertaining. In the second place, since his ideas about her soul will be very crude and often erroneous, he will, in some degree, be praying for an imaginary person, and it will be your task to make that imaginary person daily less and less like the real mother--the sharp-tongued old lady at the breakfast table. In time you may get the cleavage so wide that no thought or feeling from his prayers for the imagined mother will ever flow over into his treatment of the real one. I have had patients of my own so well in hand that they could be turned at a moment's notice from impassioned prayer for a wife's or son's soul to beating or insulting the real wife or son without any qualm.
3. When two humans have lived together for many years it usually happens that each has tones of voice and expressions of face whice are almost unedurably irritating to the other. Work on that. Bring fully into the consciousness of your patient that particular lift of his mother's eyebrows which he learned to dislike in the nursery, and let him think how much he dislikes it. Let him assume that she knows how annoying it is and does it to annoy--if you know your job he will not notice the immense improbablity of the assumption. And, of course, never let him suspect that he has tones and looks which similarly annoy her. As he cannot see or hear himself, this is easily managed.
”
”
C.S. Lewis (The Screwtape Letters)
“
I wonder, for example, if the twins’ piano training had given them the Tomaini brand of dexterity with hand jobs? Could a non-musician learn it? Could I?
Children stumble through these most critical acts with no real help from the elders who are so anxious to teach them everything else. We were given rules and taboos for the toilet, the sneeze, the eating of an artichoke. Papa taught us all a particular brush stroke for cleaning our teeth, a special angle for the pen in our hand, the exact words for greeting elders, with fine-tuned distinctions for male, female, show folk, customers, or tradesmen. The twins and Arty were taught to design an act, whether it lasted three minutes or thirty, to tease, coax, and startle a crowd, to build to crescendo and then disappear in the instant of climax. From what I have come to understand of life, this show skill, this talk-’em, sock-’em, knock-’em-flat information, is as close as we got to that ultimate mystery. I throw death aside. Death is not mysterious. We all understand death far too well and spend chunks of life resisting, ignoring, or explaining away that knowledge.
But this real mystery I have never touched, never scratched. I’ve seen the tigers with their jaws wide, their fangs buried in each other’s throats, and their shadowed hides sizzling, tip to tip. I’ve seen the young norms tangled and gasping in the shadows between booths. I suspect that, even if I had begun as a norm, the saw-toothed yearning that whirls in me would bend me and spin me colorless, shrink me, scorch every hair from my body, and all invisibly so only my red eyes would blink out glimpses of the furnace thing inside. In fact, I smell the stench of longing so clearly in the streets that I’m surprised there are not hundreds exactly like me on every corner.
”
”
Katherine Dunn (Geek Love)
“
But you sent off that Flounder fellow," Loki said, and I rolled my eyes.
"His name is Finn, and I know you know that," I said as I left the room. Loki grabbed the vacuum and followed me. "You called him by his name this morning."
"Fine, I know his name," Loki admitted. We went into the next room, and he set down the vacuum as I started peeling the dusty blankets off the bed. "But you were okay with Finn going off to Oslinna, but not Duncan?"
"Finn can handle himself," I said tersely. The bedding got stuck on a corner, and Loki came over to help me free it. Once he had, I smiled thinly at him. "Thank you."
"But I know you had a soft spot for Finn," Loki continued.
"My feelings for him have no bearing on his ability to do his job."
I tossed the dirty blankets at Loki. He caught them easily before setting them down by the door, presumably for Duncan to take to the laundry chute again.
"I've never understood exactly what your relationship with him was, anyway," Loki said. I'd started putting new sheets on the bed, and he went around to the other side to help me. "Were you two dating?"
"No." I shook my head. "We never dated. We were never anything."
I continued to pull on the sheets, but Loki stopped, watching me. "I don't know if that's a lie or not, but I do know that he was never good enough for you."
"But I suppose you think you are?" I asked with a sarcastic laugh.
"No, of course I'm not good enough for you," Loki said, and I lifted my head to look up at him, surprised by his response. "But I at least try to be good enough."
"You think Finn doesn't?" I asked, standing up straight.
"Every time I've seen him around you, he's telling you what to do, pushing you around." He shook his head and went back to making the bed. "He wants to love you, I think, but he can't. He won't let himself, or he's incapable. And he never will."
The truth of his words stung harder than I'd thought they would, and I swallowed hard.
"And obviously, you need someone that loves you," Loki continued. "You love fiercely, with all your being. And you need someone that loves you the same. More than duty or the monarchy or the kingdom. More than himself even."
He looked up at me then, his eyes meeting mine, darkly serious. My heart pounded in my chest, the fresh heartache replaced with something new, something warmer that made it hard for me to breathe.
"But you're wrong." I shook my head. "I don't deserve that much."
"On the contrary, Wendy." Loki smiled honestly, and it stirred something inside me. "You deserve all the love a man has to give."
I wanted to laugh or blush or look away, but I couldn't. I was frozen in a moment with Loki, finding myself feeling things for him I didn't think I could ever feel for anyone else.
"I don't know how much more laundry we can fit down the chute," Duncan said as he came back in the room, interrupting the moment.
I looked away from Loki quickly and grabbed the vacuum cleaner.
"Just get as much down there as you can," I told Duncan.
"I'll try." He scooped up another load of bedding to send downstairs.
Once he'd gone, I glanced back at Loki, but, based on the grin on his face, I'd say his earlier seriousness was gone.
"You know, Princess, instead of making that bed, we could close the door and have a roll around in it." Loki wagged his eyebrows. "What do you say?"
Rolling my eyes, I turned on the vacuum cleaner to drown out the conversation.
"I'll take that as a maybe later!" Loki shouted over it.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
I’m riding a tram and, as is my habit, slowly absorbing every detail of the people around me. By ‘detail’ I mean things, voices, words. In the dress of the girl directly in front of me, for example, I see the material it’s made of, the work involved in making it – since it’s a dress and not just material – and I see in the delicate embroidery around the neck the silk thread with which it was embroidered and all the work that went into that. And immediately, as if in a primer on political economy, I see before me the factories and all the different jobs: the factory where the material was made; the factory that made the darker coloured
thread that ornaments with curlicues the neck of the dress’ and I see the different workshops in the factories, the machines, the workmen, the seamstresses. My eyes’ inward gaze even penetrates into the offices, where I see the managers trying to keep calm and the figures set out in the account books, but that’s not all: beyond that I see into the domestic lives of all those who spend their working hours in these factories and offices...A whole world unfolds before my eyes all because the regularly irregular dark green edging to a pale green dress worn by the girl in front of me of whom I see only her brown neck.
‘A whole way of life lies before me.
I sense the loves, the secrets, the souls of all those who worked just so that this woman in front of me on the tram should wear around her mortal neck the sinuous banality of a thread of dark green silk on a background of light green cloth.
I grow dizzy. The seats on the tram, of fine, strong cane, carry me to distant regions, divide into industries, workmen, houses, lives, realities, everything.
I leave the tram exhausted, like a sleepwalker, having lived a whole life.
”
”
Fernando Pessoa (The Book of Disquiet)
“
Connection terminated.
I'm sorry to interrupt you, Elizabeth. If you still even remember that name.
But I'm afraid you've been misinformed.
You are not here to receive a gift. Nor, have you been called here by the individual you assume. Although, you have indeed been called.
You have all been called here. Into a labyrinth of sounds and smells, misdirection and misfortune.
A labyrinth with no exit. A maze with no prize. You don't even realize that you are trapped. Your lust of blood has driven you in endless circles. Chasing the cries of children in some unseen chamber, always seeming so near.
Yet somehow out of reach.
But, you will never find them. None of you will.
This is where your story ends.
And to you, my brave volunteer, who somehow found this job listing not intended for you. Although, there was a way out planned for you, I have a feeling that's not what you want. I have a feeling that you are right where you want to be.
I am remaining as well. I am nearby.
This place will not be remembered and the memory of everything that started this, can finally begin to fade away. As the agony of every tragedy should.
And to you monsters trapped in the corridors. Be still. And give up your spirits.
They don't belong to you.
As for most of you, I believe there is peace and perhaps, warm, waiting for you after the smoke clears.
Although, for one of you, the darkest pit of Hell has opened to swallow you whole. So, don't keep the Devil waiting, friend.
My daughter, if you can hear me, I knew you would return as well. It's in your nature to protect the innocent. I'm sorry that on that day, the day you were shut out and left to die, no one was there to lift you up in their arms, the way you lifted others into yours.
And then, what became of you, I should have known, you wouldn't be content to disappear. Not my daughter. I couldn't save you then.
So, let me save you now. It's time to rest, for you, and for those you have carried in your arms...
This ends.
For all of us.
End communication.
”
”
Scott Cawthon
“
In the past, my brain could only compute perfection or failure—nothing in between. So words like competent, acceptable, satisfactory, and good enough fell into the failure category. Even above average meant failure if I received an 88 out of 100 percent on an exam, I felt that I failed. The fact is most things in life are not absolutes and have components of both good and bad. I used to think in absolute terms a lot: all, every, or never. I would all of the food (that is, binge), and then I would restrict every meal and to never eat again. This type of thinking extended outside of the food arena as well: I had to get all of the answers right on a test; I had to be in every extracurricular activity […] The ‘if it’s not perfect, I quit’ approach to life is a treacherous way to live. […] I hadn’t established a baseline of competence: What gets the job done? What is good enough? Finding good enough takes trial and error. For those of us who are perfectionists, the error part of trial and error can stop us dead in our tracks. We would rather keep chasing perfection than risk possibly making a mistake. I was able to change my behavior only when the pain of perfectionism became greater than the pain of making an error. […] Today good enough means that I’m okay just the way I am. I play my position in the world. I catch the ball when it is thrown my way. I don’t always have to make the crowd go wild or get a standing ovation. It’s good enough to just catch the ball or even to do my best to catch it. Good enough means that I finally enjoy playing the game.
”
”
Jenni Schaefer (Goodbye Ed, Hello Me: Recover from Your Eating Disorder and Fall in Love with Life)
“
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult?
Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully.
“Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.”
On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.”
“I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done.
Dead silence crashes over the kitchen.
Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list.
That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it...
“I just have one question,” Garrett starts.
“Really?” Tuck says. “Because I have many.”
Sighing, I put my pen down. “Go ahead. Get it out of your systems.”
Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.”
“It’s for Grace,” I reply through clenched teeth.
My best friend nods solemnly.
Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing.
“What are you doing?” I demand.
“Texting Wellsy. She needs to know this.”
“I hate you.”
I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.”
“Cutlass?” Garrett wheezes. “Like the sword?”
“The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.”
Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.”
He’s right. I should have. I’m a terrible poet and I do know it.
“Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.”
“Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.”
I ponder the next line. “How sweet…”
“Your ass,” Tucker supplies.
Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again.
“Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.”
“Call my girlfriend a ho one more time and you won’t have a bro.”
Tucker chuckles. “Seriously, why are you writing poetry for this chick?”
“Because I’m trying to win her back. This is one of her requirements.”
That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?”
“None of your fucking business.”
“Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!”
I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.”
Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
But you won’t abdicate."
Of course not. It’s my duty to go on, to maintain the line. I can’t possibly fail in that. It’s as if you and I were throwing a ball back and forth to establish a record, and had been doing so for a millennium. You cannot drop a ball that has remained airborne through good effort for most of a thousand years. You cannot stop an unlikely heart that has been beating for so long. I would rather die than betray continuity, for its own sake if for nothing else. And Britain needs a king, just as it needs motormen and cooks and a prime minister. Just as it needs soldiers who will die for it if they must. It’s my job, or it will be, but you should know that I’ve never wanted it. I was only born to it, as if with a deformity, to which I hope I can respond with grace."
Fredericka had been running her finger over the carpet, tracing a pattern in the way children do when they have learnt something overwhelming and are moved, but cannot say so. Freddy expected her to look up, with tears, and that in this moment she might have begun the long and arduous process of becoming a queen. She was so beautiful. To embrace her now, with high emotion flowing from her physical majesty, was all he wanted in the world. Her finger stopped moving, and she turned her eyes to him.
Freddy?"
Yes?" he answered.
What’s raw egg? I read a recipe in She that called for a cup of raw egg. What is that?"
After a long silence, Freddy asked, "Which part of the formulation escapes you? Egg? Raw? The link between the two?"
The two what?"
Fredericka?"
Yes, Freddy?"
Would you like to go dancing?"
Oh, yes Freddy!"
Come then. We will.
”
”
Mark Helprin (Freddy and Fredericka)
“
Helen of Troy Does Counter Dancing
The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited, they'd say. Yes, any way
you cut it, but I've a choice
of how, and I'll take the money.
I do give value.
Like preachers, I sell vision,
like perfume ads, desire
or its facsimile. Like jokes
or war, it's all in the timing.
I sell men back their worst suspicions:
that everything's for sale,
and piecemeal. They gaze at me and see
a chain-saw murder just before it happens,
when thigh, ass, inkblot, crevice, tit, and nipple
are still connected.
Such hatred leaps in them,
my beery worshipers! That, or a bleary
hopeless love. Seeing the rows of heads
and upturned eyes, imploring
but ready to snap at my ankles,
I understand floods and earthquakes, and the urge
to step on ants. I keep the beat,
and dance for them because
they can't. The music smells like foxes,
crisp as heated metal
searing the nostrils
or humid as August, hazy and languorous
as a looted city the day after,
when all the rape's been done
already, and the killing,
and the survivors wander around
looking for garbage
to eat, and there's only a bleak exhaustion.
Speaking of which, it's the smiling
tires me out the most.
This, and the pretense
that I can't hear them.
And I can't, because I'm after all
a foreigner to them.
The speech here is all warty gutturals,
obvious as a slam of ham,
but I come from the province of the gods
where meaning are lilting and oblique.
I don't let on to everyone,
but lean close, and I'll whisper:
My mothers was raped by a holy swan.
You believe that? You can take me out to dinner.
That's what we tell all the husbands.
There sure are a lot of dangerous birds around.
Not that anyone here
but you would understand.
The rest of them would like to watch me
and feel nothing. Reduce me to components
as in a clock factory or abattoir.
Crush out the mystery.
Wall me up alive
in my own body.
They'd like to see through me,
but nothing is more opaque
than absolute transparency.
Look - my feet don't hit the marble!
Like breath or a balloon, I'm rising,
I hover six inches in the air
in my blazing swan-egg of light.
You think I'm not a goddess?
Try me.
This is a torch song.
Touch me and you'll burn.
”
”
Margaret Atwood (Morning in the Burned House: Poems)
“
So yeah, you were part of the job. Don't get me wrong, Mercer, I like you. You're smart, fluent in sarcasm, and, Bad Dog incident aside, pretty kick-ass at magic. And it's not like you're hard to look at."
"Be still my beating heart."
"But to answer your question, no part of the Archer Cross you knew at Hecate exists. That day in the cellar, I kissed you back because it was my job to stay close to you. If that's where you wanted to take things, then that's where I was going to go. I kissed you because I had to. Not exactly the hardest assignment I've ever had, but an assignment nonetheless."
I stood there absorbing his words like blows, my heart aching. But it wasn't what he said that made me feel like I'd been punched in the chest.
It's that I knew he was lying. That speech came out way too quickly and way too smooth, almost like he'd been practicing it in his head. The same way I'd been practing what I'd say to him if I ever saw him again.
I couldn't even begin to handle that right now, so instead I just said, "Okay,then. Yay for honesty. Now that we're done with the confessional part of the evening, why don't you tell me why we're here."
There was another pause, then he started walking again. I followed, leaves crunching under my feet.
"Like I said, Hacte Hall has always made The Eye nervous."
"Why? Are they allergic to plaid?"
I thought he might laugh, but instead, he said, "Think about it,Mercer.One place where Prodigium round up their most powerful members? Don't tell me that's not suspicious."
That had never occurred to me. I'd always just thought of all us at Hecate as giant screwups, but in a way, Archer was right. We'd all been sentenced to Hex Hall because of spells that were powerful and dangerous. I thought of Cal saying I created "too big." Wasn't that what just about everyone at Hecate had done?
Still, the idea that the place I'd called home for nearly a year was actually some evil farm for powerful Prodigium was unsettling to say the least.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Why did you defect now? Why here? There are other troll tribes and hundreds of cities that aren't at war with your King."
"But only the Trylle have Wendy." Loki's smile returned but his eyes ere pained. "And how could I pass on that?"
"She is married, you know," Finn said. "So it might be a good idea if you stopped trying to flirt with her. She's not interested."
"It's up to her to decide who she's interested in," Loki said, with an edge to his voice. "And it's not exactly like you're following your own advice."
"I am her tracker." Finn sat up in bed, but this time I didn't try to stop him. His eyes were burning. "It's my job to protect her."
"No, Duncan is her tracker." Loki pointed to where Duncan stood in the doorway, staring wide-eyed at their confrontation. "And Wendy's stronger than the both of you combined. You're not protecting her. You're protecting yourself because you're a lovesick ex-boyfriend."
"You think you have everything figured out, but you don't know anything," Finn growled. "If it were up to me I'd have you sent back to the Vittra in a flash."
"But it's not up to you!" I snapped. "It's up to me. And this conversation is over. Finn needs to rest, and you are not helping anything, Loki."
"Sorry," Loki said and rubbed his hands on his pants.
"Why don't you go back to your room?" I asked Loki. "I'll be over to talk to you in a minute."
He nodded and got up. "Feel better," Loki said to Finn, and he actually sounded sincere.
Finn grunted in response, and Loki and Duncan left. I wanted to reach out and touch Finn, comfort him in some way, because I felt like he needed it. Maybe I needed it too.
"Get some sleep," I told Finn, since I could think of nothing better to say to him. I got up, but he reached out and grabbed my wrist.
"Wendy, I don't trust him," he said, referring to Loki.
"I know. But I do."
"Be careful," Finn said simply and let go of me.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
You and McNab sat around talking about women and sports."
"I don't believe we got to sports. He had a woman on his mind."
Eve's sneer vanished. "You talked to him about Peabody? Damn it, Roarke."
"I could hardly slap him back. He's so pitifully smitten."
"Oh." She winced. "Don't use that word."
"It fits. In fact, if he took my advice ..." He turned his wrist, glanced at the unit fastened there. "They should be well into their first date by now."
"Date? Date? Why did you do that? Why did you go and do something like that? Couldn't you leave it alone? They'd have had sex until they burned out on it, and everything would go back to normal."
He angled his head. "That didn't work for us, did it?"
"We don't work together." Then, when his eyes brightened with pure amusement, she showed her teeth. "Officially. You start mixing cops and romance and case files and gooey looks at briefings, you've got nothing but a mess. Next thing you know, Peabody will be wearing lip dye and smelly girl stuff and dragging body skimmers under her uniform."
She dropped her head in her hands. "Then they'll have tiffs and misunderstandings that have nothing whatsoever to do with the job. They'll come at me from both sides, and before you know it, they'll be telling me things I absolutely do not want to know. And when they break it off and decide they hate each other down to the guts, I'll have to hear about that, too, and why they can't possibly work together, or breathe the same air, until I have no choice, absolutely no choice, but to kick both of their asses."
"Eve, your sunny view on life never fails to lift my spirits."
"And -- " She poked him in the chest. "It's all your fault."
He grabbed her finger, nipped it, not so gently. "If that's the case, I'm going to insist they name their first child after me.
”
”
J.D. Robb (Witness in Death (In Death, #10))
“
We are working! She was fine. You could see her. What the fuck is wrong with you? This is our job, asshole. You can't go doing shit like that when we have a packed house!"
Krit shoved him again. "Don't tell me what the fuck to do."
I had to stop them. This was about me. I wasn't sure why Krit had come offstage, but I knew it was about me. I had to fix this. I didn't want Krit fighting his best friend.
"Stop fucking shoving me, you pansy-ass motherfucker!" Green roared, and lunged for Krit.
I moved fast, putting up two hands and jumping in front of Krit to stop him. The force of impact when Green didn't stop hit me directly in the chest. It was as if someone had put a vacuum in my lungs and sucked all of the oxygen from the room. Nothing was getting in, and panic gripped me when I realized I couldn't breathe.
"Fuck!" Krit yelled, and his arms were around me. He was doing something to my chest as he begged me to breathe. I was trying to breathe. It wouldn't work.
"Baby, please breathe," he was pleading, and I wanted nothing more than to do that, but I couldn't. It hurt, and the terror that I was about to die settled over me.
"She got the air knocked out of her. She's gonna be okay," Matty said in a calmer voice.
And then the vacuum left, and the air I had been fighting for filled my chest as I gasped loudly and bent over. Krit was holding me against him as me muttered sweet things over and over while he rocked me back and forth.
"Take him out of here," Matty said.
I couldn't look up to see who he was talking to, but I grabbed Krit's arms to hold onto him in case they were talking about him.
"Not me, baby. I'm not leaving you," he said as his hand began running down my hair as if he were petting me. "Not going anywhere."
"When Krit is sure she's okay, he is going to beat the motherfucking hell out of you. Go with Legend and let him calm down first.
”
”
Abbi Glines (Bad for You (Sea Breeze, #7))
“
Reasons Why I Loved Being With Jen
I love what a good friend you are. You’re really engaged with the lives of the people you love. You organize lovely experiences for them. You make an effort with them, you’re patient with them, even when they’re sidetracked by their children and can’t prioritize you in the way you prioritize them.
You’ve got a generous heart and it extends to people you’ve never even met, whereas I think that everyone is out to get me. I used to say you were naive, but really I was jealous that you always thought the best of people.
You are a bit too anxious about being seen to be a good person and you definitely go a bit overboard with your left-wing politics to prove a point to everyone. But I know you really do care. I know you’d sign petitions and help people in need and volunteer at the homeless shelter at Christmas even if no one knew about it. And that’s more than can be said for a lot of us.
I love how quickly you read books and how absorbed you get in a good story. I love watching you lie on the sofa reading one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other galaxy.
I love that you’re always trying to improve yourself. Whether it’s running marathons or setting yourself challenges on an app to learn French or the fact you go to therapy every week. You work hard to become a better version of yourself. I think I probably didn’t make my admiration for this known and instead it came off as irritation, which I don’t really feel at all.
I love how dedicated you are to your family, even when they’re annoying you. Your loyalty to them wound me up sometimes, but it’s only because I wish I came from a big family.
I love that you always know what to say in conversation. You ask the right questions and you know exactly when to talk and when to listen. Everyone loves talking to you because you make everyone feel important.
I love your style. I know you think I probably never noticed what you were wearing or how you did your hair, but I loved seeing how you get ready, sitting in front of the full-length mirror in our bedroom while you did your make-up, even though there was a mirror on the dressing table.
I love that you’re mad enough to swim in the English sea in November and that you’d pick up spiders in the bath with your bare hands. You’re brave in a way that I’m not.
I love how free you are. You’re a very free person, and I never gave you the satisfaction of saying it, which I should have done. No one knows it about you because of your boring, high-pressure job and your stuffy upbringing, but I know what an adventurer you are underneath all that.
I love that you got drunk at Jackson’s christening and you always wanted to have one more drink at the pub and you never complained about getting up early to go to work with a hangover. Other than Avi, you are the person I’ve had the most fun with in my life.
And even though I gave you a hard time for always trying to for always trying to impress your dad, I actually found it very adorable because it made me see the child in you and the teenager in you, and if I could time-travel to anywhere in history, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beautiful and clever and funny you are. That you are spectacular even without all your sports trophies and music certificates and incredible grades and Oxford acceptance.
I’m sorry that I loved you so much more than I liked myself, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of myself, either. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental.
I love you. I always will. I'm glad we met.
”
”
Dolly Alderton (Good Material)
“
Geez, Vi, you didn’t need to break your own leg to get out of going to the dance with Grady Spencer. A simple ‘no’ would have been just fine, I’m sure.”
Apparently no one had noticed that Jay had barely let go of her hand for a second. His thumb was now tracing lazy circles around her palm, and he answered her uncle’s teasing comment without looking away from Violet for even a split second. “She’s not going to the dance with Grady,” he announced, smiling at her mischievously, and for a moment Violet forgot how to breathe. She hoped she never got used to how a simple look from him could turn her into a blithering idiot.
“Really?” her aunt Kat asked, her eyes narrowing as she glanced from Violet to Jay, and then down at their intertwined hands. Clearly she wasn’t going to let the comment pass unnoticed. “Why is that?” she asked in a voice filled with unspoken meaning.
Stephen Ambrose looked at his wife curiously, a little slow to catch on, which was sad, really, considering it was his job to seek out clues and solve mysteries.
Jay answered Kat without missing a beat. “Because she’s going with me.” He winked at violet, whose cheeks had flushed to a brilliant shade of scarlet. She wasn’t entirely sure she was ready for this.
Violet saw her mom and Aunt Kat exchange meaningful glances.
They knew, she realized. And now her uncle did too.
Uncle Stephen gave Jay his best I’m-keeping-my-eye-on-you look, but a quick “Hmm” was the only sound he made.
How much embarrassment could one person possible survive?
There was a moment of awkward silence, made even more uncomfortable by Jay’s refusal to look anywhere but at her. He reached out and brushed his finger along her cheek. Violet almost forgot to care that everyone in the room was looking at them.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
It’s not the drug that causes the junkie it’s the laws that causes the junkie because of course the drug laws means that he can’t go and get help because he is afraid of being arrested. He also can’t have a normal life because the war on drugs has made drugs so expensive and has made drug contracts unenforceable which means they can only be enforced through criminal violence.
It becomes so profitable to sell drugs to addicts that the drug dealers have every incentive to get people addicted by offering free samples and to concentrate their drug to the highest possible dose to provoke the greatest amount of addiction as possible.
Overall it is a completely staggering and completely satanic human calamity. It is the new gulag and in some ways much more brutal than the soviet gulag. In the soviet gulags there was not a huge prison rape problem and in this situation your life could be destroyed through no fault of your own through sometimes, no involvement of your own and the people who end up in the drug culture are walled off and separated as a whole and thrown into this demonic, incredibly dangerous, underworld were the quality of the drugs can’t be verified. Were contracts can’t be enforced except through breaking peoples kneecaps and the price of drugs would often led them to a life of crime.
People say “well, I became a drug addict and I lost my house, family, and my job and all that.” It’s not because you became a drug addict but, because there is a war on drugs which meant that you had to pay so much for the drugs that you lost your house because you couldn't go and find help or substitutes and ended up losing your job. It’s all nonsense. The government can’t keep drugs out of prisons for heaven’s sakes. The war on drugs is not designed to be won. Its designed to continue so that the government can get the profits of drug running both directly through the CIA and other drug runners that are affiliated or through bribes and having the power of terrorizing the population.
To frame someone for murder is pretty hard but to palm a packet of cocaine and say that you found it in their car is pretty damn easy and the government loves having that power."
-Stefan Molyneux
”
”
Stefan Molyneux
“
As I look back on my own life, I recognize that some of the greatest gifts I received from my parents stemmed not from what they did for me—but rather from what they didn’t do for me. One such example: my mother never mended my clothes. I remember going to her when I was in the early grades of elementary school, with holes in both socks of my favorite pair. My mom had just had her sixth child and was deeply involved in our church activities. She was very, very busy. Our family had no extra money anywhere, so buying new socks was just out of the question. So she told me to go string thread through a needle, and to come back when I had done it. That accomplished—it took me about ten minutes, whereas I’m sure she could have done it in ten seconds—she took one of the socks and showed me how to run the needle in and out around the periphery of the hole, rather than back and forth across the hole, and then simply to draw the hole closed. This took her about thirty seconds. Finally, she showed me how to cut and knot the thread. She then handed me the second sock, and went on her way. A year or so later—I probably was in third grade—I fell down on the playground at school and ripped my Levi’s. This was serious, because I had the standard family ration of two pairs of school trousers. So I took them to my mom and asked if she could repair them. She showed me how to set up and operate her sewing machine, including switching it to a zigzag stitch; gave me an idea or two about how she might try to repair it if it were she who was going to do the repair, and then went on her way. I sat there clueless at first, but eventually figured it out. Although in retrospect these were very simple things, they represent a defining point in my life. They helped me to learn that I should solve my own problems whenever possible; they gave me the confidence that I could solve my own problems; and they helped me experience pride in that achievement. It’s funny, but every time I put those socks on until they were threadbare, I looked at that repair in the toe and thought, “I did that.” I have no memory now of what the repair to the knee of those Levi’s looked like, but I’m sure it wasn’t pretty. When I looked at it, however, it didn’t occur to me that I might not have done a perfect mending job. I only felt pride that I had done it. As for my mom, I have wondered what
”
”
Clayton M. Christensen (How Will You Measure Your Life?)
“
A’ight, so what do you think it means?”
“You don’t know?” I ask.
“I know. I wanna hear what YOU think.”
Here he goes. Picking my brain. “Khalil said it’s about what society feeds us as youth and how it comes back and bites them later,” I say. “I think it’s about more than youth though. I think it’s about us, period.”
“Us who?” he asks.
“Black people, minorities, poor people. Everybody at the bottom in society.”
“The oppressed,” says Daddy.
“Yeah. We’re the ones who get the short end of the stick, but we’re the ones they fear the most. That’s why the government targeted the Black Panthers, right? Because they were scared of the Panthers?”
“Uh-huh,” Daddy says. “The Panthers educated and empowered the people. That tactic of empowering the oppressed goes even further back than the Panthers though. Name one.”
Is he serious? He always makes me think. This one takes me a second. “The slave rebellion of 1831,” I say. “Nat Turner empowered and educated other slaves, and it led to one of the biggest slave revolts in history.”
“A’ight, a’ight. You on it.” He gives me dap. “So, what’s the hate they’re giving the ‘little infants’ in today’s society?”
“Racism?”
“You gotta get a li’l more detailed than that. Think ’bout Khalil and his whole situation. Before he died.”
“He was a drug dealer.” It hurts to say that. “And possibly a gang member.”
“Why was he a drug dealer? Why are so many people in our neighborhood drug dealers?”
I remember what Khalil said—he got tired of choosing between lights and food. “They need money,” I say. “And they don’t have a lot of other ways to get it.”
“Right. Lack of opportunities,” Daddy says. “Corporate America don’t bring jobs to our communities, and they damn sure ain’t quick to hire us. Then, shit, even if you do have a high school diploma, so many of the schools in our neighborhoods don’t prepare us well enough. That’s why when your momma talked about sending you and your brothers to Williamson, I agreed. Our schools don’t get the resources to equip you like Williamson does. It’s easier to find some crack than it is to find a good school around here.
“Now, think ’bout this,” he says. “How did the drugs even get in our neighborhood? This is a multibillion-dollar industry we talking ’bout, baby. That shit is flown into our communities, but I don’t know anybody with a private jet. Do you?”
“No.”
“Exactly. Drugs come from somewhere, and they’re destroying our community,” he says. “You got folks like Brenda, who think they need them to survive, and then you got the Khalils, who think they need to sell them to survive. The Brendas can’t get jobs unless they’re clean, and they can’t pay for rehab unless they got jobs. When the Khalils get arrested for selling drugs, they either spend most of their life in prison, another billion-dollar industry, or they have a hard time getting a real job and probably start selling drugs again. That’s the hate they’re giving us, baby, a system designed against us. That’s Thug Life.
”
”
Angie Thomas (The Hate U Give (The Hate U Give, #1))
“
He doesn’t like Emma and Rachel making plans together. Not because he thinks they’re being devious, but because he doesn’t like feeling left out. Not to mention that when Emma is making plans without him, they’re usually reckless. The only reason she’d keep a secret from him is if she was doing something he didn’t approve of, or didn’t want him to interfere with. After all, her motto is “Better to ask for forgiveness than permission.”
Galen despises that motto.
“I cleared out the sporting goods store this morning,” Rachel says. “I took what was on the shelf and made them cough up their stock in the back.”
Galen tenses up. Emma laughs. “Don’t be jealous, Highness. Rachel still loves you more than she loves me.”
“Aww! You guys are fighting over me?” Rachel says, pinching Galen’s cheek. “That’s so adorable.”
“I’m not jealous,” he says, trying not to sound pouty. “I just don’t know why we would need life jackets.”
“We don’t,” Emma says, wriggling around on his lap so she can face him. Secretly, he’s delighted. “But humans do. And if my job is keeping the humans safe, then I should be prepared, right?”
But Galen is too distracted by the close proximity of her mouth to be bothered with the words coming out of it. She must recognize it, because she leans forward as if giving him a chance to make good on his craving. It’s all the invitation he needs.
He captures her mouth with his. Life jackets, islands, and airports are forgotten. The only thing that exists is her lips on his, her body pressed into his. Suddenly the creaky office chair is transformed into their own little world.
“Uh, I’m just going to get more wine,” Rachel says. He didn’t mean to make her uncomfortable enough to leave. Not good. The last thing we need is privacy and free rein to do as we please. He tries to end it, to pull away, but Emma won’t have it. And it’s difficult for him not to indulge her.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Knock it off,Finn!" I tried to pull my arm from him, but physically he was still stronger than me. "Loki is right. You are my tracker. You need to stop dragging me around and telling me what to do."
"Loki?" Finn stopped so he could glare suspiciously at me. "You're on a first-name basis with the Vittra prisoner who kidnapped you? And you're lecturing me on propriety?"
"I'm not lecturing you on anything!" I shouted, and I finally got my arm free from him. "But if I were to lecture you, it would be about how you're being such a jerk."
"Hey,maybe you should just calm-" Duncan tried to interject. He'd been standing a few feet away from us, looking sheepish and worried.
"Duncan,don't you dare tell me how to do my job!" Finn stabbed a finger at him. "You are the most useless, incompetent tracker I have ever met, and first chance I get,I'm going to recommend that the Queen dismiss you. And trust me, I'm doing you a favor. She should have you banished!"
Duncan's entire face crumpled, and for a horrible moment I was certain he would cry. Instead,he just gaped at us, then lowered his eyes and nodded.
"Finn!" I yelled, wanting to slap him. "Duncan did nothing wrong!" Duncan turned to walk away, and I tried to stop him. "Duncan,no. You don't need to go anywhere."
He kept walking, and I didn't go after him. Maybe I should have,but I wanted to yell at Finn some more.
"He repeatedly left you alone with the Vittra!" Finn shouted. "I know you have a death wish, but it's Duncan's job to prevent you from acting on it."
"I am finding out more about the Vittra so I can stop this ridiculous fighting!" I shot back. "So I've been interviewing a prisoner. It's not that unusual,and I've been perfectly safe."
"Oh,yeah, 'interviewing,'" Finn scoffed. "You were flirting with him."
"Flirting?" I repeated and rolled my eyes. "You're being a dick because you think I was flirting? I wasn't, but even if I was,that doesn't give you the right to treat me or Duncan or anybody this way."
"I'm not being a dick," Finn insisted. "I am doing my job, and fraternizing with the enemy is looked down on, Princess. If he doesn't hurt you, the Vittra or Trylle will."
"We were only talking,Finn!"
"I saw you,Wendy," Finn snapped. "You were flirting. You even wore your hair down when you snuck off to see him."
"My hair?" I touched it. "I wore it down because I had a headache from training, and I wasn't sneaking. I was...No,you know what? I don't have to explain anything to you. I didn't do anything wrong, and I don't have to answer to you."
"Princess-"
"No,I don't want to hear it!" I shook my head. "I really don't want to do this right now.Just go away,Finn!
”
”
Amanda Hocking (Torn (Trylle, #2))
“
Thank you," he said. "Welcome. Welcome especially to Mr. Coyle Mathis and the other men and women of Forster Hollow who are going to be employed at this rather strikingly energy-inefficient plant. It's a long way from Forster Hollow, isn't it?"
"So, yes, welcome," he said. "Welcome to the middle class! That's what I want to say. Although, quickly, before I go any further, I also want to say to Mr. Mathis here in the front row: I know you don't like me. And I don't like you. But, you know, back when you were refusing to have anything to do with us, I respected that. I didn't like it, but I had respect for your position. For your independence. You see, because I actually came from a place a little bit like Forster Hollow myself, before I joined the middle class. And, now you're middle-class, too, and I want to welcome you all, because it's a wonderful thing, our American middle class. It's the mainstay of economies all around the globe!"
"And now that you've got these jobs at this body-armor plant," he continued, "You're going to be able to participate in those economies. You, too, can help denude every last scrap of native habitat in Asia, Africa, and South America! You, too, can buy six-foot-wide plasma TV screens that consume unbelievable amounts of energy, even when they're not turned on! But that's OK, because that's why we threw you out of your homes in the first places, so we could strip-mine your ancestral hills and feed the coal-fired generators that are the number-one cause of global warming and other excellent things like acid rain. It's a perfect world, isn't it? It's a perfect system, because as long as you've got your six-foot-wide plasma TV, and the electricity to run it, you don't have to think about any of the ugly consequences. You can watch Survivor: Indonesia till there's no more Indonesia!"
"Just quickly, here," he continued, "because I want to keep my remarks brief. Just a few more remarks about this perfect world. I want to mention those big new eight-miles-per-gallon vehicles you're going to be able to buy and drive as much as you want, now that you've joined me as a member of the middle class. The reason this country needs so much body armor is that certain people in certain parts of the world don't want us stealing all their oil to run your vehicles. And so the more you drive your vehicles, the more secure your jobs at this body-armor plant are going to be! Isn't that perfect?"
"Just a couple more things!" Walter cried, wresting the mike from its holder and dancing away with it. "I want to welcome you all to working for one of the most corrupt and savage corporations in the world! Do you hear me? LBI doesn't give a shit about your sons and daughters bleeding in Iraq, as long as they get their thousand-percent profit! I know this for a fact! I have the facts to prove it! That's part of the perfect middle-class world you're joining! Now that you're working for LBI, you can finally make enough money to keep your kids from joining the Army and dying in LBI's broken-down trucks and shoddy body armor!"
The mike had gone dead, and Walter skittered backwards, away from the mob that was forming. "And MEANWHILE," he shouted, "WE ARE ADDING THIRTEEN MILLION HUMAN BEINGS TO THE POPULATION EVERY MONTH! THIRTEEN MILLION MORE PEOPLE TO KILL EACH OTHER IN COMPETITION OVER FINITE RESOURCES! AND WIPE OUT EVERY OTHER LIVING THING ALONG THE WAY! IT IS A PERFECT FUCKING WORLD AS LONG AS YOU DON'T COUNT EVERY OTHER SPECIES IN IT! WE ARE A CANCER ON THE PLANT! A CANCER ON THE PLANET!
”
”
Jonathan Franzen (Freedom)
“
I'll be right here. Good luck, or break a leg, or something.”
As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back.
I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, “Excuse me.”
Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way.
My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something.
He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes.
“Who are you?” he asked in a blunt, almost confrontational way.
I blinked. It was the strangest greeting I'd ever received.
“I'm...Anna.”
“Right. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. “But who are you?”
What did that mean? Did I need to have some sort of title or social standing to enter his presence?
“I just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. “They just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?”
His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way.
“Uh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. “Very cute. And where is your angel?”
My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting.
“If you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.”
My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense.
His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it.
He finally looked over at Jay, who was deep in conversation with the manager-type man.
“Not your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer.
“Are you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile.
“Yes,” I assured him with confidence. “I am.”
“How do you know?”
I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
I watched the light flicker on the limestone walls until Archer said, "I wish we could go to the movies."
I stared at him. "We're in a creepy dungeon. There's a chance I might die in the next few hours. You are going to die in the next few hours. And if you had one wish, it would be to catch a movie?"
He shook his head. "That's not what I meant. I wish we weren't like this. You know, demon, demon-hunter. I wish I'd met you in a normal high school, and taken you on normal dates, and like, carried your books or something." Glancing over at me, he squinted and asked, "Is that a thing humans actually do?"
"Not outside of 1950s TV shows," I told him, reaching up to touch his hair. He wrapped an arm around me and leaned against the wall, pulling me to his chest. I drew my legs up under me and rested my cheek on his collarbone. "So instead of stomping around forests hunting ghouls, you want to go to the movies and school dances."
"Well,maybe we could go on the occasional ghoul hunt," he allowed before pressing a kiss to my temple. "Keep things interesting."
I closed my eyes. "What else would we do if we were regular teenagers?"
"Hmm...let's see.Well,first of all, I'd need to get some kind of job so I could afford to take you on these completely normal dates. Maybe I could stock groceries somewhere."
The image of Archer in a blue apron, putting boxes of Nilla Wafers on a shelf at Walmart was too bizarre to even contemplate, but I went along with it. "We could argue in front of our lockers all dramatically," I said. "That's something I saw a lot at human high schools."
He squeezed me in a quick hug. "Yes! Now that sounds like a good time. And then I could come to your house in the middle of the night and play music really loudly under your window until you took me back."
I chuckled. "You watch too many movies. Ooh, we could be lab partners!"
"Isn't that kind of what we were in Defense?"
"Yeah,but in a normal high school, there would be more science, less kicking each other in the face."
"Nice."
We spent the next few minutes spinning out scenarios like this, including all the sports in which Archer's L'Occhio di Dio skills would come in handy, and starring in school plays.By the time we were done, I was laughing, and I realized that, for just a little while, I'd managed to forget what a huge freaking mess we were in.
Which had probably been the point.
Once our laughter died away, the dread started seeping back in. Still, I tried to joke when I said, "You know, if I do live through this, I'm gonna be covered in funky tattoos like the Vandy. You sure you want to date the Illustrated Woman, even if it's just for a little while?"
He caught my chin and raised my eyes to his. "Trust me," he said softly, "you could have a giant tiger tattooed on your face, and I'd still want to be with you."
"Okay,seriously,enough with the swoony talk," I told him, leaning in closer. "I like snarky, mean Archer."
He grinned. "In that case, shut up, Mercer.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Jesus Christ is not a cosmic errand boy. I mean no disrespect or irreverence in so saying, but I do intend to convey the idea that while he loves us deeply and dearly, Christ the Lord is not perched on the edge of heaven, anxiously anticipating our next wish. When we speak of God being good to us, we generally mean that he is kind to us. In the words of the inimitable C. S. Lewis, "What would really satisfy us would be a god who said of anything we happened to like doing, 'What does it matter so long as they are contented?' We want, in fact, not so much a father in heaven as a grandfather in heaven--a senile benevolence who as they say, 'liked to see young people enjoying themselves,' and whose plan for the universe was simply that it might be truly said at the end of each day, 'a good time was had by all.'" You know and I know that our Lord is much, much more than that.
One writer observed: "When we so emphasize Christ's benefits that he becomes nothing more than what his significance is 'for me' we are in danger. . . . Evangelism that says 'come on, it's good for you'; discipleship that concentrates on the benefits package; sermons that 'use' Jesus as the means to a better life or marriage or job or attitude--these all turn Jesus into an expression of that nice god who always meets my spiritual needs. And this is why I am increasingly hesitant to speak of Jesus as my personal Lord and Savior. As Ken Woodward put it in a 1994 essay, 'Now I think we all need to be converted--over and over again, but having a personal Savior has always struck me as, well, elitist, like having a personal tailor. I'm satisfied to have the same Lord and Savior as everyone else.' Jesus is not a personal Savior who only seeks to meet my needs. He is the risen, crucified Lord of all creation who seeks to guide me back into the truth." . . .
His infinity does not preclude either his immediacy or his intimacy. One man stated that "I want neither a terrorist spirituality that keeps me in a perpetual state of fright about being in right relationship with my heavenly Father nor a sappy spirituality that portrays God as such a benign teddy bear that there is no aberrant behavior or desire of mine that he will not condone." . . .
Christ is not "my buddy." There is a natural tendency, and it is a dangerous one, to seek to bring Jesus down to our level in an effort to draw closer to him. This is a problem among people both in and outside the LDS faith. Of course we should seek with all our hearts to draw near to him. Of course we should strive to set aside all barriers that would prevent us from closer fellowship with him. And of course we should pray and labor and serve in an effort to close the gap between what we are and what we should be. But drawing close to the Lord is serious business; we nudge our way into intimacy at the peril of our souls. . . .
Another gospel irony is that the way to get close to the Lord is not by attempting in any way to shrink the distance between us, to emphasize more of his humanity than his divinity, or to speak to him or of him in casual, colloquial language. . . .
Those who have come to know the Lord best--the prophets or covenant spokesmen--are also those who speak of him in reverent tones, who, like Isaiah, find themselves crying out, "Woe is me! for I am undone; because I am a man of unclean lips, and I dwell in the midst of a people of unclean lips: for mine eyes have seen the King, the Lord of hosts" (Isaiah 6:5). Coming into the presence of the Almighty is no light thing; we feel to respond soberly to God's command to Moses: "Put off thy shoes from off thy feet, for the place whereon thou standest is holy ground" (Exodus 3:5). Elder Bruce R. McConkie explained, "Those who truly love the Lord and who worship the Father in the name of the Son by the power of the Spirit, according to the approved patterns, maintain a reverential barrier between themselves and all the members of the Godhead.
”
”
Robert L. Millet