Thank You For Souvenir Quotes

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She left me the way people leave a hotel room. A hotel room is a place to be when you are doing something else. Of itself it is of no consequence to one's major scheme. A hotel room is convenient. But its convenience is limited to the time you need it while you are in that particular town on that particular business; you hope it is comfortable, but prefer, rather, that it be anonymous. It is not, after all, where you live. When you no longer need it, you pay a little something for its use; say 'thank you sir,' and when your business in that town is over, you go away from that room. Does anybody regret leaving a hotel room? Does anybody who has a home, a real home somewhere , want to stay there? Does anybody look back with affection of even disgust, at a hotel room when they leave it? You can only love or despise whatever living was done in that room. But the room itself? But you take a souvenir. Not, oh, not to remember the room. To remember, rather, the time and place of your business, your adventure. What can anyone feel for a hotel room? One doesn't any more feel for a hotel room than one expects a hotel room to feel for its occupant.
Toni Morrison (The Bluest Eye)
Grief is love’s souvenir. It’s our proof that we once loved. Grief is the receipt we wave in the air that says to the world: Look! Love was once mine. I loved well. Here is my proof that I paid the price. So I’ll just show up and sit quietly and practice not being God with her. I’m so sorry, I’ll say. Thank you for trusting me enough to invite me close. I see your pain and it’s real. I’m so sorry. The Journey of the Warrior. This is it. The journey is learning that pain, like love, is simply something to surrender to. It’s a holy space we can enter with people only if we promise not to tidy up. So I will sit with my pain by letting my own heart break. I will love others in pain by volunteering to let my heart break with theirs. I’ll be helpless and broken and still—surrendered to my powerlessness. Mutual surrender, maybe that’s an act of love. Surrendering to this thing that’s bigger than we are: this love, this pain. The courage to surrender comes from knowing that the love and pain will almost kill us, but not quite.
Glennon Doyle Melton (Love Warrior)
My thoughts shift to my friends. I'd been so angry with them for grabbing my pain from me in the wake of the News. But maybe my friends were loving me the best way they knew how, just like I was trying to love Amma. We think our job as humans is to avoid pain, our job as parents is to protect our children from pain, and our job as friends is to fix each other's pain. Maybe that's why we all feel like failures so often--because we all have the wrong job description for love. What my friends didn't know about me and I didn't know about Amma is that people who are hurting don't need Avoiders, Protectors, or Fixers. What we need are patient, loving witnesses. People to sit quietly and hold space for us. People to stand in helpless vigil to our pain. There on the floor, I promise myself that I'll be that kind of mother, that kind of friend. I'll show up and stand humble in the face of a loved one's pain. I'll admit I'm as empty-handed, dumbstruck, and out of ideas as she is. I won't try to make sense of things or require more than she can offer. I won't let my discomfort with her pain keep me from witnessing it for her. I'l never try to grab or fix her pain, because I know that for as long as it takes, he pain will also be her comfort. It will be all she has left. Grief is love's souvenir. It's our proof that we once loved. Grief is the receipt we wave in the air that says to the world: Look! Love was once mine. I loved well. Here is my proof that I paid the price. So I'll just show up and sit quietly and practice not being God with her. I'm so sorry, I'll say. Thank you for trusting me enough to invite me close. I see your pain and it's real. I'm so sorry.
Glennon Doyle Melton (Love Warrior)
Grief is love’s souvenir. It’s our proof that we once loved. Grief is the receipt we wave in the air that says to the world: Look! Love was once mine. I loved well. Here is my proof that I paid the price. So I’ll just show up and sit quietly and practice not being God with her. I’m so sorry, I’ll say. Thank you for trusting me enough to invite me close. I see your pain and it’s real. I’m so sorry.
Glennon Doyle Melton (Love Warrior)
I was just saying goodnight.” Logan quipped and pecked Sienna on the cheek before slipping something in to her hand. She looked down to see it was a sleek new cellphone. He turned to leave but Mrs. Rivers interrupted him. “Your fly is undone.” She told him grimly giving him her the full extent of her medusa glare. If looks could kill, Mrs. Rivers had homicide down to a science. When had that happened? Sienna thought. Probably sometime when they were too busy pressing themselves against each other. Sienna was mortified. Logan however looked mildly amused. He zipped up his trousers and quietly thanked her. “Oh and Logan, you left your souvenir behind.” She added now giving Sienna the full extent of the medusa glare. Logan and Sienna both frowned momentarily before realizing what she meant. He snatched the condom and put it back in his pocket and quickly left the house leaving Sienna to battle with the Gorgon.
Ali Harper (Breaking Bedlam (Beautiful Bedlam #2))
We've had problems with non-mutants coming here in the past, taking pictures of everything and stealing all our rocks for souvenirs. We need those rocks, too, you know. We are a very decorative people. We take our landscaping seriously. But thanks to you non-atomic jerks, the nearest retaining wall is a good fifty miles from here. Do you have any idea how hard it is to landscape without rocks? Or retaining walls? If cutting a few faces off is what it's going to take to get you to leave us alone, then so be it.
Eirik Gumeny (Dead Presidents (Exponential Apocalypse Book 2))
It's not always ho ho ho on the high, high highway. Extended time in the car reveals human frailties. Dad's refuse to stop. They hearken back to the examples of their forefathers. Did the pioneers spend the night at a Holiday Inn? Did Lewis and Clark ask for directions? Did Joseph allow Mary to stroll through a souvenir shop on the road to Bethlehem? By no means. Men drive as if they have a biblical mandate to travel far and fast, stopping only for gasoline. And children? Road trips do to kids what a full moon does to the wolf man. If one child says, "I like that song," you might expect the other to say, "That's nice." Won't happen. Instead the other child will reply, "It stinks and so do your feet." There is also the issue of JBA---juvenile bladder activity. A child can go weeks without going to the bathroom at home. But once on the road, the kid starts leaking like secrets in Washington. On one drive to Colorado, my daughters visited every toilet in New Mexico. The best advice for traveling with young children is to be thankful they aren't teenagers. Teens are embarrassed by what their parents say, think, wear, eat, and sing. So for their sakes (and if you ever want to see your future grandchildren), don't smile at the waitstaff, don't breathe, and don't sing with the window down or up. It's wiser to postpone traveling with children until they are a more reasonable age---like forty-two.
Max Lucado (Because of Bethlehem Bible Study Guide: Love is Born, Hope is Here)
se "in-between times" to get things done. For example, it takes 15 minutes or less to change the sheets on a bed. So when you're waiting for dinner to finish cooking, to go somewhere, or for something to finish up, make a bed. Planning saves you time. Know what you have to do-and set your priorities. ere's a fun idea! Why not lighten a gathering together load a little by hosting a tea "potluck." It's a great way to widen your circle of friends and expand your recipe files. You provide the beautiful setting-and, of course, the tea. Invite each guest to bring a wonderful tea-time treat to share, along with the recipe. Have fun sampling all the goodies. You can also invite someone to play the piano, the guitar, or even do a dramatic reading of some sort. After the gathering, create a package of recipes and send them to each participant, along with a "thank you for coming" note. Friends are the continuous threads that help hold our lives together. f you have a fireplace, make it the focus of the room. Add plants, a teddy bear collection, or whatever you like to catch the eye. Add homey touches with a favorite stuffed toy, a framed picture of yourself with your grandmother. Photos and vacation souvenirs are great to liven up a room. Slipcovers help you make incredible changes in your decor simply. In winter months, toss an afghan over a sofa or chair. When you're not using afghans or blankets, stack them neatly under a shelf or a table to add texture to a room. Instead of a lamp table, stack wooden trunks or packing boxes together. These make great tables and provide storage.
Emilie Barnes (365 Things Every Woman Should Know)
She left me the way people leave a hotel room. A hotel room is a place to be when you are doing something else. Of itself it is of no consequence to one’s major scheme. A hotel room is convenient. But its convenience is limited to the time you need it while you are in that particular town on that particular business; you hope it is comfortable, but prefer, rather, that it be anonymous. It is not, after all, where you live. When you no longer need it, you pay a little something for its use; say, “Thank you, sir,” and when your business in that town is over, you go away from that room. Does anybody regret leaving a hotel room? Does anybody, who has a home, a real home somewhere, want to stay there? Does anybody look back with affection, or even disgust, at a hotel room when they leave it? You can only love or despise whatever living was done in that room. But the room itself? But you take a souvenir. Not, oh, not, to remember the room. To remember, rather, the time and the place of your business, your adventure. What can anyone feel for a hotel room? One doesn’t any more feel for a hotel room than one expects a hotel room to feel for its occupant. That, heavenly, heavenly Father, was how she left me; or rather, she never left me, because she was never ever there.
Toni Morrison (The Bluest Eye)
furnish your life with authentic souvenirs and one-off keepsakes that make you grin, make you remember, and make you thankful.
Tim Federle (Life Is Like a Musical: How to Live, Love, and Lead Like a Star)