Thames Water Quotes

We've searched our database for all the quotes and captions related to Thames Water. Here they are! All 41 of them:

There was no moon but the night sky was a riot of crisp and glittering autumn stars. There were streetlights too and lights on buildings and on bridges which looked like earthbound stars and they glimmered repeated as they were reflected with the city in the night water of the Thames. It’s fairyland thought Richard.
Neil Gaiman (Neverwhere (London Below, #1))
Lord Maccon, being Lord Maccon and good at such things, then changed, right there in the Thames, from dog-paddling wolf to large man treading water. He did so flawlessly, so that his head never went under the water. Professor Lyall suspected him of practicing such maneuvers in the bathtub.
Gail Carriger (Blameless (Parasol Protectorate, #3))
But we’re not trying to empty the Thames,” she told him. “Look at what we’re doing with the water we remove. It doesn’t go to waste. We’re using it to water our gardens, sprout by sprout. We’re growing bluebells and clovers where once there was a desert. All you see is the river, but I care about the roses.
Courtney Milan (The Suffragette Scandal (Brothers Sinister #4))
Anne's lovers are phantom gentlemen, flitting by night with adulterous intent. They come and go by night, unchallenged. They skim over the river like midges, flicker against the dark, their doublets sewn with diamonds. The moon sees them, peering from her hood of bone, and Thames water reflects them, glimmering like fish, like pearls.
Hilary Mantel (Bring Up the Bodies (Thomas Cromwell, #2))
The Thames Shouldered its way past Blackfriars Bridge, impatient with the ancient piers, no longer the passive stream that slid past Chelsea Marina, but a rush of ugly water that had scented the open sea and was ready to make a run for it.
J.G. Ballard (Millennium People)
There, there, sweetin’,” he murmured into her hair. “He loved me, he truly did,” she gasped. “I know he did,” Michael said. “And I loved him.” “Mm-hmm.” She raised her head, glaring angrily. “You don’t even believe in love. Why are you agreeing with me?” He laughed. “Because”—he leaned down and licked at the tears on her cheeks, his lips brushing softly against her sensitive skin as he spoke, “ye’ve bewitched and bespelled me, my sweet Silence, didn’t ye know? I’ll agree that the sky is pink, that the moon is made o’ marzipan and sugared raisins, and that mermaids swim the muddy waters o’ the Thames, if ye’ll only stop weepin’. Me chest breaks apart and gapes wide open when I see tears in yer pretty eyes. Me lungs, me liver, and me heart cannot stand to be thus exposed.” She stopped breathing. She simply inhaled and stopped, looking at him in wonder. His lips were quirked in a mocking smile, but his eyes—his fathomless black eyes—seemed to hold a great pain as if his strong chest really had been split open.
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
She raised her chin and looked him in the eye. “You see a river rushing by without end. You see a sad collection of women with thimbles, all dipping out an inconsequential amount.” He didn’t say anything. “But we’re not trying to empty the Thames,” she told him. “Look at what we’re doing with the water we remove. It doesn’t go to waste. We’re using it to water our gardens, sprout by sprout. We’re growing bluebells and clovers where once there was a desert. All you see is the river, but I care about the roses.
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
I dreamed I saw you dead in a place by the water. A ravaged place. All flat and empty and wide open. And you were covered in some kind of binding. Like a mummy. Something white and reflective, from head to toe. And the light shone on you. Oh, how it shone on you! It glanced off you, and it was like a pure, bright silver. The wind was singing. It sang: you have suffered enough. You have suffered enough. Then death came and he kissed you. Lightly. Gently. Upon the lips. There is nothing beyond, he whispered, only me, only me. There is nothing beyond. Only me.
Nicola Barker (Wide Open (Thames Gateway, #1))
Yesterday I walked to Clerkenwell in the morning and stood by the iron grate where the Fleet flows, and listened, and imagined I heard the waters of all the rivers I have known - the head of the Fleet at Hampstead where I played when I was young, and the wide Thames, and the Blackwater, with its secrets that were hardly worth keeping. Then it carried me in spate to the Essex shore, to all the marsh and the shingle, and I tasted on my lips the salt air which is also like the flesh of oysters, and I felt my heart cleaving, as I felt it there in the dark wood on the green stair and as I feel it now: something severed, something joined. The sun on my back through the window is warm and I hear a chaffinch singing. I am torn and I am mended - I want everything and need nothing - I love you and I am content without you.
Sarah Perry (The Essex Serpent)
Monet Refuses the Operation" Doctor, you say that there are no halos around the streetlights in Paris and what I see is an aberration caused by old age, an affliction. I tell you it has taken me all my life to arrive at the vision of gas lamps as angels, to soften and blur and finally banish the edges you regret I don’t see, to learn that the line I called the horizon does not exist and sky and water, so long apart, are the same state of being. Fifty-four years before I could see Rouen cathedral is built of parallel shafts of sun, and now you want to restore my youthful errors: fixed notions of top and bottom, the illusion of three-dimensional space, wisteria separate from the bridge it covers. What can I say to convince you the Houses of Parliament dissolve night after night to become the fluid dream of the Thames? I will not return to a universe of objects that don’t know each other, as if islands were not the lost children of one great continent. The world is flux, and light becomes what it touches, becomes water, lilies on water, above and below water, becomes lilac and mauve and yellow and white and cerulean lamps, small fists passing sunlight so quickly to one another that it would take long, streaming hair inside my brush to catch it. To paint the speed of light! Our weighted shapes, these verticals, burn to mix with air and changes our bones, skin, clothes to gases. Doctor, if only you could see how heaven pulls earth into its arms and how infinitely the heart expands to claim this world, blue vapor without end.
Lisel Mueller (Second Language: Poems)
If this is hard to understand from a map, the rest is harder. For one thing, the river that flows ever onwards is also seeping sideways, irrigating the fields and land to one side and the other. It finds its way into wells and is drawn up to launder petticoats and be boiled for tea. It is sucked into root membranes, travels up cell by cell to the surface, is held in the leaves of watercress that find themselves in the soup bowls and on the cheeseboards of the county’s diners. From teapot or soup dish, it passes into mouths, irrigates complex internal biological networks that are worlds in themselves, before returning eventually to the earth via a chamber pot. Elsewhere the river water clings to the leaves of the willows that droop to touch its surface and then, when the sun comes up, a droplet appears to vanish into the air, where it travels invisibly and might join a cloud, a vast floating lake, until it falls again as rain. This is the unmappable journey of the Thames. And there is more: what we see on a map is only the half of it. A river no more begins at its source than a story begins with the first page.
Diane Setterfield (Once Upon a River)
fields and land to one side and the other. It finds its way into wells and is drawn up to launder petticoats and be boiled for tea. It is sucked into root membranes, travels up cell by cell to the surface, is held in the leaves of watercress that find themselves in the soup bowls and on the cheeseboards of the county’s diners. From teapot or soup dish, it passes into mouths, irrigates complex internal biological networks that are worlds in themselves, before returning eventually to the earth via a chamber pot. Elsewhere the river water clings to the leaves of the willows that droop to touch its surface and then, when the sun comes up, a droplet appears to vanish into the air, where it travels invisibly and might join a cloud, a vast floating lake, until it falls again as rain. This is the unmappable journey of the Thames.
Diane Setterfield (Once Upon a River)
Early in his writing career Michael Lincoln expected he would look up from his word processor, out through his window and be able to take in the flat calm of the Pacific Ocean, or the choppy Atlantic. The North Sea, even, maybe the Thames river. Some body of water, surely. He glanced up from the first draft of his third crime novel and beheld the magnificent vista of Garrand’s Scrap Yard in Newton-le-Willows, Merseyside.
GB Hope
Early risers strolling along the Thames would see the toshers wading through the muck of low tide, dressed almost comically in flowing velveteen coats, their oversized pockets filled with stray bits of copper recovered from the water’s edge. The toshers walked with a lantern strapped to their chest to help them see in the predawn gloom, and carried an eight-foot-long pole that they used to test the ground in front of them, and to pull themselves out when they stumbled into a quagmire. The pole and the eerie glow of the lantern through the robes gave them the look of ragged wizards, scouring the foul river’s edge for magic coins.
Steven Johnson (The Ghost Map: The Story of London's Most Terrifying Epidemic--and How It Changed Science, Cities, and the Modern World)
The Sailor-boy’s Gossip You say, dear mamma, it is good to be talking With those who will kindly endeavour to teach. And I think I have learnt something while I was walking Along with the sailor-boy down on the beach. He told me of lands where he soon will be going, Where humming-birds scarcely are bigger than bees, Where the mace and the nutmeg together are growing, And cinnamon formeth the bark of some trees. He told me that islands far out in the ocean Are mountains of coral that insects have made, And I freely confess I had hardly a notion That insects could world in the way that he said. He spoke of wide deserts where the sand-clouds are flying. No shade for the brow, and no grass for the feet; Where camels and travelers often lie dying, Gasping for water and scorching with heat. He told me of places away in the East, Where topaz, and ruby, and sapphires are found: Where you never are safe from the snake and the beast, For the serpent and tiger and jackal abound. I thought our own Thames was a very great stream, With its waters so fresh and its currents so strong; But how tiny our largest of rivers must seem To those he had sailed on, three thousand miles long. He speaks, dear mamma, of so many strange places, With people who neither have cities nor kings. Who wear skins on their shoulders, paint on their faces, And live on the spoils which their hunting-field brings. Oh! I long, dear mamma, to learn more of these stories, From books that are written to please and to teach, And I wish I could see half the curious glories The sailor-boy told me of down on the beach. Eliza Cook.
Charlotte M. Mason (Elementary Geography: Full Illustrations & Study Guides!)
But it is just as useless for a man to want first of all to decide the externals and after that the fundamentals as it is for a cosmic body, thinking to form itself, first of all to decide the nature of its surface, to what bodies it should turn its light, to which its dark side, without first letting the harmony of centrifugal and centripetal forces realize [*realisere*] its existence [*Existents*] and letting the rest come of itself. One must learn first to know himself before knowing anything else (γνῶθι σε αυτόν). Not until a man has inwardly understood himself and then sees the course he is to take does his life gain peace and meaning; only then is he free of the irksome, sinister traveling companion―that irony of life which manifests itself in the sphere of knowledge and invites true knowing to begin with a not-knowing (Socrates), just as God created the world from nothing. But in the waters of morality it is especially at home to those who still have not entered the tradewinds of virtue. Here it tumbles a person about in a horrible way, for a time lets him feel happy and content in his resolve to go ahead along the right path, then hurls him into the abyss of despair. Often it lulls a man to sleep with the thought, "After all, things cannot be otherwise," only to awaken him suddenly to a rigorous interrogation. Frequently it seems to let a veil of forgetfulness fall over the past, only to make every single trifle appear in a strong light again. When he struggles along the right path, rejoicing in having overcome temptation's power, there may come at almost the same time, right on the heels of perfect victory, an apparently insignificant external circumstance which pushes him down, like Sisyphus, from the height of the crag. Often when a person has concentrated on something, a minor external circumstance arises which destroys everything. (As in the case of a man who, weary of life, is about to throw himself into the Thames and at the crucial moment is halted by the sting of a mosquito). Frequently a person feels his very best when the illness is the worst, as in tuberculosis. In vain he tries to resist it but he has not sufficient strength, and it is no help to him that he has gone through the same thing many times; the kind of practice acquired in this way does not apply here. Just as no one who has been taught a great deal about swimming is able to keep afloat in a storm, but only the man who is intensely convinced and has experiences that he is actually lighter than water, so a person who lacks this inward point of poise is unable to keep afloat in life's storms.―Only when a man has understood himself in this way is he able to maintain an independent existence and thus avoid surrendering his own I. How often we see (in a period when we extol that Greek historian because he knows how to appropriate an unfamiliar style so delusively like the original author's, instead of censuring him, since the first prize always goes to an author for having his own style―that is, a mode of expression and presentation qualified by his own individuality)―how often we see people who either out of mental-spiritual laziness live on the crumbs that fall from another's table or for more egotistical reasons seek to identify themselves with others, until eventually they believe it all, just like the liar through frequent repetition of his stories.
Søren Kierkegaard
Isis is the Egyptian mother goddess of magick, whose worship prevailed in the Greco-Roman world.  Her name means “Throne”, reflected in her headdress which is shaped like a throne.  Her spouse was originally Osiris, but became Serapis in the Greco-Roman myths, and her son became transformed from Horus to Harpocrates. Evidence of her worship in Britain has been found in an inscription on a jug  found in Southwark (London).[369]  The inscription on the jug indicates an Iseum (Isis temple) in London, but the location of this temple has yet to be determined.  An altar found in Blackfriars records the restoration of a temple to Isis in the third century CE, further reinforcing evidence of her worship.[370]  It has been suggested by some modern writers that the river Isis in Oxfordshire was named after this goddess, though this may in fact be a coincidence. The name of the river Isis is most probably a contraction of the name Thamesis. It is likely that "Thamesis" is a Latinisation of the Celtic river names "Taom"(Thames) and"Uis"(is), giving "Taom-Uis"meaning "The pouring out of water". An engraved onyx intaglio found at Wroxeter (Shropshire) dating to the third century CE shows Isis bearing a sistrum in her right hand.[371]  Another gem from Lockleys (Hertfordshire) dating to the fourth century CE shows Isis standing between Bes and a lioness, all surrounded by a serpent ouroboros.[372]
David Rankine (The Isles of the Many Gods: An A-Z of the Pagan Gods & Goddesses of Ancient Britain Worshipped During the First Millenium Through to the Middle Ages)
The 1890s were apprentice years for Yeats. Though he played with Indian and Irish mythology, his symbolism really developed later. The decade was for him, as a poet, the years of lyric, of the Rhymers’ Club, of those contemporaries whom he dubbed the ‘tragic generation’. ‘I have known twelve men who killed themselves,’ Arthur Symons looked back from his middle-aged madness, reflecting on the decade of which he was the doyen. The writers and artists of the period lived hectically and recklessly. Ernest Dowson (1867–1900) (one of the best lyricists of them all – ‘I cried for madder music and for stronger wine’) died from consumption at thirty-two; Lionel Johnson (1867–1902), a dipsomaniac, died aged thirty-five from a stroke. John Davidson committed suicide at fifty-two; Oscar Wilde, disgraced and broken by prison and exile, died at forty-six; Aubrey Beardsley died at twenty-six. This is not to mention the minor figures of the Nineties literary scene: William Theodore Peters, actor and poet, who starved to death in Paris; Hubert Crankanthorpe, who threw himself in the Thames; Henry Harland, editor of The Yellow Book, who died of consumption aged forty-three, or Francis Thompson, who fled the Hound of Heaven ‘down the nights and down the days’ and who died of the same disease aged forty-eight. Charles Conder (1868–1909), water-colourist and rococo fan-painter, died in an asylum aged forty-one.
A.N. Wilson (The Victorians)
I soon found my feet, and was much less homesick than I was at prep school. Thank God. I learned that with plenty of free time on our hands, and being encouraged to fill the time with “interests,” I could come up with some great adventures. A couple of my best friends and I started climbing the huge old oak trees around the grounds, finding monkey routes through the branches that allowed us to travel between the trees, high up above the ground. It was brilliant. We soon had built a real-life Robin Hood den, with full-on branch swings, pulleys, and balancing bars high up in the treetops. We crossed the Thames on the high girders above a railway bridge, we built rafts out of old Styrofoam and even made a boat out of an old bathtub to go down the river in. (Sadly this sank, as the water came in through the overflow hole, which was a fundamental flaw. Note to self: Test rafts before committing to big rivers in them.) We spied on the beautiful French girls who worked in the kitchens, and even made camps on the rooftops overlooking the walkway they used on their way back from work. We would vainly attempt to try and chat them up as they passed. In between many of these antics we had to work hard academically, as well as dress in ridiculous clothes, consisting of long tailcoats and waistcoats. This developed in me the art of making smart clothes look ragged, and ever since, I have maintained a lifelong love of wearing good-quality clothes in a messy way. It even earned me the nickname of “Scug,” from the deputy-headmaster. In Eton slang this roughly translates as: “A person of no account, and of dirty appearance.
Bear Grylls (Mud, Sweat and Tears)
lost: greenery, fresh air and once in a while a glimpse of the river that still had the ability to reflect sunlight. Once the Thames entered the city it turned into the dirtiest stretch of moving water in the whole of England. Crawling through London it became saturated with cadavers from each of the many species populating the city, including
Annelie Wendeberg (The Devil's Grin (Kronberg Mystery #1))
A RIB is a rigid inflatable boat, and this has an engine at the rear which pushes the nose up and out of the water as it bounces along at a great speed. This was a good-sized one and I realised that it must have an antigrav component because it never sank in the water though the team of Neptunians got on with us. The marine engineer steering it took us out to the dive boat, a large – to our eyes – vessel over a mile offshore. We sat back and gripped the rope lacings along the sides and breathed in salt spray air, grinning foolishly at our friends and each other. The RIB engine was so noisy that we couldn’t really talk but we were relishing being right down at water level, streaking across the Thames estuary, heading for the most dangerous boat in the world.
Clare O'Beara (Dining Out Around The Solar System)
At a time when unprecedented wildfires engulf suburban homes in Melbourne, when waters from the rising Thames flood homes in London commuter towns, and when Superstorm Sandy transforms the New York subway into a canal system, the barriers that even the most urban and privileged among us have erected to hold back the natural world are clearly starting to break down.
Naomi Klein (This Changes Everything: Capitalism vs. The Climate)
Climate change alarmism is a belief system, and needs to be evaluated as such. There is, indeed, an accepted scientific theory which I do not dispute and which, the alarmists claim, justifies their belief and their alarm. This is the so-called greenhouse effect: the fact that the earth’s atmosphere contains so-called greenhouse gases (of which water vapour is overwhelmingly the most important, but CO2 is another) which, in effect, trap some of the heat we receive from the sun and prevent it from bouncing back into space. Without the greenhouse effect, the planet would be so cold as to be uninhabitable. But, by burning fossil fuels—coal, oil and gas—we are increasing the amount of CO2 in the atmosphere and thus, other things being equal, increasing the earth’s temperature. But four questions immediately arise, all of which need to be addressed, coolly and rationally. First, other things being equal, how much can increased atmospheric CO2 be expected to warm the earth? (This is known to scientists as climate sensitivity, or sometimes the climate sensitivity of carbon.) This is highly uncertain, not least because clouds have an important role to play, and the science of clouds is little understood. Until recently, the majority opinion among climate scientists had been that clouds greatly amplify the basic greenhouse effect. But there is a significant minority, including some of the most eminent climate scientists, who strongly dispute this. Second, are other things equal, anyway? We know that over millennia, the temperature of the earth has varied a great deal, long before the arrival of fossil fuels. To take only the past thousand years, a thousand years ago we were benefiting from the so-called medieval warm period, when temperatures are thought to have been at least as warm, if not warmer, than they are today. And during the Baroque era we were grimly suffering the cold of the so-called Little Ice Age, when the Thames frequently froze in winter and substantial ice fairs were held on it, which have been immortalised in contemporary prints. Third, even if the earth were to warm, so far from this necessarily being a cause for alarm, does it matter? It would, after all, be surprising if the planet were on a happy but precarious temperature knife-edge, from which any change in either direction would be a major disaster. In fact, we know that, if there were to be any future warming (and for the reasons already given, ‘if’ is correct) there would be both benefits and what the economists call disbenefits. I shall discuss later where the balance might lie. And fourth, to the extent that there is a problem, what should we, calmly and rationally, do about it?
Alan Moran (Climate Change: The Facts)
Roper shrugged, cleared his throat and then swallowed the phlegm. ‘Never liked fish anyway.’ ‘Just pick it up,’ she muttered. ‘Throw it in a damn bin.’ He looked at her for a few seconds, licked his bottom lip, and then turned towards the river and walked away, leaving it there. Jamie stared at it, weighing up whether to pick it up and prove Roper right, or to leave it and admit to herself that it wasn’t that important. She didn’t like the idea of touching something that had been in his mouth, so she left it and followed him. This morning, they did have bigger fish to fry. Whether Roper liked them or not. There was a police cordon set up around the area and three squad cars and an ambulance parked at odd angles on the street. It ran parallel to the water, with a pavement separating the road from the grassy bank that led down to the body.  A bridge stretched overhead and iron grates spanned the space between the support struts, stopping debris from washing into the Thames. It looked like the body had got caught on one and then dragged to shore.  Some bystanders had gathered on the bridge and were looking down, at a loss for anything else to do than hang around, hoping for a look at a corpse.  Jamie dragged her eyes away from them and looked around. The buildings lining the river were mostly residential. Blocks of apartments. No wonder the body had been seen quickly.  There were six uniformed officers on scene, two of whom were standing guard in front of the privacy tent that had been set up on the bank. It looked like they’d fished the body out onto the grass. Jamie was a little glad she didn’t have to wade into the water.  To the right, a man in his sixties was being interviewed by one of the officers. He was wrapped in a foil blanket and his khaki trousers were still soaked through. Had he been the one to pull the body out? It took a certain kind of person to jump into a river to help someone rather than call it in. Especially in November. That made three officers. She continued to search. She could see another two in the distance, checking the river and talking to pedestrians. The conversations were mostly comprised of them saying the words, ‘I can’t tell you that, sorry,’ to people who kept asking what had happened in a hundred different ways. Jamie was glad her days of crowd control were over. She’d been a uniformed officer for seven years. The day she’d graduated to plainclothes was one of the happiest of her life. For all the shit her father did, he was one hell of a detective, and she’d always wanted to be one — minus the liver cirrhosis and gonorrhoea, of course. She was teetotal. The sixth officer was filling out a report and talking to the paramedics. If the victim had washed up in the river in November then there would have been nothing they could do.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
During the ice age around 425,000 years ago (five ice ages before the most recent glaciation) a vast lake of water became trapped between the Scottish and Scandinavian ice sheets and the 30-kilometre-wide ridge of rock then still linking England and France. This lake was filled with meltwater from the ice sheets as well as the discharge from rivers like the Thames and Rhine. And with no outlet to escape through, the water rose and rose, until inevitably it began to spill over the top of the land bridge. These colossal waterfalls scooped out vast plunge pools on the channel floor and gouged backwards through the barrier until this natural dam collapsed. The entire trapped lake emptied itself as a catastrophic megaflood, widening the gaping breach in the barrier and carving the landforms on the floor of the Channel we can see with sonar today. This first megaflood 425,000 years ago
Lewis Dartnell (Origins: How the Earth Shaped Human History)
The Amazon is not a normal river, like the Thames, for instance - it is the focal point of a huge sheet of water that surges through the forest when the waters are high. This deluge can be more than 100km wide in places; it is the same distance as London to Paris at its mouth where it gushes out at over 200,000 cubic metres per second in to the Atlantic Ocean
Ed Stafford (Walking the Amazon: 861 Days)
In January 2012, the China Investment Corporation bought a 8.68 percent investment in Thames Water, the largest water utility in England, serving parts of the Greater London area, Thames Valley, and Surrey. In November of that year,
Jim Marrs (Population Control: How Corporate Owners Are Killing Us)
From seasonal splashes near Trewsbury European eels migrate upstream; Myriad carp, redfin perch, brook lamprey, Dragonflies, mosquitoes, wee midges, Pale cormorant, herring gulls, wagtails, Swans glide round woodland tapestry, Braided channel islands rest alone, Arched medieval stone slab bridges, Tree lines fête ash, alder, chestnut, beech. Floodplains, tangled sedge reedbeds, Owls speed above tree-covered islets, Teaming alluvium water-meadows Growing lavender, iris, marigold.
Ruth Ann Oskolkoff (The Bones of the Poor)
Andrei sometimes wondered how much a river would change Los Angeles. He pictured a long stream of water that divided the city, much like the River Thames or the Seine. Rivers nourished. The water happily rewrote the aisles of streetlamps and transformed one’s nighttime walk into a feature film. It carried boats filled with a surveying crowd that waved back at any brandishing hand on land that tried. It fostered lunch dates, amusing dares, and a reference for the lost. Andrei had spent one summer abroad and met these rivers. He was astonished at the difference in conversations the Europeans had with him. They were simple and alive. The pubs helped. The accents, too. Was it the rain that reminded? he speculated. The museums? The red buses? The cheap flights to any neighboring country? So—what was it about the geography of LA that made connection impossible? Just then, the sun glared at him. He glared back.
Kristian Ventura (A Happy Ghost)
The Great Stink (or How a Crisis Can Kickstart Radical Planning) Picture London in the 1850s. In fact, don’t picture it—smell it. Since medieval times, the city’s human waste had been deposited in cesspools—stinking holes in the ground full of rotting sludge, often in the basements of houses—or flushed directly into the River Thames. While thousands of cesspools had been removed since the 1830s, the Thames itself remained a giant cesspool that also happened to be the city’s main source of drinking water: Londoners were drinking their own raw sewage. The result was mass outbreaks of cholera, with over 14,000 people dying in 1848 and a further 10,000 in 1854.20 And yet city authorities did almost nothing to resolve this ongoing public health disaster. They were hampered not just by a lack of funds and the prevalent belief that cholera was spread through the air rather than through water, but also by the pressure of private water companies who insisted that the drinking water they pumped from the river was wonderfully pure. The crisis came to a head in the stiflingly hot summer of 1858. That year had already seen three cholera outbreaks, and now the lack of rainfall had exposed sewage deposits six feet deep on the sloping banks of the Thames. The putrid fumes spread throughout the city. But it wasn’t just the laboring poor who had to bear it: The smell also wafted straight from the river into the recently rebuilt Houses of Parliament and the new ventilation system conspired to pump the rank odor throughout the building. The smell was so vile that debates in the Commons and Lords had to be abandoned, and parliamentarians fled from the committee rooms with cloths over their faces. What became known as the “Great Stink” was finally enough to prompt the government to act.
Roman Krznaric (The Good Ancestor: A Radical Prescription for Long-Term Thinking)
Cliff squeezed my hand, and I squeezed back just to let him know I was there. Then I saw light. Not from Mrs. Henderson’s torch; this was something bigger, out beyond the houses. It wasn’t constant like the searchlights over London, but every few moments sent out a beam so strong that in it I glimpsed the grey water and white-topped waves of what had to be the sea. My heart gave a little skip. ‘That’s the lighthouse,’ said Miss Carter, who appeared beside me. ‘Beautiful, isn’t it? A beacon to guide the lost to safety.’ It was beautiful. I’d never seen a real working lighthouse before. The way its light reached far out into the darkness was mesmerising to watch. Miss Carter sighed. ‘There’s talk of turning it off now, though. It’s a threat to national security, apparently, because the enemy’s been using landmarks like this to navigate their planes.’ ‘When they come over to bomb us, you mean?’ I’d heard something similar back in London, about German pilots following the Thames to find their targets. ‘Exactly that.’ This war, I thought bleakly. This horrid, horrid war. Even down here in the wilds of Devon we couldn’t escape it.
Emma Carroll (Letters from the Lighthouse)
need say was I need some time off. But she couldn’t do it. “The St. James house at half-past seven,” she repeated. “Got it, sir.” He rang off. Barbara hung up. She tried to plumb the depths of her feelings, to put a name to what was slowly washing through her veins. She wanted to call it shame. She knew it was liberation. She went to tell her father that they would need to reschedule his doctor’s appointment for another day. Kevin Whateley had not gone to the Royal Plantagenet, which was the pub next door to his cottage. Rather, he had walked along the embankment, past the triangular green where he and Matthew had once learned to operate their pair of remote-control planes, and had instead entered an older pub that stood on a spit of land reaching like a curled finger into the Thames. He’d chosen the Blue Dove deliberately. In the Royal Plantagenet—despite its proximity to his house—he might have forgotten for five minutes or so. But the Blue Dove would not allow him to do so. He sat at a table that overlooked the water. In spite of the night’s falling temperature, someone was out, night fishing from a boat, and lights bobbed periodically with the river’s movement. Kevin watched this, allowing his memory to fill with the image of Matthew running along that same dock, falling, damaging a knee, righting himself but not crying at all, even when the blood began to seep from the cut, even when the stitches were later put in. He was a brave little bloke, always had been. Kevin forced his eyes from the dock and fastened them on the mahogany table. Beer mats covered it, advertising Watney’s, Guinness, and Smith’s. Carefully, Kevin stacked them, restacked them, spread them out like cards, restacked them again. He felt how shallow his breathing was and knew that he needed to take in more air. But to breathe deeply was to lose his grip for an instant. He wouldn’t do that. For if he lost control, he didn’t know how he would get it back. So he did without air. He waited. He didn’t know if the man he sought would come into the pub this late on a Sunday night, mere minutes before closing. In fact, he didn’t even know if the man came here at all any longer. But years ago he’d been a regular customer, when Patsy worked long hours behind the bar, before she’d got her job in a South Kensington hotel. For Matthew’s sake, she had said when she’d taken on the
Elizabeth George (Well-Schooled in Murder (Inspector Lynley, #3))
One month later, as promised, they sailed upriver on the royal barge bound for Richmond Palace. Richmond was a residence built in the time of the king’s father and situated on the site of the old Manor of Sheen, on the Surrey shore of the Thames. Bridget had never been there before and was looking forward to seeing it. As the barge sailed serenely atop the calm waters, she imagined what Richmond might look like. She needed something positive to look forward to, something to distract her mind from her current situation. She had been positioned in the boat, to her chagrin, to the right of the king, as close as he could place her whilst still observing some degree of propriety. She was garbed in a new gown of rich red brocade, the bright sunlight catching the numerous golden threads that ran through it. It was one of the many presents that the king had showered her with since she had consented to become his mistress. If “consented” was indeed the right word.
V.E. Lynne (Court of Traitors (Bridget Manning #2))
The day after our wedding, we flew off on honeymoon. I had recklessly waited until two days before our wedding to book the holiday, in the hope that I would get some great last-minute deal somewhere. Always a dangerous tactic. I pretended to Shara that it was a surprise. But, predictably, those “great deals” were a bit thin on the ground that week. The best I could find was a one-star package holiday, at a resort near Cancun in Mexico. It was bliss being together, but there was no hiding the fact that the hotel sucked. We got put in a room right next to the sewer outlet--which gave us a cracking smell to enjoy every evening as we sat looking out at the…maintenance shed opposite. As lunch wasn’t included in the one-star package, we started stockpiling the breakfasts. A couple of rolls down the jersey sleeve, and a yogurt and banana in Shara’s handbag. Then back to the hammock for books, kissing, and another whiff of sewage. When we returned to the UK it was a freezing cold January day. Shara was tired, but we were both excited to get onto our nice, warm, centrally heated barge. It was to be our first night in our own home. I had asked Annabel, Shara’s sister, to put the heating on before we arrived, and some food in the fridge. She had done so perfectly. What she didn’t know, though, was that the boiler packed in soon after she left. By the time Shara and I made it to the quayside on the Thames, it was dark. Our breath was coming out as clouds of vapor in the freezing air. I picked Shara up and carried her up the steps onto the boat. We opened the door and looked at each other. Surprised. It was literally like stepping into a deep freeze. Old iron boats are like that in winter. The cold water around them means that, without heating, they are Baltically cold. We fumbled our way, still all wrapped up, into the bowels of the boat and the boiler room. Shara looked at me, then at the silent, cold boiler. No doubt she questioned how smart both choices had really been. So there we were. No money, and freezing cold--but happy and together. That night, all wrapped up in blankets, I made a simple promise to Shara: I would love her and look after her, every day of our life together--and along the way we would have one hell of an adventure. Little did either of us realize, but this was really just the beginning.
Bear Grylls (Mud, Sweat and Tears)
The Thames here had a vastly different character to the wide, muddy tyrant that seethed through London. It was graceful and deft and remarkably light of heart. It skipped over stones and skimmed its banks, water so clear that one could see the reeds swaying deep down on her narrow bed. The river here was a she, he'd decided. For all its sunlit transparency, there were certain spots in which it was suddenly unfathomable.
Kate Morton (The Clockmaker's Daughter)
Drebbel’s craft allegedly voyaged from Westminster to Greenwich and back. Throughout, its stubby conning tower poked above the water, Drebbel navigating by peering through small windows. In 1623 Drebbel allegedly took King James I under the Thames. By instinct cautious, the King was nevertheless fascinated by science and mechanical things,
Iain Ballantyne (The Deadly Deep: The Definitive History of Submarine Warfare)
according to one naval historian his submersible was probably nothing more than a large leather-covered barge . . . weighted until the crew was below the surface’.7 Drebbel’s craft merely had water washing over its hull rather than actually diving, the fast-flowing current of the Thames assisting the exertions of the oarsmen. With the English naval establishment losing
Iain Ballantyne (The Deadly Deep: The Definitive History of Submarine Warfare)
Someone at the Admiralty mentioned that the Dutch barges known as schuyts, which had flat bottoms and crews of three, might be very suitable for taking people off beaches. As many as forty of them had arrived in the previous weeks from the Netherlands and were in the Thames estuary. Ramsay gave orders to have them requisitioned and manned by crews from the naval reserve.  He also took what turned out to be a critical decision. He ordered 80,000 cans of drinking water and sent them to Dunkirk to special dumps, and set guards on them. It turned out to have a vital significance in keeping the army alive.
David Boyle (Dunkirk: A Miracle of Deliverance (The Storm of War Book 2))
are four main routes out of London and we might be moving on any one of them. North, into the flat lands beyond Finsbury Fields. Westward, down the river in the direction of Greenwich. Or perhaps eastwards – although on that route the cart would have passed through Holborn and Westminster, and a prudent driver might prefer to steer away from crowded places. These directions all involved traversing relatively law-abiding areas of the city. On the other hand, if we had crossed the river either by the bridge or ferry, we would have moved south through my own patch of Southwark. This was no particular source of comfort. Were I planning to take someone prisoner and carry him off to a secret destination, this is the direction I would take. Everyone knows that the law and authority of the city do not stretch far on our bank of the Thames. Men and women who have stumbled into trouble recognise that they have a bolt-hole here. Even those on the right side of the law but afraid of its frown – boatmen, for example, or the owners of bearpits – feel instinctively that they are at home south of the water. Respectable figures like the players of the Chamberlain’s Men are resident in Southwark. Master WS, he lived in the Liberty of the Clink, did he not? Though not Master Richard Burbage, no, he lived with seven little Burbages somewhere oh-so-proper north of the river . .
Philip Gooden (Sleep of Death (Shakespearean Murder, #1))
For their first date, Forstmann drove Diana to Marlow, near Windsor, for an intimate dinner at the Compleat Angler overlooking the River Thames. “We were sitting looking out at the water, and I said, ‘What
Tina Brown (The Diana Chronicles)
Duck Decoy Buckinghamshire In London at low tide it is still possible to find traces of Saxon fish and eel traps in the Thames, and near Brill in Buckinghamshire the National Trust has preserved what might be described as their avian equivalent. Today the word decoy has a wider meaning, but its origins are Dutch and originally described a type of wicker enclosure introduced to Britain from the Netherlands in the seventeenth century.[7] After landing on a lake or pond, waterfowl were encouraged into these enclosures by dogs specially trained for the purpose. The ruse works because ducks can become victims of their own curiosity. Faced with a likely predator, a duck will often keep it under observation rather than fly away. Mistaking a hunter’s dog for a fox, birds could thus be tricked into remaining on the water and gently led along the course of the decoy. Thereafter, the chances of escape would be reduced by narrowing the width of the enclosure as the birds paddled farther into it, and by giving it a curved shape that cut off the view of the pond. Once trapped in this way, the birds could be easily caught and killed; the meat all the better for being free of lead shot. As a source of nutrition, the decoys proved relatively cheap and efficient and soon hundreds were being constructed around the country. By the late nineteenth century, however, the number had slumped to a few dozen and today there are just four which, if they are used at all, play a role in trapping animals for ringing rather than for the pot. Hidden away in woodland, the Boarstall duck decoy is beautifully preserved and fairly typical of the late seventeenth century, although iron hoops suggest it might have been of above-average quality. With three separate enclosures or ‘pipes’, it includes hurdles behind which the decoyman could hide, perhaps throwing grain onto the surface of the water to further tempt the birds to their doom. Originally serving the kitchens of a now-vanished medieval manor house – to which the National Trust’s Boarstall Tower is the old gatehouse – this simple but ingenious device remained in use until the 1940s.
David Long (Lost Britain: An A-Z of Forgotten Landmarks and Lost Traditions)