Textured Wall Art Quotes

The impotence of liberal humanism is a symptom of its essentially contradictory relationship to modern capitalism. For although it forms part of the ‘official’ ideology of such society, and the ‘humanities’ exist to reproduce it, the social order within which it exists has in one sense very little time for it at all. Who is concerned with the uniqueness of the individual, the imperishable truths of the human condition or the sensuous textures of lived experience in the Foreign Office or the boardroom of Standard Oil? Capitalism’s reverential hat-tipping to the arts is obvious hypocrisy, except when it can hang them on its walls as a sound investment. Yet capitalist states have continued to direct funds into higher education humanities departments, and though such departments are usually the first in line for savage cutting when capitalism enters on one of its periodic crises, it is doubtful that it is only hypocrisy, a fear of appearing in its true philistine colours, which compels this grudging support. The truth is that liberal humanism is at once largely ineffectual, and the best ideology of the ‘human’ that present bourgeois society can muster. The ‘unique individual’ is indeed important when it comes to defending the business entrepreneur’s right to make profit while throwing men and women out of work; the individual must at all costs have the ‘right to choose’, provided this means the right to buy one’s child an expensive private education while other children are deprived of their school meals, rather than the rights of women to decide whether to have children in the first place.

I want to take our museum bodies and turn them into art galleries to show us how lovely we are. I want to dust off the fingerprints of old lovers, take down the signs that name our bodies ancient history, turn every wounded object inside us into something that can still be looked at and seen as beautiful, not an object from an era we are glad we are not living through any more. I want us to love ourselves like we love art. I want whole gallery walls dedicated to our soft hearts, vermilion and crimson and indigo across canvas after canvas framed in gold. I want sculptures made from the tears we cried over losing everything. I want our skins to be a celebration: The texture is what makes this art, all these lines and blemishes and spots that show the artist's love. I don't want us to look at ourselves as forgotten things we hate any more. I want us to look at ourselves and see art.

Lizzie told me ’tis important to use all of the senses in cooking.” “She is correct—the art of baking bread or preparing a proper dish is to remember to use your senses. You must feel the texture to know the consistency and taste it to know if you have the right amount. The aroma will tell you when it is done. Experience will teach you.” He turned to the oven and opened the door. Mary drew back from the heat, but he nudged her to look inside. The soot had turned to a white-hot ash on the walls of the oven and he nodded toward the

you can find inspiration in anything if you look at it in the right way, marks and stretch in the walls can be used to discover a new texture, or you can experiment with stones and everyday objects. it just a matter of finding something that intrigues you visually and figuring out how you can explore these everyday findings and incorporate them into your way of working

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