Texas Chainsaw Quotes

If they made a film of my inner life, it would be more than the public could take. Mothers would scream, "Bring back The Texas Chainsaw Massacre, so we can have some decent family entertainment!

Night of the Living Dead isn’t really about zombies, it’s about racism. The Texas Chainsaw Massacre is littered with pro-vegetarian subtext, and They Live is more about rampant consumerism than aliens.” “But ghosts aren’t real,” Seth argues. “He wasn’t actually in danger.” “Zombies, Leatherface, and space invaders aren’t real, either,” I counter. “But racism, factory farming, and unchecked corporate greed are.

The sound of a chainsaw going off inside the building had me meeting Amari’s gaze, and he shot me a funny expression. “You scared?” He tilted his head to the side. “Why? If I say yes, will you hold my hand?” Well, I hadn’t been asking to flirt. I’d just been joking. But…. “No,” I replied. “I’m going to be too busy holding Zac’s hand. I don’t want him having nightmares tonight.” He chuckled just as I felt a hand land on the back of my neck again, molding itself around it. Tilting my head back, I found those familiar baby blues on me. I whispered, “But for real, I don’t think I’ll get scared, but if I do, I’m using you as a human shield. You’ve lived a much fuller life than I have. Technically, Amari’s bigger but—” My old friend scoffed. “We’re the same size. You know people still call me ‘Big Texas,’ don’t you?” “Yeah, I know, but I started calling you that back when you were the biggest guy I knew. You’re not even that big.” “Excuse me?” It was too much fun to pick on him. “You’re big, but you’re not that big.” Zac’s head reared back. “Aren’t you five feet tall?” “Five foot two.” Zac blinked. I blinked. He narrowed his eyes. “Swear to God, I’m tellin’ Mama on you.

I silently assessed our predicament before deciding to implement the only real plan I could come up with. It was a risky plan—a plan that could easily backfire. But it was my only option. I was going to have to scare my mother out of the forest. Normally, I wouldn’t have been able to think of anything frightening enough to breach her grown-up resistance to scary kid stories. But a few nights earlier, she had watched The Texas Chainsaw Massacre while she thought I was asleep. Unfortunately, I wasn’t asleep. I was hiding behind the couch. And I had imprinted everything I’d seen that night. I imagine it would be pretty terrifying to be wandering through the forest at night when, out of nowhere, your eight-year-old child begins describing the plot from the horror film you watched the other night, which, as far as you know, she hadn’t seen. But my mother maintained her composure very well—until a twig snapped, at which point she whirled around shrieking, “WE HAVE A DOG!” As if Murphy’s presence were enough to deter a homicidal psychopath with a chainsaw. It was too much. All the helplessness and frustration that she had been trying so hard to hide from us came rushing to the surface.

The multicolored kitten snuggled between her breasts. Lucky cat. "I thought maybe something like....Sweetums." "What? That's a wussy name. She'd totally get her ass kicked by all the other neighborhood cats. You can't call her...that. See I can't even say it. It's too ridiculous." Abby chuckled, and the sound drifted over him like a warm breeze. "I suppose you want me to call her Rowdy, or Bullet or Chainsaw," she said. "Those aren't bad." He liked it when she teased him. "Maybe you could name her something like Flash, or Blaze, or Storm. "Or maybe I could call her pooty pie." "Oh my God." He slapped his forehead. "You're killing me. You'd be better off sticking with Sweetums." "Ha!" She pointed her finger at him. "You said it." Before he could wrap his hand around that finger and pull her against him, he gave the kitten-who purred contentedly between Abby's breasts-a rub between the ears. Lucky damn cat.

He may not be the most well-known killer in this book, but he may well be the most influential in pop culture. No other killer has inspired as many movie franchises as the story of the Butcher of Plainfield. Norman Bates from Psycho, Leatherface from The Texas Chainsaw Massacre, and Buffalo Bill from The Silence of the Lambs were all inspired by his story. The account of the life of Ed Gein is so strange, and what they found in his barn was so macabre, it has influenced the way we think about modern horror.

At well over six feet tall, his shoulders were broad and his posture menacing—or so it seemed to her. All he needed was a chain saw to complete the Texas Chainsaw Massacre image that was forming in her overly active imagination.

I can’t tell you how many times I’ve woken up in a cold sweat thinking I’m being chased by a grunting, disfigured man wielding a hatchet. Usually we're at an abandoned campground, which leads me to believe this is a subconscious mashup of Friday the 13th and The Texas Chainsaw Massacre. He never catches me. The only thing that ever happens is I'm running and he's chasing. It's pretty horrible. I know it’s not real, but it feels real, and you know how feelings are. They make everything real.

Very often, we’ll spend the entire night watching back-to-back horror movies, starting with something slightly scary such as the original Frankenstein or Alvin and the Chipmunks before building up to stronger fare like The Exorcist and The Texas Chainsaw Massacre and ending with our wedding video.

Imperfect Silence by Stewart Stafford The new roommates were, The noisiest people alive, Sandwich-making became, The Texas Chainsaw Massacre. Is that dishwashing? Or a battle reenactment? Vibrations from videogames, Shook the hollow home. Then the 7 a.m. rite again, Pianos dropped as you slept, And their jumbo jet snoring, Blew you out of the bed. © Stewart Stafford, 2022. All rights reserved.

As I step out of the van, blood flows out the door in a mini-waterfall—think an elevator–in–The Shining level of blood. I look at myself in the van’s side mirror. In my bloody suit, I look like the maître d’ at a Texas Chainsaw cookout.

Years ago I read about a psychiatrist who said, ‘If you could only photograph everybody who came out of the Texas Chainsaw Massacre, you would have a mug book of all the active violent offenders against women in that particular area.