Tetsuo Quotes

We'd lived our lives thinking that there was a special way of living for people who had been discarded.

I always thought of myself as the Kaneda of our dyad, but here I was playing Tetsuo.

Tetsuo-san, ¿le gustaría volver a verme dentro de ciento dos años?

Whether it succeeded or not was of secondary importance; first, I had to do it. Then I would experience the fullness of life as I went along. That was my only possible way of living.

They wanted us to change," said Tetsuo. "They came to our planet and they wouldn't shut up about fluid overlays and unhierarchical forms of social organization. We felt like we had to listen to them, because they were so powerful. But secretly we thought of them as monsters from space. And now here we are at your planet, and we are the monsters from space." "Why'd you come here? Why even bother?" "Don't you want to be a monster from space, too?

They are both silent, doubt and grief and fury scuttling between them like beetles in search of a meal. Tetsuo and the girl stare at each other with such deep familiarity that Key feels forgotten, alone—almost ashamed of the dreams that have kept her alive for a decade. They have never felt so hopeless, or so false. “Her name is Key,” Tetsuo says, in something like defeat. He turns away, though he makes no move to leave. “She will be your new caretaker.

Historians and paleontologists have a great rivalry," said Tetsuo. "Most contact missions arrive too late, after history has ended. The people we wanted to contact have wiped themselves out. The historians have to put on pith helmets and learn how to dig up fossils." "But you're not fossils," said Ashley. "And so, the historians win!" said Tetsuo. "This time, the paleontologists have to learn about inefficient hierarchical systems of social organization!

Shino looked at me straight in the eye and smiled, her face brimming with a kind of inner strength. That strength seemed to gather the beads of perspiration that glistened on her brow, then sprang from her face and leapt across to my heart with a rhythm like ripples on water.

Do human software games have directors?" said Tetsuo. "Like movies?" "Yeah," I said, "if they're real pretentious, like Weapon Eternal." "Af be Hui was the director of A Tower of Sand," said Tetsuo. "She became well-known. High-status. She made seven other games and her games changed history a little bit. I think we should play more of her work." "To what purpose? Did she finally get the Ip Shkoy to calm down about the Constellation?" Ashley wriggled violently and Tetsuo crawled off of her tail. "Purpose?" said Tetsuo. "What is purpose? History is not a trash compactor where you lost something important. You have to spend some time there.

Japanese anime such as Akira (Otomo, 1988), Oneamisu No Tsubasa (Wings of Honneamise, Yamaga, 1987/1994) and Kokaku kidotai (Ghost in the Shell, Oshii, 1995), and strange live-action movies such as Ganheddo (Gunhed, Harada, 1989), Tetsuo (The Iron Man, Tsukamoto, 1989) and Tetsuo II: Body Hammer (Tsukamoto, 1991) found international success.

Don't be a guy who feels bad," said Tetsuo. "Nobody ever knows what to do. Our life-task is to decide what to do.

You weren't using the moon for anything. Only some long-term robot storage.