Test Of Character Quotes

Keep doing the right. God is building character in you, and you are passing that test. Remember, the greater the struggle, the greater the reward.

The true test of a man’s character is what he does when no one is watching.

sometimes knowing when to give up is the real test of character... -annabelle granger

A person's ethics and character are not tested in good times. It is only in bad times that a person shows how steadfast he is to his dharma.

I'd like to find whoever taught the Stump that extra work builds character and push him down the stairs," Neal told Kel at lunch.

Life will throw different character tests at you that are designed to see how well you do. The key to passing these tests is having the right values in place that you've developed over time and that now define your character.

The true test of character is not how much we know how to do, but how we behave when we don't know what to do.

...we are all sorry when loss comes for us. The test of our character comes not in how many tears we shed but in how we act after those tears have dried.

Scars fade with time. And the ones that never go away, well, they build character, maturity, caution.

Be fearless. Have the courage to take risks. Go where there are no guarantees. Get out of your comfort zone even if it means being uncomfortable. The road less traveled is sometimes fraught with barricades bumps and uncharted terrain. But it is on that road where your character is truly tested And have the courage to accept that you’re not perfect nothing is and no one is — and that’s OK.

Someone once said anyone can be great under rosy circumstances, but the true test of character is measured by how well a person makes decisions during difficult times.

For a Hero cannot triumph all the time. Sometimes he will be defeated, and how he faces that defeat is a test of his character.

One does not argue about The Wind in the Willows. The young man gives it to the girl with whom he is in love, and, if she does not like it, asks her to return his letters. The older man tries it on his nephew, and alters his will accordingly. The book is a test of character. We can't criticize it, because it is criticizing us. But I must give you one word of warning. When you sit down to it, don't be so ridiculous as to suppose that you are sitting in judgment on my taste, or on the art of Kenneth Grahame. You are merely sitting in judgment on yourself. You may be worthy: I don't know, But it is you who are on trial.

Character is both developed and revealed by tests, and all of life is a test... You will be tested by major changes, delayed promises, impossible problems, unanswered prayers, undeserved criticism, and even senseless tragedies.

Animals are more than ever a test of our character, of mankind's capacity for empathy and for decent, honorable conduct and faithful stewardship. We are called to treat them with kindness, not because they have rights or power or some claim to equality, but in a sense because they don't; because they all stand unequal and powerless before us.

Every test successfully met is rewarded by some growth in intuitive knowledge, strengthening of character, or initiation into a higher consciousness.

The test of any good fiction is that you should care something for the characters; the good to succeed, the bad to fail. The trouble with most fiction is that you want them all to land in hell together, as quickly as possible.

In all tests of character, when two viewpoints are pitted against one another, in the final analysis the thing that will strike you the most, is not who was right or wrong, strong or weak, wise or foolish.... but who would go to the greatest lengths in considering the other's perspective.

There is a story, always ahead of you. Barely existing. Only gradually do you attach yourself to it and feed it. You discover the carapace that will contain and test your character. You will find in this way the path of your life.

The real test of character is whether you will do the right thing even when it costs more than you want to pay.

Life is All About How you Handle Plan B Plan A is always my first choice. You know, the one where Everything works out to be Happily ever-after. But more often than not, I find myself dealing with The upside-down, inside-out version -- Where nothing goes as it should. It's at this point that the real Test of my character comes in.. Do I sink, or do I swim? Do I wallow in self pity and play the victim, Or simply shift gears And make the best of the situation? The choice is all mine... Life is all about how you handle Plan B.

God has a way of picking a “nobody” and turning their world upside down, in order to create a “somebody” that will remove the obstacles they encountered out of the pathway for others.

Fate is a funny character. She puts obstacles in your path to see what character ye have. Life isn't fair,life is a test.

Friendship is held to be the severest test of character. It is easy, we think, to be loyal to a family and clan, whose blood is in your own veins.

Daja doesn't exactly need to be tested on whether she's honorable or not." "Doesn't she? Don't all of you? This is your first taste of the things which may come from your being powerful mages. People will offer you gold, status, even love. I want to know how you will react. If want to know if your teachers will release greedy, thoughtless monsters into the world.

It's my experience that how a person used power is the most reliable test of their character.

The test of character posed by the gentleness of God's approach to us is especially dangerous for those formed by the ideas that dominate our modern world. We live in a culture that has, for centuries now, cultivated the idea that the skeptical person is always smarter than one who believes. You can be almost as stupid as a cabbage, as long as you doubt. The fashion of the age has identified mental sharpness with a pose, not with genuine intellectual method and character. Only a very hardy individualist or social rebel -- or one desperate for another life -- therefore stands any chance of discovering the substantiality of the spiritual life today. Today it is the skeptics who are the social conformists, though because of powerful intellectual propaganda they continue to enjoy thinking of themselves as wildly individualistic and unbearably bright.

People that hold onto hate for so long do so because they want to avoid dealing with their pain. They falsely believe if they forgive they are letting their enemy believe they are a doormat. What they don’t understand is hatred can’t be isolated or turned off. It manifests in their health, choices and belief systems. Their values and religious beliefs make adjustments to justify their negative emotions. Not unlike malware infesting a hard drive, their spirit slowly becomes corrupted and they make choices that don’t make logical sense to others. Hatred left unaddressed will crash a person’s spirit. The only thing he or she can do is to reboot, by fixing him or herself, not others. This might require installing a firewall of boundaries or parental controls on their emotions. Regardless of the approach, we are all connected on this "network of life" and each of us is responsible for cleaning up our spiritual registry.

I suppose the true test of character comes when facing life’s harshest blows and disappointments. When things don’t turn out how you had hoped they would, do you grow bitter? Spiteful? Blame others and spread your misery? Or do you keep your head high and walk with grace, meeting the struggles which God has placed in your path?

For the future, I shall rely only upon those elements of my character which I have tested. Who would ever have said that I should find pleasure in shedding tears? That I should love the man who proves to me that I am nothing more than a fool?

It is doubtful whether God can bless a man greatly until he has hurt him deeply." God actually rises up storms of conflict in relationships at times in order to accomplish that deeper work in our character. We cannot love our enemies in our own strength. This is graduate-level grace. Are you willing to enter this school? Are you willing to take the test? If you pass, you can expect to be elevated to a new level in the Kingdom. For He brings us through these tests as preparation for greater use in the Kingdom. You must pass the test first.

Life is a test.  It was designed to be so.  It is where we taste the bitter and the sweet; where we feel pain and pleasure; where we learn right from wrong; where we pass through both darkness and light.  It is a time to make choices.  And through this process we form our characters—some grand and glorious, some barely decent, and others just plain monstrous. 

There is no telling what a human character is. Until the test comes. To most of us the test comes early in life. A man is confronted quite soon with the necessity to stand on his own feet, to face dangers and difficulties and to take his own line of dealing with them. It may be the straight way, it may be the crooked way --- whichever it is, a man usually learns early just what he is made of.

True character stands the test of emergencies. Do not be mistaken, it is weakness from which the awakening is rude.

Self-respect is not the same as self-confidence or self-esteem. Self-respect is not based on IQ or any of the mental or physical gifts that help get you into a competitive college. It is not comparative. It is not earned by being better than other people at something. It is earned by being better than you used to be, by being dependable in times of testing, straight in times of temptation. It emerges in one who is morally dependable. Self-respect is produced by inner triumphs, not external ones.

Sometimes the reason God doesn't show up to win your battles is because he already put inside of you the power to end it.

The test of a mans character is not the mistakes he makes but the way he responds to them.

If you want to test someone's character, give him respect. If he has good character, he will respect you more, if he has bad character, he will think is the best of all.

Nothing discloses real character like the use of power. It is easy for the weak to be gentle. Most people can bear adversity. But if you wish to know what a man really is, give him power. This is the supreme test.

I think you can tell more about a person’s character by how they act when things aren’t going well. It’s easy to stick around when things are great, but commitment and loyalty are truly tested during hardship.

How would I behave in a situation that caused me to summon the essence of my character? The tragedy inspired me to test myself. I wanted to reveal to myself who I was: the kind of person who died, or the kind of person who overcame circumstances to help himself and others

Courage is God's way of testing the virtues you profess to have and your level of commitment to everything you think you are.

At the same time believers realise that the defects they see in one another are tests from Allah. For this reason they don't call attention to these defects, but compensate for them by acting positively. They carefully avoid the slightest action, facial expression or word that would suggest ridicule.

If one abandons their principles when tested by struggle, they were never true principles but advertisements for character they never possessed.

Character is both developed and revealed by tests, and all of life is a test.

President Abraham Lincoln said, “Nearly all men can stand adversity, but if you want to test a man’s character, give him power.

...‘Fire tests gold.’" "Right" said Jocelyn. "...adversity tests one's strength of character. In difficult times, in dark times, some people shine

If you want to test a man's character, give him power.

Life is a test. A test of Character and Strength, experience is our study guide... so remember what you learn and more importantly-apply it.

loneliness is a great teacher and a master test of character

I've always regarded it as a test of character to dislike the Kennedys. I don't really respect anyone who falls for Camelot.

The forbearing use of power does not only form a touchstone, but the manner in which an individual enjoys certain advantages over others is a test of a true gentleman. The power which the strong have over the weak, the employer over the employed, the educated over the unlettered, the experienced over the confiding, even the clever over the silly--the forbearing or inoffensive use of all this power or authority, or a total abstinence from it when the case admits it, will show the men in a plain light. The gentleman does not needlessly and unnecessarily remind an offender of a wrong he may have committed against him. He cannot only forgive, he can forget; and he strives for that nobleness of self and mildness of character which impart sufficient strength to let the past be but the past. A true man of honor feels humbled when he cannot help humbling others.

Does adversity build character? . . . It does not. Almost all people can stand adversity of one sort or another. If you want to test a person’s character, give him power.

The things that knock you down in life are tests, forcing you to make a choice between giving in and remaining on the ground or wiping the dirt off and standing up even taller than you did before you were knocked down. I’m choosing to stand up taller. I’ll probably get knocked down a few more times before this life is through with me, but I can guarantee you I’ll never stay on the ground.

Moral cowardice that keeps us from speaking our minds is as dangerous to this country as irresponsible talk. The right way is not always the popular and easy way. Standing for right when it is unpopular is a true test of moral character.

Life is full of crises, we all know that. It's how we learn, how we grow. They help form character, mould the man (or woman), as it were. As an opposite to good times, they even help us appreciate life a little more; and a person without strife is a person without passion, for trauma both tests and strengthens moral fibre, becomes a measure of human depth. There is no adversity on this earth that cannot be overcome with fortitude and positive will.

No one should desire to live in irregular circumstances; but if by chance a man falls into them, they test his character and show of how much determination he is capable.

This conference was worse than a Rorschach test: There’s a meaningless inkblot, and the others ask you what you think you see, but when you tell them, they start arguing with you!

A moment of choice is a moment of truth. It's the testing point of our character and competence.

To impose the character of being upon becoming is the supreme test of power.

Character is both developed and revealed by test and all of life is a test.

To test a man, determine how much it takes to make him lie.

Inner strength of character cannot be measured by any means but performance in the time of need.

I write - and read - for the sake of the story... My basic test for any story is: 'Would I want to meet these characters and observe these events in real life? Is this story an experience worth living through for its own sake? Is the pleasure of contemplating these characters an end itself?

I had no respect whatsoever for the creative works of either the painter or the novelist. I thought Karabekian with his meaningless pictures had entered into a conspiracy with millionaires to make poor people feel stupid. I thought Beatrice Keedsler had joined hands with other old-fashioned storytellers to make people believe that life had leading characters, minor characters, significant details, insignificant details, that it had lessons to be learned, tests to be passed, and a beginning, a middle, and an end.

It’s too easy to feed the anger. Too cowardly to stoke the hate. You must look inside yourself and decide who you are and who you want to be. Character is not created in times like these. It’s revealed. This is a trying time. A testing time. Be careful.” Chapter 14 · Page 122 · Location 2188

Character, mon cher, does not stand still. It can gather strength. It can also deteriorate. What a person really is, is only apparent when the test comes—that is, the moment when you stand or fall on your own feet.

My character was tested because I didn’t think I would have to compromise so much of who I was as a person. I changed so much because I gave so much of me and lost myself in the process. Sadly, when I lost myself, I did not notice. It just happened; it was more of a habit I formed to adjust. I was damaged from the inside out because my life wasn’t mine anymore. I was someone I had to be; not who I wanted to be. I wasn’t someone that made “me” happy. I made everyone else happy, and it wasn’t enough. Losing yourself is scary.

In real life, as it is in fiction, character is both formed and revealed when we are tested. When we are forced to make decisions under pressure, that test can either make us stronger or it can highlight our weaknesses and crack us into pieces.

Far from being a truly independent guide to moral conducts, the…[holy books are]… like a Rorschach Test: which passages people choose to emphasize reflects as much as it shapes their moral character and interests.

Definitely that kind of owner, he thought. Self-made man proud of his handiwork. Confuses bluffness and honesty with merely being rude. I wouldn't mind betting a dollar that he thinks he can tell a man's character by testing the firmness of his handshake and looking deeply into his eyes.

The character doesn't even come out until people are tested and be put in extreme situations and most people spend their lives trying to avoid those kinds of situations.

Of course you cannot know a man completely, his character, his principles, sense of judgment, not till he's shown his colors, ruling the people, making laws. Experience, there's the test.

I thought Beatrice Keedsler had joined hands with other old-fashioned storytellers to make people believe that life had leading characters, minor characters, significant details, insignificant details, that it had lessons to be learned, tests to be passed, and a beginning, a middle, and an end. As I approached my fiftieth birthday, I had become more and more enraged and mystified by the idiot decisions made by my countrymen. And then I had come suddenly to pity them, for I understood how innocent and natural it was for them to behave so abominably, and with such abominable results: They were doing their best to live like people invented in story books. This was the reason Americans shot each other so often: It was a convenient literary device for ending short stories and books. Why were so many Americans treated by their government as though their lives were as disposable as paper facial tissues? Because that was the way authors customarily treated bit-part players in their madeup tales. And so on. Once I understood what was making America such a dangerous, unhappy nation of people who had nothing to do with real life, I resolved to shun storytelling. I would write about life. Every person would be exactly as important as any other. All facts would also be given equal weightiness. Nothing would be left out. Let others bring order to chaos. I would bring chaos to order, instead, which I think I have done. If all writers would do that, then perhaps citizens not in the literary trades will understand that there is no order in the world around us, that we must adapt ourselves to the requirements of chaos instead. It is hard to adapt to chaos, but it can be done. I am living proof of that: It can be done.

At the end of that class Demian said to me thoughtfully: "There’s something I don’t like about this story, Sinclair. Why don’t you read it once more and give it the acid test? There’s something about it that doesn’t taste right. I mean the business with the two thieves. The three crosses standing next to each other on the hill are almost impressive, to be sure. But now comes this sentimental little treatise about the good thief. At first he was a thorough scoundrel, had committed all those awful things and God knows what else, and now he dissolves in tears and celebrates such a tearful feast of self-improvement and remorse! What’s the sense of repenting if you’re two steps from the grave? I ask you. Once again, it’s nothing but a priest’s fairy tale, saccharine and dishonest, touched up with sentimentality and given a high edifying background. If you had to pick a friend from between the two thieves or decide which one you’d rather trust, you most certainly wouldn’t choose the sniveling convert. No, the other fellow, he’s a man of character. He doesn’t give a hoot for ‘conversion’, which to a man in his position can’t be anything but a pretty speech. He follows his destiny to it’s appointed end and does not turn coward and forswear the devil, who has aided and abetted him until then. He has character, and people with character tend to receive the short end of the stick in biblical stories. Perhaps he’s even a descendant of Cain. Don’t you agree?" I was dismayed. Until now I had felt completely at home in the story of the Crucifixion. Now I saw for the first time with how little individuality, with how little power of imagination I had listened to it and read it. Still, Demian’s new concept seemed vaguely sinister and threatened to topple beliefs on whose continued existence I felt I simply had to insist. No, one could not make light of everything, especially not of the most Sacred matters. As usual he noticed my resistance even before I had said anything. "I know," he said in a resigned tone of voice, "it’s the same old story: don’t take these stories seriously! But I have to tell you something: this is one of the very places that reveals the poverty of this religion most distinctly. The point is that this God of both Old and New Testaments is certainly an extraordinary figure but not what he purports to represent. He is all that is good, noble, fatherly, beautiful, elevated, sentimental—true! But the world consists of something else besides. And what is left over is ascribed to the devil, this entire slice of world, this entire half is hushed up. In exactly the same way they praise God as the father of all life but simply refuse to say a word about our sexual life on which it’s all based, describing it whenever possible as sinful, the work of the devil. I have no objection to worshiping this God Jehovah, far from it. But I mean we ought to consider everything sacred, the entire world, not merely this artificially separated half! Thus alongside the divine service we should also have a service for the devil. I feel that would be right. Otherwise you must create for yourself a God that contains the devil too and in front of which you needn’t close your eyes when the most natural things in the world take place.

Pessimists, Seligman wrote, tend to react to negative events by explaining them as permanent, personal, and pervasive. (Seligman calls these “the three P’s.”) Failed a test? It’s not because you didn’t prepare well; it’s because you’re stupid. If you get turned down for a date, there’s no point in asking someone else; you’re simply unlovable. Optimists, by contrast, look for specific, limited, short-term explanations for bad events, and as a result, in the face of a setback, they’re more likely to pick themselves up and try again.

Realize that the tests you endure will mold your character, persona, and will. The more heartbreak and pain you will feel with your trials in life, the greater your joy and glory will be once you've overcome. Not IF, not POSSIBLY, not MAYBE, but ONCE you have overcome.

A self that goes on changing is a self that goes on living': so too with the biography of that self. And just as lives don't stay still, so life-writing can't be fixed and finalised. Our ideas are shifting about what can be said, our knowledge of human character is changing. The biographer has to pioneer, going 'ahead of the rest of us, like the miner's canary, testing the atmosphere, detecting falsity, unreality, and the presence of obsolete conventions'. So, 'There are some stories which have to be retold by each generation'. She is talking about the story of Shelley, but she could be talking about her own life-story. (Virginia Woolf, p. 11)

To fall down is to face the weakness of my humanity, test the mettle of my character, and push the limits of my strength. Therefore, falling down will tell me who I am far more clearly than most things I might learn when I’m standing up.

I tend to think of human beings as huge, rubbery test tubes, too, with chemical reactions seething inside. When I was a boy, I saw a lot of people with goiters. So did Dwayne Hoover, the Pontiac dealer who is the hero of this book. Those unhappy Earthlings had such swollen thyroid glands that they seemed to have zucchini squash growing from their throats. All they had to do in order to have ordinary lives, it turned out, was to consume less than one-millionth of an ounce of iodine every day. My own mother wrecked her brains with chemicals, which were supposed to make her sleep. When I get depressed, I take a little pill, and I cheer up again. And so on. So it is a big temptation to me, when I create a character for a novel, to say that he is what he is because of faulty wiring, or because of microscopic amounts of chemicals which he ate or failed to eat on that particular day.

Personally I like the English style better. It is not quite so brittle, and the people as a rule, just wear clothes and drink drinks. There is more sense of background, as if Cheesecake Manor really existed all around and not just the part the camera sees; there are more long walks over the Downs and the characters don’t all try to behave as if they had just been tested by MGM. The English may not always be the best writers in the world, but they are incomparably the best dull writers.

The best sentences orient us, like stars in the sky, like landmarks on a trail. They remain the test, whether or not to read something. The most compelling narrative, expressed in sentences with which I have no chemical reaction, or an adverse one, leaves me cold. In fiction, plenty do the job of conveying information, rousing suspense, painting characters, enabling them to speak. But only certain sentences breathe and shift about, like live matter in soil. The first sentence of a book is a handshake, perhaps an embrace. Style and personality are irrelevant. They can be formal or casual. They can be tall or short or fat or thin. They can obey the rules or break them. But they need to contain a charge. A live current, which shocks and illuminates.

Final Fantasy VII awoke American gaming to the possibilities of narrative dynamism and the importance of relatively developed characters—no small inspiration to take from a series whose beautifully androgynous male characters often appear to be some kind of heterosexual stress test.

One of the saddest tendencies in our present culture is an indignant intolerance for the basic humanity of being human. People of the past are harshly judged by the standards of the present (which their own difficult lives helped establish), and people of the present are harshly judged by impossible (and hypocritical, in the full context of any judger’s life) standards of uniform perfection across all regions of private and public existence. And yet the eternal test of character — our great moral triumph — is the ability to face our own imperfections with composure, reflecting on them with lucid and luminous determination to do better — an essential form of moral courage all the more difficult, and all the more important, amid a cultural atmosphere that mistakes self-righteousness for morality and suffocates the basic impulse toward betterment with punitive intolerance for human foible. Maria Popova : “Resolutions for a Life Worth Living

Real progress in the Christian life is not gauged by our knowledge of scripture, our church attendance, time in prayer, or even our witnessing (although it isn't less than these things) Maturity in the Christian life is measured by only one test: how much closer to his character have we become? the result of the Spirit's work is more not more activity. No, the results of his work are in in our quality of life, they are "love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, self-control.

Confession: I don't want everybody to be beautiful, not in that unlined, creaseless, symmetrical way. Android beauty, like it comes out of a test tube. Beauty without blemish or mark. Not only do I not identify with such people, I don't believe in them either. I don't even find them attractive. This is what makes watching television so hard: they don't cast actors anymore, only models. When they make a movie of my life, they'd better cast a character actor in the lead. Don't try to tell me I'm not a character.

Animals are more than ever a test of our character, of mankind’s capacity for empathy and for decent, honorable conduct and faithful stewardship. We are called to treat them with kindness, not because they have rights or power or some claim to equality, but in a sense because they don’t; because they all stand unequal and powerless before us. Animals are so easily overlooked, their interests so easily brushed aside.

And if someone were to ask, Noah, what’s the most important aspect of story? I would most likely answer, character, but I’m not sure that’s true, because my favorite books contain my favorite places. I do not say, I love Harry Potter, or I love Frodo Baggins; I say, I love Hogwarts, and I love Middle-earth. Thoreau’s Walden is less about the book, more about the pond. The woods. And so setting, I think, is the secret weapon of storytelling. I always want to meet new people until I’ve met them. I think if I spend enough time with a person so we get woven together like an old basket, eventually we’ll think in similar patterns until our various histories are apples and oranges spilling over the edge of the basket, and I think this kind of shared history is dangerous. I think it’s okay to recognize a thing’s faults and still like that thing. Because apples and oranges spilling from a basket can be beautiful too. I think I’m whatever personality hates personality tests. I think nostalgia is just a soul’s way of missing a thing, and like long-distance love, nostalgia grows deeper with time until the reality of what a thing actually was gets blurred to the point you miss the idea of the thing more than the thing itself. I like the idea of hot cocoa more than drinking

Did you notice that trials do not test our character, they test our faith? Faith is fundamentally a relational term—it is not first a matter of what you believe, but of whom you trust. The battle for our trust is as old as Adam and Eve. In the midst of battle, it can seem so complex, but when the dust settles and the smoke clears, the real war is always over the same question—whom will we believe? Whom will we listen to, God or the devil?

Anyone who truly cares about children must be repelled by the insistence on ranking them, rating them, and labeling them. Whatever the tests measure is not the sum and substance of any child. The tests do not measure character, spirit, heart, soul, potential. When overused and misused, when attached to high stakes, the tests stifle the very creativity and ingenuity that our society needs most. Creativity and ingenuity stubbornly resist standardization. Tests should be used sparingly to help students and teachers, not to allocate rewards and punishments and not to label children and adults by their scores.

We all want to spend eternity with God. We just don't want to spend time with Him. We stand and stare from a distance, satisfied with superficiality. We Facebook more than we seek His face. We text more than we study The Text. And our eyes aren't fixed on Jesus. They're fixed on our iPhones and iPads - emphasis on "i." Then we wonder why God feels so distant. It's because we're hugging the rim. We wonder why we're bored with our faith. It's because we're holding out. We want joy without sacrifice. We want character without suffering. We want success without failure. We want gain without pain. We want a testimony without the test. We want it all without going all out for it.

Tell us your life story.' I look up. Twenty sets of eyes looked back. Only forty-five minutes left in class. I wish I could tell them my life story. I would tell the popular girls to be nice, because later in life they'll realize isn't about them. I would tell the pretty girls that looks aren't all they have. I would tell the kids in black that is just a phase and the real world isn't quite so harsh. I would tell the tough girls that getting hurt is part of life. I would tell the pretty boy with the hair swoosh that there will be a million of him wherever he goes next and the thing that will make him stand out is his character. I would tell the girls trying desperately to fit in that one day it won't be so hard. I would tell the in-betweens that one day they'll have a place in this world. Mostly I would tell them there is a Jesus who loves them, a Jesus who knows what thy are going through and has a relationship waiting for them that is more then they could ever imagine. There are so many things I would like to tell this class, but for now they have to take a test.

The culture in which you parent, mentor, or educate boys exhorts them to be individualistic and group-oriented at once, but does not give them a tribal structure in which to accomplish both in balance. It used to be that the tribe formed a boy's character while the peer group existed primarily to test and befriend that character. Nowadays, boys' characters are often formed in the peer group. Mentors and intimate role models rarely exist to show the growing boy in any long-term and consistent way how both to serve a group and flourish as an independent self.

Towards the preservation of your government, and the permanency of your present happy state, it is requisite, not only that you steadily discountenance irregular oppositions to its acknowledged authority, but also that you resist with care the spirit of innovation upon its principles, however specious the pretexts. One method of assault may be to effect, in the forms of the Constitution, alterations which will impair the energy of the system, and thus to undermine what cannot be directly overthrown. In all the changes to which you may be invited, remember that time and habit are at least as necessary to fix the true character of governments as of other human institutions; that experience is the surest standard by which to test the real tendency of the existing constitution of a country; that facility in changes, upon the credit of mere hypothesis and opinion, exposes to perpetual change, from the endless variety of hypothesis and opinion; and remember, especially, that for the efficient management of your common interests, in a country so extensive as ours, a government of as much vigor as is consistent with the perfect security of liberty is indispensable.

Perspective - Use It or Lose It. If you turned to this page, you're forgetting that what is going on around you is not reality. Think about that. Remember where you came from, where you're going, and why you created the mess you got yourself into in the first place. You are led through your lifetime by the inner learning creature, the playful spiritual being that is your real self. Don't turn away from possible futures before you're certain you don't have anything to learn from them. Learning is finding out what you already know. Doing is demonstrating that you know it. Teaching is reminding others that they know just as well as you. You are all learners, doers, and teachers. Your only obligation in any lifetime is to be true to yourself. Being true to anyone else or anything else is not only impossible, but the mark of a false messiah. Your conscience is the measure of the honesty of your selfishness. Listen to it carefully. The simplest questions are the most profound. Where were you born? Where is your home? Where are you going? What are you doing? Think about these once in awhile, and watch your answers change. Your friends will know you better in the first minute you meet than your acquaintances will know you in a thousand years. The bond that links your true family is not one of blood, but of respect and joy in each other's life. Rarely do members of one family grow up under the same roof. There is no such thing as a problem without a gift for you in its hands. You seek problems because you need their gifts. Imagine the universe beautiful and just and perfect. Then be sure of one thing: The Is has imagined it quite a bit better than you have. The original sin is to limit the Is. Don't. A cloud does not know why it moves in just such a direction and at such a speed, it feels an impulsion....this is the place to go now. But the sky knows the reason and the patterns behind all clouds, and you will know, too, when you lift yourself high enough to see beyond horizons. You are never given a wish without being given the power to make it true. You may have to work for it, however. Argue for your limitations, and sure enough, they're yours. If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats. The world is your exercise-book, the pages on which you do your sums. It is not reality, although you can express reality there if you wish. You are also free to write nonsense, or lies, or to tear the pages. Every person, all the events of your life, are there because you have drawn them there. What you choose to do with them is up to you. In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice. The best way to avoid responsibility is to say, "I've got responsibilities." The truth you speak has no past and no future. It is, and that's all it needs to be. Here is a test to find whether your mission on earth is finished: If you're alive, it isn't. Don't be dismayed at good-byes. A farewell is necessary before you can meet again. And meeting again, after moments or lifetimes, is certain for those who are friends. The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the master calls a butterfly. You're going to die a horrible death, remember. It's all good training, and you'll enjoy it more if you keep the facts in mind. Take your dying with some seriousness, however. Laughing on the way to your execution it not generally understood by less advanced lifeforms, and they'll call you crazy. Everything above may be wrong!

We needed a man to repair the machines, to keep them going and everything. And the army was always going to send this fellow they had, but he was always delayed. Now, we always were in a hurry. Everything we did, we tried to do as quickly as possible. In this particular case, we worked out all the numerical steps that the machines were supposed to do—multiply this, and then do this, and subtract that. Then we worked out the program, but we didn’t have any machine to test it on. So we set up this room with girls in it. Each one had a Marchant: one was the multiplier, another was the adder. This one cubed—all she did was cube a number on an index card and send it to the next girl. We went through our cycle this way until we got all the bugs out. It turned out that the speed at which we were able to do it was a hell of a lot faster than the other way, where every single person did all the steps. We got speed with this system that was the predicted speed for the IBM machine. The only difference is that the IBM machines didn’t get tired and could work three shifts. But the girls got tired after a while.

Writers have come to master nearly every trade. They are inventors and entrepreneurs of character, plot, and dialogue. They are the eager scientists that can’t wait to try out their new experiment. They are the maestros of the symphony that plays in their head, conducting what happens, where, and at what precise moment. They are engineers and architects that design the structure of their piece so it stands the test of time and continues to fire on all cylinders. They play mechanics and doctors in their revisions, hoping they prescribe the correct diagnosis to fix the piece’s 'boo boos'. They are salesmen who pitch not an idea or a product, but themselves, to editors, publishers, and more importantly, their readers. They are teachers who through their craft, preach to pupils about what works and what doesn’t work and why. Writers can make you feel, can make you think, can make you wonder, but they can also grab your hand and guide you through their maze. Similar to what Emerson stated in 'The Poet,' writers possess a unique view on life, and with their revolving eye, they attempt to encompass all. I am a writer.

Many of us draw lines which we intend never to cross. But life tests our resolve, mercilessly at times, and a foot budges, nudged past that thinly-drawn line. So we draw another, resolving never to cross this one. Days grow dark and fog creeps in to blind our view, clouding the reason for the line’s existence from our minds. We draw another mark, ashamed that the last was crossed with less coaxing than we imagined it would require. Shadows and doubts give further need to draw a new line, and then another and another. Lines, I think, are too slim and obscure to be dependable deterrents for behavior. Too often, too easily, people stumble into places they later regret entering. What, then, keeps some individuals from crossing those narrow lines? It is the power of values. For if a person possessing values were to step one foot outside their line, they would be forced to release hands with those inflexible values and consciously abandon them. But their values are persuasive, keeping a tight grip, warding off the luring temptations beckoning one to test the line. Thus values maintained keep a person safely away from areas they dare not travel, steering a life between the lines, enhancing willpower and shaping mighty strength of character.

The “IQ fundamentalist” Arthur Jensen put it thusly in his 1980 book Bias in Mental Testing (p. 113): “The four socially and personally most important threshold regions on the IQ scale are those that differentiate with high probability between persons who, because of their level of general mental ability, can or cannot attend a regular school (about IQ 50), can or cannot master the traditional subject matter of elementary school (about IQ 75), can or cannot succeed in the academic or college preparatory curriculum through high school (about IQ 105), can or cannot graduate from an accredited four-year college with grades that would qualify for admission to a professional or graduate school (about IQ 115). Beyond this, the IQ level becomes relatively unimportant in terms of ordinary occupational aspirations and criteria of success. That is not to say that there are not real differences between the intellectual capabilities represented by IQs of 115 and 150 or even between IQs of 150 and 180. But IQ differences in this upper part of the scale have far less personal implications than the thresholds just described and are generally of lesser importance for success in the popular sense than are certain traits of personality and character.

Apart from such chaotic classics as these, my own taste in novel reading is one which I am prepared in a rather especial manner, not only to declare, but to defend. My taste is for the sensational novel, the detective story, the story about death, robbery and secret societies; a taste which I share in common with the bulk at least of the male population of this world. There was a time in my own melodramatic boyhood when I became quite fastidious in this respect. I would look at the first chapter of any new novel as a final test of its merits. If there was a murdered man under the sofa in the first chapter, I read the story. If there was no murdered man under the sofa in the first chapter, I dismissed the story as tea-table twaddle, which it often really was. But we all lose a little of that fine edge of austerity and idealism which sharpened our spiritual standard in our youth. I have come to compromise with the tea-table and to be less insistent about the sofa. As long as a corpse or two turns up in the second, the third, nay even the fourth or fifth chapter, I make allowance for human weakness, and I ask no more. But a novel without any death in it is still to me a novel without any life in it. I admit that the very best of the tea-table novels are great art - for instance, Emma or Northanger Abbey. Sheer elemental genius can make a work of art out of anything. Michelangelo might make a statue out of mud, and Jane Austen could make a novel out of tea - that much more contemptible substance. But on the whole I think that a tale about one man killing another man is more likely to have something in it than a tale in which, all the characters are talking trivialities without any of that instant and silent presence of death which is one of the strong spiritual bonds of all mankind. I still prefer the novel in which one person does another person to death to the novel in which all the persons are feebly (and vainly) trying to get the others to come to life.