Terror Management Theory Quotes

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Capital-P Play was last year’s management theory, following multitasking, singletasking, grit, learning-from-failure, napping, cardioworking, saying no, saying yes, the wisdom of the crowd > trusting one’s gut, trusting one’s gut > the wisdom of the crowd, Viking management theory, Commissioner Gordon workflow theory, X-teams, B-teams, embracing simplicity, pursuing complexity, seeking zemblanity, creativity through radical individualism, creativity through groupthink, creativity through the rejection of groupthink, organizational mindfulness, organizational blindness, microwork, macrosloth, fear-based camaraderie, love-based terror, working while standing, working while ambulatory, learning while sleeping, and, most recently, limes.
Dave Eggers (The Every)
Part of this utopian vision—at least the part that has to do with world peace—derives from a field in social psychology called terror management theory. According to this theory, the fear of death encourages tribalism, by making us want to affiliate with a group identity that would seem to outlive us. Various studies have shown that when we feel mortally threatened, we become jingoistic, hostile to outsiders, biased against out-groups.
Susan Cain (Bittersweet: How Sorrow and Longing Make Us Whole)
The news filled me with such euphoria that for an instant I was numb. My ingrained self-censorship immediately started working: I registered the fact that there was an orgy of weeping going on around me, and that I had to come up with some suitable performance. There seemed nowhere to hide my lack of correct emotion except the shoulder of the woman in front of me, one of the student officials, who was apparently heartbroken. I swiftly buried my head in her shoulder and heaved appropriately. As so often in China, a bit of ritual did the trick. Sniveling heartily she made a movement as though she was going to turn around and embrace me I pressed my whole weight on her from behind to keep her in her place, hoping to give the impression that I was in a state of abandoned grief. In the days after Mao's death, I did a lot of thinking. I knew he was considered a philosopher, and I tried to think what his 'philosophy' really was. It seemed to me that its central principle was the need or the desire? for perpetual conflict. The core of his thinking seemed to be that human struggles were the motivating force of history and that in order to make history 'class enemies' had to be continuously created en masse. I wondered whether there were any other philosophers whose theories had led to the suffering and death of so many. I thought of the terror and misery to which the Chinese population had been subjected. For what? But Mao's theory might just be the extension of his personality. He was, it seemed to me, really a restless fight promoter by nature, and good at it. He understood ugly human instincts such as envy and resentment, and knew how to mobilize them for his ends. He ruled by getting people to hate each other. In doing so, he got ordinary Chinese to carry out many of the tasks undertaken in other dictatorships by professional elites. Mao had managed to turn the people into the ultimate weapon of dictatorship. That was why under him there was no real equivalent of the KGB in China. There was no need. In bringing out and nourishing the worst in people, Mao had created a moral wasteland and a land of hatred. But how much individual responsibility ordinary people should share, I could not decide. The other hallmark of Maoism, it seemed to me, was the reign of ignorance. Because of his calculation that the cultured class were an easy target for a population that was largely illiterate, because of his own deep resentment of formal education and the educated, because of his megalomania, which led to his scorn for the great figures of Chinese culture, and because of his contempt for the areas of Chinese civilization that he did not understand, such as architecture, art, and music, Mao destroyed much of the country's cultural heritage. He left behind not only a brutalized nation, but also an ugly land with little of its past glory remaining or appreciated. The Chinese seemed to be mourning Mao in a heartfelt fashion. But I wondered how many of their tears were genuine. People had practiced acting to such a degree that they confused it with their true feelings. Weeping for Mao was perhaps just another programmed act in their programmed lives. Yet the mood of the nation was unmistakably against continuing Mao's policies. Less than a month after his death, on 6 October, Mme Mao was arrested, along with the other members of the Gang of Four. They had no support from anyone not the army, not the police, not even their own guards. They had had only Mao. The Gang of Four had held power only because it was really a Gang of Five. When I heard about the ease with which the Four had been removed, I felt a wave of sadness. How could such a small group of second-rate tyrants ravage 900 million people for so long? But my main feeling was joy. The last tyrants of the Cultural Revolution were finally gone.
Jung Chang (Wild Swans: Three Daughters of China)
What the science in this book ultimately teaches is that there is no meaning. There’s no answer to “Why?” beyond “This happened because of what came just before, which happened because of what came just before that.” There is nothing but an empty, indifferent universe in which, occasionally, atoms come together temporarily to form things we each call Me. A whole field of psychology explores terror management theory, trying to make sense of the hodgepodge of coping mechanisms we resort to when facing the inevitability and unpredictability of death. As we know, those responses cover the range of humans at our best and worst—becoming closer to your intimates, identifying more with your cultural values (whether humanitarian or fascist in nature), making the world a better place, deciding to live well as the best revenge. And by now, in our age of existential crisis, the terror we feel when shadowed by death has a kid sibling in our terror when shadowed by meaninglessness. Shadowed by our being biological machines wobbling on top of turtles that go all the way down. We are not captains of our ships; our ships never had captains.[2] Fuck. That really blows.
Robert M. Sapolsky (Determined: A Science of Life without Free Will)
Our fascination with the gothic peaks in times of anxiety, panic, and upheaval. The Victorian gothic revival of the 1890s was stoked by scientific, technological, and social change. Industrialization and urbanization sparked feelings of alienation. Darwin's theories of evolution and the changing roles of women fanned racist, misogynistic, homophobic, and colonialist fears of 'primitivism,' moral decay, and sexual depravity. In the nineteenth century, terror-inducing imagery had shifted away from crumbling castles to crime-infested cities, and fear of villains and ghosts was supplanted by a fear of madness and degeneration. In the twentieth century, we celebrated/mourned the death of authorship, of the grand narrative, of the self, 'going-one-better in eschatological eloquence,' as Jacques Derrida put it, 'the end of history...the end of subject, the end of man, the end of the West, the end of Oedipus, the end of the earth, Apocalypse Now.' A few years into the new millennium, we were zombie hordes, stalking social media for brains. The gothic is the fucked-either-way-and-freaking-the-fuck-out school of artistic interpretation, the hysterical framework of doom. And this tension between horror as morality tale and horror as decadent spectacle is, I believe, what fueled the pandemic of tabloid stories about wayward starlets that raged throughout 2006 and 2007. Celebrity train wreck stories begin, conservatively, as cautionary tales. A young woman, unprotected or legally emancipated, has moved alone from the relatively sheltered and secluded condition of parent-managed child stardom (because who, nowadays, is more cut off from the world than a child star?) into a corrupt and dangerous world, where her beauty, fame, youth, fortune, and sexual allure are regarded with a charged, ambivalent awe. She is instantly besieged with dangers, and preyed upon by unscrupulous adults. Until they can be contained again, by marriage or paternal protection, she exists in a constant state of uncertainty and peril. The peril is created, of course, by the 'author' - the media outlets that shape the train wreck's life, again and again, into thrilling, chilling tales of suspense.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
Prior to about 40,000 years ago, hominins had been observing other hominins die for more than six million years. They were intimately acquainted with death as something that happened to others. They observed people die within their living group - children from disease, women from childbirth, men from hunting accidents, and older adults from starvation. They also occasionally encountered deceased hominins as they foraged for food or followed herds of deer. Unlike today, when the biological realities of death are relegated to the offices of medical examiners and morticians, early hominins saw corpses in all stages of decomposition, since even the occasional burial of bodies was apparently not practiced until the last 100,000 years.
E. Fuller Torrey (Evolving Brains, Emerging Gods: Early Humans and the Origins of Religion)
...a mature understanding of death appears to be one of the last milestones in the cognitive development and evolution of the human brain.
E. Fuller Torrey (Evolving Brains, Emerging Gods: Early Humans and the Origins of Religion)
This has led some scholars to suggest that collecting is a way of managing fears about death by creating a form of immortality. This is consistent with a popular theory in social psychology called the terror management theory (TMT). TMT grows out of an existential predicament--that people, like animals, are mortal. But unlike animals, we are aware of our own mortality. Knowledge of the inevitability of death and its unpredictability can produce paralyzing fear. To cope with this potential terror, cultures provide beliefs, rituals, and sanctioned strategies for managing it. One of these strategies is the belief that some part of ourselves can live on after we die. Producing or amassing something of value is one way to accomplish this. Thus a collection offers the potential for immortality.
Randy O. Frost (Stuff: Compulsive Hoarding and the Meaning of Things)
The petty terror that reigns there and makes everyone so stiff is not that of the Bolshevik Party. It’s more like that of fashion, that terror which no one exerts in person, but which affects everyone alike. In these milieus, one is afraid of not being radical anymore, just as elsewhere one fears not being fashionable, cool or hip. It doesn’t take much to spoil a reputation. One avoids going to the root of things in favor of a superficial consumption of theories, demos, and relations. The fierce competition between groups and inside them causes them to periodically implode. But there’s always fresh, young, and abused flesh to make up for the departure of the exhausted, the damaged, the disgusted, and the emptied-out. An a posteriori bewilderment overtakes the person who’s deserted these circles: how can anyone submit to such a mutilating pressure for such enigmatic stakes? It’s approximately the same kind of bewilderment that must take hold of any overworked ex-manager turned baker when he looks back on his previous life. The isolation of these milieus is structural: between them and the world they’ve interposed radicality as a standard. They don’t perceive phenomena anymore, just their measure. At a certain point in the autophagy, some will compete for most radical by critiquing the milieu itself, which won’t make the slightest dent in its structure.“It seems to us that what really reduces our freedom,” wrote Malatesta, “and makes intiative impossible, is disempowering isolation
Anonymous
The human must show maturity and find meaning in life, knowing that he can no longer count on eternal life other than by the legacy he leaves to future generations.
Romain Gagnon (SO MAN CREATED GOD IN HIS OWN IMAGE: The Science of Happiness)
Existence, for all organismic life, is a constant struggle to feed -- a struggle to incorporate whatever other organisms they can fit into their mouths and press down their gullets without choking. Seen in these stark terms, life on this planet is a gory spectacle, a science-fiction nightmare in which digestive tracts fitted with teeth at one end are tearing away at whatever flesh they can reach, and at the other end are piling up the fuming waste excrement as they move along in search of more flesh.
Ernest Becker (The Denial of Death)
Promulgators of TMT [Terror Management Theory] believe that a universal dispersion of their ideas will make people more tolerant of the alien worldviews of others and not kill them because those worldviews remind them of how ephemeral or unfounded their own may be. The paradox of this belief is that it requires everyone to abandon the very techniques of terror management by which TMT claims we have so far managed our terror, or some of it. As usual, though, there is an upbeat way out for Terror Management theorists in that they argue "the best worldviews are ones that value tolerance of different others, that are flexible and open to modification, and that offer paths to self esteem minimally likely to encourage hurting others". Of course, this is just another worldview that brandishes itself as the best worldview in the world, meaning that it would agitate others with a sense of how ephemeral or unfounded their own may be and cause them to retaliate. But Terror Management theorists also have a backup plan, which is that in the future we will not need terror management and instead will discover that "serious confrontations with mortality can have positive liberating effects, facilitating real growth and life satisfaction". There is no arguing that humanity may someday reap the benefits of a serious confrontation with mortality. While waiting for that day, we still have genocide as the ultimate insurance of our worldviews.
Thomas Ligotti (The Conspiracy Against the Human Race)
The way of the world was to force you into unacceptable choices. Accept evil in exchange for safety. Decry it and become a target.
O.E. Tearmann
According to terror management theory, the combination of a basic biological inclination toward self-preservation with sophisticated cognitive capacities renders us humans aware of our perpetual vulnerabilities and inevitable mortality, which gives rise to potentially paralyzing terror. Cultural worldviews and self-esteem help manage this terror by convincing us that we are special beings with souls and identities that will persist, literally and/or symbolically, long past our own physical death. We are thus pervasively preoccupied with maintaining confidence in our cultural scheme of things and satisfying the standards of value associated with it. But preserving faith in our cultural worldviews and self-esteem becomes challenging when we encounter others with different beliefs. Sinister complications almost inevitably ensue.
Sheldon Solomon (The Worm at the Core: On the Role of Death in Life)