Terror Blade Quotes

In rode the Lord of the Nazgûl. A great black shape against the fires beyond he loomed up, grown to a vast menace of despair. In rode the Lord of the Nazgûl, under the archway that no enemy ever yet had passed, and all fled before his face. All save one. There waiting, silent and still in the space before the Gate, sat Gandalf upon Shadowfax: Shadowfax who alone among the free horses of the earth endured the terror, unmoving, steadfast as a graven image in Rath Dínen. "You cannot enter here," said Gandalf, and the huge shadow halted. "Go back to the abyss prepared for you! Go back! Fall into the nothingness that awaits you and your Master. Go!" The Black Rider flung back his hood, and behold! he had a kingly crown; and yet upon no head visible was it set. The red fires shone between it and the mantled shoulders vast and dark. From a mouth unseen there came a deadly laughter. "Old fool!" he said. "Old fool! This is my hour. Do you not know Death when you see it? Die now and curse in vain!" And with that he lifted high his sword and flames ran down the blade. Gandalf did not move. And in that very moment, away behind in some courtyard of the city, a cock crowed. Shrill and clear he crowed, recking nothing of war nor of wizardry, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn. And as if in answer there came from far away another note. Horns, horns, horns, in dark Mindolluin's sides they dimly echoed. Great horns of the north wildly blowing. Rohan had come at last.

It's like these fellows who name their swords 'Skullbane' or 'Souldrinker' or somesuch." Tric tied his saltlocks into a matted knot atop his head. "Tossers, all." "If I were going to name my blade," Mia said thoughtfully, "I'd call it 'Fluffy.'" Tric snorted with laughter. "Fluffy?" "Byss, yes," the girl nodded. "Think of the terror you'd instill. Being bested by a foe wielding a sword called Souldrinker... that you could live with. Imagine the shame of having the piss smacked out of you by a blade called Fluffy.

The terror takes you. The cage is locked and the curtain drawn. Fingers dance along as blades, carving memories into your flesh that will leave scars long past being healed.

Everything Syrio Forel had ever taught her vanished in a heartbeat. In that instant of sudden terror, the only lesson Arya could remember was the one Jon Snow had given her, the very first. She stuck him with the pointy end, driving the blade upward with a wild, hysterical strength.

then things got even stranger. Mr. Brunner, who'd been out in front of the museum a minute before, wheeled his chair into the doorway of the gallery, holding a pen in his hand. "What ho, Percy!" he shouted, and tossed the pen through the air. Mrs. Dodds lunged at me. With a yelp, I dodged and felt talons slash the air next to my ear. I snatched the ballpoint pen out of the air, but when it hit my hand, it wasn't a pen anymore. It was a sword-Mr. Brunner's bronze sword, which he always used on tourement day. Mrs. Dodds spun toward me with a murderous look in her eyes. My knees were jelly. My hands were shaking so bad I almost dropped the sword. She snarled, "Die, honey!" And she flew straight at me. Absolute terror ran through my body. I did the only thing that came naturally:I swung the sword. The metal blade hit her shoulder and passed through her body as if she were made made of water. Hisss! Mrs. Dodds was a sand castle in a power fan. She exploded into yellow powder, vaporized on the spot, leaving nothing but the smell of sulfur and a dying screech and a chill of evil in the air, as if those two glowing red eyes were still watching me.

Elain looked up at Azriel, their eyes meeting, his hand still lingering on the hilt of the blade. I saw the painting in my mind: the lovely fawn, blooming spring vibrant behind her. Standing before Death, shadows and terrors lurking over his shoulder. Light and dark, the space between their bodies a blend of the two.

Let’s say you have an ax. Just a cheap one, from Home Depot. On one bitter winter day, you use said ax to behead a man. Don’t worry, the man was already dead. Or maybe you should worry, because you’re the one who shot him. He had been a big, twitchy guy with veiny skin stretched over swollen biceps, a tattoo of a swastika on his tongue. Teeth filed into razor-sharp fangs-you know the type. And you’re chopping off his head because, even with eight bullet holes in him, you’re pretty sure he’s about to spring back to his feet and eat the look of terror right off your face. On the follow-through of the last swing, though, the handle of the ax snaps in a spray of splinters. You now have a broken ax. So, after a long night of looking for a place to dump the man and his head, you take a trip into town with your ax. You go to the hardware store, explaining away the dark reddish stains on the broken handle as barbecue sauce. You walk out with a brand-new handle for your ax. The repaired ax sits undisturbed in your garage until the spring when, on one rainy morning, you find in your kitchen a creature that appears to be a foot-long slug with a bulging egg sac on its tail. Its jaws bite one of your forks in half with what seems like very little effort. You grab your trusty ax and chop the thing into several pieces. On the last blow, however, the ax strikes a metal leg of the overturned kitchen table and chips out a notch right in the middle of the blade. Of course, a chipped head means yet another trip to the hardware store. They sell you a brand-new head for your ax. As soon as you get home, you meet the reanimated body of the guy you beheaded earlier. He’s also got a new head, stitched on with what looks like plastic weed-trimmer line, and it’s wearing that unique expression of “you’re the man who killed me last winter” resentment that one so rarely encounters in everyday life. You brandish your ax. The guy takes a long look at the weapon with his squishy, rotting eyes and in a gargly voice he screams, “That’s the same ax that beheaded me!” IS HE RIGHT?

But then, as I looked in the mirror, I became fixated on some hairs near my carotid artery that were still there. I pushed the blade deep against my neck to shave them off, and then blood squirted out.

The weather appeared to have somewhat cleared up; the rain no longer fell, a fresh wind swept the streets, and the moon, now and then surrounded by dark clouds, now and then shining in full brilliancy, shed its rays, smooth and cold as blades of steel, upon the thousand pools of water lying in the hollows of the paving-stones. ("The Child Stealer")

You hold in your hands a very special book. It contains one hundred carnival rides of terror. You must remember: horror can come from any direction. It can be as subtle as a spider web's caress, or as vicious as the drop of an axe blade. It can be grim as the reaper, or as sardonic as, well, Sardonicous. It can wear the garments of science or superstition; can be dressed in the trappings of fantasy or the fancy-free. But always it will terrify. And one of the bluntest of its instruments is the short-short story, one of the most difficult of literary devices to master. Not only must each word be perfect-but each comma and period. Nothing can be wasted. In the hands of master executioners, like the authors who fill this book-it can be deadly. So... Die-and die again- one hundred times...

Oh the madness of battle! We fear it, we celebrate it, the poets sing of it, and when it fills the blood like fire it is a real madness. It is joy! All the terror is swept away, a man feels he could live for ever, he sees the enemy retreating, knows he himself is invincible, that even the gods would shrink from his blade and his bloodied shield. And I was still keening that mad song, the battle song of slaughter, the sound that blotted out the screams of dying men and the crying of the wounded. It is fear, of course, that feeds the battle madness, the release of fear into savagery. You win in the shield wall by being more savage than your enemy, by turning his savagery back into fear.

His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat. After the terror, in the early days of the Directory, the aristos who’d escaped the guillotine had an ironic fad of tying a red ribbon round their necks at just the point where the blade would have sliced it through, a red ribbon like the memory of a wound. And his grandmother, taken with the notion, had her ribbon made up in rubies; such a gesture of luxurious defiance! That night at the opera comes back to me even now… the white dress; the frail child within it; and the flashing crimson jewels round her throat, bright as arterial blood. I saw him watching me in the gilded mirrors with the assessing eye of a connoisseur inspecting horseflesh, or even of a housewife in the market, inspecting cuts on the slab. I’d never seen, or else had never acknowledged, that regard of his before, the sheer carnal avarice of it; and it was strangely magnified by the monocle lodged in his left eye. When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.

As a blacksmith to a blade, nightmares are capable of hammering the dullness of the mind until it is sharp enough to cut any terror when awake.

Thirty paces, twenty, and you can see the eyes of the men who will try to kill you, and see the spear-blades, and the instinct is to stop, to straighten the shields. We cringe from battle, fear claws at us, time seems to stop, there is silence though a thousand men shout, and at that moment, when terror savages the heart like a trapped beast, you must hurl yourself into the horror. Because the enemy feels the same. And you have come to kill him. You are the beast from his nightmares.

NATURAL MUSIC   The old voice of the ocean, the bird-chatter of little rivers, (Winter has given them gold for silver To stain their water and bladed green for brown to line their banks) From different throats intone one language. So I believe if we were strong enough to listen without Divisions of desire and terror To the storm of the sick nations, the rage of the hunger-smitten cities, Those voices also would be found Clean as a child’s; or like some girl’s breathing who dances alone By the ocean-shore, dreaming of lovers.3

But Thomas didn’t have time to finish his thought. Gally reached behind himself, pulled something long and shiny from his back pocket. The lights of the chamber flashed off the silvery surface—a wicked-looking dagger, gripped tightly in his fingers. With unexpected speed, he reared back and threw the knife at Thomas. As he did so, Thomas heard a shout to his right, sensed movement. Toward him. The blade windmilled, its every turn visible to Thomas, as if the world had turned to slow motion. As if it did so for the sole purpose of allowing him to feel the terror of seeing such a thing. On the knife came, flipping over and over, straight at him. A strangled cry was forming in his throat; he urged himself to move but he couldn’t. Then, inexplicably, Chuck was there, diving in front of him. Thomas felt as if his feet had been frozen in blocks of ice; he could only stare at the scene of horror unfolding before him, completely helpless.

Elain looked up at Azriel, their eyes meeting, his hand still lingering on the hilt of the blade. I saw the painting in my mind: the lovely fawn, blooming spring vibrant behind her. Standing before Death, shadows and terrors lurking over his shoulder. Light and dark, the space between their bodies a blend of the two. The only bridge of connection … that knife. Paint that when we get home. Busybody.

Terror builds inside him. The reality that tonight will be his last leaves a sour taste in his mouth. The Tainted will eat him, or on a more terrifying note—if that’s even possible—maybe turn him into one of them. He’d rather die. But first, he’ll take as many of those bastards out as he can. He throws his pack into the throng and jerks the blade from his belt. With a thudding heart, he slices through them. Blood arcs over him, onto him.

This twinned twinkle was delightful but not completely satisfying; or rather it only sharpened my appetite for other tidbits of light and shade, and I walked on in a state of raw awareness that seemed to transform the whole of my being into one big eyeball rolling in the world's socket. Through peacocked lashes I saw the dazzling diamond reflection of the low sun on the round back of a parked automobile. To all kinds of things a vivid pictorial sense had been restored by the sponge of the thaw. Water in overlapping festoons flowed down one sloping street and turned gracefully into another. With ever so slight a note of meretricious appeal, narrow passages between buildings revealed treasures of brick and purple. I remarked for the first time the humble fluting - last echoes of grooves on the shafts of columns - ornamenting a garbage can, and I also saw the rippling upon its lid - circles diverging from a fantastically ancient center. Erect, dark-headed shapes of dead snow (left by the blades of a bulldozer last Friday) were lined up like rudimentary penguins along the curbs, above the brilliant vibration of live gutters. I walked up, and I walked down, and I walked straight into a delicately dying sky, and finally the sequence of observed and observant things brought me, at my usual eating time, to a street so distant from my usual eating place that I decided to try a restaurant which stood on the fringe of the town. Night had fallen without sound or ceremony when I came out again. ("The Vane Sisters")

In Memory of My Feelings" My quietness has a man in it, he is transparent and he carries me quietly, like a gondola, through the streets. He has several likenesses, like stars and years, like numerals. My quietness has a number of naked selves, so many pistols I have borrowed to protect myselves from creatures who too readily recognize my weapons and have murder in their heart! though in winter they are warm as roses, in the desert taste of chilled anisette. At times, withdrawn, I rise into the cool skies and gaze on at the imponderable world with the simple identification of my colleagues, the mountains. Manfred climbs to my nape, speaks, but I do not hear him, I'm too blue. An elephant takes up his trumpet, money flutters from the windows of cries, silk stretching its mirror across shoulder blades. A gun is "fired." One of me rushes to window #13 and one of me raises his whip and one of me flutters up from the center of the track amidst the pink flamingoes, and underneath their hooves as they round the last turn my lips are scarred and brown, brushed by tails, masked in dirt's lust, definition, open mouths gasping for the cries of the bettors for the lungs of earth. So many of my transparencies could not resist the race! Terror in earth, dried mushrooms, pink feathers, tickets, a flaking moon drifting across the muddied teeth, the imperceptible moan of covered breathing, love of the serpent! I am underneath its leaves as the hunter crackles and pants and bursts, as the barrage balloon drifts behind a cloud and animal death whips out its flashlight, whistling and slipping the glove off the trigger hand. The serpent's eyes redden at sight of those thorny fingernails, he is so smooth! My transparent selves flail about like vipers in a pail, writhing and hissing without panic, with a certain justice of response and presently the aquiline serpent comes to resemble the Medusa.

This here is God, bragging on how he create the horse.” He cleared his throat and read aloud in a preacher voice. Who gives the horse its strength or clothes his mane with thunder? Who makes him spring like a locust? His splendid snort is terror. He churns up the earth, rejoicing in his power, And charges towards the clash of arms. He laughs at fear, afraid of nothing; He does not shy away from the sword. Over him rattles the quiver, the glittering spear and blade. In frenzy he devours the ground; He cannot stand still when the trumpet sounds. At the blast of the trumpet he snorts, “Hurrah!” And from afar he scents the fray, Hears the clamor of the captains, the battle cry. When he finished reading, he patted the page. “I think that’s mighty fine, don’t you?” Jarret ran the words through in his mind. “Clothes his mane with thunder,” he repeated softly. “That’s good. It makes you see the power in the neck. And the part about how he devours the ground, rejoicing in his strength. It feels just that way some time. But I don’t know about being afraid of nothing. Most horses I know are afraid of plenty.” “Well, the Scripture here is talking about war horses. I guess they’s trained to be brave.” “That ain’t it. A cavalry horse will charge a cannon because he don’t know the cannonball can kill him. All he wants is to stay close to the rest of the herd. Army just learned to use that fear they have, of being left behind.” “Well,

This isn't a situation, okay? I save that word for when things get really bad.' 'Really bad? This isn't really bad? what do you want, a nuclear -' She broke off with a scream as Lily, braving the light, launched herself at Jace, her teeth bared in a searing snarl. Jace seized the second blade from his belt and hurled it through the air; Lily fell back screeching, a long gash sizzling down her arm. As she staggered, the other vampires surged forward around her. There were so many of them, Clary thought, so many- She fumbled at her belt, her fingers closing around the hilltop the dagger. It felt cold and foreign in her hand. She didn't know how to use a knife. She'd never hit anyone, let alone stabbed them. She'd even skipped gym class the day they'd learned how to ward off muggers and rapists with ordinary objects like car keys and pencils. She pulled the knife red, raised it in a shaking hand - The windows exploded inwards in a shower of broken glass. She heard herself cry out, saw the vampires - barely an arms length from her and Jace - whirl in astonishment, shock mingling with terror on their faces. Through the shattered windows came dozens of sleek shapes, four-footed and low to the ground, their coats scattering the moonlight and broken bits of glass. Their eyes were blue fire, and from their throats came a combined low growl that sounded like the roiling crash of a waterfall. Wolves. 'Now this,' said Jace, 'is a situation.

Cassian's focus had gone right to Mor, Azriel indulging in all of a glance before scanning the people around them. Most shirked from the spymaster's eyes- though they trembled as they beheld Truth-Teller at his side, the Illyrian blade peeking above his left shoulder. Azriel, his face a mask of beautiful death, silently promised them all endless, unyielding torment, even the shadows shuddering in his wake. I knew why; knew for whom he'd gladly do it. They had tried to sell a seventeen-year-old girl into marriage with a sadist- and then brutalised her in ways I couldn't, wouldn't, let myself consider. And these people now lived in utter terror of the three companions who stood at the dais. Good. They should be afraid of them. Afraid of me.

She didn’t want to give the murder-pornography frame by frame. Didn’t want to recite her route across Manhattan, the length of the knife blade and the number of times she pulled the trigger, the color of the blood-splattered wallpaper in the hotel room, the man falling to the floor, the baby crying in the next room, the woman emerging and dropping the bottle, its nipple popping off and the milk spilling onto the carpet, the woman pleading “Por favor,” her hands up, shaking her head, asking— begging— for her life to be spared, her big black eyes wide, deep sinkholes of dark terror, while Kate trained the Glock on her, a seemingly eternal internal debate, while the baby sounded like he was the same age as Jake, late infancy, and this poor woman the same age as Kate, a different version of herself, an unlucky woman who didn’t deserve to die.

I gave him my best cryptic smile. He grimaced. “What have you found out?” he asked. “I’m not at liberty to tell you that.” Not with the Pack suspect. He leaned forward more, letting the moonlight fall on his face. His gaze was direct and difficult to hold. Our stares locked and I gritted my teeth. Five seconds into the conversation and he was already giving me the alpha-stare. If he started clicking his teeth, I’d have to make a run for it. Or introduce him to my sword. “You will tell me what you know now,” he said. “Or?" He said nothing, so I elaborated. “See, this kind of threat usually has an ‘or’ attached to it. Or an ‘and.’ ‘Tell me and I’ll allow you to live’ or something like that.” His eyes ignited with gold. His gaze was unbearable now. “I can make you beg to tell me everything you know,” he said and his voice was a low growl. It sent icy fingers of terror down my spine. I gripped Slayer’s hilt until it hurt. The golden eyes were burning into my soul. “I don’t know,” I heard my own voice say, “you look kinda out of shape to me. How long has it been since you took care of your own dirty work?” His right hand twitched. Muscles boiled under the taut skin and fur burst, sheathing the arm. Claws slid from thickened fingers. The hand snapped inhumanly fast. I weaved back and it fanned my face, leaving no scars. A strand of hair fell onto my left cheek, severed from my braid. The claws retracted. “I think I still remember how,” he said. A spark of magic ran from my fingers into Slayer’s hilt and burst into the blade, coating the smooth metal in a milky-white glow. Not that the glow actually did anything useful, but it looked bloody impressive. “Any time you want to dance,” I said. He smiled, slow and lazy. “Not laughing anymore, little girl?” He was impressive, I’d give him that. I turned the blade, warming up my wrist. The saber drew a tight glowing ellipse in the air, flinging tiny drops of luminescence on the dirty floor. One of them fell close to the Beast Lord’s foot and he moved away. “I wonder if all this changing has made you sluggish.” “Bring your pig-sticker and we’ll find out.

I was blind. The room was gone. Everything was gone. I cried out in terror as I felt the Darkling’s fingers close around my bare wrist. Suddenly, my fear receded. It was still there, cringing like an animal inside me, but it had been pushed aside by something calm and sure and powerful, something vaguely familiar. I felt a call ring through me and, to my surprise, I felt something in me rise up to answer. I pushed it away, pushed it down. Somehow I knew that if that thing got free, it would destroy me. “Nothing there?” the Darkling murmured. I realized how very close he was to me in the dark. My panicked mind seized on his words. Nothing there. That’s right, nothing. Nothing at all. Now leave me be! And to my relief, that struggling thing inside me seemed to lie back down, leaving the Darkling’s call unanswered. “Not so fast,” he whispered. I felt something cold press against the inside of my forearm. In the same moment that I realized it was a knife, the blade cut into my skin. Pain and fear rushed through me. I cried out. The thing inside me roared to the surface, speeding toward the Darkling’s call. I couldn’t stop myself. I answered. The world exploded into blazing white light. The darkness shattered around us like glass.

You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.

A sob pops in my throat. I choke it, and look around for a harmless visual distraction, but all I see is a stocky young woman with a baby, a few seats up. The baby is pulling the woman's hair, and she is faking this look of terror. 'Oh no', she says, 'How can you do that to mommy?' She pretends to bawl, but the baby laughs and gurgles like a psycho, and pulls even harder. I'm witnessing a fresh knife being laid into a brand-new soul. A training dagger. A maternity blade. Here's his mom quietly opening up the control incision, completely innocent in her dumbness to the world. 'Oh no, you've killed Mommy, Mommy's gone!' She plays dead. The little guy giggles for a minute, but only that long. Then he senses something's wrong. She ain't waking up. He killed her, she abandoned him, just like that, over a pull of hair. He pokes her with his finger, he gets ready to bawl. And there you have it: he takes the handle into his own tiny hands and pulls in his first blade, right up to the hilt. Just to bring her back. And sure enough, with the splash of his first tear, she wakes right up. 'Ha, ha, I'm still here! Ha, ha it's Mommy!' Ha, ha, that's the Scheme of Things.

On this day innocence was drowned in water, and puberty terminated by the blade of the guillotine.

For the next two hours, he would toy with her, giving her a chance to repent. Whether she did or not made no difference. He fingered the knife in his pocket. The blade was sharp and tonight she would feel it. Her time would run out an hour before sunrise. As with the others, he would weigh down her body with a cement block. Barely alive, she would struggle against death as they all had. The water would fill her lungs. The last thing she would see on this earth would be his eyes, the eyes of her murderer. How long would it take before her family, her friends reported her missing? A day, possibly two? Surely no longer. Then the search would begin. He would watch the news reports, recording them all on his DVR. In a week or two, some tourist or jogger would spot a floater in the Potomac. All evidence washed away, she would be just another woman executed by the D.C. Killer. He would add her disc to his collection. He whiled away the time thinking about his first kill. She had lounged in her bath, thinking she was alone. When he entered the bathroom, she smiled. The expression on his face made her smile falter. He came at her, grasping her by the shoulders. He pushed her down, holding her struggling body under. Her eyes wide with terror, she tried to plead with her murderer, to ask her husband “Why?” He sank her body in the Potomac, the first victim of the D.C. Killer. The door opened. Shannon Miller stood in the breach, surveying the parking lot. Nervous, she started to go back inside, then changed her mind. She peered toward him, her eyes straining to penetrate the mist and gloom. He was a shadow, invisible to her. Seeing no threat, she stepped out, locked the door and hurried across the deserted lot to her car, a red Toyota with more rust than red. The tap-tap of her high heels pulsated on the cracked asphalt. The beat of her shoes matched the throb of his heart. He could hear her heavy, fearful breathing. He smiled. The moon scurried behind the clouds as if hiding its face in horror. He was an avenger, a messenger of God. His mission was to rid the nation's capital of immoral women. Fearing him, prostitutes now walked the streets in pairs. Even in their terror, they still pursued their wicked trade. At times he saw them huddled in groups of three or four. They reminded him of children in a thunderstorm. Like a spirit, he crept in her direction. The only light was cast by the Miller Lite sign and a distant street lamp. The light in the parking lot had burned out weeks ago, throwing it into darkness. He stalked her as a lion does its prey. He moved slowly, silently, low to the ground, keeping the car between them. His dark running suit blended with the night. He was the Dark Angel, the Angel of Death. In another life, he had passed over Egypt, killing the firstborn of those condemned by God. Her eyes darted in every direction, still she didn't see him. He was invisible. Her hands shook as she tried to get the key in the door. The 11 o'clock news reported that another one had been found. If he stuck with his pattern, the D.C. Killer would strike again tonight. By morning a woman would be dead. She prayed it wouldn’t be her. She fumbled, dropping the key ring. She stooped to pick it up, her head turning in every direction, her ears alert to every sound. Now, without seeing him, she sensed him. She lowered her eyes, trying again, successfully this time. She turned the key. There was a click. She sighed, unaware that she had been holding her breath. The dome light flashed as she opened the door. He was on her in an instant. Their bodies slammed against the door. The light blinked out. He held her in an iron grip with one hand over her mouth and the blade poking into her

Every ounce of strength I could have summoned would have been no more than a flickering spark beside either of those blazing fountains of light and magic. It was power that had existed since the dawn of life, and would until its end. It was power that had cowed mortals into abject worship and terror before—and I finally understood why. I wasn’t a pawn of that kind of strength. I was an insect beside giants, a blade of grass before towering trees.

She blinked up at him in confusion. “What happened?” “The horse reared and fell.” Christopher’s voice came out in a rasp. “Tell me your name.” “Why are you asking me that?” “Your name,” he insisted. “Beatrix Heloise Hathaway.” She looked at him with round blue eyes. “Now that we know who I am…who are you?” At Christopher’s expression, Beatrix snickered and wrinkled her nose impishly. “I’m teasing. Really. I know who you are. I’m perfectly all right.” Over Christopher’s shoulder, Beatrix caught sight of Leo shaking his head in warning, drawing a finger across his throat. She realized too late that it probably hadn’t been an appropriate moment for teasing. What to a Hathaway would have been a good chuckle was positively infuriating to Christopher. He glared at her with incredulous wrath. It was only then that she realized he was shaking in the aftermath of his terror for her. Definitely not the time for humor. “I’m sorry--” she began contritely. “I asked you not to train that horse,” Christopher snapped, “and you agreed.” Beatrix felt instantly defensive. She was accustomed to doing as she pleased. This was certainly not the first time she’d ever fallen from a horse, nor the last. “You didn’t ask that specifically,” she said reasonably, “you asked me not to do anything dangerous. And in my opinion, it wasn’t.” Instead of calming Christopher, that seemed to enrage him even further. “In light of the fact that you were nearly flattened like a pikelet just now, I’d say you were wrong.” Beatrix was intent on winning the argument. “Well, it doesn’t matter in any case, because the promise I made was for after we married. And we’re not married yet.” Leo covered his eyes with his hand, shook his head, and retreated from her vision. Christopher gave her an incinerating glare, opened his mouth to speak, and closed it again. Without another word, he lifted himself away from her and went to the stable in a long, ground-eating stride. Sitting up, Beatrix stared after him in perplexed annoyance. “He’s leaving.” “It would appear so.” Leo came to her, extended a hand down, and pulled her up. “Why did he leave right in the middle of a quarrel?” Beatrix demanded, dusting off her breeches with short, aggravated whacks. “One can’t just leave, one has to finish it.” “If he had stayed, sweetheart,” Leo said, “there’s every chance I would have had to pry his hands from around your neck.” Their conversation paused as they saw Christopher riding from the stables, his form straight as a blade as he spurred his horse into a swift graceful canter. Beatrix sighed. “I was trying to score points rather than consider how he was feeling,” she admitted. “He was probably frightened for me, seeing the horse topple over like that.” “Probably?” Leo repeated. “He looked like he had just seen Death. I believe it may have touched off one of his bad spells, or whatever it is you call them.” “I must go to him.” “Not dressed like that.” “For heaven’s sake, Leo, just this one time--” “No exceptions, darling. I know my sisters. Give any one of you an inch, and you’ll take a mile.” He reached out and pushed back her tumbling hair. “Also…don’t go without a chaperone.” “I don’t want a chaperone. That’s never any fun.” “Yes, Beatrix, that’s the purpose of a chaperone.” “Well, in our family, anyone who chaperoned me would probably need a chaperone more than I do.” Leo opened his mouth to argue, then closed it. Rare was the occasion when her brother was unable to argue a point. Repressing a grin, Beatrix strode toward the house.

THE BALLAD OF NEARLY HEADLESS NICK BY J.K. ROWLING It was a mistake any wizard could make Who was tired and caught on the hop One piffling error, and then, to my terror, I found myself facing the chop. Alas for the eve when I met Lady Grieve A-strolling the park in the dusk! She was of the belief I could straighten her teeth Next moment she’d sprouted a tusk. I cried through the night that I’d soon put her right But the process of justice was lax; They’d brought out the block, though they’d mislaid the rock Where they usually sharpened the axe. Next morning at dawn, with a face most forlorn, The priest said to try not to cry, ‘You can come just like that, no, you won’t need a hat,’ And I knew that my end must be nigh. The man in the mask who would have the sad task Of cleaving my head from my neck, Said ‘Nick, if you please, will you get to your knees,’ And I turned to a gibbering wreck. ‘This may sting a bit’ said the cack-handed twit As he swung the axe up in the air, But oh the blunt blade! No difference it made, My head was still definitely there. The axeman he hacked and he whacked and he thwacked, ‘Won’t be too long’, he assured me, But quick it was not, and the bone-headed clot Took forty-five goes ’til he floored me. And so I was dead, but my faithful old head It never saw fit to desert me, It still lingers on, that’s the end of my song, And now, please applaud, or you’ll hurt me.

His knife cleared its sheath before he realized he had drawn it. He held the razor-sharp blade to her throat, his body atremble with the effort it took not to kill her. She had her eyes squeezed closed, awaiting death. Her fear clung to the air he breathed, so intense he could smell it, taste it. Yet she was biting his arm? Another tremor shook him. He wasn’t sure whose body convulsed, his with rage or hers with terror. And then realization hit him. She wanted him to kill her. The Comanches called it habbe we-ich-ket, seeking death. His little fledgling had found a way to fight back. As the truth dawned on him, he began to tremble even more, his knuckles turning white around the hilt of the knife. With one flick of his wrist, he could grant her wish and be forever free of her. Sweat beaded on his face and chest. His breath whined down the restricted passage of his windpipe. Slowly, the brittle tension flowed out of his body, bringing in its wake a muscle-draining wave of defeat. With great reluctance, he withdrew the knife from her throat. As if she sensed the ebb of his anger, she bit down harder, a final, valiant attempt to goad him into killing her. Maybe the tosi tivo weren’t so stupid, after all. He would be wise to remember that the blade of his temper had a double edge, one that could be turned against him. Steeling himself against the pain she was inflicting, Hunter stared down her, not quite sure how to get his arm away without knocking her loose with his fist. Suddenly it struck him how absurd the situation was--a Comanche warrior, kneeling over a white woman and doing nothing while she sank her teeth into him. Hunter, the fierce warrior and merciless killer, unable to control a girl half his size?

You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.

The men started to attack each other, blades flashing, armour clashing, voices raging. Raziel watched in shocked silence as blood flew darkly against the harsh red of the fire’s light. Screams and wails held the high ground in the battle of sound as friends and comrades attacked each other viciously. Victims screamed, and their attackers screamed just as fearfully. Horror and terror rode through the ranks, invisible beasts striking deep into every man’s heart.

He seemed unable to enjoy the stark beauty of it all, the wild terror of the mountains, the towering glaciers, the little ribbons of time that clung to the rock in the form of frozen cataracts. The aurora danced above us both nights, green and blue and white undulating together, a cold ocean up there in the sky, and even that he barely glanced at. On the second night, he used his magic to summon a thick green hedge of prickly holly and a trio of willow saplings that enfolded our tent in drapery like bed curtains to keep out the chill wind. "Will you look at that!" I couldn't help but exclaiming as I sat by the fire, gazing up at the riot of light. I will admit, I wished for him to share the sight with me and was disappointed when he only sighed. "Give me hills round as apples and forests of such green you could bathe in it," he said. "None of these hyperborean baubles." "Baubles!" I exclaimed, and would have snapped at him, but his face as he gazed into the fire was open and forlorn, and I realized that he wasn't trying to be irksome---he missed his home. He had been longing for it all along, and this place, so alien and unfriendly, had sharpened the longing into a blade.

My blade was out, the edge as sharp as the terror of the girl I was and the rage of the woman I became.

You guys had a good run. You can’t expect her to lose her sense of judgment forever. You know, Theo, every now and then Eraserhead will hook up with Tinker Bell, or Sling Blade Carl will marry Lara Croft—that sort of thing gives us hope—but you can’t count on it. You can’t bet that way. Why, guys like us would always be alone if some women didn’t have a deep-seated streak of self-destruction, isn’t that right, Professor?

Oh? You would dare bare your blades before us?” “Are you sure you’ve thought this through?” Fel and Gon stepped forward, speaking out loud, and together with Dora-chan and Sui, they loomed over the Bishop and his minions and bodyguards. Said bodyguards instantly dropped their weapons and fell over on their backsides, while the minions dropped to the ground and started crawling for safety, shrieking with terror.

Then I was face to face with it. Tongues fanned from its gaping, bladed mouth. Its eyes were black and weeping more black and they stared into mine, inches away through the glass. The hollow let out a low, guttural snarl that turned my insides to jelly, and I half wished the beast would just kill me and be done with it so all this pain and terror could end. The

Through a chink in my fingers, I watched Mel react. She fished around in her sock, producing a switchblade. She clicked it open and whipped it through the air. The steel blade caught the sunlight, and flashed. Then she tore after the creature, squealing and hoofing as it had. It looked up at her in dismay, and I partially pitied it, pitied the terror on its homely face. She swiped the blade across its side as it attempted to turn around, its legs scrabbling, its pudgy body squirming and twitching, trying in vain to push through the dense tangle. Mel had a chance to knife it again—I could see her debating whether she should, but she wiped the bloody blade against her sock instead. The injured creature finally made headway into the creepers. Another squeal, and then its backside and tufted tail disappeared into the undergrowth. Shuddering, I moved my hands from my face. I stared at Mel. I tried to breathe. The pig’s blood looked bright and alarming against the grimy cotton of her sock. FROM DAMSELFLY “Will it die?” I whispered. “I didn’t get it very deep. I should have killed it. Killed it before it killed you.

The general foreman was a terror to almost everyone, especially us lads. A dreaded punishment for misbehaviour was to be taken to the main floor, issued with a hacksaw and about a dozen blades. A long dural block was then marked off by the toolmakers and the lad earmarked for punishment was set the job of sawing, with a demanded standard of accuracy, the whole length of it. This certainly made us think more than twice about stepping out of line in working hours.

At first, roll calls were still taken. But, as death and sickness gained the upper hand, as more and more half-dead and corpses, especially children's corpses, were flung into the ditches, this keeping of lists seemed highly onerous, and the onbashi relinquished superfluous scribbling. Who cared to know that Sarkis, Astik, or Hapeth, that Anush, Vartuhi, or Koren, were rotting somewhere in the open? These saptiehs were not all brutes. It is even probable that most of them were good, plain, middling sort of people. But what can a saptieh do? He is under stringent orders to reach such and such a point with his whole convoy by such and such a scheduled hour. His heart may be in perfect sympathy with the screaming mother who tries to snatch her child out of a ditch, flings herself down on the road, and claws the earth. No use to talk to her. She's wasted minutes already, and it's still six miles to the next halt. A convoy held up. All the faces in it twisted with hate. A mad scream from a thousand throats. Why did not these crowds, weak as they were, hurl themselves on the saptieh and his mates, disarm them, and tear them into shreds? Perhaps the policemen were in constant terror of such assault, which would have finished them. And so -- one of them fires a shot. The rest whip out their swords to beat the defenceless cruelly with the blades. Thirty or forty men and women lie bleeding. And, with this blood, another emotion comes to life in the excited saptiehs -- their old itch for the women of the accursed race. In these helpless women you possess more than a human being -- in very truth you possess the God of your enemy. Afterwards, the saptiehs scarcely know how it all had happened.

What happens to me when I die? I do not know. One thing I do know. I will return to the earth and will belong again to the wonderful Mother Earth. Isn’t that enough? If only a blade of grass of a flower grows from my grave, that is enough for me. I am happy with what I have done so far. It was both hard and beautiful, and I am thankful for these 48 years. And if I remain alive long enough to finish my work, I can die in peace. Death will hold no terrors for me. I have seen many people for whom it was hard to die. I am sure that we will die in a worthy manner. I hope to have the strength not to die like a weakling, but rather to die with the satisfaction of knowing I have done something. Eternity? I do not want to live forever, but I want my people to live on eternally. I want my people to be eternal, and to live forever so that in 2,000, 3,000 and 100,000 years it will look just as it does today. I do not want it to be bastardized or corrupted, but rather that the same sound race, the same manliness, and the same men are present, that the same battalions of men march through Germany.

Shank off, you faithless skiv!” “Then say my name,” Taein said as he rose and adjusted his coat. “You know exactly who I am.” “You’re the Unkillable Kid—” The mugger said through a froth of blood, his squirming growing weaker. Taein picked him up by the lapels and drew the mugger’s face so close he could see the broken blood vessels in his eyes. “Say. My. Name.” “Taein,” Big said, and he burst into tears. And Taein he was, after all. He was the prince of purloining, scourge of the streets, survivor against all natural odds, reckless to the point of delusion. He was Taein, survivor of the BlackBlades, the Unkillable Kid himself, (or unkillable as far as he knew, at least), and if a good thrashing was all that could beat back the numbness anymore, even just for a few adrenaline-soaked moments, so be it. It was better to feel anything other than his usual state of abysmal emptiness—even pain—because that emptiness haunted him like a starving child, dogging his heels every waking minute, leaching through his very bloodstream as a hard frost crawls along a windowpane.  He was Taein—terror of thieves, conductor of chaos, sweetheart of spite—and if brushing hands with death was all that could shake him halfway to life anymore, so be it.

You truly believe it, don’t you?” he said softly. “The end of the realm?” “Of course I do. I’ve seen it. I know it,” Charlie snapped. Despite his frustration, somehow it felt good to quarrel with Garion. It meant he was real, and imperfect, flawed as Charlie remembered. Not some shining hallucination. “The city behind us burns, you saw it too.” “Cities burn all the time,” Garion replied, swishing his rapier through the air. Charlie put out a hand and the assassin stilled, the light sword hanging at his side. “Not like this,” Charlie breathed, forceful as he could be. He willed his lover to listen, to hear his own terror. “Garion, the world is ending. And we will end with it.” With a long sigh, Garion sheathed his blade. “You really know how to destroy a moment, don’t you, darling?” He shook a finger at him. “Is this that religious guilt all you priests carry, or just your personality?” Charlie shrugged. “Probably both. Can’t allow myself a single moment of happiness, can I?