Terrific Two Quotes

That sounds terrific, thought Cary, just you, your comatose wife your shell-shocked son, and your daughter who hates your guts. Not to mention that your two kids may be in love with each other. Yeah, that sounds like a perfect family reunion.

The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and they're pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody's be different. The only thing that would be different would be you. Not that you'd be so much older or anything. It wouldn't be that, exactly. You'd just be different, that's all. You'd have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you'd have a new partner. Or you'd have a substitute taking the class, instead of Miss Aigletinger. Or you'd heard your mother and father having a terrific fight in the bathroom. Or you'd just passed by one of those puddles in the street with gasoline rainbows in them. I mean you'd be different in some way—I can't explain what I mean. And even if I could, I'm not sure I'd feel like it.

If we could believe that he [Jesus] really countenanced the follies, the falsehoods, and the charlatanism which his biographers [Gospels] father on him, and admit the misconstructions, interpolations, and theorizations of the fathers of the early, and the fanatics of the latter ages, the conclusion would be irresistible by every sound mind that he was an impostor... We find in the writings of his biographers matter of two distinct descriptions. First, a groundwork of vulgar ignorance, of things impossible, of superstitions, fanaticisms and fabrications... That sect [Jews] had presented for the object of their worship, a being of terrific character, cruel, vindictive, capricious and unjust... Jesus had to walk on the perilous confines of reason and religion: and a step to right or left might place him within the gripe of the priests of the superstition, a blood thirsty race, as cruel and remorseless as the being whom they represented as the family God of Abraham, of Isaac and of Jacob, and the local God of Israel. They were constantly laying snares, too, to entangle him in the web of the law... That Jesus did not mean to impose himself on mankind as the son of God, physically speaking, I have been convinced by the writings of men more learned than myself in that lore. [Letter to William Short, 4 August, 1820]

We'll be together there," said Valentine. "As we should be." That sounds terrific,thought Clary.Just you, your comatose wife, your shell-shocked son, and your daughter who hates your guts. Not to mention that your two kids may be in love with each other. Yeah, that sounds like a perfect family reunion.

I am less morose. I am just showing the results of the terrific fight that I have waged inside of myself, and you know that the face of victory often resembles the face of defeat.

The firm has two cats, one for the warehouse and one for the attic. Now it occasionally happen that the two cats met; and the result was always a terrific fight. The aggressor was always the warehouse cat yet it was always the attic cat who managed to win - just like among nations.

My feeling as a Christian points me to my Lord and Savior as a fighter. It points me to the man who once in loneliness, surrounded only by a few followers, recognized these Jews for what they were and summoned men to fight against them and who, God's truth! was greatest not as a sufferer but as a fighter. In boundless love as a Christian and as a man I read through the passage which tells us how the Lord at last rose in His might and seized the scourge to drive out of the Temple the brood of vipers and adders. How terrific was his fight against the Jewish poison. Today, after two thousand years, with deepest emotion I recognize more profoundly than ever before the fact that it was for this that He had to shed his blood upon the Cross.

I've met the girl. She's a zero in my opinion but terrific-looking. I don't actually know that she's a zero. I mean she hardly said two words the night I met her. Just sat and smiled and smoked, so it isn't fair to say.

What about me?’ said Grantaire. ‘I’m here.’ ‘You?’ ‘Yes, me.’ ‘You? Rally Republicans! You? In defence of principles, fire up hearts that have grown cold!’ ‘Why not?’ ‘Are you capable of being good for something?’ ‘I have the vague ambition to be,’ said Grantaire. ‘You don’t believe in anything.’ ‘I believe in you.’ ‘Grantaire, will you do me a favour?’ ‘Anything. Polish your boots.’ ‘Well, don’t meddle in our affairs. Go and sleep off the effects of your absinthe.’ ‘You’re heartless, Enjolras.’ ‘As if you’d be the man to send to the Maine gate! As if you were capable of it!’ ‘I’m capable of going down Rue des Grès, crossing Place St-Michel, heading off along Rue Monsieur-le-Prince, taking Rue de Vaugirard, passing the Carmelite convent, turning into Rue d’Assas, proceeding to Rue du Cherche-Midi, leaving the Military Court behind me, wending my way along Rue des Vieilles-Tuileries, striding across the boulevard, following Chaussée du Maine, walking through the toll-gate and going into Richefeu’s. I’m capable of that. My shoes are capable of that.’ ‘Do you know them at all, those comrades who meet at Richefeu’s?' ‘Not very well. But we’re on friendly terms.’ ‘What will you say to them?’ ‘I’ll talk to them about Robespierre, of course! And about Danton. About principles.’ ‘You?’ ‘Yes, me. But I’m not being given the credit I deserve. When I put my mind to it, I’m terrific. I’ve read Prudhomme, I’m familiar with the Social Contract, I know by heart my constitution of the year II. “The liberty of the citizen ends where the liberty of another citizen begins.” Do you take me for a brute beast? I have in my drawer an old promissory note from the time of the Revolution. The rights of man, the sovereignty of the people, for God’s sake! I’m even a bit of an Hébertist. I can keep coming out with some wonderful things, watch in hand, for a whole six hours by the clock.’ ‘Be serious,’ said Enjolras. ‘I mean it,’ replied Grantaire. Enjolras thought for a few moments, and with the gesture of a man who had come to a decision, ‘Grantaire,’ he said gravely, ‘I agree to try you out. You’ll go to the Maine toll-gate.’ Grantaire lived in furnished lodgings very close to Café Musain. He went out, and came back five minutes later. He had gone home to put on a Robespierre-style waistcoat. ‘Red,’ he said as he came in, gazing intently at Enjolras. Then, with an energetic pat of his hand, he pressed the two scarlet lapels of the waistcoat to his chest. And stepping close to Enjolras he said in his ear, ‘Don’t worry.’ He resolutely jammed on his hat, and off he went.

A group therapist created a terrific visual example of what a healthy relationship looks like. She put three pillows on the floor and asked a couple of us to stand on the pillows. She told us to leave the middle pillow open. She pointed at my pillow and said, "Don, that's your pillow, that's your life. The only person who gets to step on that pillow is you. Nobody else. That's your territory, your soul." Then she pointed at my friend's pillow and told her that was her pillow, that she owned it and it was her soul. Then, the therapist said, the middle pillow symbolized the relationship. She said that both of us could step into the middle pillow any time we wanted because we'd agreed to be in a relationship. However, she said, at no point is it appropriate to step on the other person's pillow. What goes on in the other person's soul is none of your business. All you're responsible for is your soul, nobody else's. Regarding the middle pillow, the question to ask is, "What do I want in a relationship?" If the pillow you two step on together works, that's great. If not, move on or simply explain what you'd like life to feel like in the middle pillow and see if the other person wants that kind of relationship too. But never, she said, ever try to change each other. Know who you are and know what you want in a relationship, and give people the freedom to be themselves.

Three hundred types of mussel, a third of the world’s total, live in the Smokies. Smokies mussels have terrific names, like purple wartyback, shiny pigtoe, and monkeyface pearlymussel. Unfortunately, that is where all interest in them ends. Because they are so little regarded, even by naturalists, mussels have vanished at an exceptional rate. Nearly half of all Smokies mussels species are endangered; twelve are thought to be extinct. This ought to be a little surprising in a national park. I mean it’s not as if mussels are flinging themselves under the wheels of passing cars. Still, the Smokies seem to be in the process of losing most of their mussels. The National Park Service actually has something of a tradition of making things extinct. Bryce Canyon National Park is perhaps the most interesting-certainly the most striking-example. It was founded in 1923 and in less than half a century under the Park Service’s stewardship lost seven species of mammal-the white-tailed jackrabbit, prairie dog, pronghorn antelope, flying squirrel, beaver, red fox, and spotted skunk. Quite an achievement when you consider that these animals had survived in Bryce Canyon for tens of millions of years before the Park Service took an interest in them. Altogether, forty-two species of mammal have disappeared from America's national parks this century.

What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult? Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully. “Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.” On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.” “I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done. Dead silence crashes over the kitchen. Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list. That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it... “I just have one question,” Garrett starts. “Really?” Tuck says. “Because I have many.” Sighing, I put my pen down. “Go ahead. Get it out of your systems.” Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.” “It’s for Grace,” I reply through clenched teeth. My best friend nods solemnly. Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing. “What are you doing?” I demand. “Texting Wellsy. She needs to know this.” “I hate you.” I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.” “Cutlass?” Garrett wheezes. “Like the sword?” “The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.” Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.” He’s right. I should have. I’m a terrible poet and I do know it. “Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.” “Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.” I ponder the next line. “How sweet…” “Your ass,” Tucker supplies. Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again. “Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.” “Call my girlfriend a ho one more time and you won’t have a bro.” Tucker chuckles. “Seriously, why are you writing poetry for this chick?” “Because I’m trying to win her back. This is one of her requirements.” That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?” “None of your fucking business.” “Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!” I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.” Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.

My dear boy,’ Mr Wonka answered, ‘if we don’t come down at a terrific speed, we’ll never burst our way back in through the roof of the factory. It’s not easy to punch a hole in a roof as strong as that.’ ‘But there’s a hole in it already,’ said Charlie. ‘We made it when we came out.’ ‘Then we shall make another,’ said Mr Wonka. ‘Two holes are better than one. Any mouse will tell you that.

He turned into the road at that slow and ponderous gallop, the two of them, man and beast, leaning a little stiffly forward as though in some juggernautish simulation of terrific speed though the actual speed itself was absent, as if in that cold and implacable and undeviating conviction of both omnipotence and clairvoyance of which they both partook known destination and speed were not necessary.

Besides, I hated him but I loved him too. Yes. I know all about that sort of thing. Christ, I should, I'd heard nothing else my last two years in New York. 'They have this terrific love-hate thing going,' everybody said about everybody else. 'You watch, it's going to destroy them-.' But never about me. When I took to someone I took to them, and when I took against them ditto. Mostly I felt indifference.

The key to finding a terrific mentor is not to pursue someone who is at the very top of the profession, but to find someone who two years ago was where you are now. He or she will be most familiar with your current situation, and have relevant, timely experiences and perspective to share.

Vance took the news of their "big-city fellows" status better than Philip. Probably because it turned out that he was actually gay. "You're what?" "Well, I'm not entirely sure," said Vance, "but I'd say it's seventy-thirty for it." "But I've seen you with women." "That would be the thirty part of the equation," said Vance as he sipped his coffee. "Oh my God. That's why you agreed to do this with me. You think I'm gay, too!" Vance chuckled. "Dude you're not gay." "I know I'm not, but do you know I'm not?" "I'd say ninety-two-eight on the straight side," said Vance. "How the hell-" "They've made some terrific advances in gaydar, dude.

The law enforcement in this town is terrific. All through prohibition Eddie Mars' place was a night club and they had two uniformed men in the lobby every night-to see that the guests didn't bring their own liquor instead of buying it from the house.

Joe Old Coyote was tough, " Adam told Jesse, putting an arm around my shoulders. "He hunted vampires, and he took on Mercy's mom. Of the two, I know what I'm more scared of." That made me laugh. "My mom isn't that bad." Adam gave me a look. "I bit my lip, then gave up and laughed again. "Okay, okay. She is. Worse. I'd rather face vampires any day than my mother." "I found her charming," said Zee. Laughter, I thought with satisfaction, is a terrific way to start an adventure.

She was thinking—for, since she had been formed by literature, she could think in no other way—that all this had been described in Dickens, Tolstoy, Hugo, Dostoevsky, and a dozen others. All that noble and terrific indignation had done nothing, achieved nothing, the shout of anger from the nineteenth century might as well have been silent—for here came the file of prisoners, handcuffed two by two, and on their faces was that same immemorial look of patient, sardonic understanding.

Terrific! Have you done Step Three?" He waggled his brows as he opened up the top left drawer of my dresser. "No. Hey! Do you mind, Nosy Newton?" "Are these panties?" he asked, holding up two of my thongs. "Because they look like dental floss to me." Oh my God. My almost father-in-law was digging around in my lingerie. Embarrassment bloomed in my face. "Ruadan, get out of my underwear!" "Fine," he said, closing the left drawer and opening the right one. "Oh! Lookie here!" "If you touch that box," I said menacingly, "I will cut off your head with your own swords. And I'm not talking about the one on your shoulders." He laughed, shutting the drawer. "You won't need a vibrator anymore. You've got Patrick." His gaze slid toward the dresser. "Unless you have different toys in there. Nipple clamps?" "I… what… oh God." I fell onto the bed, curled into the fetal position, and covered my face.

Just where was she trying to go back to? Prague? She had even forgotten it existed. To the small town in the west of Europe? No. She simply wanted to go away. Does that mean she wished to die? No, no, not at all. On the contrary, she had a terrific desire to live. Then she must have had some idea about the world she wanted to live in! She had none. All she had left was a tremendous craving for life, and her body. Nothing but these two things, nothing more. She wanted to tear them away from the island and save them. Her body and that craving for life.

Mathis moved his chair close to hers and said softly: ‘That is a very good friend of mine. I am glad you have met each other. I can already feel the ice-floes on the two rivers breaking up.’ He smiled. ‘I don’t think Bond has ever been melted. It will be a new experience for him. And for you.’ She did not answer him directly. ‘He is very good-looking. He reminds me rather of Hoagy Carmichael, but there is something cold and ruthless in his …’ The sentence was never finished. Suddenly a few feet away the entire plate-glass window shivered into confetti. The blast of a terrific explosion, very near, hit them so that they were rocked back in their chairs. There was an instant of silence. Some objects pattered down on to the pavement outside. Bottles slowly toppled off the shelves behind the bar. Then there were screams and a stampede for the door.

An hour later my porpoises are back. Two of them start spinning in the air like corkscrews. I rush to get the camera, stowed in its locker—too late; they are leaving already. I am as disgusted as if I had dropped an anchor without shackling it to its chain. After missing the terrific shot of the barracuda catching the flying fish in mid-air, I had sworn to leave the Beaulieu in the cockpit during fair weather, all set to go, with a cloth to protect it from the sun. But that is not enough. I am starting to realize that I too need to be protected from the camera. In the beginning, I thought that you just set the lens and released the shutter. It is not like that at all. You have to give the camera something more. And now it is trying to suck my blood. It would be easy to stuff the camera in a waterproof tank and forget it exists, but it is too late—and in any case I am not sorry.

And then, as I was bouncing the ball up and down on the grass, just about to wind up my body to serve, the umpire cut in. “Time violation: warning, Mr. Nadal.” I had apparently spent too long between points, gone over the legal limit of twenty seconds before I served—a rule that is enforced only rarely. But it’s a dangerous rule. Because once you’ve received that first warning, any subsequent violations lead to the deduction of points. My concentration had been put to the test. I could have made a scene. The crowd, I could tell, shared my indignation. But I knew, without having to give it a second thought, that to let my feelings show would do me no good. I’d risk losing that precious asset, my concentration. Besides, the momentum was with me and I was two points away from winning the second set. I put the umpire’s interruption immediately out of my mind and won the point with a terrific and, for me, very unusual shot.

We had terrific data on ivermectin, from the medical teams in Bangladesh and elsewhere by early summer 2020. So now we had two cheap generics.” McCullough and his growing team of 50+ front-line doctors discovered that while HCQ and IVM work well against COVID, adding other medications boosts outcomes drastically.

Honey’s Cottage Miss Honey joined Matilda outside the school gates and the two of them walked in silence through the village High Street. They passed the greengrocer with his window full of apples and oranges, and the butcher with bloody lumps of meat on display and naked chickens hanging up, and the small bank, and the grocery store and the electrical shop, and then they came out at the other side of the village on to the narrow country road where there were no people any more and very few motor-cars. And now that they were alone, Matilda all of a sudden became wildly animated. It seemed as though a valve had burst inside her and a great gush of energy was being released. She trotted beside Miss Honey with wild little hops and her fingers flew as if she would scatter them to the four winds and her words went off like fireworks, with terrific speed. It was Miss Honey this and Miss Honey that and Miss Honey I do honestly feel I could move almost anything in the world, not just tipping over glasses and little things like that . . . I feel I could topple tables and chairs, Miss Honey . . . Even when people are sitting in the chairs I think I could push them over, and bigger things too, much bigger things than chairs and tables . . . I only have to take a moment to get my eyes strong and then I can push it out, this strongness, at anything at all so long as I am staring at it hard enough . . . I have to stare at it very hard, Miss Honey, very very hard, and then I can feel it all happening behind my eyes, and my eyes get hot just as though they were burning but I don’t mind that in the least, and Miss Honey . . .

Nature’s success stories, they are like Gause’s protozoans; the world is their petri dish. Their populations grow at a terrific rate; they take over large areas, engulfing their environment as if no force opposed them. Then they hit a barrier. They drown in their own wastes. They starve from lack of food. Something figures out how to eat them.

Zoroaster was the prophet of the Persians, the people who restored the Jews to Jerusalem, the same Persians who later gave rise to the Chaldeans. The basic idea in Zoroaster’s teaching is that there are two Gods, one good, the other evil. The good God is a God of Light, of Justice, of Wisdom, who created a perfectly good world. His name is Ahura Mazda, “First Father of the Righteous Order, who gave to the sun and stars their paths.” The Mazda bulbs were named after this God of Light. Against him stands a God of Evil, Angra Mainyu, “the Deceiver,” who is the god of lies, darkness, hypocrisy, violence, and malice. He it was who threw evil into this good and well-made world. Thus the world in which we live is a mixture of light and darkness, of good and evil. This worldview is the mythology of the Fall. In its biblical transformation, it is the Fall. There is then a nature world that is not good and one does not put oneself in accord with it. It is evil and one pulls out or away in order to correct it. From this view arises a mythology with this sequence: Creation, a Fall, followed by Zoroaster (or Zarathustra), who teaches the way of virtue that will bring a gradual restoration of goodness. On the last day, after a terrific battle known as Armageddon, or the Reckoning of Spirits, Zoroaster will appear, in a second incarnation, the evil power will be wiped out, and all will be peace, light, and virtue forever. This mythology is surely familiar to all.

I never leave home without my cayenne pepper. I either stash a bottle of the liquid extract in my pocket book or I stick it in the shopping cart I pull around with me all over Manhattan. When it comes to staying right side up in this world, a black woman needs at least three things. The first is a quiet spot of her own, a place away from the nonsense. The second is a stash of money, like the cash my mother kept hidden in the slit of her mattress. The last is several drops of cayenne pepper, always at the ready. Sprinkle that on your food before you eat it and it’ll kill any lurking bacteria. The powder does the trick as well, but I prefer the liquid because it hits the bloodstream quickly. Particularly when eating out, I won’t touch a morsel to my lips ‘til it’s speckled with with cayenne. That’s just one way I take care of my temple, aside from preparing my daily greens, certain other habits have carried me toward the century mark. First thing I do every morning is drink four glasses of water. People think this water business is a joke. But I’m here to tell you that it’s not. I’ve known two elderly people who died of dehydration, one of whom fell from his bed in the middle of the night and couldn’t stand up because he was so parched. Following my water, I drink 8 ounces of fresh celery blended in my Vita-mix. The juice cleanses the system and reduces inflammation. My biggest meal is my first one: oatmeal. I soak my oats overnight so that when I get up all I have to do is turn on the burner. Sometimes I enjoy them with warm almond milk, other times I add grated almonds and berries, put the mixture in my tumbler and shake it until it’s so smooth I can drink it. In any form, oats do the heart good. Throughout the day I eat sweet potatoes, which are filled with fiber, beets sprinkled with a little olive oil, and vegetables of every variety. I also still enjoy plenty of salad, though I stopped adding so many carrots – too much sugar. But I will do celery, cucumbers, seaweed grass and other greens. God’s fresh bounty doesn’t need a lot of dressing up, which is why I generally eat my salad plain. From time to time I do drizzle it with garlic oil. I love the taste. I also love lychee nuts. I put them in the freezer so that when I bite into them cold juice comes flooding out. As terrific as they are, I buy them only once in awhile. I recently bit into an especially sweet one, and then I stuck it right back in the freezer. “Not today, Suzie,” I said to myself, “full of glucose!” I try never to eat late, and certainly not after nine p.m. Our organs need a chance to rest. And before bed, of course, I have a final glass of water. I don’t mess around with my hydration.

I think it should be done over, Buddy. …Please make peace with your wit. It's not going to go away, Buddy. To dump it on your own advice would be as bad and unnatural as dumping your adjectives and your adverbs because Prof. B. wants you to. What does he know about it? What do you really know about your own wit? I've been sitting here tearing up notes to you. I keep starting to say things like 'This one is wonderfully constructed,' and 'The conversation between the two cops is terrific.' So I'm hedging. I'm not sure why. I started to get a little nervous right after you began to read. It sounded like the beginning of something your arch-enemy Bob B. calls a rattling good story. Don't you think he would call this a step in the right direction? Doesn't that worry you? Even what is funny about the woman on the back of the truck doesn't sound like something you think is funny. It sounds much more like something that you think is universally considered funny. I feel gypped. Does that make you mad? You can say our relatedness spoils my judgement. It worries me enough. But I'm also just a reader. Are you a writer or just a writer of rattling good stories. I mind getting a rattling good story from you.

It must take a lot of self-discipline,' she said. 'Oh, I don't know. I don't have much.' He felt himself about to say again, and unable to resist saying, that 'Dumas, I think it was Dumas, some terrifically prolific Frenchman, said that writing novels is a simple matter - if you write one page a day, you'll write one novel a year, two pages a day, two novels a year, three pages, three novels, and so on. And how long does it take to cover a page with writing? Twenty minutes? An hour? So you see. Very easy really.' 'I don't know,' she said, laughing. 'I can't even bring myself to write a letter.' 'Oh, now that's hard.' ("Novelty")

He’s really a great gossip”—“terrifically interested” in hearing what others have to say. Even strangers got presidential attention: Kennedy would reply two hundred times per day to the thousands of daily letters he received.

Two-thousand-word scenes/chapters are potato chip length. That is, if you are about to go to bed and you’re reading a terrific novel and the scenes/chapters come in around two-thousand-word bites, you’ll tell yourself that you’ll read just one more chapter. But if the narrative is really moving after you finish one of these bites, you won’t be able to help yourself reading another. If the Story is extremely well told, you’ll just keep eating the potato chip scenes all through the night.

PATER PROFUNDUS. [Far below]   The chasm at my feet, dark, yawning,   Rests on a chasm deeper still,   A thousand streams, their waters joining,   In a cascade terrific fall;   The tree’s own life, its strength from nature,   Its trunk lifts skywards straight and tall—   All, all, show love’s almighty power   That shapes all things, cares for them all.   The storm breaks round me, fiercely howling,   The woods, ravines, all seem to quake, 12240 And yet, swelled by the deluge falling,   The torrent plunges down the rock   To water lovingly the valley;   The lightning burns the overcast   And clears the air, now smelling freshly,   Of all its foulness, dankness, mist—   All love proclaim! the creating power   By which the whole world is embraced.   Oh kindle, too, in me your fire,   Whose thoughts, disordered, cold, depressed, 12250 Inside the cage of dull sense languish,   Tormented, helpless, hard beset!   Dear God, relieve my spirit’s anguish,   My needy heart illuminate!

A pair of young mothers now became the centre of interest. They had risen from their lying-in much sooner than the doctors would otherwise have allowed. (French doctors are always very good about recognizing the importance of social events, and certainly in this case had the patients been forbidden the ball the might easily have fretted themselves to death.) One came as the Duchesse de Berri with l’Enfant du Miracle, and the other as Madame de Montespan and the Duc du Maine. The two husbands, the ghost of the Duc de Berri, a dagger sticking out of his evening dress, and Louis XIV, were rather embarrassed really by the horrible screams of their so very young heirs, and hurried to the bar together. The noise was indeed terrific, and Albertine said crossly that had she been consulted she would, in this case, have permitted and even encouraged the substitution of dolls. The infants were then dumped down to cry themselves to sleep among the coats on her bed, whence they were presently collected by their mothers’ monthly nannies. Nobody thereafter could feel quite sure that the noble families of Bregendir and Belestat were not hopelessly and for ever interchanged. As their initials and coronets were, unfortunately, the same, and their baby linen came from the same shop, it was impossible to identify the children for certain. The mothers were sent for, but the pleasures of society rediscovered having greatly befogged their maternal instincts, they were obliged to admit they had no idea which was which. With a tremendous amount of guilty giggling they spun a coin for the prettier of the two babies and left it at that.

You’ve said, “You can lie or distort the story of the French Revolution as long as you like and nothing will happen. Propose a false theory in chemistry and it will be refuted tomorrow.” How does your approach to the world as a scientist affect and influence the way you approach politics? Nature is tough. You can’t fiddle with Mother Nature, she’s a hard taskmistress. So you’re forced to be honest in the natural sciences. In the soft fields, you’re not forced to be honest. There are standards, of course; on the other hand, they’re very weak. If what you propose is ideologically acceptable, that is, supportive of power systems, you can get away with a huge amount. In fact, the difference between the conditions that are imposed on dissident opinion and on mainstream opinion is radically different. For example, I’ve written about terrorism, and I think you can show without much difficulty that terrorism pretty much corresponds to power. I don’t think that’s very surprising. The more powerful states are involved in more terrorism, by and large. The United States is the most powerful, so it’s involved in massive terrorism, by its own definition of terrorism. Well, if I want to establish that, I’m required to give a huge amount of evidence. I think that’s a good thing. I don’t object to that. I think anyone who makes that claim should be held to very high standards. So, I do extensive documentation, from the internal secret records and historical record and so on. And if you ever find a comma misplaced, somebody ought to criticize you for it. So I think those standards are fine. All right, now, let’s suppose that you play the mainstream game. You can say anything you want because you support power, and nobody expects you to justify anything. For example, in the unimaginable circumstance that I was on, say, Nightline, and I was asked, “Do you think Kadhafi is a terrorist?” I could say, “Yeah, Kadhafi is a terrorist.” I don’t need any evidence. Suppose I said, “George Bush is a terrorist.” Well, then I would be expected to provide evidence—“Why would you say that?” In fact, the structure of the news production system is, you can’t produce evidence. There’s even a name for it—I learned it from the producer of Nightline, Jeff Greenfield. It’s called “concision.” He was asked in an interview somewhere why they didn’t have me on Nightline. First of all, he says, “Well, he talks Turkish, and nobody understands it.” But the other answer was, “He lacks concision.” Which is correct, I agree with him. The kinds of things that I would say on Nightline, you can’t say in one sentence because they depart from standard religion. If you want to repeat the religion, you can get away with it between two commercials. If you want to say something that questions the religion, you’re expected to give evidence, and that you can’t do between two commercials. So therefore you lack concision, so therefore you can’t talk. I think that’s a terrific technique of propaganda. To impose concision is a way of virtually guaranteeing that the party line gets repeated over and over again, and that nothing else is heard.

There are only two states of polarization available to electrons, so in an atom with three protons in the nucleus exchanging photons with three electrons-a condition called a lithium atom-the third electron is farther away from the nucleus than the other two (which have used up the nearest available space), and exchanges fewer photons. This causes the electron to easily break away from its own nucleus under the influence of photons from other atoms. A large number of such atoms close together easily lose their individual third electrons to form a sea of electrons swimming around from atom to atom. This sea of electrons reacts to any small electrical force (photons), generating a current of electrons-I am describing lithium metal conducting electricity. Hydrogen and helium atoms do not lose their electrons to other atoms. They are "insulators." All the atoms-more than one hundred different kinds-are made up of a certain number of protons exchanging photons with the same number of electrons. The patterns in which they gather are complicated and offer an enormous variety of properties: some are metals, some are insulators, some are gases, others are crystals; there are soft things, hard things, colored things, and transparent things-a terrific cornucopia of variety and excitement that comes from the exclusion principle and the repetition again and again and again of the three very simple actions P(A to B), E(A to B), and j. (If the electrons in the world were unpolarized, all the atoms would have very similar properties: the electrons would all cluster together, close to the nucleus of their own atom, and would not be easily attracted to other atoms to make chemical reactions.)

People you’re contacting to create a new relationship need to see or hear your name in at least three modes of communication—by, say, an e-mail, a phone call, and a face-to-face encounter—before there is substantive recognition. • Once you have gained some early recognition, you need to nurture a developing relationship with a phone call or e-mail at least once a month. • If you want to transform a contact into a friend, you need a minimum of two face-to-face meetings out of the office. • Maintaining a secondary relationship requires two to three pings a year. • Social media pings (status updates, retweets, comments, etc.) are terrific for ongoing relationship maintenance, especially for the fringe of your network, but they don’t replace the need for one-to-one pinging with the people in your highest-priority network, those people connected to your current goals.

A battle between two worlds. She realised that St. Mawr drew his hot breaths in another world from Rico's, from our world. Perhaps the old Greek horses had lived in St. Mawr's world. And the old Greek heroes, even Hippolytus, had known it. With their strangely naked equine heads, and something of a snake in their way of looking round, and lifting their sensitive, dangerous muzzles, they moved in a prehistoric twilight where all things loomed phantasmagoric, all on one plane, sudden presences suddenly jutting out of the matrix. It was another world, an older, heavily potent world. And in this world the horse was swift and fierce and supreme, undominated and unsurpassed.--"Meet him half-way," Lewis said. But half-way across from our human world to that terrific equine twilight was not a small step. It was a step, she knew, that Rico could never take. She knew it. But she was prepared to sacrifice Rico.

Our life together was filled with contrasts. One week we were croc hunting with Dateline in Cape York. Only a short time after that, Steve and I found ourselves out of our element entirely, at the CableACE Award banquet in Los Angeles. Steve was up for an award as host of the documentary Ten Deadliest Snakes in the World. He lost out to the legendary Walter Cronkite. Any time you lose to Walter Cronkite, you can’t complain too much. After the awards ceremony, we got roped into an after-party that was not our cup of tea. Everyone wore tuxedos. Steve wore khaki. Everyone drank, smoked, and made small talk, none of which Steve did at all. We got separated, and I saw him across the room looking quite claustrophobic. I sidled over. “Why don’t we just go back up to our room?” I whispered into his ear. This proved to be a terrific idea. It fit in nicely with our plans for starting a family, and it was quite possibly the best seven minutes of my life! After our stay in Los Angeles, Steve flew directly back to the zoo, while I went home by way of one my favorite places in the world, Fiji. We were very interested in working there with crested iguanas, a species under threat. I did some filming for the local TV station and checked out a population of the brilliantly patterned lizards on the Fijian island of Yadua Taba. When I got back to Queensland, I discovered that I was, in fact, expecting. Steve and I were over the moon. I couldn’t believe how thrilled he was. Then, mid-celebration, he suddenly pulled up short. He eyed me sideways. “Wait a minute,” he said. “You were just in Fiji for two weeks.” “Remember the CableACE Awards? Where you got bored in that room full of tuxedos?” He gave me a sly grin. “Ah, yes,” he said, satisfied with his paternity (as if there was ever any doubt!). We had ourselves an L.A. baby.

I brought Sev to the bedside, and together the little polymath and I counted: “All right, now we count legs: one—” “I don’t think that’s funny,” said Sev. “I know how to count.” “Well, then, what happened?” “I got the wrong chart.” “You didn’t look at this patient?” “Yes, I did,” said Sev. “I looked, I just didn’t see the other leg, that’s all. My cognitive set was for one leg, not for two.” “Terrific,” I said. “Reminds me of a very famous House LAW: SHOW ME A BMS WHO ONLY TRIPLES MY WORK AND I WILL KISS HIS FEET.

You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and their pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody’d be different. The only thing that would be different would be you. Not that you’d be so much older or anything. It wouldn’t be that, exactly. You’d just be different, that’s all. You’d have an overcoat on this time. Or the kid that was your partner in line the last time had got scarlet fever and you’d have a new partner. Or you’d have a substitute taking the class, instead of Miss Aigletinger. Or you’d heard your mother and father having a terrific fight in the bathroom. Or you’d just passed by one of those puddles in the street with gasoline rainbows in them. I mean you’d be different in some way—I can’t explain what I mean. And even if I could, I’m not sure I’d feel like it.

The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and their pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody'd be different. The only thing that would be different would be you. Not that you'd be so much older or anything. It wouldn't be that, exactly. You'd just be different, that's all. You'd have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you'd have a new partner. Or you'd have a substitute taking the class, instead of Miss Aigletinger. Or you'd heard your mother and father having a terrific fight in the bathroom. Or you'd just passed by one of those puddles in the street with gasoline rainbows in them. I mean you'd be different in some way — I can't explain what I mean. And even if I could, I'm not sure I'd feel like it.

The best thing, though, in that museum was that everything always stayed right where it was. Nobody’d move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and their pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody’d be different. The only thing that would be different would be you. Not that you’d be so much older or anything. It wouldn’t be that, exactly. You’d just be different, that’s all. You’d have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you’d have a new partner. Or you’d have a substitute taking the class, instead of Miss Aigletinger. Or you’d heard your mother and father having a terrific fight in the bathroom. Or you’d just passed by one of those puddles in the street with gasoline rainbows in them. I mean you’d be different in some way — I can’t explain what I mean. And even if I could, I’m not sure I’d feel like it.

The programme was due at any moment and I felt a bit self-conscious about barging in on some innocent family at sacred tea time. I need not have feared. A young man of about thirty opened the door to me and I asked, 'Do you watch Doctor Who in this house by any chance?' For a split second the young man looked puzzled and then he smiled, opened the door wide, and simply said 'Come in, Doctor.' And in I went. As he ushered me into the sitting room, I heard the title music and I quietly sat in the chair the man pointed to. As I took my seat, he pointed towards two little boys sitting on the sofa, eyes glued to the screen as I appeared. They watched with terrific intensity as a bit of drama unrolled and then, as someone else took up the plot, they lost interest slightly and glanced up at their dad and then at me. Just as they did so, I reappeared on the screen and they looked at me there. Their amazement was simply amazing! They were utterly gobsmacked as the two images jostled in their heads. They could not grasp how I could be in two paces at once and then, to the delight of their dad, they couldn't believe Doctor Who was in their house. What a wonderful hour or so that was.

Dad's in D.C. all week," he said as we climbed out, "so I get to use the garage. Parking's a bitch around here." I didn't know whether to roll my eyes or sympathize. "Is your mom home?" I really didn't know how I felt about seeing Karina Romanova in her own home. Well,no. Truth: I was worried how she would feel about seeing me in it. "Will she mind my being here?" "Why would she?" Alex gave me an odd look as he pushed open a small door onto a wide brick patio. "But no, she's at the studio until midnight. It's just you,me,and the lacrosse team." I could see myself with amazing clarity in the huge glass wall that was the entire back of the house. I was small, dark, and frozen. "You're kidding, right?" Next to mine, Alex's reflection looked twice as big and ust as still. "You're kidding. Right?" I nodded. Clearly not emphatically enough. "Christ,Ella. Who do you think I am?" I sighed. Honestly, I didn't know. "I think you're probably a terrific guy, Alex. But let's be truthful here.We don't really know each other." "Oh,come one.We've gone to school together for two and a half years. I've been to Marino's..." He stopped. Sighed. "Okay.Fine.So let's change it. Now." And he unlocked the door to his house.

They had this course you had to take, Oral Expression. That I flunked. 'Why?' 'Oh, I don't know.' I didn't feel much like going into it. I was still feeling sort of dizzy or something, and I had a helluva headache all of a sudden. I really did. But you could tell he was interested, so I told him a little bit about it. 'It's this course where each boy in class has to get up in class and make a speech. You know. Spontaneous and all. And if the boy digresses at all, you're supposed to yell "Digression!" at him as fast as you can. It just about drove me crazy. I got an F in it.' 'Why?' 'Oh, I don't know. That digression business got on my nerves. I don't know. The trouble with me is, I like it when somebody digresses. It's more interesting and all.' 'You don't care to have somebody stick to the point when he tells you something?' 'Oh, sure! I like somebody to stick to the point and all. But I don't like them to stick too much to the point. I don't know. I guess I don't like it when somebody sticks to the point all the time. The boys that got the best marks in Oral Expression were the ones that stuck to the point all the time—I admit it. But there was this one boy, Richard Kinsella. He didn't stick to the point too much, and they were always yelling "Digression!" at him. It was terrible, because in the first place, he was a very nervous guy—I mean he was a very nervous guy—and his lips were always shaking whenever it was his time to make a speech, and you could hardly hear him if you were sitting way in the back of the room. When his lips sort of quit shaking a little bit, though, I liked his speeches better than anybody else's. He practically flunked the course, though, too. He got a D plus because they kept yelling "Digression!" at him all the time. For instance, he made this speech about this farm his father bought in Vermont. They kept yelling "Digression!" at him the whole time he was making it, and this teacher, Mr. Vinson, gave him an F on it because he hadn't told what kind of animals and vegetables and stuff grew on the farm and all. What he did was, Richard Kinsella, he'd start telling you all about that stuff—then all of a sudden he'd start telling you about this letter his mother got from his uncle, and how his uncle got polio and all when he was forty-two years old, and how he wouldn't let anybody come to see him in the hospital because he didn't want anybody to see him with a brace on. It didn't have much to do with the farm—I admit it—but it was nice. It's nice when somebody tells you about their uncle. Especially when they start out telling you about their father's farm and then all of a sudden get more interested in their uncle. I mean it's dirty to keep yelling "Digression!" at him when he's all nice and excited... I don't know. It's hard to explain.' I didn't feel too much like trying, either. For one thing, I had this terrific headache all of a sudden. I wished to God old Mrs. Antolini would come in with the coffee. That's something that annoys hell out of me—I mean if somebody says the coffee's all ready and it isn't.

Gary Cooper called to invite me to a dinner party he was giving for Clark Gable at his house. When I accepted and he asked if I would mind picking up Barbara Stanwyck, I was delighted. I had always thought she was one of the greatest. The Lady Eve and Double Indemnity are two of my favorite films and feature two of the many terrific performances she gave through the years. I arrived at her door promptly at 6:30 P.M., a huge bouquet of pink peonies in hand. The maid said she would be right down, took the flowers, and offered me a glass of champagne. Barbara came down a few minutes later, looking terrific in something silver and slinky. She carried on about the flowers as the maid brought them in and joined me for some champagne. I was anxious to get things off to a good start with the right kind of small talk, but unfortunately I was out of touch with the latest gossip. I asked how and where her husband was. An expletive told me how she felt about her husband: “That son of a bitch ran off with some kraut starlet.” As I struggled to pull my foot out of my mouth, she started to laugh and said, “Don’t worry about it, baby, he’s not worth sweating over,” and the rest of the evening went like gangbusters. We arrived at 7:30 on the dot and were met at the door by Rocky, Mrs. Gary Cooper, who hugged Barbara and said, “He’s going to be so glad to see you.” Cooper and Stanwyck had made a couple of great films together, Meet John Doe and Ball of Fire, the latter for Sam Goldwyn, whom she liked even though she referred to him as “that tough old bastard.” Rocky sent Barbara out to the garden to see Coop, took my arm, and showed me around their lovely home. As we walked into the garden, I spotted him laughing with Barbara. Rocky took me over to meet him. He was tall, lean, warm, and friendly. The thing I remember most about him is the twinkle in his deep blue eyes, which were framed by thick dark lashes. He was a movie star.

I am dreaming of happy Pandas. A whole field full of happy Pandas. I am beside myself. I am entirely myself. I am going to set myself on fire. Just you wait and see. I will destroy. You will obey. That's the way it has to be. You'll make the lemonade and I'll ensure that no other lemonade stand stands in our way. We will wear terrific Panda suits. We will have a secret hand shake. We'll stick to the plan. I will destroy. You will obey. That's the way it's going to have to be. Pouting about it won't change anything. Pouting about it will only make you look like an unhappy Panda and we can't be having that. So you should think before you speak. You should consider your options before you decide to become an unhappy Panda. Because you don't want to know what happens to Pandas that aren't happy. So you'd best be careful. Don't worry though. This is just us talking. This is just us coming together at the head. Like Siamese twins, like two happy peas in a pod. You would not like it if we were to do the other routine. There are no happy Pandas to be had in that one. Not at all. No mention of Pandas whatsoever. Just unpleasantness that I would rather avoid. So keep smiling. Always remember to keep smiling. Whatever will be, will be. There is nothing more pathetic than a sore loser. So keep smiling. Everything will take care of itself. Thank goodness. I'm tired now. I am going to go to bed. I don't much feel like being your friend anymore. The good old days are gone. Best to get on board with the depravity of the here and now. The world consumes, the world revolves, the world will someday come to and end. If not by us, then pulverized by the sun. The mysteries of the universe revealed with no time to study the data and reach an outcome, the sun will go out and all creatures great and small will be helpless against the unknowns of life. So why are you so worried? Why don't you go have some drinks, get laid, get back, get something. After everything has been done, been bought, sold, produced, consumed, recycled, re-packaged, and re-sold, you will have gained nothing by floundering about trying to change things that cannot be changed. The little things exist only so that the important ones never get touched upon. That's why you can wear leather shoes and, at the same time, refuse to eat beef. Because we are all, every one of us, ridiculous. And we've elected you our leader. I am going to go lay in bed and wait for the hands of impossibility to come strangle me. I am going to smile at my ceiling and sing the song of our undoing. I will wear my Panda pajamas. I will think of you often when I get to where it is that I'm going. Everything will be fine. Just you wait and see. Just you wait and see.

The Zero Effort Model is based on twelve universal principles:   1. I want to be happy and successful in my life.   2. I am aware that I do not need a thought to be happy and wise. I need a thought only to be successful in life. Happiness is a moment and success is a circumstance/event in my life.   3. I am convinced that it is much easier to first train myself to be happy and wise and then to go after success.   4. I will no longer worry about results. I will no longer worry about the actions that lead to results. I will no longer worry about the thoughts that give strength to my actions. I will work only on creating great impressions and forming noble intentions.   5. I will start my day by visiting feel-good areas.   6. I feel good about myself when I create great impressions and form noble intentions. This gives me the strength to discriminate between a thought, the feelings associated with the thought, and the present moment. I understand that this discrimination is vital for helping me lead a happy life without effort.   7. As my power of discrimination slowly increases my dependency on the mind decreases.   8. I notice that the gap between my two thoughts gradually widens when I become less dependent on my mind. When this happens, I become more alert.   9. I begin to spend more time in the present moment, which gives me terrific strength and makes me feel very good about myself. As I progress in this direction, my days are filled more with moments and less with thoughts.   10. I gradually allow the moments to direct the circumstances of my life.   11. Only when I have allowed the moments to direct the circumstances of my life will I finally command my mind to generate the thoughts that will help me achieve my goals.   12. I will be successful in every area of my life. I will work, but my work will be free from effort. I will think, but my thoughts will no longer have any affect on me. I will achieve all my goals, but the goals will no longer bring responsibility to me.   Through these twelve principles, you will learn the fine art of being happy, wise, and successful in your life with zero effort.

Changing Topics Changing topics gracefully is the hallmark of an excellent conversationalist. Changing topics keeps the conversation fresh and allows you to explore further ideas of mutual interest. And if you detect that your conversational partner is uncomfortable with a subject, or not interested in it, changing the topic will be tactful and greatly appreciated. Good conversations usually move naturally from one subject to the next. Sometimes, the movement will be to a somewhat unrelated area. The important thing is to go with the flow. The best way to change the subject is to guide the conversation based on information you were given earlier. Suppose your conversation focuses on volleyball, and your partner mentions having enjoyed volleyball on the beach in Florida last month. As the discussion of volleyball winds down, you might elect to return to the topic of Florida—when and where your partner visited, what places you are familiar with or would like to see, and so on. A second way to change subjects is to branch off from the “available” topics by referring to the event at hand: At a party: “Have you tried the crab dip? It’s really terrific.” “Can I freshen your drink?” “I simply must have some more chicken wings. The sauce is amazing!” At a book club meeting: “I wanted to go and compliment the author. I see he’s free now.” These are friendly gestures, and leave open two possibilities: the chance for a graceful exit on either part, or the possibility of continuing the conversation at the refreshment table or in line near the author. It’s important to be able to change subjects quickly if you sense that your companion is losing interest or is sensitive to something you’ve touched upon (body language will tell you if words do not). Providing easy outs is the considerate thing to do.

Come here, sir,” Jewel says. He moves. Moving that quick his coat, bunching, tongues swirling like so many flames. With tossing mane and tail and rolling eye the horse makes another short curvetting rush and stops again, feet bunched, watching Jewel. Jewel walks steadily toward him, his hands at his sides. Save for Jewel’s legs they are like two figures carved for a tableau savage in the sun. When Jewel can almost touch him, the horse stands on his hind legs and slashes down at Jewel. Then Jewel is enclosed by a glittering maze of hooves as by an illusion of wings; among them, beneath the upreared chest, he moves with the flashing limberness of a snake. For an instant before the jerk comes onto his arms he sees his whole body earth-free, horizontal, whipping snake-limber, until he finds the horse’s nostrils and touches earth again. Then they are rigid, motionless, terrific, the horse back-thrust on stiffened, quivering legs, with lowered head; Jewel with dug heels, shutting off the horse’s wind with one hand, with the other patting the horse’s neck in short strokes myriad and caressing, cursing the horse with obscene ferocity.

It really is a monstrous house,’ she thought, and recognized this to be what Dr Sedum had described in one of his ’talks’ as a mechanical pattern reaction – something to be avoided if one was to evolve. But later on in the same talk he had said that we were all liars because we were incapable of responding consistently to our environment, and then she didn’t know what to think. When she had asked Lavinia after the Time, as meetings were called in the League, Lavinia had said that one could not start at all, until one had perceived the Paradox. She had only been to one Time, and when Lavinia had said that she must not try to walk before she could fly, she realized that she had a long way to go. The moment she got into the kitchen, Claude hoisted himself wearily out of the vegetable trug by the Aga and set about his usual process of tripping her up until she had provided him with his early morning milk. This morning, she gave in to him at once; she wanted nothing to interfere with the clockwork routine which was to conclude with Herbert catching his train to London. She had told him she was having a cousin to lunch several days ago, but he had been deep in some gardening manual, and she had not been sure whether he had heard. Two hours later she waved to Herbert as he lurched down the drive in the old Wolseley. Alice had washed the car once a week before she had married, but it was one more of those things which May simply didn’t seem to get time to do. A final wave – he would not have seen her, but he liked all his expeditions to be taken seriously – and she heaved at the huge iron-studded front door until it shut with a prison-like click. There was a terrific amount to do before Dr Sedum and Lavinia arrived, but she was so exhausted with anxiety and the feeling that she was doing something exciting and momentous behind Herbert’s back that she fled to the kitchen for a cup of coffee and a cigarette (Herbert did not like her to smoke in the mornings). ‘I’ll make a list,’ she thought. She always resorted to lists: they proved that she had a great deal to do, and to some extent, as she crossed things off, they proved that she was doing them. Mrs

…Our overriding objective is excellence, or more precisely, constant improvement - A superb, constantly improving company in all respects. Conflict in the pursuit of excellence is a terrific thing. There should be no hierarchy based on age or seniority: Power should lie in the reasoning, not the position of the individual. The best ideas win, no matter who they come from. Criticism is an essential ingredient in the improvement process, yet, if handled incorrectly, can be destructive. It should be handled objectively. There should be no hierarchy in the giving or receiving of criticism. Teamwork and spirit are essential, including intolerance of substandard performance. This is referring to two things: First, one’s recognition of the responsibilities one has to help the team achieve it’s common goal, and second, the willingness to help others work within a group toward these common goals. Our fates are intertwined. One should know that others can be relied on to help. As a corollary, substandard performance cannot be tolerated anywhere, because it would hurt everyone. …Long-term relationships are both intrinsically gratifying and efficient, and should be intentionally built.

Samaría is a thunderbolt in stone, a thin gash that splits two rock towers and zigzags eleven miles upward from the beach until it crests on a grassy mountain plateau. It’s a terrific place to hide, because the walls are honeycombed with caverns; tuck inside one and dislodging you could be lethal. No one can get down to you from above, and coming up from below means crossing your kill zone. During the war, the Gorge became a free-for-all zone for Evaders, who could see pursuers coming from miles away and scamper down to the beach whenever they heard rumors of a rescue boat, and the “wind boys”—Cretan desperadoes whose only allegiance was to their own cutthroat gang.

That sounds terrific, thought Clary. Just you, your comatose wife, your shell-shocked son, and your daughter who hates your guts. Not to mention that your two kids may be in love with each other. Yeah, that sounds like a perfect family reunion.

I used to have a terrific flat stomach but now it's kind of blown out after two giant babies used it as a short-term apartment.

One of the greatest decorum scenes in movie history graces the climax of 8 Mile, Eminem’s semiautobiography. He gets talked into a competition at a dance club in downtown Detroit where hip-hop artists (orators, if you will) take turns insulting each other. The audience chooses the winner by applause. Eventually, the contest comes down to two people: Eminem and a sullen-looking black guy. (Well, not as sullen as Eminem. Nobody can be that sullen.) Eminem wears proper attire: stupid skullcap, clothes a few sizes too big, and as much bling as he can afford. If he showed up dressed like Cary Grant, he would look terrific—to you and me. But the dance club crowd would find him wildly indecorous. Clothing is the least of his decorum problems, though. He happens to be white, and everyone else in the room is black. Eminem nonetheless manages to devastate his adversary by revealing a nasty little secret: this putative gangbanger attended a prep school! All the poor guy’s hip-hop manners are pointless, because the audience finds them phony.

Yes. In the meantime, arm yourself.” “I’ll pick up a gun when I get back,” Myron said. “No need to wait. There is a thirty-eight under your seat.” Terrific. Myron reached under his seat, felt the bump. “Anything else I need to know?” “I birdied the last hole. Shot two under par for the round.” “Talk about burying the lead.” “I was trying to be modest.” “I

Terrific idea. Two days of advice on how to cope with married life from a body of people who have never been married, and don't indulge in any sexual activity. (Now don't scoff - it's true, they don't.)

Mark Gungor runs marriage seminars. He gave a very funny but all-too-true description of the difference between men’s and women’s brains, called “A Tale of Two Brains.” Men’s brains, he said, are composed of many little boxes.There’s a box for the car, a box for money, a box for the kids, a box for the job, a box for the marriage, and so on. The rule, according to Gungor, is that the boxes don’t touch. When a man discusses a particular subject, he pulls that box out, opens it, and discusses only what is in that box. Then he closes the box and puts it away, being very careful not to touch any other box. Gungor added that men have one very special box, which is their favorite, and it’s called the nothing box because there’s nothing in it.That accounts for how they can sit motionless in front of the TV for six hours. In contrast, women’s brains are like a big ball of wire, and everything is connected to everything else. It’s like the Internet superhighway. The job touches the car, which touches the house, which touches the mother-in-law, which touches the job. Women remember everything because everything is connected and is fueled by emotion. When I heard this description, it occurred to me that this quality of emotional interconnection gives women a terrific benefit in business. We can put it all together and figure out solutions while the men are packing and unpacking their individual boxes.

Advance Praise for THE GREAT NEW ORLEANS KIDNAPPING CASE: RACE, LAW, AND JUSTICE IN THE RECONSTRUCTION ERA "Michael Ross' The Great New Orleans Kidnapping Case has all the elements one might expect from a legal thriller set in nineteenth-century New Orleans. Child abduction and voodoo. 'Quadroons.' A national headline-grabbing trial. Plus an intrepid creole detective.... A terrific job of sleuthing and storytelling, right through to the stunning epilogue." --Lawrence N. Powell, author of The Accidental City: Improvising New Orleans "When little Mollie Digby went missing from her New Orleans home in the summer of 1870, her disappearance became a national sensation. In his compelling new book Michael Ross brings Mollie back. Read The Great New Orleans Kidnapping Case for the extraordinary story it tells--and the complex world it reveals." --Kevin Boyle, author of Arc of Justice: A Saga of Race, Civil Rights, and Murder in the Jazz Age "Michael Ross's account of the 1870 New Orleans kidnapping of a white baby by two African-American women is a gripping narrative of one of the most sensational trials of the post-Civil War South. Even as he draws his readers into an engrossing mystery and detective story, Ross skillfully illuminates some of the most fundamental conflicts of race and class in New Orleans and the region." --Dan T. Carter, University of South Carolina "The Great New Orleans Kidnapping Case is a masterwork of narration, with twists, turns, cliff-hangers, and an impeccable level of telling detail about a fascinating cast of characters. The reader comes away from this immersive experience with a deeper and sadder understanding of the possibilities and limits of Reconstruction." --Stephen Berry, author of House of Abraham: Lincoln and The Todds, a Family Divided by War "The Great New Orleans Kidnapping Case is such a great read that it is easy to forget that the book is a work of history, not fiction. Who kidnapped Mollie Digby? The book, however, is compelling because it is great history. As Ross explores the mystery of Digby's disappearance, he reconstructs the lives not just of the Irish immigrant parents of Mollie Digby and the women of color accused of her kidnapping, but also the broad range of New Orleanians who became involved in the case. The kidnapping thus serves as a lens on the possibilities and uncertainties of Reconstruction, which take on new meanings because of Ross's skillful research and masterful storytelling." --Laura F. Edwards, Duke University

saw the local men as they arrived in their working clothes and carrying what most people would call agricultural implements, but which Vimes mentally noted as offensive weapons. The troupe stopped outside the door and now he heard whispering. The three Toms were imparting today’s news, apparently, and it seemed to be received with either incredulity or scorn. Some sort of conclusion was being reached, not happily. And then the men lurched in, and Vimes’s mind clocked them for ready reference. Exhibit one was an elderly man with a long white beard and, good heavens, a smock. Did they really still wear those? Whatever his name the others probably called him “Granddad.” He shyly touched his forefinger to his forehead in salute and headed for the bar, job safely done. He had been carrying a big hook, not a nice weapon. Exhibit two carried a shovel, which could be an ax or a club if a man knew what he was doing. He was smocked up too, didn’t catch Vimes’s eye, and his salute had been more like a begrudged wave. Exhibit three, who was holding a toolbox (terrific weapon if swung accurately) scurried past with speed and barely glanced in Vimes’s direction.

Back at Onsite, our group therapist created a terrific visual example of what a healthy relationship looks like. She put three pillows on the floor and asked a couple of us to stand on the pillows. She told us to leave the middle pillow open. She pointed at my pillow and said, “Don, that’s your pillow, that’s your life. The only person who gets to step on that pillow is you. Nobody else. That’s your territory, your soul.” Then she pointed at my friend’s pillow and told her that was her pillow, that she owned it and it was her soul. Then, the therapist said, the middle pillow symbolized the relationship. She said that both of us could step into the middle pillow any time we wanted because we’d agreed to be in a relationship. However, she said, at no point is it appropriate to step on the other person’s pillow. What goes on in the other person’s soul is none of your business. All you’re responsible for is your soul, nobody else’s. Regarding the middle pillow, the question to ask is, “What do I want in a relationship?” If the pillow you two step on together works, that’s great. If not, move on or simply explain what you’d like life to feel like in the middle pillow and see if the other person wants that kind of relationship too. But never, she said, ever try to change each other. Know who you are and know what you want in a relationship, and give people the freedom to be themselves. I wish I’d have heard that in my twenties. I can’t tell you how many girls’ pillows I’ve stomped on trying to get them to change. And the sleepless nights I’ve spent wondering what they were thinking or how much they liked me or whether I was a good enough man for them. A complete waste of time.

BETTE DAVIS: Well, you know, there’s a great misunderstanding that any time two women work together, there’s automatically going to be a terrific feud.

at exactly two minutes past ten on the morning of Monday, August 27, 1883. The explosion itself was terrific, a monstrous thing that still attracts an endless procession of superlatives. It was the greatest detonation, the loudest sound, the most devastating volcanic event in modern recorded human history, and it killed more than thirty-six thousand people.

He came through with an offer of a job. The starting salary was $10,000 a year. “That is absolutely terrific,” I said. “But there’s only one problem.” “What’s that?” “I need $10,500.” “I’m sorry,” he said. “What do you mean?” “I need $10,500 because I heard there’s another person graduating from Yale who’s making $10,000, and I want to be the highest-paid person in my class.” “I don’t care,” said Bill. “I shouldn’t be paying you anything at all. It’s $10,000!” “Then I won’t take the job.” “You won’t take the job?” “No. I need $10,500. It’s not a big deal to you, but it’s a really big deal to me.” Donaldson started laughing. “You’ve got to be kidding.” “No,” I said, “I’m not kidding.” “Let me think about it.” Two days later he called back. “Okay. $10,500.” And with that I entered the securities business.

Maddie finally erupted in anger. “Oh, great! We’ll see. The great parental excuse for doing nothing! That’s terrific, Dad! We’ll see.” “Don’t talk to me like that,” Horace told her, although he was conscious of the fact that the phrase we’ll see was a tried and true parental tactic for postponing difficult decisions. “Why not? Will we see what happens to me if I do? What will we see?” She leaned toward him, challenging him, her hands on her hips. Her entire body seemed to quiver with indignation and frustration. “All right. That’s it,” Horace snapped. “You’re confined to your rooms for a week! I’ll put a sentry on the door and you will not leave!” Maddie’s cheeks were flaming with self-righteous anger now. “That is so stupid and petty! I suppose we’ll see how it works out!” she yelled. “Make it two weeks,” Horace said, every bit as angry as she was. She took a breath to reply and he tilted his head to one side. “Planning on trying for three weeks?” She hesitated, then saw the look in his eyes. She turned away and stamped angrily to the door to her own rooms. “This is so unfair!” she shouted, and slammed the door behind her. Horace and Cassandra exchanged a long look. Horace shook his head, defeated, and put his arm around his wife’s shoulders. “That went well,” he said.

younger boys gently but firmly, and after dinner they all went to their rooms to settle down, call friends, watch TV, or do whatever they wanted. Jake came to check on her, tucked into Seth’s room. “Are you doing okay?” “I couldn’t be happier, and they’re not crazy at all, they’re terrific!” It was a house full of love. It filled every space and reverberated from the rafters. “They’re on their best behavior for you. Wait till the boys get into a fight and start throwing things at each other, and my dad’s two little monsters arrive on Christmas Eve and Day. My mother says they’re both hyperactive, and Genevieve thinks they’re fine.” Antonia loved Eloise, when she and John arrived the morning of Christmas Eve. They all had lunch together and went for a walk on Ocean Beach. The fog was hovering just beyond the coastline, and you could hear foghorns in the distance. It was such a picturesque little city. Antonia loved

Julius Caesar was a public official, extremely popular with the common people, who started breaking the rules and amassing more power than the government’s checks and balances were supposed to allow. The common citizens felt the government had always failed to tackle the rampant problems of poverty and corruption, and they felt no matter who they voted for, the government ignored them. The citizens of Rome had reached a point where they didn’t care if Caesar overthrew the Republic, so long as he did something to help them. Caesar, for his part, claimed he was the one person trying to solve the big problems his Republic faced; he claimed that out-of-touch elites were not giving him a fair chance, nor giving him the credit he deserved for being, essentially, the most terrific, amazing guy ever.[15] So, if anything, I raise my voice and pause dramatically for effect, Trump is the one who seems like Caesar in any Roman Republic metaphor! So, these two women are basically waving a sign saying their own leader should be stabbed to death.

Baldacci has crafted another terrific tale with two great protagonists. Just when the story line seems to veer into familiar areas, Baldacci steers it into another shocking direction. This is the best book yet in the series.”—Associated

I was just thinking about how our lives are like football games. We go along with our day-to-day activities as if we have unlimited tomorrows. Then, one day, our time is up. In football, each team plays the first fifty-eight minutes like the game will last forever. The trailing team figures it has plenty of time to score. Then something happens to change everything: The two-minute warning sounds. Suddenly, the team that's behind accomplishes things it couldn't begin to do for the first fifty-eight minutes. It complete spectacular passes, kicks long field goals, makes terrific runs--and maybe even wins. Why does the team wait until the last two minutes to play this way? Why not do it the whole game? It's the same with our lives. We just plod along figuring we've got an unlimited time to achieve our goals. Why not pretend our two-minute warning has sounded, and then live accordingly? (P. 134)

A one-year CD will typically charge an early withdrawal penalty of three months or so of interest. For a five-year CD, the penalty might be six to eight months interest. Every CD issuer has its own policy. Be sure you know the rules before you invest. A portfolio of CDs with different maturities can be a smart strategy to increase your overall yield, while reducing the chances you will need to make an early withdrawal. For instance you could invest equal amounts in five different CDs: one-year, two-year, three-year, four-year, and five-year. That way you have some money maturing every year. When the one-year CD matures, invest it in a new five-year. Your two-year CD now has just one more year to go, so it becomes your one-year CD. When it matures, invest that in a five-year CD too. Keep doing this and eventually you will have a portfolio of five-year CDs, with one maturing every year. That will pay you more interest than if you kept all of your money in a one-year CD that you had to reinvest annually. I think the CD ladder can be a terrific option for some of your cash, but if you are aiming for a two-year cash reserve, I would still keep at least six months of that in a simple savings account where

Fifth grade,” I began. “That year Kristy, Mary Anne, Alan, and I were all in the same class. Kristy really got Alan. He’d been tormenting us—all the girls, really—for the entire year, and by June we had had it. So one day, Kristy comes to school and all morning she brags about this fantastic lunch her mother has packed: a chocolate cupcake, Fritos, fruit salad, a ham and cheese sandwich, two Hershey’s Kisses—really great stuff. Kristy says it’s a reward for something or other. And she says the lunch is so great she’s got to protect it by keeping it in her desk instead of in the coat room. So, of course, Alan steals the bag out of her desk during the morning. Then at noontime in the cafeteria, he makes this big production out of opening it. He’s sitting at the boys’ table, and they’re all crowded around, and us girls are looking on from the next table. Alan is the center of attention, which is just what he wants.” “And just what I wanted,” added Kristy. “Right. So Alan carefully takes all the packages and containers out of the bag and spreads them in front of him. Then he begins to open them. In one he finds dead spiders, in another he finds a mud pie.” “David Michael had made it for me,” said Kristy. (David Michael is Kristy’s little brother. He was four then.) “She’d even wrapped up a sandwich with fake flies stuck on it.” Stacey began to giggle. “It was great,” said Mary Anne. “Everyone was laughing. And Kristy had packed a real lunch for herself, which she’d kept in the coat room. All afternoon, the kids kept telling her how terrific her trick had been.

The 1/1/1+ structure is a mechanism you should use for very specific sections within your writing: beginnings and endings. Single sentences are great for calling out individual ideas, statements, or descriptions, and doing so several times in a row can elicit a powerful response in a reader. Here’s how it works: This first sentence is a strong statement. This second sentence builds on, reinforces, or repeats that strong statement. This third sentence builds on, reinforces, or repeats that strong statement. For example, I use this structure to emphasize a length of time in my article, “The 1 Thing I Did That Changed My Entire Life For The Better.” Step 2: Like I said, I did this for 2 years. Two. Years. Not 3 days. Not a few weeks. Two entire years. I started to see how the people I was surrounding myself with weren’t very conducive to who and what I wanted to become. I started to realize I was terrific at coming up with ideas but horrible at seeing them through to completion. I started to understand why I struggled to make friends, and how closed off I was from the world. If you notice, immediately following the 1/1/1/1 structure, I went into a lengthier paragraph. This was deliberate. When you use the 1/1/1+ structure, you are building momentum. You are moving a reader quickly from Point A to Point B. But after a few big steps, the reader is not going to want to run anymore. They’re going to want to take a quick break and settle into the thing you’re talking about. So, crescendo with the 1/1/1+ rhythm, and then decrescendo with a three, four, or even five-sentence paragraph. Then repeat.

after the war, with the death of Lincoln. To say that Whitman admired Lincoln would be a terrific understatement—he saw the Union itself, America itself, incarnated in him. He would write almost ecstatically about his encounters with Lincoln in Washington, about the two acknowledging one another as they passed in the street. And about Lincoln as a man, as a figure, his praise was without bounds: “The greatest, best, most characteristic, artistic, moral personality,” he would say of him; “How quickly that quaint tall form would have enter’d into the region where men vitalize gods, and gods divinify men!” And, on a more personal level: “After my dear, dear mother, I guess Lincoln gets almost nearer me than anybody else.

A house in the country to find out what’s true / a few linen shirts, some good art / and you.” This is intimacy: the trading of stories in the dark. Marriage has a bonsai energy: It’s a tree in a pot with trimmed roots and clipped limbs. Mind you, bonsai can live for centuries, and their unearthly beauty is a direct result of such constriction, but nobody would ever mistake a bonsai for a free-climbing vine. Marriage as an institution has always been terrifically beneficial for men. The really clever trick is this: Can you accept the flaws? Can you look at your partner’s faults honestly and say, ‘I can work around that. I can make something out of that.’? Because the good stuff is always going to be there, and it’s always going to be pretty and sparkly, but the crap underneath can ruin you.” When you become infatuated with somebody, you’re not really looking at that person; you’re just captivated by your own reflection, intoxicated by a dream of completion that you have projected on a virtual stranger. People are far more susceptible to infatuation when they are going through delicate or vulnerable times in their lives. The more unsettled and unbalanced we feel, the more quickly and recklessly we are likely fall in love. Infatuation alters your brain chemistry, as though you were dousing yourself with opiates and stimulants. And infatuation is the most perilous aspect of human desire. Infatuation leads to what psychologists call “intrusive thinking”—that famously distracted state in which you cannot concentrate on anything other than the object of your obsession. An old Polish adage warns: “Before going to war, say one prayer. Before going to sea, say two prayers. Before getting married, say three.” “Sometimes life is too hard to be alone, and sometimes life is too good to be alone.” We derail our life’s journey again and again, backing up to try the doors we neglected on the first round, desperate to get it right this time.

But John L. Weinberg said, “I always felt there was a terrific risk and still do, that when you start going that way [an IPO] you are going to have one group of partners who are going to take what has been worked on for 127 years and get that two-for-one or three-for-one. Any of us who are partners at the time when you do that don’t deserve it. We let people in at book value, they should go out at book value.

The most interesting thing I learned from this trip came when I told the story to my friend James, who had been a performer on a cruise ship years before. When I told him the woman said, “Bravo, bravo, bravo,” James froze. Did she really say it three times? he needed to know. Then James laid it out for me. Bravo is serious. The more times they say it, the more serious it is. The most times they ever say it is four times, and if they say it four times, it means you’re going down to your watery grave. So “Bravo, bravo, bravo” was not terrific. Interesting fact number two: In the event of an emergency, it is the entertainers who are in charge of the lifeboats. Because the rest of the crew has actual nautical duties, the kids from Fiesta Caliente are trained to man the lifeboats. If you ever have to get on a lifeboat, the person in charge of your safety will likely be a nineteen-year-old dancer from Tampa who just had a fight with his boyfriend about the new Rihanna video. James also told me that each lifeboat has a gun on it and that once a lifeboat is in the water, the performer–lifeboat captain is trained to shoot anyone who is disruptive. This is apparently legal in accordance with maritime law.

There was a terrific movie made in the sixties called Zulu. It was Michael Caine’s first movie role. A regiment of British troops are surrounded in a remote African post called Rourke’s Drift by two thousand Zulu warriors. They’re facing certain death.

The law enforcement in this town is terrific. All through prohibition Eddie Mars’ place was a night club and they had two uniformed men in the lobby every night—to see that the guests didn’t bring their own liquor instead of buying it from the house.

You can’t write. You call another writer. He can’t write, either. This is terrific. You can now talk about not writing for two hours and then go out to dinner with each other until four o’clock in the morning.

If your Dentist La Jolla suggests that you just undergo a root planing process, that should outcome in smoother gums plus a healthier, cleaner mouth. You are going to expertise pretty tiny - if any - discomfort, and your mouth will be rid of hazardous bacteria and gingivitis, a gum disease that could sooner or later bring about the loosening of teeth. As long as this disease is caught in time, a cosmetic dentist can repair any harm that could have already been carried out. Root planing, the method of removing any infection that may well be within the teeth and smoothing the surfaces of roots, is usually confused with yet another process known as scaling. Scaling may be the approach of cleaning tartar which has accumulated on a patient's teeth. Typically, scaling and root planing are performed at the same time. It can be very significant that gingivitis is treated as quickly as possible ahead of inflammation works its way as well far toward the base of one's teeth. If this occurs, bacteria may cause a terrific deal of damage, breaking down the structure of a tooth towards the point that it becomes loose. If that damage is too terrific, the method is irreversible. Even so, the procedure might be halted or even reversed if caught early enough. When a cosmetic dentist performs root planing, she or he could numb the region to be treated to lower discomfort. This could include things like either an anesthetic that may be injected, or possibly a topical anesthetic gel that is applied to the pockets of gums. You won't experience any numbing of your tongue or lips, as might be the case with an injection. You'll find some situations where no sort of anesthetic is needed at all, for example when an infection has not developed also deeply in the gums. The only sensation you would really feel will be scraping as the area is smoothed and cleaned. When the surface is planned and totally free of tartar, this makes it possible for the gum tissues to heel and reattach towards the root surface. A cosmetic dentist normally performs this process in the course of four distinct appointments, a single for every quadrant with the mouth. She or he may, by way of example, choose to work around the upper correct side of one's mouth 1st, after which schedule separate appointments for the other areas. You'll find instances, even so, where a patient may perhaps undergo two cleanings, exactly where the upper half of your mouth is worked on first, after which the reduced half is cleaned. After your process, your teeth may possibly be a little more sensitive to temperature for a brief whilst and you could knowledge some temporary bleeding. It is actually rare that patients have any sort of substantial pain, but your cosmetic dentist can prescribe medication if that is certainly the case. In most instances, over-the-counter medicines can simply look after any discomfort that could happen.

Mistakes were made’ was a phrase popularised in the Nixon era as a device to evade personal responsibility for mistakes. American political scientist William Schneider described it as ‘the past exonerative tense’, and it was also the subject of a terrific book by two eminent social psychologists called Mistakes Were Made (But Not by Me). The singular, first-person pronoun was deployed by Goyder only in self-justification: ‘I have always sought to act in the best interest of Qantas.’ He might have sought, but he had failed. It takes a lot to accept that the problem is you, and Goyder just couldn’t get there. Collective, deidentified responsibility was the most he would cop to. His denialism was understandable on a human level: he didn’t want his failure to be true. Who among us would easily give up the chairmanship of Qantas, the honour of a lifetime?

It is of one of our ancestors’ greatest triumphs against the Snowdonian Welsh. The odds were astounding: five thousand against six. It was a hard, hand-to-hand battle over two days with every inch won in blood and sinew, but thank Snodd we were victorious. Despite everything, we were impressed by the fighting spirit of the Welsh—those six certainly put up a terrific fight.