β
The truth." Dumbledore sighed. "It is a beautiful and terrible thing, and should therefore be treated with great caution.
β
β
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
β
Being a woman is a terribly difficult trade since it consists principally of dealings with men.
β
β
Joseph Conrad (Chance)
β
Malachi scowled. "I don't remember the Clave inviting you into the Glass City, Magnus Bane."
"They didn't," Magnus said. "Your wards are down."
"Really?" the Consul's voice dripped sarcasm. "I hadn't noticed."
Magnus looked concerned. "That's terrible. Someone should have told you." He glanced at Luke. "Tell him the wards are down.
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
I've lived through some terrible things in my life, some of which actually happened.
β
β
Mark Twain
β
Your friend's poetry is terrible," he said.
Clary blinked, caught momentarily off guard. "What?"
"I said his poetry was terrible. It sounds like he ate a dictionary and started vomiting up words at random.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
You're the first Shadowhunter I've ever met."
βThatβs too bad,β said Jace, βsince all the others you meet from now on will be a terrible letdown.
β
β
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
β
Death is so terribly final, while life is full of possibilities.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
The most terrible poverty is loneliness, and the feeling of being unloved.
β
β
Mother Teresa
β
What's terrible is to pretend that second-rate is first-rate. To pretend that you don't need love when you do; or you like your work when you know quite well you're capable of better.
β
β
Doris Lessing (The Golden Notebook)
β
People speak sometimes about the "bestial" cruelty of man, but that is terribly unjust and offensive to beasts, no animal could ever be so cruel as a man, so artfully, so artistically cruel.
β
β
Fyodor Dostoevsky
β
I was born with an enormous need for affection, and a terrible need to give it.
β
β
Audrey Hepburn
β
You see, that is the sad, sorry, terrible thing about sarcasm.
It's really funny.
β
β
Brandon Sanderson (Alcatraz Versus the Evil Librarians (Alcatraz, #1))
β
Sorrow is better than fear. Fear is a journey, a terrible journey. But, sorrow is at least an arriving.
β
β
Alan Paton
β
There are no beautiful surfaces without a terrible depth.
β
β
Friedrich Nietzsche
β
You," he said, "are a terribly real thing in a terribly false world, and that, I believe, is why you are in so much pain.
β
β
Emilie Autumn (The Asylum for Wayward Victorian Girls)
β
Anyone can be a barbarian; it requires a terrible effort to remain a civilized man.
β
β
Leonard Woolf
β
The suspense is terrible. I hope it will last.
β
β
Oscar Wilde
β
The awful thing is that beauty is mysterious as well as terrible. God and the devil are fighting there and the battlefield is the heart of man.
β
β
Fyodor Dostoevsky (The Brothers Karamazov)
β
Better terrible truths than kind lies.
β
β
Leigh Bardugo (Six of Crows (Six of Crows, #1))
β
I like beautiful melodies telling me terrible things.
β
β
Tom Waits
β
It turns out I'm absolutely terrible at staying away from you. It's a very serious problem.
β
β
Kiera Cass (The Elite (The Selection, #2))
β
What a terrible thing it is to wound someone you really care for and to do it so unconsciously.
β
β
Haruki Murakami (Norwegian Wood)
β
You want me to be a tragic backdrop so that you can appear to be illuminated, so that people can say βWow, isnβt he so terribly brave to love a girl who is so obviously sad?β You think Iβll be the dark sky so you can be the star? Iβll swallow you whole.
β
β
Warsan Shire
β
Taking oneβs chances is like taking a bath, because sometimes you end up feeling comfortable and warm, and sometimes there is something terrible lurking around that you cannot see until it is too late and you can do nothing else but scream and cling to a plastic duck.
β
β
Lemony Snicket
β
It's just that most really good-looking people are stupid, so I exceed expectations.'
'Right, it's primarily his hotness,' I said.
'It can be sort of blinding,' he said.
'It actually did blind our friend Isaac,' I said.
'Terrible tragedy, that. But can I help my own deadly beauty?'
'You cannot.'
'It is my burden, this beautiful face.'
'Not to mention your body.'
'Seriously, don't even get me started on my hot bod. You don't want to see me naked, Dave. Seeing me naked actually took Hazel Grace's breath away,' he said, nodding toward the oxygen tank.
β
β
John Green (The Fault in Our Stars)
β
I've never been lonely. I've been in a room -- I've felt suicidal. I've been depressed. I've felt awful -- awful beyond all -- but I never felt that one other person could enter that room and cure what was bothering me...or that any number of people could enter that room. In other words, loneliness is something I've never been bothered with because I've always had this terrible itch for solitude. It's being at a party, or at a stadium full of people cheering for something, that I might feel loneliness. I'll quote Ibsen, "The strongest men are the most alone." I've never thought, "Well, some beautiful blonde will come in here and give me a fuck-job, rub my balls, and I'll feel good." No, that won't help. You know the typical crowd, "Wow, it's Friday night, what are you going to do? Just sit there?" Well, yeah. Because there's nothing out there. It's stupidity. Stupid people mingling with stupid people. Let them stupidify themselves. I've never been bothered with the need to rush out into the night. I hid in bars, because I didn't want to hide in factories. That's all. Sorry for all the millions, but I've never been lonely. I like myself. I'm the best form of entertainment I have. Let's drink more wine!
β
β
Charles Bukowski
β
Itβs probably not just by chance that Iβm alone. It would be very hard for a man to live with me, unless heβs terribly strong. And if heβs stronger than I, Iβm the one who canβt live with him. β¦ Iβm neither smart nor stupid, but I donβt think Iβm a run-of-the-mill person. Iβve been in business without being a businesswoman, Iβve loved without being a woman made only for love. The two men Iβve loved, I think, will remember me, on earth or in heaven, because men always remember a woman who caused them concern and uneasiness. Iβve done my best, in regard to people and to life, without precepts, but with a taste for justice.
β
β
Coco Chanel
β
He is terribly afraid of dying because he hasnβt yet lived.
β
β
Franz Kafka
β
Here is the world. Beautiful and terrible things will happen. Don't be afraid.
β
β
Frederick Buechner (Beyond Words: Daily Readings in the ABC's of Faith)
β
I miss you deeply, unfathomably, senselessly, terribly.
β
β
Franz Kafka (Letters to Milena)
β
For beauty is nothing but the beginning of terror
which we are barely able to endure, and it amazes us so,
because it serenely disdains to destroy us.
Every angel is terrible.
β
β
Rainer Maria Rilke (Duino Elegies)
β
I'm the most terrific liar you ever saw in your life. It's awful. If I'm on my way to the store to buy a magazine, even, and somebody asks me where I'm going, I'm liable to say I'm going to the opera. It's terrible.
β
β
J.D. Salinger (The Catcher in the Rye)
β
Sometimes, just saying that you hate something, and having someone agree with you, can make you feel better about a terrible situation.
β
β
Lemony Snicket (The Bad Beginning (A Series of Unfortunate Events, #1))
β
Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Besides, nowadays, almost all capable people are terribly afraid of being ridiculous, and are miserable because of it.
β
β
Fyodor Dostoevsky (The Brothers Karamazov)
β
And out of that hopeless attempt has come nearly all that we call human historyβmoney, poverty, ambition, war, prostitution, classes, empires, slaveryβthe long terrible story of man trying to find something other than God which will make him happy.
β
β
C.S. Lewis (Mere Christianity)
β
What should young people do with their lives today? Many things, obviously. But the most daring thing is to create stable communities in which the terrible disease of loneliness can be cured.
β
β
Kurt Vonnegut Jr. (Palm Sunday: An Autobiographical Collage)
β
The so-called βpsychotically depressedβ person who tries to kill herself doesnβt do so out of quote βhopelessnessβ or any abstract conviction that lifeβs assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fireβs flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. Itβs not desiring the fall; itβs terror of the flames. And yet nobody down on the sidewalk, looking up and yelling βDonβt!β and βHang on!β, can understand the jump. Not really. Youβd have to have personally been trapped and felt flames to really understand a terror way beyond falling.
β
β
David Foster Wallace
β
The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist; a refusal to admit the banality of evil and the terrible boredom of pain.
β
β
Ursula K. Le Guin (The Ones Who Walk Away from Omelas)
β
The fishermen know that the sea is dangerous and the storm terrible, but they have never found these dangers sufficient reason for remaining ashore.
β
β
Vincent van Gogh
β
Youβre in a car with a beautiful boy, and he wonβt tell you that he loves you, but he loves you. And you feel like youβve done something terrible, like robbed a liquor store, or swallowed pills, or shoveled yourself a grave in the dirt, and youβre tired. Youβre in a car with a beautiful boy, and youβre trying not to tell him that you love him, and youβre trying to choke down the feeling, and youβre trembling, but he reaches over and he touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like youβve discovered something you didnβt even have a name for.
β
β
Richard Siken
β
One of the symptoms of an approaching nervous breakdown is the belief that oneβs work is terribly important.
β
β
Bertrand Russell (The Conquest of Happiness)
β
What a terrible mistake to let go of something wonderful for something real.
β
β
Miranda July (No One Belongs Here More Than You)
β
Noah: "You wanna dance with me?"
Allie: "Sure. Now?"
Noah: "Mmm Hmm"
Allie: "You're not supposed to dance in the street."
Noah: "You are supposed to dance in the street."
Allie: "Yeah, but we don't have any music."
Noah: "Well, we'll make some... Bum bum bum bum bum bum..."
Allie: "You're a terrible singer."
Noah: "I know."
Allie: "And I like this song.
β
β
Nicholas Sparks (The Notebook)
β
It's only terrible to have nothing to wait for.
β
β
Erich Maria Remarque (Three Comrades)
β
He looks up at me with his night-colored eyes, beautiful and terrible all at once. βFor a moment,β he says, βI wondered if it wasnβt you shooting bolts at me.β
I make a face at him. βAnd what made you decide it wasnβt?β
He grins up at me. βThey missed.
β
β
Holly Black (The Wicked King (The Folk of the Air, #2))
β
The broken heart. You think you will die, but you just keep living, day after day after terrible day.
β
β
Charles Dickens (Great Expectations)
β
One life is all we have and we live it as we believe in living it. But to sacrifice what you are and to live without belief, that is a fate more terrible than dying.
β
β
Jeanne d'Arc
β
How terribly sad it was that people are made in such a way that they get used to something as extraordinary as living.
β
β
Jostein Gaarder (The Solitaire Mystery)
β
The most terrible thing about it is not that it breaks oneβs heartβhearts are made to be brokenβbut that it turns oneβs heart to stone.
β
β
Oscar Wilde (De Profundis)
β
This wasn't just plain terrible, this was fancy terrible. This was terrible with raisins in it."
[Women Know Everything!]
β
β
Dorothy Parker
β
I was blind and heart broken and didn't want to do anything and Gus burst into my room and shouted, "I have wonderful news!" And I was like, "I don't really want to hear wonderful news right now," and Gus said, "This is wonderful news you want to hear," and I asked him, "Fine, what is it?" and he said, "You are going to live a good and long life filled with great and terrible moments that you cannot even imagine yet!
β
β
John Green (The Fault in Our Stars)
β
What was there to be gained by fighting the most evil wizard who has ever existed?" said Black, with a terrible fury in his face. "Only innocent lives, Peter!"
"You don't understand!" whined Pettigrew. "He would have killed me, Sirius!"
"THEN YOU SHOULD HAVE DIED!" roared Black. "DIED RATHER THAN BETRAY YOUR FRIENDS, AS WE WOULD HAVE DONE FOR YOU!
β
β
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
β
I have come to believe that the whole world is an enigma, a harmless enigma that is made terrible by our own mad attempt to interpret it as though it had an underlying truth.
β
β
Umberto Eco (Foucaultβs Pendulum)
β
It is useless for me to describe to you how terrible Violet, Klaus, and even Sunny felt in the time that followed. If you have ever lost someone very important to you, then you already know how it feels, and if you haven't, you cannot possibly imagine it.
β
β
Lemony Snicket (The Bad Beginning (A Series of Unfortunate Events, #1))
β
The worst part of being truly alone is you think about all the times you wished that everyone would just leave you be. Then they do, and you are left being, and you turn out to be terrible company.
β
β
John Green (Turtles All the Way Down)
β
what is bad for the heart is good for art. The terrible irony of our lives as artists.
β
β
Jandy Nelson (I'll Give You the Sun)
β
In a child's eyes, a mother is a goddess. She can be glorious or terrible, benevolent or filled with wrath, but she commands love either way. I am convinced that this is the greatest power in the universe.
β
β
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
β
It'll be dangerous," Nyssa warned him. "Hardship, monsters, terrible suffering. Possibly none of you will come back alive."
"Oh." Suddenly Leo didn't look so excited. Then he remembered everyone was watching. "I mean... Oh, cool! Suffering? I love suffering! Let's do this.
β
β
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
β
By now, it is probably very late at night, and you have stayed up to read this book when you should have gone to sleep. If this is the case, then I commend you for falling into my trap. It is a writer's greatest pleasure to hear that someone was kept up until the unholy hours of the morning reading one of his books. It goes back to authors being terrible people who delight in the suffering of others. Plus, we get a kickback from the caffeine industry...
β
β
Brandon Sanderson (Alcatraz Versus the Evil Librarians (Alcatraz, #1))
β
The most terrible things men do, they do in the name of love."β Madame Dorothea
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
The world was a terrible place, cruel, pitiless, dark as a bad dream. Not a good place to live. Only in books could you find pity, comfort, happiness - and love. Books loved anyone who opened them, they gave you security and friendship and didn't ask anything in return; they never went away, never, not even when you treated them badly.
β
β
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy, #1-3))
β
I have become something wonderful, she thought. I have become something terrible. Was she now a goddess or a monster? Perhaps neither. Perhaps both.
β
β
R.F. Kuang (The Poppy War (The Poppy War, #1))
β
It is terribly rude to tell people that their troubles are boring.
β
β
Lemony Snicket (The Blank Book (A Series of Unfortunate Events))
β
The human mind is not a terribly logical or consistent place.
β
β
Jim Butcher (Turn Coat (The Dresden Files, #11))
β
A fight is going on inside me," said an old man to his son. "It is a terrible fight between two wolves. One wolf is evil. He is anger, envy, sorrow, regret, greed, arrogance, self-pity, guilt, resentment, inferiority, lies, false pride, superiority, and ego. The other wolf is good. he is joy, peace, love, hope, serenity, humility, kindness, benevolence, empathy, generosity, truth, compassion, and faith. The same fight is going on inside you."
The son thought about it for a minute and then asked, "Which wolf will win?"
The old man replied simply, "The one you feed.
β
β
Wendy Mass (Jeremy Fink and the Meaning of Life)
β
Okay. Then...I can talk. Ask me something."
"Okay." He laughs shakily in my ear. "Why is your heart racing Tris?"
I cringe and say, "Well, I...I barely know you. I barely know you and I'm crammed up against you in a box, Four, what do you think?"...
"Maybe you were cut out for Candor," he says, "because you're a terrible liar.
β
β
Veronica Roth (Divergent (Divergent, #1))
β
Because God is never cruel, there is a reason for all things. We must know the pain of loss; because if we never knew it, we would have no compassion for others, and we would become monsters of self-regard, creatures of unalloyed self-interest. The terrible pain of loss teaches humility to our prideful kind, has the power to soften uncaring hearts, to make a better person of a good one.
β
β
Dean Koontz (The Darkest Evening of the Year)
β
Meeting you was a disaster.β
She raised a brow. βThank you.β
Djel, he was terrible at this. He stumbled on, trying to make her understand. βBut I am grateful for that disaster. I needed a catastrophe to shake me from the life I knew. You were an earthquake, a landslide.β
βI,β she said, planting a hand on her hip, βam a delicate flower.β
βYou arenβt a flower, youβre every blossom in the wood blooming at once. You are a tidal wave. Youβre a stampede. You are overwhelming.
β
β
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
β
Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay. I'm always irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality and it's very shocking to the system.
β
β
Flannery O'Connor (Mystery and Manners: Occasional Prose (FSG Classics))
β
Laugh, even when you feel too sick or too worn out or tired.
Smile, even when you're trying not to cry and the tears are blurring your vision.
Sing, even when people stare at you and tell you your voice is crappy.
Trust, even when your heart begs you not to.
Twirl, even when your mind makes no sense of what you see.
Frolick, even when you are made fun of. Kiss, even when others are watching. Sleep, even when you're afraid of what the dreams might bring.
Run, even when it feels like you can't run any more.
And, always, remember, even when the memories pinch your heart. Because the pain of all your experience is what makes you the person you are now. And without your experience---you are an empty page, a blank notebook, a missing lyric. What makes you brave is your willingness to live through your terrible life and hold your head up high the next day. So don't live life in fear. Because you are stronger now, after all the crap has happened, than you ever were back before it started.
β
β
Alysha Speer
β
He saw it in her eyes. The anguish, the frustration. The terrible nothing that clawed inside and sought to smother her. She knew. It was there, inside. She had been broken.
Then she smiled. Oh, storms. She smiled anyway.
It was the single most beautiful thing heβd seen in his entire life.
β
β
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
β
There's nothing to mourn about death any more than there is to mourn about the growing of a flower. What is terrible is not death but the lives people live or don't live up until their death. They don't honor their own lives, they piss on their lives. They shit them away. Dumb fuckers. They concentrate too much on fucking, movies, money, family, fucking. Their minds are full of cotton. They swallow God without thinking, they swallow country without thinking. Soon they forget how to think, they let others think for them. Their brains are stuffed with cotton. They look ugly, they talk ugly, they walk ugly. Play them the great music of the centuries and they can't hear it. Most people's deaths are a sham. There's nothing left to die.
β
β
Charles Bukowski
β
When you go into the ER, one of the first things they ask you to do is rate your pain on a scale of one to ten, and from there they decide which drugs to use and how quickly to use them. I'd been asked this question hundreds of times over the years, and I remember once early on when I couldn't get my breath and it felt like my chest was on fire, flames licking the inside of my ribs fighting for a way to burn out of my body, my parents took me to the ER. nurse asked me about the pain, and I couldn't even speak, so I held up nine fingers.
Later, after they'd given me something, the nurse came in and she was kind of stroking my head while she took my blood pressure and said, "You know how I know you're a fighter? You called a ten a nine."
But that wasn't quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating faceup on the water, undrowned.
β
β
John Green (The Fault in Our Stars)
β
There are no safe choices. Only other choices.
β
β
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
β
And I've fallen.
So hard.
I've hit the ground. Gone right through it. Never in my life have I felt this. Nothing like this. I've felt shame and cowardice, weakness and strength. I've known terror and indifference, self-hate and general disgust. I've seen things that cannot be unseen.
And yet I've known nothing like this terrible, horrible, paralyzing feeling. I feel crippled. Desperate and out of control. And it keeps getting worse. Every day I feel sick. Empty and somehow aching.
Love is a heartless bastard.
β
β
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
β
Who has never killed an hour? Not casually or without thought, but carefully: a premeditated murder of minutes. The violence comes from a combination of giving up, not caring, and a resignation that getting past it is all you can hope to accomplish. So you kill the hour. You do not work, you do not read, you do not daydream. If you sleep it is not because you need to sleep. And when at last it is over, there is no evidence: no weapon, no blood, and no body. The only clue might be the shadows beneath your eyes or a terribly thin line near the corner of your mouth indicating something has been suffered, that in the privacy of your life you have lost something and the loss is too empty to share.
β
β
Mark Z. Danielewski (House of Leaves)
β
The Journey
One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice --
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do --
determined to save
the only life you could save.
β
β
Mary Oliver
β
Some things are too terrible to grasp at once. Other things - naked, sputtering, indelible in their horror - are too terrible to really grasp ever at all. It is only later, in solitude, in memory that the realization dawns: when the ashes are cold; when the mourners have departed; when one looks around and finds oneself - quite to one's surprise - in an entirely different world.
β
β
Donna Tartt (The Secret History)
β
It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.
β
β
Donna Tartt (The Secret History)
β
Yeah, well," I say, "I left Abnegation because I wasn't selfless enough, no matter how hard I tried to be."
"That's not entirely true." He smiles at me. "That girl who let someone throw knives at her to spare a friend, who hit my dad with a belt to protect me-that selfless girl, that's not you?"...
"You've been paying close attention, haven't you?"
"I like to observe people/"
"Maybe you were cut out for Candor, Four, because you're a terrible liar.
β
β
Veronica Roth (Divergent (Divergent, #1))
β
The only sadnesses that are dangerous and unhealthy are the ones that we carry around in public in order to drown them out with the noise; like diseases that are treated superficially and foolishly, they just withdraw and after a short interval break out again all the more terribly; and gather inside us and are life, are life that is unlived, rejected, lost, life that we can die of.
β
β
Rainer Maria Rilke (Letters to a Young Poet)
β
Because I can't help doing it," he said with a shrug. "And hey, if I keep loving you, maybe you'll eventually crack and love me too. Hell, I'm pretty sure you're already half in love with me."
"I am not! And everything you just said is ridiculous. That's terrible logic."
Adrian returned to his crossword puzzle. "Well, you can think what you want, so long as you remember-no matter how ordinary things seem between us-I'm still here, still in love with you, and care about you more than any other guy, evil or otherwise, ever will."
"I don't think you're evil."
"See? Things are already looking promising.
β
β
Richelle Mead (The Indigo Spell (Bloodlines, #3))
β
Imagine a society that subjects people to conditions that make them terribly unhappy then gives them the drugs to take away their unhappiness. Science fiction It is already happening to some extent in our own society. Instead of removing the conditions that make people depressed modern society gives them antidepressant drugs. In effect antidepressants are a means of modifying an individual's internal state in such a way as to enable him to tolerate social conditions that he would otherwise find intolerable.
β
β
Theodore John Kaczynski
β
Iβm not sad, but the boys who are looking for sad girls always find me. Iβm not a girl anymore and Iβm not sad anymore. You want me to be a tragic backdrop so that you can appear to be illuminated, so that people can say βWow, isn't he so terribly brave to love a girl who is so obviously sad?β You think Iβll be the dark sky so you can be the star? Iβll swallow you whole.
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Warsan Shire
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Let's face it: I'm scared, scared and frozen. First, I guess I'm afraid for myself... the old primitive urge for survival. It's getting so I live every moment with terrible intensity. It all flowed over me with a screaming ache of pain... remember, remember, this is now, and now, and now. Live it, feel it, cling to it. I want to become acutely aware of all I've taken for granted. When you feel that this may be good-bye, the last time, it hits you harder.
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Sylvia Plath (The Unabridged Journals of Sylvia Plath)
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Writing and reading decrease our sense of isolation. They deepen and widen and expand our sense of life: they feed the soul. When writers make us shake our heads with the exactness of their prose and their truths, and even make us laugh about ourselves or life, our buoyancy is restored. We are given a shot at dancing with, or at least clapping along with, the absurdity of life, instead of being squashed by it over and over again. It's like singing on a boat during a terrible storm at sea. You can't stop the raging storm, but singing can change the hearts and spirits of the people who are together on that ship.
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Anne Lamott (Bird by Bird)
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Dearest, I feel certain that I am going mad again. I feel we can't go through another of those terrible times. And I shan't recover this time. I begin to hear voices, and I can't concentrate. So I am doing what seems the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I don't think two people could have been happier 'til this terrible disease came. I can't fight any longer. I know that I am spoiling your life, that without me you could work. And you will I know. You see I can't even write this properly. I can't read. What I want to say is I owe all the happiness of my life to you. You have been entirely patient with me and incredibly good. I want to say that β everybody knows it. If anybody could have saved me it would have been you. Everything has gone from me but the certainty of your goodness. I can't go on spoiling your life any longer. I don't think two people could have been happier than we have been. V.
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Virginia Woolf
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Assumptions are dangerous things to make, and like all dangerous things to make -- bombs, for instance, or strawberry shortcake -- if you make even the tiniest mistake you can find yourself in terrible trouble. Making assumptions simply means believing things are a certain way with little or no evidence that shows you are correct, and you can see at once how this can lead to terrible trouble. For instance, one morning you might wake up and make the assumption that your bed was in the same place that it always was, even though you would have no real evidence that this was so. But when you got out of your bed, you might discover that it had floated out to sea, and now you would be in terrible trouble all because of the incorrect assumption that you'd made. You can see that it is better not to make too many assumptions, particularly in the morning.
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Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
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Men fear thought as they fear nothing else on earth -- more than ruin, more even than death. Thought is subversive and revolutionary, destructive and terrible, thought is merciless to privilege, established institutions, and comfortable habits; thought is anarchic and lawless, indifferent to authority, careless of the well-tried wisdom of the ages. Thought looks into the pit of hell and is not afraid ... Thought is great and swift and free, the light of the world, and the chief glory of man.
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Bertrand Russell (Why Men Fight)
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This isnβtΒ β¦ it isnβt a trick, is it?β Her voice was smaller than she wanted it to be.
The shadow of something dark moved across Kazβs face. βIf it were a trick, Iβd promise you safety. Iβd offer you happiness. I donβt know if that exists in the Barrel, but youβll find none of it with me.β
For some reason, those words had comforted her. Better terrible truths than kind lies.
βAll right,β she said. βHow do we begin?β
βLetβs start by getting out of here and finding you some proper clothes. Oh, and Inej,β he said as he led her out of the salon, βdonβt ever sneak up on me again.
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Leigh Bardugo (Six of Crows (Six of Crows, #1))
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Could it be because it reminds us that we are alive, of our mortality, of our individual souls- which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? But isn't it also pain that often makes us most aware of self? It is a terrible thing to learn as a child that one is a being separate from the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all oneβs own. Even more terrible, as we grow old, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that's why we're so anxious to lose them, don't you think?
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Donna Tartt (The Secret History)
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The More Loving One
Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.
Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.
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W.H. Auden (Collected Shorter Poems, 1927-1957)
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A true war story is never moral. It does not instruct, nor encourage virtue, nor suggest models of proper human behavior, nor restrain men from doing the things men have always done. If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie. There is no rectitude whatsoever. There is no virtue. As a first rule of thumb, therefore, you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil.
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Tim O'Brien (The Things They Carried)
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How should we be able to forget those ancient myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us.
So you must not be frightened if a sadness rises up before you larger than any you have ever seen; if a restiveness, like light and cloudshadows, passes over your hands and over all you do. You must think that something is happening with you, that life has not forgotten you, that it holds you in its hand; it will not let you fall. Why do you want to shut out of your life any uneasiness, any miseries, or any depressions? For after all, you do not know what work these conditions are doing inside you.
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Rainer Maria Rilke (Letters to a Young Poet)
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Jace set what he was holding down on the windowsill and reached out to her. She came to lean against him, and his hand slid up under her t-shirt and rested caressingly, possessively, on the small of her back. He bent to kiss her, gently at first, but the gentleness went quickly and soon she was pressed up against the glass of the window, his hands at the hem of her shirt β his shirt β
βJace.β She moved a little bit away. βIβm pretty sure people down there in the street can see us.β
βWe could β¦β He gestured toward the bed. βMoveβ¦over there.β
She grinned. βYou said that like it took you a while to come up with the idea.β
When he spoke, his voice was muffled against her neck. βWhat can I say, you make my thought processes slow down. Now I know what itβs like to be a normal person.β
βHow β¦ is it?β The things he was doing with his hands under the t-shirt were distracting.
βTerrible. Iβm already way behind on my quota of witty comments for the day.
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Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
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I survived because I remained soft, because I listened, because I wrote. Because I huddled close to my truth, protected it like a tiny flame in a terrible storm. Hold up your head when the tears come, when you are mocked, insulted, questioned, threatened, when they tell you you are nothing, when your body is reduced to openings. The journey will be longer than you imagined, trauma will find you again and again. Do not become the ones who hurt you. Stay tender with your power. Never fight to injure, fight to uplift. Fight because you know that in this life, you deserve safety, joy, and freedom. Fight because it is your life. Not anyone elseβs. I did it, I am here. Looking back, all the ones who doubted or hurt or nearly conquered me faded away, and I am the only one standing. So now, the time has come. I dust myself off, and go on.
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Chanel Miller (Know My Name: A Memoir)
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Shall I tell you a story? A new and terrible one? A ghost story? Are you ready? Shall I begin? Once upon a time there were four girls. One was pretty. One was clever. One charming, and one...one was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood. Big dreams. Oh, I left that part out. Sorry, that should have come before. They were all dreamers, these girls. One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? Pippa? Ann? Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were--damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn't true. This is a ghost story remember? A tragedy. They were misled. Betrayed by their own stupid hopes. Things couldn't be different for them, because they weren't special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. With what can't be. There, now. Isn't that the scariest story you've ever heard?
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Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
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Question: I am interested in so many things, and I have a terrible fear because my mother keeps telling me that I'm just going to be exploring the rest of my life and never get anything done. But I find it really hard to set my ways and say, "Well, do I want to do this, or should I try to exploit that, or should I escape and completely do one thing?"
AnaΓ―s Nin: One word I would banish from the dictionary is 'escape.' Just banish that and you'll be fine. Because that word has been misused regarding anybody who wanted to move away from a certain spot and wanted to grow. He was an escapist. You know if you forget that word you will have a much easier time. Also you're in the prime, the beginning of your life; you should experiment with everything, try everything.... We are taught all these dichotomies, and I only learned later that they could work in harmony. We have created false dichotomies; we create false ambivalences, and very painful one's sometimes -the feeling that we have to choose. But I think at one point we finally realize, sometimes subconsciously, whether or not we are really fitted for what we try and if it's what we want to do.
You have a right to experiment with your life. You will make mistakes. And they are right too. No, I think there was too rigid a pattern. You came out of an education and are supposed to know your vocation. Your vocation is fixed, and maybe ten years later you find you are not a teacher anymore or you're not a painter anymore. It may happen. It has happened. I mean Gauguin decided at a certain point he wasn't a banker anymore; he was a painter. And so he walked away from banking. I think we have a right to change course. But society is the one that keeps demanding that we fit in and not disturb things. They would like you to fit in right away so that things work now.
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AnaΓ―s Nin
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And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
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Sarah Kane (Crave)