“
There were nights for instance, especially in August, where the view of the full moon from the top of the Acropolis hill or from a high terrace could steal your breath away. The moon would slide over the clouds like a seducing princess dressed in her finest silvery silk. And the sky would be full of stars that trembled feebly, like servants that bowed before her. During those nights under the light of the August full moon, the city of Athens would become an enchanted kingdom that slept lazily under the sweet light of its ethereal mistress.
”
”
Effrosyni Moschoudi (The Necklace of Goddess Athena)
“
Eccolo!” he exclaimed.
At the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end.
“Courage!” cried her companion, now standing some six feet above. “Courage and love.”
She did not answer. From her feet the ground sloped sharply into view, and violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems, collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth.
Standing at its brink, like a swimmer who prepares, was the good man. But he was not the good man that she had expected, and he was alone.
George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her…
”
”
E.M. Forster (A Room with a View)
“
I was feeling everything much too much. Everything was pulling at my eyes. I spent hours floating in pools. I sat on terraces and stared for afternoons at mediocre views. I was feeling overjoyed for happy couples. I would see or hear about people, usually people I hardly knew or didn't even like, getting together, finding each other after so much groping, and I would feel bliss. I was blindsided by familiar things.
”
”
Dave Eggers (You Shall Know Our Velocity!)
“
At Bramasole, the first secret spot that draws me outside is a stump and board bench on a high terrace overlooking the lake and valley. Before I sit down, I must bang the board against a tree to knock off all the ants. Then I'm happy. With a stunted oak tree for shelter and a never-ending view, I am hidden. No one knows where I am. The nine-year-old's thrill of the hideout under the hydrangea comes back: My mother is calling me and I am not answering.
”
”
Frances Mayes (Bringing Tuscany Home: Sensuous Style From the Heart of Italy)
“
It snowed for several days in a row.
When it finally let up, I sidled over to the side of the warehouse where I had a clear view of the hospital’s front entrance.
It was the first sunny day in a while, yet Satoru didn’t appear on the terrace.
When the sun began to set, Noriko oulled up in the silver van. Her face looked pale, her hair dishevelled.
I pattered up to her, but she said simply, ‘Sorry, Nana. You’ll have to wait,’ and walked swiftly inside.
…….
Noriko elbowed her way through them to Sat’s side.
‘Satoru, it’s Nana!’
Satoru’s closed eyelids quivered. As if fighting against gravity, they slowly lifted.
Unable to move his head, his eyes searched from side to side.
Noriko clasped Satoru’s hand and placed it gently on top of Nana’s small head.
Satoru’s lips moved faintly. She thought she heard him say, ‘Thank you.’
The ECG screen flat-lined.
Nana nuzzled the top of his head up and down against Satoru’s lifeless hand.
”
”
Hiro Arikawa (The Travelling Cat Chronicles)
“
Sometimes we watch Bill Murray movies with him and his friends at his house on Sea View Terrace and marvel at the way the boys can recite all the lines the way we know every word of The Outsiders.
”
”
Vendela Vida (We Run the Tides)
“
For she acted exactly as she pleased, laughed at his strictures against her behaviour, her friends, his lectures on 'respectability'. She was the first woman in his existence who had a life of her own, who did things simply because they pleased her, who argued, who asserted herself. There was only one role he was equipped to play which was to resist, to the bitter end, this encroachment as he saw it on his authority, his manhood. And bitter it became.
”
”
Olive Senior (Arrival of the Snake-Woman and Other Stories (Longman Caribbean Writers))
“
But there are no criminals here
Just people surviving against all odds
Multi and never ending circumstances
of racial repression
Class war accompanied
with post-traumatic stress
syndrome-like symptoms
Marshal law-like conditions
Magic trick tactics
transforming Brown and Black pearls into perils
with K-9’s searching the perimeter
Face filled with hate
abra cadabra cop smiles
with a gun and a badge
The bullet is faster than the eye
Judges able to devour justice
with a single courtroom motion
not missing a crumb
Now you have your freedom
then you don’t
”
”
Jonathan Daniel Gomez (There Are No Criminals Here: Writings of East Los Angeles, Views from City Terrace Hills)
“
Two men deep in conversation could be seen disappearing along the opposite pavement towards Mortlake, their shadows cast huge and filmily onto the brewery walls by the kind of late-night city light that, while failing to relieve the darkness in any way, seems to pour in from every direction at once. Otherwise Wharf Terrace presented itself with only minute differences from his usual point of view. He had expected more.
”
”
M. John Harrison (The Sunken Land Begins to Rise Again)
“
At the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end.
“Courage!” cried her companion, now standing some six feet above. “Courage and love.”
She did not answer. From her feet the ground sloped sharply into view, and violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems, collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth.
Standing at its brink, like a swimmer who prepares, was the good man. But he was not the good man that she had expected, and he was alone.
George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her.
”
”
E.M. Forster (A Room with a View)
“
Wanting to disappear, I found myself living in New York City alone for months, in a four-story NoHo apartment that Cher used to live in. It had tall ceilings, a terrace with a view of the Empire State Building, and a working fireplace much fancier than the one that had been in the living room of our house in Kentwood. It would have been a dream apartment to use as a home base to explore the city, but I hardly ever left the place. One of the only times I did, a man behind me on an elevator said something that made me laugh; I turned around and it was Robin Williams.
”
”
Britney Spears (The Woman in Me)
“
income. Because I want to not do what he says and make my own schedule. What’s the big deal, Meyer? You’ll be back.” Meyer had walked to the window and was looking out across Central Park. The weather was pleasant, and he considered going out onto the porch, but the wind looked rough. The roof terrace would be better, but not by much. That was the problem with tall buildings. You got a great view for an exorbitant price, but it’s like architects forgot how quickly the weather changed as you climbed higher in the air. He took a beat before replying. He didn’t want to admit how much he’d been looking forward to seeing her. Besides, telling Heather
”
”
Sean Platt (Invasion (Alien Invasion, #1))
“
In awe at the sheer beauty of the setting, Celina stepped onto the balcony, which overlooked a terrace garden of fruit trees.
"It's so beautiful here." She breathed in, catching the scent of fruit trees below. "What type of fruit are you growing?"
"Mostly lemon," Sara said. "But also olive, grapefruit, orange, fig, and pomegranate. With our temperate climate, most everything thrives."
Celina peered over the balcony's edge. To one side, a cliff dropped to the sea, while on the other, a terrace sprawled along the hilltop perch. Flaming pink bougainvillea and snowy white jasmine curled around the corners of grapevine-covered archways that framed the shimmering ocean view.
”
”
Jan Moran (The Chocolatier)
“
These rocky, verdant, and volcanic landscapes of the Greek Isles exert their own charm, but it is the sea that dominates every aspect of life. Winding paths hug the shoreline, revealing hidden coves and inlets of turquoise water sparkling in the sun. So many constructions--whether house, church, shop, or restaurant--offer a vista of the blue sea. Terraces spilling over with bougainvillea, and balconies bearing hand-hewn wooden chairs take advantage of the views afforded by crescent-shaped harbors and quiet bays. Each island takes pride in its own picturesque fishing harbors. Off the ports of Kalymnos, fishermen and skin divers gather sponges, octopi, grouper, and shellfish.
”
”
Laura Brooks (Greek Isles (Timeless Places))
“
What about you, Mr. Shaw?" she asked. "Are your affections engaged by someone back home?"
He shook his head at once. "I'm afraid that I share McKenna's rather skeptical view of the benefits of marriage."
"I think you will fall in love someday."
"Doubtful. I'm afraid that particular emotion is unknown to me..." Suddenly his voice faded into silence. He set his cup down as he stared off into the distance with sudden alertness.
"Mr. Shaw?" As Aline followed his gaze, she realized what he had seen- Livia, wearing a pastel flower-printed walking dress as she headed to one of the forest trails leading away from the manor. A straw bonnet adorned with a sprig of fresh daisies swung from her fingers as she held it by the ribbons.
Gideon Shaw stood so quickly that his chair threatened to topple backward. "Pardon," he said to Aline, tossing his napkin to the table. "The figment of my imagination has reappeared- and I'm going to catch her."
"Of course," Aline said, struggling not to laugh. "Good luck, Mr. Shaw."
"Thanks." He was gone in a flash, descending one side of the U-shaped stone staircase with the ease of a cat. Once he reached the terraced gardens, he cut across the lawn with long, ground-eating strides, just short of breaking into a run.
Standing to better her view of his progress, Aline couldn't suppress a mocking grin. "Why, Mr. Shaw... I thought there was nothing in life you wanted badly enough to chase after it.
”
”
Lisa Kleypas (Again the Magic (Wallflowers, #0))
“
The road climbed higher into the mountains of Nikko National Park, the terraced farm fields giving way grudgingly to forests of tiny trees that seemed to be trimmed, the growth around them carefully cultivated. From a narrow defile the car was passed through a massive wooden gate that swung on a huge arch ornately carved with the figures of fierce dragons. From there a perfectly maintained road of crushed white gravel led up the valley to a broad forested ledge through which a narrow stream bubbled and plunged over the sheer edge. The view from the top was breathtaking. Perched on the far
edge was a traditionally styled Japanese house, low to the ground and rambling in every direction. Tiled roofs, rice-paper screens and walls, carved beams, courtyards, broad verandas, gardens, ponds, and ancient statues and figures gave the spot an unreal air, as if it were a setting in a fairy tale
”
”
David Hagberg (High Flight (Kirk McGarvey, #5))
“
All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down.
The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild?
The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played.
The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom.
I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
So to avoid the twin dangers of nostalgia and despairing bitterness, I'll just say that in Cartagena we'd spend a whole month of happiness, and sometimes even a month and a half, or even longer, going out in Uncle Rafa's motorboat, La Fiorella, to Bocachica to collect seashells and eat fried fish with plantain chips and cassava, and to the Rosary Islands, where I tried lobster, or to the beach at Bocagrande, or walking to the pool at the Caribe Hotel, until we were mildly burned on our shoulders, which after a few days started peeling and turned freckly forever, or playing football with my cousins, in the little park opposite Bocagrande Church, or tennis in the Cartagena Club or ping-pong in their house, or going for bike rides, or swimming under the little nameless waterfalls along the coast, or making the most of the rain and the drowsiness of siesta time to read the complete works of Agatha Christie or the fascinating novels of Ayn Rand (I remember confusing the antics of the architect protagonist of The Fountainhead with those of my uncle Rafael), or Pearl S. Buck's interminable sagas, in cool hammocks strung up in the shade on the terrace of the house, with a view of the sea, drinking Kola Roman, eating Chinese empanadas on Sundays, coconut rice with red snapper on Mondays, Syrian-Lebanese kibbeh on Wednesdays, sirloin steak on Fridays and, my favourite, egg arepas on Saturday mornings, piping hot and brought fresh from a nearby village, Luruaco, where they had the best recipe.
”
”
Héctor Abad Faciolince (El olvido que seremos)
“
Consider a world in which cause and effect are erratic. Sometimes the first precedes the second, sometimes the second the first. Or perhaps cause lies forever in the past while effect in the future, but future and past are entwined. On the terrace of the Bundesterrasse is a striking view: the river Aare below and the Bernese Alps above. A man stands there just now, absently emptying his pockets and weeping. Without reason, his friends have abandoned him. No one calls any more, no one meets him for supper or beer at the tavern, no one invites him to their home. For twenty years he has been the ideal friend to his friends, generous, interested, soft-spoken, affectionate. What could have happened? A week from this moment on the terrace, the same man begins acting the goat, insulting everyone, wearing smelly clothes, stingy with money, allowing no one to come to his apartment on Laupenstrasse. Which was cause and which effect, which future and which past? In Zürich, strict laws have recently been approved by the Council. Pistols may not be sold to the public. Banks and trading houses must be audited. All visitors, whether entering Zürich by boat on the river Limmat or by rail on the Selnau line, must be searched for contraband. The civil military is doubled. One month after the crackdown, Zürich is ripped by the worst crimes in its history. In daylight, people are murdered in the Weinplatz, paintings are stolen from the Kunsthaus, liquor is drunk in the pews of the Münsterhof. Are these criminal acts not misplaced in time? Or perhaps the new laws were action rather than reaction? A young woman sits near a fountain in the Botanischer Garten. She comes here every Sunday to smell the white double violets, the musk rose, the matted pink gillyflowers. Suddenly, her heart soars, she blushes, she paces anxiously, she becomes happy for no reason. Days later, she meets a young man and is smitten with love. Are the two events not connected? But by what bizarre connection, by what twist in time, by what reversed logic? In this acausal world, scientists are helpless. Their predictions become postdictions. Their equations become justifications, their logic, illogic. Scientists turn reckless and mutter like gamblers who cannot stop betting. Scientists are buffoons, not because they are rational but because the cosmos is irrational. Or perhaps it is not because the cosmos is irrational but because they are rational. Who can say which, in an acausal world? In this world, artists are joyous. Unpredictability is the life of their paintings, their music, their novels. They delight in events not forecasted, happenings without explanation, retrospective. Most people have learned how to live in the moment. The argument goes that if the past has uncertain effect on the present, there is no need to dwell on the past. And if the present has little effect on the future, present actions need not be weighed for their consequence. Rather, each act is an island in time, to be judged on its own. Families comfort a dying uncle not because of a likely inheritance, but because he is loved at that moment. Employees are hired not because of their résumés, but because of their good sense in interviews. Clerks trampled by their bosses fight back at each insult, with no fear for their future. It is a world of impulse. It is a world of sincerity. It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning, each touch has no past or no future, each kiss is a kiss of immediacy.
”
”
Alan Lightman (Einstein's Dreams)
“
With its glass walls, you can enjoy the view even when it’s raining. It has a huge outdoor terrace with a panoramic view across the city, but the big draw is that you are up high, directly in front of the ‘cricket cage’ balustrade of Brunelleschi’s dome. Just between you and me, the Folco Portinari–Dante connection had me sold before I even arrived. It could have had a view of the men’s toilets and I still would have been thrilled, just because I love the Alighieri-Portinari story! (See Chapter 23: A Walk With Dante.) My first time here was with the city archivist I told you about in the chapter on the Duomo, so I associate this place with cool local 30-somethings with fascinating jobs in the city and endless stories about Florence, dating back to Julius Caesar. Caffeteria della Oblate is a little tricky to find, but that means the tourist crowd can’t find it either, so walking around in circles trying to get here is worth it. And of course, there’s that view… Address: Via dell’ Oriuolo, 26
”
”
Corinna Cooke (Glam Italia! 101 Fabulous Things To Do In Florence: Insider Secrets To The Renaissance City (Glam Italia! How To Travel Italy Book 3))
“
I went back to the living room and out onto the terrace. The air was cool and the lights of the city shimmered. The little planes no longer circled the Empire State Building, but it was still a view that practically conjugated hope: I have hoped; I am hoping; I will hope.
”
”
Amor Towles (Rules of Civility)
“
The guide then invited us upstairs to see Gandhi’s private quarters. Taking off our shoes, we entered a simple room with a floor of smooth, patterned tile, its terrace doors open to admit a slight breeze and a pale, hazy light. I stared at the spartan floor bed and pillow, the collection of spinning wheels, the old-fashioned phone and low wooden writing desk, trying to imagine Gandhi present in the room, a slight, brown-skinned man in a plain cotton dhoti, his legs folded under him, composing a letter to the British viceroy or charting the next phase of the Salt March. And in that moment, I had the strongest wish to sit beside him and talk. To ask him where he’d found the strength and imagination to do so much with so very little. To ask how he’d recovered from disappointment. He’d had more than his share. For all his extraordinary gifts, Gandhi hadn’t been able to heal the subcontinent’s deep religious schisms or prevent its partitioning into a predominantly Hindu India and an overwhelmingly Muslim Pakistan, a seismic event in which untold numbers died in sectarian violence and millions of families were forced to pack up what they could carry and migrate across newly established borders. Despite his labors, he hadn’t undone India’s stifling caste system. Somehow, though, he’d marched, fasted, and preached well into his seventies—until that final day in 1948, when on his way to prayer, he was shot at point-blank range by a young Hindu extremist who viewed his ecumenism as a betrayal of the faith.
”
”
Barack Obama (A Promised Land)
“
Astrid looked out onto the view of the peaceful cove below the terrace. “Scientists talk about how we inherit health issues from our parents through our genes, but we also inherit this entire lineage of fear and pain—generations of it. I can acknowledge whenever my mother is reacting out of this fear, but the most powerful thing I’ve realized is that I’m not responsible for her pain. I won’t make her fears mine any longer and I don’t want to pass them on to my son!
”
”
Kevin Kwan (Rich People Problems (Crazy Rich Asians, #3))
“
I want to get some fresh air,” I say, and move around him, stepping off onto the stone slabs and promptly sinking with one heel into the narrow space between them.
“Oops!” I say idiotically, ignoring the hand that Luca is stretching out to help me. The last thing I need right now is to touch him, for all sorts of reasons. I keep walking, pulling my heel out from between the paving stones; mercifully, it comes out without catching or ripping off. I honestly think that even if it did, I would keep going; I’d walk on a sandal without a heel all night, balance on my toes, pretend nothing had happened, and think it a fair price to pay for my flight into the comparative darkness of the chill-out area, where Luca can’t see the sweat on my face.
He’s following me. I can hear his leather-soled shoes on the stone. And I have no idea where I’m going. I feel ridiculous. Luckily, ahead of me I see a terrace with tables, and I walk toward it as if I’d planned to head there all along.
“You want a drink?” he asks. He gestures over to the right, and I see the white gleam of the long bar, the translucent milky-white pillars shining as if we’re underwater.
I don’t need to drink any more alcohol tonight. Especially in the company of Luca. “Maybe some water. I’m really thirsty.”
He nods, turns, and walks toward the bar. I watch him go. Tall, lean, with a nice firm bum in his black jeans. Exactly what I like in a boy. And then I feel my face flaming, because this isn’t just some boy at an airport, or viewed from a car. This is real. He’s real. He’ll be back in just a few minutes, and I won’t have the faintest idea what to say to him…
”
”
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
“
The Philippines has the most beautiful rice plantations in the world-the Ifugao rice terraces. Hand carved thousands of years ago on mountains upon mountains in northern Luzon, this seemingly endless view of rice terraces is not only truly breathtaking, but also an awesome agricultural and engineering feat.
”
”
N.T. Alcuaz (Banana Leaves: Filipino Cooking and Much More)
“
Democracy even in its ideal form is a Utopian political system, because some experiments from psychology support us with compelling evidence that subliminal messages and manipulation within political systems can deprive the ordinary men of their free choice, making them bio-social robots, who perceive and make judgment automatically with no or less cognition. In one relevant experiment had Dutch college students view a series of computer trials in which a string of letters such as BBBBBBB or BBbBBBB was presented on the screen. To be sure they paid attention to the display, the students were asked to note whether the strings contained a small b. However, immediately before each of the letter strings, the researchers presented either the name of a drink that is popular in Holland (Lipton Ice) or a control string containing the same letters as Lipton Ice (Npeic Tol). These words were presented so quickly (for only about one fiftieth of a second) that the participants could not see them. Then the students were asked to indicate their intention to drink Lipton Ice by answering questions such as “If you would sit on a terrace now, how likely is it that you would order Lipton Ice,” and also to indicate how thirsty they were at the time. The researchers found that the students who had been exposed to the ‘Lipton Ice” words (and particularly those who indicated that they were already thirsty) were significantly more likely to say that they would drink Lipton Ice than were those who had been exposed to the control words.
”
”
Elmar Hussein
“
he said I'd never been anything but his assistant from the beginning, he was the genius with the ideas, I was his girl Friday, that's all I was. So I hit him with a laptop, right on the back of the head with a laptop, and threw him off his goddam terrace with the great view of the Gunks, and threw his laptop after him, and I seriously positively wanted to kill him, and thought I had. And I set fire to the house, and I stole his Porsche, and I forged his name to a few checks, and I tried to access the business accounts so I could steal everything, and somewhere in there they caught me.
”
”
Richard Stark (Firebreak (Parker, #20))
“
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Pro Cleaning Contractors La Porte
“
It didn’t necessarily mean that he’d been awake all night washing away his mother’s blood. She looked under the bed and felt behind the wardrobe. No porn. No girlie posters on the walls. In fact there were no pictures on the walls at all, only a framed certificate from his catering course. What did he do for sex? Probably used the Internet, like most of the UK’s male population. It came to Vera that more than likely he was a virgin. In contrast, Miranda’s room was surprisingly big. Opulent and glamorous in an old-fashioned way. It held a double bed, piled with pillows and silk-covered cushions, in various shades of purple. These seemed to have been artfully arranged – another sign, Vera thought, that Miranda hadn’t been to bed the night before. There was a small wrought-iron grate, just for decoration now. Where the fire would once have been laid stood a candle in a big blue candle-holder, identical to the one on the table on the terrace. Was that significant? Vera tried to remember if she’d seen one like it in the main house. On one side of the chimneybreast, bookshelves had been built into the alcove, and on the other stood a big Victorian wardrobe. There was a dressing table with an ornate framed mirror under the window, and an upholstered stool in front of it. No PC. So what did Miranda do for sex? The question came, unbidden, into her head. Vera sat on the stool and gave a wry smile into the mirror. She knew her team had sometimes asked the same question about her. But not recently. As you got older, folk seemed to think you could do without. This is where Miranda would have sat to prepare herself to meet the residents. Again Vera was reminded of an ageing actress. Her dressing table was scattered with make-up. The woman hadn’t shared her son’s obsession with order and cleanliness. And beyond the mirror there was a view to the coast. It wasn’t possible to see the terrace from here – it was in the shadow of the big house. But the beach was visible. What had Miranda been thinking as she put on her face, as she brushed her hair and held it in place with spray? That her life as a writer was over? Or did she still hope for the big break, the posters on the Underground and the reviews in the Sunday papers? Was she still writing? It seemed to Vera that this question was so important, so fundamental, that she’d been a fool not to consider it before. If Miranda had written a new book, and Tony Ferdinand had offered to help her find a home for it, of course Miranda would be shattered to find him dead. The stabbed body would symbolize her shattered dreams. It wouldn’t be easy for a middle-aged
”
”
Ann Cleeves (The Glass Room (Vera Stanhope, #5))
“
She is about to close the book and return it to the desk when she catches sight of a face passing on the flickering pages. She leafs her way back until she finds it again- not an entire face, but a section; an eye, the sweep of a cheekbone, the curved line of a neck observed from side-on; all illustrated as if seen in the reflection of a small, oval mirror. A car-wing mirror.
She peers at the page more closely, breath held in her chest as the moment returns to her: sitting in Charles's new car, Jack scrunched in the back and Lillian in the front, a peacock barring their path. It is exactly how he would have seen her reflected back at him in the wing-mirror.
As with the other drawings, the accuracy is remarkable. She is amazed at his ability to recall the smallest details. There is the pearl stud at her earlobe and the almost indiscernible beauty spot above her lip. Yet the more closely she studies the sketch, the more she is discomforted. It isn't just the precision of the pencil lines conjuring her on the paper- butt more the expression he has captured- a certain wistfulness she hadn't known she wore so plainly. The portrait feels so intimate; almost as if he had laid her bare on the page.
She continues to leaf through the sketches and finds a second portrait. This time she is seated in the drawing room, her face turned to the window, the skirt of her dress falling in a fan to to the floor. A third reveals her standing on the terrace, leaning against the balustrade, a long evening dress sweeping about her legs. The night of the party. The next page shows just her arm, identifiable by a favorite diamond bracelet dangling at the wrist. The last is of her head and shoulders, viewed from behind, the curves of her neck rising up to a twisted knot of hair. Looking at the images she isn't sure how she feels; flattered to be seen, to be deemed worthy of his time and attention, though at the same time a little uncomfortable at the intimacy of his gaze and at the thought of having been so scrutinized when she hadn't even known he was watching her.
”
”
Hannah Richell (The Peacock Summer)
“
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