Tennessee Williams Quotes

We've searched our database for all the quotes and captions related to Tennessee Williams. Here they are! All 100 of them:

β€œ
If I got rid of my demons, I’d lose my angels.
”
”
Tennessee Williams (Conversations With Tennessee Williams (Literary Conversations Series))
β€œ
Time is the longest distance between two places.
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
I've got the guts to die. What I want to know is, have you got the guts to live?
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
β€œ
What is straight? A line can be straight, or a street, but the human heart, oh, no, it's curved like a road through mountains.
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
Time doesn't take away from friendship, nor does separation.
”
”
Tennessee Williams (Memoirs)
β€œ
I don't want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don't tell the truth, I tell what ought to be the truth. And it that's sinful, then let me be damned for it!
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
A prayer for the wild at heart kept in cages.
”
”
Tennessee Williams (Stairs to the Roof)
β€œ
I have always depended on the kindness of strangers.
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
Don't you just love those long rainy afternoons in New Orleans when an hour isn't just an hour - but a little piece of eternity dropped into your hands - and who knows what to do with it?
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
How beautiful it is and how easily it can be broken.
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
There is a time for departure even when there's no certain place to go.
”
”
Tennessee Williams (Camino Real)
β€œ
We all live in a house on fire, no fire department to call; no way out, just the upstairs window to look out of while the fire burns the house down with us trapped, locked in it.
”
”
Tennessee Williams (The Milk Train Doesn't Stop Here Anymore)
β€œ
When so many are lonely as seem to be lonely, it would be inexcusably selfish to be lonely alone.
”
”
Tennessee Williams (Camino Real)
β€œ
All cruel people describe themselves as paragons of frankness.
”
”
Tennessee Williams
β€œ
Why did I write? Because I found life unsatisfactory.
”
”
Tennessee Williams
β€œ
In memory, everything seems to happen to music.
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
Some things are not forgiveable. Deliberate cruelty is not forgiveable. It is the most unforgiveable thing in my opinion, and the one thing in which I have never, ever been guilty.
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
I suppose I have found it easier to identify with the characters who verge upon hysteria, who were frightened of life, who were desperate to reach out to another person. But these seemingly fragile people are the strong people really.
”
”
Tennessee Williams
β€œ
The violets in the mountains have broken the rocks.
”
”
Tennessee Williams (Camino Real)
β€œ
I think that hate is a feeling that can only exist where there is no understanding.
”
”
Tennessee Williams (Sweet Bird of Youth)
β€œ
You can be young without money, but you can't be old without it.
”
”
Tennessee Williams
β€œ
Yes, I have tricks in my pocket, I have things up my sleeve. But I am the opposite of a stage magician. He gives you illusion that has the appearance of truth. I give you truth in the pleasant disguise of illusion.
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
I don't want realism. I want magic!
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
Deliberate cruelty is unforgivable. --Blanche Dubois
”
”
Tennessee Williams (Tennessee Williams's A Streetcar Named Desire (Viva Modern Interpretations))
β€œ
We're all sentenced to solitary confinement inside our own skins, for life.
”
”
Tennessee Williams
β€œ
Nobody sees anybody truly but all through the flaws of their own egos. That is the way we all see ...each other in life. Vanity, fear, desire, competition-- all such distortions within our own egos-- condition our vision of those in relation to us. Add to those distortions to our own egos the corresponding distortions in the egos of others, and you see how cloudy the glass must become through which we look at each other. That's how it is in all living relationships except when there is that rare case of two people who love intensely enough to burn through all those layers of opacity and see each other's naked hearts.
”
”
Tennessee Williams
β€œ
Physical beauty is passing - a transitory possession - but beauty of the mind, richness of the spirit, tenderness of the heart - I have all these things - aren't taken away but grow! Increase with the years!
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
America has only three cities: New York, San Francisco, and New Orleans. Everywhere else is Cleveland.
”
”
Tennessee Williams
β€œ
Teenage girls, please don’t worry about being super popular in high school, or being the best actress in high school, or the best athlete. Not only do people not care about any of that the second you graduate, but when you get older, if you reference your successes in high school too much, it actually makes you look kind of pitiful, like some babbling old Tennessee Williams character with nothing else going on in her current life. What I’ve noticed is that almost no one who was a big star in high school is also big star later in life. For us overlooked kids, it’s so wonderfully fair.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
β€œ
Oh, you can't describe someone you're in love with!
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
You said, 'They’re harmless dreamers and they’re loved by the people.' 'What,' I asked you, 'is harmless about a dreamer, and what,' I asked you, 'is harmless about the love of the people? Revolution only needs good dreamers who remember their dreams.
”
”
Tennessee Williams
β€œ
Every time you come in yelling that God damn "Rise and Shine!" "Rise and Shine!" I say to myself, "How lucky dead people are!
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
Has it ever struck you that life is all memory, except for the one present moment that goes by you so quick you hardly catch it going?
”
”
Tennessee Williams (The Milk Train Doesn't Stop Here Anymore)
β€œ
What is the victory of a cat on a hot tin roof?β€”I wish I knew... Just staying on it, I guess, as long as she can...
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
β€œ
I didn't go to the moon, I went much furtherβ€”for time is the longest distance between two places
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
The scene is memory and is therefore nonrealistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart.
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
Show me a person who hasnΒ΄t known any sorrow and IΒ΄ll show you a superficial.
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
In all these years, you never believed I loved you. And I did. I did so much. I did love you. I even loved your hate and your hardness.
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
β€œ
Friends are God's way of apologizing to us for our families
”
”
Tennessee Williams
β€œ
Everybody is nothing until you love them.
”
”
Tennessee Williams (The Rose Tattoo)
β€œ
You are the only young man that I know of who ignores the fact that the future becomes the present, the present the past, and the past turns into everlasting regret if you don't plan for it.
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
What on earth can you do on this earth but catch at whatever comes near you, with both your fingers, until your fingers are broken?
”
”
Tennessee Williams (Orpheus Descending)
β€œ
All pretty girls are a trap, a pretty trap, and men expect them to be.
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
Being disappointed is one thing and being discouraged is something else. I am disappointed but I am not discouraged.
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
Don't look forward to the day you stop suffering, because when it comes you'll know you're dead.
”
”
Tennessee Williams
β€œ
Anything might have been anything else and had as much meaning to it.
”
”
Tennessee Williams (Collected Stories)
β€œ
Why is it so damn hard for people to talk?
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
β€œ
Success and failure are equally disastrous.
”
”
Tennessee Williams
β€œ
I'm not living with you. We occupy the same cage. (Maggie)
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
β€œ
Life is an unanswered question, but let's still believe in the dignity and importance of the question.
”
”
Tennessee Williams
β€œ
People go to the movies instead of moving.
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
Go, then! Go to the moon-you selfish dreamer!
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
Mendacity is a system that we live in," declares Brick. "Liquor is one way out an'death's the other.
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
β€œ
And funerals are pretty compared to deaths.
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
For nowadays the world is lit by lightning! Blow out your candles, Laura -- and so goodbye. . . .
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
I can't stand a naked light bulb, any more than I can a rude remark or a vulgar action.
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
They told me to take a streetcar named Desire and then transfer to one called Cemeteries and ride six blocks and get off at - Elysian Fields!
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
Well, honey, a shot never does a coke any harm!
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
The world is violent and mercurial--it will have its way with you. We are saved only by love--love for each other and the love that we pour into the art we feel compelled to share: being a parent; being a writer; being a painter; being a friend. We live in a perpetually burning building, and what we must save from it, all the time, is love.
”
”
Tennessee Williams
β€œ
She lives in a world of her own – a world of – little glass ornaments…
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
Time goes by so fast. Nothin' can outrun it. Death commences too early--almost before you're half-acquainted with life--you meet the other.
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
β€œ
Never inside, I didn't lie in my heart...
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
Enthusiasm is the most important thing in life.
”
”
Tennessee Williams
β€œ
We've had this date with each other from the beginning.
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
We are all civilized people, wich means that we are all savages at heart but observing a few amenities of civilized behaviour.
”
”
Tennessee Williams
β€œ
The future is called "perhaps", which is the only possible thing to call the future. And the only important thing is not to allow that to scare you.
”
”
Tennessee Williams (Orpheus Descending)
β€œ
Hell is yourself and the only redemption is when a person puts himself aside to feel deeply for another person.
”
”
Tennessee Williams
β€œ
I cannot write any sort of story unless there is at least one character in it for whom I have physical desire.
”
”
Tennessee Williams
β€œ
He was a boy, just a boy, when I was a very young girl. When I was sixteen, I made the discovery - love. All at once and much, much too completely. It was like you suddenly turned a blinding on something that had always been half in shadow, that's how it struck the world for me. But I was unlucky. Deluded.
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
I want to infect you with the tremendous excitement of living, because I believe that you have the strength to bear it.
”
”
Tennessee Williams (The Selected Letters, Vol. 1: 1920-1945)
β€œ
Val: Why do you go out there? Sandra: Because dead people give such good advice. Val: What advice do they give? Sandra: Just one word- live!
”
”
Tennessee Williams (Battle of Angels)
β€œ
I don't believe anyone ever suspects how completely unsure I am of my work and myself and what tortures of self-doubting the doubt of others has always given me.
”
”
Tennessee Williams
β€œ
The Venus flytrap, a devouring organism, aptly named for the goddess of love.
”
”
Tennessee Williams (Suddenly Last Summer)
β€œ
The rest of my days I'm going to spend on the sea. And when I die, I'm going to die on the sea. You know what I shall die of? I shall die of eating an unwashed grape. One day out on the ocean I will die--with my hand in the hand of some nice looking ship's doctor, a very young one with a small blond moustache and a big silver watch. "Poor lady," they'll say, "The quinine did her no good. That unwashed grape has transported her soul to heaven.
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
attempting to find in motion what was lost in space.
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
People are not so dreadful when you know them. That's what you have to remember! And everybody has problems, not just you, but practically everybody has got some problems. You think of yourself as having the only problems, as being the only one who is disappointed. But just look around you and you will see lots of people as disappointed as you are.
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
Oh, you weak, beautiful people who give up with such grace. What you need is someone to take hold of you--gently, with love, and hand your life back to you, like something gold you let go of--and I can! I'm determined to do it--and nothing's more determined than a cat on a tin roof--is there?
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
β€œ
The trouble with this world is that everybody has to compromise and conform.
”
”
Tennessee Williams
β€œ
Maggie, we're through with lies and liars in this house. Lock the door.
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
β€œ
Somebody said once or wrote, once: 'We're all of us children in a vast kindergarten trying to spell God's name with the wrong alphabet blocks!
”
”
Tennessee Williams (Suddenly Last Summer)
β€œ
A high station in life is earned by the gallantry with which appalling experiences are survived with grace.
”
”
Tennessee Williams
β€œ
I know I fib a good deal. After all, a woman's charm is fifty per cent illusion, but when a thing is important I tell the truth. - Blanche Scene II
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
I'll be all right in a minute, I'm just bewildered - by life...
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
Stanley: Delicate piece she is. Stella: She is. She was. You didn't know Blanche as a girl. Nobody, nobody, was tender and trusting as she was. But people like you abused her, and forced her to change.
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
It's like a switch, clickin' off in my head. Turns the hot light off and the cool one on, and all of a sudden there's peace.
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
β€œ
I don't want realism. I want magic! Yes, yes, magic. I try to give that to people. I do misrepresent things. I don't tell truths. I tell what ought to be truth.
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
The cities swept about me like dead leaves, leaves that were brightly colored but torn away from the branches. I would have stopped, but I was pursued by something. It always came upon me unawares, taking me altogether by surprise. Perhaps it was a familiar bit of music. Perhaps it was only a piece of transparent glass.
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
These are the intensities that one cannot live with, that he has to outgrow if he wants to survive. But who can help grieving for them? If the blood vessels could hold them, how much better to keep those early loves with us?
”
”
Tennessee Williams (Collected Stories)
β€œ
I have sometimes been sad that Tennessee Williams wrote that line for Blanche DuBois, "I have always depended on the kindness of strangers." Many of us have been saved many times by the kindness of strangers, but after a while it sounds trite, like a bumper sticker. And that's what makes me sad, that a beautiful and true line comes to be used so often that it takes on the superficial sound of a bumper sticker.
”
”
Elizabeth Strout (My Name Is Lucy Barton (Amgash, #1))
β€œ
When I was sixteen, I made the discovery -- love. All at once and much, much too completely. It was like you suddenly turned a blinding light on something that had always been half in shadow, that's how it struck the world for me.
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
Of course you always had that detached quality as if you were playing a game without much concern over whether you won or lost, and now that you've lost the game, not lost but just quit playing, you have that rare sort of charm that usually only happens in very old or hopelessly sick people, the charm of the defeated.
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
β€œ
I think no more than a week after I started writing I ran into the first block. It's hard to describe it in a way that will be understandable to anyone who is not a neurotic. I will try. All my life I have been haunted by the obsession that to desire a thing or to love a thing intensely is to place yourself in a vulnerable position, to be a possible, if not a probable, loser of what you most want. Let's leave it like that. That block has always been there and always will be, and my chance of getting, or achieving, anything that I long for will always be gravely reduced by the interminable existence of that block.
”
”
Tennessee Williams
β€œ
I don't believe in "original sin." I don't believe in "guilt." I don't believe in villains or heroes - only right or wrong ways that individuals have taken, not by choice but by necessity or by certain still-uncomprehended influences in themselves, their circumstances, and their antecedents. This is so simple I'm ashamed to say it, but I'm sure it's true. In fact, I would bet my life on it! And that's why I don't understand why our propaganda machines are always trying to teach us, to persuade us, to hate and fear other people on the same little world that we live in.
”
”
Tennessee Williams (A Streetcar Named Desire)
β€œ
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
”
”
Alice Sebold (The Lovely Bones)
β€œ
Laws of silence don't work.... When something is festering in your memory or your imagination, laws of silence don't work, it's just like shutting a door and locking it on a house on fire in hope of forgetting that the house is burning. But not facing a fire doesn't put it out. Silence about a thing just magnifies it. It grows and festers in silence, becomes malignant....
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
β€œ
Then what is good? The obsessive interest in human affairs, plus a certain amount of compassion and moral conviction, that first made the experience of living something that must be translated into pigment or music or bodily movement or poetry or prose or anything that's dynamic and expressivee--that's what's good for you if you're at all serious in your aims. William Saroyan wrote a great play on this theme, that purity of heart is the one success worth having. "In the time of your life--live!" That time is short and it doesn't return again. It is slipping away while I write this and while you read it, the monosyllable of the clock is Loss, loss, loss, unless you devote your heart to its opposition.
”
”
Tennessee Williams
β€œ
I am sitting at my kitchen table waiting for my lover to arrive with lettuce and tomatoes and rum and sherry wine and a big floury loaf of bread in the fading sunlight. Coffee is percolating gently, and my mood is mellow. I have been very happy lately, just wallowing in it selfishly, knowing it will not last very long, which is all the more reason to enjoy it now. I suppose life always ends badly for almost everybody. We must have long fingers and catch at whatever we can while it is passing near us.
”
”
Tennessee Williams (Notebooks)
β€œ
Yes, movies! Look at them β€” All of those glamorous people β€” having adventures β€” hogging it all, gobbling the whole thing up! You know what happens? People go to the movies instead of moving! Hollywood characters are supposed to have all the adventures for everybody in America, while everybody in America sits in a dark room and watches them have them! Yes, until there's a war. That's when adventure becomes available to the masses! Everyone's dish, not only Gable's! Then the people in the dark room come out of the dark room to have some adventures themselves β€” Goody, goody! β€” It's our turn now, to go to the south Sea Island β€” to make a safari β€” to be exotic, far-off! β€” But I'm not patient. I don't want to wait till then. I'm tired of the movies and I am about to move!
”
”
Tennessee Williams (The Glass Menagerie)
β€œ
Q.Why don't you write about nice people? Haven't you ever known any nice people in your life? A.My theory about nice people is so simple that I am embarrassed to say it. Q.Please say it. A.Well, I've never met one that I couldn't love if I completely knew him and understood him, and in my work I have at least tried to arrive at knowledge and understanding. I don't believe in 'original sin'. I don't believe in 'guilt'. I don't believe in villains or heroes - only right or wrong ways that individuals have taken, not by choice but by necessity or by certain still-uncomprehended influences in themselves, their circumstances, and their antecedents. This is so simple I'm ashamed to say it, but I'm sure it's true. In fact, I would bet my life on it! And that's why I don't understand why our propaganda machines are always trying to teach us, to persuade us, to hate and fear other people on the same little world that we live in. Why don't we meet these people and get to know them as I try to meet and know people in my plays?
”
”
Tennessee Williams
β€œ
--- What is the victory of a cat on a hot tin roof? --- I wish I knew ... Just staying on it, I guess, as long as she can ... [More croquet sounds] Later tonight I'm going to tell you I love you an' maybe by that time you'll be drunk enough to believe me. Yes, they're playing croquet ... Big Daddy is dying of cancer ... What were you thinking of when I caught you looking at me like that? Were you thinking of Skipper? [Brick crosses to the bar, takes a quick drink, and rubs his head with a towel] Laws of silence don't work ... When something is festering in your memory or your imagination, laws of silence don't work, it's like shutting a door and locking it on a house on fire in hope of forgetting that the house is burning. But not facing a fire doesn't put it out. Silence about a thing just magnifies it. It grows and festers in silence, becomes malignant .... Get dressed, Brick.
”
”
Tennessee Williams (Cat on a Hot Tin Roof and Other Plays)