Tennessee Quotes

We've searched our database for all the quotes and captions related to Tennessee. Here they are! All 40 of them:

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If I got rid of my demons, I’d lose my angels.
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Tennessee Williams (Conversations With Tennessee Williams (Literary Conversations Series))
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Time is the longest distance between two places.
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Tennessee Williams (The Glass Menagerie)
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I've got the guts to die. What I want to know is, have you got the guts to live?
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Tennessee Williams (Cat on a Hot Tin Roof)
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What is straight? A line can be straight, or a street, but the human heart, oh, no, it's curved like a road through mountains.
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Tennessee Williams (A Streetcar Named Desire)
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There's an old saying in Tennessee β€” I know it's in Texas, probably in Tennessee β€” that says, fool me once, shame on β€” shame on you. Fool me β€” you can't get fooled again.
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George W. Bush
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Time doesn't take away from friendship, nor does separation.
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Tennessee Williams (Memoirs)
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I don't want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don't tell the truth, I tell what ought to be the truth. And it that's sinful, then let me be damned for it!
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Tennessee Williams (A Streetcar Named Desire)
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I have always depended on the kindness of strangers.
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Tennessee Williams (A Streetcar Named Desire)
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A prayer for the wild at heart kept in cages.
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Tennessee Williams (Stairs to the Roof)
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Don't you just love those long rainy afternoons in New Orleans when an hour isn't just an hour - but a little piece of eternity dropped into your hands - and who knows what to do with it?
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Tennessee Williams (A Streetcar Named Desire)
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How beautiful it is and how easily it can be broken.
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Tennessee Williams (The Glass Menagerie)
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There is a time for departure even when there's no certain place to go.
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Tennessee Williams (Camino Real)
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We all live in a house on fire, no fire department to call; no way out, just the upstairs window to look out of while the fire burns the house down with us trapped, locked in it.
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Tennessee Williams (The Milk Train Doesn't Stop Here Anymore)
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When so many are lonely as seem to be lonely, it would be inexcusably selfish to be lonely alone.
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Tennessee Williams (Camino Real)
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All cruel people describe themselves as paragons of frankness.
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Tennessee Williams
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Why did I write? Because I found life unsatisfactory.
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Tennessee Williams
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In memory, everything seems to happen to music.
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Tennessee Williams (The Glass Menagerie)
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Some things are not forgiveable. Deliberate cruelty is not forgiveable. It is the most unforgiveable thing in my opinion, and the one thing in which I have never, ever been guilty.
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Tennessee Williams (A Streetcar Named Desire)
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I suppose I have found it easier to identify with the characters who verge upon hysteria, who were frightened of life, who were desperate to reach out to another person. But these seemingly fragile people are the strong people really.
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Tennessee Williams
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The violets in the mountains have broken the rocks.
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Tennessee Williams (Camino Real)
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I think that hate is a feeling that can only exist where there is no understanding.
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Tennessee Williams (Sweet Bird of Youth)
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You can be young without money, but you can't be old without it.
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Tennessee Williams
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Yes, I have tricks in my pocket, I have things up my sleeve. But I am the opposite of a stage magician. He gives you illusion that has the appearance of truth. I give you truth in the pleasant disguise of illusion.
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Tennessee Williams (The Glass Menagerie)
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I don't want realism. I want magic!
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Tennessee Williams (A Streetcar Named Desire)
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Deliberate cruelty is unforgivable. --Blanche Dubois
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Tennessee Williams (Tennessee Williams's A Streetcar Named Desire (Viva Modern Interpretations))
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We're all sentenced to solitary confinement inside our own skins, for life.
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Tennessee Williams
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Nobody sees anybody truly but all through the flaws of their own egos. That is the way we all see ...each other in life. Vanity, fear, desire, competition-- all such distortions within our own egos-- condition our vision of those in relation to us. Add to those distortions to our own egos the corresponding distortions in the egos of others, and you see how cloudy the glass must become through which we look at each other. That's how it is in all living relationships except when there is that rare case of two people who love intensely enough to burn through all those layers of opacity and see each other's naked hearts.
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Tennessee Williams
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Physical beauty is passing - a transitory possession - but beauty of the mind, richness of the spirit, tenderness of the heart - I have all these things - aren't taken away but grow! Increase with the years!
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Tennessee Williams (A Streetcar Named Desire)
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I was in Nashville, Tennessee last year. After the show I went to a Waffle House. I'm not proud of it, I was hungry. And I'm alone, I'm eating and I'm reading a book, right? Waitress walks over to me: 'Hey, whatcha readin' for?' Isn't that the weirdest fuckin' question you've ever heard? Not what am I reading, but what am I reading FOR? Well, goddamnit, ya stumped me! Why do I read? Well . . . hmmm...I dunno...I guess I read for a lot of reasons and the main one is so I don't end up being a fuckin' waffle waitress.
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Bill Hicks
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America has only three cities: New York, San Francisco, and New Orleans. Everywhere else is Cleveland.
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Tennessee Williams
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Teenage girls, please don’t worry about being super popular in high school, or being the best actress in high school, or the best athlete. Not only do people not care about any of that the second you graduate, but when you get older, if you reference your successes in high school too much, it actually makes you look kind of pitiful, like some babbling old Tennessee Williams character with nothing else going on in her current life. What I’ve noticed is that almost no one who was a big star in high school is also big star later in life. For us overlooked kids, it’s so wonderfully fair.
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Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
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Oh, you can't describe someone you're in love with!
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Tennessee Williams (A Streetcar Named Desire)
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Has it ever struck you that life is all memory, except for the one present moment that goes by you so quick you hardly catch it going?
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Tennessee Williams (The Milk Train Doesn't Stop Here Anymore)
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You said, 'They’re harmless dreamers and they’re loved by the people.' 'What,' I asked you, 'is harmless about a dreamer, and what,' I asked you, 'is harmless about the love of the people? Revolution only needs good dreamers who remember their dreams.
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Tennessee Williams
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I didn't go to the moon, I went much furtherβ€”for time is the longest distance between two places
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Tennessee Williams (The Glass Menagerie)
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Every time you come in yelling that God damn "Rise and Shine!" "Rise and Shine!" I say to myself, "How lucky dead people are!
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Tennessee Williams (The Glass Menagerie)
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The scene is memory and is therefore nonrealistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart.
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Tennessee Williams (The Glass Menagerie)
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What is the victory of a cat on a hot tin roof?β€”I wish I knew... Just staying on it, I guess, as long as she can...
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Tennessee Williams (Cat on a Hot Tin Roof)
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Here's why I will be a good person. Because I listen. I cannot talk, so I listen very well. I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. It's like being a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met at a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor's yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story, you, hearing the words "soccer" and "neighbor" in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn't he play for the Cosmos of New York? Did you grow up in New York? And you might reply that, no, you grew up in Brazil on the streets of Tres Coracoes with Pele, and I might say, I thought you were from Tennessee, and you might say not originally, and then go on to outline your genealogy at length. So my initial conversational gambit - that I had a funny story about being chased by my neighbor's dog - would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
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Garth Stein (The Art of Racing in the Rain)
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You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
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Alice Sebold (The Lovely Bones)