Temptation Island Quotes

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The greatest temptations are not those that solicit our consent to obvious sin, but those that offer us great evils masking as the greatest goods.
Thomas Merton (No Man Is an Island)
Yet another temptation goes to the other extreme. With Sartre, it says: “L’enfer, c’est les autres!” (“Other people—that’s hell!”). In that case, love itself becomes the great temptation and the great sin. Because it is an inescapable sin, it is also hell. But this too is only a disguised form of Eros—Eros in solitude. It is the love that is mortally wounded by its own incapacity to love another, and flies from others in order not to have to give itself to them. Even in its solitude this Eros is most tortured by its inescapable need of another, not for the other’s sake but for its own fulfillment!
Thomas Merton (No Man Is an Island)
Next comes the temptation to destroy ourselves for love of the other. The only value is love of the other. Self-sacrifice is an absolute value in itself. And the desire of the other is also absolute in itself. No matter what the lover desires, we will give up our life or even our soul to please him. This is the asceticism of Eros, which makes it a point of honor to follow the beloved even into hell. For what greater sacrifice could man offer on the altar of love than the sacrifice of his own immortal soul? Heroism in this sacrifice is measured precisely by madness: it is all the greater when it is offered for a more trivial motive.
Thomas Merton (No Man Is an Island)
Say five years, I replied; at the end of the time they must be sent down again into the den and compelled to hold any military or other office which young men are qualified to hold: in this way they will get their experience of life, and there will be an opportunity of trying whether, when they are drawn all manner of ways by temptation, they will stand firm or flinch. And how long is this stage of their lives to last? Fifteen years, I answered; and when they have reached fifty years of age, then let those who still survive and have distinguished themselves in every action of their lives and in every branch of knowledge come at last to their consummation: the time has now arrived at which they must raise the eye of the soul to the universal light which lightens all things, and behold the absolute good; for that is the pattern according to which they are to order the State and the lives of individuals, and the remainder of their own lives also; making philosophy their chief pursuit, but, when their turn comes, toiling also at politics and ruling for the public good, not as though they were performing some heroic action, but simply as a matter of duty; and when they have brought up in each generation others like themselves and left them in their place to be governors of the State, then they will depart to the Islands of the Blest and dwell there; and the city will give them public memorials and sacrifices and honour them, if the Pythian oracle consent, as demigods, but if not, as in any case blessed and divine. You
Plato (The Republic)
A situation does not tempt us uniquely of itself, but thanks to the full weight of a past that informs it. It is the search for the past in present situations, the repetition of the past that inspires our most violent passions and temptations. We always love in the past, and passions are first and foremost an illness proper to memory. To cure Saint-Preux and lead him back to virtue, M. de Wolmar uses a method by which he wards off the prestige of the past. He forces Julie and Saint-Preux to embrace in the same grove which witnessed their first moments of love: "Julie, there is no more reason to fear this sanctuary, it has just been profaned." It is Saint-Preux's present interest that he wants to make virtuous: "it's not Julie de Wolmar that he loves, it's Julie d'Etange; he doesn't hate me as the possessor of the woman he loves, but as the seducer of the woman he loved... He loves her in the past; there you have the key to the puzzle: take away his memory, and he will love no more.
Gilles Deleuze (Desert Islands: And Other Texts, 1953-1974)
She shook her head. "It sounds suspiciously like Nirvana." "What's wrong with that?" "Pure Spirit, one hundred percent proof—that's a drink that only the most hardened contemplation guzzlers indulge in. Bodhisattvas dilute their Nirvana with equal parts of love and work." "This is better," Will insisted. "You mean, it's more delicious. That's why it's such an enormous temptation. The only temptation that God could succumb to. The fruit of the ignorance of good and evil. What heavenly lusciousness, what a supermango! God had been stuffing Himself with it for billions of years. Then all of a sudden, up comes Homo sapiens, out pops the knowledge of good and evil. God had to switch to a much less palatable brand of fruit. You've just eaten a slice of the original supermango, so you can sympathize with Him." A chair creaked, there was a rustle of skirts, then a series of small busy sounds that he was unable to interpret. What was she doing? He could have answered that question by simply opening his eyes. But who cared, after all, what she might be doing? Nothing was of any importance except this blazing uprush of bliss and understanding. "Supermango to fruit of knowledge — I'm going to wean you," she said, "by easy stages.
Aldous Huxley
Because he’d talked to her about Catriona Bruce. He must be a lonely man. Living all on his own in that house since his mother died. Suddenly he had company, someone sympathetic, wanting him to talk, listening to him. Perhaps she had her own reasons for encouraging him to speak. She wanted his stories for her film. Perhaps she was just a nice kid who felt sorry for him. And the temptation was too much for him. Perhaps he’d had a whisky or two and that loosened his tongue. Whatever.’ ‘I can see that,’ Perez said. ‘I can even see him killing her afterwards to keep the whole thing quiet. But I can’t see him going into the Ross house, searching her room and finding the disk, finding the script and wiping all trace of it from the PC. I don’t get that.’ They sat looking at each other for a moment in silence. Taylor stretched, shuffled in his chair. He’d told Perez he had a bad back, disc trouble, that was why he couldn’t sit still, but Perez wasn’t convinced. It was the man’s mind that didn’t know how to rest, not his body. ‘So what do we do about it?’ Taylor said. ‘Time’s running out for me. I’ve promised I’ll be back at the end of the week. Any longer than that and they’ll start talking about a disciplinary.’ ‘I’m going to take another trip to the Anderson,’ Perez said. ‘Check she didn’t hand the film in early, give it to a friend to look at. If the film is safe we have to let the whole thing go. Like you said, the note on the back of the receipt incriminates Magnus. It shows he talked to her about Catriona. Euan says there’s no other way she could have known about the girl.’ Taylor stood up, lifting the plan with both hands on his way.
Ann Cleeves (Raven Black (Shetland Island, #1))
The two strangers exchanged surprised glances. “The old language,” said the shimmering dragon, awkwardly and slowly, as if pulling the words from his memory bit by bit. “You do know it!” Clearsight said, hope darting through her veins. “Some little,” he said. “Much old.” He smiled again. The green dragon said something in their own language and nodded at the ocean. The other answered and they spoke for a few moments. If they had been a pair of NightWings, Clearsight would have guessed they were arguing, but their tone was so peaceful that she couldn’t really tell. “The old language” . . . I wonder if their continent and ours had more contact in the past. Maybe we will again in the future. I could teach them all Dragon, especially if some of them already know it. That way if any more Pyrrhians ever come this way, they could communicate. It was hard to imagine other dragons making the journey she’d just made, though. It was so far, and depended on finding those small islands in such a vast sea. But maybe she could help with that. Not soon, though. Not while I feel any temptation to wake Darkstalker. I can’t go back to Pyrrhia until I’ve forgotten him. So, probably never. “Whyer you here down?” the gold-pink dragon asked her. “There’s a really bad storm coming,” she said as clearly as she could. “Very bad.” He spread his wings and looked up, smiling into the raindrops. “See that,” he said with a shrug. “No.” She shook her head. “I see.” She pointed to her head. “I see the future. Tomorrow and tomorrow and the next day. I see all the days. This storm kills many dragons.” She waved her talons at the dripping forest around them. “Rips up many many trees.” Both dragons were frowning now. “Treeharm?” growled the green dragon. “Twigheartlots splinterfall?” “But you can save them,” Clearsight pressed on. The visions were crowding into her head; she was running out of time. She couldn’t be diplomatic and patient any longer. “We have to move everyone. All dragons, far far far inland, as far as they can fly, right now. And wait there until the storm is over.” She turned to the metallic dragon, her talons clasped together. “Please save them.” The moment teetered, two paths waveringly possible. Finally the shimmering dragon nodded. “Move all. We will do.” He said something in their language to the green dragon,
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
My bedroom is separated from the main body of my house so that I have to go outside and cross some pseudo-Japanese stepping stones in order to go to sleep at night. Often I get rained on a little bit on my way to bed. It’s a benediction. A good night kiss. Romantic? Absolutely. And nothing to be ashamed of. If reality is a matter of perspective, then the romantic view of the world is as valid as any other - and a great deal more rewarding. It makes of life and unpredictable adventure rather that a problematic equation. Rain is the natural element for romanticism. A dripping fir is a hundred times more sexy than a sunburnt palm tree, and more primal and contemplative, too. A steady, wind-driven rain composed music for the psyche. It not only nurtures and renews, it consecrates and sanctifies. It whispers in secret languages about the primordial essence of things. Obviously, then, the Pacific Northwest's customary climate is perfect for a writer. It's cozy and intimate. Reducing temptation (how can you possibly play on the beach or work in the yard?), it turns a person inward, connecting them with what Jung called "the bottom below the bottom," those areas of the deep unconscious into which every serious writer must spelunk. Directly above my writing desk there is a skylight. This is the window, rain-drummed and bough-brushed, through which my Muse arrives, bringing with her the rhythms and cadences of cloud and water, not to mention the latest catalog from Victoria's Secret and the twenty-three auxiliary verbs. Oddly enough, not every local author shares my proclivity for precipitation. Unaware of the poetry they're missing, many malign the mist as malevolently as they non-literary heliotropes do. They wring their damp mitts and fret about rot, cursing the prolonged spillage, claiming they're too dejected to write, that their feet itch (athlete's foot), the roof leaks, they can't stop coughing, and they feel as if they're slowly being digested by an oyster. Yet the next sunny day, though it may be weeks away, will trot out such a mountainous array of pagodas, vanilla sundaes, hero chins and god fingers; such a sunset palette of Jell-O, carrot oil, Vegas strip, and Kool-Aid; such a sea-vista display of broad waters, firred islands, whale spouts, and boat sails thicker than triangles in a geometry book, that any and all memories of dankness will fizz and implode in a blaze of bedazzled amnesia. "Paradise!" you'll hear them proclaim as they call United Van Lines to cancel their move to Arizona.
Tom Robbins (Wild Ducks Flying Backward)
Today, such studies are illegal. Medical scientists cannot offer inducements like pardons to persuade prisoners to take part in their studies. Although they can award small cash payments to research subjects, they are forbidden from giving anyone so much money or such tempting favors that their compensations might constitute what ethicists term an inappropriate inducement, an irresistible temptation to join the study. Now, more than eighty years after the 1918 flu, people enter studies for several reasons—to get free medical care, to get an experimental drug that, they hope, might cure them of a disease like cancer or AIDS, or to help further scientific knowledge. In theory at least, study participants are supposed to be true volunteers, taking part in research of their own free will. But in 1918, such ethical arguments were rarely considered. Instead, the justification for a risky study with human beings was that it was better to subject a few to a great danger in order to save the many. Prisoners were thought to be the ideal study subjects. They could offer up their bodies for science and, if they survived, their pardons could be justified because they gave something back to society. The Navy inmates were perfect for another reason. Thirty-nine of them had never had influenza, as far as anyone knew. So they might be uniquely susceptible to the disease. If the doctors wanted to deliberately transmit the 1918 flu, what better subjects? Was influenza really so easily transmitted? the doctors asked. Why did some people get it and others not? Why did it kill the young and healthy? Could the wartime disruptions and movements of troops explain the spread of the flu? If it was as contagious as it seemed, how was it being spread? What kind of microorganism was causing the illness? The normal way to try to answer such questions would be to study the spread of the disease in animals. Give the disease to a few cages of laboratory rats, or perhaps to some white rabbits. Isolate whatever was causing the illness. Show how it spread and test ways to protect animals—and people—against the disease. But influenza, it seemed, was a uniquely human disease. No animal was known to be susceptible to it. Medical researchers felt they had no choice but to study influenza in people. Either the Navy doctors were uncommonly persuasive or the enticement of a pardon was overwhelmingly compelling. For whatever reason, the sixty-two men agreed to be subjects in the medical experiment. And so the study began. First the sailors were transferred to a quarantine station on Gallops Island in Boston Harbor. Then the Navy doctors did their best to give the men the flu. Influenza is a respiratory disease—it is spread from person to person, presumably carried on droplets of mucus sprayed in the air when sick people cough or sneeze, or carried on their hands and spread when the sick touch the healthy. Whatever was causing the flu should be present in mucus taken from the ill. The experiments, then, were straightforward. The Navy doctors collected mucus from men who were desperately ill with the flu, gathering thick viscous secretions from their noses and throats. They sprayed mucus from flu patients into the noses and throats of some men, and dropped it into other men’s eyes. In one attempt, they swabbed mucus from the back of the nose of a man with the flu and then directly swabbed that mucus into the back of a volunteer’s nose.
Gina Kolata (Flu: The Story Of the Great Influenza Pandemic of 1918 and the Search for the Virus That Caused It)
As the Apollo 11 astronauts prepared to land on the moon, the Chambers family was engaged in a rather more prosaic adventure: a two-week visit to Rügen Island in East Germany.
James Runcie (Sidney Chambers and The Dangers of Temptation (The Grantchester Mysteries #5))
A sign placed prominently in the cockpit declared “No Acrobatic Maneuvers Allowed,” as if the pilots daily fought the temptation to pull a barrel roll just for the thrill of it.
Peter Rudiak-Gould (Surviving Paradise: One Year On A Disappearing Island)
My company provides personal guarding services to foreign dignitaries, billionaires, politicians, sports teams, movie and Broadway stars---" "Movie and Broadway stars?" Zara grabbed his tie and yanked him forward until they were almost nose to nose. "Names. Give me names. Who have you guarded? A-list? B-list? Anyone from Hamilton?" Her full attention was on him now and it was hard not to get pulled into the depths of her liquid brown eyes. "Our client list is confidential." "Did you work for Lin-Manuel Miranda?" She tipped her head back and gave the kind of groan he'd only ever heard from a woman between the sheets. "What was he like? Tell me. No. Don't tell me. We're in public and I can't be responsible for what might happen if you do." His mouth opened but no words came out. He'd convinced himself there was no chemistry between them. But now, with her face only inches away, he was almost overwhelmed with the desire to taste the curve of her lips. "C'mon, Jay." She leaned close, the gold flecks in her eyes sparkling, her voice a husky purr that he felt as a throb in his groin. Had he ever met a woman with eyelashes so long? He could swear that every time she blinked, they swept over her cheeks. "Just one name," she pleaded. "One itty-bitty little name for me to fantasize about when I'm alone in bed tonight." She ran her tongue over her bottom lip, slow and sensual. "Or even better, an introduction. I'll make it worth your while." Jay swallowed hard, loosened his collar. Need, tightly controlled, began to unravel. He knew he shouldn't ask, but the words came out just the same. "What do you mean worth my while?" "What do you want, Jay?" Her breath whispered against his cheek. "What is your greatest desire? World domination? Ten glamor models in a limo? Your own island? An endless supply of samosas? Six blue silk ties? A perfectly balanced set of accounts? A night of hot sex, no strings attached...?
Sara Desai (The Singles Table (Marriage Game, #3))
There was nothing either of you could’ve done to prevent an accident. That’s what it was. An accident. And by their very definition, accidents are things that shouldn’t have happened. I’m not sure if you believe in fate or higher powers or anything like that, but I do. I believe there’s a grand plan for all of us, and we’re just along for the ride. Believing that helps me to understand there was nothing I could’ve done to save my family.” “I
Marie Force (Temptation After Dark (Gansett Island, #22))
Make no mistake: that was no apple. It is high time someone corrected this gross misunderstanding. Adam and Eve yielded to the allure of a fig, the fruit of temptation, desire and passion, not some crunchy apple.
Elif Shafak (The Island of Missing Trees)
Wrong. Whatever you think, whatever you do, their darkness is waiting to take hold of you. It was a woman who caused the end of paradise. It was women of the old world who turned good men to sin. It was women who refused God and rejected motherhood and turned the world upside down. This paradise here relies on you. One wrong step and all this is gone. The Seawomen were born in darkness, a mutation of everything wrong in this world, female creatures who rejected God and found a way to shun men. They crave your sin. They feed on it. They want you to turn your back on God and use you to help destroy this island. Listen to temptation and you condemn us all. You, your mothers, your fathers. All of us, damned to the abyss.
Chloe Timms (The Seawomen)
What Odysseus’s refusal contains in a nutshell is a definition of the life well lived—from which we begin to glimpse the philosophical dimension of the myth. Following Odysseus, we must learn to prefer a condition of mortality in accord with cosmic dispensation, as against an immortal life doomed to what the Greeks termed hybris (pronounced “hubris”): the immoderation that estranges us from reconciliation to, and acceptance of, the world as it is. We must live in a state of lucidity, accepting death, accepting what we are and what is beyond us, in step with our people and with the universe. This is worth far more than immortality in a vacuum, denuded of meaning, however paradisal—with a woman we do not love, however perfect she may be, far from our own kind and from our hearth, in an isolation symbolized not only by Calypso’s island itself, but also by the temptations of deification and eternity that estrange us in equal measure from what we are and from what surrounds us. . . . It is an inestimable lesson in wisdom for a secular age such as ours today—a lesson that breaks step with the logic of monotheisms past and future, and that philosophy will translate into the language of reason, with its doctrines of salvation without a God, and of the good life for ordinary mortals such as we are.
Luc Ferry (The Wisdom of the Myths: How Greek Mythology Can Change Your Life (Learning to Live))
but
Anya Merchant (Temptation Island: The Complete Collection (Taboo Erotica))
A strange island, the ghetto, a tiny universe without roots, to the measure of its inhabitants, as remote from the life of the soil as angels or ghosts.
Emil M. Cioran (The Temptation to Exist)
Books are my safety blanket to hide under when life gets too much and I need to run from the real world, I read.
Rachael Stewart (Billionaire's Island Temptation (Billionaires for the Rose Sisters, #1))