Temple Date With Love Quotes

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I want you to tell me about every person you’ve ever been in love with. Tell me why you loved them, then tell me why they loved you. Tell me about a day in your life you didn’t think you’d live through. Tell me what the word home means to you and tell me in a way that I’ll know your mother’s name just by the way you describe your bedroom when you were eight. See, I want to know the first time you felt the weight of hate, and if that day still trembles beneath your bones. Do you prefer to play in puddles of rain or bounce in the bellies of snow? And if you were to build a snowman, would you rip two branches from a tree to build your snowman arms or would leave your snowman armless for the sake of being harmless to the tree? And if you would, would you notice how that tree weeps for you because your snowman has no arms to hug you every time you kiss him on the cheek? Do you kiss your friends on the cheek? Do you sleep beside them when they’re sad even if it makes your lover mad? Do you think that anger is a sincere emotion or just the timid motion of a fragile heart trying to beat away its pain? See, I wanna know what you think of your first name, and if you often lie awake at night and imagine your mother’s joy when she spoke it for the very first time. I want you to tell me all the ways you’ve been unkind. Tell me all the ways you’ve been cruel. Tell me, knowing I often picture Gandhi at ten years old beating up little boys at school. If you were walking by a chemical plant where smokestacks were filling the sky with dark black clouds would you holler “Poison! Poison! Poison!” really loud or would you whisper “That cloud looks like a fish, and that cloud looks like a fairy!” Do you believe that Mary was really a virgin? Do you believe that Moses really parted the sea? And if you don’t believe in miracles, tell me — how would you explain the miracle of my life to me? See, I wanna know if you believe in any god or if you believe in many gods or better yet what gods believe in you. And for all the times that you’ve knelt before the temple of yourself, have the prayers you asked come true? And if they didn’t, did you feel denied? And if you felt denied, denied by who? I wanna know what you see when you look in the mirror on a day you’re feeling good. I wanna know what you see when you look in the mirror on a day you’re feeling bad. I wanna know the first person who taught you your beauty could ever be reflected on a lousy piece of glass. If you ever reach enlightenment will you remember how to laugh? Have you ever been a song? Would you think less of me if I told you I’ve lived my entire life a little off-key? And I’m not nearly as smart as my poetry I just plagiarize the thoughts of the people around me who have learned the wisdom of silence. Do you believe that concrete perpetuates violence? And if you do — I want you to tell me of a meadow where my skateboard will soar. See, I wanna know more than what you do for a living. I wanna know how much of your life you spend just giving, and if you love yourself enough to also receive sometimes. I wanna know if you bleed sometimes from other people’s wounds, and if you dream sometimes that this life is just a balloon — that if you wanted to, you could pop, but you never would ‘cause you’d never want it to stop. If a tree fell in the forest and you were the only one there to hear — if its fall to the ground didn’t make a sound, would you panic in fear that you didn’t exist, or would you bask in the bliss of your nothingness? And lastly, let me ask you this: If you and I went for a walk and the entire walk, we didn’t talk — do you think eventually, we’d… kiss? No, wait. That’s asking too much — after all, this is only our first date.
Andrea Gibson
It's strange, the importance we assign to handling things our loved ones have touched, or to revisiting historic scenes, of epic battles or first dates. To sleeping in Lizzie Borden's bedroom. These are attempts at folding time, at pinning one piece of fabric to another. But time doesn't work that way, you know. That's why you feel so empty afterward.
Emily Temple (The Lightness)
There was never a threat of things going too far when we were fake. But I see now how fast things can change without you even realizing it. It can go from a kiss to hands under my shirt in two seconds, and it’s so feverish, so frenzied. It’s like we’re on a high-speed train that’s going somewhere fast, and I like it, I do, but I also like a slow train where I can look out the window and appreciate the countryside, the buildings, the mountains. It’s like I don’t want to miss the little steps; I want it to last. And then the next second I want to grow up faster, more, now. To be as ready as everyone else is. How is everyone else so ready? I still find it very surprising, having a boy in my personal space. I still get nervous when he puts his arm around my waist or reaches for my hand. I don’t think I know how to date in the 2010s. I’m confused by it. I don’t want what Margot and Josh had, or Peter and Genevieve. I want something different. I guess you could call me a late bloomer, but that implies that we’re all on some predetermined blooming schedule, that there’s a right or a wrong way to be sixteen and in love with a boy. My body is a temple not just any boy gets to worship at. I won’t do any more than I want to do.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Young sisters, be modest. Modesty in dress and language and deportment is a true mark of refinement and a hallmark of a virtuous Latter-day Saint woman. Shun the low and the vulgar and the suggestive. . . . Don’t see R-rated movies or vulgar videos or participate in any entertainment that is immoral, suggestive, or pornographic. And don’t accept dates from young men who would take you to such entertainment. . . . Also, don’t listen to music that is degrading. . . . Instead, we encourage you to listen to uplifting music, both popular and classical, that builds the spirit. Learn some favorite hymns from our new hymnbook that build faith and spirituality. Attend dances where the music and the lighting and the dance movements are conducive to the Spirit. Watch those shows and entertainment that lift the spirit and promote clean thoughts and actions. Read books and magazines that do the same. Remember, young women, the importance of proper dating. President Kimball gave some wise counsel on this subject: “Clearly, right marriage begins with right dating. . . . Therefore, this warning comes with great emphasis. Do not take the chance of dating nonmembers, or members who are untrained and faithless. A girl may say, ‘Oh, I do not intend to marry this person. It is just a “fun” date.’ But one cannot afford to take a chance on falling in love with someone who may never accept the gospel” (The Miracle of Forgiveness, pp. 241–42). Our Heavenly Father wants you to date young men who are faithful members of the Church, who will be worthy to take you to the temple and be married the Lord’s way. There will be a new spirit in Zion when the young women will say to their boyfriends, “If you cannot get a temple recommend, then I am not about to tie my life to you, even for mortality!” And the young returned missionary will say to his girlfriend, “I am sorry, but as much as I love you, I will not marry out of the holy temple.
Ezra Taft Benson
The title of this work in Hebrew begins with “The Song of Songs,” which means “the best song” or “the sublime song.”  The title continues with “The Song of Songs, which is ‘to/of’ Solomon” that produces the English title “Song of Solomon.”  The Hebrew of the book, much like the Psalms and the book of Job, does not allow for precise dating (Murphy, 1992, 150).  The book is a collection of Hebrew love songs and Solomon’s many wives, and the mention of his name in the book accounts for his association with this book. 
Charles River Editors (King Solomon and the Temple of Solomon: The History of the Jewish King and His Temple)
The Parthenon was 228 feet long by 101 broad, and 64 feet high; the porticoes at each end had a double row of eight columns; the sculptures in the pediments were in full relief, representing in the eastern the Birth of Athene, and in the western the Struggle between that goddess and Poseidon, whilst those on the metopes, some of which are supposed to be from the hand of Alcamenes, the contemporary and rival of Phidias, rendered scenes from battles between the Gods and Giants, the Greeks and the Amazons, and the Centaurs and Lapithæ. Of somewhat later date than the Parthenon and resembling it in general style, though it is very considerably smaller, is the Theseum or Temple of Theseus on the plain on the north-west of the Acropolis, and at Bassæ in Arcadia is a Doric building, dedicated to Apollo Epicurius and designed by Ictinus, that has the peculiarity of facing north and south instead of, as was usual, east and west. Scarcely less beautiful than the Parthenon itself is the grand triple portico known as the Propylæa that gives access to it on the western side. It was designed about 430 by Mnesicles, and in it the Doric and Ionic styles are admirably combined, whilst in the Erectheum, sacred to the memory of Erechtheus, a hero of Attica, the Ionic order is seen at its best, so delicate is the carving of the capitals of its columns. It has moreover the rare and distinctive feature of what is known as a caryatid porch, that is to say, one in which the entablature is upheld by caryatides or statues representing female figures. Other good examples of the Ionic style are the small Temple of Niké Apteros, or the Wingless Victory, situated not far from the Propylæa and the Parthenon of Athens, the more important Temple of Apollo at Branchidæ near Miletus, originally of most imposing dimensions, and that of Artemis at Ephesus, of which however only a few fragments remain in situ. Of the sacred buildings of Greece in which the Corinthian order was employed there exist, with the exception of the Temple of Jupiter at Athens already referred to, but a few scattered remains, such as the columns from Epidaurus now in the Athens Museum, that formed part of a circlet of Corinthian pillars within a Doric colonnade. In the Temple of Athena Alea at Tegea, designed by Scopas in 394, however, the transition from the Ionic to the Corinthian style is very clearly illustrated, and in the circular Monument of Lysicrates, erected in 334 B.C. to commemorate the triumph of that hero's troop in the choric dances in honour of Dionysos, and the Tower of the Winds, both at Athens, the Corinthian style is seen at its best. In addition to the temples described above, some remains of tombs, notably that of the huge Mausoleum at Halicarnassus in memory of King Mausolus, who died in 353 B.C., and several theatres, including that of Dionysos at Athens, with a well-preserved one of larger size at Epidaurus, bear witness to the general prevalence of Doric features in funereal monuments and secular buildings, but of the palaces and humbler dwelling-houses in the three Greek styles, of which there must have been many fine examples, no trace remains. There is however no doubt that the Corinthian style was very constantly employed after the power of the great republics had been broken, and the Oriental taste for lavish decoration replaced the love for austere simplicity of the virile people of Greece and its dependencies. CHAPTER III
Nancy R.E. Meugens Bell (Architecture)
reaches for her purse, but I stretch out and catch her hand in mine. “Please don’t go,” I say. “Please.” She nods, biting her lower lip between her teeth. “Okay,” she breathes. She sits down beside me and fidgets. I lean over and place Kit in her arms and then press a kiss to her temple. “Let me love you,” I say softly. Then I sit back and I watch her as she arranges Kit in her lap so that she can look into the baby’s face. Silence sinks over the room like a wet, heavy blanket. “He was perfect,” she says quietly. “He looked like me. He had dark-blue eyes and freckles and he wasn’t but a minute old. Then I never got to see him again. Not close up. They took him from me, and I didn’t even get to hold him.” “Where is he now?” My throat clogs so tight with emotion that I have to cough past it. “He’s with a wonderful family that adopted him when he was a day old.” She finally looks up at me, and her eyes shimmer with tears. One drops down her cheek, and she doesn’t brush it away. “They send me pictures every six months. He’s beautiful. He plays baseball, and he loves trains.” “We all do what we have to do to survive,” I say. She snorts. I pass her a tissue because it almost comes out like a sob. “I was fifteen and completely alone.” She unwraps Kit and counts her toes and fingers. “She’s going to play guitar like her mom,” she says. “Look at these fingers.” Kit grips Friday’s finger in her sleep, and Friday wraps her back up. I don’t say anything because I don’t think she wants me to. “His name is Jacob,” she says. She smiles. “I have his footprints and his date of birth on my inner thigh. Pete did it for me.” Fucking Pete. He knew all this time and didn’t tell me. “Little fucker,” I grumble. “Pete knows the value of a well-placed secret.” I’m glad she had someone to tell her secrets to. I hope someday, it’ll be me. “I treasure your secrets. I’ll hold them close to my heart and keep them between us and only us, always.” She smiles. “I know.” She takes a deep breath, and I feel like she’s just relieved some of her burden. “You’ve never seen him?” “No. I’m allowed to. It was an open adoption. But I never have.” “Why not?” “I’m afraid that if I ever get my hands on him I won’t be able to let him go.” Her voice breaks again. “Or worse—what if I see him and he hates me? I wouldn’t be able to stand myself. It’s hard enough knowing that he doesn’t know who I am. If he hates me, too, I won’t be able to take it.” “Thank you for telling me,” I say softly.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
Friday reaches for her purse, but I stretch out and catch her hand in mine. “Please don’t go,” I say. “Please.” She nods, biting her lower lip between her teeth. “Okay,” she breathes. She sits down beside me and fidgets. I lean over and place Kit in her arms and then press a kiss to her temple. “Let me love you,” I say softly. Then I sit back and I watch her as she arranges Kit in her lap so that she can look into the baby’s face. Silence sinks over the room like a wet, heavy blanket. “He was perfect,” she says quietly. “He looked like me. He had dark-blue eyes and freckles and he wasn’t but a minute old. Then I never got to see him again. Not close up. They took him from me, and I didn’t even get to hold him.” “Where is he now?” My throat clogs so tight with emotion that I have to cough past it. “He’s with a wonderful family that adopted him when he was a day old.” She finally looks up at me, and her eyes shimmer with tears. One drops down her cheek, and she doesn’t brush it away. “They send me pictures every six months. He’s beautiful. He plays baseball, and he loves trains.” “We all do what we have to do to survive,” I say. She snorts. I pass her a tissue because it almost comes out like a sob. “I was fifteen and completely alone.” She unwraps Kit and counts her toes and fingers. “She’s going to play guitar like her mom,” she says. “Look at these fingers.” Kit grips Friday’s finger in her sleep, and Friday wraps her back up. I don’t say anything because I don’t think she wants me to. “His name is Jacob,” she says. She smiles. “I have his footprints and his date of birth on my inner thigh. Pete did it for me.” Fucking Pete. He knew all this time and didn’t tell me. “Little fucker,” I grumble. “Pete knows the value of a well-placed secret.” I’m glad she had someone to tell her secrets to. I hope someday, it’ll be me. “I treasure your secrets. I’ll hold them close to my heart and keep them between us and only us, always.” She smiles. “I know.” She takes a deep breath, and I feel like she’s just relieved some of her burden. “You’ve never seen him?” “No. I’m allowed to. It was an open adoption. But I never have.” “Why not?” “I’m afraid that if I ever get my hands on him I won’t be able to let him go.” Her voice breaks again. “Or worse—what if I see him and he hates me? I wouldn’t be able to stand myself. It’s hard enough knowing that he doesn’t know who I am. If he hates me, too, I won’t be able to take it.” “Thank you for telling me,” I say softly.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
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DOLDENWOOD
- Welcome to the 21st Century: Where SEX is FREE & LOVE is EXPENSIVE, where LOSING phone is more PAINFUL than LOSING your VIRGINITY, where MODERNIZATION means NUDITY, where if you don't SMOKE or DRINK you are out of FASHION, where if you don't CHEAT so you are not SMART, where the BATHROOMS have become PHOTO STUDIOS, where TEMPLES become DATING POINTS, where doing WORSHIP TO GOD is DIFFICULT, where LIES become REALITIES, where the WOMEN fear PREGNANCY more than STD's , where a PIZZA DELIVERY is FASTER than EMERGENCY RESPONSE. PERSPECTIVES & DRIP DECIDE the value of person, where the BOYS/GIRLS are AFRAID of MARRIAGE but they love HAVING SEX, where KILLING HUMAN is a PLEASURE,where INSULTING THE GOD becomes the TRENDS of the era, where REVILING is a COURAGE where whoever PLAYS the MINDS always get happiness but whoever PLAYS the HEART gets HURT ,.... MODERNITY LOVE and LIQUID EDUCATION !!!
Ali Al-Ameedee
We window-shopped along Court Street, the closest thing Brooklyn has to Manhattan, perusing the indie clothing boutiques, bookstores, and Italian bakeries, and stopped at Frankies 457 Spuntino, a casual Italian restaurant that every young Brooklynite loves, to pound fresh ricotta, gnocchi, and meatballs. Afterward, I dragged us ten blocks out of the way to hit up Sugar Shop, a modern-retro candy store I loved, to load up on malt balls and gummies. We strolled the magnificent blocks of Victorian homes and green lawns in Ditmas Park, as if suddenly transported from the city's whirl to a faraway college town, perusing the rhubarb, Bibb lettuces, and buckets of fresh clams at the farmers' market, before demolishing fried egg sandwiches on ciabatta at the Farm on Adderly, one of the boroughs now-prolific farm-to-table restaurants. We shared pizza at Franny's: one red, one white, both pockmarked with giant charred blisters from the exceedingly hot brick oven. In a borough known for its temples of pizza worship, before it closed in the summer of 2017, Franny's was right up there, owing to the perfect flavors oozing from each simple ingredient, from the milky mozzarella to the salty-sweet tomato sauce to the briny black olives.
Amy Thomas (Brooklyn in Love: A Delicious Memoir of Food, Family, and Finding Yourself)
Basically each religion has certain practices that form the essence of vedic dharma. Yegyes, literally meaning ‘to offer’, forms the backbone of the vedic absolute knowledge. Traditionally, a ritualistic fire ceremony in which various herbs, clarified butter (ghee), specific wood, etc. are offered to the fire with predetermined mantras (charged with vibrations) chanted by predetermined people (priests, host, pandits etc.) with a resolve or sankalpa, a Yegyes has far-reaching effects that encompass physical, soul, social, spiritual and ecological spheres, causing purification at all these levels. A devout householder is supposed to perform five Yegyes on daily basis> 1. Brahma Egyes = Daily jap, daily meditation, daily yoga, offering into the interior fires of prana, mind, intellect and consciousness 2. Deva-Egyes = Worship offering to the Divinities, God, the Sun, Devi and Devtas through fire in the Vedic times, through watering and Pooja, flowers, fruits rituals. 3. Pitr-Egyes = Offerings to ancestors, manes, and daily worshipful service to one’s living parents and elders 4. Atithi-Egyes = Worship offering to guests the word Atithi means one who comes without making a date hospitality is not a social act but a worship. 5. Offering-Egyes = offering to God, Goddess, Devi, Devtas and Bhagawan, beings, spreading knowledge putting aside the first food for the wandering cows or other animals as well as putting aside daily before cooking similarly like some uncooked rice, daal, grain, flour, for giving away to the temple, church, gumba, gurudwar, priest, monk, beggar or orphanage nowadays. The philosophy of Egyes, which essentially is: make yourself into a worshipful offering and pour yourself into the divine fire of knowledge, the immortal soul of knowledge. The fire offering you witnessed is an embodiment of all this teaching and the participants are actually very conscious of it.
Shreeom Surye shiva devkota
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