“
Something was wrong with Luke," Annabeth muttered, poking at the fire with her knife. "Did you notice the way he was acting?"
"He looked pretty pleased to me," I said. "Like he'd spent a nice day torturing heroes."
"That's not true! There was something wrong with him. He looked...nervous. He told his monsters to spare me. He wanted to tell me something."
"Probably, 'Hi, Annabeth! Sit here with me and watch while I tear your friends apart. It'll be fun!
”
”
Rick Riordan
“
Admit it. You aren’t like them. You’re not even close. You may occasionally dress yourself up as one of them, watch the same mindless television shows as they do, maybe even eat the same fast food sometimes. But it seems that the more you try to fit in, the more you feel like an outsider, watching the “normal people” as they go about their automatic existences. For every time you say club passwords like “Have a nice day” and “Weather’s awful today, eh?”, you yearn inside to say forbidden things like “Tell me something that makes you cry” or “What do you think deja vu is for?”. Face it, you even want to talk to that girl in the elevator. But what if that girl in the elevator (and the balding man who walks past your cubicle at work) are thinking the same thing? Who knows what you might learn from taking a chance on conversation with a stranger? Everyone carries a piece of the puzzle. Nobody comes into your life by mere coincidence. Trust your instincts. Do the unexpected. Find the others…
”
”
Timothy Leary
“
He thinks we’re what we look like on the outside: nice Southern ladies. Let me tell you something…there’s nothing nice about Southern ladies.
”
”
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
“
It's just nice, I guess. Knowing that someone else can put into words what I feel. That there are people who have been through things worse than I have, and they come out on the other side okay. Not only that, but they made some kind of twisted, fucked-up sense of the completely senseless. They made it mean something. These songs tell me I'm not alone. If you look at it at that way, music... music can see you through anything.
”
”
Hannah Harrington (Saving June)
“
My mom always tells me that if I feel like punching someone, first I have to say something nice to them. Out loud. If I still feel like punching them, they probably deserve it.
”
”
Kasie West (Split Second (Pivot Point, #2))
“
If you see Myrnin, tell him I said I want my slow cooker back."
"Your- You let him borrow something you put food in?"
Hannah's smile disappeared. "Why?"
"Um, never mind. I'll make sure it gets disinfected before you get it back. But don't lend anything to him again unless you can put it in some kind of sterilizer." That made even Hannah look nervous. "Thanks. Tell crazy boy I said hey." "I will" Claire promised. "Hey, if you don't mind me asking - when did he borrow it from you?"
"He just showed up at my door one night about a week ago, said, 'Hi, nice to meet you. Can I borrow your Crock-Pot?' Which I understand is pretty typical Myrnin.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
I learned early that crying out in protest could accomplish things. My older brothers and sister had started to school when, sometimes, they would come in and ask for a buttered biscuit or something and my mother, impatiently, would tell them no. But I would cry out and make a fuss until I got what I wanted. I remember well how my mother asked me why I couldn't be a nice boy like Wilfred; but I would think to myself that Wilfred, for being so nice and quiet, often stayed hungry. So early in life, I had learned that if you want something, you had better make some noise.
”
”
Malcolm X (The Autobiography of Malcolm X)
“
Because I always feel like running
Not away, because there is no such place
Because if there was, I would have found it by now
Because it's easier to run,
Easier than staying and finding out you're the only one who didn't run
Because running will be the way your life and mine will be described,
As in "the long run"
Or as in having "given someone a run for his money"
Or as in "running out of time"
Because running makes me look like everyone else, though I hope there will never be cause for that
Because I will be running in the other direction, not running for cover
Because if I knew where cover was, I would stay there and never have to run for it
Not running for my life, because I have to be running for something of more value to be running and not in fear
Because the thing I fear cannot be escaped, eluded, avoided, hidden from, protected from, gotten away from,
Not without showing the fear as I see it now
Because closer, clearer, no sir, nearer
Because of you and because of that nice
That you quietly, quickly be causing
And because you're going to see me run soon and because you're going to know why I'm running then
You'll know then
Because I'm not going to tell you now
”
”
Gil Scott-Heron (Now and Then...)
“
I'm just scared this may be a setup for me being the butt of a so-called joke, like, um, how I may look like a wrinkly dog with wings but I have a nice personality or something."
...
"Oh, don't worry. You're safe," he says in a reassuring voice. "I'd never tell you that you have a nice personality.
”
”
Susan Ee (World After (Penryn & the End of Days, #2))
“
He winks at me.
Then, before Calliope can cheer my statement, or tell him to go, he says, "Lily has no sense of fashion."
"Hey," I cry. "You're supposed to say something nice.
”
”
Tera Lynn Childs (Forgive My Fins (Fins, #1))
“
Let me explain something to you. When you’ve made a woman mad by spying on her, you don’t fix it by telling her she has a nice backside. That’ll just get you bitch-slapped. (Jesse)
”
”
Sherrilyn Kenyon (Dream Chaser (Dark-Hunter, #13; Dream-Hunter, #3))
“
Sam tapped her hand on the steering wheel. Patrick held his hand outside the car and made air waves. I just sat between them. After the song finished, I said something.
'I feel infinite.'
And Sam and Patrick looked at me like I said the greatest thing they ever heard. Because the song was that great and because we all really paid attention to it. Five minutes of a lifetime were truly spent, and we felt young in a good way. I have since bought the record, and I would tell you what it was, but truthfully, it's not the same unless you're driving to your first real party, and you're sitting in the middle seat of a pickup with two nice people when it starts to rain.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
It's the best kind of devastating there is. He took his pain and he turned it into something beautiful. Into something that people connect to. And that's what good music does. It speaks to you. It changes you. What I'm trying to say is, it's just nice, I guess, knowing that someone else can put into words what I feel. That there are people who have been through things worse than I have, and they came out on the other side okay. Not only that, but they have made some kind of twisted, effed up sense of the completely senseless. They made it mean something. These songs tell me I'm not alone. If you look at it that way, music...music can see you through anything.
”
”
Hannah Harrington (Saving June)
“
Next time you have to hand something in, just tell me. I can proofread it or whatever." I nod, but I know I won't. If he's being nice enough to offer, I should be nice enough to never do it.
”
”
Robin Roe (A List of Cages)
“
Who had left a balloon?
“I brought your mom the balloon yesterday,” Jared admitted as if reading my mind.
“Why?” My voice shook. It was nice of him to do something like that.
“Because chicks like pink stuff.” He shrugged his shoulders and made light of his gesture. He didn’t want attention. He never did.
“Jared,” I scolded, waiting for a real answer.
He smiled to himself. “Because she made you.” And he wrapped his skinny arm around my neck and yanked me into his side. “You’re the best friend I’ve ever had, and I wanted to tell her ‘thank you.
”
”
Penelope Douglas (Bully (Fall Away, #1))
“
Dru Anderson: Thanks.
Graves: No problem. First one’s free. Look, you really can’t go home? What happened.
Dru Anderson: You wouldn’t believe me if I told you.
Graves: Try me.
Dru Anderson: I just can’t go home, not until tomorrow.
Graves:Do you need a place to sleep?
Dru Anderson: I’ll find somewhere.
Graves: I know a place.
Dru Anderson: Why is it there’s always a guy who thinks he can get something out of the new girl? Every goddamn town, it’s the same thing. Some guy thinks he’s God’s gift to the displaced.
Graves: I just asked if you wanted a place to sleep, Jesus.
Dru Anderson: Sorry.
Graves: No problem. So, I’ll take you someplace you can sleep tonight. Someplace safe. Okay?
Dru Anderson: How much?
Graves: I keep telling you, first one’s free. You want to play some air hockey? Good way to get your mind off stuff.
Dru Anderson: Sure.
Graves: Cool. You finished?
Dru Anderson: Yeah, I guess. Graves?
Graves: Huh?
Dru Anderson: Thanks. Nice gloves.
Graves: Hey, you know. Chicks dig guys in gloves.
”
”
Lilith Saintcrow (Strange Angels (Strange Angels, #1))
“
Do you have your own room, Charlie Brown?"
"Oh, yes... I have a very nice room."
"I hope you realize that you won't always have your own room... Someday you'll get drafted or something, and you'll have to leave your room forever!"
"Why do you tell me things like that?"
"It's on a list I've made up for you... I call it, Things You Might As Well Know!
”
”
Charles M. Schulz (The Complete Peanuts, 1969–1970 (The Complete Peanuts, #10))
“
Now, before I extend this metaphor, let me make a distinction between career and creativity. Creativity is connected to your passion, that light inside you that drives you. That joy that comes when you do something you love. That small voice that tells you, “I like this. Do this again. You are good at it. Keep going.” That is the juicy stuff that lubricates our lives and helps us feel less alone in the world. Your creativity is not a bad boyfriend. It is a really warm older Hispanic lady who has a beautiful laugh and loves to hug. If you are even a little bit nice to her she will make you feel great and maybe cook you delicious food.
”
”
Amy Poehler (Yes Please)
“
want to spend forever with my favorite human. The person who cracks me up and gets me and likes the way I think. Romance is nice, but I want to be with the one person where if something happens to me—funny, awful, wonderful—I’m dying to tell them.
”
”
Lynn Painter (The Love Wager (Mr. Wrong Number, #2))
“
Please tell me you aren’t one of those people who subscribes to the ‘say something nice or stay silent’ philosophy.
”
”
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
“
I’m just scared this may be a setup for me being the
butt of a so-called joke, like, um, how I may look like a
wrinkly dog with wings but I have a nice personality or
something.” I look up at the ceiling as I think about it.
“Okay, that didn’t come out funny at all, so it would have
been a really bad joke.”
“Oh, don’t worry. You’re safe,” he says in a
reassuring voice. “I’d never tell you that you have a nice
personality.
”
”
Susan Ee (World After (Penryn & the End of Days, #2))
“
ROTHKO: (Explodes) 'Pretty.' 'Beautiful.' 'Nice.' 'Fine.' That's our life now! Everything's 'fine'. We put on the funny nose and glasses and slip on the banana peel and the TV makes everything happy and everyone's laughing all the time, it's all so goddamn funny, it's our constitutional right to be amused all the time, isn't it? We're a smirking nation, living under the tyranny of 'fine.' How are you? Fine.. How was your day? Fine. How are you feeling? Fine. How did you like the painting? Fine. What some dinner? Fine... Well, let me tell you, everything is not fine!!
HOW ARE YOU?!... HOW WAS YOUR DAY?!... HOW ARE YOU FEELING? Conflicted. Nuanced. Troubled. Diseased. Doomed. I am not fine. We are not fine. We are anything but fine... Look at these pictures. Look at them! You see the dark rectangle, like a doorway, an aperture, yes but it’s also a gaping mouth letting out a silent howl of something feral and foul and primal and REAL. Not nice. Not fine. Real. A moan of rapture. Something divine or damned. Something immortal, not comic books or soup cans, something beyond me and beyond now. And whatever it is, it’s not pretty and it’s not fine...I AM HERE TO STOP YOUR HEART
”
”
John Logan (Red (Oberon Modern Plays))
“
I have a right to my anger, and I don't want anybody telling me I shouldn't be, that it's not nice to be, and that something's wrong with me because I get angry.
”
”
Maxine Waters
“
Shall I tell you a story? A new and terrible one? A ghost story?"
The voice, a faint echo in the cave, belongs to Felicity. She turns around on the rock, faces us, wraps her arms across bent knees, hugging them close. "Are you ready? Shall I begin? Once upon a time there were four girls. One was pretty. One was clever. One charming, and one..." She glances at me. "One was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood. Big dreams. Oh, I left that part out. Sorry, that should have come before. They were all dreamers, these girls."
Felicity...," I start, because it's her and not the story that's beginning to frighten me.
You wanted a story, and I'm going to give you one." Lightning shoots across the cave walls, bathing half her face in light, the other in shadows. "One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? Pippa? Ann?"
Felicity." Pippa sounds anxious. "Let's go back and have a nice cup of tea. It's too cold out here."
Felicity's voice expands, fills the space around us, a bell tolling. "Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were--damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn't true. This is a ghost story, remember? A tragedy."
The lightning's back, a big one, two, three of light that lets me see Felicity's face, slick with tears, nose running. "They were mislead. Betrayed by their own stupid hopes. Things couldn't be different for them, because they weren't special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. What can't be.
”
”
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
“
I hate it when people tell me how I am doing. Why are you here I aasked. Nice to see you too he smiled. I brought you something. He handed me the small stuffed koala. I thought it might keep you company. Thanks I said embarrassed. I can't wait to introduce him to all my other stuffed animals at home.
”
”
Obert Skye (Choke (Pillage, #2))
“
what we look like on the outside: nice Southern ladies. Let me tell you something…there’s nothing nice about Southern ladies.
”
”
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
“
October 17, 1946
D’Arline,
I adore you, sweetheart.
I know how much you like to hear that — but I don't only write it because you like it — I write it because it makes me warm all over inside to write it to you.
It is such a terribly long time since I last wrote to you — almost two years but I know you'll excuse me because you understand how I am, stubborn and realistic; and I thought there was no sense to writing.
But now I know my darling wife that it is right to do what I have delayed in doing, and that I have done so much in the past. I want to tell you I love you. I want to love you. I always will love you.
I find it hard to understand in my mind what it means to love you after you are dead — but I still want to comfort and take care of you — and I want you to love me and care for me. I want to have problems to discuss with you — I want to do little projects with you. I never thought until just now that we can do that. What should we do. We started to learn to make clothes together — or learn Chinese — or getting a movie projector. Can't I do something now? No. I am alone without you and you were the "idea-woman" and general instigator of all our wild adventures.
When you were sick you worried because you could not give me something that you wanted to and thought I needed. You needn’t have worried. Just as I told you then there was no real need because I loved you in so many ways so much. And now it is clearly even more true — you can give me nothing now yet I love you so that you stand in my way of loving anyone else — but I want you to stand there. You, dead, are so much better than anyone else alive.
I know you will assure me that I am foolish and that you want me to have full happiness and don't want to be in my way. I'll bet you are surprised that I don't even have a girlfriend (except you, sweetheart) after two years. But you can't help it, darling, nor can I — I don't understand it, for I have met many girls and very nice ones and I don't want to remain alone — but in two or three meetings they all seem ashes. You only are left to me. You are real.
My darling wife, I do adore you.
I love my wife. My wife is dead.
Rich.
PS Please excuse my not mailing this — but I don't know your new address.
”
”
Richard P. Feynman
“
You did listen." He sat back, nodding his head. "Okay, then. Now tell me what you really thought."
"I told you. It was interesting."
"Interesting," he said, "is not a word."
"Since when?"
"It's a placeholder. Something you use when you don't want to say something else." He leaned a little closer to me. "Look, if you're worried about my feelings, don't be. You can say whatever you want. I won't be offended."
"I did. I liked it."
"Tell the truth. Say something. Anything. Just spit it out."
"I—" I began, then stopped myself. Maybe it was the fact that he was so clearly on to me. Or my sudden awareness of how rarely I was honest. Either way, I broke. "I… I didn't like it," I said.
He slapped his leg. "I knew it! You know, for someone who lies a lot, you're not very good at it."
This was a good thing. Or not? I wasn't sure. "I'm not a liar," I said.
"Right. You're nice," he said.
"What's wrong with nice?"
"Nothing. Except it usually involves not telling the truth," he replied. "Now. Tell me what you really thought.
”
”
Sarah Dessen (Just Listen)
“
Eros mumbled something.
"I'm sorry?" said Aphrodite.
"Whatwouldjesusdo."
"What would Jesus do?" said Aphrodite. "Let me tell you something. Jesus was a very good boy. He would do exactly what his mother told him to."
"But-"
"Jesus was supposed to be a god, right?" said Aphrodite. "Ergo, he did revenge. All gods do revenge."
"Not exactly. He said you should turn the other-"
"What else does your Jesus say?" Aphrodite interrupted.
"I thought you didn't care."
"Let me see," said Aphrodite. "I remember. 'Honour thy father and mother'."
"One, that wasn't Jesus. And two, it's hard to honour your father when there are so many candidates for who he might be."
"That's not very nice," said Aphrodite. "You know who your father is. It's your cousin Ares."
[...]
"I wish the Virgin Mary was my mother," grumbled Eros eventually.
”
”
Marie Phillips (Gods Behaving Badly)
“
You expect me to marry him."
"Yes,of course," Finn said, almost wearily.
"You're not even gonna try to..." I swallowed back tears and looked away from him. "When Elora told me, I fought with her. I fought for you."
"I am sorry,Wendy." His voice had gotten low and thick. He stepped closer and raised his hand as if he meant to touch me,but dropped it instead. "But you will be happy with Tove. He can protect you."
"I wish everyone would stop talking about him that way!" I sat back on the bed, exasperated. "Tove is a person! This is his life! Doesn't he deserve better than being somebody's watchdog?"
"I can imagine worse things in life than being married to you," Finn said quietly.
"Don't." I shook my head. "Don't joke. Don't be nice." I glared up at him. "You kept this from me. But worse still, you didn't fight for me."
"You know why I can't,Wendy." His dark eyes smoldered, and his fists clenched at his side. "Now you know who you are and what you mean to the kingdom. I can't fight for something that isn't mine. Especially not when you mean so much to our people."
"You're right,Finn,I'm not yours." I nodded, looking down at the floor. "I'm not anybody's. I have a choice in all of this, and so do you.But you have no right to take my choice away from me,to tell me who I should marry."
"I didn't arrange this marriage," Finn said incredulously.
"But you think I should marry him, and you've done nothing to stop it." I shrugged. "You might as well have arranged it yourself."
I wiped at my eyes, and he didn't say anything. I lay down on my bed and rolled over so my back was to him. After a few mintues, I heard him walk away and the door shut behind him.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
I wish to be remembered for my humor, and my passion, and above all, my ability to go from angel to asshole in 3.5 seconds, but always for something that I truly believe in. I will be one crazy ass grandma. I want you to picture this, I will have red highlights, I will have fuck me heels, I will have a really nice glass of wine that I will have made in my hand, and I will tell anyone who will listen how a smart ass from Doylsetown, Pennslyvania was gonna be a star, and the Billboard fucking Magazine made her woman of the year.
”
”
P nk
“
Boy, they must hate my guts," Lucy said. "Well, despite my intentions, I'm glad I made at least one friend today. Thanks for being so nice to me, Brystal. Something tells me we're going to be partners in crime for a very, very long time."
"Me too, Lucy," Brystal said. "Me too.
”
”
Chris Colfer (A Tale of Magic... (A Tale of Magic, #1))
“
How did you find out?” he asked.
I dropped the coat I’d been holding. “How do you think? She told me. She couldn’t wait to tell me.”
He sighed and sat on the arm of my couch and stared into space.
“That’s it? You have nothing else to say?” I asked.
“I’m sorry. God, I’m really sorry. I didn’t mean for you to find out like this.”
“Were you ever going to tell me?”
“Yeah...of course.”
His voice was so sweet and so gentle that it momentarily defused the anger that wanted to explode out of me. I stared at him, looking hard into those amber brown eyes. “She said...she said you didn’t drink, but you did, right? That’s what happened?” I sounded like I was Kendall’s age and suspected I wore the pleading expression Yasmine had given Jerome.
Seth’s face stayed expressionless. “No, Thetis. I wasn’t drunk. I didn’t drink at all.”
I sank down into the arm chair opposite him. “Then…then…what happened?”
It took a while for him to get the story out. I could see the two warring halves within him: the one that wanted to be open and the one that hated to tell me things I wouldn’t like. “I was so upset after what happened with us. I was actually on the verge of calling that guy…what’s his name? Niphon. I couldn’t stand it—I wanted to fix things between us. But just before I did, I ran into Maddie. I was so…I don’t know. Just confused. Distraught. She asked me to get food, and before I knew it, I’d accepted.” He raked a hand through his hair, neutral expression turning confused and frustrated. “And being with her…she was just so nice. Sweet. Easy to talk to. And after leaving things off physically with you, I’d been kind of…um…”
“Aroused? Horny? Lust-filled?”
He grimaced. “Something like that. But, I don’t know. There was more to it than just that.”
The tape in my mind rewound. “Did you say you were going to call Niphon?”
“Yeah. We’d talked at poker…and then he called me once. Said if I ever wanted…he could make me a deal. I thought it was crazy at the time, but after I left you that night…I don’t know. It just made me wonder if maybe it was worth it to live the life I wanted and make it so you wouldn’t have to worry so much.”
“Maddie coming along was a blessing then,” I muttered. Christ. Seth had seriously considered selling his soul. I really needed to deal with Niphon. He hadn’t listened to me when I’d told him to leave Seth alone. I wanted to rip the imp’s throat out, but my revenge would have to wait. I took a deep breath.
“Well,” I told Seth. “That’s that. I can’t say I like it…but, well…it’s over.”
He tilted his head curiously. “What do you mean?”
“This. This Maddie thing. You finally had a fling. We’ve always agreed you could, right? I mean, it’s not fair for me to be the only one who gets some. Now we can move on.”
A long silence fell. Aubrey jumped up beside me and rubbed her head against my arm. I ran a hand over her soft fur while I waited for Seth’s response.
“Georgina,” he said at last. “You know…I’ve told you…well. I don’t really have flings.”
My hand froze on Aubrey’s back. “What are you saying?”
“I…don’t have flings.”
“Are you saying you want to start something with her?”
He looked miserable. “I don’t know.
”
”
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
“
You’re not the type of man to fuck,” she countered.
His brows shot up. “Oh really? I’m too nice of a guy?”
“Something like that.”
“I’m a man, Megan. We all have needs. Isn’t fucking one of them?”
Her body trembled slightly at his words. She licked her lips before replying, “S-Stop saying that word-it isn’t you.”
“So fucking isn’t me? Don’t tell me you think I’m totally asexual – that you can’t imagine me fucking a woman…fucking you.” He eased in closer to her. “We both know for a fact that you wanted nothing more than to fuck me the night of Noah’s baptism. Given the chance right now, you’d let me strip off your scrubs and fuck you up against the medicine cabinet.
”
”
Katie Ashley (The Pairing (The Proposition, #3))
“
Armand, let me pause here for a moment. The look on your face tells me you’re either still not with me or that you have something you’d like to say. I’m not sure which.
”
”
Lois P. Frankel (Nice Girls Don't Speak Up or Stand Out: How to Make Your Voice Heard, Your Point Known, and Your Presence Felt)
“
Our investigation is ongoing," he said.
"Do you know something you're not telling me?"
"Yes."
"Right. Well, at least someone knows something. That's a nice bloody change.
”
”
Derek Landy (Last Stand of Dead Men (Skulduggery Pleasant, #8))
“
And I realize the unbearable anguish of insanity: how uninformed people can be thinking insane people are 'happy', O God, in fact it was Irwin Garden once warned me not to think the madhouses are full of 'happy nuts', 'There's a tightening around the head that hurts, there's a terror of the mind that hurts even more, they're so unhappy and especially because they cant explain it to anybody or reach out and be helped through all the hysterical paranoia they are really suffering more than anyone in the world and I think in the universe in fact,' and Irwin knew this from observing his mother Naomi who finally had to have a lobotomy ― Which sets me thinking how nice to cut away therefore all that agony in my forehead and STOP IT! STOP THAT BABBLING! ― Because now the babbling's not only in the creek, as I say it's left the creek and come in my head, it would be alright for coherent babbling meaning something but it's all brilliantly enlightened babble that does more than mean something: it's telling me to die because everything is over ― Everything is swarming all over me.
”
”
Jack Kerouac (Big Sur)
“
I'll be right here. Good luck, or break a leg, or something.”
As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back.
I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, “Excuse me.”
Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way.
My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something.
He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes.
“Who are you?” he asked in a blunt, almost confrontational way.
I blinked. It was the strangest greeting I'd ever received.
“I'm...Anna.”
“Right. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. “But who are you?”
What did that mean? Did I need to have some sort of title or social standing to enter his presence?
“I just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. “They just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?”
His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way.
“Uh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. “Very cute. And where is your angel?”
My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting.
“If you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.”
My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense.
His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it.
He finally looked over at Jay, who was deep in conversation with the manager-type man.
“Not your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer.
“Are you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile.
“Yes,” I assured him with confidence. “I am.”
“How do you know?”
I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
What happened isn't your fault."
"Maybe. But maybe this wouldn't have happened if I'd run away with you."
"You still can."
"No, I can't." I shook my head. "I have so much I need to do here. I can't just leave it all behind. But you can stay here. I will grant you amnesty."
"Mmm, I knew it." He smiled. "You'd miss me too much if I left."
I laughed. "Hardly."
"Hardly?" Loki smirked.
He'd lowered his arm, so his hand was on my waist. Loki was incredibly near, and his muscles pressed against me. I knew that I should move away, that I had no justifiable reason to be this close to him, but I didn't move.
"Would you?" Loki asked, his voice low.
"Would I what?"
"Would you run away with me, if you didn't have all the responsibilities and the palace and all that?"
"I don't know," I said.
"I think you would."
"Of course you do." I looked away from him, but I didn't move away. "Where did you get the pajamas, by the way? You didn't bring anything with you when you came."
"I don't want to tell you."
"Why not?" I looked sharply at him.
"Because. I'll tell you, and it will ruin this whole mood," Loki said. "Can't we just sit here and look longingly into each other's eyes until we fall into each other's arms, kissing passionately?"
"No," I said and finally started to pull away from him. "Not if you don't tell me-"
"Tove," Loki said quickly, trying to hang on to me. He was much stronger than me, but he let me push him off.
"Of course." I stood up. "That's exactly the kind of thing my fiancé would do. He's always thinking of other people."
"It's just pajamas!" Loki insisted, like that would mean something. "Sure, he's a terrifically nice guy, but that doesn't matter."
"How does that not matter?" I asked.
"Because you don't love him."
"I care about him," I said, and he shrugged. "And it's not like I love you."
"Maybe not," he allowed. "But you will."
"You think so?" I asked.
"Mark my words, Princess," Loki said. "One day, you'll be madly in love with me."
"Okay." I laughed, because I didn't know how else to respond. "But I should go. If I've given you amnesty, that means I have to go about enacting it, and getting everyone to agree that it's not a suicidal decision."
"Thank you."
"You're welcome," I said and opened the door to go.
"It was worth it," Loki said suddenly.
"What was?" I turned back to him.
"Everything I went through," he said. "For you. It was worth it.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
When I asked the Reb, Why do bad things happen to good people?, he gave none of the standard answers. He quietly said, “No one knows.” I admired that. But when I asked if that ever shook his belief in God, he was firm. “I cannot waver,” he said. Well, you could, if you didn’t believe in something all-powerful. “An atheist,” he said. Yes. “And then I could explain why my prayers were not answered.” Right. He studied me carefully. He drew in his breath. “I had a doctor once who was an atheist. Did I ever tell you about him?” No. “This doctor, he liked to jab me and my beliefs. He used to schedule my appointments deliberately on Saturdays, so I would have to call the receptionist and explain why, because of my religion, that wouldn’t work.” Nice guy, I said. “Anyhow, one day, I read in the paper that his brother had died. So I made a condolence call.” After the way he treated you? “In this job,” the Reb said, “you don’t retaliate.” I laughed. “So I go to his house, and he sees me. I can tell he is upset. I tell him I am sorry for his loss. And he says, with an angry face, ‘I envy you.’ “‘Why do you envy me?’ I said. “‘Because when you lose someone you love, you can curse God. You can yell. You can blame him. You can demand to know why. But I don’t believe in God. I’m a doctor! And I couldn’t help my brother!’ “He was near tears. ‘Who do I blame?’ he kept asking me. ‘There is no God. I can only blame myself.’” The Reb’s face tightened, as if in pain. “That,” he said, softly, “is a terrible self-indictment.” Worse than an unanswered prayer? “Oh yes. It is far more comforting to think God listened and said no, than to think that nobody’s out there.
”
”
Mitch Albom (Have a Little Faith: A True Story)
“
I wiped my eyes on my sleeve and jumped when I turned and found Ren’s brother standing behind me as a man.
Ren got up, alert, and watched him carefully, suspicious of Kishan’s every move. Ren’s tail twitched back and forth, and a deep grumble issued from his chest.
Kishan look down at Ren, who had crept even closer to keep an eye on him, and then looked back at me. He reached out his hand, and when I placed mine in it, he lifted it to his lips and kissed it, then bowed deeply with great aplomb. “May I ask your name?”
“My name is Kelsey. Kelsey hayes.”
“Kelsey. Well, I, for one, appreciate all the efforts you have made on our behalf. I apologize if I frightened you earlier. I am,” he smiled, “out of practice in conversing with young ladies. These gifts you will be offering to Durga. Would you kindly tell me more about them?”
Ren growled unhappily.
I nodded. “Is Kishan your given name?”
“My full name is actually Sohan Kishan Rajaram, but you can call me Kishan if you like.” He smiled a dazzling white smile, which was even more brilliant due to the contrast with his dark skin. He offered an arm. “Would you please sit and talk with me, Kelsey?”
There was something very charming about Kishan. I surprised myself by finding I immediately trusted and liked him. He had a quality similar to his brother. Like Ren, he had the ability to set a person completely at ease. Maybe it was their diplomatic training. Maybe it was how their mother raised them. Whatever it was made me respond positively. I smiled at him.
“I’d love to.”
He tucked my arm under his and walked with me over to the fire. Ren growled again, and Kishan shot a smirk in his direction. I noticed him wince when he sat, so I offered him some aspirin.
“Shouldn’t we be getting you two to a doctor? I really think you might need stitches and Ren-“
“Thank you, but no. You don’t need to worry about our minor pains.”
“I wouldn’t exactly call your wounds minor, Kishan.”
“The curse helps us to heal quickly. You’ll see. We’ll both recover swiftly enough on our own. Still, it was nice to have such a lovely young woman tending to my injuries.”
Ren stood in front of us and looked like he was a tiger suffering from apoplexy.
I admonished, “Ren, be civil.”
Kishan smiled widely and waited for me to get comfortable. Then he scooted closer to me and rested his arm on the log behind my shoulders. Ren stepped right between us, nudged his brother roughly aside with his furry head, creating a wider space, and maneuvered his body into the middle. He dropped heavily to the ground and rested his head in my lap.
Kishan frowned, but I started talking, sharing the story of what Ren and I had been through. I told him about meeting Ren at the circus and about how he tricked me to get me to India. I talked about Phet, the Cave of Kanheri, and finding the prophecy, and I told him that we were on our way to Hampi.
As I lost myself in our story, I stroked Ren’s head. He shut his eyes and purred, and then he fell asleep. I talked for almost an hour, barely registering Kishan’s raised eyebrow and thoughtful expression as he watched the two of us together. I didn’t even notice when he’d changed back into a tiger.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
I hate flakiness, and I blame the Facebook ‘Maybe’ button,” she tells me. “It’s not OK to say maybe and see if something better comes up. I believe in saying a solid yes or no because it’s polite. Saying no is hard but ultimately makes you a better person. For example, I’ve been invited to lots of parties (which is so nice!), but I am saying no to lots of them because I simply don’t have time. It’s not rude; it’s being honest.
”
”
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
“
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world. Yours, Anne M. Frank ANNE’S DIARY ENDS HERE.
”
”
Anne Frank (The Diary of a Young Girl)
“
Eric had fang showing.
"Hello, Eric," Quinn said calmly. His deep voice rumbled along my spine. "Sookie, you look good enough to eat." He smiled at me, and the tremors along my spine spread into another area entirely. I would never have believed that in Eric's presence I could think another man was attractive. I'd have been wrong to think so.
"You look very nice, too," I said, trying not to beam like an idiot. It was not cool to drool.
Eric said, "What have you been telling Sookie, Quinn?"
The two tall men looked at each other. I didn't believe I was the source of their animosity. I was a symptom, not the disease. Something lay underneath this.
"I've been telling Sookie that the queen requires Sookie's presence at the conference as part of her party, and that the queen's summons supercedes yours," Quinn said flatly.
"Since when has the queen given orders through a shifter?" Eric said, contempt flattening his voice.
"Since this shifter performed a valuable service for her in the line of business," Quinn answered, with no hesitation. "Mr. Cataliades suggested to Her Majesty that I might be helpful in a diplomatic capacity, and my partners were glad to give me extra time to perform any duties she might give me."
I wasn't totally sure I was following this, but I got the gist of it.
Eric was incensed, to use a good entry from my Word of the Day calendar. In fact, his eyes were almost throwing sparks, he was so angry. "This woman has been mine, and she will be mine," he said, in tones so definite I thought about checking my rear end for a brand.
”
”
Charlaine Harris (Definitely Dead (Sookie Stackhouse, #6))
“
Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine).
Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism.
Tell me about it. Everything you know. I gotta know something about metahemeralism.'
'I'm sorry. I don't know what that is.'
'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing.
'Donne. Walton. Metahemeralism. That's the problem as I see it.'
'Bunny, I don't think "metahemeralism" is even a word.'
'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.'
'Is it in the dictionary?'
'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?'
And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended.
He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in.
'This is a nice paper, Bun -,' Charles said cautiously.
'Thanks, thanks.'
'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?'
'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.'
Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?'
'Triple-spaced it,' said Bunny proudly.
'These lines are about an inch apart.'
'Looks kind of like free verse, doesn't it?'
Henry made a funny little snorting noise through his nose.
'Looks kind of like a menu,' he said.
All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.
”
”
Donna Tartt (The Secret History)
“
I’m so happy to be back here. You’re nice and quiet.
Her waters stirred in something close to laughter. We don’t have to talk at all if you don’t want to. I’m happy just to hold you.
I sank down, resting on the sandy Ocean floor, legs crossed and arms behind my head. I watched the trails of boats crisscrossing and fading along the surface above me. Fish swam by in schools, not spooked by the girl on the ground.
So, about six months? I asked, my stomach twisting.
Yes, barring some natural disaster or man-made sinking. I can’t predict those things.
I know.
Don’t start worrying about that yet. I can tell you’re still hurting from the last time. She wrapped me in sympathy.
”
”
Kiera Cass (The Siren)
“
They’re baffled by my singleness. A smart, pretty, nice girl like me, a girl with so many interests and enthusiasms, a cool job, a loving family. And
let’s say it: money. They knit their eyebrows and pretend to think of men they can set me up with, but we all know there’s no one left, no one good
left, and I know that they secretly think there’s something wrong with me, something hidden away that makes me unsatisfiable, unsatisfying.
The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to
marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as
conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do
because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his
pretty, young coworker who asks nothing of him, and you will actually be shocked. Give me a man with a little fight in him, a man who calls me on
my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other,
disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could
not care less about. Those awful if only relationships: This marriage would be great if only … and you sense the if only list is a lot longer than either
of them realizes.
”
”
Gillian Flynn (Gone Girl)
“
Alex was right in front of the mantel now, bent forward, his nose mere inches from a picture of me.
"Oh,God. Don't look at that!"
It was from the year-end recital of my one and only year of ballet class. I was six: twig legs, a huge gap where my two front teeth had recently been, and a bumblebee costume. Nonna had done her best, but there was only so much she could do with yellow and black spandex and a bee butt. Dad had found one of those headbands with springy antennai attached. I'd loved the antennae. The more enthusiastic my jetes, the more they bounced. Of course, I'd also jeted my flat-chested little self out of the top of my costume so many times that, during the actual recital itself,I'd barely moved at all, victim to the overwhelming modesty of the six-year-old. Now, looking at the little girl I'd been, I wished someone had told her not to worry so much, that within a year, that smooth, skinny, little bare shoulder would have turned into the bane of her existence. That she was absolutely perfect.
"Nice stripes," Alex said casually, straightening up.
That stung. It should't have-it was just a photo-but it did. I don't know what I'd expected him to say about the picture. It wasn't that. But then, I didn't expect the wide grin that spread across his face when he got a good look at mine, either.
"Those," he announced, pointing to a photo of my mulleted dad leaning against the painted hood of his Mustang "are nice stripes. That-" he pointed to the me-bee- "Is seriously cute."
"You're insane," I muttered, insanely pleased.
"Yeah,well, tell me something I don't know." He took the bottle and plate from me. "I like knowing you have a little vanity in there somewhere." He stood, hands full, looking expectant and completely beautiful.
The reality of the situation hadn't really been all that real before. Now, as I started up the stairs to my bedroom, Alex Bainbridge in tow, it hit me. I was leading a boy, this boy, into my very personal space.
Then he started singing.
"You're so vain, I bet you think this song is about you. You're sooo vain....!" He had a pretty good voice. It was a truly excellent AM radio song.
And just like that, I was officially In Deep
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
I knew better than that. Like throwing away well-intentioned phone numbers, I knew better than to ask for things I clearly couldn’t have.
“Can this one camera be disabled without another one going up in its place?” I asked promptly, and watched shock pass across his shadowed face.
“No cameras, no mics?”
"That’s it?”
“It would be nice to have one place that’s genuinely private,” I explained with a shrug. It almost felt strange to have my hair shifting across my back and shoulders with the gesture. “You can see us everywhere else we go, even watch us on the toilet if you had a wish to. Having just a single place devoid of cameras would be beneficial. A mental-health exercise, in a way.”
He watched me for a long time before answering. “Something that benefits all of you.”
“Yes.”
“I tell you to ask for anything, and you ask for something that benefits all of you.”
“It benefits me too.” He laughed again and reached for me, pulling me against his chest so he could kiss me. His hands moved over the fastenings of my dress, and as he lowered me to the mist-damp stone, I closed my eyes and let my thoughts drift off to Annabel Lee and her grave in the kingdom by the sea. I didn’t think angels would ever be jealous of me.
”
”
Dot Hutchison (The Butterfly Garden (The Collector, #1))
“
So?" Mac says.
I shrug.
"Oh, come on! Don't tell me you didn't feel something? That you didn't enjoy it?"
"It was nice, I guess."
"You guess?" Mac laughs and swipes his hair from his brow. "Tough crowd."
"Yeah, well, I guess you are an acquired taste.
”
”
Ashley Mansour (Blood, Ink & Fire)
“
I was backed against the sink; Emile was close, warm, his eyes glittering, his mouth sensuous and lovely. "You," I said deliberately, "don't give a damn about me except physically." Any boy would deny that; any gallant boy; any gallant lier. But Emile shook me, his voice was urgent, "You know, you shouldn't have said that. You know? You know? The truth always hurts." (Even clichés can come in handy.) He grinned, "Don't be bitter; I'm not. Come away from the sink, and watch." He stepped back, drawing me toward him, slapping my stomach away, he kissed me long and sweetly. At last he let go. "There," he said with a quiet smile. "The truth doesn't always hurt, does it?" And so we left. It was pouring rain. In the car he put his arm around me, his head against mine, and we watched the streetlights coming at us, blurred and fluid in the watery dark. As we ran up the walk in the rain, as he came in and had a drink of water, as he kissed me goodnight, I knew that something in me wanted him, for what I'm not sure: He drinks, he smokes, he's Catholic, he runs around with one girl after another, and yet... I wanted him. "I don't have to tell you it's been nice," I said at the door. "It's been marvelous," he smiled. "I'll call you. Take care." And he was gone. So the rain comes down hard outside my room, and like Eddie Cohen," I say, "... fifteen thousand years - - - of what? We're still nothing but animals." Somewhere, in his room, Emile lies, about to sleep, listening to the rain. God only knows what he's thinking.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
There is a feeling that I had Friday night after the homecoming game that I don't know if I will ever be able to describe except to say that it is warm. Sam and Patrick drove me to the party that night, and I sat in the middle of Sam's pickup truck. Sam loves her pick up truck because I think it reminds her of her dad.The feeling I had happened when Sam told Patrick to find a station on the radio. And kept getting commercials. And commercials. And a really bad song about love that had the word "baby" in it. And then more commercials. And finally he found this really amazing song about this boy, and we all got quiet.
Sam tapped her hand on the steering wheel. Patrick held his hand outside the car and made air waves. And I just sat between them. After the song finished I said something.
"I feel infinite"
And Sam and Patrick looked at me like I said the greatest thing they ever heard. Because the song was the greatest and we all paid attention to it.Five minutes of a lifetime were truly spent,and we felt young in a good way. I have since bought the record, and I would tell you what it is, but truthfully, it's not the same unless you're driving to your first real part, and you're sitting in the middle seat of a pickup with two nice people when it starts to rain.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
You guys could handle this on your own. Why risk getting kicked out of your He-Man-Monster-Haters Club?"
"Because we can't handle this on our own. At least I don't think we can."
"You said yourself you already have some Prodigium working with you. Why not go to them?"
"We have a handful," he said, frustration creeping into his voice. "And most of them suck. Look, just consider it a peace offering, okay? My way of saying I'm sorry for lying to you. And pulling a knife in your presence, even if it was just to open a damn window to get out before you vaporized me."
Most girls got flowers. I got a dirt put used for demon raising. Nice.
"Thanks," I replied. "But don't you want in on this?"
He looked at me, and not for the first time, I wished his eyes weren't so dark. It would have been nice to have some idea of what was going on in his head. "That's up to you," he said.
Mom always liked to say that we hardly ever know the decisions we make that change our lives,mostly because they're little ones. You take this bus instead of that one and end up meeting your soul mate, that kind of thing. But there was no doubt in my mind that this was one of those life-changing moments. Tell Archer no,and I'd never see him again. And Dad and Jenna wouldn't be mad at me, and Cal...Tell Archer yes, and everything suddenly got twistier and more complicated than Mrs. Casnoff's hairdo.
And even though I'm a twisty and complicated girl, I knew what my answer had to be.
"It's too much of a risk, Cross. Maybe one day when I'm head of the Council, and you're...well, whatever you're going to be for L'Occhio di Dio, we could work on some kind of collaboration." That brought up depressig images of me and Archer sittig across a boardroom table, sketching out battle plans on a whiteboard, so my voice was a little shaky when I continued. "But for now, it's too dangerous." And not just because basically everyone in our lives would want to kill us if they found out, I thought. But because I was pretty sure I was still in love with him, and I thought he might feel something similar for me, and there was no way we could work together preventing the Monster Apocalypse/World War III without that becoming an issue.
Not that I could say any of that.
Archer's face was blank as he said, "Cool. Got it."
"Cross," I started to say, but then his eyes slid past me and went wide with horror. At the same time, I became aware of a slithering noice behind me. That just could not be good; in my experience, nothing pleasant slithers.
Still, I was not prepared for the nightmares climbing out of the crater.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
The believers who say they are praying for me are victims of a lie and think they are doing something good; I let them know they are not. I tell them to imagine I had a newfangled gun that forcibly turned religious people into atheists. I tell them the gun didn’t really work, but I thought it did. Let’s say I decided to force them to be atheists, so I pointed the atheist gun at them and pulled the trigger. Would they think that was a nice thing to do? Would they appreciate my effort, or would they feel assaulted? When you pray for me, you are asking your god to change me. You are asking your god to forcibly enter my life and my brain and change my way of thinking (using euphemisms such as asking God to “open my heart to Jesus” is evidence of the intent of the assault).
”
”
David Silverman (Fighting God: An Atheist Manifesto for a Religious World)
“
Redditch: Christ, I hadn't even expected to be here. I was only standing in Redditch 'cause I was told it was a no-hoper. They bloody-well lied. Needles everywhere, you know that? Half the world's needles, made in sodding..
I was holding out for Cheam, or Chester. A 'ch' place, a nice little English 'ch' place. Not 'Redditch', listen to that. It's not a name, it's a fucking noise. What is it, 'Redditch'? Sounds like a frog vomiting.
And they told me it was Worcestershire, another lie!
Atkins: It is Worcestershire.
Redditch: Oh Humphrey, it's Birmingham. Everyone knows it is, listen to the sodding accent. I imagined meadows and steeples and farmyards and haystacks. Well, do you know what, shall I tell you something? You can't find a haystack in Redditch cause of all the fucking needles!
”
”
James Graham (This House)
“
Be happy. Do things that make you happy within the confines of the legal system. Do things that make you feel good and proud. It can be almost anything. Name something. Yes, sure, try that. Contribute to the world. Help people. Help one person. Help someone cross the street today. Help someone with directions unless you have a terrible sense of direction. Help someone who’s trying to help you. Just help. Make an impact. Show someone you care. Say yes instead of no. Say something nice. Smile. Make eye contact. Hug. Kiss. Get naked. Laugh. Laugh as much as you can. Laugh until you cry. Cry until you laugh. Keep doing it even if people are passing you on the street saying, “I can’t tell if that person is laughing or crying but either way they seem crazy, let’s walk faster.” Emote. It’s okay. It shows you are thinking and feeling. Find out who you are and figure out what you believe in. Even if it’s different from what your neighbors believe in and different from what your parents believe in. Stay true to yourself. Have your own opinion. Don’t worry about what people say about you or think about you. Let the naysayers nay. They will eventually grow tired of naying. I don’t mean to tell you what to do or how to live your lives, but those are some of the things that have worked for me. And I believe with all my heart and soul that even if we try the teeniest tiniest bit we can make this world a much happier and healthier one. And if we try even harder, we can do some pretty spectacular things. I know sometimes it seems like a world that has a blanket with sleeves can’t get any better, but I think it can.
”
”
Ellen DeGeneres (Seriously...I'm Kidding)
“
Is that it?" he asked.
"is what it?" I replied.
"You and me, done and dusted?"
"Was there ever a you and me?" I asked
"I thought there was a little frisson earlier. Something we could work on."
"Frisson? You mean, you taking the piss out of me and me saying you were rubbish? That was a frisson? I feel really sorry for the women you go out with."
"So this," he moved his forefinger in the space between us, "isn't going anywhere?"
"Where did you think it would go?"
"To dinner or a drink?"
"Jack, I'm sorry to say I don't particularly like you. Your clearly over-inflated sense of entitlement keeps bringing out the not very nice side of me. See? I would never normally say that to someone - and believe me, I meet a lot of odious people on a daily basis so I do know how to keep it in - but with you, I can't help it. So, no, I don't see this going anywhere.'
He studied me silently, his eyebrows knitted slightly together as his moss-green eyes held mine. "At least tell me your full name."
"Why?"
"So I can forever remember the one person who didn't fall for my charm, or lack thereof.
”
”
Dorothy Koomson (The Woman He Loved Before)
“
You tell me. Is contentment death? Does one need to want in order to live? Can one aspire to that which is not material?”
“It would seem wise to aspire to objects more real and less fleeting than a feeling state which you can’t bank on,” Tuttle says. “You may feel good now, but say something happens and you don’t feel so good later. In your model there’s no backup: you can’t say, ‘Well, I feel like crap but at least I have a really nice car and a big television set.’”
“Why not say, I may feel bad now but I felt good before and chances are I’ll feel good again?
”
”
A.A. Holmes
“
When I was much younger and lived in Claybourne’s residence, Luke’s
grandfather arranged an afternoon tea in the garden with a few of the
girls my age. They arrived in coaches and carriages and they were so
beautiful. Their laughter was soft and sweet, so very different from the
harsh laugher in the rookeries. I thought, ‘Oh my goodness, I’m going to
be like them.’
“They hurt me that day without touching me. They taught me that
words can slice like a knife. They wanted to know about life in the
rookeries, and I made the mistake of telling them that I slept with Luke
and Jack and Jim. And sometimes at night, I still slept with Luke. They
made it into something ugly. It was really rather innocent. To lie in the
circle of someone’s arms while you sleep can be very, very nice. But I
never slept with them again. Never told them why. Those girls took that
from me. And I let them.
”
”
Lorraine Heath (Surrender to the Devil (Scoundrels of St. James, #3))
“
He said you don’t have to lead by telling other people what to do, you can lead by just letting them do what they’re capable of instead. So I tried to be a teacher more than a boss. I know people find it hard to believe of me, but I’m not a bad teacher. When I retired, two of my staff said they hadn’t realized I was actually their boss until they heard the speech thanking me for my work. A lot of people would probably have taken that as an insult, but I thought it was… nice. If you can do something for someone in such a way that they think they managed it all on their own, then you’ve done a good job.
”
”
Fredrik Backman (Anxious People)
“
Here, Kells. I brought you something,” he said unassumingly and held out three mangos.
“Thanks. Um, dare I ask where you got them?”
“Monkeys.”
I stopped in mid-brush. “Monkeys? What do you mean monkeys?”
“Well, monkeys don’t like tigers because tigers eat monkeys. So, when a tiger comes around, they jump up in the trees and pummel the tiger with fruit or feces. Lucky for me today they threw fruit.”
I gulped. “Have you ever…eaten a monkey?”
Ren grinned at me. “Well, a tiger does have to eat.”
I dug a rubber band out of the backpack so I could braid my hair. “Ugh, that’s disgusting.”
He laughed. “I didn’t really eat a monkey, Kells. I’m just teasing you. Monkeys are repellant. They taste like meaty tennis balls and they smell like feet.” He paused. “Now a nice juicy deer, that is delectable.” He smacked his lips together in an exaggerated way.
“I don’t think I really need to hear about your hunting.”
“Really? I quite enjoy hunting.”
Ren froze into place. Then, almost imperceptibly, he lowered his body slowly to a crouch and balanced on the balls of his feet. He placed a hand in the grass in front of him and began to creep closer to me. He was tracking me, hunting me. His eyes locked on mine and pinned me to the spot where I was standing. He was preparing to spring. His lips were pulled back in a wide grin, which showed his brilliant white teeth. He looked…feral.
He spoke in a silky, mesmerizing voice. “When you’re stalking your prey, you must freeze in place and hide, remaining that way for a long time. If you fail, your prey eludes you.” He closed the distance between us in a heartbeat.
Even though I’d been watching him closely, I was startled at how fast he could move. My pulse started thumping wildly at my throat, which was where his lips now hovered as if he were going for my jugular.
He brushed my hair back and moved up to my ear, whispering, “And you will go…hungry.” His words were hushed. His warm breath tickled my ear and made goose bumps fan out over my body.
I turned my head slightly to look at him. His eyes had changed. They were a brighter blue than normal and were studying my face. His hand was still in my hair, and his eyes drifted down to my mouth. I suddenly had the distinct impression that this was what it felt like to be a deer.
Ren was making my nervous. I blinked and swallowed dryly. His eyes darted back up to mine again. He must have sensed my apprehension because his expression changed. He removed his hand from my hair and relaxed his posture.
“I’m sorry if I frightened you, Kelsey. It won’t happen again.”
When he took a step back, I started breathing again. I said shakily, “Well, I don’t want to hear any more about hunting. It freaks me out. The least you could do is not tell me about it. Especially when I have to spend time with you outdoors, okay?”
He laughed. “kells, we all have some animalistic tendencies. I loved hunting, even when I was young.”
I shuddered. “Fine. Just keep your animalistic tendencies to yourself.”
He leaned toward me again and pulled on a strand of my hair. “Now, Kells, there are some of my animalistic tendencies that you seem to like.” He started making a rumbling sound in his chest, and I realized that he was purring.
“Stop that!” I sputtered.
He laughed, walked over to the backpack, and picked up the fruit. “So, do you want any of this mango or not? I’ll wash it for you.”
“Well, considering you carried it in your mouth all that way just for me. And taking into account the source of said fruit. Not really.”
His shoulders fell, and I hurried to add, “But I guess I could eat some of the inside.”
He looked up at me and smiled. “It’s not freeze-dried.”
“Okay. I’ll try some.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
We convince ourselves that life will be better after we get married, have a baby, then another. Then we are frustrated that the kids aren't old enough and we'll be more content when they are. After that we're frustrated that we have teenagers to deal with. We will certainly be happy when they are out of that stage. We tell ourselves that our life will be complete when our spouse gets his or her act together, when we get a nicer car, are able to go on a nice vacation, when we retire.
The truth is, there's no better time to be happy than right now. Your life will always be filled with challenges. It's best to admit this to yourself and decide to be happy anyway. One of my favorite quotes comes from Alfred D Souza. He said, "For a long time it had seemed to me that life was about to begin - real life. But there was always some obstacle in the way, something to be gotten through first, some unfinished business, time still to be served, a debt to be paid. Then life would begin. At last it dawned on me that these obstacles were my life."
This perspective has helped me to see that there is no way to happiness. Happiness is the way. So, treasure every moment that you have. Stop waiting until you finish school, until you go back to school, until you lose ten pounds, until you gain ten pounds, until you have kids, until your kids leave the house, until you start work, until you retire, until you get married, until you get divorced, until Friday night, until Sunday morning, until you get a new car or home, until your car or home is paid off, until spring, until summer, until fall, until winter, until you are off welfare, until the first or fifteenth, until your song comes on, until you've had a drink, until you've sobered up, until you die, until you are born again to decide that there is no better time than right now to be happy.
”
”
Crystal Boyd
“
Don't talk so horribly,' she scolded. 'It is quite natural. I like you too. You, too, have something nice about you that endears you and marks you out. I wouldn't have you different. One oughtn't to talk of these things and want them accounted for. Listen, when you kiss my neck or my ear, I feel that I please you, that you like me. You have a way of kissing as though you were shy, and that tells me: "You please him. He is grateful to you for being pretty." That gives me great, great pleasure. And then again with another man it's just to opposite that pleases me, that he kisses me as though he thought little of me and conferred a favor.
”
”
Hermann Hesse (Steppenwolf)
“
I am disgusted that I was often taken into their bed and told to do things to both of them. The things a decent parent wouldn't think of. I didn't know that having sex with her or with him was wrong because I'd never known anything else but I never understood why it used to hurt so much. It carried on right until she died and I am sure that if she was still alive it would still be going on now. I wished someone would help me and stop them hurting me. I tried to do what they told me to do because somethings they were nice to me if I did it properly."
- Graham talks about being sexually abused by his mother (and her boyfriend)
Graham was sexually abused by his mother. The only person who showed him any affection in his childhood was his grandmother.
"My mother always told me the police would think I was a 'dirty little bastard' if I told them and they would take me away to a children's home and I would never see grandmother again."
"I knew it was my fault and nobody would believe me."
- Graham
Children often do not tell about abuse because of their fears about how other people will respond. The most common fear is that they will not be believed, It is a child's word against an adult's and the adult may be well liked and respected in the community. Nowadays, because of the television and newspaper coverage, people are aware that child sexual abuse does happen. In the recent past it was thought to be a rare occurrence, so even if they were trusted adults around for a child to tell, the adult would probably have found it difficult to believe and would have little idea what to do about it.
”
”
Carolyn Ainscough (Breaking Free: Help for survivors of child sexual abuse)
“
I think you've told me thank you more in the last day than anyone else has in years. It's like--when there's a stack of dishes, if my husband actually does them , I tell him thank you. But when I do them, no one thanks me, because it's not something nice I did for someone else. It's just what I was supposed to do all along.
”
”
Kiersten White (Mister Magic)
“
That reminded him of how thrifty she was, and he promptly decided-at least for the moment-that her thriftiness was one of her most endearingly amusing qualities.
“What are you thinking about?” she asked.
He tipped his chin down so that he could better see her and brushed a stray lock of golden hair off her cheek. “I was thinking how wise I must be to have known within minutes of meeting you that you were wonderful.”
She chuckled, thinking his words were teasing flattery. “How soon did my qualities become apparent?”
“I’d say,” he thoughtfully replied, “I knew it when you took sympathy on Galileo.”
She’d expected him to say something about her looks, not her conversation or her mind. “Truly?” she asked with unhidden pleasure.
He nodded, but he was studying her reaction with curiosity. “What did you think I was going to say?”
Her slim shoulders lifted in an embarrassed shrug. “I thought you would say it was my face you noticed first. People have the most extraordinary reaction to my face,” she explained with a disgusted sigh.
“I can’t imagine why,” he said, grinning down at what was, in his opinion-in anyone’s opinion-a heartbreakingly beautiful face belonging to a young woman who was sprawled across his chest looking like an innocent golden goddess.
“I think it’s my eyes. They’re an odd color.”
“I see that now,” he teased, then he said more solemnly, “but as it happens it was not your face which I found so beguiling when we met in the garden, because,” he added when she looked unconvinced, “I couldn’t see it.”
“Of course you could. I could see yours well enough, even though night had fallen.”
“Yes, but I was standing near a torch lamp, while you perversely remained in the shadows. I could tell that yours was a very nice face, with the requisite features in the right places, and I could also tell that your other-feminine assets-were definitely in all the right places, but that was all I could see. And then later that night I looked up and saw you walking down the staircase. I was so surprised, it took a considerable amount of will to keep from dropping the glass I was holding.”
Her happy laughter drifted around the room and reminded him of music. “Elizabeth,” he said dryly, “I am not such a fool that I would have let a beautiful face alone drive me to madness, or to asking you to marry me, or even to extremes of sexual desire.”
She saw that he was perfectly serious, and she sobered, “Thank you,” she said quietly. “That is the nicest compliment you could have paid me, my lord.”
“Don’t call me ‘my lord,’” he told her with a mixture of gentleness and gravity, “unless you mean it. I dislike having you address me that way if it’s merely a reference to my title.”
Elizabeth snuggled her cheek against his hard chest and quietly replied, “As you wish. My lord.”
Ian couldn’t help it. He rolled her onto her back and devoured her with his mouth, claimed her with his hands and then his body.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
By the time the human stuck his key in the lock of his third-floor apartment door and pushed it open, Dante was shoving him into the dark, tossing the guy across the spartan living room.
“Motherfu—” Sullivan came up out of his crash on one knee, then froze, his face caught in a wedge of light from the bare bulb glowing in the hall outside.
Something flashed in the human’s eyes, something beneath his immediate fear. Recognition, Dante thought, figuring he probably remembered them from the club the other night. But there was anger there too. Pure male animosity. Dante could smell it seeping out of the human’s pores.
He slowly got to his feet. “What the fuck’s going on?”
“How about you tell us,” Dante said, willing a lamp to come on as he strode farther into the place. Behind him, Chase closed and locked the door. “I’m pretty sure you can guess this isn’t a social call.”
“What do you want?”
“We’ll start with information. It’ll be up to you how we go about getting it.”
“What kind of information?” His gaze swung anxiously between Dante and Chase. “I don’t know who you guys are, and I don’t have any idea what you’re talking abou—”
“Now, see,” Dante said, cutting him off with a chuckle, “that kind of bullshit answer puts us off to a real bad start.” As the human’s right hand slid into the deep pocket of his down-filled vest, Dante smirked. “You wanna convince me you’re an idiot, go ahead and pull that gun out. Just so we’re clear, I really hope you do.”
Ben Sullivan’s face blanched as white as his apartment’s unpainted walls. He pulled his hand back out, nice and slow. “How did you—”
“You expecting somebody besides us tonight?
”
”
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
“
She was told she’d been ‘sectioned’ – and she quite liked the sound of that word, imagining how nice it would be if you could do that, slice the parts of your life into neat portions, trimming off the bad bits. If she could, she would cut out her entire marriage and throw it in the sluice bucket, like something bloated and diseased.
”
”
Jo Leevers (Tell Me How This Ends)
“
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/needs/schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/train operators/tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
”
”
Kristin Newman (What I Was Doing While You Were Breeding)
“
December 25, 4:30 p.m.
Dear America,
It’s been seven hours since you left. Twice now I’ve started to go to your room to ask how you liked your presents and then remembered you weren’t here. I’ve gotten so used to you, it’s strange that you aren’t around, drifting down the halls. I’ve nearly called a few times, but I don’t want to seem possessive. I don’t want you to feel like I’m a cage to you. I remember how you said the palace was just that the first night you came here. I think, over time, you’ve felt freer, and I’d hate to ruin that freedom, I’m going to have to distract myself until you come back.
I decided to sit and write to you, hoping maybe it would feel like I was talking to you. It sort of does, I can imagine you sitting here, smiling at my idea, maybe shaking your head at me as if to say I’m being silly. You do that sometimes, did you know? I like that expression on you. You’re the only person who wears it in a way that doesn’t come across like you think I’m completely hopeless. You smile at my idiosyncrasies, accept that they exist, and continue to be my friend. And, in seven short hours, I’ve started to miss that.
I’ve wonder what you’ve done in that time. I’m betting by now you’ve flown across the country, made it to your home, and are safe. I hope you are safe. I can’t imagine what a comfort you must be to your family right now. The lovely daughter has finally returned!
I keep trying to picture you home. I remember you telling me it was small, that you had a tree house, and that your garage was where you father and sister did all their work. Beyond that I’ve had to resort to my imagination. I imagine you curled up in a hug with you sister or kicking around a ball with your little brother. I remember that, you know? That you said he liked to play ball.
I tried to imagine walking into your house with you. I would have liked that, to see you where you grew up. I would love to see you brother run around or be embraced by your mother. I think it would be comforting to sense the presence of people near you, floorboards creaking and doors shutting. I would have liked to sit in one part of the house and still probably be able to smell the kitchen. I’ve always imagined that real homes are full of the aromas of whatever’s being cooked. I wouldn’t do a scrap of work. Nothing having to do with armies or budgets or negotiations. I’d sit with you, maybe try to work on my photography while you played the piano. We’d be Fives together, like you said. I could join your family for dinner, talking over one another in a collection of conversations instead of whispering and waiting our turns. And maybe I’d sleep in a spare bed or on the couch. I’d sleep on the floor beside you if you’d let me.
I think about that sometimes. Falling asleep next to you, I mean, like we did in the safe room. It was nice to hear your breaths as they came and went, something quiet and close keeping me from feeling so alone. This letter has gotten foolish, and I think you know how I detest looking like a fool. But still I do. For you.
Maxon
”
”
Kiera Cass (The One (The Selection, #3))
“
There is something you have to know.” I kept my arms at my sides, and held them tight against my body while I summoned the words to tell him my disgusting secret. I had to get it out before my shift took hold, protecting me from the guilt. I didn’t know where to begin, how to begin, or if there was even a nice way of telling him what I had done
”
”
Carlyle Labuschagne (Evanescent (Broken, #2))
“
Perhaps had I a Dr. Frye to confess this to, I might have uncovered something which would have brought me relief, a new perspective, but I never did. Anyway, I don’t trust those people who poke around sad people’s minds and tell them how interesting it all is up there. It’s not interesting. My mother was mean and that dog was nice. One doesn’t need a college degree.
”
”
Ottessa Moshfegh (Eileen)
“
Sometimes you change your mind about a person,' I tell her. 'Or your feelings for them change, or they change, or, I don't know, you just want to make a different decision. And that's always okay. You don't owe anyone anything. You know that, don't you?' 'What do you mean?' she says. 'I mean, like with Matt. I wanted to date him, and then I didn't want to anymore, and some people made me feel guilty for that. As if he deserved whatever he wanted, and I was being selfish for not giving it to him.' 'Are you talking about sex?' she asks matter-of-factly. 'No,' I say. 'Yes. Kind of. I'm talking about everything: dating, kissing, sex. All of it. You never owe another person something, no matter how nice they are to you. Relationships aren't transactions.
”
”
Emily Henry (The Love That Split the World)
“
Is anyone else coming?” I asked him when he didn’t say anything after setting his glass back down on the table. I’d overheard a couple of the guys talking about Rip’s half-hearted invitation when I had taken a bathroom break, but I hadn’t heard more than that.
His gaze hadn’t left mine from the moment he had spotted me, and it didn’t go anywhere as he shrugged and said, “Doubt it.”
I must have made a face because he added, casually, “I’m not exactly anybody’s favorite, Luna.”
The smile fell right off my mouth, and I couldn’t help but frown at him. At the harshness of his words. At the… fact-like nature of them. That wasn’t very nice for him to assume. That wasn’t very nice to assume at all, and it bothered me… even if it was true that Mr. Cooper was my favorite person at the shop. And I was his. And Miguel’s—
Crap.
“I’m sure—“ I started before getting cut off.
“I’m not,” he told me, tapping his short fingernails against the glass. Rip tipped his chin up a millimeter, giving me a slightly better view of the shading tucked up against his jawline. He swallowed, everything about his body language saying that he was telling me these words in this way because it wasn’t a big deal to him. He didn’t care. Why should he? His body said.
His next words confirmed it. “I’m not around to be anybody’s friend.”
All righty then.
I wanted to tell him something that would make it seem that it wasn’t like anyone hated him or disliked him.
Most of the guys were just… wary.
Even I was wary, and he didn’t scare or intimidate me… unless I screwed up.
But I didn’t know what to say to that comment. I hated liars as much as I hated aggressive drunk people and cooked carrots. So I did the only thing I could think of: I smiled at him and shrugged. He didn’t look even a little put out or hurt by what he’d been saying. Who was I to make it a big deal if he claimed he didn’t care? “Did you like your cake?
”
”
Mariana Zapata (Luna and the Lie)
“
Kind, good, happy, gentlemanly, secure people never go Nazi. They may be the gentle philosopher whose name is in the Blue Book, or Bill from City College to whom democracy gave a chance to design airplanes—you’ll never make Nazis out of them. But the frustrated and humiliated intellectual, the rich and scared speculator, the spoiled son, the labor tyrant, the fellow who has achieved success by smelling out the wind of success—they would all go Nazi in a crisis.
Believe me, nice people don’t go Nazi. Their race, color, creed, or social condition is not the criterion. It is something in them.
Those who haven’t anything in them to tell them what they like and what they don’t—whether it is breeding, or happiness, or wisdom, or a code, however old-fashioned or however modern, go Nazi.
”
”
Dorothy Thompson (Who Goes Nazi?)
“
I say so many things that I don’t mean. It’s as if, even if I think something nice about Harold, by the time it’s got to my mouth it’s become not nice. He goes to tell me something and I’m saying ‘I think not’ before he’s finished the sentence.” “I always got cross with Elizabeth for leaving the top off the toothpaste. Now I take it off as soon as I open a new tube. I find I don’t want the lid.
”
”
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
“
It is within your power to release yourself from mortal bonds. To be free of them.”
“What? I don’t need to worry about the cold?”
“Nope.”
“Right.” She stuffed icy hands into the pockets of her jeans. “And apple strudel?”
“Mind over matter.”
A reluctant smile found her face. “Well, we’ve already established that you can breathe for me.”
“Don’t underestimate yourself.” Daniel smiled back briefly. “This has to do more with you than me. Try it: Tell yourself that you are not cold, not hungry, not tired.”
“All right.” Luce sighed. “I am not…” She’d started to mumble, disbelieving, but then she caught Daniel’s eye. Daniel, who believed she could do things she never thought she was capable of, who believed that her will meant the difference between having the halo and letting it slip away. She was holding it in her hands. Proof.
Now he was telling her she had mortal needs only because she thought she did. She decided to give this crazy idea a try. She straightened her shoulders. She projected the words into the misty dusk. “I, Lucinda Price, am not cold, not hungry, not tired.”
The wind blew, and the clock tower in the distance struck five-and something lifted off her so that she didn’t feel depleted anymore. She felt rested, equipped for whatever the night called for, determined to succeed.
“Nice touch, Lucinda Price,” Daniel said. “Five senses transcended at five o’clock.”
She reached for his wing, wrapped herself in it, let its warmth spread through her. This time, the weight of his wing welcomed her into a powerful new dimension. “I can do this.”
Daniel’s lips brushed the top of her head. “I know.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
Spider?” I’d said, with a question mark in my voice.
“Yeah.”
“You know at school . . . what did you do that for? Wade in like that?”
Spider frowned. “He was disrespectful, Jem. What you said—I could tell it was real. It was what you were really feeling. He had no right to make a joke of it.”
“Yeah, I know, he’s a tosser, but it’s nothing to do with you. You made a right show of yourself. You made a show of me.”
“I didn’t want him to get away with it.”
“Yeah, but I don’t need a knight in shining armor. I can look after myself.” He was smiling a bit now. I paused. “It’s not funny, man. It’s made everything worse,” I said quietly. “I’ve got comments all the time now, ‘bout you and me. Sly comments.”
He looked away, studied his hands. The knuckles on the right one were nearly healed up now.
My mouth had gone dry, but I had to get this clear with him. “You do know there’s no ‘you and me,’ don’t you, Spider?”
He looked up. “What?”
“We’re not like . . . together. Just mates.”
There was something about his sullenness when he said, “Yeah, ‘course. Just mates. Mates is good,” that made me think he felt the exact opposite. I was churning inside, cursing that day under the bridge. People were so bloody difficult. Why had I ever got involved?
He stood up, came toward me, putting an arm out. I thought, Shit, he’s going to hug me. Hasn’t he listened to anything? But his hand formed a fist, and he lightly punched my arm. “Listen, man, I know what you’re like. I’ve told you I’ll never say nothing nice to you. And now you’ve put my straight, I’ll never do nothing nice for you, either. OK? If someone disrespects you, I’ll let them. If you’re being mugged on the street, I’ll walk on by. If I see you on fire, I won’t even piss on you. OK?
”
”
Rachel Ward (Numbers (Numbers, #1))
“
Uh, now let me tell you about what's new. We found another set of drawings, always nice, AND A FOXY HEAD! Which we think could be authentic! Then again, it might just be another crappy cosplay. And we found a Desk fan, very old school, metal though, so watch the fingers! Uh, heh! Uhm, right now the place is basically just, you know, FLASHING LIGHTS and SPOOKY PROPS. I honestly thought we'd have more by now, uh so if we don't have anything really cool by next week, we may have to suit you up in a Freddy suit, and make you walk around saying: "BOOO!" Hehe. Uh, but you know like I said, were trying to track down, a good lead right now. Uh, some guy who helped design one of the buildings, said there was like, an extra room that got boarded up..? Or something like that. So! Were gonna take a peak, and see what we can find. Uh, for now just get comfortable with the new
”
”
Andrew Mills (Five Nights at Freddy's 3 Ultimate Strategy Guide, Walkthrough, Secrets, Tips and Tricks)
“
Sugar,” Jake said, “I’ve wanted you since the first time you sassed me.”
“I wanted to punch you in the nose.”
He laughed and kissed her forehead. “My advertising skills left something to be desired.”
“You rooked three unsuspecting women.”
“I know.” He kissed her lips, taking his time. “I’m offering you a chance for payback.”
“And that payback is sex?” He smelled awesome, like a hot, sexy man who’d been in a kitchen trying to please her. Or maybe please himself. With Jake, you never knew.
He pulled her tighter against him, kissing her slowly, thoroughly. “I’d do my damnedest to make you a happy woman the second time I sold you something.”
Sugar looked into Jake’s eyes. He was too hot, too sexy, almost taking her breath away. “I think your gravy’s burning.”
“Nice try. I turned it off.” He tugged her hips against him, kissing her as if he’d never tasted anything as good as her mouth. Sugar moaned and let Jake hike her up on his waist. “If I’m moving too fast, say so. I’ll back off and feed you the best shrimp and steak dinner you’ve ever had. Just good friends breaking bread together.”
Sugar gasped as Jake sank his teeth gently into her lower lip. Heat and warmth filled her, stealing her desire to tell him no about anything. “I’m not really that hungry.”
His smile turned dangerous. “I am.
”
”
Tina Leonard (Hotter than Texas (Pecan Creek, #1))
“
The story always starts in the same way when people ask me the simple, yet most difficult question to answer: “where are you from?” I often wonder why of all questions people start with this one that has become the hardest for me and countless other exiled people to answer. The question is especially hard when asked in crowded and fast-paced places, or during quick encounters which make a short answer inadequate and a long one potentially uncalled for…I thought to myself: why is it that the first thing people want to know about me is where I am from? If they only knew where I am from, they would perhaps know that where I am from—Iraq—happens to also be the deepest wound on the geography of my body and soul, and so they would tread gently on my wound by not asking that question in the first place. Is there something in my eyes, something written on my forehead, something in my looks, or some marks inscribed on my other body parts that immediately tell people that I am from a place that lost itself and lost me to exile on a cold, dark, and sad winter night? Why don’t these strangers just start with the more common and safer usual remarks about the weather being nice, dreadful, or whatever? Of all questions, “where are you from,” is the most delicate and complicated for people who have lost their home and all the things they loved.
”
”
Louis Yako
“
That file full of letters meant I met with a Special Needs teacher in the hallway to get something called Individualized Attention, and let me tell you, working in the hallway with a teacher is like being the street person of a school. People pass you by, and they act like they don't see you, but three steps away they've got a whole story in their heads about why you're out there instead of in the nice cozy classroom where you belong, Stupid? Unlucky? Unloved?
”
”
Esmé Raji Codell (Sahara Special)
“
I start off meaning to tell you a story, and then I get sidetracked with something that interests me, and I go wandering off all over the place; yet here we are, nicely on schedule, at the point where I have just met Phaedra and am just starting off on the long process of getting betrothed to her. In fact, we are here rather ahead of time; so, while we are waiting for the main stream of my narrative to catch up with us, I shall tell you about my first meeting with the Spartans.
”
”
Tom Holt (The Walled Orchard (The Walled Orchard #1-2))
“
On this particular night, we were free and we had decided to treat ourselves to a really fancy, friendly dinner. There we were, at the table, all dressed up, and we’d ordered everything, and we were having a very nice time with each other. The headwaiter came, and said there was a phone call for me, and Gloria rose to take it. She was very strange when she came back—she didn’t say anything, and I began to be afraid to ask her anything. Then, nibbling at something she obviously wasn’t tasting, she said, “Well, I’ve got to tell you because the press is on its way over here. They’ve just killed Malcolm X.” The British press said that I accused innocent people of this murder. What I tried to say then, and will try to repeat now, is that whatever hand pulled the trigger did not buy the bullet. That bullet was forged in the crucible of the West, that death was dictated by the most successful conspiracy in the history of the world, and its name is white supremacy.
”
”
James Baldwin (No Name in the Street)
“
Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism."
"I'm sorry. I don't know what that is."
"I don't either," Bunny would say brokenly. "Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see." He would resume pacing. "Donne. Walton. Metahemeralism. That's the problem as I see it."
"Bunny, I don't think "metahemeralism" is even a word."
"Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe."
"Is it in the dictionary?"
"Dunno. Don't know how to spell it. I mean" — he made a picture frame with his hands — "the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?"
And so it would go on, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended.
He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in.
"This is a nice paper, Bun — ," Charles said cautiously.
"Thanks, thanks."
"But don't you think you ought to mention John Donne more often? Wasn't that your assignment?"
"Oh, Donne," Bunny had said scoffingly. "I don't want to drag him into this."
Henry had refused to read it. "I'm sure it's over my head, Bunny, really," he said, glancing over the first page. "Say, what's wrong with this type?"
"Tripled spaced it," said Bunny proudly.
"These lines are about an inch apart."
"Looks kind of like free verse, doesn't it?"
Henry made a funny little snorting noise through his nose. "Looks kind of like a menu," he said.
All I remember about the paper was that it ended with the sentence
"And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.
”
”
Anonymous
“
After the song finished, I said something. “I feel infinite.” And Sam and Patrick looked at me like I said the greatest thing they ever heard. Because the song was that great and because we all really paid attention to it. Five minutes of a lifetime were truly spent, and we felt young in a good way. I have since bought the record, and I would tell you what it was, but truthfully, it’s not the same unless you’re driving to your first real party, and you’re sitting in the middle seat of a pickup with two nice people when it starts to rain.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
Rayna does not get sick on planes. Also, Rayna does not stop talking on planes. By the time we land at Okaloosa Regional Airport, I’m wondering if I’ve spoken as many words in my entire life as she did on the plane. With no layovers, it was the longest forty-five minutes of my whole freaking existence.
I can tell Rachel’s nerves are also fringed. She orders an SUV limo-Rachel never does anything small-to pick us up and insists that Rayna try the complimentary champagne. I’m fairly certain it’s the first alcoholic beverage Rayna’s ever had, and by the time we reach the hotel on the beach, I’m all the way certain.
As Rayna snores in the seat across from me, Rachel checks us into the hotel and has our bags taken to our room. “Do you want to head over to the Gulfarium now?” she asks. “Or, uh, rest up a bit and wait for Rayna to wake up?”
This is an important decision. Personally, I’m not tired at all and would love to see a liquored-up Rayna negotiate the stairs at the Gulfarium. But I’d feel a certain guilt if she hit her hard head on a wooden rail or something and then we’d have to pay the Gulfarium for the damages her thick skull would surely cause. Plus, I’d have to suffer a reproving look from Dr. Milligan, which might actually hurt my feelings because he reminds me a bit of my dad.
So I decide to do the right thing. “Let’s rest for a while and let her snap out of it. I’ll call Dr. Milligan and let him know we’ve checked in.”
Two hours later, Sleeping Beast wakes up and we head to see Dr. Milligan. Rayna is particularly grouchy when hungover-can you even get hungover from drinking champagne?-so she’s not terribly inclined to be nice to the security guard who lets us in. She mutters something under her breath-thank God she doesn’t have a real voice-and pushes past him like the spoiled Royalty she is.
I’m just about aggravated beyond redemption-until we see Dr. Milligan in a new exhibit of stingrays. He coos and murmurs as if they’re a litter of puppies in the tank begging to play with him. When he notices our arrival he smiles, and it feels like a coconut slushy on a sweltering day and it almost makes up for the crap I’ve been put through these past few days.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
—Now please please no please don’t tell me now Crow Books, too…? I loved that place, the paperbacks shoved behind the other paperbacks on the metal racks because there wasn’t space, the mostly sense that they just want to have all those nice books in there for you, waiting for you if you want - need - to discover something, and the bad lighting, and the rumply chair with its bottom rupturing stuff, and Mr. Shelling and his rectangular mustache and no employee recommendations and discovering Denis Johnson and Virgin Suicides and I just can’t, I can’t—
”
”
Evan Dara (Flee)
“
Daniel."
He looked up. "El-la.I was wondering if you'd catch me." He offered me a cigarette. I gave him a shame-on-you look;he grinned.
"This is your band?" I asked. Visible piercings aside, no one looked like that went by the name Ax.
"Nope,but I go to school with the lead's sister. Regular guy got food poisoning at a Christmas party last night.I've played with them before."
"Weddings?" It wasn't quite how I'd pictured him performing.
"Usually clubs, but the last one was a bar mitzvah. Musicians have to eat, too," he added, a little sharply.
"Sorry." I wanted to wave the smoke away, but figured that might be adding insult to inury. "I thought you played the guitar."
"Guitar, piano, a little violin, but badly, and I'll have to garrote you ith one of the strings if you tell anyone."
That's the thing about Daniel. Obviously-the violin being a case in point-I don't know him very well,but he seems to hold a grudge for even less time than Frankie. "Secret's safe with me."
He shrugged, telling me he didn't really care. Then, "Nice dress."
"Just when I start liking you a litte.."
He made his vampire-boy face. I could see why it usually worked. "You like me,Ella. Wanna do something when this is over?"
"Tempting," I said. "No, I mean that. But no,thanks. I'm not at my best these days."
"You're good," he said quietly, blowing out a stream of smoke. "You'll be fine."
"Yeah." I shivered. It was bitter outside. "I should go in."
"You should." The cold didn't seem to be bothering him at all, and he wasn't even wearing a jacket over his white dress shirt.
I turned to go. "Oh, I think I figured it out, by the way."
"Figured out what?"
"The question.The one everyone should ask before getting involved with someone. Not 'Will he-slash-she make me happy?' but 'Does it bring out the best in me,being with him?'"
"Him-slash-her," Daniel corrected, clearly amused. Then, "Nope. No way. Wasn't me who posed the question to you, Marino.I would never be so Emo."
"Of course not.But it was one smart boy." I waved. "Hug Frankie for me."
"Will do. Hey.Any requests for the band?"
"'Don't Stop Believin'," I shot back. He rolled his eyes. "I'm curious, in that last song-are the words really 'I cut my chest wide open'?"
"Yup.Followed by, "They come and watch us bleed.Is it art like I was hoping now?" Avett Brothers. Too gruesome for you?"
"You have no idea," I told him. How much I get it.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
But sometimes, I have a great longing to hear something different from praise, for my soul sickens of too sweet a diet. It is then that Jesus gives me a nice little salad seasoned with vinegar and spice. The only thing missing is olive oil, and that makes it even tastier.
The novices offer me this salad when I least expect it. God raises the veil which hides my imperfections from them, and my dear little sisters then see the reality and no longer find me quite to their liking. With a simplicity I find charming, they tell me what a trial I am to them and what they find unpleasant about me. They stand on no more ceremony than if they were discussing someone else, for they know that their freedom of speech delights me.
It is actually more than delight. It is like a wonderful festival which overwhelms me with joy. If I had not experienced it, I could not believe that something so against one’s natural feelings could afford such happiness.
Once when I was passionately longing to be humiliated, a young postulant did it so effectively that I remembered when Semei cursed David and I repeated to myself the words of the holy king: “Yea, it is the Lord who hath bidden him say all these things.
”
”
John Beevers (The Autobiography of Saint Therese: The Story of a Soul)
“
Footsteps from the stairwell startle him out of the past. He turns around as Emma's mother takes the last step into the dining area, Emma right behind her.
Mrs. McIntosh glides over and puts her arm around him. The smile on her face is genuine, but Emma's smile is more like a straight line. And she's blushing.
"Galen, it's very nice to meet you," she says, ushering him into the kitchen. "Emma tells me you're taking her to the beach behind your house today. To swim?"
"Yes, ma'am." Her transformation makes him wary.
She smiles. "Well, good luck with getting her in the water. Since I'm a little pressed for time, I can't follow you over there, so I just need to see your driver's license while Emma runs outside to get your plate number."
Emma rolls her eyes as she shuffles through a drawer and pulls out a pen and paper. She slams the door behind her when she leaves, which shakes the dishes on the wall.
Galen nods, pulls out his wallet, and hands over the fake license. Mrs. McIntosh studies it and rummages through her purse until she produces a pen-which she uses to write on her hand. “Just need your license number in case we ever have any problems. But we’re not going to have any problems, are we, Galen? Because you’ll always have my daughter-my only daughter-home on time, isn’t that right?”
He nods, then swallows. She holds out his license. When he accepts it, she grabs his wrist, pulling him close. She glances at the garage door and back to him. “Tell me right now, Galen Forza. Are you or are you not dating my daughter?”
Great. She still doesn’t believe Emma. If she won’t believe them anyway, why keep trying to convince her? If she thinks they’re dating, the time he intends to spend with Emma will seem normal. But if they spend time together and tell her they’re not dating, she’ll be nothing but suspicious. Possibly even spy on them-which is less than ideal.
So, dating Emma is the only way to make sure she mates with Grom. Things just get better and better. “Yes,” he says. “We’re definitely dating.”
She narrows her eyes. “Why would she tell me you’re not?”
He shrugs. “Maybe she’s ashamed of me.”
To his surprise, she chuckles. “I seriously doubt that, Galen Forza.” Her humor is short lived. She grabs a fistful of his T-shirt. “Are you sleeping with her?”
Sleeping…Didn’t Rachel say sleeping and mating are the same thing? Dating and mating are similar. But sleeping and mating are the same exact same. He shakes his head. “No, ma’am.”
She raises a no-nonsense brow. “Why not? What’s wrong with my daughter?”
That is unexpected. He suspects this woman can sense a lie like Toraf can track Rayna. All she’s looking for is honesty, but the real truth would just get him arrested. I’m crazy about your daughter-I’m just saving her for my brother. So he seasons his answer with the frankness she seems to crave. “There’s nothing wrong with your daughter, Mrs. McIntosh. I said we’re not sleeping together. I didn’t say I didn’t want to.”
She inhales sharply and releases him. Clearing her throat, she smoothes out his wrinkled shirt with her hand, then pats his chest. “Good answer, Galen. Good answer.”
Emma flings open the garage door and stops short. “Mom, what are you doing?”
Mrs. McIntosh steps away and stalks to the counter. “Galen and I were just chitchatting. What took you so long?”
Galen guesses her ability to sense a lie probably has something to do with her ability to tell one. Emma shoots him a quizzical look, but he returns a casual shrug. Her mother grabs a set of keys from a hook by the refrigerator and nudges her daughter out of the way, but not before snatching the paper out of her hand.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
I don't worry about being unfilial: that I could be struck by lightning because I have not been grateful enough to my family. But sometimes, I worry that I'm mean, that it has something to do with genetics or upbringing or it doesn't matter, I'm just mean. How else could you explain it, the way I am so terrible to the only person who loves me, except that I am incapable of kindness? Every day I tell myself that I'll make an effort to change, that I'll remember to be nice to Gran tomorrow. I try, really try, until maybe six P.M., and then I forget all about it. And then I'll say, Ugh, Grandma, stop nagging.
”
”
Karen Cheung (The Impossible City: A Hong Kong Memoir)
“
I still can't quite grasp what you are telling me. I find it impossible to believe that there would be such unreasoning feeling against harmless people."
Amaryl said bitterly, "That's because you've never had any occasion to interest yourself in such things. It can all pass right under your nose and you wouldn't smell a thing because it doesn't affect you."
Dors said, “Mr. Amaryl, Dr. Seldon is a mathematician like you and his head can sometimes be in the clouds. You must understand that. I am a historian, however. I know that it isn’t unusual to have one group of people look down upon another group. There are peculiar and almost ritualistic hatreds that have no rational justification and that can have their serious historical influence. It’s too bad.”
Saying something is ‘too bad’ is easy. You say you disapprove, which makes you a nice person, and then you can go about your own business and not be interested anymore. It’s a lot worse than ‘too bad.’ It’s against everything decent and natural. We’re all of us the same, yellow-hairs and black-hairs, tall and short, Easterners, Westerners, Southerners, and Outworlders. We’re all of us, you and I and even the Emperor, descended from the people of Earth, aren’t we?
”
”
Isaac Asimov (Prelude to Foundation (Foundation, #6))
“
She sorted through the clothes. “Do you mind wearing Emilio’s underwear?” She turned back to him with the two different styles that she’d found. “You’re about the same size. And they’re clean. They were wrapped in a paper package, like from a laundry service.”
Max gave her a look, because along with the very nice, very expensive pair of black silk boxers she’d pilfered from Emilio, she’d also borrowed one of his thongs.
“What?” Gina said. It was definitely a man-thong. It had all that extra room for various non-female body parts.
“Don’t be ridiculous.”
“I’m not,” she said, trying to play it as serious. “One, it’s been a while, maybe your tastes have changed. And two, these might actually be more comfortable, considering the placement of your bandage and—”
He took the boxers from her.
“Apparently I was wrong.” She turned away and started sorting through the pairs of pants and Bermuda shorts she’d grabbed, trying not to be too obvious about the fact that she was watching him out of the corner of her eye. To make sure he didn’t fall over.
Right.
After he got the boxers on, he took off the bathrobe and . . .
Okay, he definitely wasn’t as skinny as he’d been after his lengthy stint in the hospital. Emilio’s pants probably weren’t going to fit him, after all. Although, there was one pair that looked like they’d be nice and loose . . . There they were. The Kelly green Bermuda shorts.
Max gave her another one of those you’ve-got-to-be-kidding glances as he put the bathrobe over the back of another chair. “Do I really look as if I’ve ever worn shorts that color in my entire life?”
She tried not to smile. “I honestly don’t think you have much choice.” She let herself look at him. “You know, you could just go with the boxers. At least until your pants dry. You know what would really work with that, though? A bowtie.” She turned, as if to go back to the closet. “I’m sure Emilio has a tux. Judging from his other clothes, it’s probably polyester and chartreuse, but maybe the bowtie is—”
“Gina.” Max stopped her before she reached the door. He motioned for her to come back.
She held out the green shorts, but instead of taking them, he took her arm, pulled her close.
“I love you,” Max said, as if he were dispatching some terrible, dire news that somehow still managed to amuse him at least a little.
Gina had been hoping that he’d say it, praying even, but the fact that he’d managed to smile, even just a bit while he did, was a miracle.
And then, before her heart even had a chance to start beating again, he kissed her.
And oh, she was also beyond ready for that particular marvel, for the sweet softness of his mouth, for the solidness of his arms around her. There was more of him to hold her since he’d regained his fighting weight—and that was amazing, too. She skimmed her hands across the muscular smoothness of his back, his shoulders, as his kiss changed from tender to heated.
And, God. That was a miracle, too.
Except she couldn’t help but wonder about those words, wrenched from him, as if it cost him his soul to speak them aloud. Why tell her this right now?
Yes, she’d been waiting for years for him to say that he loved her, but . . .
Max laughed his surprise. “No. Why do you . . .?” He figured it out himself. “No, no, Gina, just . . . I should’ve said it before. I should have said it years ago, but I really should have said it, you know, instead of hi.” He laughed again, clearly disgusted with himself. “God, I’m an idiot. I mean, hi? I should have walked in and said, ‘Gina, I need you. I love you, don’t ever leave me again.’”
She stared at him. It was probably a good thing that he hadn’t said that at the time, because she might’ve fainted.
It was obvious that he wanted her to say something, but she was completely speechless.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
I hadn't wanted to explain the lipstick. Or the mascara. Or the skinny jeans I'd snagged from Sienna's laundrey and washed under cover of darkness and paired with a black turtleneck that a jaunt through the dryer had made, to ne honest, a size too small. But this news about the Willing Archive trumped all of that.
He gave me a careful once-over. "Well."
I sat down next to him, aiming for casual. I should have aimed my butt. I sat on his geometry book. "Well what?"
"Don't even.The day you become a good liar is the day I leave you for one of the Hannandas."
"I have an appointment at the Willing Archive."
I will say this for Frankie: He pays attention. "The utterly-off-limits, place-to-bury-your-face-in-Edward's-old-knickers archive?"
"Nice.But yes,that one.Mrs. Evers got me in."
"About time someone did." He bumped a shoulder against mine. "I really do hate to burst your bubble, Fiorella, but Edward is a century past appreciating the sight of you in tight jeans. So tell me whassup."
I squirmed a little.
"What sort of idiot do you think I am?" He sighed. "You look good, but I am concerned about the inspiration."
"It's not a big deal. It's some makeup."
"When I want a boy to look ta me, it's a day that ends in y. You, it's something else. It's a big deal.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Sam tapped her hand on the steering wheel. Patrick held his hand outside the car and made air waves. And I just sat between them. After the song finished, I said something. “I feel infinite.” And Sam and Patrick looked at me like I said the greatest thing they ever heard. Because the song was that great and because we all really paid attention to it. Five minutes of a lifetime were truly spent, and we felt young in a good way. I have since bought the record, and I would tell you what it was, but truthfully, it’s not the same unless you’re driving to your first real party, and you’re sitting in the middle seat of a pickup with two nice people when it starts to rain.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
She was overwhelmed, she would do anything. I could have it any way I wanted it, and she tried to pull me to her, but no, let's wait a while. I tell you I want to talk to you, I tell you money is no object, here's three more, that makes eight dollars, but it doesn't matter. You just keep that eight bucks and buy yourself something nice. And then I snapped my fingers like a man remembering something, something important, an engagement.
'Say!' I said. 'That reminds me. What time is it?'
Her chin was at my neck, stroking it. 'Don't you worry about the time, honey. You can stay all night.'
A man of importance, ah yes, now I remembered, my publisher, he was getting in tonight by plane. Out at Burbank, away out in Burbank. Have to grab a cab and taxi out there, have to hurry. Goodbye, goodbye, you keep that eight bucks, you buy yourself something nice, goodbye, goodbye, running down the stairs, running away, the welcome fog in the doorway below, you keep that eight bucks, oh sweet fog I see you and I'm coming, you clean air, you wonderful world, I'm coming to you, goodbye, yelling up the stairs, I'll see you again, you keep that eight dollars and buy yourself something nice. Eight dollars pouring out of my eyes. Oh Jesus kill me dead and ship my body home, kill me dead and make me die like a pagan fool with no priest to absolve me, no extreme unction, eight dollars, eight dollars ..
”
”
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
“
Claire continued. "There's a complexity of... looking forward to something. Being scared it doesn’t live up to your hope... like second dates... or returning to Cancun... or being in love with a stranger, hoping they never love you. It’s not that you prefer the concept or the excitement of the beginning. It’s the fear that a future with someone won’t be as nice as you hoped it would be. I would hate that, Brit. It'd crush me. It's like when you tell a person you like them—it always dips. It gets awkward. The expectation of it. I feel some things are best left at 'Hello.' Like, I write about living in a forest away from everyone, but I can’t tell if that’s the future I want or only enjoy writing about.
”
”
Kristian Ventura (The Goodbye Song)
“
up for it, and I’m sorry. That’s not enough. You’re going to search until you find something, and you’re going to tell me. Right now. Sheri. Please. You do it now or we’re gone. You give me some way to have some sympathy for you as I stand in this nice house, all lovingly redone, and think about the broken house you left us in, with its leaky roof and no heat and no insulation and nothing. Tell your sob story about the fucking war, whatever it was that my mom thought you were so broken about. My grandfather closed his eyes. No story ever explains. But I’ll give you what you want. I think I know the moment you want, because I made a kind of decision. There was some change. But I can’t start the story at the beginning. I’ve never been able to do that. I have to start at the end and then go back, and it doesn’t finish, because you can go back forever. Do it, my mother said. I don’t think Caitlin should hear. She can hear. Okay. You’re her mother. That’s right. So I won’t give the awful details, but I was lying in a pile of bodies. My friends. The closest friends I’ve ever had. Not piled there on purpose, but just the way it ended up because I had been working on the axle, lying on the ground. And the thing is, the war was over. It had been over for days, and we were laughing and a bit drunk, telling jokes. There was something unbearable about the fact that we’d all be going our separate ways now. The truth is that we didn’t want to leave. We wanted the war over, but we didn’t want what we had together to be over. I think we all had some sense that this was the closest we’d ever be to anyone, and that our families might feel like strangers now. So that’s it? You couldn’t be a father and husband because you weren’t done being a buddy? No. No. It’s the way it happened, in a moment that was supposed to be safe. After every moment of every day in fear for years, we were finally safe, and that’s when the slugs came and I watched my friends torn apart and landing on me, dying. That’s the point. We were supposed to be safe. And with your mother, too, I was supposed to be safe. A wife, a family. The story doesn’t make any sense unless you know every moment before it, every time we thought we were going to die, all the times we weren’t safe. You can’t just be told about that. You have to feel it, how long one night can be, and then all of them put together, hundreds of nights and then more, and there’s a kind of deal that’s made, a deal with god. You do certain terrible things, you endure things, because there’s a bargain made. And then when god says the deal’s off later, after you’ve already paid, and you see your friends ripped through, yanked like puppets on a day that was safe, and you find out your wife is going to die young, and you get to watch her dying, something that again is going to be for years, hundreds of nights more, all deals are off.
”
”
David Vann (Aquarium)
“
Forgive me,” he said tightly. “That was uncalled for.”
“It certainly was,” Maria said. “She was saying nice things about you.”
His gaze shot to her. “She was pointing out, yet again, how I’ve failed my family.”
“If you don’t like it,” Maria countered, “why don’t you stop failing them?”
“Touche, Maria,” Minerva said softly.
Gritting his teeth, Oliver turned his gaze out the window, no doubt wishing he could be well away from them all. And as he retreated into himself, Minerva began to tell one story after another about Oliver as a boy.
Maria didn’t want to be enchanted by them, but she couldn’t help herself. She laughed at the tale of how he’d fallen into the pond in front of Halstead Hall while trying to “charm” fish into the boat the way Indians charmed snakes out of their baskets. She tried not to laugh at the one where he coaxed Gabe into sharing Gabe’s piece of cake by claiming that it might have been poisoned, requiring Oliver to “taste it and make sure it was safe.”
But the tale about some lad pulling five-year-old Minerva’s hair, and Oliver jumping to her rescue by punching Minerva’s attacker, made Maria want to cry. The Oliver who’d defended his sister still existed-she glimpsed him from time to time. So where had the other, carefree Oliver gone? His siblings didn’t seem nearly as bitter over the tragedy of their parents’ deaths as he. Was it simply because he’d been older? Or did something else about it plague him?
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
Yes, I was. Not that I wanted that. To be a boss, I mean. The president of the company said that was precisely why he wanted me to do it. He said you don’t have to lead by telling other people what to do, you can lead by just letting them do what they’re capable of instead. So I tried to be a teacher more than a boss. I know people find it hard to believe of me, but I’m not a bad teacher. When I retired, two of my staff said they hadn’t realized I was actually their boss until they heard the speech thanking me for my work. A lot of people would probably have taken that as an insult, but I thought it was … nice. If you can do something for someone in such a way that they think they managed it all on their own, then you’ve done a good job.
”
”
Fredrik Backman (Anxious People)
“
I think I have done you a disservice,” my father finally said, looking me in the eye. “I told you from such a young age that you could be the very best. But I never explained to you that it’s about aiming for excellence, not about stats.” “What?” “I am just saying that when you were a child, I spoke in…grandiosities. But, Carrie, there is no actual unequivocal greatest in the world. Tennis doesn’t work like that. The world doesn’t work like that.” “I’m not going to sit here and be insulted.” “How am I insulting you? I am telling you there is no one way to define the greatest of all time. You’re focusing right now on rankings. But what about the person who gets the most titles over the span of their career? Are they the greatest? How about the person with the fastest recorded serve? Or the highest paid? I’m asking you to take a minute and recalibrate your expectations.” “Excuse me?” I said, standing up. “Recalibrate my expectations?” “Carrie,” my father said. “Please listen to me.” “No,” I said, putting my hands up. “Don’t use your calm voice and act like you’re being nice. Because you’re not. Having someone on this planet who is as good as me—or better—means I have not achieved my goal. If you would like to coach someone who is fine being second, go coach someone else.” I threw my napkin down and walked out of the restaurant. I made my way through the lobby to the parking lot. I was still furious by the time my father caught up to me by my car. “Carolina, stop, you’re making a scene,” he said. “Do you have any idea how hard it is?” I shouted. It felt shocking to me, to hear my own voice that loud. “To give everything you have to something and still not be able to grasp it! To fail to reach the top day after day and be expected to do it with a smile on your face? Maybe I’m not allowed to make a scene on the court, but I will make a scene here, Dad. It is the very least you can give me. Just for once in my life, let me scream about something!” There were people gathering in the parking lot, and each one of them, I could tell, knew my name. Knew my father’s name. Knew exactly what they were witnessing. “WHAT ARE YOU ALL LOOKING AT? GO ON ABOUT YOUR SAD LITTLE DAYS!” I got in my convertible and drove away. —
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
It looked like every cartoon of a flying saucer Newt had ever seen.
As he stared over the top of his map, a door in the saucer slid aside with a satisfying whoosh, revealing a gleaming walkway which extended automatically down to the road. Brilliant blue light shone out, outlining three alien shapes. They walked down the ramp. At least, two of them walked. The one that looked like a pepper pot just skidded down it, and fell over at the bottom.
The other two ignored its frantic beeping and walked over to the car quite slowly, in the worldwide approved manner of policemen already compiling the charge sheet it their heads. The tallest one, a yellow toad dressed in kitchen foil, rapped on Newt's window. He wound it down. The thing was wearing the kind of mirror-finished sunglasses that Newt always thought of as Cool Hand Luke shades.
'Morning, sir or madam or neuter,' the thing said. 'This your planet, is it?'
The other alien, which was stubby and green, had wandered off into the woods by the side of the road. Out of the corner of his eye Newt saw it kick a tree, and then run a leaf through some complicated gadget on its belt. It didn't look very pleased.
'Well, yes. I suppose so.' he said.
The toad stared thoughtfully at the skyline.
'Had it long, have we, sir?' it said.
'Er. Not personally. I mean, as a species, about half a million years. I think.'
The alien exchanged glances with its colleague. 'Been letting the old acid rain build up, haven't we, sir?' it said. 'Been letting ourselves go a bit with the old hydrocarbons, perhaps?'
'I'm sorry.'
'Could you tell me your planet's albedo, sir?' said the the toad, still staring levelly at the horizon as though it was doing something interesting.
'Er. No.'
'Well, I'm sorry to have to tell you, sir, that your polar ice caps are below regulation size for a planet of this category, sir.'
'Oh, dear,' said Newt. He was wondering who he could tell about this, and realizing that there was absolutely no one who would believe him. [...]
The small alien walked past the car.
'CO2 level up 0.5 percent,' it rasped, giving him a meaningful look. 'You do know you could find yourself charged with being a dominant species while under the influence of impulse-driven consumerism, don't you?
”
”
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
Dr. Kerry said he'd been watching me. "You act like someone who is impersonating someone else. And it's as if you think your life depends on it."
I didn't know what to say, so I said nothing.
"It has never occurred to you," he said, "that you might have as much right to be here as anyone." He waited for an explanation.
"I would enjoy serving the dinner," I said, "more than eating it."
Dr. Kerry smiled. "You should trust Professor Steinberg. If he says you're a scholar-'pure gold,' I heard him say-then you are."
"This is a magical place," I said. "Everything shines here."
"You must stop yourself from thinking like that," Dr. Kerry said, his voice raised. "You are not fool's gold, shining only under a particular light. Whomever you become, whatever you make yourself into, that is who you always were. It was always in you. Not in Cambridge. In you. You are gold. And returning to BYU, or even to that mountain you came from, will not change who you are. It may change how others see you, it may even change how you see yourself-even gold appears dull in some lighting-but that is the illusion. And it always was."
I wanted to believe him, to take his words and remake myself, but I'd never had that kind of faith. No matter how deeply I interred the memories, how tightly I shut my eyes against them, when I thought of my self, the images that came to mind were of that girl, in the bathroom, in the parking lot.
I couldn't tell Dr. Kerry about that girl. I couldn't tell him that the reason I couldn't return to Cambridge was that being here threw into great relief every violent and degrading moment of my life. At BYU I could almost forget, allow what had been to blend into what was. But the contrast here was too great, the world before my eyes too fantastical. The memories were more real-more believable-than the stone spires.
To myself I pretended there were other reasons I couldn't belong at Cambridge, reasons having to do with class and status: that it was because I was poor, had grown up poor. Because I could stand in the wind on the chapel roof and not tilt. That was the person who didn't belong in Cambridge: the roofer, not the whore. I can go to school, I had written in my journal that very afternoon. And I can buy new clothes. But I am still Tara Westover. I have done jobs no Cambridge student would do. Dress us any way you like, we are not the same. Clothes could not fix what was wrong with me. Something had rotted on the inside.
Whether Dr. Kerry suspected any part of this, I'm not sure. But he understood that I had fixated on clothes as the symbol of why I didn't, and couldn't, belong. It was the last thing he said to me before he walked away, leaving me rooted, astonished, beside that grand chapel.
"The most powerful determinant of who you are is inside you," he said. "Professor Steinberg says this is Pygmalion. Think of the story, Tara." He paused, his eyes fierce, his voice piercing. "She was just a cockney in a nice dress. Until she believed in herself. Then it didn't matter what dress she wore.
”
”
Tara Westover (Educated)
“
Cardan pulls a pin from his coat, a glittering, filigree thing in the shape of an acorn with an oak leaf behind it. For a delirious moment, I think he's going to give it to Locke in exchange for leaving me there. That seems impossible, even to my wild mind.
Then Cardan takes hold of my hand, which seems even less possible. His fingers are overwarm against my skin. He stabs the point of his pin into my thumb.
'Ow,' I say, pulling away from him and putting the injured digit in my mouth. My own blood is metallic against my tongue.
'Have a nice walk home,' he tells me.
...
I suck on my injured thumb, feeling odd. My head is still swimming, but not like it was. Something's wrong. A moment later, I realise what. There's salt in human blood.
My stomach lurches.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
I trust in my own incomprehension that gives me life free of understanding, I lost friends, I don’t understand death. The horrible duty is to go to the end. And counting on no one. To live your life yourself. And to suffer as much to dull myself a bit. Because I can no longer carry the sorrows of the world. What can I do when I feel totally what other people are and feel? I live them but no longer have the strength. I don’t want to tell even myself certain things. It would be to betray the is-itself. I feel that I know some truths. Which I already foresee. But truths have no words. Truths or truth? I’m not going to speak of the God, He is my secret. The sun is shining today. The beach was full of a nice wind and a freedom. And I was on my own. Without needing anybody. It’s hard because I need to share what I feel with you. The calm sea. But on the lookout and suspicious. As if a calm like that couldn’t last. Something’s always about to happen. The unforeseen, improvised and fatal, fascinates me. I have started to communicate so strongly with you that I stopped being while still existing. You became an I. It’s so hard to speak and say things that can’t be said. It’s so silent. How to translate the silence of the real encounter between the two of us? So hard to explain: I looked straight at you for a few instants. Such moments are my secret. There was what’s called perfect communion. I call it an acute state of happiness. I’m terribly lucid and it seems I’m reaching a higher plane of humanity. Or of unhumanity—the it.
”
”
Clarice Lispector (Água Viva)
“
You’re an idiot,” Preston says.
“Excuse me?”
“You’re an idiot, sir?” he tries again.
“Just tell me how much she likes Dave, Preston. I don’t have time for this girly bullshit.” Jesus fuck, am I going to have to resort to getting girl advice from my gay assistant? What the hell has my life come to? Sandra has turned everything upside down.
“She doesn’t like Dave. She likes you. She’s had a crush on you forever and I’m totally breaking girl code telling you any of this.”
“Then why the hell is she spending the weekend with Dave?” I ask, ignoring his girl code.
“But you know Sandy’s a nice girl. She doesn’t know what to make of a guy who fucks her in his office but never asks her to dinner,” Preston continues. Apparently girl code is over. “Women are complex creatures, Gabe. They think it means something when a man takes his sweet-ass time asking her on a date. They think it means you’re just interested in the sex.” He narrows his eyes at me. “Obviously that’s not the case here, as based on the way you look at that girl it’s clear you’re already half in love with her.”
I really am getting girl advice from my gay assistant
“Since you know everything, care to tell me where she went with Dave?”
“Marissa’s wedding.”
“Who the hell is Marissa?”
“Hello? She works here? In sales?”
I shrug. Still no idea who he’s talking about.
“You know, if you’d taken me up on my suggestion about briefing you on company gossip during Whisper Wednesdays you wouldn’t be so behind right now.”
I’m going to kill him before this conversation is over
”
”
Jana Aston (Fling (Cafe, #2.5))
“
You’re the one thing that makes my life bearable,” he said, and the sudden tension in him, suffusing every muscle, reminded me of how he had braced himself every time Vas came around. It was the way he looked when he was guarding himself against pain. “You’re this bright spot of light. You’re--Cyra, before I knew you, I thought about…”
I raised my eyebrows.
He drew a sharp breath. His gray eyes looked glassy.
“Before I knew you,” he began again, “I didn’t intend to live past rescuing my brother. I didn’t want to serve the Noavek family. I didn’t want to give my life to them. But when it’s you…it seems like whatever the end is, it might be worthwhile.”
Maybe, to another person, this might have sounded kind. Or at least realistic. A person couldn’t avoid fate. That was the whole point. Fate was the place at which all possible life paths converged--and when the oracles said “all,” they meant all. So was it really so bad, being something good in the fate Akos dreaded?
Maybe not. To another person.
Unfortunately, I was not another person.
“What you’re telling me,” I said, “is that if you’re going to have your head chopped off anyway, it’s at least nice to have your head on a very soft chopping block.”
“That’s…” He made a frustrated noise. “That’s the worst possible way to interpret what I said!”
“Yeah? Well, it’s my way,” I snapped. “I don’t want to be the gift someone gets when they’ve already lost. I don’t want to be a happy inevitability. I want to be chosen. I want to be wanted.”
“You think I don’t want you? Haven’t I made that clear? I still chose you over my family, Cyra, and it wasn’t because of fate!
”
”
Veronica Roth (The Fates Divide (Carve the Mark, #2))
“
It’s nice when grown people whisper to each other under the covers. Their ecstasy is more leaf-sigh than bray and the body is the vehicle, not the point. They reach, grown people, for something beyond, way beyond and way, way down underneath tissue. They are remembering while they whisper the carnival dolls they won and the Baltimore boats they never sailed on. The pears they let hang on the limb because if they plucked them, they would be gone from there and who else would see that ripeness if they took it away for themselves? How could anybody passing by see them and imagine for themselves what the flavor would be like? Breathing and murmuring under covers both of them have washed and hung out on the line, in a bed they chose together and kept together nevermind one leg was propped on a 1916 dictionary, and the mattress, curved like a preacher’s palm asking for witnesses in His name’s sake, enclosed them each and every night and muffled their whispering, old-time love. They are under the covers because they don’t have to look at themselves anymore; there is no stud’s eye, no chippie glance to undo them. They are inward toward the other, bound and joined by carnival dolls and the steamers that sailed from ports they never saw. That is what is beneath their undercover whispers.
But there is another part, not so secret. The part that touches fingers when one passes the cup and saucer to the other. The part that closes her neckline snap while waiting for the trolley; and brushes lint from his blue serge suit when they come out of the movie house into the sunlight.
I envy them their public love. I myself have only known it in secret, shared it in secret and longed, aw longed to show it—to be able to say out loud what they have no need to say at all: That I have loved only you, surrendered my whole self reckless to you and nobody else. That I want you to love me back and show it to me. That I love the way you hold me, how close you let me be to you. I like your fingers on and on, lifting, turning. I have watched your face for a long time now, and missed your eyes when you went away from me. Talking to you and hearing you answer —that’s the kick.
But I can’t say that aloud; I can’t tell anyone that I have been waiting for this all my life and that being chosen to wait is the reason I can. If I were able I’d say it. Say make me, remake me. You are free to do it and I am free to let you because look, look. Look where your hands are. Now.
”
”
Toni Morrison (Jazz (Beloved Trilogy, #2))
“
That night, I startled Andrew by striding right up to him in the attic and shoving my face close to his. For once, I was too angry to be scared of him. “You didn’t tell me Papa beat you!”
Andrew raised his eyebrows. “Do you mean to say you finally earned a whipping?”
“It’s not funny--he hit me with his belt!”
“Oh, horsefeathers. If Papa thought you deserved it, you probably did.” Andrew studied my face. “I hope you didn’t cry.”
“Of course I did. It hurt!”
Andrew cradled his head in his hands. “How will I ever face Theo,” he muttered. “I can’t imagine what he thinks of me.”
Stung by his lack of sympathy, I glared at Andrew. “My dad never hits me. Never! When I do something wrong, we talk about it. Fathers who beat their kids go to jail for child abuse.”
“Truly?” Andrew smiled. “That’s one more reason to keep winning--my rear end could do with a nice, long rest.
”
”
Mary Downing Hahn (Time for Andrew: A Ghost Story)
“
We were in Julie’s room one night, my eldest daughter and I, maybe a decade ago now. I wanted to show her how the canvas painting she had carefully labored over for her little sister's Christmas gift was framed and hung on the wall.
I said, gazing at her masterpiece with no small amount of motherly pride, “Now it looks like a real work of art”.
Bella looked at me quizzically, wondering yet again how her mother could possibly understand so little about the world.
“Mama, every time you make something, or draw something, or paint something, it is already real art. There is no such thing as art that is not real”
And so I said that she was right, and didn’t it look nice, and once again, daughter became guru and mother became willing student.
Which is, I sometimes think, the way it was meant to be.
~~~~~
art is always real.
all of it.
even the stuff you don’t understand.
even the stuff you don’t like.
even the stuff that you made that you would be embarrassed to show your best friend
that photo that you took when you first got your DSLR, when you captured her spirit perfectly but the focus landed on her shoulder?
still art.
the painting you did last year the first time you picked up a brush, the one your mentor critiqued to death?
it’s art.
the story you are holding in your heart and so desperately want to tell the world?
definitely art.
the scarf you knit for your son with the funky messed up rows?
art. art. art.
the poem scrawled on your dry cleaning receipt at the red light.
the dress you want to sew.
the song you want to sing.
the clay you’ve not yet molded.
everything you have made
or will one day make
or imagine making in your wildest dreams.
it’s all real, every last bit.
because there is no such thing
as art that is not real.
”
”
Jeanette LeBlanc
“
I had my reasons, Alastair.”
“I’m sure you did,” he said, surprising her again. “I wish you’d tell me what they were. Are you in love with Matthew?”
“I don’t know,” Cordelia said. Not that she didn’t have thoughts on the matter, but she didn’t feel like sharing them with Alastair at the moment.
“Are you in love with James, then?”
“Well. We are married.”
“That’s not really an answer,” said Alastair. “I don’t really like James,” he added, “but on the other hand, I also don’t like Matthew very much. So you see, I am torn.”
“Well, this must be very difficult for you,” Cordelia said crossly. “I cannot imagine how you will find it within yourself to go on.”
She made a dismissive gesture, which was spoiled when Alastair burst out laughing. “I’m sorry,” he said. “But those gloves are enormous on you.”
“Humph,” said Cordelia.
“About James—”
“Are we the sort of family that discusses our intimate relationships now?” Cordelia interrupted. “Perhaps you would like to talk about Charles?”
Generally not. Charles seems to be healing up, and beyond him surviving, I have no further interest in what happens to him,” said Alastair. “In fact, there have been a few touch-and-go moments with my caring about whether he survives. He was always demanding that I adjust his pillows. ‘And now the foot pillow, Alastair,” he said in a squeaky voice that, to be fair, sounded nothing like the actual Charles. Alastair was terrible at impressions.
“I wouldn’t mind a foot pillow,” said Cordelia. “It sounds rather nice.”
“You are clearly in an emotional state, so I will ignore your rambling,” said Alastair. “Look, you need not discuss your feelings about James, Matthew, or whatever other harem of men you may have acquired, with me. I merely want to know if you’re all right.”
“No, you want to know if either of them has done something awful to me, so you can chase them around, shouting,” said Cordelia darkly.
“I could do both,” Alastair pointed out.
”
”
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
“
I end up leaning on my sword for a moment, after exerting almost the last of my energy to take down one of the weakest Vampyres. Must be nice to be a Van Helsing, who can carry on idle chit-chat, while fighting like it’s a day job.
“I told you to feed more often—”
“I don’t want to hear ‘I told you so’s’ right now, you smug prat. I want you to kiss me,” I tell him.
“I’ll fucking die first,” he assures me, quickly knocking the head off the Vampyre, who damn near crept up on me.
After Vance does some fancy sword skills, clearly showing off, five Vampyres lose their head, leaving only two.
I stick behind Vance, shamelessly using the sword-happy Van Helsing as a shield.
“Should we discuss the ghost fanning herself right now?” I ask, as Emily slides up next to us, moving with us toward the remaining Vampyres.
“Pssst,” the ghost stage whispers. “The threat’s over. You can be cool again.”
I step out from behind Vance, adjust my jacket, and ignore the fucking ghost who thinks I have pride or something.
”
”
Kristy Cunning (Gypsy Truths (All the Pretty Monsters, #6))
“
They had this course you had to take, Oral Expression. That I flunked.
'Why?'
'Oh, I don't know.' I didn't feel much like going into it. I was still feeling sort of dizzy or something, and I had a helluva headache all of a sudden. I really did. But you could tell he was interested, so I told him a little bit about it. 'It's this course where each boy in class has to get up in class and make a speech. You know. Spontaneous and all. And if the boy digresses at all, you're supposed to yell "Digression!" at him as fast as you can. It just about drove me crazy. I got an F in it.'
'Why?'
'Oh, I don't know. That digression business got on my nerves. I don't know. The trouble with me is, I like it when somebody digresses. It's more interesting and all.'
'You don't care to have somebody stick to the point when he tells you something?'
'Oh, sure! I like somebody to stick to the point and all. But I don't like them to stick too much to the point. I don't know. I guess I don't like it when somebody sticks to the point all the time. The boys that got the best marks in Oral Expression were the ones that stuck to the point all the time—I admit it. But there was this one boy, Richard Kinsella. He didn't stick to the point too much, and they were always yelling "Digression!" at him. It was terrible, because in the first place, he was a very nervous guy—I mean he was a very nervous guy—and his lips were always shaking whenever it was his time to make a speech, and you could hardly hear him if you were sitting way in the back of the room. When his lips sort of quit shaking a little bit, though, I liked his speeches better than anybody else's. He practically flunked the course, though, too. He got a D plus because they kept yelling "Digression!" at him all the time. For instance, he made this speech about this farm his father bought in Vermont. They kept yelling "Digression!" at him the whole time he was making it, and this teacher, Mr. Vinson, gave him an F on it because he hadn't told what kind of animals and vegetables and stuff grew on the farm and all. What he did was, Richard Kinsella, he'd start telling you all about that stuff—then all of a sudden he'd start telling you about this letter his mother got from his uncle, and how his uncle got polio and all when he was forty-two years old, and how he wouldn't let anybody come to see him in the hospital because he didn't want anybody to see him with a brace on. It didn't have much to do with the farm—I admit it—but it was nice. It's nice when somebody tells you about their uncle. Especially when they start out telling you about their father's farm and then all of a sudden get more interested in their uncle. I mean it's dirty to keep yelling "Digression!" at him when he's all nice and excited... I don't know. It's hard to explain.' I didn't feel too much like trying, either. For one thing, I had this terrific headache all of a sudden. I wished to God old Mrs. Antolini would come in with the coffee. That's something that annoys hell out of me—I mean if somebody says the coffee's all ready and it isn't.
”
”
J.D. Salinger (The Catcher in the Rye)
“
How did you find me?"
"I've followed you for a long time." He must have mistaken the look on my face for alarm or fear, and said, "Not literally. I just mean I never lost track."
But it wasn't fear, or anything like that. It was an instant of realization I'd have a lot in the coming days: I'd been thinking of him as coming back from the dead, but the fact was he'd been there all along. He'd been alive when I cried in my room over him being gone. He'd been alive when I started a new school without him, the day I made my first friend a Jones Hall, the time I ran into Ethan at the library. Cameron Quick and I had existed simultaneously on the planet during all of those moments. It didn't seem possible that we could have been leading separate lives, not after everything we'd been through together.
"...then I looked you up online," he was saying, "and found your mom's wedding announcement from before you changed your name. I didn't even need to do that. It's easy to find someone you never lost."
I struggled to understand what he was saying. "You mean...you could have written to me, or seen me, sooner?"
"I wanted to. Almost did, a bunch of times."
"Why didn't you? I wish you had." And I did, I wished it so much, imagined how it would have been to know all those years that he was there, thinking of me.
"Things seemed different for you," he said, matter-of-fact. "Better. I could tell that from the bits of information I found...like an interview with the parents who were putting their kids in your school when it first started. Or an article about that essay contest you won a couple years ago."
"You knew about that?"
He nodded. "That one had a picture. I could see just from looking at you that you had a good thing going. Didn't need me coming along and messing it up."
"Don't say that," I said quickly. Then: "You were never part of what I wanted to forget."
"Nice of you to say, but I know it's not true."
I knew what he was thinking, could see that he'd been carrying around the same burden all those years as me.
"You didn't do anything wrong." It was getting cold on the porch, and late, and the looming topic scared me. I got up. "Let's go in. I can make coffee or hot chocolate or something?"
"I have to go."
"No! Already?" I didn't want to let him out of my sight.
"Don't worry," he said. "Just have to go to work. I'll be around."
"Give me your number. I'll call you."
"I don't have a phone right now."
"Find me at school," I said, "or anytime. Eat lunch with us tomorrow." He didn't answer. "Really," I continued, "you should meet my friends and stuff."
"You have a boyfriend," he finally said. "I saw you guys holding hands."
I nodded. "Ethan."
"For how long?"
"Three months, almost." I couldn't picture Cameron Quick dating anyone, though he must have at some point. If I'd found Ethan, I was sure Cameron had some Ashley or Becca or Caitlin along the way. I didn't ask. "He's nice," I added. "He's..." I don't know what I'd planned to say, but whatever it was it seemed insignificant so I finished that sentence with a shrug.
"You lost your lisp."
And about twenty-five pounds, I thought. "I guess speech therapy worked for both of us."
He smiled. "I always liked that, you know. Your lisp. It was...you." He started down the porch steps. "See you tomorrow, okay?"
"Yeah," I said, unable to take my eyes off of him. "Tomorrow.
”
”
Sara Zarr (Sweethearts)
“
So if you understand me better, what then?” “You don’t get it, do you?” I said. “It’s not a question of ‘what then.’ Some people get a kick out of reading railroad timetables and that’s all they do all day. Some people make huge model boats out of matchsticks. So what’s wrong if there happens to be one guy in the world who enjoys trying to understand you?” “Kind of like a hobby?” she said, amused. “Sure, I guess you could call it a hobby. Most normal people would call it friendship or love or something, but if you want to call it a hobby, that’s O.K., too.” “Tell me,” said Naoko, “you liked Kizuki, too, didn’t you?” “Of course,” I said. “How about Reiko?” “I like her a lot,” I said. “She’s really nice.” “How come you always like people like that—people like us, I mean? We’re all kinda weird and twisted and drowning—me and Kizuki and Reiko. Why can’t you like more normal people?” “Because I don’t see you like that,” I said after giving it some thought. “I don’t see you or Kizuki or Reiko as ‘twisted’ in any way. The guys I think of as twisted are out there running around.” “But we are twisted,” said Naoko. “I can see that.
”
”
Haruki Murakami (Norwegian Wood)
“
Dear Lucas,
I never met a boy with manners as good as yours. You ought to have a British accent. At homecoming, you wore a cravat and it suited you so well I think you could wear one all the time and get away with it.
Oh, Lucas! I wish I knew what kind of girls you liked. As far as I can tell, you haven’t dated anyone…unless you have a girlfriend at another school. You’re just so mysterious. I hardly know a thing about you. The things I know are so unsubstanial, so unsatisfying, like that you eat a chicken sandwich every day at lunch, and you’re on the golf team. I guess the one remotely real thing I know about you is you’re a good writer, which must mean you have deep reserves of emotion. Like that short story you wrote in creative writing about the poisoned well, and it was from a six-year-old boy’s perspective. It was so sensitive, so keen!
That story made me feel like I knew you at least a little bit. But I don’t know you, and I wish I did.
I think you’re very special. I think you are probably one of the most special people at our school, and I wish more people knew that about you. Or maybe I don’t, because sometimes it’s nice to be the only one who knows something.
Love, Lara Jean
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
to be open and straightforward about their needs for attention in a social setting. It is equally rare for members of a group in American culture to honestly and openly express needs that might be in conflict with that individual’s needs. This value of not just honestly but also openly fully revealing the true feelings and needs present in the group is vital for it’s members to feel emotional safe. It is also vital to keeping the group energy up and for giving the feedback that allows it’s members to know themselves, where they stand in relation to others and for spiritual/psychological growth. Usually group members will simply not object to an individual’s request to take the floor—but then act out in a passive-aggressive manner, by making noise or jokes, or looking at their watches. Sometimes they will take the even more violent and insidious action of going brain-dead while pasting a jack-o’-lantern smile on their faces. Often when someone asks to read something or play a song in a social setting, the response is a polite, lifeless “That would be nice.” In this case, N.I.C.E. means “No Integrity or Congruence Expressed” or “Not Into Communicating Emotion.” So while the sharer is exposing his or her vulnerable creation, others are talking, whispering to each other, or sitting looking like they are waiting for the dental assistant to tell them to come on back. No wonder it’s so scary to ask for people’s attention. In “nice” cultures, you are probably not going to get a straight, open answer. People let themselves be oppressed by someone’s request—and then blame that someone for not being psychic enough to know that “Yes” meant “No.” When were we ever taught to negotiate our needs in relation to a group of people? In a classroom? Never! The teacher is expected to take all the responsibility for controlling who gets heard, about what, and for how long. There is no real opportunity to learn how to nonviolently negotiate for the floor. The only way I was able to pirate away a little of the group’s attention in the school I attended was through adolescent antics like making myself fart to get a few giggles, or asking the teacher questions like, “Why do they call them hemorrhoids and not asteroids?” or “If a number two pencil is so popular, why is it still number two,” or “What is another word for thesaurus?” Some educational psychologists say that western culture schools are designed to socialize children into what is really a caste system disguised as a democracy. And in once sense it is probably good preparation for the lack of true democratic dynamics in our culture’s daily living. I can remember several bosses in my past reminding me “This is not a democracy, this is a job.” I remember many experiences in social groups, church groups, and volunteer organizations in which the person with the loudest voice, most shaming language, or outstanding skills for guilting others, controlled the direction of the group. Other times the pain and chaos of the group discussion becomes so great that people start begging for a tyrant to take charge. Many times people become so frustrated, confused and anxious that they would prefer the order that oppression brings to the struggle that goes on in groups without “democracy skills.” I have much different experiences in groups I work with in Europe and in certain intentional communities such as the Lost Valley Educational Center in Eugene, Oregon, where the majority of people have learned “democracy skills.” I can not remember one job, school, church group, volunteer organization or town meeting in mainstream America where “democracy skills” were taught or practiced.
”
”
Kelly Bryson (Don't Be Nice, Be Real)
“
I am not Seamus, who tacks emotions to the outside of his skin and whose words charge from his mouth on horseback. No one sees through me, except Xavier, and he does so not because I choose to give him access but because he knows himself. I will have to offer myself to Seamus, if I want something 'more' with him. Part of me can't believe I'd contemplate it, even for a moment. What do I have in common with an oversized, yarn-spinning, bread-mauling, divorced deliveryman attached to a seven-year-old? The rest of me doesn't know if I remember how to be close to another person. I practice mimicry, a Viceroy butterfly masquerading as a Monarch, a Superb Lyrebird echoing the calls of everything from chickadees to chain saws. I practice stories of my past, telling this sad memory or that scary one, and people feel I'm confiding in them because the words touch their deepest wounds, not because the tales hold any emotional resonance for me. My intimacies, the ones that have become my Sisyphus stones, long-term romantic relationships, the college one, ended with the nice young man shocked when I said I didn't love him and we had nothing in common. "We've spent two years talking about everything," he said.
Yes, mimicry.
”
”
Christa Parrish (Stones For Bread)
“
Tobias takes me to the atrium near the hotel dormitory, and we spend some time there, talking and kissing and pointing out the strangest plants. It feels like something that normal people do--go on dates, talk about small things, laugh. We have had so few of those moments. Most of our time together has been spent running from one threat or another, or running toward one threat or another. But I can see a time on the horizon when that won’t need to happen anymore. We will reset the people in the compound, and work to rebuild this place together. Maybe then we can find out if we do as well with the quiet moments as we have with the loud ones.
I am looking forward to it.
Finally the time comes for Tobias to leave. I stand on the higher step in the atrium and he stands on the lower one, so we’re on the same plane.
“I don’t like that I can’t be with you tonight,” he says. “It doesn’t feel right to leave you alone with something this huge.”
“What, you don’t think I can handle it?” I say, a little defensive.
“Obviously that is not what I think.” He touches his hands to my face and leans his forehead against mine. “I just don’t want you to have to bear it alone.”
“I don’t want you to have to bear Uriah’s family alone,” I say softly. “But I think these are things we have to do separately. I’m glad I’ll get to be with Caleb before…you know. It’ll be nice not having to worry about you at the same time.”
“Yeah.” He closes his eyes. “I can’t wait until tomorrow, when I’m back and you’ve done what you set out to do and we can decide what comes next.”
“I can tell you it will involve a lot of this,” I say, and I press my lips to his.
His hands shift from my cheeks to my shoulders and then slide painstakingly down my back. His fingers find the hem of my shirt, then slip under it, warm and insistent.
I feel aware of everything at once, of the pressure of his mouth and the taste of our kiss and the texture of his skin and the orange light glowing against my closed eyelids and the smell of green things, growing things, in the air. When I pull away, and he opens his eyes, I see everything about them, the dart of light blue in his left eye, the dark blue that makes me feel like I am safe inside it, like I am dreaming.
“I love you,” I say.
“I love you, too,” he says. “I’ll see you soon.”
He kisses me again, softly, and then leaves the atrium. I stand in that shaft of sunlight until the sun disappears.
It’s time to be with my brother now.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Meeting the Prince of Wales
I’ve known her [the Queen] since I was tiny so it was no big deal. No interest in Andrew and Edward--never thought about Andrew. I kept thinking, ‘Look at the life they have, how awful’ so I remember him coming to Althorp to stay, my husband, and the first impact was ‘God, what a sad man.’ He came with his Labrador. My sister was all over him like a bad rash and I thought, ‘God, he must really hate that.’ I kept out of the way. I remember being a fat, podgy, no make-up, unsmart lady but I made a lot of noise and he liked that and he came up to me after dinner and we had a big dance and he said: ‘Will you show me the gallery?’ and I was just about to show him the gallery and my sister Sarah comes up and tells me to push off and I said ‘At least, let me tell you where the switches are to the gallery because you won’t know where they are,’ and I disappeared. And he was charm himself and when I stood next to him the next day, a 16-year old, for someone like that to show you any attention--I was just so sort of amazed. ‘Why would anyone like him be interested in me?’ and it was interest. That was it for about two years. Saw him off and on with Sarah and Sarah got frightfully excited about the whole thing, then she saw something different happening which I hadn’t twigged on to, i.e. when he had his 30th birthday dance I was asked too.
‘Why is Diana coming as well?’ [my] sister asked. I said: ‘Well, I don’t know but I’d like to come.’ ‘Oh, all right then,’ that sort of thing. Had a very nice time at the dance--fascinating. I wasn’t at all intimidated by the surroundings [Buckingham Palace]. I thought, amazing place.
Then I was asked to stay at the de Passes in July 1980 by Philip de Pass who is the son. ‘Would you like to come and stay for a couple of nights down at Petworth because we’ve got the Prince of Wales staying. You’re a young blood, you might amuse him.’ So I said ‘OK.’ So I sat next to him and Charles came in. He was all over me again and it was very strange. I thought ‘Well, this isn’t very cool.’ I thought men were supposed not to be so obvious, I thought this was very odd. The first night we sat down on a bale at the barbecue at this house and he’d just finished with Anna Wallace. I said: ‘You looked so sad when you walked up the aisle at Lord Mountbatten’s funeral.’ I said: ‘It was the most tragic thing I’ve ever seen. My heart bled for you when I watched. I thought, “It’s wrong, you’re lonely--you should be with somebody to look after you.
”
”
Andrew Morton (Diana: Her True Story in Her Own Words)
“
The same song was playing the second I met my ex–best friend and the moment I realized I’d lost her.
I met my best friend at a neighborhood cookout the year we would both turn twelve. It was one of those hot Brooklyn afternoons that always made me feel like I'd stepped out of my life and onto a movie set because the hydrants were open, splashing water all over the hot asphalt. There wasn't a cloud in the flawless blue sky. And pretty black and brown people were everywhere.
I was crying. ‘What a Wonderful World’ was playing through a speaker someone had brought with them to the park, and it reminded me too much of my Granny Georgina. I was cupping the last snow globe she’d ever given me in my small, sweaty hands and despite the heat, I couldn’t help imagining myself inside the tiny, perfect, snow-filled world. I was telling myself a story about what it might be like to live in London, a place that was unimaginably far and sitting in the palm of my hands all at once. But it wasn't working. When Gigi had told me stories, they'd felt like miracles. But she was gone and I didn't know if I'd ever be okay again.
I heard a small voice behind me, asking if I was okay. I had noticed a girl watching me, but it took her a long time to come over, and even longer to say anything. She asked the question quietly.
I had never met anyone who…spoke the way that she did, and I thought that her speech might have been why she waited so long to speak to me. While I expected her to say ‘What’s wrong?’—a question I didn’t want to have to answer—she asked ‘What are you doing?’ instead, and I was glad.
“I was kind of a weird kid, so when I answered, I said ‘Spinning stories,’ calling it what Gigi had always called it when I got lost in my own head, but my voice cracked on the phrase and another tear slipped down my cheek. To this day I don’t know why I picked that moment to be so honest. Usually when kids I didn't know came up to me, I clamped my mouth shut like the heavy cover of an old book falling closed. Because time and taught me that kids weren't kind to girls like me: Girls who were dreamy and moony-eyed and a little too nice. Girls who wore rose-tonted glasses. And actual, really thick glasses. Girls who thought the world was beautiful, and who read too many books, and who never saw cruelty coming. But something about this girl felt safe. Something about the way she was smiling as she stuttered out the question helped me know I needn't bother with being shy, because she was being so brave. I thought that maybe kids weren't nice to girls like her either.
The cookout was crowded, and none of the other kids were talking to me because, like I said, I was the neighborhood weirdo. I carried around snow globesbecause I was in love with every place I’d never been. I often recited Shakespeare from memory because of my dad, who is a librarian. I lost myself in books because they were friends who never letme down, and I didn’t hide enough of myself the way everyone else did, so people didn’t ‘get’ me. I was lonely a lot. Unless I was with my Gigi.
The girl, she asked me if it was making me feel better, spinning the stories. And I shook my head. Before I could say what I was thinking—a line from Hamlet about sorrow coming in battalions that would have surely killed any potential I had of making friends with her. The girl tossed her wavy black hair over her shoulder and grinned. She closed her eyes and said 'Music helps me. And I love this song.'
When she started singing, her voice was so unexpected—so bright and clear—that I stopped crying and stared at her. She told me her name and hooked her arm through mine like we’d known each other forever, and when the next song started, she pulled me up and we spun in a slow circle together until we were both dizzy and giggling.
”
”
Ashley Woodfolk (When You Were Everything)
“
I pull into the driveway outside of my father's house and shut off the engine. I sit behind the wheel for a moment, studying the house. He'd called me last night and demanded that I come over for dinner tonight. Didn't request. He demanded. What struck me though, was that he sounded a lot more stressed out and harried than he did when he interrupted my brunch with Gabby to demand my presence at a “family”dinner. Yeah, that had been a fun night filled with my father and Ian badgering me about my job. For whatever reason, they'd felt compelled to make a concerted effort to belittle what I do –more so than they usually do anyway -- try to undermine my confidence in my ability to teach, and all but demand that I quit and come to work for my father's company. That had been annoying, and although they were more insistent than normal, it's pretty par for the course with those two. They always think they know what's best for me and have no qualms about telling me how to live my life. When he'd called me last night though, and told me to come to dinner tonight, there was something in my father's voice that had rattled me. It took me a while to put a finger on what it was I heard in his voice, but when I figured it out, it really shook me. I heard fear. Outright fear. My father isn't a man who fears much or is easily intimidated. In fact, he's usually the one doing the intimidating. But, something has him really spooked and even though we don't always see eye-to-eye or get along, hearing that fear in his voice scared me. In all my years, I've never known him to sound so downright terrified. With a sigh and a deep sense of foreboding, I climb out of my car and head to the door, trying to steel myself more with each step. Call me psychic, but I have a feeling that this is going to be a long, miserable night. “Good evening, Miss Holly,”Gloria says as she opens the door before I even have a chance to knock. “Nice to see you again.”“It's nice to see you too, Gloria,”I say and smile with genuine affection. Gloria has been with our family for as far back as I can remember. Honestly, after my mother passed away from ovarian cancer, Gloria took a large role in raising me. My father had plunged himself into his work –and had taken Ian under his wing to help groom him to take over the empire one day –leaving me to more or less fend for myself. It was like I was a secondary consideration to them. Because I'm a girl and not part of the testosterone-rich world of construction, neither my father nor Ian took much interest in me or my life. Unless they needed something from me, of course. The only time they really paid any attention to me was when they needed me to pose for family pictures for company literature.
”
”
R.R. Banks (Accidentally Married (Anderson Brothers, #1))
“
So-called “battered women’s shelters” have been called “one-stop divorce shops” because they are “extreme militant feminist” operations that exist mostly to separate children from their fathers, even without any demonstration of violence. Erin Pizzey, who founded the first shelter in London in 1971, claims that her movement has been “hijacked” by feminists. Extended investigations by Canada’s National Post and others revealed a violently anti-male agenda, corruption, drug and alcohol use, child abuse, and even, ironically, violence against women. Yet they continue to receive government funding. One woman whose husband “didn’t beat me up or nothing, we just had an argument,” says shelter workers ignored her pleas and pressured her to leave her marriage. “They asked me if I was abused, and I said, ‘No.’ They wanted me to get a lawyer, and I said, ‘For what?’” She maintains shelter employees tried to “trick” her into making incriminating statements about her husband. “Everything negative about him, they wrote it down. If I said something nice about him, they wouldn’t write it down. I kept telling them, ‘No, he didn’t hit me.’” She was offered financial incentives to leave her husband. “They said, ‘If you leave him, we can help you find a place right away.’ But I said, ‘I don’t want to leave him.’ . . . They wanted that so bad. They were trying to break up a family, and I didn’t want that.
”
”
Stephen Baskerville
“
RICHARD FEYNMAN LETTER TO ARLINE FEYNMAN, 1946 Richard Feynman (1918–1988) shared the 1965 Nobel Prize in Physics for his work on quantum electrodynamics. Unrivaled in his generation for his brilliance and innovation, he was also known for being witty, warm, and unconventional. Those last three qualities were particularly evident in this letter, which he wrote to his wife Arline nearly two years after her death from tuberculosis. Feynman and Arline had been high school sweethearts and married in their twenties. Feynman’s second marriage, in 1952, ended in divorce two years later. His third marriage, in 1960, lasted until his death. D’Arline, I adore you, sweetheart. I know how much you like to hear that—but I don’t only write it because you like it—I write it because it makes me warm all over inside to write it to you. It is such a terribly long time since I last wrote to you—almost two years but I know you’ll excuse me because you understand how I am, stubborn and realistic; & I thought there was no sense to writing. But now I know my darling wife that it is right to do what I have delayed in doing, and that I have done so much in the past. I want to tell you I love you. I want to love you. I always will love you. I find it hard to understand in my mind what it means to love you after you are dead—but I still want to comfort and take care of you—and I want you to love me and care for me. I want to have problems to discuss with you—I want to do little projects with you. I never thought until just now that we can do that together. What should we do. We started to learn to make clothes together—or learn Chinese—or getting a movie projector. Can’t I do something now. No. I am alone without you and you were the “idea-woman” and general instigator of all our wild adventures. When you were sick you worried because you could not give me something that you wanted to & thought I needed. You needn’t have worried. Just as I told you then there was no real need because I loved you in so many ways so much. And now it is clearly even more true—you can give me nothing now yet I love you so that you stand in my way of loving anyone else—but I want you to stand there. You, dead, are so much better than anyone else alive. I know you will assure me that I am foolish & that you want me to have full happiness & don’t want to be in my way. I’ll bet you are surprised that I don’t even have a girl friend (except you, sweetheart) after two years. But you can’t help it, darling, nor can I—I don’t understand it, for I have met many girls & very nice ones and I don’t want to remain alone—but in two or three meetings they all seem ashes. You only are left to me. You are real. My darling wife, I do adore you. I love my wife. My wife is dead. Rich. P.S. Please excuse my not mailing this—but I don’t know your new address.
”
”
Lisa Grunwald (The Marriage Book: Centuries of Advice, Inspiration, and Cautionary Tales from Adam and Eve to Zoloft)
“
Willow turned her gaze from him as he sat down on the bed and smoothed her tangled hair off her face. "I'm sorry I wasn't here for you, sweetheart. Are you all right now?"
Willow couldn't help flinching from his touch. "Of course I'm all right," she snapped.
Rider jerked his hand back as if bitten. "Freckles, honey, is something wrong, something you're not telling me?"
The angry redhead shrugged. "What could possibly be wrong?"
"I don't know. You just seem a little....out of sorts."
Bastard, she silently cursed. But aloud she said, "I'm fine. Just tired, I guess."
"Do you want me to bring your supper to you in here? I'd be happy to keep you company."
"I would like to have my supper in here but don't bother yourself on my account. I'm sure you have things to discuss with Pa and the boys."
Rider stood abruptly, obviously at a loss over her attitude. "Fine,Willow, if that's what you want."
"It is."
He opened the door to leave but halted when she called, "Rider."
"Yes?"
"You better move your things in with one of the boys. Miriam is sharing my bed tonight."
"Tonight? But I'm leaving tomorrow and won't be back until-"
"Really,Rider, it's only for one night and I ain't,er, am not in any shape for fooling around!"
"I know that," he bit out, his ire piqued now. "I just thought it might be nice to hold you."
With that, he slammed out the door and Willow broke into tears. Before they stopped, her head was pounding all over again.
”
”
Charlotte McPherren (Song of the Willow)
“
Fortunately I am in a position to elucidate the mystery, sir. One of the habitués with whom I fraternized at the Goose and Grasshopper chances to be an employee of Mr Cook, and he furnished me with the facts in the case. The cat was a stray which appeared one morning in the stable yard, and Potato Chip took an instant fancy to it. This, I understand, is not unusual with highly bred horses, though more often it is a goat or a sheep which engages their affection.'
This was quite new stuff to me. First I'd ever heard of it.
'Goat?' I said.
'Yes, sir.'
'Or a sheep?'
'Yes, sir.'
'You mean love at first sight?'
'One might so describe it, sir.'
'What asses horses are, Jeeves.'
'Certainly their mentality is open to criticism, sir.'
'Though I suppose if for weeks you've seen nothing but Cook and stable boys, a cat comes as a nice change. I take it that the friendship ripened?'
'Yes, sir. The cat now sleeps nightly in the horse's stall and is there to meet him when he returns from his daily exercise.'
'The welcome guest?'
'Extremely welcome, sir.'
'They've put down the red carpet for it, you might say. Strange. I'd have thought a human vampire bat like Cook would have had a stray cat off the premises with a single kick.'
'Something of that nature did occur, my informant tells me, and the result was disastrous. Potato Chip became listless and refused his food. Then one day the cat returned, and the horse immediately recovered both vivacity and appetite.
”
”
P.G. Wodehouse (Aunts Aren't Gentlemen (Jeeves, #15))
“
Jackaby,” said Marlowe.
“Marlowe,” said Jackaby. “Good morning, Mayor Spade.”
Spade had doffed his jacket. It was draped over the back of his chair, and a coffee brown bow tie hung undone over his beige waistcoat. He had a full beard and a perfectly bald dome, and he wore a thick pair of spectacles. Spade was not an intimidating figure at his best, and today he looked like he was several rounds into a boxing match he had no aspirations of winning. He had seemed more vibrant the first time we met, and that had been at a funeral.
“I haven’t been up here in years,” continued Jackaby. “You’ve done something with the front garden, haven’t you?”
“Yes,” said Spade. “We’ve let it grow back. Mary still hasn’t forgiven you.”
“Is that why she’s been avoiding me? Your eyebrows have filled in nicely, by the way, and you can tell your wife the roses look healthier than ever. I’m sure being rid of that nest of pesky brownies did wonders for the roots. I understand a little ash is good for the soil, too.”
“I never saw any brownies, but there was certainly plenty of ash to go around,” Spade mumbled. “That fire spread so quickly we’re lucky we managed to snuff it out at all.”
“You should try blowing up a dragon some time,” I said. “No, scratch that. That went terribly. I don’t recommend it.”
“Impressive blast radius, though,” Jackaby confirmed.
Mayor Spade looked from me to my employer and rubbed the bridge of his nose with one hand. “Good lord, one of you was quite enough. You had to recruit?
”
”
William Ritter (Ghostly Echoes (Jackaby, #3))
“
Nice shack," I tell him.
"Trade you."
"Any day."
"Really? You like it?" He seems genuinely pleased.
"What's not to like?"
He stands back and studies it as if for the first time. He nods. "Huh. Good to know."
We climb the three steps on the porch, but I grab his arm as he reaches for the door handle. The contact sends heat through my body, roasting me to the core. "Wait."
He pauses mid-motion and stares at my hand. "What? Is something wrong? You're not changing your mind are you?"
"No. I just...have to tell you something."
"What?"
I forced a nervous laugh. "Well, the good news is, you don't have to worry about me rejecting you anymore."
He shakes his head. "That is good news. But you say it like it's not."
I take a deep breath. Where is a good lightning bolt when you need one? Because even if I take a hundred deep breaths, this will still be humiliating...
"Emma?"
"I told my mom we were dating," I blurt. There. Doesn't that feel better? Nope. Nope, it doesn't.
While his smile surprises me, it mostly mesmerizes me beyond rational thought. "Are you kidding?" he says.
I shake my head. "It's the only thing she would believe. So now...now you have to pretend that we're dating if you come to my house. But don't worry, you don't ever have to go over there again. And in a few days, I'll pretend that we broke up."
He laughs. "No, you won't. I told her the same thing."
"Shut. Up."
"Why? What'd I say?"
"No, I mean, did you really tell her that? Why would you do that?"
He shrugs. "Same reason you did. She wouldn't take no for an answer.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Ah yes, the people concerned. That is very important. You remember, perhaps, who they were?’
Depleach considered.
‘Let me see-it’s a long time ago. There were only five people who were really in it, so to speak-I’m not counting the servants-a couple of faithful old things, scared-looking creatures-they didn’t know anything about anything. No one could suspect them.’
‘There are five people, you say. Tell me about them.’
‘Well, there was Philip Blake. He was Crale’s greatest friend-had known him all his life. He was staying in the house at the time.He’s alive. I see him now and again on the links. Lives at St George’s Hill. Stockbroker. Plays the markets and gets away with it. Successful man, running to fat a bit.’
‘Yes. And who next?’
‘Then there was Blake’s elder brother. Country squire-stay at home sort of chap.’
A jingle ran through Poirot’s head. He repressed it. He mustnot always be thinking of nursery rhymes. It seemed an obsession with him lately. And yet the jingle persisted.
‘This little pig went to market, this little pig stayed at home…’
He murmured:
‘He stayed at home-yes?’
‘He’s the fellow I was telling you about-messed about with drugs-and herbs-bit of a chemist. His hobby. What was his name now? Literary sort of name-I’ve got it. Meredith. Meredith Blake. Don’t know whether he’s alive or not.’
‘And who next?’
‘Next? Well, there’s the cause of all the trouble. The girl in the case. Elsa Greer.’
‘This little pig ate roast beef,’ murmured Poirot.
Depleach stared at him.
‘They’ve fed her meat all right,’ he said. ‘She’s been a go-getter. She’s had three husbands since then. In and out of the divorce court as easy as you please. And every time she makes a change, it’s for the better. Lady Dittisham-that’s who she is now. Open anyTatler and you’re sure to find her.’
‘And the other two?’
‘There was the governess woman. I don’t remember her name. Nice capable woman. Thompson-Jones-something like that. And there was the child. Caroline Crale’s half-sister. She must have been about fifteen. She’s made rather a name for herself. Digs up things and goes trekking to the back of beyond. Warren-that’s her name. Angela Warren. Rather an alarming young woman nowadays. I met her the other day.’
‘She is not, then, the little pig who cried Wee Wee Wee…?’
Sir Montague Depleach looked at him rather oddly. He said drily:
‘She’s had something to cry Wee-Wee about in her life! She’s disfigured, you know. Got a bad scar down one side of her face. She-Oh well, you’ll hear all about it, I dare say.’
Poirot stood up. He said:
‘I thank you. You have been very kind. If Mrs Crale didnot kill her husband-’
Depleach interrupted him:
‘But she did, old boy, she did. Take my word for it.’
Poirot continued without taking any notice of the interruption.
‘Then it seems logical to suppose that one of these five people must have done so.’
‘One of themcould have done it, I suppose,’ said Depleach, doubtfully. ‘But I don’t see why any of themshould. No reason at all! In fact, I’m quite sure none of themdid do it. Do get this bee out of your bonnet, old boy!’
But Hercule Poirot only smiled and shook his head.
”
”
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
“
Cribbage!” I declared, pulling out the board, a deck of cards, and pen and paper, “Ben and I are going to teach you. Then we can all play.”
“What makes you think I don’t know how to play cribbage?” Sage asked.
“You do?” Ben sounded surprised.
“I happen to be an excellent cribbage player,” Sage said.
“Really…because I’m what one might call a cribbage master,” Ben said.
“I bet I’ve been playing longer than you,” Sage said, and I cast my eyes his way. Was he trying to tell u something?
“I highly doubt that,” Ben said, “but I believe we’ll see the proof when I double-skunk you.”
“Clearly you’re both forgetting it’s a three-person game, and I’m ready to destroy you both,” I said.
“Deal ‘em,” Ben said.
Being a horse person, my mother was absolutely convinced she could achieve world peace if she just got the right parties together on a long enough ride. I didn’t know about that, but apparently cribbage might do the trick. I didn’t know about that, but apparently cribbage might do the trick. The three of us were pretty evenly matched, and Ben was impressed enough to ask sage how he learned to play. Turned out Sage’s parents were historians, he said, so they first taught him the precursor to cribbage, a game called noddy.
“Really?” Ben asked, his professional curiosity piqued. “Your parents were historians? Did they teach?”
“European history. In Europe,” Sage said. “Small college. They taught me a lot.”
Yep, there was the metaphorical gauntlet. I saw the gleam in Ben’s eye as he picked it up. “Interesting,” he said. “So you’d say you know a lot about European history?”
“I would say that. In fact, I believe I just did.”
Ben grinned, and immediately set out to expose Sage as an intellectual fraud. He’d ask questions to trip Sage up and test his story, things I had no idea were tests until I heard Sage’s reactions.
“So which of Shakespeare’s plays do you think was better served by the Globe Theatre: Henry VIII or Troilus and Cressida?” Ben asked, cracking his knuckles.
“Troilus and Cressida was never performed at the Globe,” Sage replied. “As for Henry VIII, the original Globe caught fire during the show and burned to the ground, so I’d say that’s the show that really brought down the house…wouldn’t you?”
“Nice…very nice.” Ben nodded. “Well done.”
It was the cerebral version of bamboo under the fingernails, and while they both tried to seem casual about their conversation, they were soon leaning forward with sweat beading on their brows. It was fascinating…and weird.
After several hours of this, Ben had to admit that he’d found a historical peer, and he gleefully involved Sage in all kinds of debates about the minutiae of eras I knew nothing about…except that I had the nagging sense I might have been there for some of them.
For his part, Sage seemed to relish talking about the past with someone who could truly appreciate the detailed anecdotes and stories he’d discovered in his “research.” By the time we started our descent to Miami, the two were leaning over my seat to chat and laugh together. On the very full flight from Miami to New York, Ben and Sage took the two seats next to each other and gabbed and giggled like middle-school girls. I sat across from them stuck next to an older woman wearing far too much perfume.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
Chip asked me about New York and what I wanted to do, and how long my dad had owned the shop, and what it was I loved about Waco. He asked about my sisters and my family in general, and what I’d done at Baylor, and if I’d known a few communications majors he’d run around with at school. (I told y’all he was chatty!) Somehow none of these questions seemed intrusive or strange to me at the time, which is funny, because thinking back I find them particularly telling.
At the time, it was just like talking with an old friend.
John finally stood up, and this baseball-cap-wearing customer that John had introduced as Chip followed. “Well, nice talking to you,” he said.
“Nice talking to you too,” I replied, and that was it. I went back inside. The guys in the shop wanted to know what I thought about Hot John, and I just laughed. “Sorry, guys, I don’t think it’s gonna work out.”
The next day I came back from my lunch break to find a note on my desk: “Chip Gaines called. Call him back.” I thought, Oh, that must be the guy I met yesterday. So I called him. I honestly thought he was going to ask me about getting a better price on his brakes or something, but instead he said, “Hey, I really enjoyed our conversation yesterday. I was wondering…you want to go out sometime?”
And for some reason I said okay--just like that, without any hesitation. It wasn’t like me at all. When I hung up the phone, I went, “What in the world just happened!”
So you said okay immediately? I don’t even remember that. That’s fun! No reservations? Man, I must’ve been good-lookin’.
What Chip didn’t know was I didn’t even give myself time to have reservations. Something told me to just go for it.
Cute, Joey. This story makes me love you all over again.
”
”
Joanna Gaines (The Magnolia Story)
“
Thanks again, sir.” Jules shook his hand again.
“You’re welcome again,” the captain said, his smile warm. “I’ll be back aboard the ship myself at around nineteen hundred. If it’s okay with you, I’ll, uh, stop in, see how you’re doing.”
Son of a bitch. Was Jules getting hit on? Max looked at Webster again. He looked like a Marine. Muscles, meticulous uniform, well-groomed hair. That didn’t make him gay. And he’d smiled warmly at Max, too. The man was friendly, personable. And yet . . .
Jules was flustered.
“Thanks,” he said. “That would be . . . That’d be nice. Would you excuse me, though, for a sec? I’ve got to speak to Max, before I, uh . . . But I’ll head over to the ship right away.”
Webster shook Max’s hand. “It was an honor meeting you, sir.” He smiled again at Jules.
Okay, he hadn’t smiled at Max like that.
Max waited until the captain and the medic both were out of earshot. “Is he—”
“Don’t ask, don’t tell.” Jules said. “But, oh my God.”
“He seems nice,” Max said.
“Yes,” Jules said. “Yes, he does.”
“So. The White House?”
“Yeah. About that . . .” Jules took a deep breath. “I need to let you know that you might be getting a call from President Bryant.”
“Might be,” Max repeated.
“Yes,” Jules said. “In a very definite way.” He spoke quickly, trying to run his words together: “I had a very interesting conversation with him in which I kind of let slip that you’d resigned again and he was unhappy about that so I told him I might be able to persuade you to come back to work if he’d order three choppers filled with Marines to Meda Island as soon as possible.”
“You called the President of the United States,” Max said. “During a time of international crisis, and basically blackmailed him into sending Marines.”
Jules thought about that. “Yeah. Yup. Although it was a pretty weird phone call, because I was talking via radio to some grunt in the CIA office. I had him put the call to the President for me, and we did this kind of relay thing.”
“You called the President,” Max repeated. “And you got through . . .?”
“Yeah, see, I had your cell phone. I’d accidently switched them, and . . . The President’s direct line was in your address book, so . . .”
Max nodded. “Okay,” he said.
“That’s it?” Jules said. “Just, okay, you’ll come back? Can I call Alan to tell him? We’re on a first-name basis now, me and the Pres.”
“No,” Max said. “There’s more. When you call your pal Alan, tell him I’m interested, but I’m looking to make a deal for a former Special Forces NCO.”
“Grady Morant,” Jules said.
“He’s got info on Heru Nusantra that the president will find interesting. In return, we want a full pardon and a new identity.”
Jules nodded. “I think I could set that up.” He started for the helicopter, but then turned back. “What’s Webster’s first name? Do you know?”
“Ben,” Max told him. “Have a nice vacation.”
“Recovering from a gunshot wound is not a vacation. You need to write that, like, on your hand or something. Jeez.”
Max laughed. “Hey, Jules?”
He turned back again. “Yes, sir?”
“Thanks for being such a good friend.”
Jules’s smile was beautiful. “You’re welcome, Max.” But that smile faded far too quickly. “Uh-oh, heads up—crying girlfriend on your six.”
Ah, God, no . . . Max turned to see Gina, running toward him.
Please God, let those be tears of joy.
“What’s the verdict?” he asked her.
Gina said the word he’d been praying for. “Benign.”
Max took her in his arms, this woman who was the love of his life, and kissed her.
Right in front of the Marines.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
I kicked a rib cage off my foot and swaggered around the tree as if I owned the place. “Hey there!”
Startled, Nidhogg stopped in mid-mutter. He stared at me, his huge yellow eyes blinking in confusion. Then, nostrils flaring dangerously, he let out a bellow that doubled as an impressive display of razor-sharp fangs.
My heart faltered, but I swallowed my fear and pressed on.
“Is that supposed to intimidate me?” I made a big show of rolling my eyes. “I’ve heard louder roars from Thor’s butt.”
Nidhogg flinched as if I’d whacked him on the nose with a rolled-up newspaper. “That wasn’t very nice.” He sounded so hurt I almost felt sorry for him.
Instead, I snorted with derision. “Buddy, I insult everyone.” I waved my daggers. “See these? They’re sharp, but not as sharp as my tongue.” Or your fangs, I added to myself as the dragon loomed in closer to inspect my blades.
“Wow. Those are pointy.” Nidhogg looked genuinely impressed. “Are your insults really sharper than that?”
“Mister, that question is so dumb it makes me think your brain is like Odin’s left eye socket—completely empty.”
Nidhogg winced. “Wow. That really, really hurt. But you’re right, of course.” He tapped a daggerlike claw against his skull. “My brain is empty. Of insults, anyway.”
That was my opening. I sheathed my daggers and cocked my head to one side as if considering something. “You know, I have some powerful one-liners that never fail to infuriate. I’d be willing to share a few, but what’s in it for me?”
Nidhogg scratched his belly. “Well, for starters, I won’t eat you,” he offered.
“Hmm. Tell you what. Let me climb up Yggdrasil when we’re done, and you’ve got a deal.”
Nidhogg stuck out a claw. I thought he was going to slice me to ribbons, but then I realized he wanted to shake on it. I did so, very carefully.
“Okay,” I said.
”
”
Rick Riordan (9 From the Nine Worlds)
“
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world.
”
”
Anne Frank (The Diary Of a Young Girl)
“
Dear Billy,
I saved your letter for last, because it’s the hardest one to write. Actually, in some ways, it’s the easiest, because you’re the one person who makes everything feel easy, and home is wherever you are, Billy.
I already said a lot of what I needed to say to you. But there’s more.
I haven’t lived so much in twenty-seven years as I have this past week with you. I wish it could last forever, never end.
I know about the song. I know you wrote it about me. I know, Billy.
And I know you think I could never love you back, that we’re not on the same page.
But here’s the thing.
I don’t know if I love you in the same way, not yet, but I think I’m falling, I know what falling feels like. I know you make me feel safe, and I know you make me feel ten feet tall. I know you’re my best friend, always have been. And I think, if we’d had more time, we could have got there. We would have got there. But I also think that if I hadn’t been dying, if we didn’t have this week together, then maybe I never would have seen it. Maybe I would have moved to Boston, forgotten all about you. So I don't know what that means. Maybe it just wasn’t in the stars for us.
You’re the person who gets to live. So live.
I want you to promise me something.
Don’t be scared to love someone else, Billy. And -most important- don’t be scared to be loved back. Because someone will love you back, Billy, I promise. And they’ll figure it out much sooner than I did.
You make sure she’s nice to you, because you’re the best person there is. Tell her I’ll be keeping an eye on her.
So, I think I'm going to die here, in this cell, and we still haven’t figured out who killed me. Still haven’t solved my murder. Which means we failed. Which means this entire week has just been a waste of time.
But was it really a waste of time, if I loved every minute of it?
Love you (and I do, I really think I do)
Jet xx
”
”
Holly Jackson (Not Quite Dead Yet)
“
A new wife is not a matter. She is my family. Their Graces have had thirty years to spend holidays with us, and this my first—” Westhaven sighed, took a sip of punch, and glanced over at Val. “It doesn’t get easier the longer you’re married. You still fret, more in fact, once the babies start coming.” Val’s head cocked, as if he’d just recalled his brother was also his friend. “Well, as to that…” Val smiled at his punch. Baby Brother sported a devastating smile when he wanted to, but this expression was… St. Just lifted his mug. “Congratulations, then. How’s Ellen faring?” “She’s in fine spirits, in glowing good health, and I’m a wreck. I think she sent me off to Peterborough with something like relief in her eye.” Westhaven was staring morosely at his grog. “Anna isn’t subtle about it anymore. She tells me to get on my horse and not come back until I’ve worked the fidgets out of us both. She’s quite glad to see me when I return, though. Quite glad.” For Westhaven, that was the equivalent of singing a bawdy song in the common. St. Just propped his mug on his stomach. “Emmie says I’m an old campaigner, and I get twitchy if I’m confined to headquarters too long. Winnie says I need to go on scouting patrol. The reunions are nice, though. You’re right about that.” Val took a considering sip of his drink then speared St. Just with a look. “I wouldn’t know about those reunions, but I intend to find out soon. Dev, you are the only one of us experienced at managing a marching army, and I’m not in any fit condition to be making decisions, or I’d be on my way back to Oxfordshire right now.” “Wouldn’t advise that,” Westhaven said, still looking glum. “Your wife will welcome you sweetly into her home and her bed, but you’ll know you didn’t quite follow orders—our wives are in sympathy with Her Grace—and they have their ways of expressing their…” Both brothers chimed in, “Disappointment.
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
Creating “Correct” Children in the Classroom One of the most popular discipline programs in American schools is called Assertive Discipline. It teaches teachers to inflict the old “obey or suffer” method of control on students. Here you disguise the threat of punishment by calling it a choice the child is making. As in, “You have a choice, you can either finish your homework or miss the outing this weekend.” Then when the child chooses to try to protect his dignity against this form of terrorism, by refusing to do his homework, you tell him he has chosen his logical, natural consequence of being excluded from the outing. Putting it this way helps the parent or teacher mitigate against the bad feelings and guilt that would otherwise arise to tell the adult that they are operating outside the principles of compassionate relating. This insidious method is even worse than outand-out punishing, where you can at least rebel against your punisher. The use of this mind game teaches the child the false, crazy-making belief that they wanted something bad or painful to happen to them. These programs also have the stated intention of getting the child to be angry with himself for making a poor choice. In this smoke and mirrors game, the children are “causing” everything to happen and the teachers are the puppets of the children’s choices. The only ones who are not taking responsibility for their actions are the adults. Another popular coercive strategy is to use “peer pressure” to create compliance. For instance, a teacher tells her class that if anyone misbehaves then they all won’t get their pizza party. What a great way to turn children against each other. All this is done to help (translation: compel) children to behave themselves. But of course they are not behaving themselves: they are being “behaved” by the adults. Well-meaning teachers and parents try to teach children to be motivated (translation: do boring or aversive stuff without questioning why), responsible (translation: thoughtless conformity to the house rules) people. When surveys are conducted in which fourth-graders are asked what being good means, over 90% answer “being quiet.” And when teachers are asked what happens in a successful classroom, the answer is, “the teacher is able to keep the students on task” (translation: in line, doing what they are told). Consulting firms measuring teacher competence consider this a major criterion of teacher effectiveness. In other words if the students are quietly doing what they were told the teacher is evaluated as good. However my understanding of ‘real learning’ with twenty to forty children is that it is quite naturally a bit noisy and messy. Otherwise children are just playing a nice game of school, based on indoctrination and little integrated retained education. Both punishments and rewards foster a preoccupation with a narrow egocentric self-interest that undermines good values. All little Johnny is thinking about is “How much will you give me if I do X? How can I avoid getting punished if I do Y? What do they want me to do and what happens to me if I don’t do it?” Instead we could teach him to ask, “What kind of person do I want to be and what kind of community do I want to help make?” And Mom is thinking “You didn’t do what I wanted, so now I’m going to make something unpleasant happen to you, for your own good to help you fit into our (dominance/submission based) society.” This contributes to a culture of coercion and prevents a community of compassion. And as we are learning on the global level with our war on terrorism, as you use your energy and resources to punish people you run out of energy and resources to protect people. And even if children look well-behaved, they are not behaving themselves They are being behaved by controlling parents and teachers.
”
”
Kelly Bryson (Don't Be Nice, Be Real: Balancing Passion for Self with Compassion for Others)
“
Blood pressure check!” The doorknob rattled, as if the nurse were intending just to walk in, but the lock held, thank God. The nurse knocked again.
“Oh, shit,” Gina breathed, laughing as she scrambled off of him. She reached to remove the condom they’d just used, encountered . . . him, and met his eyes. But then she scooped her clothes off the floor and ran into the bathroom.
“Mr. Bhagat?” The nurse knocked on the door again. Even louder this time. “Are you all right?”
Oh, shit, indeed. “Come in,” Max called as he pulled up the blanket and leaned on the button that put his bed back up into a sitting position. The same control device had a “call nurse” button as well as the clearly marked one that would unlock the door.
“It’s locked,” the nurse called back, as well he knew.
“Oh, I’m sorry,” he said, as he wiped off his face with the edge of the sheet. Sweat much in bed, all alone, Mr. Bhagat? “I must’ve . . . Here, let me figure out how to . . .” He took an extra second to smooth his hair, his pajama top, and then, praying that the nurse had a cold and couldn’t smell the scent of sex that lingered in the air, he hit the release.
“Please don’t lock your door during the day,” the woman scolded him as she came into the room, around to the side of his bed. It was Debra Forsythe, a woman around his age, whom Max had met briefly at his check-in. She had been on her way home to deal with some crisis with her kids, and hadn’t been happy then, either. “And not at night either,” she added, “until you’ve been here a few days.”
“Sorry.” He gave her an apologetic smile, hanging on to it as the woman gazed at him through narrowed eyes.
She didn’t say anything, she just wrapped the blood pressure cuff around his arm, and pumped it a little too full of air—ow—as Gina opened the bathroom door. “Did I hear someone at the door?” she asked brightly. “Oh, hi. Debbie, right?”
“Debra.” She glanced at Gina, and then back, her disgust for Max apparent in the tightness of her lips. But then she focused on the gauge, stethoscope to his arm.
Gina came out into the room, crossing around behind the nurse, making a face at him that meant . . .?
Max sent her a questioning look, and she flashed him. She just lifted her skirt and gave him a quick but total eyeful. Which meant . . . Ah, Christ.
The nurse turned to glare at Gina, who quickly straightened up from searching the floor.
What was it with him and missing underwear?
Gina smiled sweetly. “His blood pressure should be nice and low. He’s very relaxed—he just had a massage.”
“You know, I didn’t peg you for a troublemaker when you checked in yesterday,” Debra said to Max, as she wrote his numbers on the chart.
Gina was back to scanning the floor, but again, she straightened up innocently when the nurse turned toward her.
“I think you’re probably looking for this.” Debra leaned over and . . .
Gina’s panties dangled off the edge of her pen. They’d been on the floor, right at the woman’s sensibly clad feet.
“Oops,” Gina said. Max could tell that she was mortified, but only because he knew her so well. She forced an even sunnier smile, and attempted to explain. “It was just . . . he was in the hospital for so long and . . .”
“And men have needs,” Debra droned, clearly unmoved. “Believe me, I’ve heard it all before.”
“No, actually,” Gina said, still trying to turn this into something they could all laugh about, “I have needs.”
But it was obvious that this nurse hadn’t laughed since 1985. “Then maybe you should find someone your own age to play with. A professional hockey player just arrived. He’s in the east wing. Second floor.” She lowered her voice conspiratorially. “Lots of money. Just your type, I’m sure.”
“Excuse me?” Gina wasn’t going to let one go past. She may not have been wearing any panties, but her Long Island attitude now waved around her like a superhero’s cape. She even assumed the battle position, hands on her hips.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
Now, son, I don’t pay much mind to idle talk, never have done. But there’s a regular riptide of gossip saying you’ve got something going with that girl in the marsh.” Tate threw up his hands. “Now hold on, hold on,” Scupper continued. “I don’t believe all the stories about her; she’s probably nice. But take a care, son. You don’t want to go starting a family too early. You get my meaning, don’t you?” Keeping his voice low, Tate hissed, “First you say you don’t believe those stories about her, then you say I shouldn’t start a family, showing you do believe she’s that kind of girl. Well, let me tell you something, she’s not. She’s more pure and innocent than any of those girls you’d have me go to the dance with. Oh man, some of the girls in this town, well, let’s just say they hunt in packs, take no prisoners. And yes, I’ve been going out to see Kya some. You know why? I’m teaching her how to read because people in this town are so mean to her she couldn’t even go to school.” “That’s fine, Tate. That’s good of you. But please understand it’s my job to say things like this. It may not be pleasant and all for us to talk about, but parents have to warn their kids about things. That’s my job, so don’t get huffy about it.” “I know,” Tate mumbled while buttering a biscuit. Feeling very huffy. “Come on now. Let’s get another helping, then some of that pecan pie.” After the pie came, Scupper said, “Well, since we’ve talked about things we never mention, I might as well say something else on my mind.” Tate rolled his eyes at his pie. Scupper continued. “I want you to know, son, how proud I am of you. All on your own, you’ve studied the marsh life, done real well at school, applied for college to get a degree in science. And got accepted. I’m just not the kind to speak on such things much. But I’m mighty proud of you, son. All right?” “Yeah. All right.” Later in his room, Tate recited from his favorite poem: “Oh when shall I see the dusky Lake, And the white canoe of my dear?” •
”
”
Delia Owens (Where the Crawdads Sing)
“
On the contrary, we absolutely mustn’t forget it. We mustn’t forget old people with their rotten bodies, old people who are so close to death, something that young people don’t want to think about (so it is to retirement homes that they entrust the care of accompanying their parents to the threshold, with no fuss or bother). And where’s the joy in these final hours that they ought to be making the most of? They’re spent in boredom and bitterness, endlessly revisiting memories. We mustn’t forget that our bodies decline, friends die, everyone forgets about us, and the end is solitude. Nor must we forget that these old people were young once, that a lifespan is pathetically short, that one day you’re twenty and the next day you’re eighty. Colombe thinks you can “hurry up and forget” because it all seems so very far away to her, the prospect of old age, as if it were never going to happen to her. But just by observing the adults around me I understood very early on that life goes by in no time at all, yet they’re always in such a hurry, so stressed out by deadlines, so eager for now that they needn’t think about tomorrow . . . But if you dread tomorrow, it’s because you don’t know how to build the present, and when you don’t know how to build the present, you tell yourself you can deal with it tomorrow, and it’s a lost cause anyway because tomorrow always ends up becoming today, don’t you see?
So, we mustn’t forget any of this, absolutely not. We have to live with the certainty that we’ll get old and that it won’t look nice or be good or feel happy. And tell ourselves that it’s now that matters: to build something, now, at any price, using all our strength. Always remember that there’s a retirement home waiting somewhere and so we have to surpass ourselves every day, make every day undying. Climb our own personal Everest and do it in such a way that every step is a little bit of eternity.
That’s what the future is for: to build the present, with real plans, made by living people.
”
”
Muriel Barbery (The Elegance of the Hedgehog)
“
Did you eat?” he asked as he backed out of the parking lot.
“No.”
“Do you want to stop somewhere?”
“Like Burger King?”
“I was thinking something a little nicer.”
“I’m wearing sweaty clothes and sneakers.”
Briefly taking his eyes off the road, he glanced at her. “I think you look nice.”
“Says the man in a dress shirt and tie.”
“Trust me, you could wear a sack and I’d still be the inappropriate factor in the equation. Let’s stop and have dinner. We’ll go someplace small and quiet.”
She sighed. “Fine. But you have to take off your tie and un-tuck your shirt.”
“What?”
“Either that or I’m not going. I look like a slob.”
His fingers noticeably tightened on the wheel. “Fine.”
When they arrived at the restaurant, a little corner place with outdoor seating and Italian cuisine, Elliot stood at the car door and loosened his tie. After unclasping the top button of his shirt, he frowned at his hips.
“My shirttails will be wrinkled. Can’t this be enough?”
She laughed at how uncomfortable the idea of wrinkles made him. “Fine.”
Untwisting the clip in her hair, she flipped her head over and shook out her waves, hoping to hide the fact that she was in an old tank top with a bleach stain on the side.
Flipping back, she paused as she caught him staring. “What?”
His eyes were wide behind his glasses. “Nothing.” He shook his head and looked away.
He took her hand and escorted her into the restaurant. The smell of delicious pasta cranked up her hunger. The hostess greeted them, and before Nadia could manage a word, Elliot asked for a private table in the back. They were escorted to the rear of the restaurant, far away from all other patrons.
“Do they know you here?” He seemed to have some pull.
“No, but if you make a direct request people don’t often tell you no.”
She raised a brow. “I’ll have to remember that trick.”
For as gentle as he was, he had a knack for being equally commanding. His clout was subtle but undeniable. She wondered if he even realized the influence he held over others. He wore authority very well.
”
”
Lydia Michaels (Untied (Mastermind, #2))
“
It’s just a devilish odd coincidence. I shared a boat – and a carriage – with Balcourt’s sister and cousin."
"I didn’t realise he had a sister."
"Well, he does." Richard abruptly pushed away his empty bowl.
"What a great stroke of luck! Could you use the acquaintance with the sister to discover more about Balcourt’s activities?"
"That," Richard said grimly, "is not an option."
Geoff eyed him quizzically. "I realise that any sister of Balcourt’s is most likely repugnant at best, but you don’t need to propose to the girl. Just flirt with her a bit. Take her for a drive, call on her at home, use her as an entrée into the house. You’ve done it before."
"Miss Balcourt is not repugnant." Richard twisted in his chair, and stared at the door. "What the devil is keeping supper?"
Geoff leant across the table. "Well, if she’s not repugnant, then-what’s the – ah."
"Ah? Ah? What the deuce do you mean by ‘ah’? Of all the nonsensical…"
"You" – Geoff pointed at him with fiendish glee – "are unsettled not because you find her repugnant, but because you find her not repugnant."
Richard was about to deliver a baleful look in lieu of a response, when he was saved by the arrival of the footman bearing a large platter of something covered with sauce. Richard leant forward and speared what looked like it might once have been part of a chicken, as the footman whisked off with his soup dish.
"Have some," Richard suggested to Geoff, ever so subtly diverting the conversation to culinary appreciation.
"Thank you." Undiverted, Geoff continued, "Tell me about your Miss Balcourt."
"Leaving aside the fact that she is by no means my Miss Balcourt" – Richard ignored the sardonic stare coming from across the table – "the girl is as complete an opposite to her brother as you can imagine. She was raised in England, somewhere out in the countryside. She’s read Homer in the original Greek—"
"This is serious," murmured Geoff. "Is she comely?"
"Comely?"
"You know, nice hair, nice eyes, nice…" Geoff made a gesture that Richard would have expected more readily from Miles.
”
”
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
“
The driver, whose name was Chase, pulled up in a silver Honda. He was cute, with a gap in his front two teeth—maybe age twenty-six at most. He looked like he was trying to grow a mustache, and his brown hair was past his ears under a baseball cap that read FML. He babbled that he was an actor, or was trying to become one. His favorite philosophy about acting was Uta Hagen’s, something about being a student of humanity. Well, for a student of humanity he was shitty at reading people. In my head I just kept saying, Shut up, shut up! I wanted to say, Don’t you know I am dying?
But even in my dying I couldn’t be mean to him for fear that he would think I was a bitch. Why did I even care what he thought? Was my death unimportant? How could I prioritize the feelings of this vacant, mustached kid over my own—me, who was probably dying?
I repeated, “That’s nice” and “Oh, interesting,” and lay down in the backseat. I didn’t announce that I would be laying down, I just did it. He wasn’t paying any attention to what I was doing, instead going on about an upcoming audition for a prescription allergy medication where he would play the son-in-law of a woman with adult allergies. He said he had mixed feelings about it, because he didn’t want to limit his range to pharmaceuticals. The part he really wanted was an audition for Samsung next week. He was trying out to play the phone.
“It’s not easy to make it in this town. I’m going up against two hundred other potential phones, at least,” he said, looking in the mirror at the traffic behind him.
I noticed he had green eyes. He really was cute. I waited for him to comment on me lying supine in his backseat, but he didn’t ask if I was okay. I suppose this was normal behavior in California. I closed my eyes and concentrated on my breathing. I wasn’t dead. I was breathing in the back of this cute idiot’s car.
When we pulled up at Annika’s house, he stopped and said, “Okay, we’re here. Wish me luck at Samsung!”
I opened my eyes and squinted at him. I wanted to tell him that I hoped he never got a part.
”
”
Melissa Broder (The Pisces)
“
If you fulfil the pattern that is peculiar to yourself, you have loved yourself, you have accumulated and have abundance; you bestow virtue then because you have luster. You radiate; from your abundance something overflows. But if you hate and despise yourself-if you have not accepted your pattern-then there are hungry animals (prowling cats and other beasts and vermin) in your constitution which get at your neighbors like flies in order to satisfy the appetites which you have failed to satisfy. [...]
The Catholic practice of confession and repentance and absolution is just that: you repent and then you tell about it and are given absolution. You are washed of your sin, and then you can do it again-you are a clean slate so you can write on it once more. That is the reason the Reformation did away with confession, in one way fortunately, in another unfortunately, because people cannot get rid of their sins. And that is the reason entre autres for the success of the Oxford Movement, where you can hand over your sin to other people and they run away with it. But that is bad. The Protestant must be alone with his sin. He may confess it but he knows that doesn't give him absolution; even if he confesses ten thousand times, he can only familiarize himself with the fact that he should never lose sight of what he has done. That is good for him. He should arrive at a level where he can say, "Yes, I have done that thing, and I must curse myself for it." But I cannot be nice to a man who has given offence to me if I am not nice with myself. I must agree with my brother for my worst brother is myself. So I have to be patient, and I have to be very Christian inside. If I fulfil my pattern, then I can even accept my sinfulness and can say, "It is too bad, but it is so — l have to agree with it." And then I am fulfilled, then the gold begins to glow. You see, people who can agree with themselves are like gold. They taste very good. All the flies are after them.
Jung, C. G.. Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939. Two Volumes: 1-2, unabridged (Jung Seminars) (p. 801-803).
”
”
C.G. Jung (Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939 C.G. Jung)
“
Can you send stuff out from Nepal by air, John?’
‘Ooh! No. No. I can’t do anything like that. No. No. No. Now, I know a man. He knows a man who might know.’
‘How much would it cost?’
‘Well, money is the thing, and they always do things for a fair and honest price, I promise you.’
‘What’s a fair price, John?’
‘You will tell me, I’m quite sure.’
‘What will you want out of it, John?’
‘If I help you do business, I’m sure you will give me a drink.’
‘A drink?’
‘Yes. If a man does something for you, you give him a drink. Please, if everything goes well, give me a drink.’
‘Can you check that the quality will be all right?’
‘I only smoke Tom Thumb, but I know a man who has a knife.’
I took this as a yes.
‘Can you make it smell-proof?’
‘Not if God made it smell.’
‘Do you know a man who can?’
‘No. But if you do, let him come and do it, or give me instructions.’
‘How much can they send?’
‘I should think it depends on when you want to do it by.’
‘Well, John, the Americans will want to do a ton as soon as possible.’
‘Now I was in America once, and the thing is that Americans will always want more, and there is no end to their madness. Lovely people, for sure, but you have to keep them in line. When my visa ran out, the Immigration asked me why I wanted to extend it, and I said it was because I hadn’t run out of money. He stamped it and said, “Have a nice day.” So, if the Americans ask for a ton tomorrow, say you will do half a ton when Wales win the Triple Crown. That will deal with their madness, and everyone can get on with their lives. It saves all that tidding.’
‘Tidding?’
‘Talking Imaginary Deals.’
Accurately conveying the contents of my conversation with Old John to Ernie wasn’t easy. I told Ernie hashish could be exported from Nepal for about the same price as Robert Crimball charged in Bangkok, but 500 kilos was the most they could do at one time, and someone would have to be sent out to ensure the consignment was smell-proof. Ernie sent his right-hand man, Tom Sunde, with money, instructions, and smell-proof know-how. Tom came to London first before going to Kathmandu to meet Old John. He had been authorised by Ernie to keep nothing from me regarding the intricacies of the New York scam.
”
”
Howard Marks (Mr. Nice)
“
Now back to the p—Sealord. Reports aside, what do we really know about this Dilys Merimydion?”
“We know that he’s wealthy, he’s a skilled warrior, he’s handsome, charming, and helped save the world from a dread god who would have plunged the whole of Mystral into unending winter,” Autumn added. “Not to ruin your determination to find something wrong with him, Viviana, but that last one tells me all I need to know. The man literally helped save the world.” She shrugged. “I can spend three months of my time being nice to him for that.”
Spring sighed. “Yes, yes, but in the reports I’ve read, there isn’t one bad thing about him listed. Not one, and that’s just not normal.”
“You’re complaining because the reports say Dilys Merimydion is a good man?” Summer shook her head.
“Not just good. Too good. As in too good to be true. I’m just saying, something smells fishy to me."
Autumn laughed. “You know, there’s a good joke in that remark.”
Spring rolled her eyes. “Don’t. Please. Spare us.” In addition to her addiction to food, Autumn possessed a terrible love for pranks, puns, and bad jokes. Which, of course, she took inordinate glee in inflicting on her family.
Autumn sniffed with mock indignation. “As if I would cast my pearls before swine. What were we talking about again? Oh, yes, Dilys Merimydion. The Scrumptious Sealord.”
“Oh, dear gods,” Spring groaned. “You’ve nicknamed him. Alliteratively.”
“I thought about Delicious Dilys. Or Manly Merimydion. After all, from what Storm said, he’s very easy on the eyes. I don’t know, after ten years of being pursued by the Verminous Vermese, I’m looking forward to being courted by a handsome, young suitor who actually respects women and considers them—gasp!—real human beings. Like men, but without the dangly bits. Shocking, I know, but there you have it.”
Summer couldn’t help it. She started laughing.
Spring glowered. “Stop that! Don’t encourage her!” She turned the glower on Autumn and said, “Aleta Seraphina Helen Rosalie Violet Coruscate, can you please, for one moment, take this seriously?”
“You’re taking it seriously enough for the three of us, dearest Viviana.” Autumn lowered her voice and boomed..."he must be investigated. Something about him smells fishy.” Cupping a hand over her mouth, she quipped to Summer in a loud aside, “I dunno, do you think maybe it’s—you know—the gills?”
Summer covered her mouth with both hands and spluttered with laughter.
”
”
C.L. Wilson (The Sea King (Weathermages of Mystral, #2))
“
He took a breath. He could feel his anxiety fade; he could feel himself returning to who he was. 'But would you sing with me?' Every morning for the past two months, they had been singing with each other in preparation for Duets. In the film, his character and the character's wife led an annual Christmas pageant, and both he and the actress playing his wife would be performing their own vocals. The director had sent him a list of songs to work on, and Jude had been practicing with him: Jude took the melody, and he took the harmony.
'Sure,' Jude said. 'Our usual?' For the past week, they'd been working on 'Adeste Fideles,' which he would have to sing a cappella, and for the past week, he'd been pitching sharp at the exact same point, at 'Venite adoremus,' right in the first stanza. He'd wince every time he did it, hearing the error, and Jude would shake his head at him and keep going, and he'd follow him until the end. 'You're overthinking it,' Jude would say. 'When you go sharp, its because you're concentrating too hard on staying on key; just don't think about it, Willem, and you'll get it.'
That morning, though, he felt certain he'd get it right. He gave Jude the bunch of herbs, which he was still holding, and Jude thanked him, pinching its little purple flowers between his fingers to release its perfume. 'I think it's a kind of perilla,' he said, and held his fingers up for Willem to smell.
'Nice,' he said, and they smiled at each other.
And so Jude began, and he followed, and he made it through without going sharp. And at the end of the song, just after the last note, Jude immediately began singing the next song on the list, 'For Unto Us a Child Is Born,' and after that, 'Good King Wenceslas,' and again and again, Willem followed. His voice wasn't as full as Jude's, but he could tell in those moments that it was good enough, that it was maybe better than good enough: he could tell it sounded better with Jude's, and he closed his eyes and let himself appreciate it.
They were still singing when the doorbell chimed with their breakfast, but as he was standing, Jude put his hand on his wrist, and they remained there, Jude sitting, he standing, until they had sung the last words of the song, and only after they had finished did he go to answer the door. Around him, the room was redolent of the unknown herb he'd found, green and fresh and yet somehow familiar, like something he hadn't known he had liked until it had appeared, suddenly and unexpectedly, in his life.
”
”
Hanya Yanagihara (A Little Life)
“
In everything I quickly saw the opposite, the contradiction, and between the real and the unreal the irony, the paradox. I was my own worst enemy. There was nothing I wished to do which I could just as well not do. Even as a child, when I lacked for nothing, I wanted to die: I wanted to surrender because I saw no sense in struggling. I felt that nothing would be proved, substantiated, added or subtracted by continuing an existence which I had not asked for. Everybody around me was a failure, or if not a failure, ridiculous. Especially the successful ones. The successful ones bored me to tears. I was sympathetic to a fault, but it was not sympathy that made me so. It was a purely negative quality, a weakness which blossomed at the mere sight of human misery. I never helped any one expecting that it would do any good; I helped because I was helpless to do otherwise. To want to change the condition of affairs seemed futile to me; nothing would be altered, I was convinced, except by a change of heart, and who could change the hearts of men? Now and then a friend was converted; it was something to make me puke. I had no more need of God than He had of me, and if there were one, I often said to myself, I would meet Him calmly and spit in His face.
From the very beginning I must have trained myself not to want anything too badly. From the very beginning I was independent, in a false way. I had need of nobody because I wanted to be free, free to do and to give only as my whims dictated. The moment anything was expected or demanded of me I balked. That was the form my independence took. I was corrupt, in other words, corrupt from the start. It's as though my mother fed me a poison, and though I was weaned young the poison never left my system. Even when she weaned me it seemed that I was completely indifferent, most children rebel, or make a pretense of rebelling, but I didn't give a damn, I was a philosopher when still in swaddling clothes. I was against life, on principle. What principle? The principle of futility. Everybody around me was struggling. I myself never made an effort. If I appeared to be making an effort it was only to please someone else; at bottom I didn't give a rap. And if you can tell me why this should have been so I will deny it, because I was born with a cussed streak in me and nothing can eliminate it. I heard later, when I had grown up, that they had a hell of a time bringing me out of the womb. I can understand that perfectly. Why budge? Why come out of a nice warm place, a cosy retreat in which everything is offered you gratis?
”
”
Henry Miller (Tropic of Capricorn (Tropic, #2))
“
We can’t walk through the house like this--we’ll make a mess.” Ryder’s jeans are soaked through and caked with mud. I’m wearing shorts, but my bare legs are spattered all over. “We’re going to have to strip here,” I say, shaking my head. “Just leave it all in a pile. I’ll toss it in the wash after lunch.”
He just stares at me, wide-eyed. “What? Now?”
“Yeah, you go first,” I say, amused by the blush that’s creeping up his neck. “Geez, Ryder. It’s not like I haven’t seen you in your underpants before.”
I have vague memories of Ryder running around Magnolia Landing’s lawn wearing nothing but superhero undies. And after all the years of shared beach houses and hotel suites, well…like I said, we were more like siblings when we were little.
“If it’ll make you more comfortable, I’ll turn around,” I offer.
“Nah, it’s fine.” He reaches for the hem of his T-shirt and pulls it over his head in one fluid motion.
And then I remember why this was a bad idea. My mouth goes dry at the sight of his tanned, sculpted chest, his narrow waist, and jutting hip bones. Oh, man. What was I thinking?
I swallow hard as he unbuttons his jeans and slides down the zipper. Boxers or briefs? That’s all I’m thinking as he peels down the wet denim--slowly, as if he’s enjoying this little striptease. He steps out of them gracefully and tosses them into a heap beside his shirt before straightening to his full height, facing me.
Oh. My. God.
I exhale sharply. The answer is boxer briefs, heather-gray ones. And right now they’re clinging to him wetly, leaving absolutely nothing to the imagination. He looks like a god. A six-foot-four, football-playing god, and I am staring at him with my mouth hanging open like some kind of pathetic freak.
Snap out of it.
“Sorry,” I say, averting my gaze. My cheeks are burning now. I probably look like a clown. That’s what happens when a fair-skinned redhead like me blushes. “If you…um…want to shower. I mean, you know--”
“I’ll just go put on something dry for now. We really need to eat and then get that stuff out of the barn.”
I just nod, biting my lower lip. I can’t even look at him. This is crazy.
“Your turn to strip,” he says, and my gaze shoots up to meet his. He’s smiling now, his dimples in full effect.
“Ugh, just go and change.” I cover my eyes with one hand and flap the other toward the hall.
“I’ll meet you in the kitchen in five,” he says.
“Great.” I let my hand drop only when I hear his footsteps move away. Then yeah, I’ll admit it--I allow myself a nice long look at his backside as he walks away from me.
And let me tell you, it was well worth the look.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
Obviously, I didn’t pursue that girl any longer, and I didn’t think about Missy much after our so-called date, mainly because I didn’t think she was interested in me. But then a few days later, one of our mutual friends from church called me. She told me Missy couldn’t stop thinking about me. I didn’t find out until several months later that the friend also called Missy that night and told her I really liked her! Neither one of us thought much about our fake date, but our friend decided to play matchmaker.
The next time I saw Missy was at a youth meeting at the Kelletts’ house. Oddly enough, Missy’s family had lived in the same house for years until Mike and his family bought it. After the meeting I decided to check the credibility of our mutual friend who told me Missy was interested in me. We were outside and Missy was telling me stories of when she used to live there. I led her to the backyard and after she finished a story, I made my move. I turned and planted a juicy lip lock on her, to which she responded enthusiastically. I just wanted to see if she was interested in me and I got the answer. I have to admit I felt a spark or two during the encounter. It was nice!
Missy remembers a few more details of our early dating.
Missy: During our mock date, I also felt like we had a great time together. However, because we had mutually agreed to go out on this public-relations date, I would have never assumed anything more. I am not an aggressive person, and even though I felt something between us, I would have never made the first move! That’s why, when Jason dropped me off, I just got out of the truck and went inside. He obviously hadn’t asked me out because he thought I was pretty, funny, or interesting. In my mind, this was just business, whether I liked it or not. And I didn’t like it. I was definitely attracted to him, but where I came from and the way I was raised, it was the boy’s responsibility to make the first move. And he didn’t, at least not that night. When my friend called me a few days later and told me that he liked me, I was surprised and thrilled! Little did I know that she’d done the same thing to Jason. The night after our first kiss at our youth minister’s house, I remember trying not to get my hopes up. I knew about his reputation of dating as many girls as possible, and I thought there was a great chance that I would never hear from him again. However, I decided to go outside my comfort zone and give him a call. One of his mom’s friends answered the phone and when I asked to speak to Jason, she told me he was on his way to his girlfriend’s house. I hung up, feeling dejected. About fifteen minutes later, he showed up at my house. I was the girlfriend!
”
”
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
“
It doesn’t feel right. Not now.”
“But you’re the same, Jemma. You haven’t changed. This is what you want, remember?”
“See, that’s where you’re wrong. I have changed. And”--I shake my head--“I don’t even know what I want anymore.”
He opens his mouth as if he’s about to say something, but closes it just as quickly. A muscle in his haw flexes as he eyes me sharply, his brow furrowed. “I thought you were stronger than this,” he says at last. “Braver.” I start to protest, but he cuts me off. “When I get home, I’m going to e-mail you these video files. I don’t know anything about making films, but if you need any help, well…” He shrugs. “You know my number.”
With that, he turns and walks away.
I leap to the ground. “Ryder, wait!”
He stops and turns to face me. “Yeah?”
“I…about Patrick. And then…you and me. I feel awful about it. Things were so crazy during the storm, like it wasn’t real life or something.” I take a deep, gulping breath, my cheeks burning now. “I don’t want you think that I’m, you know, some kind of--”
“Just stop right there.” He holds out one hand. “I don’t think anything like that, okay? It was…” He trails off, shaking his head. “Shit, Jemma. I’m not going to lie to you. It was nice. I’m glad I kissed you. I’m pretty sure I’ve been wanting to for…well, a long time now.”
“You did a pretty good job hiding it, that’s for sure.”
“It’s just that…well, I’ve had to listen to seventeen years’ worth of how you’re the perfect girl for me. And goddamn, Jem. My mom already controls enough in my life. What food I eat. What clothes I wear. Hell, even my underwear. You wouldn’t believe the fight she put up a few years back when I wanted to switch to boxer briefs instead of regular boxers.”
I swallow hard, remembering the sight of him wearing the underwear in question. Yeah, I’m glad he won that particular battle.
“Anyway, if my parents want it for me, it must be wrong. So I convinced myself that you were wrong for me. You had to be.” His gaze sweeps across my face, and I swear I feel it linger on my lips. “No matter what I felt every single time I looked at you.”
Oh my God. I did the exact same thing--thinking he had to be wrong for me just because Mama insisted we were a perfect match. Now I don’t know what to think. What to feel. What’s real and what’s a trying-to-prove-something fabrication.
But Ryder…he gets it. He’s lived it too.
I let out a sigh. “Can you imagine how different things would be if our families hated each other? If they were feuding like the First Methodists and the Cavalry Baptists?”
“I bet it’d be a whole lot less complicated, to tell you the truth. Heck, we probably would’ve already run off together or something by now.”
“Probably so,” I say, a smile tugging at my lips.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
I have some questions for you.” Serious, indeed. He brushed her hair back from her forehead with his thumb. “I will answer to the best of my ability.” “You know about changing nappies.” “I do.” “You know about feeding babies.” “Generally, yes.” “You know about bathing them.” “It isn’t complicated.” She fell silent, and Vim’s curiosity grew when Sophie rolled to her back to regard him almost solemnly. “I asked Papa to procure us a special license.” He’d wondered why the banns hadn’t been cried but hadn’t questioned Sophie’s decision. “I assumed that was to allow your brothers to attend the ceremony.” “Them? Yes, I suppose.” She was in a quiet, Sophie-style taking over something, so he slid his arm around her shoulders and kissed her temple. “Tell me, my love. If I can explain my youthful blunders to you over a glass of eggnog, then you can confide to me whatever is bothering you.” She ducked her face against his shoulder. “Do you know the signs a woman is carrying?” He tried to view it as a mere question, a factual inquiry. “Her menses likely cease, for one thing.” Sophie took Vim’s hand and settled it over the wonderful fullness of her breast then shifted, arching into his touch. “What else?” He thought back to his stepmother’s confinements, to what he’d learned on his travels. “From the outset, she might be tired at odd times,” he said slowly. “Her breasts might be tender, and she might have a need to visit the necessary more often than usual.” She tucked her face against his chest and hooked her leg over his hips. “You are a very observant man, Mr. Charpentier.” With a jolt of something like alarm—but not simply alarm—Vim thought back to Sophie’s dozing in church, her marvelously sensitive breasts, her abrupt departure from the room when they’d first gathered for dinner. “And,” he said slowly, “some women are a bit queasy in the early weeks.” She moved his hand, bringing it to her mouth to kiss his knuckles, then settling it low on her abdomen, over her womb. “A New Year’s wedding will serve quite nicely if we schedule it for the middle of the day. I’m told the queasiness passes in a few weeks, beloved.” To Vim’s ears, there was a peculiar, awed quality to that single, soft endearment. The feeling that came over him then was indescribable. Profound peace, profound awe, and profound gratitude coalesced into something so transcendent as to make “love”—even mad, passionate love—an inadequate description. “If you are happy about this, Sophie, one tenth as happy about it as I am, then this will have been the best Christmas season anybody ever had, anywhere, at any time. I vow this to you as the father of your children, your affianced husband, and the man who loves you with his whole heart.” She
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
She thinks no one would ever marry ‘a reckless society miss’ and a ‘troublemaker.’”
He winced to hear his own words thrown back at him. Celia was all that…and so much more. Not that he dared tell her. Bad enough that he’d revealed too much of how he felt yesterday. For now, she could chalk it up to mere desire. If he started paying her compliments, she might guess how far his feelings went, and that wouldn’t do.
So he tempered his remarks. “Your grandmother is merely worried that you will waste yourself on some man who doesn’t deserve you.” Like a bastard Bow Street Runner. “I suspect that if you tell her you’re going to marry the duke, she won’t be a bit surprised. And she certainly won’t agree to rescind the ultimatum, now that she’s finally achieved what she wanted.”
“Yes, I’ve come to that conclusion myself. And besides…well…it wouldn’t be fair to involve him in such a plot behind his back when he’s a genuinely nice man offering marriage. If word got out that he had offered and I’d accepted, only to turn him down, people would assume I’d done it because of the madness in his family. That would just be cruel.”
Now that Jackson knew she wasn’t actually going to marry the duke, he could be open-minded. “It certainly wouldn’t be kind,” he agreed. “But I’d be more worried that if word got out, you’d be painted as the worst sort of jilt.”
She shrugged that off. “I wouldn’t care, as long as it freed me from Gran’s ultimatum.”
It took him a moment to digest that. “So you lied when you said at our first discussion of your suitors that you had an interest in marriage?”
“Of course I didn’t lie.” Her cheeks pinkened again. “But I want to marry for love, and not because Gran has decided I’m taking too long at it. I want my husband to genuinely care for me.” Her voice shook a little. “And not just my fortune.” She cut him a sidelong glance. “Or my connections.”
He stiffened in the saddle. “I understand.” Oh yes, he understood all right. Any overtures he made would be construed as mercenary. Her grandmother had made sure of that by telling her of his aspirations.
Not that it mattered. If he married her, he risked watching her lose everything. A Chief Magistrate made quite a lofty sum for someone of Jackson’s station, but for someone of hers?
It was nothing. Less than nothing.
“So what do you plan to do?” he asked. “About your grandmother’s ultimatum, I mean.”
She shook her head. “If presenting her with an offer and begging her forbearance didn’t work, my original plan was just to marry whichever of the three gentlemen had offered.”
“And now?”
“I can’t bring myself to do it.”
He stopped clenching the reins. “Well, that’s something then.”
“So I find myself back where I started. I suppose I shall have to drum up some more suitors.” She slanted a glance at him. “Any ideas?
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
Noah smiled at her, then his smile froze. He looked her slowly up and down. And again. “What?” she demanded hotly, hands on her hips. “Nothing,” he said, turning away. “No. What? What’s the matter?” He turned back slowly, put his tools down on top of the ladder and approached her. “I don’t know how to say this. I think it would be in the best interests of both of us if you’d dress a little more…conservatively.” She looked down at herself. “More conservatively than overalls?” she asked. He felt a laugh escape in spite of himself. He shook his head. “Ellie, I’ve never seen anybody look that good in overalls before.” “And this is a bad thing?” she asked, crossing her arms over her chest. “It’s provocative,” he tried to explain. “Sexy. People who work around churches usually dress a little more… What’s the best way to put this…?” “Frumpy? Dumpy? Ugly?” “Without some of their bra showing, for one thing.” “Well now, Reverend, just where have you been? Because this happens to be in style. And I’ll do any work you give me, but you really shouldn’t be telling me what to wear. The last guy I was with tried to do me over. He liked me well enough when he was trying to get my attention, but the second I married him, he wanted to cover me up so no one would notice I had a body!” “The husband?” “The very same. It didn’t work for him and it’s not going to work for you. You didn’t say anything about a dress code. Maybe I’ll turn you in to the Better Business Bureau or something.” “I think you mean the Equal Employment Opportunity Commission. Or maybe you should go straight to the American Civil Liberties Union.” He stepped toward her. “Ellie,” he said, using his tender but firm minister voice. “I’m a single man. You’re a very beautiful young woman. I would like it if the good people of Virgin River assumed you were given this job solely because of your qualifications and not because you’re eye candy. Tomorrow, could you please wear something less distracting?” “I’ll do my best,” she said in a huff. “But this is what I have, and there’s not much I can do about that. Especially on what you’re paying me.” “Just think ‘baggy,’” he advised. “We’re going to have a problem there,” she said. “I don’t buy my clothes baggy. Or ugly. Or dumpy. And you can bet your sweet a…butt I left behind the clothes Arnie thought I should wear.” She just shook her head in disgust. “I don’t know what you’re complaining about. You know how many guys would rather have something nice to look at than a girl in a flour sack? Guess you didn’t get to Count Your Blessings 101.” She cocked her head and lifted her eyebrows. “I’m counting,” he said. But his eyes bore down on hers seriously. He was not giving an inch. “Just an ounce of discretion. Do what you can.” She took a deep breath. “Let’s just get to work. Tomorrow I’ll look as awful as possible. How’s that?” “Perfect.
”
”
Robyn Carr (Forbidden Falls)
“
First experiences in life are very important. I never analyzed you, I always saw you. I never judged you, I always grasped you. When I left, I became lost. I was working, living, performing but you were missing, I don’t know why? I seriously don't understand why you are impacting so much on me? Can you clear in future if you have answer? We never talked too much but why this pain of departure is there? I have tried to forget you a lot, tried to delete the contact, tried to full concentrate on my life, sometime cried but there was not a single day when I didn't think about you. Am I really over thinker? I failed in your case, I failed. I have to accept the reality that to be good with you is the only solution which can make me happy & stable. Wherever I'll be in life, but this connectivity is necessary now. It is a part of life.
I have so many questions for you. Have you ever missed me like I do? Everyday? I felt it, was that true? Do you really like to hear me? Or you are also in me? Or you are trying to suggest me some future planning? Are you shy? Less talker? You always tried to be open up with me? I always maintained safe distance? Was I too reserved? Was I egoistic? Yes, I was, but only in your case. Whatever you did for me that all was unsaid, pure, clear, fair. You were always nice to me? You never scold me, is this your part of nature? I heard so many cases of your temper? I never asked about you to people, they used to tell me about you by their own. Can I suggest you something? You are smart thinker but be careful from the people. Never be too kind to anyone, not all people have value of it. People never learn from the mistakes; they don’t want to create; they want to copy. I would say, don’t kind to me too, I have said so many things to you. I never seen so calm person. How? Do you have emotions? neutral? You never think on the things? Are you so productive? Are you innocent (in case of people)? Why can’t you understand that people makes show off in front of you only? Why are you giving so much importance to commerce people? Are they intelligent than engineers? Do you think so? Am I asking you so many questions? I really care for you & your selection of people. What are you actually see in the people? Obviously it’s your choice to answer it or not? At least I can ask my questions.
Did I make a mistake according to you? For me, I was right, but I never asked you about you. As you said, I never gave you chance. For me, you are the chance giver & I am chance taker. I was scared by you. Did I hurt you? Hope I never made loss of you in any manner.
I want to clear you one thing that apart from all my shit thinking, if you need any kind of assistance then please feel free to share. So what I have confess my love to you? It’s fine? Right? It’s natural, I had tried to control it a lot. Now I am more transparent, shameless & confident. I can face you in any condition. This change has changed my life.
”
”
Somi
“
Fuck, she was even hotter when she was furious. I seriously wouldn't have minded her taking that anger out on my body all night long. I'd be more than happy to angry fuck her until her body bent and bowed and finally gave in to the power play between us. I'd force her beneath me physically as well as with my power and maybe she'd find she liked it there just fine.
Or maybe she'd stab me to death and cut my cock off for good measure because the look she was aiming my way said that was a whole lot more likely than me getting to spend the night ruining her. But it was a damn nice fantasy to indulge in for a few moments.
...
She gave me a look of utter contempt and it made my cock throb as her nearness just compounded the desire I was already feeling for her and made me get all kinds of insane ideas about what I'd like to do with this little princess if I got her to myself for long enough.
She made no attempt to cover herself, no sign of shame in her frosty features as she stalked forward to claim her key, a sneer touching those edible lips of hers.
Her jaw was tight with rage which she was doing nothing to hide and as she reached out to snatch the key from my hand, I couldn't help but ache to bring her closer, draw her nearer, see just how far she'd go in this denial of my power over her.
Her fingers curled around the brass key, but I didn't release it, instead using my hold on it to tug her a step closer so that only a breath of space divided our bodies. I looked down at her from my imposing height, dominating her space with the bulk of my body and making sure she took in every last inch of height I had over her.
“Of course, if you’d rather just come on up to my room, I can give you a real welcome to the House of Fire,” I suggested my gaze dropping down to her body, the noticeable bulge in my pants making it clear enough how much I meant that offer. I probably shouldn't have been making it at all, but the beast in me couldn't help myself. Dragons saw something they wanted and they took it. And I hadn't seen something I wanted as much as this girl in as long as I could remember.
Our gazes collided and the heat there was almost strong enough to burn, the tension between us crackling so loudly I was surprised the whole room couldn't hear it. But then her gaze shuttered and her lips pursed, her eyes dropping down to take me in, my skin buzzing everywhere they landed as I could feel the want in her while she assessed me.
But as those deep green eyes met mine again and I gave her a knowing smirk, I couldn't tell what she was thinking. I didn't know if she was going to bow to this heat between us or just stoke the flames, and the fact that I didn't know had my heart thumping in anticipation deep in my chest.
She shifted an inch closer to me, tilting her mouth towards my ear and making my flesh spark with the need to take her, own her, destroy her in all the best ways. But just as my cock began to get overexcited at the prospect of all the ways I could make her scream for me given enough time, she spoke and it wasn't in the sultry purr I'd been expecting, her voice coming out loud enough for everyone to hear instead.
“I wouldn’t come near you even if someone held a knife to my heart and told me that the world would end if I didn’t,” she snarled, snatching the key out of my hand as my surprise at her words made me forget to keep my grip tight enough to keep it. “So why don’t you take a long, hard look while you can. Because I can promise you, you won’t be seeing this again.”(Darius POV)
”
”
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
“
So what brought you here?” Emilio asks. I don’t set the icing bag down, because it’s nice to have something to do with my hands, although they’re suddenly shaking. “I wanted to talk to you about Peck.” “What about her?” “I wanted to see if you’d have any objections to me asking her to marry me.” I hear a whoop from the other room. Emilio rolls his eyes. “Why do you want to marry her?” Why do I want to marry her? She’s just Peck. And I feel like she was made for me. “Um…” “The answer is no, if that’s the best you can do.” He points to the cupcakes. “Ice them,” he says. I ice quietly for a few minutes, trying to gather my thoughts. “Didn’t expect you to give up quite so easily,” he suddenly says. I look up. “Oh, I’m not giving up. I’m just thinking.” “You about done with that?” I shake my head. “Not yet.” “Keep icing.” Suddenly, Marta strolls into the room. There’s purpose in her stride and I back up against the wall, because I’m afraid I’m her target. But I quickly see I’m not. She goes for Emilio, but he must be used to this. He runs around the corner of the center island and she chases him. She picks up a rolling pin and runs, but he runs a little bit faster. Suddenly, she stops and blows a stray lock of hair from her eyes. “Stop tormenting the poor boy,” she says. She shakes the rolling pin at him. “Oh, Jesus Christ,” he breathes. “I was having fun with it!” He grins. Then he sobers completely. “Did Peck tell you about the day we met?” “Yes, sir,” I tell him. “What she didn’t tell you was my side of it.” He rubs at the back of his hand. “I had been hanging out in the boys’ ward at the home, and one of the little assholes bit me on the back of the hand, so I was in a bad mood. I wanted nothing more than to get out of there. I walked around the corner, trying to find Marta, and I saw her sitting beside a little girl. I took one look at that kid and I said to myself, She’s my daughter.” He takes a deep breath. “I know it sounds stupid, and I suppose it should. But she was sitting there on the edge of the bed and she wouldn’t speak. But when she looked at me, she said a million words with her eyes.” Marta wipes a tear from her cheek. “I have loved that little girl from the minute I met her. I never doubted that she belonged to us, and neither did she.” He waits a beat. “The first time she spoke to me was when she had a set of drumsticks in her hand.” He looks at me. “Do you know what she said?” I shake my head, and swallow past the lump in my throat. “She took my hand and said, ‘I’m glad you’re my dad.’ It was one big stutter, and I loved every syllable. She makes me so fucking proud.” He points a finger at me. “She’s fucking perfect, so if you so much as make her cry, I will find you and jam her drumsticks so far up your ass that you’ll taste them ten years from now. Do you understand?” “Yes, sir.” I swallow again. “So, yes, you can marry my daughter. And you better make her happy every day for the rest of her life, because I will be watching. Understand?” “Yes, sir.” He points to the cupcakes. “Keep icing.” “Yes, sir.” I grin. Marta lays a hand on my shoulder. “Did you get a ring yet?” “No, ma’am. I wanted to get permission first.” She looks at Emilio and quirks a brow. He nods. She disappears into a bedroom and comes back a minute later with a box. “It was my mother’s,” Emilio says. “Peck used to try it on all the time when she was small, and she loves it. So you can use it if you want to.” He’s grumbling, but I can tell he’s serious. I pop open the box and stare down at a beautiful antique ring. “It’s lovely. Are you sure it’s okay if I use it?” He nods. He points to the cupcakes. “Keep icing.” “Yes, sir.” I smile.
”
”
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
“
Marvin stood there.
‘Out of my way little robot,’ growled the tank.
‘I’m afraid,’ said Marvin, ‘that I’ve been left here to stop you.’
The probe extended again for a quick recheck. It withdrew again.
‘You? Stop me?’ roared the tank, ‘Go on!’
‘No, really I have,’ said Marvin simply.
‘What are you armed with?’ roared the tank in disbelief.
‘Guess,’ said Marvin.
The tank’s engines rumbled, its gears ground. Molecule-sized electronic relays deep in its micro-brain flipped backwards and forwards in consternation.
‘Guess?’ said the tank.
‘Yes, go on,’ said Marvin to the huge battle machine, ‘you’ll never guess.’
‘Errrmmm …’ said the machine, vibrating with unaccustomed thought, ‘laser beams?’
Marvin shook his head solemnly.
‘No,’ muttered the machine in its deep gutteral rumble, ‘Too obvious. Anti-matter ray?’ it hazarded.
‘Far too obvious,’ admonished Marvin.
‘Yes,’ grumbled the machine, somewhat abashed, ‘Er … how about an electron ram?’
This was new to Marvin.
‘What’s that?’ he said.
‘One of these,’ said the machine with enthusiasm.
From its turret emerged a sharp prong which spat a single lethal blaze of light. Behind Marvin a wall roared and collapsed as a heap of dust. The dust billowed briefly, then settled.
‘No,’ said Marvin, ‘not one of those.’
‘Good though, isn’t it?’
‘Very good,’ agreed Marvin.
‘I know,’ said the Frogstar battle machine, after another moment’s consideration, ‘you must have one of those new Xanthic Re-Structron Destabilized Zenon Emitters!’
'Nice, aren’t they?’ agreed Marvin.
‘That’s what you’ve got?’ said the machine in condiderable awe.
‘No,’ said Marvin.
‘Oh,’ said the machine, disappointed, ‘then it must be …’
‘You’re thinking along the wrong lines,’ said Marvin, ‘You’re failing to take into account something fairly basic in the relationship between men and robots.’
‘Er, I know,’ said the battle machine, 'is it … ’ it tailed off into thought again.
‘Just think,’ urged Marvin, ‘they left me, an ordinary, menial robot, to stop you, a gigantic heavy-duty battle machine, whilst they ran off to save themselves. What do you think they would leave me with?’
‘Oooh er,’ muttered the machine in alarm, ‘something pretty damn devastating I should expect.’
‘Expect!’ said Marvin. ‘Oh yes, expect. I’ll tell you what they gave me to protect myself with shall I?’
‘Yes, alright,’ said the battle machine, bracing itself.
‘Nothing,’ said Marvin.
There was a dangerous pause.
'Nothing?’ roared the battle machine.
‘Nothing at all,’ intoned Marvin dismally, ‘not an electronic sausage.’
The machine heaved about with fury.
‘Well doesn’t that just take the biscuit!’ it roared, ‘Nothing, eh?’ Just don’t think, do they?’
‘And me,’ said Marvin in a soft low voice, ‘with this terrible pain in all the diodes down my left side.’
‘Makes you spit, doesn’t it?’
‘Yes,’ agreed Marvin with feeling.
‘Hell that makes me angry,’ bellowed the machine, ‘think I’ll smash that wall down!’
The electron ram stabbed out another searing blaze of light and took out the wall next to the machine.
‘How do you think I feel?’ said Marvin bitterly.
‘Just ran off and left you did they?’ the Machine thundered.
‘Yes,’ said Marvin.
‘I think I’ll shoot down their bloody ceiling as well!’ raged the tank.
It took out the ceiling of the bridge.
‘That’s very impressive,’ murmured Marvin.
‘You ain’t seen nothing yet,’ promised the machine, ‘I can take out this floor too, no trouble!’
It took out the floor too.
‘Hells bells!’ the machine roared as it plummeted fifteen storeys and smashed itself to bits on the ground below.
‘What a depressingly stupid machine,’ said Marvin and trudged away.
”
”
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
“
If you don't tell me why you're avoiding me, then, like, we might as well just get it over with and stop being friends."
He stiffens and turns red, even visible in the dim light. It dawns on me that we're never going to be best friends again.
"It's...," he says. "It is very difficult... for me... to be around you."
"Why?"
It take him a while to answer. He smooths his hair to one side, and rubs his eye, and checks that his collar isn't turned up, and scratches his knee. And then he starts to laugh.
"You're so funny, Victoria." He shakes his head. "You're just so funny."
At this, I get a sudden urge to punch him in the face. Instead, I descend into hysteria.
"For fuck's sake! What are you talking about?!" I begin to shout, but you can't really tell over the noise of the crowd. "You're insane. I don't know why you're saying this to me. I don't know why you decided you wanted to become BFFs all over again, and now I don't know why you won't even look me in the eye. I don't understand anything you're doing or saying, and it's killing me, because I already don't understand anything about me or Michael or Becky or my brother or anything on this shitty planet. If you secretly hate me or something, you need to spit it out. I'm asking you to give me one straight answer, one single sentence that might sort at least something out in my head, but NO. You don't care, do you!? You don't give a SINGLE SHIT about my feelings, or anyone else's. You're just like everyone else."
"You're wrong," he says. "You're wro-"
"Everyone's got such dreadful problems." I shake my head wildly, holding on to it with both hands. "Even you. Even perfect innocent Lucas has problems."
He's staring at me in a kind of terrified confusion, and it's absolutely hilarious. I start to crack up.
"Maybe, like, everyone I know has problems. Like, there are no happy people. Nothing works out. Even if it's someone who you think is perfect. Like my brother!" I grin wildly at him. "My brother, my little brother, he's soooo perfect, but he's- he doesn't like food, like, he literally doesn't like food, or, I don't know, he loves it. He loves it so much that that it has to be perfect all the time, you know?" I grabbed Lucas by one shoulder again so he understands. "And then one day he gets so fed up with himself, like, he was annoyed, he hated how much he loves food, yeah, so he thought that it was better if there wasn't any food." I started laughing so much that my eyes water. "But that's so silly! Because you've got to eat food or you'll die, won't you? So my brother Charles, Charlie, he, he thought it would be better if he just got it over with then and there! So he, last year, he-" I hold up my wrist and point at it-"he hurt himself. And he wrote me this card, telling me he was really sorry and all, but I shouldn't be sad because he was actually really happy about it." I shake my head and laugh and laugh. "And you know what just makes me want to die? The fact that, like, all the time, I knew it was coming, but I didn't do anything. I didn't say anything to anyone about it, because I thought I'd been imagining it. Well, didn't I get a nice surprise when I walked into the bathroom that day?" There are tears running down my face. "And you know what's literally hilarious? The card had a picture of a cake on it!"
He's not saying anything because he doesn't find anything hilarious, which strikes me as odd. He makes this pained sound and turns at a sharp right angle and strides away. I wipe the tears of laughter from my eyes, and then I take that flyer out of my pocket and look at it, but the music has started again and 'm too cold and my brain doesn't seem to be processing anything. Only that goddamn picture of that goddamn cake.
”
”
Alice Oseman (Solitaire)
“
with granite of black, gray, and ash white. Jericho explained how all the municipal buildings were built from the same quarry stone, including the courthouse, township building and the walls lining the morgue. It wasn’t the sightseeing that delayed my exit though. In the rich corridors next to the courthouse, we ran into District Attorney Ashtole and Mayor Jonathon Miller, their voices an echo, greeting me with arms extended and questions on their lips. “I’ve already heard so much about you,” the mayor said, his barrel chest filling like a machine as he sucked in air. The man stood a half-foot over me, and though he smiled, his face was fixed in a scowl, his bushy eyebrows stuck in a permanent slant. His shoulders were wide like a football player’s and his hands were like clubs. I wasn’t normally intimidated but he had a presence, and I suddenly found myself feeling nervous. “It’s nice to meet you,” I answered, my hand disappearing in his. Ashtole stood at his side, dwarfed, nearly hidden. “What’s the progress?” the district attorney asked, his voice annoyingly sharp, like the bark of an ankle-high dog. “Three bodies. We need something to tell the press. Heck, the timing is awful.” “Daniel,” the mayor said in a foreboding tone.
”
”
B.R. Spangler (Taken from Home (Detective Casey White #1))
“
You think…we can’t match him?” Slick asked from her bed. “I’ve had three children…And some man who’s never felt…his baby crown is stronger than me? Is tougher than me? He thinks he’s safe…because he thinks like you…He looks at Patricia and thinks we’re all a bunch of Sunshine Suzies…He thinks we’re what we look like on the outside: nice Southern ladies. Let me tell you something…there’s nothing nice about Southern ladies.
”
”
Grady Hendrix
“
Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism."
"I'm sorry. I don't know what that is."
"I don't either," Bunny would say brokenly. "Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see." He would resume pacing. "Donne. Walton. Metahemeralism. That's the problem as I see it."
"Bunny, I don't think "metahemeralism" is even a word."
"Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe."
"Is it in the dictionary?"
"Dunno. Don't know how to spell it. I mean" — he made a picture frame with his hands — "the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?"
And so it would go on, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended.
He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in.
"This is a nice paper, Bun — ," Charles said cautiously.
"Thanks, thanks."
"But don't you think you ought to mention John Donne more often? Wasn't that your assignment?"
"Oh, Donne," Bunny had said scoffingly. "I don't want to drag him into this."
Henry had refused to read it. "I'm sure it's over my head, Bunny, really," he said, glancing over the first page. "Say, what's wrong with this type?"
"Tripled spaced it," said Bunny proudly.
"These lines are about an inch apart."
"Looks kind of like free verse, doesn't it?"
Henry made a funny little snorting noise through his nose. "Looks kind of like a menu," he said.
All I remember about the paper was that it ended with the sentence "And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.
”
”
Anonymous
“
It took me a couple of years after I woke up in that cold sweat to figure out what flag I was going to plant, and then how to do something with it. Using the process in Step 1, I found the things that I wanted to be known for and the work that I was passionate about. And then I started telling my story all the time to anyone who would actually listen. For me, this story was around Lean UX because of who I was at the time. I created a pitch based on design for designers, by designers, to change the way that they were working. And I honed that voice and that tone and that dialogue by telling the story over and over and over again using blog posts and articles and eventually in-person talks. The first talk I ever gave as a part of my new professional trajectory was on August 12, 2010. I told the story about how we solved the problem of integrating UX into Agile at TheLadders. And then the timeline started to accelerate from there. A month later, on September 24, I gave my first talk about Lean UX and it was in Paris. I was communicating about this topic publicly, and people were saying, “Hey, come give us a talk about it.” And I was writing about the topic in any publication that would actually listen to this kind of thing. I kept speaking and writing and making presentations, and as I got my ideas out into the world and put them into play in any way I could, on March 7, 2011, I finally hit the jackpot. This was three years after I had my 35th-birthday epiphany and the pressure was on—I knew I had just two years left before I was going to become obsolete, an also-ran. I hit the jackpot when I managed to get an article published in Smashing magazine. At the time, Smashing had a million readers online, and so the scale of my conversation was growing and growing because I was becoming known as the guy who had some answers to this question. That was a massive break for me because the article provided me with a global audience for the first time. Obviously, anything you publish on the internet is global and distributed, but the bottom line is that, if the platform you choose or that chooses you has a built-in audience, you stand a much bigger chance. Smashing magazine had an audience. The article, titled “Lean UX: Getting Out of the Deliverables Business” became very successful, and that’s where I planted my flag—providing solutions to the Agile and design problem with a real-world tested solution nicely packaged and labeled as Lean UX.
”
”
Jeff Gothelf (Forever Employable: How to Stop Looking for Work and Let Your Next Job Find You)
“
I want to show you something,” he said, his voice dropping a little lower than usual and causing a shiver to run down my spine.
“What?” I asked.
“I said show, not tell. You have to come with me.”
Curiosity nagged at me and the champagne urged me into recklessness. He’d promised to be nice after all, so why not? And even though I’d said I wanted to go back to the snooze fest party, I didn’t really. Given the choice, I’d just head back to the Academy.
“You’d better not be about to whip your junk out again,” I warned. “Because I’ve seen way too much of you for my liking.”
“Oh I think you liked it just fine,” he countered and the heat that flooded my cheeks at his tone stopped me from raising any further argument on the subject.
He stepped a little closer to me and I fought against the impulse to lean in.
“Come on then, don’t keep me in suspense,” I demanded though a little voice in the back of my head wondered if I meant something else by that statement.
Darius’s mouth hooked up at one side and he inclined his head to yet another door on the other side of the room.
I followed him as he led the way through the manor to a grand atrium before opening the door onto a dark stairwell which led down to what must have been an underground chamber.
I eyed him warily but at this point I was pretty sure he’d have attacked me already if he was going to. Darius Acrux may have been a lot of things but it seemed he was a man of his word; he’d promised to be nice to me tonight and that was what he was delivering. I’d have to keep an eye on the time though, at midnight his Cinderella spell might come undone and he’d turn back into an asshole shaped pumpkin.
Lights came on automaticaly as we descended and at the foot of the stairs, he opened another door and led me out into into an underground parking lot.
I eyed the row of flashy sports cars in every make and model imaginable but he didn’t pause by them, instead leading me to the far end of the lot.
A smile tugged at my lips as I spotted the lineup of super bikes. They were all top of the range, ultra-sleek, ultra-beautiful speed machines. My fingers tingled with the desire to touch them as the tempting allure of adrenaline called to me.
“You said you could ride,” Darius said, offering me a genuine smile. “So I thought maybe you’d like to see my collection.”
Damn, the way he said ‘my collection’ made me want to punch the entitlement right out of him but I didn’t miss the fire burning in his eyes as he looked at the bikes. That was a passion I knew well. He was a sucker for my kind of temptation too.
“Have you done any modifications on them?” I asked, reaching out to brush my fingers along the saddle of the closest red beauty.
“They’re top of the line,” he said dismissively like I didn’t know what I was looking at. “They don’t need any mods.”
I snorted derisively. So he liked to ride the pretty speed machines but he didn’t know how to work on them. “Figures pretty boy wouldn’t know how to get his hands dirty,” I teased.
“Maybe the kinds of bikes you’re used to riding need work to make them perform better but this kind of quality doesn’t require any extras. Besides, I could just pay someone to do it for me even if they did.”
“Of course you could. That’s not really the point though.” And he was wrong about the kinds of bikes I was used to riding. I spotted four models amongst his collection which I’d ridden within the last six months. The others could easily be mine with a little bit of time and a tool or two. Not that I felt the need to tell him that.
“You wanna take one for a ride?” he offered. “You can test your supposed skill against mine; there’s a circuit to the west of the estate.”
My eyes widened at that offer. I’d missed riding since coming to the Academy and I hadn’t really thought I’d be able to get out again any time soon. ...
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
It’s like—when there’s a stack of dishes, if my husband actually does them, I tell him thank you. But when I do them, no one thanks me, because it’s not something nice I did for someone else. It’s just what I was supposed to do all along.
”
”
Kiersten White (Mister Magic)
“
So, on the afternoon that Robert Frost’s horse had clip-clopped through the snow, I’d raised my hand and told the class my mother was a poet. “Now, now, Delphine,” Mrs. Peterson said, “nice girls don’t tell their classmates lies.” She’d kept me after school and told me she knew the truth about how my mother had left home and that wanting a mother was no excuse for dreaming one up. I couldn’t leave the classroom until I’d written “I will not tell lies in class” twenty-five times on the blackboard. And then I’d had to erase the board clean. Vonetta sulked something pitiful when Cecile told her to cut it out.
”
”
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
“
I need to learn how to stop destroying myself, stop being hard on myself and be nice to myself. I need to keep telling myself that I need to keep wanting something, something nice, something warm, more than just a fur coat because I can make other people happy. I can understand other people’s pain because I can love even after all that is left of me is gone because I have that strength.
”
”
Daul Kim
“
Naturally, we even made snow angels in the backyard as we stumbled around, and passed out. No one cared what we did really, thus far that was the fun of it all. Oh, and Kenneth was just the boy that only wanted one thing from Jenny.
He had no personality to speak of… he would hit on me all the time, and sometimes he would get it from me too, or I would be out of the group by her if he said I was the one that wanted it from him.
We could break widows out of old buildings and homes, and who would stop us. Sure, we got chased by the cops, yet that was the fun of it too. There is nothing else for us to do. I remember Maddie leaving her handprints in the wet mud, Jenny her butt, and some of her lady-ness, when the town thought it was time for new sidewalks. Yet we all did, something that would last forever, we thought. Maddie drew a few other things too. You can get the picture! All inappropriate… all there for life.
She was just crazy like that, like squatting down pissing, and doing number two in the old man Jackups yard. She has more balls than most guys… I knew. Old man Jackups called us, ‘Mindless slutty hooligans’ So that was payback. At the time- I thought like what is wrong with that, we're just having some fun here… your old windbag, like go and sit on your cane! You know what I mean… I think?
I remember being so smashed at my sweet sixteen too, that I don’t even remember it. Yet that is what having a good time was all about, so they say. Bumping and grinding on all the boys with loud music. And as the twinkling lights shine on your skin, that lights the way up to your bedroom.
You know that your puffy dress is going to be pushed up a couple of times on that night. I just don’t remember how many times it was, and I didn’t remember who it was with, I am not even sure if I know them at all… all of them or not. All I know is I did it all and was happy to do whatever they asked me to do. But- but I thought I was having the time of my life. I was the birthday girl that had the rosiest pink lipstick on most boys at the party. I thought it was such a horror. In my mind at the time, I thought that I high-jacked the rainbow, and crashed into a pot of gold! All the girls my age did it, yet I was the best at it!
I recall the time Liv and I went trick or treating. I was dressed as Hermione from the Harry Potter movies. Liv was a sexy witch! With the pointed hat. So, original…! That is what I told her. That was the night we scared the pants off of Ray in the not-so-scary haunted house. And before you ask, he was dressed as Harry. So, I wanted to play with his wand, that's why I dressed the way I did at the time. Liv was one of those good friends… I thought, which would tell everyone what you all did the day after, to all the girls at the lunch table.
She can text faster than anyone I know. Anyways… we jumped out at him, and he nearly craps his nicely pressed pants. I am sure there was a skid mark on his tighty- whities or something. Yet he did yack on Liv’s chest, and that was hilarious to me. She was dancing around, and flapping her hands doing the funky chicken while yelling, ‘Ou- ou- ou- wah!’ As I dibble over in lather, I guess it was funnier when it doesn’t happen to you too many times.
”
”
Marcel Ray Duriez (Nevaeh Falling too You)
“
Dad said, Let me tell you something. When I was a prisoner in Amersfoort, I saw with my own eyes your nice little man beating several people to death.
”
”
Johan Zwaan (Wwii + VI: A Kid s Memories of War and Postwar)
“
If I’d told ye when we first met that we’d be here right now, you never would have believed me,” Lewis interrupts my thoughts.
“I probably would have said something much ruder than that,” I smile sheepishly.
Lewis puts his arms around me and I sink into him. “You’re not on yer own this time,” he says quietly. And he’s right. I have him to lean on. He holds me tightly as he tells me to breathe in and out, still firmly in his hold. I do exactly as he asks, with some relief actually. Who knew that a hug and a few nice words could make all the difference to your state of mind?
”
”
Veronica Peartree, Making the Cut
“
Eat first and then tell stories,” I suggested to him.
“Tell me yours while I eat. Something momentous has happened to you. It’s in your bearing and eyes.”
And so I spoke to him, as I could no other, divulging all that had befallen me. He smiled but it seemed weighed with sadness, and nodded to himself as if I were but confirming things he already knew. When I had finished, he tossed his plum pit into the fire and said quietly, “Well. It is nice to know that my last vision and prophecy was a true one.”
“So. I’ll live happily ever after, as the minstrels sing?”
He twisted his mouth at me and shook his head. “You’ll live among people who love you and have expectations of you. That will make your life horribly complicated and they will worry you sick half the time. And the other half, annoy you. And delight you.” He turned away from me and took his cup and looked into it, like a hedge-witch reading tea leaves. “Fate has given up on you, FitzChivalry Farseer. You’ve won. In the future that you now have found, it’s most likely that you’ll live to a ripe old age, rather than that fate will try to sweep you from the playing board at every opportunity.”
I tried to lighten his words. “I was getting a bit tired of being hauled back from death’s door and beyond every time I turned around.”
“It’s nasty. I know how nasty now. You’ve shown me that.” He almost had his old smile as he asked me, “Let’s leave it at this and call it even, shall we? One time pays for all?”
I nodded to that.
”
”
Robin Hobb (Fool's Fate (Tawny Man, #3))
“
So, what exactly did Ignita tell you about me?” he hissed, sounding decidedly peevish, even to his own ears. “All good?” “Besides that you are her favourite great-nephew by any measure under the suns –” wielding the foot-wide ladle with aplomb, she poured one last bucketful of dragonwort soup, a noted restorative, down his throat with a pleasant gurgle “– she said that you are honourable, faithful, creative, artistic, misunderstood, a Dragon whose heart lives in his poetry, which you have sadly neglected to admit to me; you are finicky to a fault, severely short-sighted and lacking in firepower.” Gnarr-rum-blasted-death! he swore unhappily. “Nice list. Thanks for sharing.” Blithely, the mite added, “Ignita is also furious that you did not come to her earlier with your eye problems.” Blitz said something even ruder. “She even claimed that I’m more stubborn than you, which I believe was meant to be a compliment. Now, hold still. The eye drops are next.” “She specifically said, ‘Lacking in fire power?’ ” He sighed moodily, unable to break the sense of being utterly defeated. This was not a happy place for a Dragon. His wings drooped as if they weighed a tonne each, and his food stomach churned with nausea. “She didn’t use words such as disabled, worthless, fireless lizard, witless fool, cold-hearted undraconic worm, a Dragon who is no Dragon at all, or –” “Blitz, stop.” “So, why don’t you just run back to Daddy, little Princess? Go on. Go home. Why be dragged down in the maelstrom of a worthless loser?” “Blitz! Shut your stupid fangs.” “Whinging being so charismatic in a Dragon …” Grinding her teeth furiously, the girl who was climbing his neck leaned over to his left upper ear canal and hissed, “Do you know what I would go back to, you thumping great moron? Let me give you the salient highlights. Since I was old enough to walk and my mother passed, it has been impressed upon me that my sole purpose in life is to get married to the richest fool I can charm into my bed, no matter how despicable he might be. I will not inherit. That privilege is for my brothers. Instead, I am merely an entry on my kingdom’s asset register – a very fat entry. I am commanded to be charming, accomplished and perfectly presented at all times. I go to balls to catch wealthy Princes. Can you imagine what it is like to be valued for your dark, beautiful skin, and nothing else? To only ever be seen skin-deep – I mean … you know?” Blitz groaned softly. “So aye, I don’t really want to go home, in case that was somehow unclear. I would rather live with an enormously unreasonable, complaining, crabby, haughty chunk of a Dragon, because among your many admirable qualities and your damnably beautiful honour, you have one gift I value above all others. Do you have any idea what I’m talking about?” He croaked, “Of course, aye … sort of … not a whole lot. Sorry.” Nonsensical, but true. Warm moisture dripped into his ear. Crying! Oh, by his wings, what had he done now? The Princess whispered, “You see me, and accept me, just as I am.
”
”
Marc Secchia (Call Me Dragon (Dragon Fires Rising, #1))
“
It's not that we don't try. We do our best with the room we have. We shuffle the furniture, we paint the walls, we turn down the lights. But there's only so much you can do with the place. And so we groan.
And well we should, Paul argues. We were not made for these puny quarters. "For while we are in this tent, we groan and are burdened" (2 Cor. 5:6).
Our body a tent? Not a bad metaphor. I've spent some nights in tents. Nice for vacation, but not intended for daily use. Winter wind creeps from beneath. Summer showers seep from above. Canvas gets raw, and tent stakes come loose. We need something better, Paul argues. Something permanent. Something painless. Something more than flesh and bone. And until we get it, we groan.
I know I'm not telling you anything new. You know the groan of the soul. You didn't need me to tell you it's there.
But maybe you do need me to tell you it's okay. It's alright to groan. It's permissible to yearn. Longing is part of life. It's only natural to long for home when on a journey.
We aren't home yet. We are orphans at the gate of the orphanage, awaiting our new parents. They aren't here yet, but we know they are coming.
They wrote us a letter.
”
”
Max Lucado
“
Hawke nodded. “She’s right. It’s a useful attack and I prefer to use it out here in the wilds.” He looked at Ridge’s axe. “Why are you using a wooden axe?” Ridge held up the axe. “Because I broke my sword on the frog.” Hawke sighed. “No. I mean, why wood?” Ridge shrugged and Hawke rolled his eyes. “Anyway,” he turned to Ellie, “do you have something you’d like to tell me?” Ellie stammered. “Oh! Uh . . . I, uh . . .” Hawke pointed at the fox. “Copper isn’t just a darker fox, is he? The red is actually hatchamarks, isn't it?” Ellie looked to Ridge for help, but the boy was busy searching the ground for stray carrot chunks. She looked back to Hawke and blew out a breath in defeat. She didn’t want to lie to Hawke, who had been nothing but nice and helpful. “Yeah. The red is one of his hatchamarks. So is the brown. Copper…Copper’s a legendary hatchamob.” Hawke slowly shook his head, staring at the fox. “I thought I might’ve been going crazy. How’s it even possible? I thought legendary hatchamobs were myths.” “I didn’t even know what a legendary was until a couple days ago,” Ridge said. He must have finally given up and was sitting on Panda’s leg as she munched on bamboo. Ellie looked at Hawke, then pointed at Copper. “This is the reason the king’s after my parents.
”
”
Pixel Ate (Hatchamob: Book 2: An Unofficial Minecraft Book)
“
Booooooooo!” the guys and me started booing. “Wait a minute,” said Mr. Klutz. “The wining school will get prizes.” “Oooooh!” everybody ooooohed, because winning prizes is cool. And it would be great to beat those Dirk dorks again. “There will be four prizes,” Mr. Klutz told us. “The first prize is bragging rights, of course.” Bragging rights? Who cares? Grown-ups always say you can win bragging rights. But then when we actually brag about something, the grown-ups tell us that bragging isn’t nice and we should stop doing it. I’m not falling for that again. “Booooooooo!” “The second prize is a year’s supply of Porky’s Pork Sausages,” said Mr. Klutz. I like Porky’s Pork Sausages. But every time there’s a contest, they give away Porky’s Pork Sausages. I bet Mr. Klutz has a secret deal with Peter Porky, the guy who owns the Porky’s Pork Sausage company. “Booooooooo!” “I think you’ll like this,” said Mr. Klutz. “The third prize is . . . a trip to DizzyLand.” “Boo—” Wait. WHAT? Did he just say a trip to DizzyLand?
”
”
Dan Gutman (We're Red, Weird, and Blue! What Can We Do? (My Weird School Special, #7))
“
If I’d told ye when we first met that we’d be here right now, you never would have believed me,” Lewis interrupts my thoughts.
“I probably would have said something much ruder than that,” I smile sheepishly.
Lewis puts his arms around me and I sink into him. “You’re not on yer own this time,” he says quietly. And he’s right. I have him to lean on. He holds me tightly as he tells me to breathe in and out, still firmly in his hold. I do exactly as he asks, with some relief actually. Who knew that a hug and a few nice words could make all the difference to your state of mind?
”
”
Veronica Peartree
“
Flapdrol. That’s his new name for me…It’s not easy to translate but break it apart and you more or less get the gist of it. In Dutch, flap means ‘to dither’ and drol means “shit.” Not nice, but no doubt accurate.
”
”
Vicki Grant (Tell Me When You Feel Something)
“
Resigned that I wasn’t going back to sleep, I rolled up and got out of bed once another glance at my phone confirmed it was seven thirty and instantly peeked out the window.
There was a dull, repetitive sound coming from out there.
It was Mr. Rhodes.
Chopping wood.
Shirtless.
And I mean shirtless.
I’d expected something nice beneath his clothes from the way he filled them out, but nothing could have prepared me for the sight of… him. Reality.
If I wasn’t already pretty sure that there was dry drool on my face, there would have been five minutes after seeing all…. That through the window.
A pile of foot-long logs were tossed around his feet, with another small pile that he’d obviously already chopped, just to the side. But it was the rest of him that really drew my attention. Dark chest hair was sprinkled high over his pectorals. The body hair did nothing to take away from the hard slabs of abdominal muscles he’d been hiding; he was broad up top, narrow at the waist, and covering all that was firm, beautiful skin.
His biceps were big and supple. Shoulders rounded. His forearms were incredible.
And even though his shorts grazed his knees, I could tell the rest of his downtown area was nice and muscular.
He was the DILF to end all DILFs.
My ex had been fit. He’d worked out several times a week at our home gym with a trainer. Being attractive had been part of his job.
Kaden’s physique had nothing on Mr. Rhodes though.
My mouth watered a little more.
I whistled.
And I must have done it a lot louder than I’d thought because his head instantly went up and his gaze landed on me through the window almost immediately.
Busted.
I waved.
And inside… inside, I died.
He lifted his chin.
I backed away, trying to play it off.
Maybe he wouldn’t think anything of it. Maybe he’d think I’d whistled… to say hi. Sure, yeah.
A girl could dream.
I backed up some more and felt my soul shriveling as I made my breakfast, making sure to stay away from the window the rest of the time. I tried to focus on other stuff. You know, so I wouldn’t want to have to move out from shame.
Was I tired? Absolutely. But there were things I wanted to do. Needed to do. Including but not limited to getting away from Mr. Rhodes so my soul could come back to life.
So an hour later, with a plan in mind, a sandwich, a couple bottles of water, and my whistle in my backpack, I headed down the stairs, hoping and praying that Mr. Rhodes was back in his house.
I wasn’t that lucky.
He had a shirt on, but that was the only difference.
Darn.
”
”
Mariana Zapata (All Rhodes Lead Here)
“
about poison,” Tsunami said. “We need someone who can help us cure him.” “That doesn’t look like something one of us did,” said the queen. “We never use our venom on other dragons!” All of the dragonets shot sideways looks at Glory. She narrowed her eyes back at them. I dare you to tell her what I’ve done to save your stupid scales. “It’s not RainWing venom,” Starflight said hastily. “He was scratched by a SandWing’s tail barb.” “Oh,” said the queen. “I don’t know anything about those.” She took a deep breath to yell “NEXT!,” but Sunny interrupted before she could. “Oh, please, you must have healers,” she pleaded. “Someone who could look at it? Please? We don’t want him to die.” “Well, some of us don’t,” Glory muttered. Queen Magnificent tapped her claws on the treehouse floor. Her sloth seized one of her talons and tried to gnaw on it. “We do have healers,” said the queen, rolling her sloth playfully onto its back. “I guess you could talk to them. They’re about twelve tree lodges down from here, in the one with the red berries growing on the balcony.” She pointed out one of the windows. “They might not be able to do anything, but you may ask.” “Thank you,” Sunny said, backing toward the door. “And don’t forget to report back to me on that investigation,” Magnificent said to Glory. “It’ll be nice to have something to make Mangrove go away. What’s your name, anyhow?
”
”
Tui T. Sutherland (The Hidden Kingdom (Wings of Fire, #3))
“
I tell her what's it like with Ryan. How he's sweet and nice to me, and pretty much always does the right thing, or does the good thing. It all seems correct, but it doesn't seem right. Like when you solve a problem in math, it all works out perfectly. There's something that's flawless about that, and orderly. That's right. Correct is something that just works, waiting to be something better. But with Ryan, it doesn't ever feel like that. It doesn't feel solved. It feels like a lot of work for something that's never going to work out.
”
”
Justin Sayre (Pretty)
“
As soon as we’d arrived as close to the house as we were allowed to get, a brief Latin phrase came to me. I pronounced it as best I could, and when I saw him staring at me, I explained, “It’s in the tiles above the entryway. It means something like ‘Everyone is welcome here.’”
He asked how I knew about that, since I’d never been to the house before, and I told him. “Marilyn’s telling me.”
It was a nice surprise. She was definitely on the Other Side, she definitely had a lot to say, and she was ready to say it to me without preferring to talk through Francine. I can’t judge or comment on its accuracy. I’ll just report what she passed along and leave the rest to you.
She was adamant about the fact that she did not commit suicide. She described being alone in her bedroom that night, taking too many pills and making some blurry phone calls. But she had a clear memory of a man coming in and sticking a needle of what she believed to be Nembutol into her heart.
”
”
Sylvia Browne (Afterlives Of The Rich And Famous Featuring over 40 stars we have loved and lost (Old Edition))
“
When I sat on display without a moment's privacy or peace to myself, and that even though people were around me, I was still alone in the universe. I was probably difficult to talk to back then, too. I distinctly remember a period in which I didn't get up from bed, didn't wash, didn't eat—until the aliens prodded me with shock-sticks to get me to do something, anything. And while Zhur could definitely benefit from the receiving end of a shock-stick, something tells me that he's getting a wake-up call right now. Even so, I won't be used. I might be nice, but I'm not an idiot. I'm not going to be taken advantage of again. If he apologizes, I'll talk to him and we can come to an agreement. If he doesn't have money, he can work around the farm to pay for room and board. The idea soothes some of my distress, and when I peek out on the porch later, I see the bowl is discarded, the clothing gone.
”
”
Ruby Dixon (When She's Common (Risdaverse, #12))
“
If you don't tell me why you're avoiding me, then, like, we might as well just get it over with and stop being friends." He stiffens and turns red, even visible in the dim light. It dawns on me that we're never going to be best friends again. "It's...," he says. "It is very difficult... for me... to be around you." "Why?" It take him a while to answer. He smooths his hair to one side, and rubs his eye, and checks that his collar isn't turned up, and scratches his knee. And then he starts to laugh. "You're so funny, Victoria." He shakes his head. "You're just so funny." At this, I get a sudden urge to punch him in the face. Instead, I descend into hysteria. "For fuck's sake! What are you talking about?!" I begin to shout, but you can't really tell over the noise of the crowd. "You're insane. I don't know why you're saying this to me. I don't know why you decided you wanted to become BFFs all over again, and now I don't know why you won't even look me in the eye. I don't understand anything you're doing or saying, and it's killing me, because I already don't understand anything about me or Michael or Becky or my brother or anything on this shitty planet. If you secretly hate me or something, you need to spit it out. I'm asking you to give me one straight answer, one single sentence that might sort at least something out in my head, but NO. You don't care, do you!? You don't give a SINGLE SHIT about my feelings, or anyone else's. You're just like everyone else." "You're wrong," he says. "You're wro-" "Everyone's got such dreadful problems." I shake my head wildly, holding on to it with both hands. "Even you. Even perfect innocent Lucas has problems." He's staring at me in a kind of terrified confusion, and it's absolutely hilarious. I start to crack up. "Maybe, like, everyone I know has problems. Like, there are no happy people. Nothing works out. Even if it's someone who you think is perfect. Like my brother!" I grin wildly at him. "My brother, my little brother, he's soooo perfect, but he's- he doesn't like food, like, he literally doesn't like food, or, I don't know, he loves it. He loves it so much that that it has to be perfect all the time, you know?" I grabbed Lucas by one shoulder again so he understands. "And then one day he gets so fed up with himself, like, he was annoyed, he hated how much he loves food, yeah, so he thought that it was better if there wasn't any food." I started laughing so much that my eyes water. "But that's so silly! Because you've got to eat food or you'll die, won't you? So my brother Charles, Charlie, he, he thought it would be better if he just got it over with then and there! So he, last year, he-" I hold up my wrist and point at it-"he hurt himself. And he wrote me this card, telling me he was really sorry and all, but I shouldn't be sad because he was actually really happy about it." I shake my head and laugh and laugh. "And you know what just makes me want to die? The fact that, like, all the time, I knew it was coming, but I didn't do anything. I didn't say anything to anyone about it, because I thought I'd been imagining it. Well, didn't I get a nice surprise when I walked into the bathroom that day?" There are tears running down my face. "And you know what's literally hilarious? The card had a picture of a cake on it!" He's not saying anything because he doesn't find anything hilarious, which strikes me as odd. He makes this pained sound and turns at a sharp right angle and strides away. I wipe the tears of laughter from my eyes, and then I take that flyer out of my pocket and look at it, but the music has started again and I'm too cold and my brain doesn't seem to be processing anything. Only that goddamn picture of that goddamn cake.
”
”
Alice Oseman (Solitaire)
“
Well, thank you, Theo. It’s not something I think about often, but that doesn’t mean it’s not nice to hear.” “You’re telling me no one has ever looked you dead in the eye and called you ‘Daddy’ before?” Theo asked doubtfully.
”
”
Romeo Alexander (Drawing the Doctor (Heroes of Port Dale #3))
“
- I have to go.
- No. You don't have to go.
- Yes, I do.
- No, you have to rest now.
- I gotta go.
- No, you don't have to go anywhere. You don't need to walk out this door and hire a Pakistani.
- I have to go. I got other things to do.
- F…g bullshit! We just woke up! And you are bleeding. I tie you to the gas pipe by the oven in the kitchen, girl. You do not go out on that door until you calm down Martina.
- I am calm.
- No, you need a few hours tied to the gas pipe to think some things over. Meditate a bit.
- I want to go.
- I don’t give a f..k what do you want right now, Martina, I am serious. You are wrong to think I won’t tie you to that f…g pipe if you don’t calm the f..k down and use your head finally. Apparently you do not know me so well after a year, baby. You are really stupid and you don’t see or hear it when I am telling you nicely. OK. You start to piss me off because you don’t realize it. You didn’t come home here to get Sabrina killed, do you understand? It is time for you now to get yourself together after this terrible year and begin to listen to me before I slap you only once Martina but the wall gives you the second one. Do you understand? Things only get done if I take care of them myself, haven’t you seen or realized that yet? Now, you need to listen to me just this once, Martina, and stay put with your bleeding hand, before I take you to the hospital for some stitches. Do you want stitches in your hand? Shots?
- No.
- Tough. So sit tight until I clean up this mess, and roll a joint. Here, have a Hennessy.
- I don’t want it.
- I repeat. I did not ask what do you want the first time in one year. I don’t give a f..k. You are listening to the smarter one. I told you to take a shot so that you calm down before you get yourself in jail for your stupidity thinking that you had to get Sabrina killed for any reason. Who told you this bullshit Martina? No hospital, no doctor, no medication, no stitches, then you need a drink right now. Alcohol. A bit. Internally. And externally. And shut up. Answer when I ask you something. Who told you this bullshit Martina that Sabrina has the club and she has to die?
- Nobody. No one told me that.
– You are lying. Who told you that Sabrina was your enemy, Martina?
– Nobody. You.
– Stop playing! I told you she is a f…g loser, a junkie, a bum, a liar, a thief. Do you want me to beat the answers, the living shit out of Adam, or Nicolas? Which one? Both?
”
”
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
“
He squints at me like he knows there's something wrong with what I just said. The problem is that I can't say what it is that I really want to say. I should tell him that I spent fifteen paychecks to buy him that comic book because I desperately want him to have something nice to remember me by. To think of me as kind, as cool, as caring. Not as the psycho offspring of a murderer who offed herself when he was ten.
”
”
Jasmine Warga (My Heart and Other Black Holes)
“
The other distinctive thing about them, and the reason I like to go to Hazlitt's, is that they cannot bear to admit that they don't know the location of something they feel they ought to know, like a hotel, which I think is rather sweet. to become a London cab driver you have to master something called The Knowledge--in effect, learn every street, hospital, hotel, police station, cricket ground, cemetery, and other notable landmarks in this amazingly vast and confusing city. It takes years and the cabbies are justifiably proud of their achievement. It would kill them to admit that there could exist in central London a hotel that they have never heard of. So what the cabbie does is probe. He drives in no particular direction for a block or two, then glances at you in the mirror and in an over casual voice says, “Hazlitt’s–that’s the one on Curzon Street, innit, guv? Opposite the Blue Lion?” But the instant he sees a knowing smile of demure forming on your lips, he hastily says, “No, hang on a minute, I’m thinking of Hazelbury. Yeah, Hazelbury. You want Hazlitt’s, right?” He’ll drive on a bit in a fairly random direction. “That’s this side of Shepherd’s Bush, innit?” he’ll suggest speculatively.
When you tell him that it’s on Frith Street, he says, “Yeah, that’s the one. Course it is. I know it–modern place, lots of glass.”
“Actually, it’s an eighteenth-century brick building.”
“Course it is. I know it.” And he immediately executes a dramatic U-turn, causing a passing cyclist to steer into a lamppost (but that’s all right because he has on cycle clips and one of those geeky slip-stream helmets that all but invite you to knock him over). “Yeah you had me thinking of the Hazelbury,” the driver adds, chuckling as if to say it’s a lucky thing he sorted that one out for you, and then lunges down a little side street off the Strand called Running Sore Lane or Sphincter Passage, which, like so much else in London, you had never noticed was there before.
Hazlitt’s is a nice hotel, but the thing I like about it is that it doesn’t act like a hotel. It’s been there for years, and the employees are friendly–always a novelty in a big-city hotel– but they do manage to give the slight impression that they haven’t been doing this for very long. Tell them that you have a reservation and want to check in and they get a kind of panicked look and begin a perplexed search through drawers for registration cards and room keys. It’s really quite charming. And the delightful girls who cleans the rooms–which, let me say, are always spotless and exceedingly comfortable–seldom seem to have what might be called a total command of English, so that when you ask them for a bar of soap or something you see that they are watching your mouth closely and then, pretty generally, they return after a bit with a hopeful look bearing a potted plant or a commode or something that is manifestly not soap. It’s a wonderful place. I wouldn’t go anywhere else.
”
”
Bill Bryson
“
You should know why I was 'nice' to you in the shower, Ava. Think about it. Take a fucking guess as to how a girl like me would know what a chick like you is feeling.” The insinuation is clear. The only thing that could've made me act like that was … and if she knows, if she could tell, then … it’s because she’s felt it too. Instead of making me relate to her, however, it only makes me angrier. I deserve to feel angry for being betrayed. I deserve to want to punch her in the face and break her nose. I’m contemplating doing just that when Dean bangs a fist into the door, distracting me. "Avalon! Open the fucking door,” he yells through the wood. Not yet, I think. I'm not done. I keep my hands to my sides as I step even closer, my chest brushing against Rylie's. Her eyes widen as her back presses into the door all on its own now. A sick feeling enters my gut. Whatever she says, I need to know something. I need to know because if she had anything to do with Roger Murphy and Plexton then I need to—God, I don't want to hurt her, but I can't let anyone get away with doing that. I am not weak.
”
”
Lucy Smoke (Stone Cold Queen (Sick Boys, #2))
“
Tell me what you want for Christmas, Nathan.”
He thrusts into my hand slowly. “How can you still think about Christmas when I just made you come twice?”
“Because it’s important to me to do something nice for you.”
“I only want you, Anastasia. Nothing you can buy me is better than the past four weeks with you. Give me more of that, and I’ll be happy.
”
”
Hannah Grace (Icebreaker (UCMH, #1))
“
You think... we can't match him?" Slick asked from her bed. "I've had three children...And some man whose never felt... his baby crown is stronger than me? Is tougher than me? He thinks he's safe because he thinks like you. He looks at Patricia and thinks we're all a bunch of Sunshine Suzies. He think we're what we look like on the outside: Nice southern ladies. Let me tell you something, there's nothing nice about Southern ladies.
”
”
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
“
When I’m upset, the tears remain where they belong, away. If something cute or nice happens, I just lose it, and this man telling me that he loves me… Well, I’m not sure where to go from here.
”
”
Kendall Hale (About That One Night (Happily Ever Mishaps Book, #3))
“
Yes, I just…” Should I be honest and sound like a complete loser? Oh why the hell not? “I have not had a kiss like that in a while.” I licked my lips.
He looked me dead in the eye. “Good.” A wave of silence crashed over us. I didn’t know what to say to that. “Well, I better get going. See you soon?”
I nodded dumbly. “Mmm-hmm.” He smiled and began to walk away. I couldn’t just let him go! “Declan!”
He turned. “Yes, Cake?”
Come on, brain! Think of something! “What should I wear? I mean, what kind of place is Shellshock?” Yes, yes, that was fine… damage averted.
“California casual.”
“Oh, ok.” I think I knew what that meant. Spend three hours getting ready to make it look like you just threw any-ol’-thing on. “Have a nice night.”
He flicked his head my way. “You too.”
Then he was gone.
And then I was sad.
It was ridiculous. Preposterous, even. I was going to have to come clean about the ring- eventually. I hoped he didn’t bring it up because I would probably tell the poor guy my life story to get to why the ring he bought meant so much to me.
”
”
Nicole Castro (Winner's Curse)
“
Negotiating Needs From a Group Many of us live much of our lives engaged, in various ways, with all sorts of groups: families, work groups, organizations, churches and social settings. We need to develop skills for negotiating our needs in relation to such groups. Because we were never taught how to powerfully and non-violently assert and negotiate our needs in a group, many of us either become resentful, suppressed sheep, or raging bulls running roughshod over others. We either “bowl over” or “roll over” in relation to others. We “bowl over” others out of the fear that we will not otherwise get what we want. Or we “roll over” out of hopelessness, feeling that we will never be able to get what we need. It can be scary to ask for attention from a group because so often the group members are afraid to express their true feelings about your request. And most of us understand that when true negative feelings are withheld there will be some sort of consequence. In a group the consequence is frequently shunning. (In every case of school shootings of which I am aware, the perpetrator was being shunned by most of the other students.) Here are some tips to help you negotiate in groups: 1. Practice presenting your requests for attention from a group confidently, so others can sense you will not be crushed if there is an objection. 2. If you are scared when you are asking the group for something, be sure to say so. If you do not, it may be perceived as aggressive, because unexpressed fear often gets perceived as aggression. 3. Be sure to give others time and space to check within themselves how they really feel about your request. 4. Be ready to empathize with whatever the objection is. Don’t get hung up on the content of their response. Instead, hear the feelings and needs behind the content. For example: You: “I would like to share a story. Is that okay with everyone?” Group Member: “No.” You: “Is that because you would like reassurance that it would take less than five minutes?” Group Member: “No, it is because we have not made the decision yet about when our next meeting will be.” You: “Thanks for telling me. I would be happy to wait until after that decision is made. Would that work for everyone?” 5. As in the example, after empathizing with the group member’s response be prepared to check back within yourself to see if you have shifted. Have you changed your mind about what you requested? If not, either stay with the dialogue, or allow a solution to emerge that meets both your needs and the group’s needs. Notice that in the example, the solution suggested is synergistic and would meet both your need to tell the story and the group member’s need for the meeting time decision to be made. 6. Be careful not to give in or give up after empathizing with the other’s objection. If you do give “in” or “up” on what you want, you will resent the group for seeming to oppress you, and you will likely withdraw your participation. Or you will start gossiping about those that objected to your request and begin to build a splinter faction group that will weaken and sometimes even destroy the group. It is often the “nice” people who are so scared of conflict that do the gossiping that tears the group apart.
”
”
Kelly Bryson (Don't Be Nice, Be Real)
“
Yes, that was part of it.” She linked her fingers, then pulled them apart. “It’s like another brick, Bradley, and I haven’t figured out if it’s like having that brick put down on a walk to give me a good, solid path or like having it mortared into a wall that’s closing me in.” He stared at her, astonished fury pulsing around him. “Who’s trying to close you in? That’s a hell of a thing to put on me, Zoe.” “It’s not you. It’s not about you. It’s about me. What I think, what I feel, what I do. And damn it, I can’t help it if it makes you mad that I have to decide if it’s a wall or a walk.” “A wall or a walk,” he repeated, then took a slug of beer. “Christ, I actually understand that. I’d rather I didn’t.” “It made me feel pushed, and I get mad when I’m pushed. It’s not your fault or your doing, but it doesn’t feel like it’s mine either. I guess I don’t like dealing with what’s not my fault or my doing.” “He was a stupid son of a bitch for letting you go.” She let out a sigh. “He didn’t let me go. He just didn’t hold on to me. And that stopped making me mad a long time ago.” She moved to the stove, took the lid off her pot. “There was something else that happened. I’m going to finish making this meal, and I’ll tell you and the others about it over dinner.” “Zoe.” He touched her shoulder, then opened a cupboard to look for plates. “About those bricks? You can always knock a wall down, and build a nice walk out of it.
”
”
Nora Roberts (Key of Valor (Key Trilogy, #3))
“
Smith in his book and with his life is telling us how to live. Seek wisdom and virtue. Behave as if an impartial spectator is watching you. Use the idea of an impartial spectator to step outside yourself and see yourself as others see you. Use that vision to know yourself. Avoid the seductions of money and fame, for they will never satisfy. How to be virtuous is not so obvious, and that comes next. But I want to close this chapter with Peter Buffett, the man who ended up selling his Berkshire Hathaway stock for $90,000 and giving up the $100 million he could have had in order to pursue a career as a musician. A few years ago, Peter Buffett reflected on his decision to sell his Berkshire Hathaway stock to pursue his dreams in his memoir, Life Is What You Make It. He claims to have no regrets. But could a life as a successful musician possibly be worth giving up $100 million? Wouldn’t $100 million be even more pleasant? Then you ask yourself—what could he have with the extra millions? A nicer car? He could have a Lamborghini Veneno Roadster that retails for about $4 million. Or he could settle for the lovely Ferrari Spider, at $300,000; he could have a couple of those. He could have a mansion you and I can only imagine, anywhere in the world. Like Onassis, he could own an island or two rather than enduring the indignity of visiting an island in the Mediterranean, say, and having to share it with others while staying at a nice hotel. Could those physical pleasures possibly be worth sacrificing the life in music that he dreamed of and ultimately achieved? I think Peter Buffett got a bargain. He gave up $100 million and got something—hard as it is to imagine—that was even more precious. A good life. I think Adam Smith would agree with me.
”
”
Russell "Russ" Roberts (How Adam Smith Can Change Your Life: An Unexpected Guide to Human Nature and Happiness)
“
Reagan,” Dad barks. I blow out a quick breath and say very nicely, “Yes, Dad.” “Chase Gerald’s father just called.” He looks at where my hand is tangled with Pete’s, and if death rays that shoot from the eyes existed, then Pete would be a puddle of ashes on the ground. “Is that the guy from the drugstore?” Pete whispers. I nod, slicing my eyes toward Pete for a second. “What did he want?” I can already guess, and my heart sinks at the very thought of it. “He said Chase came home talking about you being at the drugstore with some thug.” He glares at Pete, and Pete stiffens, his hand tightening on mine. “Did you explain who Pete is?” I ask. I don’t want to leave anyone with a misconception about Pete. “I told him that he’s someone my daughter is crushing on, but that I wasn’t worried about it because she’s a smart girl with her head on straight.” His voice rises on the last words, and his glare at Pete grows even fiercer. “I’m not crushing,” I protest. But I so am. Dad faces me. “Then what would you call it?” I don’t know what to call it because I don’t know what it is. I shrug. Pete stiffens more when I do that than he has since Dad came through the gate. “Chase wanted to know if you might want to go to the party at the country club tomorrow.” “I already told him no,” I say. But I can already see the look on my dad’s face. That’s not going to work. “I told him you’d love to.” He opens the gate and stops, looking at me from over his shoulder. “He’s picking you up at six.” I growl under my breath. Mainly because there’s not much more I can do since Dad is gone. The gate slams shut behind him. I pull my hand from Pete’s. “Where are you going?” Pete asks. “To catch my dad so I can tell him I’m not going.” “Do you want to go?” he asks. He watches me closely, his blue eyes blinking slowly. “If I wanted to go, I wouldn’t have told him no.” I heave a sigh. He steps back from me and takes all the warmth I was basking in a minute ago with him. “I think you should go,” he says quietly. “Why?” I ask softly. Something is really, really wrong. He doesn’t usually distance himself like this. “Your dad wants you to go,” he says with a shrug. “You don’t want to piss him off.” He starts to walk down the length of the pool. He signs to the boys, and they all start to put away the balls and the floats and they line up by the door. “I’ll see you later,” he calls quietly. Then he leads the boys from the pool area back toward their cabins. What did I do wrong? I seriously have no idea.
”
”
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
“
Wriggling out of his grasp she braced herself on his shoulders and tried to stand. Next thing she knew, he had her around the legs and took her down to the mattress in some sort of super-fast ninja move. She screamed and laughed, and he was laughing every bit as hard as he came down on top of her. And, oh God, his laughter was a sweet and sexy rumble that lit her up inside.
“You fight dirty, Easy,” she said around her chuckles.
“I haven’t had this much fun in so long.”
She caressed his face with her fingers. “Me neither. Between overloading on classes and my epilepsy, I often feel like a little old lady trapped in the body of a twenty-year-old. All I need is some cats.”
“Cats are awesome,” he said. “When I was a kid, I used to sneak stray cats into the house, just for a night or two. I’d keep them in my room and bring up bowls of milk and cans of tuna for them.”
“Aw, you were a sweet little boy, weren’t you?” she asked, loving how he was opening up to her. The closeness, the sharing, the way his big body was lying on her legs and hips, leading him to prop his head up on her lower stomach—both her heart and her body reacted.
“Maybe for about five minutes.” He winked. “Mostly, I was a hell-raiser. Growing up, we didn’t live in the best neighborhood. Drug dealers on the corner, gang activity trying to pull in even the younger kids, crack house one block over. All that. Trouble wasn’t hard to find.” He shrugged. “Army straightened me out, though.”
“Well, we lived in a nice neighborhood growing up and here my father was the freaking drug dealer on the corner. Or close enough, anyway.” Jenna stared at the ceiling and shook her head. “Sorry, I didn’t mean to get serious.”
His thumb stroked along her side, sliding the cotton of her borrowed shirt against her skin in a way that almost tickled. “Don’t apologize. Our histories are what they are, you know?”
She nodded and gave him a little smile. “Yeah.”
Shifting off her, Easy stretched out alongside her and propped his head up on his arm. “I’m thirty, Jenna,” he said out of nowhere.
And he was telling her this because? He thought their age difference was too great? He thought she was too young? He was worried she would think he was too old? Probably D) all of the above. Thing was, all she saw when she looked at Easy was a guy she really freaking liked. One who’d saved her life, helped make her sister safe, and gave her a sense of security she hadn’t felt in years. He was hot as hell, easy to talk to, and one of the kindest guys she’d ever known. Maybe some of that was because he was older. Who knew?
“And I need to know this because?” she asked, resting her head on her arm.
The muscles of his shoulders lifted into a shrug, but his face was contemplative. “Because there’s clearly something going on between us.”
Heat rushed across her body. She held up a hand, and he laced his fingers between hers. “When I look at you, I don’t see a bunch of differences, Easy.”
“What do you see then?”
Warmth flooded into Jenna’s cheeks, and she chuckled. He’d said that she was beautiful, after all, so why couldn’t she give him a compliment in return? “A really hot guy I’d like to get to know more.”
A smug smile slipped onto his face, and she might’ve rolled her eyes if it weren’t so damn sexy. “Really hot, huh?”
“Well, kinda hot, anyway.”
“Nuh-uh,” he said, tugging her hand to his chest. “Can’t take it back now.”
Cheeks burning and big smile threatening, she rolled onto her side to face him.
They lay there, side by side, her chest almost touching his, looking at each other. Tension and desire and anticipation crackled in the space between them, making it hard to breathe.
“What do you see when you look at me?” she whispered, half-afraid to ask but even more curious to hear what he’d say. Did he mostly see someone who was too young for him? Or a needy girl he had to save and babysit?
”
”
Laura Kaye (Hard to Hold on To (Hard Ink, #2.5))
“
I waited until I was five months pregnant to tell my mother that I was having a baby. "I'm calling with some news," I said. "God, what?" she responded, sounding hopeful for something juicy and terrible. She could be counted on to be sober and in good spirits until late afternoon, and I timed my calls accordingly but always braced myself. The death of her parents and of her brother, my uncle Mike, who had been gone for almost five years now, and the sale of the land had left her in a raw and scattered state that I still hoped she would recover from, eventually. She seemed to want to talk only about tragedies and bad news and would complain to me that my sister never called her and that nobody ever told her anything, or included her in any of their lives.
I cut her off as she began to tell me something I did not want to hear. "I'm calling with good news," I said, starting again as though she might not recognize it as such.
"What?" she said, her tone urgent, almost desperate.
"I'm going to have a baby," I told her.
She let out an exhale, then, sounding exhausted from the three seconds of suspense and relived but not happy, she said, "Well, it's nice to hear some good news, because I've been following this massacre? In Arizona? With the congresswoman who was shot in the head by that lunatic? It's just god-awful." I forced myself to give her a few details calmly, including the due date, then got off the phone as quickly as I could. She sent me an email the next day that said, simply, "I don't have any advice for you. Everything is different now than when I had you. I hope that you'll let me see my grandchild sometime. Your sister won't let me see her kids."
I spent that whole day in bed, with a hand on my stomach, terrified.
”
”
Heather Ross (How to Catch a Frog: And Other Stories of Family, Love, Dysfunction, Survival, and DIY)
“
You want my advice?” Sierra asks.
I look at her warily. “I don’t know. You hated the idea of Alex and me together from the beginning.”
“That’s not true, Brit. I didn’t tell you this, but he’s actually a nice guy when he loosens up. I had fun the day we all went to Lake Geneva. Doug did, too, and even said Alex was cool to hang with. I don’t know what happened between the two of you, but either forget about him, or give him everything you’ve got in your arsenal.”
“Is that what you do with Doug?”
She smiles. “Sometimes Doug needs a wake-up call. When our relationship starts getting comfortable, I do something to switch it up. Don’t interpret my advice as an excuse to go after Alex. But if he’s what you really want, well, then, who am I to tell you not to go for it? I hate seeing you sad, Brit.”
“Was I happy with Alex?”
“Obsessed is more like it. But yeah, I saw you happy. Happier than you’ve been in a really, really long time. With someone you like that much, the lows are as low as the highs are high. Does that make sense?”
“It does. It also makes me sound bipolar.”
“Love will do that to a person.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))