β
Fantasy is a necessary ingredient in living, it's a way of looking at life through the wrong end of a telescope.
β
β
Dr. Seuss
β
I like nonsense, it wakes up the brain cells. Fantasy is a necessary ingredient in living, It's a way of looking at life through the wrong end of a telescope. Which is what I do, And that enables you to laugh at life's realities.
β
β
Dr. Seuss
β
When asked, "How do you write?" I invariably answer, "One word at a time," and the answer is invariably dismissed. But that is all it is. It sounds too simple to be true, but consider the Great Wall of China, if you will: one stone at a time, man. That's all. One stone at a time. But I've read you can see that motherfucker from space without a telescope.
β
β
Stephen King
β
I was studying the sky like I was an astronomer, except it was daytime and I didn't have a telescope, so I was just an idiot.
β
β
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
β
You are adorable, mademoiselle. I study your feet with the microscope and your soul with the telescope.
β
β
Victor Hugo (Les MisΓ©rables)
β
If you get the message, hang up the phone. For psychedelic drugs are simply instruments, like microscopes, telescopes, and telephones. The biologist does not sit with eye permanently glued to the microscope, he goes away and works on what he has seen.
β
β
Alan W. Watts
β
Nature composes some of her loveliest poems for the microscope and the telescope.
β
β
Theodore Roszak (Where the Wasteland Ends: Politics and Transcendence in Post-Industrial Society)
β
Look deeper through the telescope
and do not be afraid when the stars
collide towards the darkness,
because sometimes the most beautiful
things begin in chaos.
β
β
Robert M. Drake
β
If I were to suggest that between the Earth and Mars there is a china teapot revolving about the sun in an elliptical orbit, nobody would be able to disprove my assertion provided I were careful to add that the teapot is too small to be revealed even by our most powerful telescopes. But if I were to go on to say that, since my assertion cannot be disproved, it is an intolerable presumption on the part of human reason to doubt it, I should rightly be thought to be talking nonsense. If, however, the existence of such a teapot were affirmed in ancient books, taught as the sacred truth every Sunday, and instilled into the minds of children at school, hesitation to believe in its existence would become a mark of eccentricity and entitle the doubter to the attentions of the psychiatrist in an enlightened age or of the Inquisitor in an earlier time.
β
β
Bertrand Russell
β
Never ever forget that you are a constellation and I have owned a telescope since the day I was born.
β
β
Rudy Francisco
β
You are that vast thing that you see far, far off with great telescopes.
β
β
Alan W. Watts
β
I don't need a telescope to see that there's hope, and that makes me feel brave.
β
β
Owl City (Owl City - Ocean Eyes Piano, Vocal and Guitar Chords)
β
My dear Kepler, what would you say of the learned here, who, replete with the pertinacity of the asp, have steadfastly refused to cast a glance through the telescope? What shall we make of this? Shall we laugh, or shall we cry?
β
β
Galileo Galilei (Frammenti e lettere)
β
Of all manβs instruments, the most wondrous, no doubt, is the book. The other instruments are extensions of his body. The microscope, the telescope, are extensions of his sight; the telephone is the extension of his voice; then we have the plow and the sword, extensions of the arm. But the book is something else altogether: the book is an extension of memory and imagination.
β
β
Jorge Luis Borges
β
Books are the compasses and telescopes and sextants and charts which other men have prepared to help us navigate the dangerous seas of human life.
β
β
Jesse Lee Bennett
β
Computer Science is no more about computers than astronomy is about telescopes
β
β
Edsger W. Dijkstra
β
There are stars in the night sky that look brighter than the others, and when you look at them through a telescope you realize you are looking at twins. The two stars rotate around each other, sometimes taking nearly a hundred years to do it. They create so much gravitational pull there's no room around for anything else. You might see a blue star, for example, and realize only later that it has a white dwarf as a companion - that first one shines so bright, by the time you notice the second one, it's too late.
β
β
Jodi Picoult (My Sisterβs Keeper)
β
I go behind the telescope, peer into the eyepiece, and all the stars crash down on my head. Itβs like taking a shower in the cosmos. I gasp.
β
β
Jandy Nelson (I'll Give You the Sun)
β
Pride makes us long for a solution to things β a solution, a purpose, a final cause; but the better telescopes become, the more stars appear.
β
β
Julian Barnes (Flaubert's Parrot)
β
His eyes are blue, and blue eyes up close are a celestial phenomenon: nebulae as seen through telescopes, the light of unnamed stars diffused through dusts and elements and endlessness. Layers of light. Blue eyes are starlight.
β
β
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
β
where the telescope ends the microscope begins, and who can say which has the wider vision?
β
β
Victor Hugo (Les MisΓ©rables)
β
I've never owned a telescope, but it's something I'm thinking of looking into.
β
β
George Carlin (Brain Droppings)
β
To live on a day-to-day basis is insufficient for human beings; we need to transcend, transport, escape; we need meaning, understanding, and explanation; we need to see over-all patterns in our lives. We need hope, the sense of a future. And we need freedom (or, at least, the illusion of freedom) to get beyond ourselves, whether with telescopes and microscopes and our ever-burgeoning technology, or in states of mind that allow us to travel to other worlds, to rise above our immediate surroundings.
We may seek, too, a relaxing of inhibitions that makes it easier to bond with each other, or transports that make our consciousness of time and mortality easier to bear. We seek a holiday from our inner and outer restrictions, a more intense sense of the here and now, the beauty and value of the world we live in.
β
β
Oliver Sacks
β
Oh telescope,
Keep your eye on my only hope,
Lest I blink and be swept off the narrow road,
Hercules, you've got nothing to say to me,
'Cause you're not the blinding light that I need.
For He is the saving grace of the galaxies!
β
β
Owl City
β
I've been going insane reading my students' papers. Apparently several of them think the Hubble Space Telescope is used to search the universe for hubbles."
~ Ithana Aaronson
β
β
Jeanne Birdsall (The Penderwicks on Gardam Street (The Penderwicks, #2))
β
The immense distances to the stars and the galaxies mean that we see everything in space in the past, some as they were before the Earth came to be. Telescopes are time machines.
β
β
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
β
You have a roommate."
"Yeah." He sounds confused.
"The, um, picture on your door surprised me."
"NO. No. I prefer my women with...fewer carnivorous beasts and less weaponry." He pauses and smiles. "Naked is okay. What she needs are a golden retriever and a telescope. Maybe then it would do it for me."
I laugh.
"A squirrel and a laboratory beaker?"
"A bunny rabbit and a flip chart," I say.
"Only if the flip chart has mathematical equations on it."
I fake swoon onto his bed. "Too much, too much!
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
The end is uncertain and I've never been so afraid
But I don't need a telescope to see that there's hope
And that makes me feel brave.
β
β
Owl City (Owl City - Ocean Eyes Piano, Vocal and Guitar Chords)
β
The total amount of energy from outside the solar system ever received by all the radio telescopes on the planet Earth is less than the energy of a single snowflake striking the ground.
β
β
Carl Sagan (Cosmos)
β
Love looks through a telescope; envy, through a microscope.
β
β
Josh Billings
β
The task of the right eye is to peer into the telescope, while the left eye peers into the microscope.
β
β
Leonora Carrington
β
Something happen inside me as I looked out into the vast universe. Through that telescope, the world was closer and larger than I'd ever imagined. And it was all so beautiful and overwhelming and- I don't know- it make me aware that there was something inside of me that mattered.
β
β
Benjamin Alire SΓ‘enz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
β
Thomas opened the throttle all the way and passed me, I kid you not, a shiny brass telescope.
βSeriously?β I asked him.
βEver since those pirate movies came out, theyβre everywhere,β he said. βIβve got a sextant, too.β
βAny tent you have is a sex tent,β I muttered darkly, extending the telescope.
Thomas smirked.
β
β
Jim Butcher (Cold Days (The Dresden Files, #14))
β
She avoids mirrors, and lifts a powerful telescope to find herself.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
The soul without imagination is what an observatory would be without a telescope.
β
β
Henry Ward Beecher
β
Unlike what you may be told in other sectors of life, when observing the universe, size does matter, which often leads to polite βtelescope envyβ at gatherings of amateur astronomers.
β
β
Neil deGrasse Tyson (The Sky Is Not the Limit: Adventures of an Urban Astrophysicist)
β
It was more work than it seemed, looking through a telescope, as the Earth was continually moving and you had to move along with it. You don't realize how fast this acutally happens, and it's kind of both creepy and wonderful when you stop to think about it. And it makes you realize there's absolutely no way to avoid change. You can sit there and cross your arms and refuse it, but underneath you, things are still spinning away.
β
β
Deb Caletti (Wild Roses)
β
Tears are often the telescope by which men see far into heaven.
β
β
Henry Ward Beecher
β
Now go to bed, you crazy night owl! You have to be at NASA early in the morning. So they can look for your penis with the Hubble telescope.
β
β
Tina Fey (Bossypants)
β
The pretty nurse had just injected her with something that totally rocked, and if she wanted to think about boinking a bronzed, tattooed, impossibly handsome doctor who was so far out of her league she need a telescope to see him, then screw it. Screw him. Over and over.
β
β
Larissa Ione (Pleasure Unbound (Demonica, #1))
β
The great radio telescopes of the world are constructed in remote locations for the same reason Paul Gauguin sailed to Tahiti: For them to work well they must be far from civilization.
β
β
Carl Sagan (Contact)
β
In light of my distanced telescopic exposure to the mayhem, I refused to plagiarise othersβ personal tragedies as my own. There is an authorship in misery that costs more than empathy. Often Iβd found myself dumbstruck in failed attempts to simulate that particular unfamiliar dolour. After all, no one takes pleasure in being possessed by a wailing father collecting the decapitated head of his innocent six year old. Even on the hinge of a willing attempt at full empathy with those cursed with such catastrophes, one had to have a superhuman emotional powers. I could not, in any way, claim the ability to relate to those who have been forced to swallow the never-ending bitter and poisonous pills of our inherited misfortune. Yet that excruciating pain in my chest seemed to elicit a state of agony in me, even from far behind the telescope. It could have been my tribal gene amplified by the ripple effect of the falling, moving in me what was left of my humanity.
β
β
Asaad Almohammad (An Ishmael of Syria)
β
It happens to be one of those days when I see everybody in the family, including myself, through the wrong end of a telescope.
β
β
J.D. Salinger (Franny and Zooey)
β
Just sitting quietly, doing nothing at all, your brain churns through more information in thirty seconds than the Hubble Space Telescope has processed in thirty years. A morsel of cortex one cubic millimeter in sizeβabout the size of a grain of sandβcould hold two thousand terabytes of information, enough to store all the movies ever made, trailers included, or about 1.2 billion copies of this book.
β
β
Bill Bryson (The Body: A Guide for Occupants)
β
We may be only one of millions of advanced civilizations. Unfortunately, space being spacious, the average distance between any two of these civilizations is reckoned to be at least two hundred light-years, which is a great deal more than merely saying it makes it sound. It means for a start that even if these beings know we are here and are somehow able to see us in their telescopes, they're watching light that left Earth two hundred years ago. So, they're not seeing you and me. They're watching the French Revolution and Thomas Jefferson and people in silk stockings and powdered wigs--people who don't know what an atom is, or a gene, and who make their electricity by rubbing a rod of amber with a piece of fur and think that's quite a trick. Any message we receive from them is likely to begin "Dear Sire," and congratulate us on the handsomness of our horses and our mastery of whale oil. Two hundred light-years is a distance so far beyond us as to be, well, just beyond us.
β
β
Bill Bryson (A Short History of Nearly Everything)
β
Miracles do happen. You must believe this. No matter what else you believe about life, you must believe in miracles. Because we are all, every one of us, living on a round rock that spins around and around at almost a quarter of a million miles per hour in an unthinkably vast blackness called space. There is nothing else like us for as far as our telescopic eyes can see. In a universe filled with spinning, barren rocks, frozen gas, ice, dust, and radiation, we live on a planet filled with soft, green leaves and salty oceans and honey made from bees, which themselves live within geometrically complex and perfect structures of their own architecture and creation. In our trees are birds whose songs are as complex and nuanced as Beethovenβs greatest sonatas. And despite the wild, endless spinning of our planet and its never-ending orbit around the sunβitself a star on fireβwhen we pour water into a glass, the water stays in the glass. All of these are miracles.
β
β
Augusten Burroughs (This Is How: Proven Aid in Overcoming Shyness, Molestation, Fatness, Spinsterhood, Grief, Disease, Lushery, Decrepitude & More. For Young and Old Alike.)
β
His eyes are like a telescope. I look into them and I'm transported across the universe to a world I've never been.
β
β
Julie Anne Peters (By the Time You Read This, I'll Be Dead)
β
Every child's bedroom is as important as a telescope orbiting the planet earth or a philosopher's study.
β
β
Jerry Spinelli (Fourth Grade Rats)
β
Look deeper through the telescope and do not be afraid when the stars collide towards the darkness, because sometimes the most beautiful things begin in chaos.
β
β
Robert M. Drake (Beautiful Chaos)
β
This is where the story starts, in this threadbare room. The walls are exploding. The windows have turned into telescopes. Moon and stars are magnified in this room. The sun hangs over the mantelpiece. I stretch out my hand and reach the corners of the world. The world is bundled up in this room. Beyond the door, where the river is, where the roads are, we shall be. We can take the world with us when we go and sling the sun under your arm. Hurry now, it's getting late. I don't know if this is a happy ending but here we are let loose in open fields.
β
β
Jeanette Winterson (Written on the Body)
β
...But they had, perversely, been living among people who were peering into the wrong end of the telescope, or something, and who had convinced themselves that the opposite was true - that the world had once been a splendid, orderly place...and that everything had been slowly, relentlessly falling apart ever since.
β
β
Neal Stephenson (Quicksilver (The Baroque Cycle, #1))
β
One function of the income gap is that the people at the top of the heap have a hard time even seeing those at the bottom. They practically need a telescope. The pharaohs of ancient Egypt probably didn't was a lot of time thinking about the people who build their pyramids, either.
β
β
Molly Ivins
β
Jane. Youβve got to see this!β His voice was full of the honey-baked accent of old Virginia money.
As Blue staggered up the hill, telescope on her shoulder, she mentally tested the danger level: Am I in love with him yet?
Gansey galloped down the hill to snatch he telescope from her.
βThis isnβt that heavy,β he told her, and strode back the way heβd come.
She did not think she was in love with him. She hadnβt been in love before, but she was still pretty sure sheβd be able to tell. Earlier in the year, she had had a vision of kissing him, and she could still picture that quite easily. But the sensible part of Blue, which was usually the only part of her, thought that had more to do with Richard Campbell Gansey III having a nice mouth than with any blossoming romance.
Anyway, if fate thought it would tell her who to fall for, fate had another thing coming.
Gansey added, βI wouldβve thought you had more muscles. Donβt feminists have big muscles?β
Decidedly not in love with him.
βSmiling when you say that doesnβt make it funny,β Blue said.
β
β
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
β
Admire and adore the Author of the telescopic universe, love and esteem the work, do all in your power to lessen ill, and increase good, but never assume to comprehend.
β
β
John Adams
β
"Well-- I donβt know-- the cops might not respond too well to you looking through their windows with a telescope."
β
β
Tom Upton (Just Plain Weird)
β
He'd thought this was the start of something. But clearly she'd changed her mind, and he felt stunned by how quickly the whole thing had unraveled, the end coming before the beginning really even had a chance to begin. His poor telescope heart - that fragile, precious thing - would have probably been better left in the box.
β
β
Jennifer E. Smith (This Is What Happy Looks Like (This is What Happy Looks Like, #1))
β
Justice based purely on laws is about as accurate as a portrait created out of large low-resolution color pixels.
If you stand back far enough it looks good.
Come any closer and the glaring approximations overtake all semblance of the original.
Justice should be viewable under the microscope, not from a telescope.
And for that it needs to be based not on law but on truth.
β
β
Vera Nazarian (The Perpetual Calendar of Inspiration)
β
In this way, Edwin Hubble worked out the distances to nine different galaxies. We now know that our galaxy is only one of some hundred thousand million that can be seen using modern telescopes, each galaxy itself containing some hundred thousand million stars.
β
β
Stephen Hawking
β
To live on a day-to-day basis is insufficient for human beings; we need to transcend, transport, escape; we need meaning, understanding, and explanation; we need to see overall patterns in our lives. We need hope, the sense of a future. And we need freedom (or at least the illusion of freedom) to get beyond ourselves, whether with telescopes and microscopes and our ever-burgeoning technology or in states of mind which allow us to travel to other worlds, to transcend our immediate surroundings. We need detachment of this sort as much as we need engagement in our lives.
β
β
Oliver Sacks (Hallucinations)
β
Algebra applies to the clouds, the radiance of the star benefits the rose--no thinker would dare to say that the perfume of the hawthorn is useless to the constellations. Who could ever calculate the path of a molecule? How do we know that the creations of worlds are not determined by falling grains of sand? Who can understand the reciprocal ebb and flow of the infinitely great and the infinitely small, the echoing of causes in the abyss of being and the avalanches of creation? A mite has value; the small is great, the great is small. All is balanced in necessity; frightening vision for the mind. There are marvelous relations between beings and things, in this inexhaustible whole, from sun to grub, there is no scorn, each needs the other. Light does not carry terrestrial perfumes into the azure depths without knowing what it does with them; night distributes the stellar essence to the sleeping plants. Every bird that flies has the thread of the infinite in its claw. Germination includes the hatching of a meteor and the tap of a swallow's beak breaking the egg, and it guides the birth of the earthworm, and the advent of Socrates. Where the telescope ends, the microscope begins. Which of the two has a greater view? Choose. A bit of mold is a pleiad of flowers; a nebula is an anthill of stars. The same promiscuity, and still more wonderful, between the things of the intellect and material things. Elements and principles are mingled, combined, espoused, multiplied one by another, to the point that the material world, and the moral world are brought into the same light. Phenomena are perpetually folded back on themselves. In the vast cosmic changes, universal life comes and goes in unknown quantities, rolling everything up in the invisible mystery of the emanations, using everything, losing no dream from any single sleep, sowing a microscopic animal here, crumbling a star there, oscillating and gyrating, making a force of light, and an element of thought, disseminated and indivisible dissolving all, that geometric point, the self; reducing everything to the soul-atom; making everything blossom into God; entangling from the highest to the lowest, all activities in the obscurity of a dizzying mechanism, linking the flight of an insect to the movement of the earth, subordinating--who knows, if only by the identity of the law--the evolutions of the comet in the firmament to the circling of the protozoa in the drop of water. A machine made of mind. Enormous gearing, whose first motor is the gnat, and whose last is the zodiac.
β
β
Victor Hugo (Les MisΓ©rables)
β
We now know that our galaxy is only one of some hundred thousand million that can be seen using modern telescopes, each galaxy itself containing some hundred thousand million stars.
β
β
Stephen Hawking (A Brief History of Time)
β
Nature was one of the key forces that brought me back to God, for I wanted to know the Artist responsible for beauty such as I saw on grand scale in photos from space telescopes or on minute scale such as in the intricate designs on a butterfly wing.
β
β
Philip Yancey
β
Or to look at it from the other end of the telescope: Who in your life, do you remember most fondly, with the most feelings of warmth?
Those who were kindest to you, I bet.
It's a little facile, maybe, and certainly hard to implement, but I'd say, as a goal in life, you could do worse than: Try to be kinder.
β
β
George Saunders (Congratulations, by the Way: Some Thoughts on Kindness)
β
Why donβt you two take a little walk?β Eleni suggested. βThe moon is beautiful tonight.β
βThatβs a great idea.β Robby stood, releasing Oliviaβs hand. βWill ye walk with me, lass?β
βYes.β She grabbed her sweater, pulled it over her head, then fixed the clip that held her hair in place on
the back of her head.
βNo funny stuff,β Eleni warned. βIβll be watching with the telescope.
β
β
Kerrelyn Sparks (The Vampire and the Virgin (Love at Stake, #8))
β
As Dante was watching me search the sky through the lens of a telescope, he whispered, "Someday, I'm going to discover all the secrets of the universe."
That made me smile. "What are you going to do with all those secrets, Dante?"
"I'll know what to do with them," he said. "Maybe change the world."
I believed him.
β
β
Benjamin Alire SΓ‘enz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
β
And I say,
I crash in to things in the dark
Even when the lights are on
And I am wrong more often than I am writing
And even then, I am often wrong
But when my friends are in the bathroom at the bar
Rolling dollar bills in to telescopes,
Claiming they can see God,
I will come to you
β
β
Andrea Gibson (How It Ends)
β
It was lunchtime and I was standing outside by the weird sculpture that was supposed to be an Indian. I was studying the sky like I was an astronomer, except it was daytime and I didn't have a telescope, so I was just an idiot.
β
β
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
β
When a man rides a long time through wild regions he feels the desire for a city. Finally he comes to Isidora, a city where the buildings have spiral staircases encrusted with spiral seashells, where perfect telescopes and violins are made, where the foreigner hesitating between two women always encounters a third, where cockfights degenerate into bloody brawls among the bettors. He was thinking of all these things when he desired a city. Isidora, therefore, is the city of his dreams: with one difference. The dreamed-of city contained him as a young man; he arrives at Isidora in his old age. In the square there is the wall where the old men sit and watch the young go by; he is seated in a row with them. Desires are already memories.
β
β
Italo Calvino (Invisible Cities)
β
And this the world calls frenzy; but the wise
Have a far deeper madness, and the glance
Of melancholy is a fearful gift;
What is it but the telescope of truth?
Which strips the distance of its fantasies,
And brings life near in utter nakedness,
Making the cold reality too real!
β
β
Lord Byron
β
It had not been science that Lydia had loved. And then, as if the tears are telescopes, she begins to see more clearly: the shredded posters and pictures, the rubble of books, the shelf prostrate at her feet. Everything that she had wanted for Lydia, which Lydia had never wanted but had embraced anyway. A dull chill creeps over her. Perhapsβand this thought chokes herβthat had dragged Lydia underwater at last.
β
β
Celeste Ng (Everything I Never Told You)
β
With increasing distance, our knowledge fades, and fades rapidly. Eventually, we reach the dim boundaryβthe utmost limits of our telescopes. There, we measure shadows, and we search among ghostly errors of measurement for landmarks that are scarcely more substantial. The search will continue. Not until the empirical resources are exhausted, need we pass on to the dreamy realms of speculation.
β
β
Edwin Powell Hubble (The Realm of the Nebulae (The Silliman Memorial Lectures Series))
β
Is it not curious, that so vast a being as the whale should see the world through so small an eye, and hear the thunder through an ear which is smaller than a hare's? But if his eyes were broad as the lens of Herschel's great telescope; and his ears capacious as the porches of cathedrals; would that make him any longer of sight, or sharper of hearing? Not at all.βWhy then do you try to "enlarge" your mind? Subtilize it
β
β
Herman Melville (Moby-Dick or, The Whale)
β
The history of astronomy is a history of receding horizons.
β
β
Edwin Powell Hubble (The Realm of the Nebulae (The Silliman Memorial Lectures Series))
β
Inside the mirrored elevator, Mulch used a telescopic pointer to push P for the penthouse. For the first few months he had jumped to reach the button, but that was undignified behavior for a millionaire. And besides, he was certain that Art could hear the thumping from the security desk.
β
β
Eoin Colfer (The Arctic Incident (Artemis Fowl, #2))
β
Rather than feeling lost and unimportant and meaningless, set against galaxies which go beyond the reach of the furthest telescopes, I feel that my life has meaning. Perhaps I should feel insignificant, but instead I feel a soaring in my heart that the God who could create all this β and out of nothing β can still count the hairs of my head.
β
β
Madeleine L'Engle (Miracle on 10th Street and Other Christmas Writings)
β
-You know how to call me
although such a noise now
would only confuse the air
Neither of us can forget
the steps we danced
the words you stretched
to call me out of dust
Yes I long for you
not just as a leaf for weather
or vase for hands
but with a narrow human longing
that makes a man refuse
any fields but his own
I wait for you at an
unexpected place in your journey
like the rusted key
or the feather you do not pick up.-
-I WILL NEVER FIND THE FACES
FOR ALL GOODBYES I'VE MADE.-
For Anyone Dressed in Marble
The miracle we all are waiting for
is waiting till the Parthenon falls down
and House of Birthdays is a house no more
and fathers are unpoisoned by renown.
The medals and the records of abuse
can't help us on our pilgrimage to lust,
but like whips certain perverts never use,
compel our flesh in paralysing trust.
I see an orphan, lawless and serene,
standing in a corner of the sky,
body something like bodies that have been,
but not the scar of naming in his eye.
Bred close to the ovens, he's burnt inside.
Light, wind, cold, dark -- they use him like a bride.
I Had It for a Moment
I had it for a moment
I knew why I must thank you
I saw powerful governing men in black suits
I saw them undressed
in the arms of young mistresses
the men more naked than the naked women
the men crying quietly
No that is not it
I'm losing why I must thank you
which means I'm left with pure longing
How old are you
Do you like your thighs
I had it for a moment
I had a reason for letting the picture
of your mouth destroy my conversation
Something on the radio
the end of a Mexican song
I saw the musicians getting paid
they are not even surprised
they knew it was only a job
Now I've lost it completely
A lot of people think you are beautiful
How do I feel about that
I have no feeling about that
I had a wonderful reason for not merely
courting you
It was tied up with the newspapers
I saw secret arrangements in high offices
I saw men who loved their worldliness
even though they had looked through
big electric telescopes
they still thought their worldliness was serious
not just a hobby a taste a harmless affectation
they thought the cosmos listened
I was suddenly fearful
one of their obscure regulations
could separate us
I was ready to beg for mercy
Now I'm getting into humiliation
I've lost why I began this
I wanted to talk about your eyes
I know nothing about your eyes
and you've noticed how little I know
I want you somewhere safe
far from high offices
I'll study you later
So many people want to cry quietly beside you
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Leonard Cohen (Flowers for Hitler)
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Now, almost one hundred years later, it is difficult to fully appreciate how much our picture of the universe has changed in the span of a single human lifetime.
As far as the scientific community in 1917 was concerned, the universe was static and eternal, and consisted of a one single galaxy, our Milky Way, surrounded by vast, infinite, dark, and empty space.
This is, after all, what you would guess by looking up at the night sky with your eyes, or with a small telescope, and at the time there was little reason to suspect otherwise.
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Lawrence M. Krauss (A Universe from Nothing: Why There Is Something Rather Than Nothing)
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Here you sit on your high-backed chair
Wonder how the view is from there
I wouldn't know 'cause I like to sit
Upon the floor, yeah upon the floor
If you like we could play a game
Let's pretend that we are the same
But you will have to look much closer
Than you do, closer than you do
And I'm far too tired to stay here anymore
And I don't care what you think anyway
'Cause I think you were wrong about me
Yeah what if you were, what if you were
And what if I'm a snowstorm burning
What if I'm a world unturning
What if I'm an ocean, far too shallow, much too deep
What if I'm the kindest demon
Something you may not believe in
What if I'm a siren singing gentlemen to sleep
I know you've got it figured out
Tell me what I am all about
And I just might learn a thing or two
Hundred about you, maybe about you
I'm the end of your telescope
I don't change just to suit your vision
'Cause I am bound by a fraying rope
Around my hands, tied around my hands
And you close your eyes when I say I'm breaking free
And put your hands over both your ears
Because you cannot stand to believe I'm not
The perfect girl you thought
Well what have I got to lose
And what if I'm a weeping willow
Laughing tears upon my pillow
What if I'm a socialite who wants to be alone
What if I'm a toothless leopard
What if I'm a sheepless shepherd
What if I'm an angel without wings to take me home
You don't know me
Never will, never will
I'm outside your picture frame
And the glass is breaking now
You can't see me
Never will, never will
If you're never gonna see
What if I'm a crowded desert
Too much pain with little pleasure
What if I'm the nicest place you never want to go
What if I don't know who I am
Will that keep us both from trying
To find out and when you have
Be sure to let me know
What if I'm a snowstorm burning
What if I'm a world unturning
What if I'm an ocean, far too shallow, much too deep
What if I'm the kindest demon
Something you may not believe in
What if I'm a siren singing gentlemen to sleep
Sleep...
Sleep...
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Emilie Autumn
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fMr. Oswald places the telescope on the desk in front of us. "This," he says proudly, "Is a Broadhurst. It was the most powerful telescope for backyard veiwing in its day."
Which was when?" Lizzy asks.
The nineteen thirties," he replies. "Isn't it a beauty? On a clear night, you could see the whole entire solar system with this one."
Unable to stop myself, I blurt out, "My very energetic mother just served us nine pizzas."
Lizzy gawks at me like I have two heads. "He's lost it; he's finally lost it. I knew this day would come."
Mr. Ozwald chuckles. "Jeremy has just given us a mnemonic device for remembering the order of the planets.
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Wendy Mass (Jeremy Fink and the Meaning of Life)
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After a seven days' march through woodland, the traveler directed toward Baucis cannot see the city and yet he has arrived. The slender stilts that rise from the ground at a great distance from one another and are lost above the clouds support the city. You climb them with ladders. On the ground the inhabitants rarely show themselves: having already everything they need up there, they prefer not to come down. Nothing of the city touches the earth except those long flamingo legs on which it rests and, when the days are sunny, a pierced, angular shadow that falls on the foilage.
"There are three hypotheses about the inhabitants of Baucis: that they hate the earth; that they respect it so much they avoid all contact; that they love it as it was before they existed and with spyglasses and telescopes aimed downward they never tire of examining it, leaf by leaf, stone by stone, ant by ant, contemplating with fascination their own absence.
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Italo Calvino (Invisible Cities)
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They walked for a while, all silent in their thoughts, until they reached the car and Alec drew a fine telescope from his shirt and handed it to Milo.
"Carry this with you on your journey," he said softly, "for there is much worth noticing that often escapes the eye. Through it you can see everything from the tender moss in a sidewalk crack to the glow of the farthest star β and, most important of all, you can see things as they really are, not just as they seem to be. It's my gift to you.
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Norton Juster (The Phantom Tollbooth)
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When I looked through the telescope, Dante began explaining what I was looking at. I didnβt hear a word. Something happened inside me as I looked out into the vast universe. Through that telescope, the world was closer and larger than Iβd ever imagined. And it was all so beautiful and overwhelming andβI donβt knowβit made me aware that there was something inside of me that mattered.
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Benjamin Alire SΓ‘enz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
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No matter how dispassionate or large a vision of the world a woman formulates, whenever it includes her own experience and emotion, the telescope's turned back on her. Because emotion's just so terrifying the world refuses to believe that it can be pursued as discipline, as form. Dear Dick, I want to make the world more interesting than my problems. Therefore, I have to make my problems social.
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Chris Kraus (I Love Dick)
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I recall one particular sunset. It lent an ember to my bicycle hell. Overhead, above the black music of telegraph wires, a number of long, dark-violet clouds lined with flamingo pink hung motionless in a fan-shaped arrangement; the whole thing was like some prodigious ovation in terms of color and form! It was dying, however, and everything else was darkening, too; but just above the horizon, in a lucid, turquoise space, beneath a black stratus, the eye found a vista that only a fool could mistake for the square parts of this or any other sunset. It occupied a very small sector of the enormous sky and had the peculiar neatness of something seen through the wrong end of a telescope. There it lay in wait, a brilliant convolutions, anachronistic in their creaminess and extremely remote; remote but perfect in every detail; fantastically reduced but faultlessly shaped; my marvelous tomorrow ready to be delivered to me.
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Vladimir Nabokov (Speak, Memory)
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Now, I can tell you about some women writers who truly are fantastic. One is Anna Kavan. She writes stories like I approach "Land of a Thousand Dances": she's caught in a haze and then a light, a little teeny light, come through. It could be a leopard, that light, or it could be a spot of blood. It could be anything. But she hooks onto that and spirals out. And she does it within the accessible rhythms of plot, and that's really exciting. She's not hung up with being a woman, she just keeps extending herself, keeps telescoping language and plot.
Another great woman writer is Iris Sarazan, who wrote The Runaway. She considered herself a mare, a wild runaway. She was a really intelligent girl stuck in all these convents with a hungry mind. I identify with her 'cause of her hunger to go beyond herself. She wound up in prison, but she escaped and wrote some great books before kicking off. Her books aren't page after page of her beating her breast about how shitty she's been treated, they're books about her exciting telescoping plans of escape. Rhythm, great wild rhythm....
The French poet, Rimbaud, predicted that the next great crop of writers would be women. He was the first guy who ever made a big women's liberation statement, saying that when women release themselves from the long servitude of men they're really gonna gush. New rhythms, new poetries, new horrors, new beauties. And I believe in that completely. (1976 Penthouse interview)
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Patti Smith
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Kit leaned forward. βBut if youβre up to something, know that Iβm ready. The days of Kit the Clueless are over. Iβm watching you guys like a . . . like a . . . like a really good watcher of things.β He cocked his head. βAn owl, maybe?β
βUp to something?β I flapped a breezy hand. βPshh. Relax.β
βKitβs not so good with similes,β I said, wiping down a steel counter. βI wouldβve gone with a hawk, or maybe the Hubble telescope. I guess owl works.
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Kathy Reichs (Code (Virals, #3))
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We now know that our galaxy is only one of some hundred thousand million that can be seen using modern telescopes, each galaxy itself containing some hundred thousand million stars. We live in a galaxy that is about one hundred thousand light-years across and is slowly rotating; the stars in its spiral arms orbit around its center about once every hundred million years. Our sun is just an ordinary, average-sized, yellow star, near the outer edge of one of the spiral arms.
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Stephen Hawking (The Theory Of Everything: The Origin and Fate of the Universe)
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It is often said that there are very few places left on earth that have yet to be discovered. But those who say this are usually referring to places that exist at the human scale. Take a magnifying glass to any part of your house and you will find a whole new world to explore. Use a powerful microscope and you will find another, complete with a zoo of living organisms of the most fantastic nature. Alternatively, use a telescope and a whole universe of possibilities will open up before you.
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Mark Miodownik (Stuff Matters: Exploring the Marvelous Materials That Shape Our Man-Made World)
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As you make more and more powerful microscopic instruments, the universe has to get smaller and smaller in order to escape the investigation. Just as when the telescopes become more and more powerful, the galaxies have to recede in order to get away from the telescopes. Because what is happening in all these investigations is this: Through us and through our eyes and senses, the universe is looking at itself. And when you try to turn around to see your own head, what happens? It runs away. You can't get at it. This is the principle. Shankara explains it beautifully in his commentary on the Kenopanishad where he says 'That which is the Knower, the ground of all knowledge, is never itself an object of knowledge.'
[In this quote from 1973 Watts, remarkably, essentially anticipates the discovery (in the late 1990's) of the acceleration of the expansion of the universe.]
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Alan W. Watts
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He was a physicist, more precisely an astrophysicist, diligent and eager but without illusions: the Truth lay beyond, inaccessible to our telescopes, accessible to the initiates. This was a long road which he was traveling with effort, wonderment, and profound joy. Physics was prose: elegant gymnastics for the mind, mirror of Creation, the key to man's dominion over the planet; but what is the stature of Creation, of man and the planet? His road was long and he had barely started up it, but I was his disciple: did I want to follow him?
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Primo Levi
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Glanced up and caught Ammu's gaze. Centuries telescoped into one evanescent moment. History was wrong-footed, caught off guard. Sloughed off like an old snakeskin. Its marks , its scars its wouns from old wars and the walking backwards days all fell away. In its abscence it left an aura, a palpable shimmering that was as plain as water in a river or the sun in the sky. As plain to feel the heat on a hot day, or the tug of a fish on a taut line. So obvious that no-one noticed.
In that brief moment, Velutha looked up and saw things that he hadn't seen before. Things that had been out of bounds so far, obscured by histor's blinkers.
...This knowing slid into him cleanly, like the sharp edge of a knife. Cold and hot at once. It only took a moment.
Ammu saw that he saw. She looked away. He did too. History's fiends returned to claim them. To rewrap them in its old scarred pelt and drag them back to where they really lived. Where the Love Laws lay down who should be loved. And how. And how much.
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Arundhati Roy (The God of Small Things)
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There are even some stars so remote that their light will reach the Earth only when Earth itself is a dead planet, as they themselves are dead, so that the living Earth will never be visited by that forlorn ray of light, without a living source, without a living destination. Often on fine nights when the park of this establishment is vacant, I amuse myself with this marvelous instrument (telescope). I go upstairs, walk across the grass, sit on a bench in the Avenue of Oaks β and there, in my solitude, I enjoy the pleasure of weighing the rays of dead stars.
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Auguste de Villiers de l'Isle-Adam (Tomorrow's Eve)
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Science works by experiments. It watches how things behave. Every scientific statement in the long run, however complicated it looks, really means something like, 'I pointed the telescope to such and such a part of the sky at 2:20 a.m. on January 15th and saw so-and-so,' or, 'I put some of this stuff in a pot and heated it to such-and-such a temperature and it did so-and-so.' Do not think I am saying anything against science: I am only saying what its job is.
And the more scientific a man is, the more (I believe) he would agree with me that this is the job of science--and a very useful and necessary job it is too. But why anything comes to be there at all, and whether there is anything behind the things science observes--something of a different kind--this is not a scientific question. If there is 'Something Behind,' then either it will have to remain altogether unknown to men or else make itself known in some different way. The statement that there is any such thing, and the statement that there is no such thing, are neither of them statements that science can make. And real scientists do not usually make them. It is usually the journalists and popular novelists who have picked up a few odds and ends of half-baked science from textbooks who go in for them. After all, it is really a matter of common sense. Supposing science ever became complete so that it knew every single thing in the whole universe. Is it not plain that the questions, 'Why is there a universe?' 'Why does it go on as it does?' 'Has it any meaning?' would remain just as they were?
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C.S. Lewis (Mere Christianity)
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The past is a distant, receding coastline, and we are all in the same boat. Along the stern rail there is a line of telescopes; each brings the shore into focus at a given distance. If the boat is becalmed, one of the telescopes will be in continual use; it will seem to tell the whole, the unchanging truth. But this is an illusion; and as the boat sets off again, we return to our normal activity: scurrying from one telescope to another, seeing the sharpness fade in one, waiting for the blur to clear in another. And when the blur does clear, we imagine that we have made it do so all by ourselves.
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Julian Barnes (Flaubert's Parrot)
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A number of months ago I read in the newspaper that there was a supreme court ruling which states that homosexuals in america have no constitutional rights against the government's invasion of their privacy. The paper states that homosexuality is traditionally condemned in america & only people who are heterosexual or married or who have families can expect those constitutional rights. There were no editorials. Nothing. Just flat cold type in the morning paper informing people of this. In most areas of the u.s.a it is possible to murder a man & when one is brought to trial, one has only to say that the victim was a queer & that he tried to touch you & the courts will set you free. When I read the newspaper article I felt something stirring in my hands; I felt a sensation like seeing oneself from miles above the earth or looking at one's reflection in a mirror through the wrong end of a telescope. Realizing that I have nothing left to lose in my actions I let my hands become weapons, my teeth become weapons, every bone & muscle & fiber & ounce of blood become weapons, & I feel prepared for the rest of my life.
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David Wojnarowicz (Close to the Knives: A Memoir of Disintegration)
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Our world, seemingly global, is in reality a planet of thousands of the most varied and never intersecting provinces. A trip around the world is a journey from backwater to backwater, each of which considers itself, in its isolation, a shining star. For most people, the real world ends on the threshold of their house, at the edge of their village, or, at the very most, on the border of their valley. That, which is beyond is unreal, unimportant, and even useless, whereas that which we have at our fingertips, in our field of vision, expands until it seems an entire universe, overshadowing all else. Often, the native and the newcomer have difficulty finding a common language, because each looks at the same place through a different lens. The newcomer has a wide-angle lens, which gives him a distant diminished view, although with a long horizon line, while the local always employs a telescopic lens that magnifies the slightest detail.
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Ryszard KapuΕciΕski (The Shadow of the Sun)
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I've nothing against eye make-up and lipstick. But the fact is we're actually living on a planet in space. For me that's an extraordinary thought. It's mind-boggling just to think about the existence of space at all. But there are girls who can't see the universe for eye-liner. And there are probably boys whose eyes are never raised above the horizon because of football. There can be quite a chasm between a small make-up mirror and a proper mirror telescope! I think it's what they call a 'matter of perspective'. Perhaps it could also be called an 'eye-opener' as well. It's never too late to experience an eye-opener. But many people live their entire lives without realizing that they're floating through empty space.
There's too much going on down here. It's hard enough thinking about your looks.
We belong on this earth. I'm not trying to dispute it. We're part of nature's life on this planet. Monkeys and reptiles have shown us how we breed, and I have no quarrel with that. In different natural surroundings everything might have been very different, but here we are. And I repeat: I'm not denying it. I just don't think that prevent us from trying to see a little beyond the ends of our noses.
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Jostein Gaarder (The Orange Girl)
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In some remote corner of the universe, poured out and glittering in innumerable solar systems, there once was a star on which clever animals invented knowledge. That was the highest and most mendacious minute of 'world history' β yet only a minute. After nature had drawn a few breaths the star grew cold, and the clever animals had to die.
One might invent such a fable and still not have illustrated sufficiently how wretched, how shadowy and flighty, how aimless and arbitrary, the human intellect appears in nature. There have been eternities when it did not exist; and when it is done for again, nothing will have happened. For this intellect has no further mission that would lead beyond human life. It is human, rather, and only its owner and producer gives it such importance, as if the world pivoted around it. But if we could communicate with the mosquito, then we would learn that he floats through the air with the same self-importance, feeling within itself the flying center of the world. There is nothing in nature so despicable or insignificant that it cannot immediately be blown up like a bag by a slight breath of this power of knowledge; and just as every porter wants an admirer, the proudest human being, the philosopher, thinks that he sees on the eyes of the universe telescopically focused from all sides on his actions and thoughts.
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Friedrich Nietzsche (On Truth and Lies in a Nonmoral Sense)
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In the past he had been unable to see the great, teh unfathomable, the infinite, in anything. He had only felt that it must exist somewhere and had been seeking it. In everything near and comprehensible he had seen only what was limited, petty, commonplace, and meaningless. He had equipped himself with a mental telescope and gazed into the distance where the distance had seemed to him great and infinite only because they were not clearly visible. Such had Europan life, politics, Masonry, philosophy, and philanthropy seemed to him. Bet even then, at moments of weakness as he had accounted them, his mind had penetrated that distance too, and he had seen there the same triviality, worldliness, and absurdity.
Now, however, he had learned to see the great, the eternal, the infinite in everything, and therefore, in order to look at it, to enjoy his contemplation of it, he naturally discarded teh telescope through which he had till then been gazing over the heads of men, and joyfully surveyed the ever-changeing, eternally great, unfathomable, and infinite life around him. And the closer he looked, the happier and more seren he was. The awful question: What for? a simple answer was now always ready in his soul: Because there is a God, that God without whose will not one hair of a man's head falls.
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Leo Tolstoy (War and Peace)
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You. Man at the machine and man in the workshop. If tomorrow they tell you you are to make no more water-pipes and saucepans but are to make steel helmets and machine-guns, then there's only one thing to do:
Say NO!
You. Woman at the counter and woman in the office. If tomorrow they tell you you are to fill shells and assemble telescopic sights for snipers' rifles, then there's only one thing to do:
Say NO!
You. Research worker in the laboratory. If tomorrow they tell you you are to invent a new death for the old life, then there's only one thing to do:
Say NO!
You. Priest in the pulpit. If tomorrow they tell you you are to bless murder and declare war holy, then there's only one thing to do:
Say NO!
You. Pilot in your aeroplane. If tomorrow they tell you you are to
carry bombs over the cities, then there's only one thing to do: Say NO!
You. Man of the village and man of the town. If tomorrow they come and give you your call-up papers, then there's only one thing to do:
Say NO!
You. Mother in Normandy and mother in the Ukraine, mother in Vancouver and in London, you on the Hwangho and on the Mississippi, you in Naples and Hamburg and Cairo and Oslo - mothers in all parts of the earth, mothers of the world, if tomorrow they tell you you are to bear new soldiers for new battles, then there's only one thing to do:
Say NO!
For if you do not say NO - if YOU do not say no - mothers, then: then!
In the bustling hazy harbour towns the big ships will fall silent as corpses against the dead deserted quay walls, their once shimmering bodies overgrown with seaweed and barnacles, smelling of graveyards and rotten fish.
The trams will lie like senseless glass-eyed cages beside the twisted steel skeleton of wires and track.
The sunny juicy vine will rot on decaying hillsides, rice will dry in the withered earth, potatoes will freeze in the unploughed land and cows will stick their death-still legs into the air like overturned chairs.
In the fields beside rusted ploughs the corn will be flattened like a beaten army.
Then the last human creature, with mangled entrails and infected lungs, will wander around, unanswered and lonely, under the poisonous glowing sun, among the immense mass graves and devastated cities.
The last human creature, withered, mad, cursing, accusing - and the terrible accusation: WHY?
will die unheard on the plains, drift through the ruins, seep into the rubble of churches, fall into pools of blood, unheard, unanswered,
the last animal scream of the last human animal -
All this will happen tomorrow, tomorrow, perhaps, perhaps even tonight, perhaps tonight, if - if -
You do not say NO.
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Wolfgang Borchert