Telephone Funny Quotes

Love will make a man do some funny things, like tightrope walking across a telephone wire, rather than simply picking up the phone to call or text.

I've already spent ten years of my life apologizing for that band. As their manager, that's all I really did. Apologize. For years afterward I'd walk into a hotel lobby and the receptionist would call to me, 'Mr. McGhee.' And I'd run up and drop to my knees and say, 'Oh, Jesus, I'm really sorry.' They'd look at me funny and say, 'No, nothing's wrong. You have a telephone call.' And I'd breathe a sigh of relief and thank the good Lord above that I wasn't managing Mötley Crüe anymore. ~ Doc McGhee.

Like a small business, a novel cannot afford to carry dead weight, even if it is a close family member. It is likewise unnecessary to introduce a mother and/or father into a narrative—usually through the medium of a long telephone call on the subject of 'How's things?'—to demonstrate that the protagonist does, like all mammals, have parents.

because daytime leaves vampires less than, well, conscious, I told him, “Take your muffins to Boston and shut it, Terrance.” And then I hung up on him.

2.    Teacher: Name the 3 fastest means of communication.       Student: Telephone, Television, Tell-a-woman!

Darling Daddy, This is Rose. Saffy says everyone says it is Indigo's fault that their Head has two black eyes and a swelled-up nose. Love from Rose. P.S. Sarah who is here says to tell you love from wheelchair woman too. Rose's father telephoned especially to tell Rose not to call Sarah Wheelchair Woman. "That's what she called herself," protested Rose. "She thought of it! Aren't you worried about what I told you about Indigo and the Head?" "What?" asked Bill. "Oh that! Two black eyes and a swollen nose! I don't think I can believe that one, Rose darling!

During these mad dashes to the wall phone in the kitchen she hadn't time to fall but with fantastical grace and dexterity wrenched herself upright in midfall and continued running (dogs whimpering, yapping hysterically in her wake, cats scattering wide-eyed and plume-tailed) before the telephone ceased it's querulous ringing--though frequently she was greeted with nothing more than a derisive dial tone, in any case.

Once there was an elephant, Who tried to use the telephant- No! no! I mean an elephone He tried to use the telephone- (Dear me! I am not certain quite That even now I've got it right.) Howe'er it was, he got his trunk Entangled in the telephunk; The more he tried to get it free, The louder buzzed the telephee- (I fear I'd better drop the song Of elephop and telephong!)

OTHER lives may find their happiest moments infiltrated with tragedy, and their proudest touched with comedy. This had almost invariably been true of mine. My proudest hour found me, the newly elected president of the United Nations, perched atop three thick New York City telephone books given me in lieu of a cushion that I might see and be seen by the delegates below the podium.

He lifted a sort of black cone attached to the wooden box. Immediately a voice, sounding as though it were yelling from the far end of a tunnel, bellowed, "Identify yourself!" Will held the cone away from his head, looking pained. James and Lucie exchanged a look. The voice was immediately identifiable: Albert Pangborn, the head of the Cornwall Institute. Lucie gleefully mimed her hands sticking together, to Jesse's puzzlement and a disapproving look from Tessa. "This is Will Herondale." Will spoke into the mouthpiece slowly and clearly. "And you telephoned me.

The argument had been in full swing when Matthew’s father telephoned with the news that a funny turn Matthew’s mother had suffered the previous week had been diagnosed as a mini-stroke. After this, she and Matthew felt that squabbling about Strike was in bad taste, so they went to bed in an unsatisfactory state of theoretical reconciliation, both, Robin knew, still seething. It was

He said, in some ways you're older than I am. You've never been deeply in love. Perhaps you never will be. He said, love goes on happening to you. To men. You become twenty again, you suffer as twenty suffers. All the dotty irrationalities of twenty. I may seem very reasonable at the moment, but I don't feel it. When you telephoned I nearly peed in my pants with excitement. I'm an old man in love. Stock comedy figure. Very stale. Not even funny.

It’s funny the things you miss. Like phone cords. Reading this today, you might not even know what a phone cord is. Or it’s a relic that you see in an office, or on that antique phone in the corner of the classroom, used to call the principal’s secretary. But once upon a time—that would be our time—a telephone cord seemed like nothing less than a lifeline. It was your attachment to the outside world and, even more than that, your attachment to the people you loved, or wanted to love, or tried to love. Everything about it was fitting—the way it curled in on itself, they way it got so easily tangled, the way you could pull it only so far before it kept you in place. Twisted and knotted and essential.

It is now time to face the fact that English is a crazy language — the most loopy and wiggy of all tongues. In what other language do people drive in a parkway and park in a driveway? In what other language do people play at a recital and recite at a play? Why does night fall but never break and day break but never fall? Why is it that when we transport something by car, it’s called a shipment, but when we transport something by ship, it’s called cargo? Why does a man get a hernia and a woman a hysterectomy? Why do we pack suits in a garment bag and garments in a suitcase? Why do privates eat in the general mess and generals eat in the private mess? Why do we call it newsprint when it contains no printing but when we put print on it, we call it a newspaper? Why are people who ride motorcycles called bikers and people who ride bikes called cyclists? Why — in our crazy language — can your nose run and your feet smell?Language is like the air we breathe. It’s invisible, inescapable, indispensable, and we take it for granted. But, when we take the time to step back and listen to the sounds that escape from the holes in people’s faces and to explore the paradoxes and vagaries of English, we find that hot dogs can be cold, darkrooms can be lit, homework can be done in school, nightmares can take place in broad daylight while morning sickness and daydreaming can take place at night, tomboys are girls and midwives can be men, hours — especially happy hours and rush hours — often last longer than sixty minutes, quicksand works very slowly, boxing rings are square, silverware and glasses can be made of plastic and tablecloths of paper, most telephones are dialed by being punched (or pushed?), and most bathrooms don’t have any baths in them. In fact, a dog can go to the bathroom under a tree —no bath, no room; it’s still going to the bathroom. And doesn’t it seem a little bizarre that we go to the bathroom in order to go to the bathroom? Why is it that a woman can man a station but a man can’t woman one, that a man can father a movement but a woman can’t mother one, and that a king rules a kingdom but a queen doesn’t rule a queendom? How did all those Renaissance men reproduce when there don’t seem to have been any Renaissance women? Sometimes you have to believe that all English speakers should be committed to an asylum for the verbally insane: In what other language do they call the third hand on the clock the second hand? Why do they call them apartments when they’re all together? Why do we call them buildings, when they’re already built? Why it is called a TV set when you get only one? Why is phonetic not spelled phonetically? Why is it so hard to remember how to spell mnemonic? Why doesn’t onomatopoeia sound like what it is? Why is the word abbreviation so long? Why is diminutive so undiminutive? Why does the word monosyllabic consist of five syllables? Why is there no synonym for synonym or thesaurus? And why, pray tell, does lisp have an s in it? If adults commit adultery, do infants commit infantry? If olive oil is made from olives, what do they make baby oil from? If a vegetarian eats vegetables, what does a humanitarian consume? If pro and con are opposites, is congress the opposite of progress? ...

Graduation (Friends Forever)" And so we talked all night about the rest of our lives Where we're gonna be when we turn 25 I keep thinking times will never change Keep on thinking things will always be the same But when we leave this year we won't be coming back No more hanging out cause we're on a different track And if you got something that you need to say You better say it right now cause you don't have another day Cause we're moving on and we can't slow down These memories are playing like a film without sound And I keep thinking of that night in June I didn't know much of love But it came too soon And there was me and you And then we got real blue Stay at home talking on the telephone And we would get so excited and we'd get so scared Laughing at ourselves thinking life's not fair And this is how it feels As we go on We remember All the times we Had together And as our lives change Come whatever We will still be Friends Forever So if we get the big jobs And we make the big money When we look back now Will our jokes still be funny? Will we still remember everything we learned in school? Still be trying to break every single rule Will little brainy Bobby be the stockbroker man? Can Heather find a job that won't interfere with her tan? I keep, keep thinking that it's not goodbye Keep on thinking it's a time to fly And this is how it feels La, la, la, la: Yeah, yeah, yeah La, la, la, la: We will still be friends forever Will we think about tomorrow like we think about now? Can we survive it out there? Can we make it somehow? I guess I thought that this would never end And suddenly it's like we're women and men Will the past be a shadow that will follow us around? Will these memories fade when I leave this town I keep, keep thinking that it's not goodbye Keep on thinking it's a time to fly

Alone in the observatory late one night, I heard the telephone ring persistently. When I answered, a voice, betraying a well-advanced state of inebriation, said, “Lemme talk to a shtrominer.” “Can I help you?” “Well, see, we’re havin’ this garden party out here in Wilmette, and there’s somethin’ in the sky. The funny part is, though, if you look straight at it, it goes away. But if you don’t look at it, there it is.” The most sensitive part of the retina is not at the center of the field of view. You can see faint stars and other objects by averting your vision slightly. I knew that, barely visible in the sky at this time, was a newly discovered comet called Arend-Roland. So I told him that he was probably looking at a comet. There was a long pause, followed by the query: “Wash’ a comet?” “A comet,” I replied, “is a snowball one mile across.” There was a longer pause, after which the caller requested, “Lemme talk to a real shtrominer.

When it begins it is like a light in a tunnel, a rush of steel and steam across a torn up life. It is a low rumble, an earthquake in the back of the mind. My spine is a track with cold black steel racing on it, a trail of steam and dust following behind, ghost like. It feels like my whole life is holding its breath. By the time she leaves the room I am surprised that she can’t see the train. It has jumped the track of my spine and landed in my mothers’ living room. A cold dark thing, black steel and redwood paneling. It is the old type, from the western movies I loved as a kid. He throws open the doors to the outside world, to the dark ocean. I feel a breeze tugging at me, a slender finger of wind that catches at my shirt. Pulling. Grabbing. I can feel the panic build in me, the need to scream or cry rising in my throat. And then I am out the door, running, tumbling down the steps falling out into the darkened world, falling out into the lifeless ocean. Out into the blackness. Out among the stars and shadows. And underneath my skin, in the back of my head and down the back of my spine I can feel the desperation and I can feel the noise. I can feel the deep and ancient ache of loudness that litters across my bones. It’s like an old lover, comfortable and well known, but unwelcome and inappropriate with her stories of our frolicking. And then she’s gone and the Conductor is closing the door. The darkness swells around us, enveloping us in a cocoon, pressing flat against the train like a storm. I wonder, what is this place? Those had been heady days, full and intense. It’s funny. I remember the problems, the confusions and the fears of life we all dealt with. But, that all seems to fade. It all seems to be replaced by images of the days when it was all just okay. We all had plans back then, patterns in which we expected the world to fit, how it was to be deciphered. Eventually you just can’t carry yourself any longer, can’t keep your eyelids open, and can’t focus on anything but the flickering light of the stars. Hours pass, at first slowly like a river and then all in a rush, a climax and I am home in the dorm, waking up to the ringing of the telephone. When she is gone the apartment is silent, empty, almost like a person sleeping, waiting to wake up. When she is gone, and I am alone, I curl up on the bed, wait for the house to eject me from its dying corpse. Crazy thoughts cross through my head, like slants of light in an attic. The Boston 395 rocks a bit, a creaking noise spilling in from the undercarriage. I have decided that whatever this place is, all these noises, sensations - all the train-ness of this place - is a fabrication. It lulls you into a sense of security, allows you to feel as if it’s a familiar place. But whatever it is, it’s not a train, or at least not just a train. The air, heightened, tense against the glass. I can hear the squeak of shoes on linoleum, I can hear the soft rattle of a dying man’s breathing. Men in white uniforms, sharp pressed lines, run past, rolling gurneys down florescent hallways.

My father's generation grew up with certain beliefs. One of those beliefs is that the amount of money one earns is a rough guide to one's contribution to the welfare and prosperity of our society. I grew up unusually close to my father. Each evening I would plop into a chair near him, sweaty from a game of baseball in the front yard, and listen to him explain why such and such was true and such and such was not. One thing that was almost always true was that people who made a lot of money were neat. Horatio Alger and all that. It took watching his son being paid 225 grand at the age of twenty-seven, after two years on the job, to shake his faith in money. He has only recently recovered from the shock. I haven't. When you sit, as I did, at the center of what has been possibly the most absurd money game ever and benefit out of all proportion to your value to society (as much as I'd like to think I got only what I deserved, I don't), when hundreds of equally undeserving people around you are all raking it in faster than they can count it, what happens to the money belief? Well, that depends. For some, good fortune simply reinforces the belief. They take the funny money seriously, as evidence that they are worthy citizens of the Republic. It becomes their guiding assumption-for it couldn't possibly be clearly thought out-that a talent for making money come out of a telephone is a reflection of merit on a grander scale. It is tempting to believe that people who think this way eventually suffer their comeuppance. They don't. They just get richer. I'm sure most of them die fat and happy. For me, however, the belief in the meaning of making dollars crumbled; the proposition that the more money you earn, the better the life you are leading was refuted by too much hard evidence to the contrary. And without that belief, I lost the need to make huge sums of money. The funny thing is that I was largely unaware how heavily influenced I was by the money belief until it had vanished. It is a small piece of education, but still the most useful thing I picked up at Salomon Brothers. Almost everything else I learned I left behind. I became fairly handy with a few hundred million dollars, but I'm still lost when I have to decide what to do with a few thousand. I learned humility briefly in the training program but forgot it as soon as I was given a chance. And I learned that people can be corrupted by organizations, but since I remain willing to join organizations and even to be corrupted by them (mildly, please), I'm not sure what practical benefit will come from this lesson.

LIZ.  Very funny.  What has Betty Grable got that I haven’t got? Or Lana Turner. GEORGE.  Nothing, dear.  In fact, you have something they haven’t got. LIZ.  (Pleased.) I have? What? GEORGE.  Me.  Well, see you later, dear.  If you want me, I’ll be at the bank. (Sound.  Door open and close—telephone dialing.) LIZ.  Hello, Ann? Liz.  I just spoke to George about being in the play.  Yes, he put his foot down.  Absolutely no.  He was really definite about it.  What time are we going to the tryouts? Of course I am.  It’s a challenge now.  If I get the part think how surprised George will be on opening night.  To say nothing of that Hollywood director. Who, me?  Don’t be silly.  A Hollywood contract is the last thing in the world I want—I’d just like to show George I could get one if I wanted to.  Goodbye, Ann. SOUND.  (Hang up phone)

The health of your body has a direct impact on the health of your brain. In fact, there are only three degrees of separation between sitting too much and dementia. You sit for long periods of time. Your body goes into hibernation mode, depressing your metabolism and increasing your blood pressure, blood sugar, and weight.7 Your high blood pressure damages your heart and its vessels. The small vessels that feed your brain get blocked, putting you at risk of small vessel disease. Without adequate blood supply, the brain’s white matter starves to death.8 White matter acts like a telephone wire that connects brain regions so they can talk to each other. When your white matter is damaged, the communication between those brain regions breaks down just like it did in that telephone game we played as kids; in the end, the message is all mixed up and everyone is confused. It was funny back then, but it’s not funny now. The white matter damage shows up like bright lights on your brain scan called white matter hyperintensities. The scary part is that your brain could be lit up like a Christmas tree but clinically silent, meaning that you may have no noticeable symptoms until it’s too

In the days before computers and emails,” she explained, “people used to write messages on paper and send them to each other using a fax machine. It’s sort of like sending a photograph through a telephone line. Hardly anyone uses a fax these days. They’re very old fashioned,” she continued, “but they used to be very popular once upon a time. Lots of little children used to send their letters to Santa that way.” "Wow!” said Poppy Noodle. “That sounds like Magic.” “No,” answered Flora sharply. “That’s not Magic, that’s technology. Never confuse the two.

I’m driving home to change,” Win said. “Then I’m dining at Merion.” Mainliners never ate; they dined. “Care to join me?” “Sounds good,” Myron said. “Wait a second.” “What?” “Are you properly attired?” “I don’t clash,” Myron said. “Will they still let me in?” “My, my, that was very funny, Myron. I must write that one down. As soon as I stop laughing, I plan on locating a pen. However, I am so filled with mirth that I may wrap my precious Jag around an upcoming telephone pole. Alas, at least I will die with jocularity in my heart.” Win. “We have a case,” Myron said. Silence. Win made this so easy. “I’ll tell you about it at dinner.” “Until then,” Win said, “it’ll be all I can do to douse my mounting excitement and anticipation with a snifter of cognac.” Click. Gotta love that Win. Myron hadn’t driven a mile when the cellular phone rang. Myron switched it on. It was Bucky. “The kidnapper called again.

except a large order of drills he was hoping to get that day. But on the edge of town, drills were driven out of his mind by something else. As he sat in the usual morning traffic jam, he couldn’t help noticing that there seemed to be a lot of strangely dressed people about. People in cloaks. Mr Dursley couldn’t bear people who dressed in funny clothes – the get-ups you saw on young people! He supposed this was some stupid new fashion. He drummed his fingers on the steering wheel and his eyes fell on a huddle of these weirdos standing quite close by. They were whispering excitedly together. Mr Dursley was enraged to see that a couple of them weren’t young at all; why, that man had to be older than he was, and wearing an emerald-green cloak! The nerve of him! But then it struck Mr Dursley that this was probably some silly stunt – these people were obviously collecting for something … yes, that would be it. The traffic moved on, and a few minutes later, Mr Dursley arrived in the Grunnings car park, his mind back on drills. Mr Dursley always sat with his back to the window in his office on the ninth floor. If he hadn’t, he might have found it harder to concentrate on drills that morning. He didn’t see the owls swooping past in broad daylight, though people down in the street did; they pointed and gazed open-mouthed as owl after owl sped overhead. Most of them had never seen an owl even at night-time. Mr Dursley, however, had a perfectly normal, owl-free morning. He yelled at five different people. He made several important telephone calls and shouted a bit more. He was in a very good mood until lunch-time, when he thought he’d stretch his legs and walk across the road to buy himself a bun from the baker’s opposite. He’d forgotten all about the people in cloaks until he passed a group of them next to the baker’s. He eyed them angrily as he passed. He didn’t know why, but they made him uneasy. This lot were whispering excitedly, too, and he couldn’t see a single collecting tin. It was on his way back past them, clutching a large doughnut in a bag, that he caught a few words of what they were saying. ‘The Potters, that’s right, that’s what I heard –’ ‘– yes, their son, Harry –’ Mr Dursley stopped dead. Fear flooded him. He looked back at the whisperers as if he wanted to say something to them, but thought better of it. He

Last thing: one Sunday evening about a year before all this we were on the telephone, my mother and I; it was just after we sold the house and she’d moved to the facility, where she was allowed a small sensible room and a few possessions. As we talked I was watching snow drift down the dusk outside, counting it, one hundred and five, one hundred and six, one hundred and seven, when out of a pause she said, ‘It’s funny to have no home’ — funny being a funny word for what she meant. I say this now to remind myself how words can squirt sideways, mute and mad; you think they are tools, or toys, or tame, and all at once they burn all your clothes off and you’re standing there singed and ridiculous in the glare of the lightning. I hung up the phone. I stared at the snow for some time. I expect she did too.

Yo mama is so stupid… she thought Dunkin’ Donuts was a basketball team! Yo mama is so stupid… she tripped over a wireless phone! Yo mama is so stupid… she failed a survey! Yo mama is so stupid… she got locked in a grocery store and starved to death! Yo mama is so stupid… when they said that it is chilly outside, she went outside with a bowl and a spoon. Yo mama is so stupid… she tried to drown a fish! Yo mama is so stupid… she tried to throw a bird off a cliff! Yo mama is so stupid… she took a knife to a drive-by! Yo mama is so stupid… she thought Boyz II Men was a daycare center! Yo mama is so stupid… she bought a ticket to Xbox Live! Yo mama is so stupid… she thought she couldn’t buy a Gameboy because she is a girl! Yo mama is so stupid… she thought a scholarship was a ship full of students! Yo mama is so stupid… she threw a clock out the window to see time fly! Yo mama is so stupid… she went to the ocean to surf the Internet! Yo mama is so stupid… you can hear the ocean in her head! Yo mama is so stupid… she thought Hamburger Helper came with a friend! Yo mama is so stupid… she got locked in Furniture World and slept on the floor. Yo mama is so stupid… she sits on the floor and watches the couch. Yo mama is so stupid… she stayed up all night trying to catch up on her sleep! Yo mama is so stupid… she got her hand stuck in a website! Yo mama is so stupid… she thought Christmas wrap was Snoop Dogg’s new song! Yo mama is so stupid… she can't pass a blood test. Yo mama is so stupid… she thought the Harlem Shake was a drink! Yo mama is so stupid… she ordered a cheeseburger without the cheese. Yo mama is so stupid… she tried to climb Mountain Dew! Yo mama is so stupid… that she burned down the house with a CD burner. Yo mama is so stupid… she went to PetSmart to take an IQ test! Yo mama is so stupid… she went to the library to find Facebook! Yo mama is so stupid… she stole free bread. Yo mama is so stupid… she sold her car for gas money. Yo mama is so stupid… she stopped at a stop sign and waited for it to turn green. Yo mama is so stupid… when she asked me what kind of jeans I am wearing I said, “Guess”, and she said, “Levis”. Yo mama is so stupid… she called me to ask me for my phone number! Yo mama is so stupid… she worked at an M&M factory and threw out all the W's. Yo mama is so stupid… she tried to commit suicide by jumping out the basement window. Yo mama is so stupid… she got lost in a telephone booth. Yo mama is so stupid… she stuck a phone in her butt to make a booty call! Yo mama is so stupid… I said that drinks were on the house and she went to get a ladder! Yo mama is so stupid… she went to a dentist to fix her Bluetooth! Yo mama is so stupid… she put lipstick on her forehead to make up her mind. Yo mama is so stupid… it took her two hours to watch 60 seconds.

The compulsion to operationalism gives rise to an operational paradox. It is not just that the order of the day is 'making something worth something' : the fact is that it is better, if something is to be invested with value, for it to have no value to begin with; better to know nothing in order to have things known; better to produce nothing in order to have things produced; and better to have nothing to say if one seeks to communicate. All of which is part of the logic of things: as everyone knows, if you want to make people laugh, it is better not to be funny. The implications for communication and information networks are incontestable: in order for content to be conveyed as well and as quickly as possible, that content should come as close as possible to transparency and insignificance. This principle may be seen in action in the telephone relationship or in media transmissions - as also in more serious arenas. Thus good communication - the foundation, today, of a good society - implies the annihilation of its own content. (Note that even the term 'society' has lost its meaning: the only thing that is still 'social' is whatever can be manufactured as such, as 'sociality' or 'sociability' - ghastly sobriquets which perfectly express the thing to which they refer: such terms - as François George has said of 'sexuality' - put one in mind of some form of surgery.)[...]

Yo mama is so stupid… she got lost in a telephone booth.

Until this night, this awful night, he’d had a little joke about himself. He didn’t know who he was, or where he’d come from, but he knew what he liked. And what he liked was all around him-the flower stands on the corners, the big steel and glass buildings filled with milky evening light, the trees, of course, the grass beneath his feet. And the telephones-it didn’t matter. He liked to figure them out, master them, then crush them into tiny hard multicolored balls which he could then juggle or toss through plate glass windows when nobody was about. He liked piano music, the motion pictures, and the poems he found in books. He also liked the automobiles that burnt oil from the earth like lamps. And the great jet planes that flew on the same scientific principles, above the clouds. He always stopped and listened to the people laughing and talking up there when one of the people laughing and talking up there when one of the planes flew overhead. Driving was an extraordinary pleasure. In a silver Mercedes-Benz, he had sped on smooth empty roads from Rome to Florence to Venice in one night. He also liked television-the entire electric process of it, with tiny bits of lights. How soothing it was to have the company of the television, the intimacy with so many artfully painted faces speaking to you in friendship from the glowing screen. The rock and roll, he liked that too. He liked the music. He liked the Vampire Lestat singing “Requiem for the Marquise”. He didn’t pay attention to the words much. It was the melancholy and the dark undertone of drums and cymbals. Made him want to dance. He liked the giant yellow machines that dug into the earth late at night in the big cities with men in uniforms, crawling all over them; he liked the double-decker buses of London, and the people-the clever mortals everywhere-he liked, too, of course. He liked walking in Damascus during the evening, and seeing in sudden flashes of disconnected memory the city of the ancients. Romans, Greeks, Persians, Egyptians in these streets. He liked the libraries where he could find photographs of ancient monuments in big smooth good-smelling books. He took his own photographs of the new cities around him and sometimes he could put images on those pictures which came from his thoughts. For example, in his photograph of Rome there were Roman people in tunics and sandals superimposed upon the modern versions in their thick ungraceful clothes. Oh, yes, much to like around him always-the violin music of Bartók, little girls in snow white dresses coming out of the church at midnight having sung at the Christmas mass. He liked the blood of his victims too, of course. That went without saying. It was no part of his little joke. Death was not funny to him. He stalked his prey in silence; he didn’t want to know his victims. All a mortal had to do was speak to him and he was turned away. Not proper, as he saw it, to talk to these sweet, soft-eyed things and then gobble their blood, break their bones and lick the marrow, squeeze their limbs to dripping pulp. And that was the way he feasted now, so violently. He felt no great need for blood anymore; but he wanted it. And the desire overpowered him in all its ravening purity, quite apart from the thirst. He could have feasted upon three or four mortals a night.