“
When adults say, "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes and manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.
”
”
John Green (Looking for Alaska)
“
I wondered if the person who really loves you is the person who knows all your stories, the person who WANTS to know all your stories.
”
”
Gabrielle Zevin (Memoirs of a Teenage Amnesiac)
“
What I like about The Sims is that I don't have a normal life at all, so I play this game where these people have these really boring, mundane lives. It's fun. My Sims family is called the Cholly family. I don't know why I picked that name; it's kind of random. The teenage daughter is my favourite, because I just had her go through this Goth phase. She's really kind of nerdy and she just became a concert violinist, which is pretty huge for the family. And she got into private school. But she started wearing black lipstick and she dyed her hair purple. It's pretty huge.
”
”
Gerard Way
“
Most adults see teenagers as confused kids who don't understand much, while they're the pillars of knowledge and experience and know exactly what is right at all times.
I think the truth is that everyone in the entire world is confused and nobody understands much of anything at all.
”
”
Alice Oseman (I Was Born for This (I Was Born for This, #1))
“
Some are young people who don't know who they are, what they can be or even want to be. They are afraid, but they don't know of what. They are angry, but they don't know at whom. They are rejected and they don't know why. All they want is to be somebody.
”
”
Thomas S. Monson (Pathways to perfection;: Discourses of Thomas S. Monson)
“
After all this time, I know exactly where I belong. Here. With Edmond. And that's how I live now.
”
”
Meg Rosoff (How I Live Now)
“
Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body.
But from the very start, there is that small streak of steel within each child. That thing that says "I am," and forms the core of personality.
In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And "I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh.
The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves.
In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until "I am" is set, delicate and detailed as an insect in amber.
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
You forget all of it anyway. First, you forget everything you learned-the dates of the Hay-Herran Treaty and Pythagorean Theorem. You especially forget everything you didn't really learn, but just memorized the night before. You forget the names of all but one or two of your teachers, and eventually you'll forget those, too. You forget your junior class schedule and where you used to sit and your best friend's home phone number and the lyrics to that song you must have played a million times. For me, it was something by Simon & Garfunkel. Who knows what it will be for you? And eventually, but slowly, oh so slowly, you forget your humiliations-even the ones that seemed indelible just fade away. You forget who was cool and who was not, who was pretty, smart, athletic, and not. Who went to a good college. Who threw the best parties Who could get you pot. You forget all of them. Even the ones you said you loved, and even the ones you actually did. They're the last to go. And then once you've forgotten enough, you love someone else.
”
”
Gabrielle Zevin (Memoirs of a Teenage Amnesiac)
“
Our moment had passed somehow. I was different. He was, too. Without our “madness” to unite us, there wasn’t anything much there. Or maybe too much had happened in too short a time. It’s like when you take a trip with someone you don’t know very well. Sometimes you can get very close very quickly, but then after the trip is over, you realise all that was a false sort of closeness. An intimacy based on the trip more than the travellers, if that makes any sense.
”
”
Gabrielle Zevin (Memoirs of a Teenage Amnesiac)
“
For the longest time after that, neither of us said anything. I was unaccustomed to his silence, but I didn't mind it. I knew near everything about him, and he knew near everything about me, and all that made our quiet a kind of song. The kind you hum without even knowing what it is or why you're humming it. The kind that you've always known.
”
”
Gabrielle Zevin (Memoirs of a Teenage Amnesiac)
“
People you knew when you were teenagers, the ones who saw your stupidest haircut and the most embarrassing things you've done in your life, and they still cared about you after all that: they're not replaceable, you know?
”
”
Tana French (Broken Harbour (Dublin Murder Squad, #4))
“
It's like when you take a trip with someone you don't know very well. Sometimes, you can get very close very quickly, but then after the trip is over, you realize all that was a false sort of closeness. An intimacy based on the trip more than the travelers.
”
”
Gabrielle Zevin (Memoirs of a Teenage Amnesiac)
“
Being a teenager isn't all that different from being part of someone else's story. There's always someone who thinks they know better than you do
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
For though, as we have said, all children are heartless, this is not precisely true of teenagers. Teenage hearts are raw and new, fast and fierce, and they do not know their own strength. Neither do they know reason or restraint, and if you want to know the truth, a goodly number of grown-up hearts never learn it.
”
”
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
“
Love was there in my empty bed. It was piled up in the records Lauren bought me when we were teenagers. It was in the smudged recipe cards from my mum in between the pages of cookbooks in my kitchen cabinet. Love was in the bottle of gin tied with a ribbon that India had packed me off with; in the smeary photo-strips with curled corners that would end up stuck to my fridge. It was in the note that lay on the pillow next to me, the one I would fold up and keep in the shoebox of all the other notes she had written before. I woke up safe in my one-woman boat. I was gliding into a new horizon; floating in a sea of love. There it was. Who knew? It had been there all along.
”
”
Dolly Alderton (Everything I Know About Love: A Memoir)
“
I was seventeen all over again, falling into intrigue with the boy who was an exquisite contradiction.
”
”
Blakney Francis (Someone I Used to Know)
“
How do you know all this? Jeez, Tory, you’re a kid. Act like it. (Geary)
(Tory reached out and punched her on the arm.)
Ow! What was that for? (Geary)
Unexpected and irrational emotional outbursts. Isn’t that what teenagers are supposed to do? Oh, and sulk. A lot. (Tory)
”
”
Sherrilyn Kenyon (The Dream-Hunter (Dark-Hunter, #10; Dream-Hunter, #1))
“
I ignored him, concentrating on Lilith. "According to the stories, after you were expelled from Eden you went down into Hell, where you coupled with demons and gave birth to all the monsters that have plagued the world."
"I was young," said Lilith. "You know how it is. We all do things we later regret, when we're being rebellious teenagers.
”
”
Simon R. Green (Hex and the City (Nightside, #4))
“
Why do women waste their time trying to convince their insecure family members and girlfriends that they are beautiful? Self esteem is not a beauty cream that you can rub all over them and see instant results. Instead, convince them they are not stupid. Every intelligent woman knows outward beauty is a nip, tuck, chemical peel or diet away. If you don't like it, fix it.
”
”
Shannon L. Alder
“
I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.
”
”
Ali Hazelwood (Love on the Brain)
“
Interviewer: Did you hear t.A.T.u's version of 'How Soon Is Now'?
Morrissey: Yes, it was magnificent. Absolutely. Again, I don't know much about them.
Interviewer: They're the teenage Russian lesbians.
Morrissey: Well, aren't we all?
”
”
Morrissey
“
It was something adults said all the time. "You'll change your mind when you're older. You never know what might happen. You'll feel differently one day." As if we teenagers knew so little about ourselves that we could wake up one day a completely different person. As if the person we are right now doesn't matter at all.
”
”
Alice Oseman (Loveless)
“
If you find the dividing line between fairy tales and reality, let me know. In my mind, the two run together, even though the intersections aren't always obvious. The girl sitting quietly in class or waiting for the bus or roaming the mall doesn't want anyone to know, or doesn't know how to tell anyone, that she is locked in a tower. Maybe she's a prisoner of a story she's heard all her life- that fairest means best, or that bruises prove she is worthy of love.
”
”
Christine Heppermann (Poisoned Apples: Poems for You, My Pretty)
“
Before I got here, I thought for a long time that the way out of the labyrinth was to pretend that it did not exist, to build a small, self-sufficient world in a back corner of, the endless maze and to pretend that I was not lost, but home. But that only led to a lonely life accompanied only by the last words of the looking for a Great Perhaps, for real friends, and a more-than minor life.
And then i screwed up and the Colonel screwed up and Takumi screwed up and she slipped through our fingers. And there's no sugar-coating it: She deserved better friends.
When she fucked up, all those years ago, just a little girl terrified. into paralysis, she collapsed into the enigma of herself. And I could have done that, but I saw where it led for her. So I still believe in the Great Perhaps, and I can believe in it spite of having lost her.
Beacause I will forget her, yes. That which came together will fall apart imperceptibly slowly, and I will forget, but she will forgive my forgetting, just as I forgive her for forgetting me and the Colonel and everyone but herself and her mom in those last moments she spent as a person. I know that she forgives me for being dumb and sacred and doing the dumb and scared thing. I know she forgives me, just as her mother forgives her. And here's how I know:
I thought at first she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something's meal. What was her-green eyes, half a smirk, the soft curves of her legs-would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere.
I still think that, sometimes. I still think that, sometimes, think that maybe "the afterlife" is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe she was just a matter, and matter gets recycled.
But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska's genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirety. There is a part of her knowable parts. And that parts has to go somewhere, because it cannot be destroyed. Although no one will ever accuse me of being much of a science student, One thing I learned from science classes is that energy is never created and never destroyed.
And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself -those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable because we are as indestructible as we believe ourselves to be.
When adults say "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are.
We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.
So I know she forgives me, just as I forgive her. Thomas Eidson's last words were: "It's very beautiful over there." I don't know where there is, but I believe it's somewhere, and I hope it's beautiful.
”
”
John Green (Looking for Alaska)
“
And grumbling, he does it, in front of everybody, which is how I know he is utterly and completely mine.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
So, as I was saying, guys and girls can be friends.'
'Best friends.'
'And what is better than falling in love with your best friend?'
'Nothing.'
'You always have to get the last word in, don't you?'
'You know it.'
'Yes, I do.'
'Yep.'
'Oh, Macallan...'
'Yes, Levi?'
'I love you.'
'I love you, too.'
'And there you are again, having to get the last word in.'
'But I don't think you mind.'
'Not at all.'
'Good.
”
”
Elizabeth Eulberg (Better Off Friends)
“
We love men because they can never fake orgasms, even if they wanted to.
Because they write poems, songs, and books in our honor.
Because they never understand us, but they never give up.
Because they can see beauty in women when women have long ceased to see any beauty in themselves.
Because they come from little boys.
Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women.
Because they are incredible lovers and never rest until we’re happy.
Because they elevate sports to religion.
Because they’re never afraid of the dark.
Because they don’t care how they look or if they age.
Because they persevere in making and repairing things beyond their abilities, with the naïve self-assurance of the teenage boy who knew everything.
Because they never wear or dream of wearing high heels.
Because they’re always ready for sex.
Because they’re like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations.
Because they’re afraid to go bald.
Because you always know what they think and they always mean what they say.
Because they love machines, tools, and implements with the same ferocity women love jewelry.
Because they go to great lengths to hide, unsuccessfully, that they are frail and human.
Because they either speak too much or not at all to that end.
Because they always finish the food on their plate.
Because they are brave in front of insects and mice.
Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots.
Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between.
Because for them there’s no such thing as too much adrenaline.
Because when all is said and done, they can’t live without us, no matter how hard they try.
Because they’re truly as simple as they claim to be.
Because they love extremes and when they go to extremes, we’re there to catch them.
Because they are tender they when they cry, and how seldom they do it.
Because what they lack in talk, they tend to make up for in action.
Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys.
Because they really love their moms, and they remind us of our dads.
Because they never care what their horoscope, their mother-in-law, nor the neighbors say.
Because they don’t lie about their age, their weight, or their clothing size.
Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we don’t want them to.
Because when we say “I love you” they ask for an explanation.
”
”
Paulo Coelho
“
Three weeks, after fuckin' you, knowin' what you taste like, what you feel like, the sounds you make when you come, three weeks I'm on the road and all I got is a couple minutes of your voice on the phone every night. Fuckin' you, that's all I can think about, like a teenager, at night in the dark, it's the only thing in my goddamned head. So I jack off, hopin' to cut through it, but nothin' compares to you. Then I know you can't sleep so I can't fuckin' sleep wonderin' if you're sleepin'. That shit's whacked and I come home, fuckin' beside myself it's over."
"So we find out about each other and who we are together. I'm gonna piss you off 'cause I can be a dick. That's who I am. And you're gonna piss me off 'cause, babe, you got attitude. That's who you are. And that's who we're comin' out to be together. And I'm all right with that because, with what I had before, even when you're a bitch, I like it. But when you're not, it's a sweetness the like I've never tasted."
"You said you were waitin' for something special and he took away your chance to figure out that you were carryin' it with you all this time. You are special, Laurie.
”
”
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
“
I don’t ever remember being afraid of “oldness”.
There are things I miss about being younger - chiefly the ability to pull all-nighters and keep working and working well; and being smiled at by girls I didn’t know who thought I was cute; and I wish I had the eyesight I had even five years ago… but that stuff feels pretty trivial.
I’m happier than I’ve been at any time in my life these days. I have a wonderful wife whom I adore, watched three amazing kids grow into two delightful adults and my favourite teenager, an astonishing number of grand life experiences, I’ve made art I’m proud of, I have real, true, glorious friends, and I’ve been able to do real good for things I care about, like freedom of speech, like libraries.
Sometimes I’ll do something like An Evening With Neil and Amanda, or the 8 in 8 project, and completely surprise myself.
I miss friends who have died, but then, I’m glad that time gave them to me, to befriend, even for a while, and that I was alive to know them. I knew Douglas Adams, and I knew Roger Zelazny, and I knew John M Ford, and I knew Diana Wynne Jones… do you know how lucky that makes me?
Ah, I’m rabbiting on, and I sound a bit more Pollyannaish than I’m intending to sound: I know the downside of age and the downside of time, and I am sure that the view from age 51 is not the view from age 71.
I wish the time hadn’t gone so fast, though. And sometimes I wish I’d enjoyed it more on the way, and worried about it less.
”
”
Neil Gaiman
“
There are stories of elopements, unrequited love, family feuds and exhausting vendettas, which everyone was drawn into, had to be involved with. But nothing is said of the closeness between two people: how they grew in the shade of each other's presence. No one speaks of that exchange of gift and character - the way a person took on and recognized in himself the smile of a lover...
Where is the intimate and truthful in all this? Teenager and Uncle. Husband and lover. A lost father in his solace. And why do I want to know of this privacy? After the cups of tea, coffee, public conversations ... I want to sit down with someone and talk with utter directness, want to talk to all the lost history like that deserving lover.
”
”
Michael Ondaatje (Running in the Family)
“
My “Best Woman” speech
Good evening everyone, my name is Rosie and as you can see Alex has
decided to go down the non-traditional route of asking me to be his best
woman for the day. Except we all know that today that title does not belong
to me. It belongs to Sally, for she is clearly his best woman.
I could call myself the “best friend” but I think we all know that today
that title no longer refers to me either. That title too belongs to Sally.
But what doesn’t belong to Sally is a lifetime of memories of Alex the
child, Alex the teenager, and Alex the almost-a-man that I’m sure he would
rather forget but that I will now fill you all in on. (Hopefully they all will
laugh.)
I have known Alex since he was five years old. I arrived on my first day
of school teary-eyed and red-nosed and a half an hour late. (I am almost sure
Alex will shout out “What’s new?”) I was ordered to sit down at the back of
the class beside a smelly, snotty-nosed, messy-haired little boy who had the
biggest sulk on his face and who refused to look at me or talk to me. I hated
this little boy.
I know that he hated me too, him kicking me in the shins under the table
and telling the teacher that I was copying his schoolwork was a telltale sign.
We sat beside each other every day for twelve years moaning about school,
moaning about girlfriends and boyfriends, wishing we were older and wiser and out of school, dreaming for a life where we wouldn’t have double maths
on a Monday morning.
Now Alex has that life and I’m so proud of him. I’m so happy that he’s
found his best woman and his best friend in perfect little brainy and annoying
Sally.
I ask you all to raise your glasses and toast my best friend Alex and his
new best friend, best woman, and wife, Sally, and to wish them luck and
happiness and divorce in the future.
To Alex and Sally!
”
”
Cecelia Ahern (Love, Rosie)
“
As your perspective of the world increases not only is the pain it inflicts on you less but also its meaning. Understanding the world requires you to take a certain distance from it. Things that are too small to see with the naked eye, such as molecules and atoms, we magnify. Things that are too large, such as cloud formations, river deltas, constellations, we reduce. At length we bring it within the scope of our senses and we stabilize it with fixer. When it has been fixed we call it knowledge. Throughout our childhood and teenage years, we strive to attain the correct distance to objects and phenomena. We read, we learn, we experience, we make adjustments. Then one day we reach the point where all the necessary distances have been set, all the necessary systems have been put in place. That is when time begins to pick up speed. It no longer meets any obstacles, everything is set, time races through our lives, the days pass by in a flash and before we know that is happening we are fort, fifty, sixty... Meaning requires content, content requires time, time requires resistance. Knowledge is distance, knowledge is stasis and the enemy of meaning. My picture of my father on that evening in 1976 is, in other words, twofold: on the one hand I see him as I saw him at that time, through the eyes of an eight-year-old: unpredictable and frightening; on the other hand, I see him as a peer through whose life time is blowing and unremittingly sweeping large chunks of meaning along with it.
”
”
Karl Ove Knausgård (Min kamp 1 (Min kamp, #1))
“
So that's it. That's the big secret. I tried to kill myself on New Year's eve. Just like Sadie did last night. Only she really did it. I don't know all the detatils, just the basics. She took a bunch of pills. I don't know what they were or where she got them. I'd like to think they were Wonder Drug. Then at least she could have gone thinking she was flying.
”
”
Michael Thomas Ford (Suicide Notes)
“
A lot of teenagers write to me and say "I want to write a book. I want to get published." And those are two very different things.
For the first one, that you want to write a book, I think is an excellent idea and you should totally do that because teenagers who want to write, you should be writing. You should be writing all the time like a maniac.
Don't worry about the second bit, just yet because A. You need a lot of practice. You need to do it for, I'm not kidding, years. And then once you are published, it's a business. It's a job.
Plus, every author I know was that teenager who sat in their room and read and wrote. That's who becomes an author, but that's what you have to do for a while before you become an author.
”
”
Maureen Johnson
“
I knew near everything about him, and he knew near everything about me, and all that made our quiet a kind of song. The kind that you hum without even knowing what it is or why you're humming it. The kind that you've always known.
”
”
Gabrielle Zevin (Memoirs of a Teenage Amnesiac)
“
To be a teenager, it takes very little to think that someone else might actually know who you are, even as you spend all your time thinking that no one understands you. It's such a lovely feeling.
”
”
Kevin Wilson (Now Is Not the Time to Panic)
“
Probably he was thinking what a boring bollocks I was. Plenty of people think the same thing- all of them are teenagers, mentally if not physically. Only teenagers think boring is bad. Adults, grown men and women who've been around the block a few times, know that boring is a gift straight from God. Life has more then enough excitement up its sleeve, ready to hit you as soon as you're not looking, without you adding to the drama.
”
”
Tana French (Broken Harbour (Dublin Murder Squad, #4))
“
I don't know her; I know the teenaged version of her. I'm at this party because I feel indebted as a friend to the shadow of the kid that she used to be. It's strange I'm here at all.
”
”
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
“
I look up, and he’s searching my eyes, just like he did after kissing me for the first time in the rain. “What are you looking for?”
He doesn’t answer.
He doesn’t need to.
I know what he wants.
And it’s not fair.
“Just because we’re the only two teenagers on this whole ship doesn’t mean I have to love you. Why can’t I have a choice? Options?”
Elder steps back, stung.
“Look, it’s not that I don’t like you,” I say quickly, reaching for him. He jerks away. “It’s just…”
“Just what?” he growls.
Just that if I was back on Earth instead of on this damn ship, if I had met Elder at school or at a club or on a blind date, if I had my choice between Elder and every other boy in the world…Would I love him then?
Would he love me?
Love without choice isn’t love at all.
“Just that I don’t want to be with you just because there’s no one else.” [p.57-58]
”
”
Beth Revis (A Million Suns (Across the Universe, #2))
“
Nick laughs and wraps his arms around me. ‘Okay, fine, I love you more than my dogs.’ ‘Good.’ ‘I love you more than anyone, actually.’ He says this a little quieter. I move my head out from the crook of his neck so I can meet his eyes. ‘Is that weird?’ he continues, and then huffs out a small laugh. ‘I’m only eighteen.’ ‘I don’t know,’ I say. ‘Maybe.’ It is weird. We both know it’s weird. We both know we’re weird, we’re not like other couples our age. It’s weird that we hang out every single day, it’s weird that we’d rather just be with each other all the time. Every day we wonder when we’re going to stop feeling like this and get over our teenage relationship. But it never happens. We just keep on going. Because it’s good too. God, it’s so good. ‘I’m weird too,’ I say, because saying ‘I love you more than anyone too’ back to him doesn’t feel quite adequate, even though I honestly love him more than anyone else in the entire world. Nick squeezes me and says, ‘Yeah,’ because he already knows.
”
”
Alice Oseman (Nick and Charlie)
“
But I feel more powerful than ever. And more peaceful too. I am living more truthfully than I’ve ever lived. I may not be the exact portrait of womanhood that my teenage self envisaged (sophisticated and slim; wearing black dresses and drinking martinis and meeting men at book launches and exhibition openings). I may not have all the exact things I thought I’d have at thirty. Or all the things I’ve been told I should have. But I feel content; grateful for every morning that I wake up with another day on this earth and another chance to do good and feel good and make others feel good too.
”
”
Dolly Alderton (Everything I Know About Love: A Memoir)
“
They were boys, all of them—some young, some older. Thomas didn’t know what he’d expected, but seeing those faces puzzled him. They were just teenagers.
”
”
James Dashner (The Maze Runner (Maze Runner, #1))
“
Nan, I’m cursed.”
“Yeah, I know. We all are.” Nan kicked her legs back and forth and grabbed a magazine from Mina’s nightstand. “It’s called being a teenager.
”
”
Chanda Hahn (UnEnchanted (An Unfortunate Fairy Tale, #1))
“
Do you know that feeling? When everything you do seems like a struggle. Where you dont wanna leave the house because you know everyone is judging you. Where you cant even ask for directions in fear that they critise you. Where everyone always seems to be picking out your flaws. That feeling where you feel so damn sick for no reason.
Do you know that feeling where you look in the mirror and completly hate what you see. When you grab handfuls and handfuls of fat and just want to cut it all off. That feeling when you see other beautiful girls and just wish you looked like them. When you compare yourself to everyone you meet. When you realise why no one ever showed intrest in you. That feeling where you become so self conscious you dont even turn up at school. That feeling when you feel so disappointed in who you are and everything you have become. That feeling when every bite makes you wanna be sick. When hunger is more satifying that food. The feeling of failure when you eat a meal.
Do you know that feeling when you cant run as far as your class. Fear knowing that everyone thinks of you as the"Unfit FAT BITCH" That feeling when you just wanna let it all out but you dont wanna look weak. The fear you have in class when you dont understand something but your too afraid to ask for help. The feeling of being to ashamed to stand up for yourself.
Do you know the feeling when your deepest fear becomes a reality. Fear that you will NEVER be good enough. When you feel as if you deserve all the pain you give yourself. When you finally understand why everyone hates you. FINALLY realising the harsh truth. Understanding that every cut, every burn, every bruise you have even given yourself, you deserved. In fact you deserved worse. That feeling when you believe you deserve constant and brutal pain.
Do you know what it feels like to just want to give up. When you just want all the pain to end but you want it to continue? Or am i just insane
”
”
Anonymous.
“
Along with the trust issues, one of the hardest parts to deal with is the feeling of not being believed or supported, especially by your own grandparents and extended family. When I have been through so much pain and hurt and have to live with the scars every day, I get angry knowing that others think it is all made up or they brush it off because my cousin was a teenager. I was ten when I was first sexually abused by my cousin, and a majority of my relatives have taken the perpetrator's side. I have cried many times about everything and how my relatives gave no support or love to me as a kid when this all came out. Not one relative ever came up to that innocent little girl I was and said "I am sorry for what you went through" or "I am here for you." Instead they said hurtful things: "Oh he was young." "That is what kids do." "It is not like he was some older man you didn't know." Why does age make a difference? It is a sick way of thinking. Sexual abuse is sexual abuse. What is wrong with this picture? It brings tears to my eyes the way my relatives have reacted to this and cannot accept the truth. Denial is where they would rather stay.
”
”
Erin Merryn (Living for Today: From Incest and Molestation to Fearlessness and Forgiveness)
“
Maybe, generations ago, young people rebelled out of some clear motive, but now, we know we’re rebelling. Between teen movies and sex-ed textbooks we’re so ready for our rebellious phase we can’t help but feel it’s safe, contained. It will turn out all right, despite the risk, snug in the shell of rebellion narrative. Rebellion narrative, does that make sense? It was appropriate to do, so we did it.
”
”
Daniel Handler (The Basic Eight)
“
Why did I allow the abuse to continue? Even as a teenager?
I didn’t.
Something that had been plaguing me for years now made sense. It was like the answer to a terrible secret. The thing is, it wasn’t me in my bed, it was Shirley who lay the wondering if that man was going to come to her room, pull back the cover and push his penis into her waiting mouth it was Shirley. I remembered watching her, a skinny little thing with no breasts and a dark resentful expression. She was angry. She didn’t want this man in her room doing the things he did, but she didn’t know how to stop it. He didn’t beat her, he didn’t threaten her. He just looked at her with black hypnotic eyes and she lay back with her legs apart thinking about nothing at all.
And where was I? I stood to one side, or hovered overhead just below the ceiling, or rode on a magic carpet. I held my breath and watched my father pushing up and down inside Shirley’s skinny body.
”
”
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
“
What came first, the music or the misery? Did I listen to music because I was miserable? Or was I miserable because I listened to music? Do all those records turn you into a melancholy person?
People worry about kids playing with guns, and teenagers watching violent videos; we are scared that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands - literally thousands - of songs about broken hearts and pain and misery and loss. The unhappiest people I know, romantically speaking, are the ones who like pop music the most; and I don't know whether pop music has caused this unhappiness, but I do know that they've been listening to the sad songs longer than they've been living the unhappy lives.
”
”
Nick Hornby (High Fidelity)
“
Mostly because I’ve realized what a lame teenager I was. I was always home at the stroke of midnight; I didn’t like drinking mash; I didn’t have sex. I read books and had an inferiority complex because I was afraid to do all that other stuff. I don’t know anything about being a badass punk rocker.
”
”
Karin Tidbeck
“
I’m fifteen and I feel like girl my age are under a lot of pressure that boys are not under. I know I am smart, I know I am kind and funny, and I know that everyone around me keeps telling me that I can be whatever I want to be. I know all this but I just don’t feel that way. I always feel like if I don’t look a certain way, if boys don’t think I’m ‘sexy’ or ‘hot’ then I’ve failed and it doesn’t even matter if I am a doctor or writer, I’ll still feel like nothing. I hate that I feel like that because it makes me seem shallow, but I know all of my friends feel like that, and even my little sister. I feel like successful women are only considered a success if they are successful AND hot, and I worry constantly that I won’t be. What if my boobs don’t grow, what if I don’t have the perfect body, what if my hips don’t widen and give me a little waist, if none of that happens I feel like what’s the point of doing anything because I’ll just be the ‘fat ugly girl’ regardless of whether I do become a doctor or not.
I wish people would think about what pressure they are putting on everyone, not just teenage girls, but even older people – I watch my mum tear herself apart every day because her boobs are sagging and her skin is wrinkling, she feels like she is ugly even though she is amazing, but then I feel like I can’t judge because I do the same to myself. I wish the people who had real power and control the images and messages we get fed all day actually thought about what they did for once.
I know the girls on page 3 are probably starving themselves. I know the girls in adverts are airbrushed. I know beauty is on the inside. But I still feel like I’m not good enough.
”
”
Laura Bates (Everyday Sexism)
“
I think what you mostly do when you find you really are alone is to panic. You rush to the opposite extreme and pack yourself into groups - clubs, teams, societies, types. You suddenly start dressing exactly like the others. It's a way of being invisible. The way you sew the patches on the holes in your blue jeans becomes incredibly important. If you do it wrong you're not with it. That's a peculiar phrase, you know? With it. With what? With them. With the others. All together. Safety in numbers. I'm not me. I'm a basketball letter. I'm a popular kid. I'm my friend's friend. I'm a black leather growth on a Honda. I'm a member. I'm a teenager. You can't see me, all you can see is us. We're safe. And if We see You standing alone by yourself, if you're lucky we'll ignore you. If you're not lucky, we might throw rocks. Because we don't like people standing there with the wrong kind of patches on their jeans reminding us that we're each alone and none of us is safe.
”
”
Ursula K. Le Guin (Very Far Away from Anywhere Else)
“
Fat people already are ashamed. It's taken care of. No further manpower needed on the shame front, thx. I am not concerned with whether or not fat people can change their bodies through self-discipline and "choices." Pretty much all of them have tried already. A couple of them have succeeded. Whatever. My question is, what if they try and try and try and still fail? What if they are still fat? What if they are fat forever? What do you do with them then? Do you really want millions of teenage girls to feel like they're trapped in unsightly lard prisons that are ruining their lives, and on top of that it's because of their own moral failure, and on top of that they are ruining America with the terribly expensive diabetes that they don't even have yet? You know what's shameful? A complete lack of empathy.
”
”
Lindy West (Shrill: Notes from a Loud Woman)
“
You want your daughter to become a critical consumer of the media, so use what she's watching to help her build those skills. Swing by the couch or lean over her laptop and say, "I'm all for mindless entertainment, but you know that I'm not a big fan of shows that celebrate women for being sexy and stupid." Your daughter may roll her eyes, but do it anyway. Girls can listen and roll their eyes at the same time.
”
”
Lisa Damour (Untangled: Guiding Teenage Girls Through the Seven Transitions into Adulthood)
“
I wake up the next morning, happy and full of life. I again stare at my ceiling that says, ‘Build a life worth living’ This is the first time in forever that I have felt that maybe I am building a life worth living, that I’m not just faking it. My career my twin, books, and Archer are all I’ve had for so long, which was always worth living for - but love. Love is something more. Love makes you feel wanted. Love makes life worth living, and it’s something I have never felt in this way. I have known this guy only for a little over a week. He walked right into my life and changed everything. I don’t know how that is possible, but it is.
”
”
Emma Thomas (Live for Me)
“
There's a girl calm people don't know about. It's a girl teen standstill. A motionless peace. It doesn't come from anywhere but inside us, and it only lasts for a few years. It's born from being a not woman yet. It's free flowing and invisible. It's the eye of the violent storm you call my teenage daughter. In this place we are undisturbed by all the moronic things you think about us. Our voices like rain falling. We are serene. Smooth. With more perfect hair and skin than you will ever again know. Daughters of Eve.
”
”
Lidia Yuknavitch (Dora: A Headcase)
“
Truth disappears with history and gossip tells us in the end nothing of personal relationships. There are stories of elopements, unrequited love, family feuds, and exhausting vendettas, which everyone was drawn into, had to be involved with. But nothing is said of the closeness between two people: how they grew in the shade of each other's presence. No one speaks of that exchange of gift and character - the way a person took on and recognized in himself he smile of a lover. Individuals are seen only in the context of these swirling social tides. It was almost impossible for a couple to do anything without rumour leaving their shoulders like a flock of messenger pigeons.
Where is the intimate and truthful in all this? Teenager and Uncle. Husband and lover. A lost father in his solace. And why do I want to know of this privacy? After the cups of tea, coffee, public conversations...I want to sit down with someone and talk with utter directness, want to talk to all the lost history like that deserving lover.
”
”
Michael Ondaatje (Running in the Family)
“
I don’t think I like that boy.” He growled, glaring for effect, just in case I hadn’t figured out his oh-so-subtle interpersonal cues.
“He’s a sweet kid,” I insisted, folding the gray blazer over my arm.
“He’s a teenage boy,” Cal said, his dark eyes narrowed. “They’re all sexual deviants under the surface. I should know. I was a teenage boy once.”
“Thousands of years ago,” I countered.
“Times may change, but testosterone does not.
”
”
Molly Harper (The Care and Feeding of Stray Vampires (Half-Moon Hollow, #1))
“
In that second, I think about running through that door and going with him. But I know that it’s not the road I’m meant for.
Because we’re both still incapable of love. We’re both not ready yet.
And I know that I’ll miss him. And some nights, I’ll cry in my sleep.
But for now, I’m okay. And that’s all that matters.
The void in my heart has finally been filled.
And as the train moves farther and farther from me on the platform, I can only smile.
”
”
L. Jayne (Chasing After Infinity)
“
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was.
But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information.
"You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old."
I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty.
The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever.
Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
”
”
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
“
At least I’ve got football .
It’s been my life since I was seven, but sometimes Henry says I need to spend less time focusing and start “living life like I’m going to hell tomorrow.”
But I feel like a normal teenager. Wel , as normal as I can be. I mean, obviously I think Justin Timberlake is a mega-hunk, but I’m also over six feet tal and can launch a footbal fifty yards.
Other ways I’m not normal?
A girl who hangs with an entire football team must hook up all the time, right?
Nope.
I’ve never had a boyfriend. Hell , I’ve never even kissed a guy. The closest I’ve ever come to a kiss happened just this past summer, but it was a joke. At a party, one of those cheerleaders suggested we all play a game of seven minutes in heaven, you know, the game where you go into a closet and kiss? Somehow Henry and I got sent into the closet together, and of course we didn’t kiss, but we ended up in a mad thumb-wrestling match. Which turned into a shoving match. Which turned into everyone thinking we’d hooked up in the closet. Yeah, right. He’s like my brother.
”
”
Miranda Kenneally (Catching Jordan (Hundred Oaks, #1))
“
Never having experienced inequality, therefore, the majority of straight white men will be absolutely oblivious to their own advantages – not because they must necessarily be insensitive, sexist, racist, homophobic or unaware of the principles of equality; but because they have been told, over and over again, that there is no inequality left for them – or anyone else – to experience – and everything they have experienced up to that point will only have proved them right.
Let the impact of that sink in for a moment.
By teaching children and teenagers that equality already exists, we are actively blinding the group that most benefits from inequality – straight white men – to the prospect that it doesn’t. Privilege to them feels indistinguishable from equality, because they’ve been raised to believe that this is how the world behaves for everyone. And because the majority of our popular culture is straight-white-male-dominated, stories that should be windows into empathy for other, less privileged experiences have instead become mirrors, reflecting back at them the one thing they already know: that their lives both are important and free from discrimination.
And this hurts men. It hurts them by making them unconsciously perpetrate biases they’ve been actively taught to despise. It hurts them by making them complicit in the distress of others. It hurts them by shoehorning them into a restrictive definition masculinity from which any and all deviation is harshly punished. It hurts them by saying they will always be inferior parents and caregivers, that they must always be active and aggressive even when they long for passivity and quietude, that they must enjoy certain things like sports and beer and cars or else be deemed morally suspect. It hurts them through a process of indoctrination so subtle and pervasive that they never even knew it was happening , and when you’ve been raised to hate inequality, discovering that you’ve actually been its primary beneficiary is horrifying – like learning that the family fortune comes from blood money.
Blog post 4/12/2012: Why Teaching Equality Hurts Men
”
”
Foz Meadows
“
Kit, you know the key to relating to your parents now? It’s mercy. Children, when they become teenagers and then young adults, grow unforgiving. Anything but perfection is pathos. Children are judgmental on an Old Testament level. All errors are unforgivable, as if a contract of perfection has been broken. But what if one’s parents are granted the same mercy, the same empathy as other humans? Children need more Jesus in them.
”
”
Dave Eggers (A Hologram for the King)
“
In one way, at least, our lives really are like movies. The main cast consists of your family and friends. The supporting cast is made up of neighbors, co-workers, teachers, and daily acquaintances. There are also bit players: the supermarket checkout girl with the pretty smile, the friendly bartender at the local watering hole, the guys you work out with at the gym three days a week. And there are thousands of extras --those people who flow through every life like water through a sieve, seen once and never again. The teenager browsing a graphic novel at Barnes & Noble, the one you had to slip past (murmuring "Excuse me") in order to get to the magazines. The woman in the next lane at a stoplight, taking a moment to freshen her lipstick. The mother wiping ice cream off her toddler's face in a roadside restaurant where you stopped for a quick bite. The vendor who sold you a bag of peanuts at a baseball game. But sometimes a person who fits none of these categories comes into your life. This is the joker who pops out of the deck at odd intervals over the years, often during a moment of crisis. In the movies this sort of character is known as the fifth business, or the chase agent. When he turns up in a film, you know he's there because the screenwriter put him there. But who is screenwriting our lives? Fate or coincidence? I want to believe it's the latter. I want that with all my heart and soul.
”
”
Stephen King (Revival)
“
All Julie has to do is explain to her friends that she's using it to individually seal each item that she throws out."
"Then they'd think she was a geek," I said.
"She will thank me later," Monk said.
"Why would she thank you for being considered a geek?"
"Don't you know anything about teenage life?" Monk said. "It's a badge of respect."
"It is?"
"I was one," he said.
"You don't say."
"A very special one. I was crowned King of the Geeks, not once, but every single year of high school," Monk said. "It's a record that remains unbroken in my school to this day."
"Were there a lot of students who wanted to be King of the Geeks?"
"It's like being homecoming king, only better. You don't have to go to any dances," Monk said. "You aren't even invited.
”
”
Lee Goldberg (Mr. Monk and the Dirty Cop (Mr. Monk, #8))
“
Everyone always knows what they're doing," he says abruptly, still not looking up from his hands, the little plastic pot and the old tattoo and the new white dressing on his left wrist. "You know what you're doing, you got your work and your friends and everything and miserable headfucky little teenage girly boys think you're amazing and, I don't know, you might've saved my life, who knows? I might be dead if it weren't for you and Olly but people can't keep looking after me all the time cos that ain't healthy neither, that's just as bad as people not giving a fuck at all. And, like... I'm trying to sort my head out and be a proper grown-up and get my degree and go to work and look after them kids and make sure my dad ain't kicking my sister round the house like a football but it's just so hard all the time, and I know I ain't got no right to complain cos that's just life, ain't it? Everyone's the same, least I ain't got money worries or nothing. I just don't know what I'm doing, everything's too hard. I can try and try forever but I can't be good enough for no one so what the fuck's the point?
”
”
Richard Rider (17 Black and 29 Red (Stockholm Syndrome, #2))
“
The worst part is, you know they're not going to be together forever. I mean, come on, she's fifteen. Okay, sixteen. Still. It's not like they're going to get married or anything. Even if they last a couple of years which they won't she'll go to one college and he'll go to another, and pretty soon they'll forget all about each other. That's what always happens. That's why teenage dating is so dumb, because it's doomed to fail. You'd think people would have learned that by now, but I guess they haven't. They go right on falling in love and thinking it's going to survive high school. Allie and Burke, true love always. Whatever.
Anyway, happy birthday, Allie. I hope it was a good one.
”
”
Michael Thomas Ford (Suicide Notes)
“
Isn’t it strange that
in order to be happy
we have to ignore
all the sadness in the world
at that moment? That we
have to forget the ballooned
bellies of children that are dark
and empty inside. That not too far
from our homes, women sleep on
cardboard and are grateful for the
bitter wind because at least it’s not
rain. That there are teenagers
taught to avoid eye contact
so their fingers are quicker on the trigger
but whose nightmares eventually compel them
to pull the trigger on themselves. That there
are battered dogs with skin taut like a drum,
ribs jutting out, their eyes so beautiful
it makes all the men cry.
Isn’t it strange that in order to be happy
we have to unremember a lot of
what we already know?
Yet,
I still don’t believe that sadness is our
natural disposition. Because there is
so much to be done. So many to help.
Maybe we aren’t meant to be happy
in spite of all the sadness.
Maybe,
it is a call for us to help others
overcome it.
”
”
Kamand Kojouri
“
You'll have to forgive me," Dad said. His mouth was moving very little, a sign that he was tense. "I'm not...familiar with...the protocol. For boys like you. But I..."
I felt my face turning red. No, no, no. Quit while you're ahead, Dad. Please.
"I'm sure you have...urges," Dad went on. "All teenage boys have...urges. I don't know whether you've...tried anything--"
I said please!
"Just as long as you're safe. That's very important. You still have to be safe, even if you're both boys. I don't know what really...um, entails. You know. How you...do things. I could look it up for you--"
I clapped my hand over Dad's mouth. I took him by his arm, my face burning, and dragged him back to the field.
”
”
Rose Christo (Looks Over (Gives Light, #2))
“
Honey, I appreciate that so much, I really do, but it’s not just transferring that I’m worrying about. I’m worried about his mind-set. When he gets to UVA, he needs to be focused. He’s going there to be a student athlete. He can’t be driving down to North Carolina every weekend. It just isn’t practical. You’re both so young. Peter’s already making big life decisions based on you, and who even knows what’s going to happen with you two in the future. You’re teenagers. Life doesn’t always work out the way you think it’s going to work out. . . . I don’t know if Peter ever told you this, but Peter’s dad and I got married very young. And I’d—I’d just hate to see you two make the same mistakes we did.” She hesitates. “Lara Jean, I know my son, and he’s not going to let you go unless you let him go first.” I
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
When I was 15, I sat in despair one day in a creaky old bus that was winding its way through central Mexico (that’s another story), trying to decide if I truly believed in God. Not necessarily God with a big white beard looking down from a Biblical heaven, but some kind of sacred spirit above, beneath, and within all things. I’d always had a deep, instinctive faith (even as a small child) in a sacred dimension to life, a Mystery I didn’t need to fully define in order to know it, feel it, experience it. But recent grueling events had shaken my faith and closed that connection.
Now, I realize that sitting and railing at God is practically a cliche of teenage angst; that doesn’t make the experience any less urgent at age 15, and I was in a dark place. “Okay,” I said, throwing the gauntlet down to whatever out there might be listening, “if there is something more than this, then prove it. Just prove it. Or I quit.” The bus turned a corner on the narrow, dusty road, and a gasp went up from the people around me. Above us, a rainbow arched through a bright blue, cloudless, rainless desert sky.
Rainbows have been special to me ever since. I know the scientific explanation, of course, water and air and angles of sunlight and all that. But to me, they are always a message. They say: “The universe is a Mystery and you’re part of it.” And sometimes that’s all I need to hear; that’s all the answer I need, no matter what the prayer.
”
”
Terri Windling
“
I have always been told that a person has to accept that the illness is chronic," she says, at the end of our interview. "You can be 'in recovery,' but you can never be 'recovered.' But I don't want to be on disability forever, and I have started to question whether depression is really a chemical thing. What are the origins of my despair? How can I really help myself? I want to honor the other parts of me, other than the sick part that I'm always thinking about. I think that depression is like a weed that I have been watering, and I want to pull up that weed, and I am starting to look to people for solutions. I really don't know what the drugs did for me all these years, but I do know that I am disappointed in how things have turned out."
Such is Melissa Sances's story. Today it is a fairly common one. A distressed teenager is diagnosed with depression and put on an antidepressant, and years later he or she is still struggling with the condition. But if we return to the 1950s, we will discover that the depression rarely struck someone as young as Melissa, and it rarely turned into the chronic suffering that she has experienced. Her course of illness is, for the most part, unique to our times.
”
”
Robert Whitaker (Anatomy of an Epidemic: Magic Bullets, Psychiatric Drugs, and the Astonishing Rise of Mental Illness in America)
“
We never talked about the future. We never talked about what would happen when we got out of Rancho Linda. I don't know if that's being a teenager, or being a teenager in a place like Rancho Linda, but you lived only for the day, or only for the moment. It was all about getting through whatever was happening right now. You didn't worry too much about what was coming later, because right now was all you could deal with.
It was like you were in a river, caught in the current, and you were going whatever way it took you. You knew you had no control over your own destiny-- so you didn't dream, and you didn't plan. There was no reason to plan. You knew you had to survive what you were going through, and the way to make it survivable was to try to have fun.
”
”
Howard Dully (My Lobotomy: A Memoir)
“
Vampires used to be the Dracula types, but in the last ten years most of them have become weak, brooding androgynes that only go after teenagers. A friend of mine took the opportunity to rid his whole city of them after the forth Mormon Vamps book hit and the sparkle meme was at its strongest."
"So does that make Ms. Mormon Sparkle Vamp a hero?"
"Of a sort. Before they started to sparkle, there were a lot of vamps who were tortured antiheroes, thanks to Rice and Whedon."
Ree grimaced. "Do you know if she was clued in?"
Eastwood shrugged. "She's very secretive, no one in the Underground has been able to say for sure. It's all rumor. My guess is she lost someone to a vampire and decided the greatest revenge she could inflict was to turn them into a laughing stock.
”
”
Michael R. Underwood (Geekomancy (Ree Reyes, #1))
“
Teenager
Me—a teenager?
If she suddenly stood, here, now, before me,
would I need to treat her as near and dear,
although she's strange to me, and distant?
Shed a tear, kiss her brow
for the simple reason
that we share a birthdate?
So many dissimilarities between us
that only the bones are likely still the same,
the cranial vault, the eye sockets.
Since her eyes seem a little larger,
her eyelashes are longer, she's taller,
and the whole body is tightly sheathed
in smooth, unblemished skin.
Relatives and friends still link us, it is true,
but in her world nearly all are living,
while in mine almost no one survives
from that shared circle.
We differ so profoundly,
talk and think about completely different things.
She knows next to nothing—
but with a doggedness deserving better causes.
I know much more—
but not for sure.
She shows me poems,
written in a clear and careful script
I haven't used for years.
I read the poems, read them.
Well, maybe that one
if it were shorter
and touched up in a couple of places.
The rest do not bode well.
The conversation stumbles.
On her pathetic watch
time is still cheap and unsteady.
On mine it's far more precious and precise.
Nothing in parting, a fixed smile
and no emotion.
Only when she vanishes,
leaving her scarf in her haste.
A scarf of genuine wool,
in colored stripes
crocheted for her
by our mother.
I've still got it.
”
”
Wisława Szymborska (Here)
“
All those posters and PSAs and health class presentations on body image and the way you can burst blood vessels in your face and rupture your esophagus if you can’t stop ramming those sno balls down your throat every night, knowing they’ll have to come back up again, you sad weak girl.
Because of all this, Coach surely can’t tell a girl, a sensitive, body-conscious teenage girl, to get rid of the tender little tuck around her waist, can she?
She can.
Coach can say anything.
And there’s Emily, keening over the toilet bowl after practice, begging me to kick her in the gut so she can expel the rest, all that cookie dough and cool ranch, the smell making me roil. Emily, a girl made entirely of donut sticks, cheese powder, and haribo.
I kick, I do.
She would do the same for me.
”
”
Megan Abbott (Dare Me)
“
Although no one will ever accuse me of being much of a science student, one thing I learned from science classes is that energy is never created and never destroyed. And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself—those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable, because we are as indestructible as we believe ourselves to be. When adults say, "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes and manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.
”
”
John Green (Looking for Alaska)
“
I wish they'd conduct a national poll to find out who feels out of place and who doesn't. Just to get the numbers, you know? To get a feel for how many of us there are. Sometimes at work I get the feeling that it's got to be right up against 100%. I’ll head out to the register to help out during the lunch rush and the new cashier will look so confused and lost, and then I’ll look at the customers she’s supposed to be helping, and they’ll look lost, too, and then when I sneak a glance toward the tables there’ll be all these people staring at their food or at each other with blank looks in their eyes. And I’ll think: Is this just me? Is everybody else actually fine, and I’m just trying to imagine that they’re like me? But I don’t think so. I’ve thought about this a lot, and I’m pretty sure that some ridiculous percentage of the population is walking around feeling like aliens.
I think teenagers feel that all the time...
”
”
John Darnielle
“
[In reference to vaginas] Someone saying you're "too loose"? Maybe that person's previous experience has been with women who weren't aroused (which, in the case of young adults, ins't that unusual)...Since many people think that penetration is supposed to be painful at first, a lot of them don't know how to wait for full arousal or make penetration comfortable. So, if a partner is saying you're "too loose," either they're simply experiencing a relaxed, aroused partner for the first time, or they're blowing smoke - either because they think it's the thing to say, or they were expecting to feel trapped in a vise, which is not how penetration should feel for either partner.
”
”
Heather Corinna (S.E.X.: The All-You-Need-To-Know Progressive Sexuality Guide to Get You Through High School and College)
“
President Obama came on the scene right as so many people in my community began to believe that the modern American meritocracy was not built for them. We know we’re not doing well. We see it every day: in the obituaries for teenage kids that conspicuously omit the cause of death (reading between the lines: overdose), in the deadbeats we watch our daughters waste their time with. Barack Obama strikes at the heart of our deepest insecurities. He is a good father while many of us aren’t. He wears suits to his job while we wear overalls, if we’re lucky enough to have a job at all. His wife tells us that we shouldn’t be feeding our children certain foods, and we hate her for it—not because we think she’s wrong but because we know she’s right. Many
”
”
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
“
The girl's arms jutted out at awkward angles, not quite hands on the hips belligerent but not relaxed either, as if they weren't all the way under the girl's control. "I came to find you."
"I didn't know. If I'd known..."
"It doesn't matter now." The girl's attention was unwavering. "This is where you are."
"It is at that."
The girl looked sad. Her soil-dark eyes were clouded over by tears she hadn't been able to shed. "I came here to find you."
"I couldn't have known." Maylene reached out and plucked a leaf from the girl's hair.
"Doesn't matter." She lifted a dirty hand, fingernails flashing chipped red polish, but she didn't seem to know what to do with her outstretched fingers. Little girl fears warred with teenage bravado. Bravado won. "I'm here now."
"All right, then." Maylene walked down the path toward one of the gates. She pulled the key from her handbag, twisted it in the lock, and pushed open the gate.
”
”
Melissa Marr (Graveminder (Graveminder, #1))
“
Hey, there, Kizuki, I thought. Unlike you, I've chosen to live - and to live the best I know how. Sure, it was hard for you. What the hell, it's hard for me. Really hard. And all because you killed yourself and left Naoko behind. But that's something I will never do. I will never, ever, turn my back on her. First of all, because I love her, and because I'm stronger than she is. And I'm just going to keep on getting stronger. I'm going to mature. I'm going to be an adult. Because that's what I have to do. I always used to think I'd like to stay 17 or 18 if I could. But not any more. I'm not a teenager any more. I've got a sense of responsibility now. I' m not the same person I was when we used to hang out together. I'm 20 now. And I have to pay the price to go on living.
”
”
Haruki Murakami
“
I think we should kill her…What? She’s ruined my entire day. Made me fight with my wife and now you tell me she’s a spy sent to put us all under the jail. What part of ‘kill your enemies before they kill you’ did you sleep through? Your dad was an assassin, same as my mom. Don’t puss on me now, boy. You know what they’d do if they were here. Hell, your own mother would tear her up, spit her out in pieces, and not blink. (Sway)
He’s right. None of you have any reason to help me. Why should you care? (She clicked the vid wall and a picture of a teenage girl was there.) That’s my baby sister, Tempest Elanari Gerran. Her birthday was day before yesterday. She turned sixteen in jail with my mother. I may be out of line, but I’ll bet when you guys turned sixteen, you had a celebration for it with presents and friends wishing you well. You won’t just be killing me. You’ll be killing them, too. Tempest is a prime sexual age and a virgin. Any idea what’s the first thing her new owner will do to her when she’s sold? I don’t want her to ever know the horror that was my sixteenth birthday. (Alix)
”
”
Sherrilyn Kenyon (Born of Ice (The League: Nemesis Rising, #3; The League: Nemesis Legacy, #2))
“
Reasons Why I Loved Being With Jen
I love what a good friend you are. You’re really engaged with the lives of the people you love. You organize lovely experiences for them. You make an effort with them, you’re patient with them, even when they’re sidetracked by their children and can’t prioritize you in the way you prioritize them.
You’ve got a generous heart and it extends to people you’ve never even met, whereas I think that everyone is out to get me. I used to say you were naive, but really I was jealous that you always thought the best of people.
You are a bit too anxious about being seen to be a good person and you definitely go a bit overboard with your left-wing politics to prove a point to everyone. But I know you really do care. I know you’d sign petitions and help people in need and volunteer at the homeless shelter at Christmas even if no one knew about it. And that’s more than can be said for a lot of us.
I love how quickly you read books and how absorbed you get in a good story. I love watching you lie on the sofa reading one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other galaxy.
I love that you’re always trying to improve yourself. Whether it’s running marathons or setting yourself challenges on an app to learn French or the fact you go to therapy every week. You work hard to become a better version of yourself. I think I probably didn’t make my admiration for this known and instead it came off as irritation, which I don’t really feel at all.
I love how dedicated you are to your family, even when they’re annoying you. Your loyalty to them wound me up sometimes, but it’s only because I wish I came from a big family.
I love that you always know what to say in conversation. You ask the right questions and you know exactly when to talk and when to listen. Everyone loves talking to you because you make everyone feel important.
I love your style. I know you think I probably never noticed what you were wearing or how you did your hair, but I loved seeing how you get ready, sitting in front of the full-length mirror in our bedroom while you did your make-up, even though there was a mirror on the dressing table.
I love that you’re mad enough to swim in the English sea in November and that you’d pick up spiders in the bath with your bare hands. You’re brave in a way that I’m not.
I love how free you are. You’re a very free person, and I never gave you the satisfaction of saying it, which I should have done. No one knows it about you because of your boring, high-pressure job and your stuffy upbringing, but I know what an adventurer you are underneath all that.
I love that you got drunk at Jackson’s christening and you always wanted to have one more drink at the pub and you never complained about getting up early to go to work with a hangover. Other than Avi, you are the person I’ve had the most fun with in my life.
And even though I gave you a hard time for always trying to for always trying to impress your dad, I actually found it very adorable because it made me see the child in you and the teenager in you, and if I could time-travel to anywhere in history, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beautiful and clever and funny you are. That you are spectacular even without all your sports trophies and music certificates and incredible grades and Oxford acceptance.
I’m sorry that I loved you so much more than I liked myself, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of myself, either. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental.
I love you. I always will. I'm glad we met.
”
”
Dolly Alderton (Good Material)
“
I watched the light flicker on the limestone walls until Archer said, "I wish we could go to the movies."
I stared at him. "We're in a creepy dungeon. There's a chance I might die in the next few hours. You are going to die in the next few hours. And if you had one wish, it would be to catch a movie?"
He shook his head. "That's not what I meant. I wish we weren't like this. You know, demon, demon-hunter. I wish I'd met you in a normal high school, and taken you on normal dates, and like, carried your books or something." Glancing over at me, he squinted and asked, "Is that a thing humans actually do?"
"Not outside of 1950s TV shows," I told him, reaching up to touch his hair. He wrapped an arm around me and leaned against the wall, pulling me to his chest. I drew my legs up under me and rested my cheek on his collarbone. "So instead of stomping around forests hunting ghouls, you want to go to the movies and school dances."
"Well,maybe we could go on the occasional ghoul hunt," he allowed before pressing a kiss to my temple. "Keep things interesting."
I closed my eyes. "What else would we do if we were regular teenagers?"
"Hmm...let's see.Well,first of all, I'd need to get some kind of job so I could afford to take you on these completely normal dates. Maybe I could stock groceries somewhere."
The image of Archer in a blue apron, putting boxes of Nilla Wafers on a shelf at Walmart was too bizarre to even contemplate, but I went along with it. "We could argue in front of our lockers all dramatically," I said. "That's something I saw a lot at human high schools."
He squeezed me in a quick hug. "Yes! Now that sounds like a good time. And then I could come to your house in the middle of the night and play music really loudly under your window until you took me back."
I chuckled. "You watch too many movies. Ooh, we could be lab partners!"
"Isn't that kind of what we were in Defense?"
"Yeah,but in a normal high school, there would be more science, less kicking each other in the face."
"Nice."
We spent the next few minutes spinning out scenarios like this, including all the sports in which Archer's L'Occhio di Dio skills would come in handy, and starring in school plays.By the time we were done, I was laughing, and I realized that, for just a little while, I'd managed to forget what a huge freaking mess we were in.
Which had probably been the point.
Once our laughter died away, the dread started seeping back in. Still, I tried to joke when I said, "You know, if I do live through this, I'm gonna be covered in funky tattoos like the Vandy. You sure you want to date the Illustrated Woman, even if it's just for a little while?"
He caught my chin and raised my eyes to his. "Trust me," he said softly, "you could have a giant tiger tattooed on your face, and I'd still want to be with you."
"Okay,seriously,enough with the swoony talk," I told him, leaning in closer. "I like snarky, mean Archer."
He grinned. "In that case, shut up, Mercer.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Oh, by the way," Coop announces as he weaves his DeathBot ship through a barrage of space debris on his laptop screen. "In case you didn't know. It's national 'That's What She Said' Day."
I give him a thumbs-up. "I like it."
We're camping out in Sean's backyard tonight. It's another one of our traditions. One night, every summer, we buy a ton of junk food and energy drinks and set up Sean's six-person tent in the far corner of his yard.
We've got an extension cord running from the garage so that we can rough it in style, with computers and a TV and DVD player. There's a citronella candle burning in the middle of the tent to ward off mosquitoes and to mask the thick stink of mildew. Everyone's brought sleeping bags and pillows, but we aren't planning on logging too many Zs.
Sean enters the tent carrying his Xbox. "I don't think there are enough sockets for all of these."
I waggle my eyebrows at Coop. "That's what she said."
Coop busts up.
Sean stands there, looking confused. "I don't get it."
"That's what she says," Coop says, sending him and me into hysterics.
Sean sighs and puts the Xbox down. "I can see this is going to be a long night."
"That's what she said," me and Coop howl in chorus.
"Are you guys done yet?"
Coop is practically in tears. "That's what she said."
"Okay. I'll just keep my mouth shut," Sean grumbles.
"That's what she said." I can barely talk I'm laughing so hard.
"Enough. No more. My cheeks hurt," Coop says, rubbing his face.
I point at him. "That's what she said."
And with that, the three of us fall over in fits.
"Oh, man, now look what you made me do."
Coop motions to his computer. "That was my last DeathBot ship."
"That's what she said," Sean blurts out, laughing at his nonsensical joke.
Coop and I stare at him, and then silmultaniously, we hit Sean in the face with our pillows.
”
”
Don Calame (Swim the Fly (Swim the Fly, #1))
“
He cannot do anything deliberate now. The strain of his whole weight on his outstretched arms hurts too much. The pain fills him up, displaces thought, as much for him as it has for everyone else who has ever been stuck to one of these horrible contrivances, or for anyone else who dies in pain from any of the world’s grim arsenal of possibilities. And yet he goes on taking in. It is not what he does, it is what he is. He is all open door: to sorrow, suffering, guilt, despair, horror, everything that cannot be escaped, and he does not even try to escape it, he turns to meet it, and claims it all as his own. This is mine now, he is saying; and he embraces it with all that is left in him, each dark act, each dripping memory, as if it were something precious, as if it were itself the loved child tottering homeward on the road. But there is so much of it. So many injured children; so many locked rooms; so much lonely anger; so many bombs in public places; so much vicious zeal; so many bored teenagers at roadblocks; so many drunk girls at parties someone thought they could have a little fun with; so many jokes that go too far; so much ruining greed; so much sick ingenuity; so much burned skin. The world he claims, claims him. It burns and stings, it splinters and gouges, it locks him round and drags him down…
All day long, the next day, the city is quiet. The air above the city lacks the usual thousand little trails of smoke from cookfires. Hymns rise from the temple. Families are indoors. The soldiers are back in barracks. The Chief Priest grows hoarse with singing. The governor plays chess with his secretary and dictates letters. The free bread the temple distributed to the poor has gone stale by midday, but tastes all right dipped in water or broth. Death has interrupted life only as much as it ever does. We die one at a time and disappear, but the life of the living continues. The earth turns. The sun makes its way towards the western horizon no slower or faster than it usually does.
Early Sunday morning, one of the friends comes back with rags and a jug of water and a box of the grave spices that are supposed to cut down on the smell. She’s braced for the task. But when she comes to the grave she finds that the linen’s been thrown into the corner and the body is gone. Evidently anonymous burial isn’t quite anonymous enough, after all. She sits outside in the sun. The insects have woken up, here at the edge of the desert, and a bee is nosing about in a lily like silk thinly tucked over itself, but much more perishable. It won’t last long. She takes no notice of the feet that appear at the edge of her vision. That’s enough now, she thinks. That’s more than enough.
Don’t be afraid, says Yeshua. Far more can be mended than you know.
She is weeping. The executee helps her to stand up.
”
”
Francis Spufford (Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense)
“
People complain about the obscurity of poetry, especially if they're assigned to write about it, but actually poetry is rather straightforward compared to ordinary conversation with people you don't know well which tends to be jumpy repartee, crooked, coded, allusive to no effect, firmly repressed, locked up in irony, steadfastly refusing to share genuine experience--think of conversation at office parties or conversation between teenage children and parents, or between teenagers themselves, or between men, or between bitter spouces: rarely in ordinary conversation do people speak from the heart and mean what they say. How often in the past week did anyone offer you something from the heart? It's there in poetry. Forget everything you ever read about poetry, it doesn't matter--poetry is the last preserve of honest speech and the outspoken heart. All that I wrote about it as a grad student I hereby recant and abjure--all that matters about poetry to me is directness and clarity and truthfulness. All that is twittery and lit'ry: no thanks, pal. A person could perish of entertainment, especially comedy, so much of it casually nihilistic, hateful, glittering, cold, and in the end clueless. People in nusing homes die watching late-night television and if I were one of them, I'd be grateful when the darkness descends. Thank God if the pastor comes and offers a psalm and a prayer, and they can attain a glimmer of clarity at the end.
”
”
Garrison Keillor
“
In the United States, a four-year-old American kid isn’t obliged to greet me when he walks into my house. He gets to skulk in under the umbrella of his parents’ greeting. And in an American context, that’s supposed to be fine with me. I don’t need the child’s acknowledgment because I don’t quite count him as a full person; he’s in a separate kids’ realm. I might hear all about how gifted he is, but he never actually speaks to me. When I’m at a family luncheon back in the United States, I’m struck that the cousins and stepcousins at the table, who range in age from five to fourteen, don’t say anything at all to me unless I pry it out of them. Some can only muster one-word responses to my questions. Even the teenagers aren’t used to expressing themselves with confidence to a grown-up they don’t know well. Part of what the French obsession with bonjour reveals is that, in France, kids don’t get to have this shadowy presence. The child greets, therefore he is. Just as any adult who walks into my house has to acknowledge me, any child who walks in must acknowledge me, too. “Greeting is essentially recognizing someone as a person,” says Benoît, the professor. “People feel injured if they’re not greeted by children that way.
”
”
Pamela Druckerman (Bringing Up Bébé: One American Mother Discovers the Wisdom of French Parenting)
“
New Rule: You don't have to teach both sides of a debate if one side is a load of crap. President Bush recently suggested that public schools should teach "intelligent design" alongside the theory of evolution, because after all, evolution is "just a theory." Then the president renewed his vow to "drive the terrorists straight over the edge of the earth."
Here's what I don't get: President Bush is a brilliant scientist. He's the man who proved you could mix two parts booze with one part cocaine and still fly a jet fighter. And yet he just can't seem to accept that we descended from apes. It seems pathetic to be so insecure about your biological superiority to a group of feces-flinging, rouge-buttocked monkeys that you have to make up fairy tales like "We came from Adam and Eve," and then cover stories for Adam and Eve, like intelligent design! Yeah, leaving the earth in the hands of two naked teenagers, that's a real intelligent design.
I'm sorry, folks, but it may very well be that life is just a series of random events, and that there is no master plan--but enough about Iraq.
There aren't necessarily two sides to every issue. If there were, the Republicans would have an opposition party. And an opposition party would point out that even though there's a debate in schools and government about this, there is no debate among scientists. Evolution is supported by the entire scientific community. Intelligent design is supported by the guys on line to see The Dukes of Hazzard.
And the reason there is no real debate is that intelligent design isn't real science. It's the equivalent of saying that the Thermos keeps hot things hot and cold things cold because it's a god. It's so willfully ignorant you might as well worship the U.S. mail. "It came again! Praise Jesus!"
Stupidity isn't a form of knowing things. Thunder is high-pressure air meeting low-pressure air--it's not God bowling. "Babies come from storks" is not a competing school of throught in medical school.
We shouldn't teach both. The media shouldn't equate both. If Thomas Jefferson knew we were blurring the line this much between Church and State, he would turn over in his slave.
As for me, I believe in evolution and intelligent design. I think God designed us in his image, but I also think God is a monkey.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
I like literature," I said. "We started watching the film version of Romeo and Juliet today."
I didn't tell them this, but the love story fascinated me. The way the lovers fell so deeply and irrevocably in love after their first meeting sparked a burning curiosity in me about what human love might feel like.
"How are you finding that?" Ivy asked.
"It's very powerful, but the teacher got really mad when one of the boys said something about Lady Capulet."
"What did he say?"
"He called her a MILF, which must be offensive because Miss Castle called him a thug and sent him out of the room. Gabe, what is a MILF?"
Ivy smothered her smile behind a napkin while Gabriel did something I'd never seen before. He blushed and shifted uncomfortably in his chair.
"Some acronym for a teenage obscnity, I imagine," he mumbled.
"Yes, but do you know what it means?"
He paused, trying to find the right words.
"It's a term used by adolescent males to describe a woman who is both attractive and a mother." He cleared his throat and got up quickly to refill the water jug.
"I'm sure it must stand for something," I pressed.
"It does," Gabriel said. "Ivy, can you remeber what it is?"
"I believe it stands for 'mother I'd like to...befriend'," said my sister.
"Is that all?" I exclaimed. "What a fuss over nothing. I really think Miss Castle needs to chill.
”
”
Alexandra Adornetto
“
I thought at first that she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something’s meal. What was her—green eyes, half a smirk, the soft curves of her legs—would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would heat their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere. I still think that, sometimes, think that maybe ‘the afterlife’ is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable.
Maybe she was just matter, and matter gets recycled. But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska’s genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirely. There is a part of her greater than the sum of her knowable parts. And that part has to go somewhere, because it cannot be destroyed.
Although no one will ever accuse me of being much of a science student, one thing I learned from science classes is that energy is never created and never destroyed. And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself—those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable, because we are as indestructible as we believe ourselves to be. When adults say, ‘Teenagers think they are invincible’ with that sly, stupid smile on their faces, they don’t know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes and manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.
”
”
John Green (Looking for Alaska)
“
I believe now that we are greater than the sum of our parts. If you take Alaska's genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirely. There is a part of her greater than the sum of her knowable parts. And that part has to go somewhere, because it cannot be destroyed.
Although no one will ever accuse me of being much of a science student, one thing I learned from science classes is that energy is never created and never destroyed. And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself-those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable, because we are as indestructible as we believe ourselves to be. When adults say, "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes and manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.
”
”
John Green (Looking for Alaska)
“
I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.
”
”
Ali Hazelwood (Love on the Brain)
“
Here's what I want you to learn from this: Never let someone answer a question for you. Jump in with anything at all to make sure hat you're the one talking. Say, 'That's an interesting question', or 'I'm glad you asked that question,' or 'Oh goody, my favorite subject.' Say anything that will guarantee that you're in the conversation about yourself and not out of it like a teenager standing next to her mother at a cocktail party.
You must tell your own story, never let someone, even someone as familiar to you as your sister-in-law think she knows you better than you know yourself. She only sees what you do, she doesn't' see who you are inside. If I regret anything when I look back, it's how often I allowed people to think what they wanted to thing. I should've stopped them sort. I should've laughed at their assumptions. I should've hooted with laughter, 'Hoo hoo hoo,' and followed with twinkling, mischievous smile just to throw them off, just to keep them guessing,
The problem is they watch what you do, who you love, how you cook, what you read and what you don't read, and they decide what it means, and sometimes you're not there to stop them, or you get the timing wrong. I've always wondered why people look so much to action for meaning. When people tell you a story, something that happened to them, something important, don't ask them what they did , ask them what they wanted to do, what they want to do is who they are. Actions are whispers compared to dreams.
”
”
Alison Jean Lester (Lillian on Life)
“
Across from me at the kitchen table, my mother smiles over red wine that she drinks out of a measuring glass.
She says she doesn’t deprive herself,
but I’ve learned to find nuance in every movement of her fork.
In every crinkle in her brow as she offers me the uneaten pieces on her plate.
I’ve realized she only eats dinner when I suggest it.
I wonder what she does when I’m not there to do so.
Maybe this is why my house feels bigger each time I return; it’s proportional.
As she shrinks the space around her seems increasingly vast.
She wanes while my father waxes. His stomach has grown round with wine, late nights, oysters, poetry. A new girlfriend who was overweight as a teenager, but my dad reports that now she’s “crazy about fruit."
It was the same with his parents;
as my grandmother became frail and angular her husband swelled to red round cheeks, rotund stomach
and I wonder if my lineage is one of women shrinking
making space for the entrance of men into their lives
not knowing how to fill it back up once they leave.
I have been taught accommodation.
My brother never thinks before he speaks.
I have been taught to filter.
“How can anyone have a relationship to food?" He asks, laughing, as I eat the black bean soup I chose for its lack of carbs.
I want to tell say: we come from difference, Jonas,
you have been taught to grow out
I have been taught to grow in
you learned from our father how to emit, how to produce, to roll each thought off your tongue with confidence, you used to lose your voice every other week from shouting so much
I learned to absorb
I took lessons from our mother in creating space around myself
I learned to read the knots in her forehead while the guys went out for oysters
and I never meant to replicate her, but
spend enough time sitting across from someone and you pick up their habits
that’s why women in my family have been shrinking for decades.
We all learned it from each other, the way each generation taught the next how to knit
weaving silence in between the threads
which I can still feel as I walk through this ever-growing house,
skin itching,
picking up all the habits my mother has unwittingly dropped like bits of crumpled paper from her pocket on her countless trips from bedroom to kitchen to bedroom again,
Nights I hear her creep down to eat plain yogurt in the dark, a fugitive stealing calories to which she does not feel entitled.
Deciding how many bites is too many
How much space she deserves to occupy.
Watching the struggle I either mimic or hate her,
And I don’t want to do either anymore
but the burden of this house has followed me across the country
I asked five questions in genetics class today and all of them started with the word “sorry".
I don’t know the requirements for the sociology major because I spent the entire meeting deciding whether or not I could have another piece of pizza
a circular obsession I never wanted but
inheritance is accidental
still staring at me with wine-stained lips from across the kitchen table.
”
”
Lily Myers
“
Some of my favorite songs: 'Only Love Can Break Your Heart' by Neil Young; 'Last Night I Dreamed That Somebody Loved Me' by the Smiths; 'Call Me' by Aretha Franklin; 'I Don't Want to Talk About It' by anybody. And then there's 'Love Hurts' and 'When Love Breaks Down' and 'How Can You Mend a Broken Heart' and 'The Speed of the Sound of Loneliness' and 'She's Gone' and 'I Just Don't Know What to Do with Myself 'and . . . some of these songs I have listened to around once a week, on average (three hundred times in the first month, every now and again thereafter), since I was sixteen or nineteen or twenty-one. How can that not leave you bruised somewhere? How can that not turn you into the sort of person liable to break into little bits when your first love goes all wrong? What came first, the music or the misery? Did I listen to music because I was miserable? Or was I miserable because I listened to music? Do all those records turn you into a melancholy person?
People worry about kids playing with guns, and teenagers watching violent videos; we are scared that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands, of songs about broken hearts and rejection and pain and misery and loss. The unhappiest people I know, romantically speaking, are the ones who like pop music the most; and I don't know whether pop music has caused this unhappiness, but I do know that they've been listening to the sad songs longer than they've been living the unhappy lives.
”
”
Nick Hornby (High Fidelity)
“
Girls aside, the other thing I found in the last few years of being at school, was a quiet, but strong Christian faith – and this touched me profoundly, setting up a relationship or faith that has followed me ever since.
I am so grateful for this. It has provided me with a real anchor to my life and has been the secret strength to so many great adventures since.
But it came to me very simply one day at school, aged only sixteen.
As a young kid, I had always found that a faith in God was so natural. It was a simple comfort to me: unquestioning and personal.
But once I went to school and was forced to sit through somewhere in the region of nine hundred dry, Latin-liturgical, chapel services, listening to stereotypical churchy people droning on, I just thought that I had got the whole faith deal wrong.
Maybe God wasn’t intimate and personal but was much more like chapel was … tedious, judgemental, boring and irrelevant.
The irony was that if chapel was all of those things, a real faith is the opposite. But somehow, and without much thought, I had thrown the beautiful out with the boring. If church stinks, then faith must do, too.
The precious, natural, instinctive faith I had known when I was younger was tossed out with this newly found delusion that because I was growing up, it was time to ‘believe’ like a grown-up.
I mean, what does a child know about faith?
It took a low point at school, when my godfather, Stephen, died, to shake me into searching a bit harder to re-find this faith I had once known.
Life is like that. Sometimes it takes a jolt to make us sit and remember who and what we are really about.
Stephen had been my father’s best friend in the world. And he was like a second father to me. He came on all our family holidays, and spent almost every weekend down with us in the Isle of Wight in the summer, sailing with Dad and me. He died very suddenly and without warning, of a heart attack in Johannesburg.
I was devastated.
I remember sitting up a tree one night at school on my own, and praying the simplest, most heartfelt prayer of my life.
‘Please, God, comfort me.’
Blow me down … He did.
My journey ever since has been trying to make sure I don’t let life or vicars or church over-complicate that simple faith I had found. And the more of the Christian faith I discover, the more I realize that, at heart, it is simple. (What a relief it has been in later life to find that there are some great church communities out there, with honest, loving friendships that help me with all of this stuff.)
To me, my Christian faith is all about being held, comforted, forgiven, strengthened and loved – yet somehow that message gets lost on most of us, and we tend only to remember the religious nutters or the God of endless school assemblies.
This is no one’s fault, it is just life. Our job is to stay open and gentle, so we can hear the knocking on the door of our heart when it comes.
The irony is that I never meet anyone who doesn’t want to be loved or held or forgiven. Yet I meet a lot of folk who hate religion. And I so sympathize. But so did Jesus. In fact, He didn’t just sympathize, He went much further. It seems more like this Jesus came to destroy religion and to bring life.
This really is the heart of what I found as a young teenager: Christ comes to make us free, to bring us life in all its fullness. He is there to forgive us where we have messed up (and who hasn’t), and to be the backbone in our being.
Faith in Christ has been the great empowering presence in my life, helping me walk strong when so often I feel so weak. It is no wonder I felt I had stumbled on something remarkable that night up that tree.
I had found a calling for my life.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
She needs to think you're still a couple. And you'll need to be convincing about it, too. Lots of kissing and stuff in case your mother tries to spy on you."
Emma stops chewing. Galen drops his fork.
"Uh, I don't think we need to take it that far-" Emma starts.
"Oh, no? Teenagers don't kiss their sweethearts anymore?" Rachel crosses her arms, wagging the spatula to the beat of her tapping foot.
"They do, but-"
"No buts. Come on, sweetie. You think your mom's going to believe you keep your hands off Galen?"
"Probably not, but-"
"I said no buts. Look at you two. You're not even sitting next to each other! You need some practice, I'd say. Galen, go sit beside her. Hold her hand."
"Rachel," he says, shaking his head, "this can wait-"
"Fine," Emma grinds out. They both turn to her. Still frowning, she nods. "We'll make it a point to kiss and hold hands when she's around."
Galen almost drops his fork again. No way. Kissing Emma is the last thing I need to do. Especially when her lips turn that red. "Emma, we don't have to kiss. She already knows I want to sleep with you." He cringes as soon as he says it. He doesn't have to look up to know the sizzling sound in the kitchen is from Rachel spitting her pineapple juice into the hot skillet. "What I mean is, I already told her I want to sleep with you. I mean, I told her I wanted to sleep with you because she already thinks I do. Want to, I mean-" If a Syrena could drown, this is what it would feel like.
Emma holds up her hand. "I get it, Galen. It's fine. I told her the same thing."
Rachel plops down beside Emma, wiping the juice spittle from her face with a napkin. "So you're telling me your mom thinks you two want to sleep with each other, but you don't think she'll be expecting you to kiss."
Emma shakes her head and shovels a forkful of omelet into her mouth, then chases it with some juice. She says, "You're right, Rachel. We'll let her catch us making out or something."
Rachel nods. "That should work."
"What does that mean? Making out?" Galen says between bites.
Emma puts her fork down. "It means, Galen, that you'll need to force yourself to kiss me. Like you mean it. For a long time. Think you can do that? Do Syrena kiss?"
He tries to swallow the bite he forgot to chew. Force myself? I'll be lucky if I can stop myself. It had never occurred to him to kiss anyone-before he met Emma. These days, it's all he can think about, her lips on his. He decides it was better for both of them when Emma kept rejecting him. Now she's ordering him to kiss her-for a long time. Great. "Yes, they kiss. I mean, we kiss. I mean, I can force myself, if I have to." He doesn't meet Rachel's eyes as she plunks more fish onto his plate, but he can almost feel her smirking down at him.
"We'll just have to plan it, that's all. Give you time to prepare," Emma tells him.
"Prepare for what?" Rachel scoffs. "Kissing isn't supposed to be planned. That's why it's so fun."
"Yeah, but this isn't for fun, remember?" Emma says. "This is just for show."
"You don't think kissing Galen would be fun?"
Emma sighs, putting her hands on her cheeks. "You know, I appreciate that you're trying to help us, Rachel. But I can't talk about this anymore. Seriously, I'm going to break out into hives. We'll make it work when the time comes."
Rachel laughs and removes Emma's plate after she declines a second helping. "If you say so. But I still think you should practice.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
New Rule: Americans must realize what makes NFL football so great: socialism. That's right, the NFL takes money from the rich teams and gives it to the poorer one...just like President Obama wants to do with his secret army of ACORN volunteers. Green Bay, Wisconsin, has a population of one hundred thousand. Yet this sleepy little town on the banks of the Fuck-if-I-know River has just as much of a chance of making it to the Super Bowl as the New York Jets--who next year need to just shut the hell up and play.
Now, me personally, I haven't watched a Super Bowl since 2004, when Janet Jackson's nipple popped out during halftime. and that split-second glimpse of an unrestrained black titty burned by eyes and offended me as a Christian. But I get it--who doesn't love the spectacle of juiced-up millionaires giving one another brain damage on a giant flatscreen TV with a picture so real it feels like Ben Roethlisberger is in your living room, grabbing your sister?
It's no surprise that some one hundred million Americans will watch the Super Bowl--that's forty million more than go to church on Christmas--suck on that, Jesus! It's also eighty-five million more than watched the last game of the World Series, and in that is an economic lesson for America. Because football is built on an economic model of fairness and opportunity, and baseball is built on a model where the rich almost always win and the poor usually have no chance. The World Series is like The Real Housewives of Beverly Hills. You have to be a rich bitch just to play. The Super Bowl is like Tila Tequila. Anyone can get in.
Or to put it another way, football is more like the Democratic philosophy. Democrats don't want to eliminate capitalism or competition, but they'd like it if some kids didn't have to go to a crummy school in a rotten neighborhood while others get to go to a great school and their dad gets them into Harvard. Because when that happens, "achieving the American dream" is easy for some and just a fantasy for others.
That's why the NFL literally shares the wealth--TV is their biggest source of revenue, and they put all of it in a big commie pot and split it thirty-two ways. Because they don't want anyone to fall too far behind. That's why the team that wins the Super Bowl picks last in the next draft. Or what the Republicans would call "punishing success."
Baseball, on the other hand, is exactly like the Republicans, and I don't just mean it's incredibly boring. I mean their economic theory is every man for himself. The small-market Pittsburgh Steelers go to the Super Bowl more than anybody--but the Pittsburgh Pirates? Levi Johnston has sperm that will not grow and live long enough to see the Pirates in a World Series. Their payroll is $40 million; the Yankees' is $206 million. The Pirates have about as much chance as getting in the playoffs as a poor black teenager from Newark has of becoming the CEO of Halliburton.
So you kind of have to laugh--the same angry white males who hate Obama because he's "redistributing wealth" just love football, a sport that succeeds economically because it does just that. To them, the NFL is as American as hot dogs, Chevrolet, apple pie, and a second, giant helping of apple pie.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
Before she could say anything more, Sabella swung around at the sound of Noah’s Harley purring to life behind the garage.
God. He was dressed in snug jeans and riding chaps. A snug dark T-shirt covered his upper body, conformed to it. And he was riding her way.
“Is there anything sexier than a man in riding chaps riding a Harley?” Kira asked behind her. “It makes a woman simply want to melt.”
And Sabella was melting. She watched as he pulled around the side of the garage then took the gravel road that led to the back of the house. The sound of the Harley purred closer, throbbing, building the excitement inside her.
“I think it’s time for me to leave,” Kira said with a light laugh. “Don’t bother to see me out.”
Sabella didn’t. She listened as the Harley drew into the graveled lot behind the house and moved to the back door. She opened it, stepping out on the back deck as he swung his legs over the cycle and strode toward her.
That long-legged lean walk. It made her mouth water. Made her heart throb in her throat as hunger began to race through her.
“The spa treated you well,” he announced as he paused at the bottom of the steps and stared back at her. “Feel like messing your hair up and going out this evening? We could have dinner in town. Ride around a little bit.”
She hadn’t ridden on a motorcycle since she was a teenager. She glanced at the cycle, then back to Noah.
“I’d need to change clothes.”
His gaze flickered over her short jeans skirt, her T-shirt.
“That would be a damned shame too,” he stated. “I have to say, Ms. Malone, you have some beautiful legs there.”
No one had ever been as charming as Nathan. She remembered when they were dating, how he would just show up, out of the blue, driving that monster pickup of his and grinning like a rogue when he picked her up. He’d been the epitome of a bad boy, and he had been all hers. He was still all hers.
“Bare legs and motorcycles don’t exactly go together,” she pointed out.
He nodded soberly, though his eyes had a wicked glint to them. “This is a fact, beautiful. And pretty legs like that, we wouldn’t want to risk.”
She leaned against the porch post and stared back at him. “I have a pickup, you know.” She propped one hand on her hip and stared back at him.
“Really?” Was that avarice she saw glinting in his eyes, or for just the slightest second, pure, unadulterated joy at the mention of that damned pickup?
He looked around. “I haven’t seen a pickup.”
“It’s in the garage,” she told him carelessly. “A big black monster with bench seats. Four-by-four gas-guzzling alpha-male steel and chrome.”
He grinned. He was so proud of that damned pickup.
“Where did something so little come up with a truck that big?” he teased her then.
She shrugged. “It belonged to my husband. Now, it belongs to me.” That last statement had his gaze sharpening.
“You drive it?”
“All the time,” she lied, tormenting him. “I don’t have to worry about pinging it now that my husband is gone. He didn’t like pings.”
Did he swallow tighter?
“It’s pinged then?”
She snorted. “Not hardly. Do you want to drive the monster or question me about it? Or I could change into jeans and we could ride your cycle. Which is it?”
Which was it? Noah stared back at her, barely able to contain his shock that she had kept the pickup. He knew for a fact there were times the payments on the house and garage had gone unpaid—his “death” benefits hadn’t been nearly enough—almost risking her loss of both during those first months of his “death.” Knowing she had held on to that damned truck filled him with more pleasure than he could express. Knowing she was going to let someone who wasn’t her husband drive it filled him with horror.
The contradictor feelings clashed inside him, and he promised himself he was going to spank her for this.
”
”
Lora Leigh (Wild Card (Elite Ops, #1))