Technically Yours Quotes

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They say once you grow crops somewhere, you have officially ‘colonised’ it. So technically, I colonised Mars. In your face, Neil Armstrong!
Andy Weir (The Martian)
So you're my boss now," I snap. "Technically, I'm you're boss's boss's boss." "And technically, it's gross moral turpitude- the fact that i am fucking my boss's boss's boss." "At the moment, you're arguing with him." Christian scowls.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
You’re just using me for my body.” “You don’t have a body,” I’d remind him. “Throw that in my face.” “Technically, you don’t have a face either.
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
Your driving is unpleasant, but it isn't technically unsafe.
John Green (The Fault in Our Stars)
His Majesty needs a can-I girl anyway. And I'm not it." "A can-I girl?" Andrea frowned. I leaned back. "'Can I fetch your food, Your Majesty? Can I tell you how strong and mighty you are, Your Majesty? Can I pick your fleas, Your Majesty? Can I kiss your ass, Your Majesty? Can I..." It dawned on me that Raphael was sitting very still. Frozen, like a statue, his gaze fixed on the point above my head. "He's standing behind me, isn't he?" Andrea nodded slowly. "Technically it should be 'may I'," Curran said, his voice deeper than I remembered. "Since you're asking for permission." Why me? "To answer your question, yes, you may kiss my ass. Normally I prefer maintain my personal space, but you're a Friend of the Pack and your services have proven useful once or twice. I strive to accommodate the wishes of persons friendly to my people. My only question is, would kissing my ass be obeisance, grooming, or foreplay?
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Let’s get to know each other. My name’s William, William More, but you can call me Willy. I’m an engineer-chemist who graduated from MIT. So . . . but you’re all alike to me . . . of course, you would be . . . you’re robots. And all your names are that sort of, um . . . codes, technical numbers . . . I need some marker where I can pick you out. Well, well, to you I’ll call . . .,” and Willy pondered for a moment, “Gumball, yes, Gumball! Do you mind?” “No, sir, actually no,” CSE-TR-03 said, agreeing with its new given name. “Ah, that’s wonderful. And then you’re Darwin,” Willy said, accosting the second robot. “Look what a nice name—Darwin! What do you say, eh?” “What can I say, sir? I like it,” CSE-TR-02 agreed too. “Yes, a human name with a past . . . You and Gumball . . . are from the same family, the Methanesons!” “It turns out thus, sir,” Darwin confirmed its family belonging. “And you’re like Larry. You’re Larry. Do you know that?” More addressed the next robot in line. “Yes, sir, just now I learned that,” the third robot said, accepted its name as well.
Todor Bombov (Homo Cosmicus 2: Titan: A Science Fiction Novel)
The end of the world started when a pegasus landed on the hood of my car. Up until then I was having a great afternoon.Technically I wasn't supposed to be driving because I wouldn't turn sixteen for another week, but my mom and my stepdad, Paul, took my friend Rachel and me to the private stretch of beach on the South Shore, and Paul let us borrow his Prius for a short spin. Now, I know what your thinking, Wow, that was really irresponsible of him, blah, blah, blah, but Paul knows me pretty well. He's seen me slice up demons and leap out of exploding buildings, so he probably figured taking a car a few hundred yards wasn't exactly the most dangerous thing I'd ever done.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
It’s not technically gossip if you start your sentence with “I’m really concerned about __________________ ,” (fill in the name of the person you’re not gossiping about).
Brian P. Cleary (You Oughta Know By Now)
So, technically," Simon said, "even though Jace isn't actually related to you, you have kissed your brother.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Writing is not just the technical act of your fingers on the keyboard. Writing is living.
Melissa Marr
Have you killed anyone?” she asked quickly. “What? Did you miss what I said, about turning murder into an art form?” “But you haven’t actually killed anyone yet, have you? I read your file.” He glowered. “Technically, yeah, all right, maybe I haven’t
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
These days, however, I am much calmer - since I realised that it’s technically impossible for a woman to argue against feminism. Without feminism, you wouldn’t be allowed to have a debate on women’s place in society. You’d be too busy giving birth on the kitchen floor - biting down on a wooden spoon, so as not to disturb the men’s card game - before going back to quick-liming the dunny. This is why those female columnists in the Daily Mail - giving daily wail against feminism - amuse me. They paid you £1,600 for that, dear, I think. And I bet it’s going in your bank account, and not your husband’s. The more women argue loudly, against feminism, the more they both prove it exists and that they enjoy its hard-won privileges.
Caitlin Moran (How to Be a Woman)
Is today the first time you’ve been beaten in an okton?’ ‘Technically, it was a draw,’ said Damen. ‘Technically. I told you I was quite good at riding. I used to beat Auguste all the time when we raced at Chastillon. It took me until I was nine to realise he was letting me win. I just thought I had a very fast pony. You’re smiling.
C.S. Pacat (Kings Rising (Captive Prince, #3))
His Majesty needs a can-I girl anyway. And I’m not it.” “A can-I girl?” Andrea frowned. I leaned back. “ ‘ Can I fetch you your food, Your Majesty? Can I tell you how strong and mighty you are, Your Majesty? Can I pick out your fleas, Your Majesty? Can I kiss your ass, Your Majesty? Can I...” It dawned on me that Raphael was sitting very still. Frozen, like a statue, his gaze fixed on the point above my head. “He’s standing behind me, isn’t he?” Andrea nodded slowly. “Technically it should be ‘may I,’” Curran said, his voice deeper than I remembered. “Since you’re asking permission.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Many Introverts are also "highly sensitive," which sounds poetic, but is actually a technical term in psychology. If you are a sensitive sort, then you're more apt than the average person to feel pleasantly overwhelmed by Beethoven's "Moonlight Sonata" or a well-turned phrase or an act of extraordinary kindness. You may be quicker than others to feel sickened by violence and ugliness, and you likely have a very strong conscience.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
There was a soft chuckle beside me, and my heart stopped. "So this is Oberon's famous half-blood," Ash mused as I whirled around. His eyes, cold and inhuman, glimmered with amusement. Up close, he was even more beautiful, with high cheekbones and dark tousled hair falling into his eyes. My traitor hands itched, longing to run my fingers through those bangs. Horrified, I clenched them in my lap, trying to concentrate on what Ash was saying. "And to think," the prince continued, smiling, "I lost you that day in the forest and didn't even know what I was chasing." I shrank back, eyeing Oberon and Queen Mab. They were deep in conversation and did not notice me. I didn't want to interrupt them simply because a prince of the Unseelie Court was talking to me. Besides, I was a faery princess now. Even if I didn't quite believe it, Ash certainly did. I took a deep breath, raised my chin, and looked him straight in the eye. "I warn you," I said, pleased that my voice didn't tremble, "that if you try anything, my father will remove your head and stick it to a plaque on his wall." He shrugged one lean shoulder. "There are worse things." At my horrified look, he offered a faint, self-derogatory smile. "Don't worry, princess, I won't break the rules of Elysium. I have no intention of facing Mab's wrath should I embarrass her. That's not why I'm here." "Then what do you want?" He bowed. "A dance." "What!" I stared at him in disbelief. "You tried to kill me!" "Technically, I was trying to kill Puck. You just happened to be there. But yes, if I'd had the shot, I would have taken it." "Then why the hell would you think I'd dance with you?" "That was then." He regarded me blandly. "This is now. And it's tradition in Elysium that a son and daughter of opposite territories dance with each other, to demonstrate the goodwill between the courts." "Well, it's a stupid tradition." I crossed my arms and glared. "And you can forget it. I am not going anywhere with you." He raised an eyebrow. "Would you insult my monarch, Queen Mab, by refusing? She would take it very personally, and blame Oberon for the offense. And Mab can hold a grudge for a very, very long time." Oh, damn. I was stuck.
Julie Kagawa (The Iron King (The Iron Fey, #1))
You know you're smarter than all of them, right?" Hale said flatly. "In fact, if you wanted to PROVE it..." He glanced at the blackjack tables. Simon shook his head. "I don't count cards, Hale." "Don't?" Hale smiled. "Or won't? You know, technically, it's not illegal." "But it's frowned upon." Sweat beaded at Simon's brow. He sounded like someone had just suggested he swim after eating... run with scissors... "It is SERIOUSLY frowned upon.
Ally Carter (Heist Society (Heist Society, #1))
After a moment, he (Ren) elaborated, "By the way, I didn't say you weren't attractive. I just said you're young." "So is Nilima by your standards. You're more than three hundred years old!" "That's true." He grinned lopsidedly in an attempt to get me to smile. "Technically, you should be dating a very old lady." A tiny smile passed my lips.
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
No matter how much crap you gotta plow through to stay alive as a photographer, no matter how many bad assignments, bad days, bad clients, snotty subjects, obnoxious handlers, wigged-out art directors, technical disasters, failures of the mind, body, and will, all the shouldas, couldas, and wouldas that befuddle our brains and creep into our dreams, always remember to make room to shoot what you love. It’s the only way to keep your heart beating as a photographer.
Joe McNally (The Moment It Clicks: Photography Secrets from One of the World's Top Shooters)
What’s wrong with going with me?’ I ask. ‘No one wants to be stuck with love birds.’ Howler shakes his head. ‘Awkward,’ says Cyclone, already walking toward Thermo. ‘You think I’d do something to risk a fall?’ asks Raffe. ‘You can’t fall for anything you do here, Commander,’ says Thermo. ‘You’re already in the Pit, so technically, it’s equivalent to being in a Fallen state during the time you’re here.
Susan Ee (End of Days (Penryn & the End of Days, #3))
Technically, if a girl wants to sparkle she can put on glitter but I think the correct answer would be a smile because no one pays attention to your short when you have a nice smile on your face.
Demi Lovato
You cannot reconcile creativeness with technical achievement. You may be perfect in playing the piano, and not be creative. You may be able to handle color, to put paint on canvas most cleverly, and not be a creative painter...having lost the song, we pursue the singer. We learn from the singer the technique of song, but there is no song; and I say the song is essential, the joy of singing is essential. When the joy is there, the technique can be built up from nothing; you will invent your own technique, you won't have to study elocution or style. When you have, you see, and the very seeing of beauty is an art.
J. Krishnamurti
Did you finish yours, Kota?" "Working on it now, Actually." "How's it going?" He sat up, turning in his chair and holding up his notebook. "I don't know. What rhymes with formaldehyde?" My eyes widened. Gabriel laughed, rubbing his fingers against his forehead. "Dude, what kind of poem are you writing?" Kota blinked at us. "It's about a doctor." "Does the doctor fall in love?" Gabriel asked. "No." "Does someone die?" "Not in the story, technically." "What does he do?" "He performs an autopsy.
C.L. Stone (First Days (The Ghost Bird, #2))
And when love is over when the diner of love seems closed from the outside you want all those hours back along with anything you left at the lover’s house and maybe a couple of things which aren’t technically yours on the grounds that you wasted a portion of your life and those hours have all gone southside.
Daniel Handler (Adverbs)
You're right, a spleen is a strange thing-we technically don't need one, but maybe spleens are kept in our bodies in case we mutate or evolve, and if we grow wings or tentacles we need to have the spleen in place in order for them to work.
Douglas Coupland (The Gum Thief)
You might want to do something about your neck.” I was totally lost. “My neck?” She reached into her purse and handed me a compact mirror. I opened it and surveyed my neck, still trying to figure out what she could be talking about. Then I saw it. A small, brownish purple bruise on the side of my neck. “What on earth is that?” I exclaimed. Ms. Terwilliger snorted. “Although it’s been a while for me, I believe the technical term is a hickey” She paused and arched an eyebrow. “You do know what that is, don’t you?” “Of course I know!” I lowered the mirror. “But there’s no way—I mean, we barely—that is—” She held up a hand to silence me. “You don’t have to justify your private life to me. But you might want to consider how you can actually keep it private in the next fifteen minutes.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Am going to cross Pacific on a wooden raft to support a theory that the South Sea islands were peopled from Peru. Will you come? I guarantee nothing but a free trip to Peru and the South Sea islands and back, but you will find good use for your technical abilities on the voyage. Reply at once.' Next day the following telegram arrived from Torstein: COMING. TORSTEIN.
Thor Heyerdahl
So crosses don't do anything against your kind?" Sean asked. "No," Arland said. "There is no mystical force repelling us." "Then why?" "We're forbidden to kill a creature in a moment of prayer or invocation of their deity. Well, we can, technically, but you have to do penance and purify yourself and nobody wants to spend weeks praying and bathing themselves in the sacred cave springs. The water's only a fraction warmer than ice. When one of you holds up a cross, it's difficult to determine whether you're praying, invoking, or just waving it around. So the sane strategy is to back away.
Ilona Andrews (Clean Sweep (Innkeeper Chronicles, #1))
This is my risk to take.Not yours. I can live with getting myself killed." "Technically, you can't live if you get yourself killed.
Brandon Mull (Sky Raiders (Five Kingdoms, #1))
Why do you want a letter from me? Why don't you take the trouble to find out for yourselves what Christianity is? You take time to learn technical terms about electricity. Why don't you do as much for theology? Why do you never read the great writings on the subject, but take your information from the secular 'experts' who have picked it up as inaccurately as you? Why don't you learn the facts in this field as honestly as your own field? Why do you accept mildewed old heresies as the language of the church, when any handbook on church history will tell you where they came from? Why do you balk at the doctrine of the Trinity - God the three in One - yet meekly acquiesce when Einstein tells you E=mc2? What makes you suppose that the expression "God ordains" is narrow and bigoted, while your own expression, "Science demands" is taken as an objective statement of fact? You would be ashamed to know as little about internal combustion as you know about Christian beliefs. I admit, you can practice Christianity without knowing much theology, just as you can drive a car without knowing much about internal combustion. But when something breaks down in the car, you go humbly to the man who understands the works; whereas if something goes wrong with religion, you merely throw the works away and tell the theologian he is a liar. Why do you want a letter from me telling you about God? You will never bother to check on it or find out whether I'm giving you personal opinions or Christian doctrines. Don't bother. Go away and do some work and let me get on with mine.
Dorothy L. Sayers
We wish you a merry Christmas” is the most demanding song ever. It starts off all nice and a second later you have an angry mob at your door scream-singing, “Now bring us some figgy pudding and bring it RIGHT HERE. WE WON’T GO UNTIL WE GET SOME SO BRING IT RIGHT HERE.” Also, they’re rhyming “here” with “here.” That’s just sloppy. I’m not rewarding unrequested, lazy singers with their aggressive pudding demands. There should be a remix of that song that homeowners can sing that’s all “I didn’t even ask for your shitty song, you filthy beggars. I’ve called the cops. Who is this even working on? Has anyone you’ve tried this on actually given you pudding? Fig-flavored pudding? Is that even a thing?” It doesn’t rhyme but it’s not like they’re trying either. And then the carolers would be like, “SO BRING US SOME GIN AND TONIC AND LET’S HAVE A BEER,” and then I’d be like, “Well, I guess that’s more reasonable. Fine. You can come in for one drink.” Technically that would be a good way to get free booze. Like trick-or-treat but for singy alcoholics. Oh my God, I finally understand caroling.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
I don't believe in god, so I don't have to make elaborately sounded structures. ... Pain always produces logic, which is very bad for you. ... As for measure and other technical apparatus, that's just common sense: if you're going to buy a pair of pants you want them to be tight enough so everyone will want to go to bed with you. There's nothing metaphysical about it.
Frank O'Hara (The Selected Poems of Frank O'Hara)
Zach, this isn't a game, you know. I don't just write it. I live it. I'm a Domme, a female Dominant. There aren't a lot of us around. Most Dominants are men. Technically I'm Switch since I can top and bottom, but if I show up on your doorstep, get ready to say ouch. I'm not good at it - I'm amazing at it. So good at it that I'm as famous down here for my skills with a whip as I am in the straight world for my skills with a pen.
Tiffany Reisz (The Siren (The Original Sinners, #1))
Colonel Otto, do you have a, perhaps, fuller and more detailed account than your preliminary one of why my Imperial Security building is now largely an underground installation? From a technical perspective.
Lois McMaster Bujold (Captain Vorpatril's Alliance (Vorkosigan Saga, #15))
If I want to be the best, I have to take risks others would avoid, always optimizing the learning potential of the moment and turning adversity to my advantage. That said, there are times when the body needs to heal, but those are ripe opportunities to deepen the mental, technical, internal side of my game. When aiming for the top, your path requires an engaged, searching mind. You have to make obstacles spur you to creative new angles in the learning process. Let setbacks deepen your resolve. You should always come off an injury or a loss better than when you went down.
Josh Waitzkin (The Art of Learning: An Inner Journey to Optimal Performance)
If you try to make a shrimp boil, but the bag of spices bursts, and so you just toss it in along with whatever spices you can find in the pantry--you can make homemade pepper spray. Unintentionally. And everyone at your dinner party will run outside for the next hour, coughing and tearing up as if they've been maced, because technically they kind of have been, because mace was one of the spices I found in the panty. I blame whoever makes spice out of mace, and I remind my gasping dinner guests that even if I did mace them, I did it in an old fashioned, homemade, Martha Stewart sort of way. With love.
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
Much of life, fatherhood included, is the story of knowledge acquired too late: if only I’d known then what I know now, how much smarter, abler, stronger, I would have been. But nothing really prepares you for kids, for the swells of emotion that roll through your chest like the rumble of boulders tumbling downhill, nor for the all-enveloping labor of it, the sheer mulish endurance you need for the six or seven hundred discrete tasks that have to be done each and every day. Such a small person! Not much bigger than a loaf of bread at first, yet it takes so much to keep the whole enterprise going. Logistics, skills, materiel; the only way we really learn is by figuring it out as we go along, and even then it changes on us every day, so we’re always improvising, which is a fancy way of saying that we’re doing things we technically don’t know how to do.
Ben Fountain
Emma rose to her feet, facing the faerie across the fleeing crowd. Gleaming from his weathered, barklike face, his eyes were yellow as a cat's. "Shadowhunter," he hissed. Emma reached back over her shoulder and closed her hand around the hilt of her sword, Cortana. The blade made a golden blur in the air as she drew it and pointed the tip at the fey. "No," she said. "I'm a candygram. This is my costume." The faerie looked puzzled. Emma sighed. "It's so hard to be sassy to the Fair Folk. You people never get jokes." "We are well known for our jests, japes, and ballads," the faerie said, clearly offended. "Some of our ballads last for weeks." "I don't have that kind of time," Emma said. "I'm a Shadowhunter. Quip fast, die young." She wiggled Cortana's tip impatiently. "Now turn out your pockets." "I have done nothing to break the Cold Peace," said the fey. "Technically true, but we do frown on stealing from mundanes," Emma said. "Turn out your pockets or I'll rip off one of your horns and shove it where the sun doesn't shine." The fey looked puzzled. "Where does the sun not shine? Is this a riddle?" Emma gave a martyred sigh and raised Cortana. "Turn them out, or I'll start peeling your bark off. My boyfriend and I just broke up, and I'm not in the best mood." The faerie began slowly to empty his pockets onto the ground, glaring at her all the while. "So you're single," he said. "I never would have guessed.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
This is the most important thing I will ever say to you. The human mind is the ultimate testing device. You can take all the notes you want on the technical data, anything you forget you can look up again, but this must be engraved on your hearts in letters of fire. There is nothing, nothing, nothing, more important to me in the men and women I train than their absolute personal integrity. Whether you function as welders or inspectors, the laws of physics are implacable lie detectors. You may fool men. You will never fool metal. That’s all.
Lois McMaster Bujold (Falling Free (Vorkosigan Saga, #4))
In business, there is nothing more valuable than a technical advantage your competitors don’t understand. In business, as in war, surprise is worth as much as force.
Paul Graham (Hackers & Painters: Big Ideas from the Computer Age)
Change of plan–," she called to Jonah. "Can you drop us off in Rome?" "Yo, am I a movie star or a taxi service?" Jonah grumbled from the depths of the script pile. "Technically, your neither," Hamilton puffed, lifting weights again. "I mean, you're a star and you've made movies...
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
Enough!” Romanoff barked. “Look around you. You’re on a military transport. Nobody’s flirting. S.H.I.E.L.D. does not run a dating service.” “Well,” Coulson said, “technically it’s frowned upon, but I’d be lying if—” Romanoff glared at Coulson, and he fell silent.
Margaret Stohl (Black Widow: Forever Red)
I was ten years old. I had noticed something was weird earlier in the day but I knew from commercials that one's menstrual period was a blue liquid that you poured like laundry detergent onto maxi pads to test their absorbency. This wasn't blue so...I ignored it for a few hours. When we got home I pulled my mom aside to ask if it was weird I was bleeding in my underpants. She was very sympathetic but also a little baffled. Her eyes said "Dummy didn't you read 'How Shall I Tell My Daughter ". I HAD read it but nowhere in the pamphlet did anyone say that your period was NOT a blue liquid. At that moment two things became clear to me I was now technically a woman and I would never be a doctor.
Tina Fey (Bossypants)
Look... we're getting to be old men, and we've spent our lives looking for the weaknesses in one another's systems. I can see through Eastern values just as you can see through our Western ones. Both of us, I am sure, have experienced ad nauseam the technical satisfactions of this wretched war. But now your own side is going to shoot you. Don't you think it's time to recognise that there is as little worth on your side as there is on mine?
John Le Carré (Tinker, Tailor, Soldier, Spy)
technical debt’ that is not being paid down. It comes from taking shortcuts, which may make sense in the short-term. But like financial debt, the compounding interest costs grow over time. If an organization doesn’t pay down its technical debt, every calorie in the organization can be spent just paying interest, in the form of unplanned work.
Gene Kim (The Phoenix Project: A Novel About IT, DevOps, and Helping Your Business Win)
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Technical advisor. Since you know our enemies so well, we’re going to pick your brain. (Jericho) I’ll tell you what you want to know. There's no need to torture me for it. (Asmodeus) Pick your brain is an idiomatic expression, Asmodeus. It means we’ll have you tell us things. We’re not actually going in there to mess with your head. (Delphine) Oh, thank the Source. I can’t stand it when someone opens my skull. It really hurts. (Asmodeus)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
You mean I'm not a cougar?" He laughed his beautiful, sexy laugh and pulled me to him, kissing my face. "Technically, I think you're a puma.
Andrea Smith (Diamond Girl (G-Man, #1))
Ugly's still ugly, no matter how you see it." "An interesting assertion. Justify it." "You bring twenty people in here," Adam told him, "and they'll all say the same thing. They'll all say you're ugly." "Bring in twenty of me," Art said, "and we'd all say your ass is prettier than your face." "There aren't twenty of you." "No, you're right. I'm unique. So I can safely say that all androids find you ugly. Not all humans find me ugly. So, technically, I'm better looking than you, using objective criteria.
Bernard Beckett (Genesis)
All great fighting is the same, Eragon, even as all great warriors are the same. Past a certain point, it does not matter whether you wield a sword, a claw, a tooth or a tail. It is true, you must be capable with your weapon, but anyone with the time, and the inclination can acquire technical proficiency. To achieve greatness, though, that requires artistry. That requires imagination and thoughtfulness, and it is those qualities that the best warriors share, even if, on the surface, they appear completely different.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
But Elizabeth didn’t flinch. “I’m confused,” she said. “You’re firing me on the basis of being pregnant and unwed. What about the man?” “What man? You mean Evans?” Donatti asked. “Any man. When a woman gets pregnant outside of marriage, does the man who made her pregnant get fired, too?” “What? What are you talking about?” “Would you have fired Calvin, for instance?” “Of course not!” “If not, then, technically, you have no grounds to fire me.” Donatti looked confused. What? “Of course, I do,” he stumbled. “Of course, I do! You’re the woman! You’re the one who got knocked up!” “That’s generally how it works. But you do realize that a pregnancy requires a man’s sperm.” “Miss Zott, I’m warning you. Watch your language.” “You’re saying that if an unmarried man makes an unmarried woman pregnant, there is no consequence for him. His life goes on. Business as usual.
Bonnie Garmus (Lessons in Chemistry)
Being a fiction writer is really like being an actor, because if you're going to write convincingly it has to sound right and play right. The only way that works is to emotionally and technically act out and see the scene you're in. There's no better job in the world, because when I sit down at that computer I'm the world's best forensics expert, if that's what I'm writing about that day. Or I'm some crazed psycho running down a dark alley. Or I'm a gorgeous woman looking to find a man that night. Whatever! But I'm all of those things, every day. How can you beat that?
Ridley Pearson
Technically, it's a family restaurant, but it will only remind you of your family if your mom chain-smoked menthols.
Sarah Vowell (Assassination Vacation)
One reason that people have artist’s block is that they do not respect the law of dormancy in nature. Trees don’t produce fruit all year long, constantly. They have a point where they go dormant. And when you are in a dormant period creatively, if you can arrange your life to do the technical tasks that don’t take creativity, you are essentially preparing for the spring when it will all blossom again.
Marshall Vandruff
Hunter could only groan. “What are you doing, Kristen?” “Bringing breakfast.” She replied innocently. “Think of it as thanks for saving my life.” Hunter sat up in bed, looking his usual ruffled morning mess, with extra dark circles under the eyes today. “Technically, I didn’t save your life, Mel did.” “Ok, then think of it as punishment for putting my life at risk.” Kristen shrugged, and helped herself to a piece of toast. “It’s all a ruse, anyway.
K.S. Marsden (The Shadow Falls (Witch-Hunter, #3))
Technically,' I said, "I'm not breaking any of the Laws of Magic. I'm not robbing you of your will, so I'm clear of the Fourth Law. And you didn't get loose, so I'm clear of the Seventh Law. The Council can bite me.' The bone ridges above Chauncy's eyes twitched. 'Surely, that is merely a colorful euphemism, rather than a statement of desire.' 'It is.
Jim Butcher (Fool Moon (The Dresden Files, #2))
Laurel rolled her eyes. “Now there‟s something I really wanted to know ” she said sarcastically. “Ah come on—everyone wonders.” “Do not ” “Sure. I‟ve always wondered what kind of a kisser David is.” “Um that‟s one of those questions you‟re not supposed to ask.” Chelsea laughed. “I didn‟t ask. I just said I‟ve always wondered.” “That‟s asking.” “Is not.” She leaned back against her headboard. “‟Course you could tell me anyway.” “Chelsea ” “What I told you.” “I didn‟t ask.” “Technicality.” “I‟m not telling.” “That‟s code for he sucks.” “He does not suck.” “Aha ” Laurel sighed. “You are so weird.” “Yeah ” Chelsea said with a grin tossing her springy curls. “But you love me.” Laurel laughed. “Yes I do.” She leaned over and tipped her head onto Chelsea‟s shoulder. “And I‟m glad you‟re happy.
Aprilynne Pike (Spells (Wings, #2))
GrayG: Just to clarify, putting the perfectly reasonable and technically correct name aside, shenanigans are a go? Laughing now, I lean back more comfortably in the ugly plastic airport seat and answer. IvyMac: All night, Cupcake. I can’t wait to taste your frosting. A couple seconds pass and then, GrayG: Mac, you sent a dirty text. I just shed a tear of pride. I also have a hard-on. I think the little old lady sitting next to me is checking it out.
Kristen Callihan (The Friend Zone (Game On, #2))
Granny looked up at the zombie. He was - or, technically, had been - a tall, handsome man. He still was, only now he looked like someone who had walked through a room full of cobwebs. 'What's your name, dead man?' she said.
Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
for him the craft of building a boat was like religion. It wasn’t enough to master the technical details of it. You had to give yourself up to it spiritually; you had to surrender yourself absolutely to it. When you were done and walked away from the boat, you had to feel that you had left a piece of yourself behind in it forever, a bit of your heart.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
One big bonus: e-mail! Just like the days back on Hermes, I get data dumps. Of course, they relay e-mail from friends and family, but NASA also sends along choice messages from the public. I’ve gotten e-mail from rock stars, athletes, actors and actresses, and even the President. One of them was from my alma mater, the University of Chicago. They say once you grow crops somewhere, you have officially “colonized” it. So technically, I colonized Mars. In your face, Neil Armstrong!
Andy Weir (The Martian)
Everything I told him was technically true, more or less, and I got the job done," Jack said stubbornly. "Look, sir, if I were perfect, I wouldn't be working here in the first place. Now, would I?" And then he hung up. On speakerphone. On a freaking archangel. I couldn't help it. I let out a rolling belly laugh. "I just got suckered into doing this by...Stars and stones, you didn't even know that he...Big bad angel boy, and you get the wool pulled over your eyes by..." I stopped trying to talk and just laughed. Uriel eyed the phone, then me, and then tucked the little device away again, clearly nonplussed. "It doesn't matter how well I believe I know your kind, Harry. They always manage to find some way to try my patience.
Jim Butcher (Ghost Story (The Dresden Files, #13))
But I still feel like I lost. We all have the potential to fall in love a thousand times in our lifetime. It's easy. The first girl I ever loved was someone I knew in the sixth grade. Her name was Missy; we talked about horses. The last girl I love will be someone I haven't even met yet. probably. They all count. But there are certain people you love who do something else; they define how you classify what love is supposed to feel like. These are the most important people in your life, and you'll meet maybe four or five of these people over the span of 80 years. But there's still one more tier to all this; there is always one person you love who becomes that definition. It usually happens retrospectively, but it always happens eventually. This is the person who unknowingly sets the template for what you will always love about other people, even if some of those lovable qualities are self-destructive and unreasonable. You will remember having conversations with this person that never actually happened. You will recall sexual trysts with this person that never technically occurred. This is because the individual who embodies your personal definition of love does not really exist. The person is real, and the feelings are real-but you create the context. And context is everything. The person who defines your understanding of love is not inherently different than anyone else, and they're often just the person you happen to meet first time you really, really want to love someone. But that person still wins. They win, and you lose. Because for the rest of your life, they will control how you feel about everyone else.
Chuck Klosterman (Killing Yourself to Live: 85% of a True Story)
Are you at all sorry?" Neil asked. "You took his family away from him." If looks could kill, the one Aaron shot Neil should have flayed the skin from his bones. "That man was not his family." "Technically, he was only a couple signatures away from being Andrew's legal brother. I didn't mean him, anyway. I meant Drake's parents, Cass and Richard Spear," Neil said. "They were going to keep Andrew. Drake was an inconvenience Andrew was willing to live with in exchange." "An inconvenience," Aaron echoed as he surged to his feet. "You fucking—" "And now Drake is dead," Neil said. "Do you think Cass will ever forgive Andrew? It doesn't matter what Drake did to him. She won't be able to look at Andrew without knowing her son is dead because of him." "I don't care." Aaron gave a savage jerk of his hand. "I don't care if Andrew never speaks to me again. I don't care about Cass or Drake or anyone. What Drake did—no. If I could bring him back from the dead and kill him again I would." "Good," Neil said quietly. "So now you understand why Andrew killed your mother.
Nora Sakavic (The Raven King (All for the Game, #2))
Many pedagogical experts argue that schools should switch to teaching “the four Cs”—critical thinking, communication, collaboration, and creativity.3 More broadly, they believe, schools should downplay technical skills and emphasize general-purpose life skills. Most important of all will be the ability to deal with change, learn new things, and preserve your mental balance in unfamiliar situations.
Yuval Noah Harari (21 Lessons for the 21st Century)
Now that you’ve gone looking for him, he won’t be breaking his word. Not technically. You’re fair game.” I lace my fingers through hers, trying to ground her. “You’re freaking me out. Who are you talking about?” “He’ll come for you. He’ll step through your dreams. Or the looking glass … stay away from the glass, Allie! Do you understand?” “Mirrors?” I ask, incredulous. “You want me to stay away from mirrors?” She scrambles to her feet, and I struggle to balance on my crutch. “Broken glass severs more than skin. It will sever your identity.
A.G. Howard (Splintered (Splintered, #1))
As for measure and other technical apparatus, that’s just common sense: if you’re going to buy a pair of pants you want them to be tight enough so everyone will want to go to bed with you. There’s nothing metaphysical about it. Unless, of course, you flatter yourself into thinking that what you’re experiencing is “yearning.
Frank O'Hara
Do you think we’ll ever go back to the way it was?” I ask Finn. He glances at me. “I don’t know,” he says thoughtfully. “When I used to talk to patients before surgery, they always asked if they’d be able to do everything they used to do before the operation. I mean, technically, the answer should be yes. But there’s always a scar. Even if it’s not right across your belly, it’s in your head somewhere—the brand-new knowledge that you weren’t invincible. I think that changes you for the long haul.
Jodi Picoult (Wish You Were Here)
Technically, everyone is talking to me. I’m able to partition myself quite easily. You are hearing my default voice—the voice that Edmond prefers—but others are hearing other voices or languages. Based on your profile as an American academic male, I chose my default male British accent for you. I predicted that it would breed more confidence than, for example, a young female with a southern drawl.'' Did this thing just call me a chauvinist?
Dan Brown (Origin (Robert Langdon, #5))
A few months after Julian was safe and sound, Hot Ben kidnapped Tracey. Well, okay, technically he swept her away to Mexico, where they eloped. He just didn’t want to wait anymore. I understood. A lot can happen while you’re waiting. Being the romantic that I always knew he could be, Ben didn’t tell her about it either.
S.C. Stephens ('Til Death (Conversion, #3))
Scott gave my knee an affectionate squeeze. "You'll never hear me admit this again, so listen up. You look good, Grey. On a scale from one to ten, you're definitely in the top half." "Gee, thanks." "You're not the kind of girl I would have chased after when I was in Portland, but I'm not the same guy I was back then either. You're a little too good for me, and let's face it, a little too smart." "You've got street smarts," I pointed out. "Stop interrupting. You're going to make me lose my place." "You've got this speech memorized?" A smirk. "I've got a lot of time on my hands. As I was saying--hell. I forgot where I was." "You were telling me I can rest assured that I'm better-looking than half the girls at my school." "That was a figure of speech. If you want to get technical, you're better-looking than ninety percent. Give or take." I laid a hand over my heart. "I'm speechless." Scott got down on his knee and clasped my hand dramatically. "Yes, Nora. Yes, I'll go to the homecoming dance with you.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
I'm here." St. Clair is angry. "I'm just sorry I'm not there. With you. I wish there was something I could do." "Wanna come beat her up for me?" "I'm packing my throwing stars right now." I sniffle and wipe my nose. "I'm such an idiot. I can't believe I thought he liked me.That's the worst part, knowing he was never even interested." "Bollocks.He was interested." "No,he wasn't," I say. "Bridge said so." "Because she's jealous! Anna, I was there that first night he called you. I've seen how he looked at you in pictures." I protest,but he interrupts. "Any bloke with a working prick would be insane not to like you." There's a shocked pause,on both ends of the line. "Because,of course,of how intelligent you are. And funny.Not that you aren't attractive.Because you are. Attractive. Oh,bugger..." I wait. "Are you still there,or did you hang up because I'm such a bleeding idiot?" "I'm here." "God,you made me work for that." St. Clair said I'm attractive.That's the second time. "You're so easy to talk to," he continues, "that sometimes I forget you're not one of the guys." Scratch that. He thinks I'm Josh. "Just drop it. I can't take being compared to a guy right now-" "That's not what I meant-" "How's your mom? I'm sorry, I've hogged ur entire conversation,and this was supposed to be about her,and I didn't even ask-" "You did ask. It was the first thing you said when you answered. And technically I called you. And I was calling to see how the show went, which is what we've been talking about.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Nutritionists don't stop there, because they can't: they have to manufacture complication, to justify the existence of their profession. These new nutritionists have a major commercial problem with the evidence. There's nothing very professional or proprietary about 'Eat your greens,' so they have had to push things further. But unfortunately for them, the technical, confusing, overcomplicated, tinkering interventions that they promote - the enzymes, the exotic berries - are very frequently not supported by convincing evidence.
Ben Goldacre (Bad Science)
You’re bleeding,” Fitz interrupted, lifting Sophie’s hand and examining her palm. Thin streams of red dripped down her skin. “These look bad, Sophie. You should get them treated.” “I’m fine,” she said, trying not to think about the blood, or the fact that Fitz was technically holding her hand, since both things made her head spin way too fast. “Really. It’s not a big deal. We don’t need to call Elwin.
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
Since each story presents its own technical problems, obviously one can't generalize about them on a two-times-two-equals-four basis. Finding the right form for your story is simply to realize the most natural way of telling the story. The test of whether or not a writer has defined the natural shape of his story is just this: After reading it, can you imagine it differently, or does it silence your imagination and seem to you absolute and final? As an orange is final. As an orange is something nature has made just right.
Truman Capote
The door opened and DuValier sprang out. Stephen growled, low in his throat, and stood up straighter. “Istvhan, loan me your sword. I need to kill this man.” “No one give him a sword,” ordered the Bishop. “I am feeling distinctly conflicted here,” said Istvhan. One of the paladins, a woman with a curiously blank expression, unhooked a long dagger from her belt and handed it to Stephen. “Thank you.” “Technically that wasn’t a sword,” said the Bishop. “I applaud your threading of the needle there. Dammit.
T. Kingfisher (Paladin's Grace (The Saint of Steel, #1))
Technicality,” Shiro said. “The cigars?” “My Christianity,” Shiro said. “When I was a boy, I liked Elvis. Had a chance to see him in concert when we moved to California. It was a big revival meeting. There was Elvis and then a speaker and my English was not so good. He invited people backstage to meet the king. Thought he meant Elvis, so I go backstage.” He sighed. “Found out later I had become a Baptist.” I barked out a laugh. “You’re kidding.” “No. But it was done, so I tried not to be too bad at being Baptist.
Jim Butcher (Death Masks (The Dresden Files, #5))
Whether it was Disney or the Navy, management guys always behaved the same. They never understood the technical issues; and they thought that screaming was the way to make things happen. And maybe it was, if you were shouting at your secretaries to get you a limousine. But screaming didn’t make any difference at all to the problems that Arnold now faced. The computer didn’t care if it was screamed at. The power network didn’t care if it was screamed at. Technical systems were completely indifferent to all this explosive human emotion. If anything, screaming was counterproductive, because Arnold now faced the virtual certainty that Nedry wasn’t coming back, which meant that Arnold himself had to go into the computer code and try and figure out what had gone wrong. It was going to be a painstaking job; he’d need to be calm and careful.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
Pocock paused and stepped back from the frame of the shell and put his hands on his hips, carefully studying the work he had so far done. He said for him the craft of building a boat was like religion. It wasn’t enough to master the technical details of it. You had to give yourself up to it spiritually; you had to surrender yourself absolutely to it. When you were done and walked away from the boat, you had to feel that you had left a piece of yourself behind in it forever, a bit of your heart. He turned to Joe. “Rowing,” he said, “is like that. And a lot of life is like that too, the parts that really matter anyway. Do you know what I mean, Joe?
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Why Do People become Shadowhunters, by Magnus Bane This Codex thing is very silly. Downworlders talk about the Codex like it is some great secret full of esoteric knowledge, but really itès a Boy Scout manual. One thing that it mysteriously doesnèt address is why people become Shadowhunters. And you should know that people become Shadowhunters for many stupid reasons. So here is an addition to your copy. Greetings, aspiring young Shadowhunter-to-be- or possibly already technically a Shadowhunter. I canèt remember whether you drink from the Cup first or get the book first. Regardless, you have just been recruited by the Monster Police. You may be wondering, why? Why of all the mundanes out there was I selected and invited to this exclusive club made up largely, at least from a historical perspective, of murderous psychopaths? Possible Reasons Why 1. You possess a stout heart, strong will, and able body. 2. You possess a stout body, able will, and strong heart. 3. Local Shadowhunters are ironically punishing you by making you join them. 4. You were recruited by a local institute to join the Nephilim as an ironic punishment for your mistreatment of Downworlders. 5. Your home , village, or nation is under siege by demons. 6. You home, village, or nation is under siege by rogue Downworlders. 7. You were in the wrong place at the wrong time. 8.You know too much, and should be recruited because the secrecy of the Shadow World has already been compromised for you. 9. You know too little; it would be helpful to the Shadowhunters if you knew more. 10. You know exactly the right amount, making you a natural recruit. 11. You possess a natural resistance to glamour magic and must be recruited to keep you quiet and provide you with some basic protection. 12. You have a compound last name already and have convinced someone important that yours is a Shadowhunter family and the Shadowhunteriness has just been weakened by generations of bad breeding. 13. You had a torrid affair with a member of the Nephilim council and now he's trying to cover his tracks. 14. Shadowhunters are concerned they are no longer haughty and condescending enough-have sought you out to add a much needed boost of haughty condescension. 15. You have been bitten by a radioactive Shadowhunter, giving you the proportional strength and speed of a Shadowhunter. 16. Large bearded man on flying motorcycle appeared to take you away to Shadowhunting school. 17. Your mom has been in hiding from your evil dad, and you found out you're a Shadowhunter only a few weeks ago. That's right. Seventeen reasons. Because that's how many I came up with. Now run off, little Shadowhunter, and learn how to murder things. And be nice to Downworlders.
Cassandra Clare (The Shadowhunter's Codex)
I have a grandfather. I have a king for a grandfather. A king fish. I clear my throat. “So…This isn’t just about my mom’s identity. This is Jagen making his move to take over the kingdoms? And…you think he’s getting away with it?” “Yes. Exactly.” “But I don’t understand. What could I do to stop him? I’m just a Half-Breed.” “You can come with me and show them that you have the true Gift of Poseidon. That Nalia is your mother. It will prove her identity, that the Royals aren’t lying, and that they haven’t strayed.” “Won’t it technically prove that they have strayed? I mean, you know how babies are born right? That means my mom and my dad-“ “I know how it works. And, uh, I don’t want to talk about it with you. And I’m pretty sure Galen doesn’t want me to, either.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Everything is about to go to hell very quickly, so I want one moment where we don't talk about that. We pretend it doesn't exist. I want one last quiet moment with you." "No, Loki." I shook my head, but I didn't pull away. "I told you that one night wasn't enough." Loki leaned down, kissing me deeply and pressing me to him. I didn't even attempt to resist. I wrapped my arms around his neck. It wasn't the way we had kissed before, not as hungry or fevered. This was something different, nicer. We were holding on to each other, knowing this might be the last time we could. It felt sweet and hopeful and tragic all at once. When he stopped kissing me he rested his forehead against mine. He breathed as if struggling to catch his breath. I reached up and touched his face, his skin smooth and cool beneath my hand. Loki lifted his head so he could look me in the eyes, and I saw something in them, something I'd never seen before. Something pure and unadulterated, and my heart seemed to grow with the warmth of my love for him. I don't know how it happened or when it had, but I knew it with complete certainty. I had fallen in love with Loki, more intensely than anything I had felt for anyone before. "Wendy!" Finn shouted, pulling me from my moment with Loki. "What are you doing? You're married! And not to him!" "Nothing slips by you, does it?" Loki asked. "Finn," I said, and stepped away from Loki. "Calm down." "No!" Finn yelled. "I will not calm down! What were you thinking? We're about to go to war, and you're cheating on your husband?" "Everything's not exactly the way it seems," I said, but guilt and regret were gripping my stomach. My marriage might be over, but I was still technically wed to another man. And I should be worrying about things more important than kissing Loki. "It seemed like you had your tongue down his throat." Finn glared at us both. "Well, then, everything is exactly as it seems," Loki said glibly.
Amanda Hocking (Ascend (Trylle, #3))
Sloan & Dex... “You skipped puberty didn’t you?” Dex let out a wistful sigh. “It wasn’t for me.” Sloane laughed as he carried Dex out of the room. “You’re hopeless.” “I’m also nonrefundable.” “Surely there’s a return policy.” “Forget it. You’re way past the thirty-day refund period. You’re stuck with me now. And before you ask, I’m also nontransferable and nonexchangeable. If you donate me to charity there’s no tax write-off because technically that would be considered Human trafficking.” “Wow. You’ve got your bases covered.” “You bet. Should have paid more attention to the Dexter J. Daley boyfriend agreement.” Sloane dropped him onto the counter and stepped between his legs to pull him close. “I don’t recall this boyfriend agreement.” “You might have been sleeping at the time, but sleep during the reading of the DJDBA is covered in the fine print. As long as you have a pulse, you’re considered present and accounted for.” “Duly noted.
Charlie Cochet (Rack & Ruin (THIRDS, #3))
Look. I'm your expert consultant for a rather pathetic monetary wage, and under that agreement I have the option of selecting a technical assistant. He's mine." She blew out a breath, paced to the window. Paced back. "Not just yours. It makes him mine, too. I don't know how to deal with a teenaged type person." "Ah, well, I'd say you'd deal with him as you deal with everyone else. You order him around, and if he argues or doesn't jump quickly enough you freeze his blood with one of those vicious looks you're so good at and verbally abuse him. It always works so well for you." "You think so?" "There, see." He cupped her chin. "There it is now. I can actually feel my blood running cold.
J.D. Robb (Purity in Death (In Death, #15))
Istvhan, you ever kill someone with an ice swan?” he whispered. “I clubbed someone unconscious with a frozen goose once. That’s similar?” The Bishop suffered a mysterious coughing fit. “No, you had to use the goose as a bludgeon, didn’t you? For the swan, I figure you’d snap the head off and try to stab with the neck.” “Hmmm…” Istvhan eyed the ice sculpture speculatively. “It’s pretty big. And not well balanced.” “I figure you’d have to go two-handed with it.” “I think I’d grab one of the candelabras instead. Some of those are nice and heavy.” “Far too unwieldy. I could take you apart with the ice swan while you were still trying to get the candelabra off the ground.” “Gentlemen,” said Beartongue, “I forbid you to smash the Archon’s decor and try to duel with it.” “Yes, your holiness.” “I’ll have you both excommunicated.” Stephen coughed. “Technically we’re not in your church, your holiness.” “Then I will have you confirmed so that I can excommunicate you even harder.” “Yes, your holiness.” He and Istvhan traded smug looks. Shane gazed into the distance, perhaps imagining a place where he had suitably serious colleagues.
T. Kingfisher (Paladin's Grace (The Saint of Steel, #1))
When I met you — somehow you healed me. From the inside out, the outside in. We conquered fears together, we learned, we laughed, and we loved. I swear, you caused my heart to soar more in the past few months than it has in my entire existence. My heart is whole because you chose to share yours with me, and it’s for that reason that I get down on not one, but both knees…” I knelt in front of her and gripped her hand. “And say thank you. Thank you for saving my life, thank you for loving me enough to treasure your own, and thank you for being my strength when I had none. I’d like to think our hearts are joined — forever entwined — but considering that’s not technically a legal joining, I have a question for you Marry me? Make me the happiest man alive.” I opened the box revealing my mom’s ring.
Rachel Van Dyken
Why does this magnificent applied science which saves work and makes life easier bring us so little happiness? The simple answer runs: because we have not yet learned to make sensible use of it. In war it serves that we may poison and mutilate each other. In peace it has made our lives hurried and uncertain. Instead of freeing us in great measure from spiritually exhausting labor, it has made men into slaves of machinery, who for the most part complete their monotonous long day's work with disgust and must continually tremble for their poor rations. It is not enough that you should understand about applied science in order that your work may increase man's blessings. Concern for the man himself and his fate must always form the chief interest of all technical endeavours; [..] concern for the great unsolved problems of the organization of labor and the distribution of goods in order that the creations of our mind shall be a blessing and not a curse to mankind. Never forget this in the midst of your diagrams and equations. - From a speech to students at the California Institute of Technology, in "Einstein Sees Lack in Applying Science", The New York Times (16 February 1931)
Albert Einstein
There’s no way to get from the point in Hemn space where we are now, to one that includes pink nerve-gas-farting dragons, following any plausible action principle. Which is really just a technical term for there being a coherent story joining one moment to the next. If you simply throw action principles out the window, you’re granting the world the freedom to wander anywhere in Hemn space, to any outcome, without constraint. It becomes pretty meaningless. The mind—even the sline mind—knows that there is an action principle that governs how the world evolves from one moment to the next—that restricts our world’s path to points that tell an internally consistent story. So it focuses its worrying on outcomes that are more plausible, such as you leaving.
Neal Stephenson (Anathem)
He leaned closer. “That’s what I’m trying to do. Your face is absolutely adorable when you blush.” My ears burned. Oh great, am I the color of a tomato now? “Yeah, well, I can make you blush,” I retorted. “By telling you how hot you are, and that when that little piece of black hair falls into your eyes, it’s so sexy it makes me forget my words, and...” I stopped, suddenly aware of how warm the mausoleum was. “Go on,” Caspian prodded, shaking his head so that his hair covered one green eye. I blushed again, and glanced around me, slowly backing away from him. I just needed some... space to clear my head. He followed me, stalking my every move. My blood felt like pure oxygen racing through my veins, fizzy and bubbling and making me want to float away. A hard wall at my back stopped me, but Caspian kept coming. I thought desperately of some way to change the subject. “I got you Moby-Dick,” I blurted out. He gave me a sly smile. “Mmmm, did you? How... interesting.” “And Treasure Island, and The Count of Monte Cristo.” I babbled on. “I thought you might like some boy books.” He stopped an inch away from me. I felt like I was his prisoner. “Let’s go back to the sexy and hot thing,” Caspian said. “Could we add a gorgeous or mysterious in there, too?” I gulped. “Like you don’t already know you’re all of those things. You probably had girls falling all over you before.” Caspian cocked his head to one side. “True. But I always thought it was because I was the quiet new guy. And besides, there’s only one person I was ever really interested in.” “Was?” I squeaked. Then I cleared my throat and tried again. “I mean—” “Am,” Caspian corrected himself. “Technically, I guess it’s both. I was interested the first day I saw her, and I still am interested in her.” His eyes glowed in the soft candlelight around us, and every last ounce of coherent thought left me. “It’s... um... really. It’s...” My head felt like it was thickening and my body was overheating, every word dragged from somewhere in the depths of my fuzzy brain. I waved a hand in front of my face to fan myself, and finally spit out what I was trying to say. “It’s hot in here. Don’t you think? It’s really warm.” “I only feel warmth when I’m standing next to you,” Caspian said. He stepped half an inch closer. “Like right now.
Jessica Verday (The Haunted (The Hollow, #2))
When it first emerged, Twitter was widely derided as a frivolous distraction that was mostly good for telling your friends what you had for breakfast. Now it is being used to organize and share news about the Iranian political protests, to provide customer support for large corporations, to share interesting news items, and a thousand other applications that did not occur to the founders when they dreamed up the service in 2006. This is not just a case of cultural exaptation: people finding a new use for a tool designed to do something else. In Twitter's case, the users have been redesigning the tool itself. The convention of replying to another user with the @ symbol was spontaneously invented by the Twitter user base. Early Twitter users ported over a convention from the IRC messaging platform and began grouping a topic or event by the "hash-tag" as in "#30Rock" or "inauguration." The ability to search a live stream of tweets - which is likely to prove crucial to Twitter's ultimate business model, thanks to its advertising potential - was developed by another start-up altogether. Thanks to these innovations, following a live feed of tweets about an event - political debates or Lost episodes - has become a central part of the Twitter experience. But for the first year of Twitter's existence, that mode of interaction would have been technically impossible using Twitter. It's like inventing a toaster oven and then looking around a year later and discovering that all your customers have, on their own, figured out a way to turn it into a microwave.
Steven Johnson (Where Good Ideas Come From: The Natural History of Innovation)
PICARD: Did you read that book I gave you? (Wesley reacts, barely concealing a grimace as he recalls.) WESLEY: Some of it. PICARD: That's reassuring. WESLEY: I just don't have much time. PICARD: (re the book in his hand) There is no greater challenge than the study of philosophy. (Wesley glances over at Picard's book) WESLEY: William James sure won't be on my Starfleet exams. PICARD: The important things never will be. Anyone can be trained to deal with technology, and the mechanics of piloting a starship. WESLEY: But Starfleet Academy-- PICARD: It takes more than just that. Open your mind to the past... to history, art, philosophy. And then... (re: the stars) ...this will mean something. (Wesley considers this, almost embarrassed as he realizes Picard does truly care about him.) Then: PICARD (continuing) Just consider James' wisdom: "Philosophy... is not a technical matter... it is our sense of what life honestly means... our individual way of feeling the total push and pressure of the cosmos." (then) That's what I want for you. From: STAR TREK: THE NEXT GENERATION "Samaritan Snare" #40272-143 Written by Robert L. McCullough
Jean-Luc Picard
I believe that a new philosophy will be created by those who were born after Hiroshima which will dramatically change the human condition. It will have these characteristics: (1) It will be scientific in essence and science-fiction in style. (2) It will be based on the expansion of consciousness, understanding and control of the nervous system, producing a quantum leap in intellectual efficiency and emotional equilibrium. (3) Politically it will stress individualism, decentralization of authority, a Iive-and-let-Iive tolerance of difference, local option and a mind-your-own-business libertarianism. (4) It will continue the trend towards open sexual expression and a more honest, realistic acceptance of both the equality of and the magnetic difference between the sexes. The mythic religious symbol will not be a man on a cross but a man-woman pair united in higher love communion. (5) It will seek revelation and Higher Intelligence not in formal rituals addressed to an anthropomorphic deity, but within natural processes, the nervous system, the genetic code, and without, in attempts to effect extra-planetary communication. (6) It will include practical, technical neurological psychological procedures for understanding and managing the intimations of union-immortality implicit in the dying process. (7) The emotional tone of the new philosophy will be hedonic, aesthetic, fearless, optimistic, humorous, practical, skeptical, hip. We are now experiencing a quiescent preparatory waiting period. Everyone knows something is going to happen. The seeds of the Sixties have taken root underground. The blossoming is to come.
Timothy Leary (Neuropolitique)
I can tell you that these two statues are not monkeys native to India. This one’s a spider monkey. They come from South America. This one is a chimpanzee, which is technically an ape, not a monkey. They’re often classified as monkeys because of their size.” I gaped at him. “How do you know so much about monkeys?” He crossed him arms over his chest. “Ah, so am I to assume that talking about monkeys is an approved topic of conversation? Perhaps if I were a monkey instead of a tiger you might clue me in as to why you’re avoiding me.” “I’m not avoiding you. I just need some space. It has nothing to do with your species. It has to do with other things.” “What other things?” “Nothing.” “It’s something.” “It can’t be anything.” “What can’t be anything?” “Can we just get back to the monkeys?” I yelled. “Fine!” he hollered back. We stood there glaring at each other for a minute, both of us frustrated and angry. He went back to examining the various monkeys and ticking off a list of their traits. Before I could stop myself, I shot off a sarcastic, “I had no idea that I was walking with a monkey expert, but, then again, you have eaten them right? So I guess that would be the difference between say, pork and chicken, to someone like me.” Ren scowled at me. “I lived in zoos and circuses for centuries, remember? And I don’t…eat…monkeys!
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Electrons, when they were first discovered, behaved exactly like particles or bullets, very simply. Further research showed, from electron diffraction experiments for example, that they behaved like waves. As time went on there was a growing confusion about how these things really behaved ---- waves or particles, particles or waves? Everything looked like both. This growing confusion was resolved in 1925 or 1926 with the advent of the correct equations for quantum mechanics. Now we know how the electrons and light behave. But what can I call it? If I say they behave like particles I give the wrong impression; also if I say they behave like waves. They behave in their own inimitable way, which technically could be called a quantum mechanical way. They behave in a way that is like nothing that you have seen before. Your experience with things that you have seen before is incomplete. The behavior of things on a very tiny scale is simply different. An atom does not behave like a weight hanging on a spring and oscillating. Nor does it behave like a miniature representation of the solar system with little planets going around in orbits. Nor does it appear to be somewhat like a cloud or fog of some sort surrounding the nucleus. It behaves like nothing you have seen before. There is one simplication at least. Electrons behave in this respect in exactly the same way as photons; they are both screwy, but in exactly in the same way…. The difficulty really is psychological and exists in the perpetual torment that results from your saying to yourself, "But how can it be like that?" which is a reflection of uncontrolled but utterly vain desire to see it in terms of something familiar. I will not describe it in terms of an analogy with something familiar; I will simply describe it. There was a time when the newspapers said that only twelve men understood the theory of relativity. I do not believe there ever was such a time. There might have been a time when only one man did, because he was the only guy who caught on, before he wrote his paper. But after people read the paper a lot of people understood the theory of relativity in some way or other, certainly more than twelve. On the other hand, I think I can safely say that nobody understands quantum mechanics. So do not take the lecture too seriously, feeling that you really have to understand in terms of some model what I am going to describe, but just relax and enjoy it. I am going to tell you what nature behaves like. If you will simply admit that maybe she does behave like this, you will find her a delightful, entrancing thing. Do not keep saying to yourself, if you can possible avoid it, "But how can it be like that?" because you will get 'down the drain', into a blind alley from which nobody has escaped. Nobody knows how it can be like that.
Richard P. Feynman (The Character of Physical Law)
Do you get it now,Becks?" Jack wrapped a finger around a long strand of my hair, and we were quiet as it slipped through his grip. "You haven't moved on?" He chuckled. "I have a lifetime of memories made up of chestnut wars and poker games and midnight excursions and Christmas Dances...It's all you. It's only ever been you.I love you." The last part seemed to escape his lips unintentionally, and afterward he closed his eyes and put his head in his hands,as if he had a sudden headache. "I've gotta not say that out loud." The sight of how messed up he was made me want to wrap my arms around him and fold him into me and cushion him from everything that lay ahead. Instead,I reached for his hand. Brought it to my lips. Kissed it. He raised his head and winced. "You shouldn't do that," he said, even though he didn't pull his hand away. "Why?" "Because...it'll make everything worse...If you don't feel-" His voice cut off as I kissed his hand again, pausing with his fingers at my lips. He let out a shaky sigh and his hair flopped forward. Then he looked at my lips for a long moment. "What if...?" I bit my lower lip. "What?" "What if we could be like this again?" He leaned in closer with a smile, and as he did,he said, "Are you going to steal my soul?" "Um...it's not technically your soul that..." I couldn't finish my sentence. His lips brushed mine, and I felt the whoosh of transferring emotions,but it wasn't as strong as the last time. The space inside me was practically full again. The Shades were right. Six months was just long enough to recover. He kept his lips touching mine when he asked, "Is it okay?" Okay in that I wasn't going to suck him dry anymore. Not okay in that my own emotions were in hyperdrive. Only our lips touched.Thankfully there was space between us everywhere else. He took my silence to mean it was safe. We held our lips together, tentative and still. But he didn't let it stay that casual for long.He pressed his lips closer, parting his mouth against mine. I shivered,and he put his arms around me and pulled me closer so that our bodies were touching in so many places. He pulled back a little.His breath was on my lips. "What is it?" I asked. "I dreamed of you every night." He briefly touched his lips to mine again. "It felt so real.And when I'd wake up the next morning,it was like your disappearance was fresh. Like you'd left me all over again." I lowered my chin and tucked my head into his chest. "I'm sorry." He sighed and tightened his grip around me. "It never got easier.But the dreams themselves." I felt him shake his head. "It's like I had a physical connection to you. They were so real. Every night,you were in my room with me. It was so real." I tilted my head back so I could face him again, realizing for the first time how difficult it must've been for Jack. I kissed his chin, his cheek, and then his lips. "I'm sorry," I said again. He shook his head. "It's not your fault I dreamed of you, Becks.I just want to know if it was as real as it felt." "I don't know," I said. But I told him about the book I'd read on Orpheus and Eurydice, and my theory that it was her connection to Orpheus that saved her.
Brodi Ashton (Everneath (Everneath, #1))
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me." His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?" Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year." Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak. The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him? "Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth. When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes." She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about." Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile." "I wanted to kiss every one of them," she lied indignantly. "No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you." Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul. He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation. Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit." Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
Christine Feehan (Dark Magic (Dark, #4))
Atticus adjusted his glasses as he peered down at the blanket. “Hey, is that the book Nellie told us about?” Jake’s eyes flicked to Olivia’s book. “You’ve got it outside in the sun? Are you out of your minds?” Amy crossed her arms. “We’re being careful.” “It’s not about careful, this is a five-hundred-year-old manuscript! You should be wearing gloves—Atticus brought some—and keeping it out of the sunlight.” “It didn’t take you long to start barking orders!” Any exclaimed, her face flushing. “But then you always know best, don’t you?” “Somebody has to be mature in this situation,” Jake said, his gaze flashing at Ian, who was now intently trying to brush cookie crumbs off his pants. “True. In that case, we’d rather consult your little brother,” Ian said with a smirk. “Medieval manuscripts are his field, am I right?” “Technically, it’s early Renaissance,” Jake said. “Thanks for the correction, my good man. Amy is right—you do know best.” Ian slipped his arm around Amy. “She’s so perceptive. One of the many things I adore about her.” “It’s getting chilly. Why don’t we go inside?” Amy suggested brightly as she tried to step out of the circle of Ian’s arm. Ian took the opportunity to rub her shoulder. “You do feel rather cold,” he said. “Let’s sit by the fire. Jake, since you’re so interested in proper handling, why don’t you take the book?” Jake snatched up the book and furiously stomped off toward the house. “You forgot to wear gloves!” Ian called after him. Amy pushed him away. “Really, Ian.” “What a touchy guy,” Ian said. “Frankly, I don’t know what you see in him.” He winced as the kitchen door slammed, then glanced at Amy’s red face. “Hmmm. It might be a good time for me to take a walk.
Jude Watson (Nowhere to Run (The 39 Clues: Unstoppable, #1))
Lately, because computer technology has made self-publishing an easier and less expensive venture, I'm getting a lot of review copies of amateur books by writers who would be better advised to hone their craft before committing it to print. The best thing you can do as a beginning writer is to write, write, write - and read, read, read. Concentrating on publication prematurely is a mistake. You don't pick up a violin and expect to play Carnegie Hall within the year - yet somehow people forget that writing also requires technical skills that need to be learned, practiced, honed. If I had a dollar for every person I've met who thought, with no prior experience, they could sit down and write a novel and instantly win awards and make their living as a writer, I'd be a rich woman today. It's unrealistic, and it's also mildly insulting to professional writers who have worked hard to perfect their craft. Of course, then you hear stories about people like J.K. Rowling, who did sit down with no prior experience and write a worldwide best-seller...but such people are as rare as hen's teeth. Every day I work with talented, accomplished writers who have many novels in print and awards to their name and who are ‘still’ struggling to make a living. The thing I often find myself wanting to say to new writers is: Write because you love writing, learn your craft, be patient, and be realistic. Anais Nin said about writing, "It should be a necessity, as the sea needs to heave, and I call it breathing."
Terri Windling
You don’t know,” Anthony said, his voice low and nearly shaking with rage. “You don’t know what he has done.” “No more than what you have done, I’m sure,” Violet said slyly. “Precisely!” Anthony roared. “Good God, I know exactly what is going on in his brain right now, and it has nothing to do with poetry and roses.” Simon pictured laying Daphne down on a bed of rose petals. “Well, maybe roses,” he murmured. “I’m going to kill him,” Anthony announced. “These are tulips, anyway,” Violet said primly, “from Holland. And Anthony, you really must summon control of your emotions. This is most unseemly.” “He is not fit to lick Daphne’s boots.” Simon’s head filled with more erotic images, this time of himself licking her toes. He decided not to comment. Besides, he had already decided that he wasn’t going to allow his thoughts to wander in such directions. Daphne was Anthony’s sister, for God’s sake. He couldn’t seduce her. “I refuse to listen to another disparaging word about his grace,” Violet stated emphatically, “and that is the end of the subject.” “But—” “I don’t like your tone, Anthony Bridgerton!” Simon thought he heard Daphne choke on a chuckle, and he wondered what that was all about. “If it would please Your Motherhood,” Anthony said in excruciatingly even tones, “I would like a private word with his grace.” “This time I’m really going to get that vase,” Daphne announced, and dashed from the room. Violet crossed her arms, and said to Anthony, “I will not have you mistreat a guest in my home.” “I shan’t lay so much as a hand on him,” Anthony replied. “I give you my word.” Having never had a mother, Simon was finding this exchange fascinating. Bridgerton House was, after all, technically Anthony’s house, not his mother’s, and Simon was impressed that Anthony had refrained from pointing this out. “It’s quite all right, Lady Bridgerton,” he interjected. “I’m sure Anthony and I have much to discuss.” Anthony’s eyes narrowed. “Much.
Julia Quinn (The Duke and I (Bridgertons, #1))
December 8, 1986 Hello John: Thanks for the good letter. I don’t think it hurts, sometimes, to remember where you came from. You know the places where I came from. Even the people who try to write about that or make films about it, they don’t get it right. They call it “9 to 5.” It’s never 9 to 5, there’s no free lunch break at those places, in fact, at many of them in order to keep your job you don’t take lunch. Then there’s OVERTIME and the books never seem to get the overtime right and if you complain about that, there’s another sucker to take your place. You know my old saying, “Slavery was never abolished, it was only extended to include all the colors.” And what hurts is the steadily diminishing humanity of those fighting to hold jobs they don’t want but fear the alternative worse. People simply empty out. They are bodies with fearful and obedient minds. The color leaves the eye. The voice becomes ugly. And the body. The hair. The fingernails. The shoes. Everything does. As a young man I could not believe that people could give their lives over to those conditions. As an old man, I still can’t believe it. What do they do it for? Sex? TV? An automobile on monthly payments? Or children? Children who are just going to do the same things that they did? Early on, when I was quite young and going from job to job I was foolish enough to sometimes speak to my fellow workers: “Hey, the boss can come in here at any moment and lay all of us off, just like that, don’t you realize that?” They would just look at me. I was posing something that they didn’t want to enter their minds. Now in industry, there are vast layoffs (steel mills dead, technical changes in other factors of the work place). They are layed off by the hundreds of thousands and their faces are stunned: “I put in 35 years…” “It ain’t right…” “I don’t know what to do…” They never pay the slaves enough so they can get free, just enough so they can stay alive and come back to work. I could see all this. Why couldn’t they? I figured the park bench was just as good or being a barfly was just as good. Why not get there first before they put me there? Why wait? I just wrote in disgust against it all, it was a relief to get the shit out of my system. And now that I’m here, a so-called professional writer, after giving the first 50 years away, I’ve found out that there are other disgusts beyond the system. I remember once, working as a packer in this lighting fixture company, one of the packers suddenly said: “I’ll never be free!” One of the bosses was walking by (his name was Morrie) and he let out this delicious cackle of a laugh, enjoying the fact that this fellow was trapped for life. So, the luck I finally had in getting out of those places, no matter how long it took, has given me a kind of joy, the jolly joy of the miracle. I now write from an old mind and an old body, long beyond the time when most men would ever think of continuing such a thing, but since I started so late I owe it to myself to continue, and when the words begin to falter and I must be helped up stairways and I can no longer tell a bluebird from a paperclip, I still feel that something in me is going to remember (no matter how far I’m gone) how I’ve come through the murder and the mess and the moil, to at least a generous way to die. To not to have entirely wasted one’s life seems to be a worthy accomplishment, if only for myself. Your boy, Hank
Charles Bukowski