“
I love, I can only love the one I've left behind, stained with my blood when, ungrateful wretch that I am, I extinguished myself and shot myself through the heart. But never, never have I ceased to love that one, and even on the night I parted from him I loved him perhaps more poignantly than ever. We can truly love only with suffering and through suffering! We know not how to love otherwise. We know no other love. I want suffering in order to love. I want and thirst this very minute to kiss , with tears streaming down my cheeks, this one and only I have left behind. I don't want and won't accept any other.
”
”
Fyodor Dostoevsky
“
Only you could contemplate imminent death and just say 'all right.'"
He smiled at me and pushed the hair back from my tear-stained face. "How about 'oh no'?
”
”
Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
“
I treat myself like I would my daughter. I brush her hair, wash her laundry, tuck her in goodnight. Most importantly, I feed her. I do not punish her. I do not berate her, leave tears staining her face. I do not leave her alone. I know she deserves more. I know I deserve more.
”
”
Michelle K.
“
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table.
I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza.
I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey.
I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.
”
”
Lemony Snicket
“
And then there are the cravings.. Oh, la! A woman may crave to be near water, or be belly down, her face in the earth, smelling the wild smell. She might have to drive into the wind. She may have to plant something, pull things out of the ground or put them into the ground. She may have to knead and bake, rapt in dough up to her elbows.
She may have to trek into the hills, leaping from rock to rock trying out her voice against the mountain. She may need hours of starry nights where the stars are like face powder spilt on a black marble floor. She may feel she will die if she doesn’t dance naked in a thunderstorm, sit in perfect silence, return home ink-stained, paint-stained, tear-stained, moon-stained.
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves)
“
A man who respects his wife, does not sleep with other women. And a woman who respects herself does not allow her husband to get away with it
”
”
Courtney Giardina (Tear Stained Beaches)
“
To Earthward"
Love at the lips was touch
As sweet as I could bear;
And once that seemed too much;
I lived on air
That crossed me from sweet things,
The flow of--was it musk
From hidden grapevine springs
Downhill at dusk?
I had the swirl and ache
From sprays of honeysuckle
That when they're gathered shake
Dew on the knuckle.
I craved strong sweets, but those
Seemed strong when I was young;
The petal of the rose
It was that stung.
Now no joy but lacks salt,
That is not dashed with pain
And weariness and fault;
I crave the stain
Of tears, the aftermark
Of almost too much love,
The sweet of bitter bark
And burning clove.
When stiff and sore and scarred
I take away my hand
From leaning on it hard
In grass and sand,
The hurt is not enough:
I long for weight and strength
To feel the earth as rough
To all my length.
”
”
Robert Frost
“
This
Path to God
Made me such an old sweet beggar.
I was starving until one night
My love tricked God Himself
To fall into my bowl.
Now Hafiz is infintely rich,
But all I ever want to do
Is keep emptying out
My emerald-filled
Pockets
Upon
This tear-stained
World.
”
”
The Subject Tonight Is Love: 60 Wild and Sweet Poems Inspired by Hafiz (Compass)
“
The kind of person that I admire most would be one who becomes extraordinarily good at doing a lot of things but still maintains a tear-stained countenance.
”
”
Kai Bird (American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer)
“
Your mother holds you skin on skin and when you enter this world, feeds you with her own body; skin on skin. Your father runs his fingers over your tear stained cheek, presses his lips to your forehead; skin on skin. You make love, skin on skin with a man you love, a beautiful man. And then, if you’re lucky your own baby will enter this world and you’ll hold her skin on skin, feed her with your body skin on skin. It’s a magical thing.
”
”
Madeline Sheehan (Undeniable (Undeniable, #1))
“
People are afraid to merge on freeways in Los Angeles. This is the first thing I hear when I come back to the city. Blair picks me up from LAX and mutters this under her breath as she drives up the onramp. She says, "People are afraid to merge on freeways in Los Angeles." Though that sentence shouldn't bother me, it stays in my mind for an uncomfortably long time. Nothing else seems to matter. Not the fact that I'm eighteen and it's December and the ride on the plane had been rough and the couple from Santa Barbara, who were sitting across from me in first class, had gotten pretty drunk. Not the mud that had splattered on the legs of my jeans, which felt kind of cold and loose, earlier that day at an airport in New Hampshire. Not the stain on the arm of the wrinkled, damp shirt I wear, a shirt which looked fresh and clean this morning. Not the tear on the neck of my gray argyle vest, which seems vaguely more eastern than before, especially next to Blair's clean tight jeans and her pale-blue shirt. All of this seems irrelevant next to that one sentence. It seems easier to hear that people are afraid to merge than "I'm pretty sure Muriel is anorexic" or the singer on the radio crying out about magnetic waves. Nothing else seems to matter to me but those ten words. Not the warm winds, which seem to propel the car down the empty asphalt freeway, or the faded smell of marijuana which still faintly permeates Blaire's car. All it comes down to is the fact that I'm a boy coming home for a month and meeting someone whom I haven't seen for four months and people are afraid to merge.
”
”
Bret Easton Ellis (Less Than Zero)
“
When people get hurt physically, you can see it in the bruises and the scars, but when they’re hurt emotionally, mentally, it runs deeper than that. You can see every sleepless night in the reflection of their eyes; you can see every tear stained into their cheeks, every bout of anger etched into the creases in their foreheads. The thirst for blood cracking the skin on their lips.
”
”
Stacy Willingham (A Flicker in the Dark)
“
I was, after the breakup, what you call a complete wreck. For the first time in my life, my pain had a focus. Any I just couldn't help myself. I didn't care what anyone thought, I didn't care that all the girls in school would say, See, he finally got wise, I didn't care how stupid I would look with teary mascara stains and purple eyeliner tracks down my cheeks, I didn't care about anything except how this was the worst pain ever. I used to weep for never having anything worth losing, but now I was simply resplendent--puffy, red, hysterical-- with a loss I could identify completely. I felt justified in my sorrow and I couldn't stand the way everything about Zachary seemed to be everywhere: Every staircase we'd necked on and lounge chair we'd chatted on between classes was redolent with memories of him. My God, even the lint that gathered on my clothing and still hadn't come out in the wash reminded me of Zachary. I would burst into tears in class and not bother to excuse myself. I cried on the subway. One day, I got mugged walking to the subway, and figured it was as good an excuse as any to go home and stay there.
”
”
Elizabeth Wurtzel (Prozac Nation)
“
Marriage is not easy, I thought to myself. It’s not supposed to be easy. It’s two different people, from two different backgrounds, trying to build a life together for better or worse. It’s something you have to work at every single day. There are going to be hard times and those are the times you are supposed to fight like hell.
”
”
Courtney Giardina (Tear Stained Beaches)
“
Red wrote too much too fast. Her pen had a heart inside, and the nib was a wound in a vein. She stained the page with herself. She sometimes forgets what she wrote, save that it was true, and the writing hurt. But butterfly wings break when touched. Red knows her own weaknesses as well as anyone. She presses too hard, breaks what she would embrace, tears what she would touch to her teeth.
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
I shake my head. I pick up the rake and start making the dead-leaf pile neater. A blister pops and stains the rake handle like a tear. Dad nods and walks to the Jeep, keys jangling in his fingers. A mockingbird lands on a low oak branch and scolds me. I rake the leaves out of my throat.
Me: "Can you buy some seeds? Flower seeds?
”
”
Laurie Halse Anderson (Speak)
“
What would happen if a man's face could adequately express his suffering, if his entire inner agony would be objectified in his facial expression? Could we still communicate? Wouldn't we then cover our faces with our hands while talking? Life would really be impossible if the infinitude of feelings we harbor within ourselves would be fully expressed in the lines of our face. Nobody would dare look at himself in the mirror, because a grotesque, tragic image would mix in the contours of his face with stains and traces of blood, wounds which cannot be healed, and unstoppable streams of tears. I would experience a kind of voluptuous awe if I could see a volcano of blood, eruptions as red as fire and as burning as despair, burst into the comfortable and superficial harmony of everyday life, or if I could see all our hidden wounds open, making of us a bloody eruption forever. Only then would be truly understand and appreciate the advantages of loneliness, which silences our suffering and makes it inaccessible. The venom drawn out from suffering would be enough to poison the whole world in a bloody eruption, bursting out of the volcano of our being. There is so much venom, so much poison, in suffering!
”
”
Emil M. Cioran (On the Heights of Despair)
“
You see, in every story, it’s not about the ending. It’s about the chapters in between and how you make it through them
”
”
Courtney Giardina (Tear Stained Beaches)
“
The shower hadn't washed away the hurt, nor had it disguised the tear stains on my face. But I still felt a little better. As better as any vampire could feel after having her BFF drive a stake through her heart.
”
”
Melissa Francis (Bite Me! (Bite Me, #1))
“
Nobody would dare look at himself in the mirror, because a grotesque, tragic image would mix in the contours of his face with stains and traces of blood, wounds which cannot be healed, and unstoppable streams of tears. I would experience a kind of voluptuous awe if I could see a volcano of blood, eruptions as red as fire and as burning as despair, burst into the midst of the comfortable and superficial harmony of everyday life, or if I could see all our hidden wounds open, making of us a bloody eruption forever. Only then would we truly understand and appreciate the advantage of loneliness, which silences our suffering and makes it inaccessible. The venom drawn out from suffering would be enough to poison the whole world in a bloody eruption, bursting out of the volcano of our being. There is so much venom, so much poison, in suffering!
”
”
Emil M. Cioran (On the Heights of Despair)
“
red plastic rain
her tears stain
”
”
Kami Garcia (Beautiful Redemption (Caster Chronicles, #4))
“
The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone.
Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night's heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but angels of God.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
Run. And when you come back..."The king was getting to his feet, but another wave of Dorian's magic slammed into him, knocking him down. There were tears staining Dorian's bloody cheeks now. "When you come back," The prince said, "burn this place to the ground.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Love is a funny thing. It can make you the happiest person in the world when it's good, but when it goes bad, it can crush you beyond recognition.
”
”
Courtney Giardina (Tear Stained Beaches)
“
We’re tear-stained savages, sharing a single breath of life, death, and love.
”
”
E.K. Blair (Echo (Black Lotus #2))
“
She sniffed again. "If I become a vampire, will I stop crying every time I get pissed off? Because that would be definite mark in the plus column."
Carwyn chuckled. "I've no idea, but your tears would be kind of pink. Very...cute."
"Great," she swiped at her cheeks that were dusted with salty frost. "So I'd look stupid and I'd stain my clothes.
”
”
Elizabeth Hunter (This Same Earth (Elemental Mysteries, #2))
“
What is your name?' she asked.
The youth ignored her, lowering his eyelids against the sun. She repeated her question. Again he ignored her, so she touched his arm, and he turned his head and looked at her, suddenly back from his own world, his eyes wary, half afraid. But he saw no anger in her; only the stains of tears, and an awful despair. His face changed, and a look of profound sorrow and compassion came over him. Very slowly he lifted his hand and wiped the tears from her cheeks. No other man could have touched her that morning; but the mad youth, with his extraordinary tenderness, gave such a depth of consolation that she found herself leaning her cheek against his hand, and sobbing. He wept with her, and there wove between them an understanding, a unity deep and poignant and powerful.
”
”
Sherryl Jordan (The Raging Quiet)
“
When abandoned women follow their fleeing males with tear-stained faces, screaming you can't do this to me, they reveal that all that they have offered in the name of generosity and altruism has been part of an assumed transaction, in which they were entitled to a certain payoff.
”
”
Germaine Greer (The Female Eunuch)
“
One by one the angels had come to the top of Har Megiddo where I sat, holding her body close to mine after she'd died. I'd fought alongside them in battle, but up close, when they stood quietly watching us, they looked as beautiful as they looked unreal. the angels weren't supposed to feel emotions, but they were all weeping. All of them. Their tear stained their flawless faces like rain running in rivulets across stone. Azrael was the only one of then who came to me, knelt in front of me and took her from my arms. He was the angel of death come to carry his sister home. I din't want to give her up, knowing it would be the last time I ever saw her face. I had died on that wretched hill with her.
”
”
Courtney Allison Moulton (Shadows in the Silence (Angelfire, #3))
“
Only tears can hear the sound of pain
when warm blood reddens discolored stain
”
”
Munia Khan
“
The tears dissolve the last block of ice in my throat. I feel the frozen stillness melt down through the inside of me, dripping shards of ice that vanish in a puddle of sunlight on the stained floor. Words float up
Me: "Let me tell you about it.
”
”
Laurie Halse Anderson (Speak)
“
Words have a force far beyond that of ink stains on pages or spoken sounds... Whether written or spoken, language found in forbidden books can warp space-time and tear the fabric of reality.
”
”
Daniel Harms (The Necronomicon Files: The Truth Behind Lovecraft's Legend)
“
So easy now that Elder Sister has explained to her what all young girls in houses are taught—that with care and meticulous acting and tears of pretended pain and fear, and the final modest telltale stains cautiously placed, a girl can, if necessary, be virgin ten times for ten different men.
”
”
James Clavell (Tai-Pan (Asian Saga, #2))
“
Now, I learned a long time ago how to be quiet on the outside while I'm freaking on the inside. How to turn away like I don't see all the things that need to be seen, just to keep peace. How to lie low and act like I want nothing, expect nothing, and hope for nothing so I don't become more trouble than I'm worth. I'm five months short of eighteen and I know how to be cursed and ignored and left behind, how to swallow a thousand tears and ignore a thousand delibarate cruelties, but it's two in the morning on New Year's Eve and I'm mad and scared and bone tired and really, really sick of acting like I'm grateful to be staying on a hairy, sagging, dog-stained couch in a junky, mildewed trailer with a fat, dangerous, volatile drunk who sweats stale beer and wallows in his own wastewater, and who doesn't think there's one thing wrong with taking his crap life out on his dog, who comes bellying back for forgiveness every single time, no matter how rotten the treatment-
”
”
Laura Wiess (Ordinary Beauty)
“
Adversity, illness, and death are real and inevitable. We chose whether to add to these unavoidable facts of life with the suffering that we create in our own minds and hearts... the chosen suffering. The more we make a different choice, to heal our own suffering, the more we can turn to others and help to address their suffering with the laughter-filled, tear-stained eyes of the heart. And the more we turn away from our self-regard to wipe the tears from the eyes of another, the more- incredibly- we are able to hear, to heal, and to transcend our own suffering. This is the true secret to joy.
”
”
Dalai Lama XIV (The Book of Joy: Lasting Happiness in a Changing World)
“
The tears in my pus-filled eyes became a thousand little crystals of ever color. Like stained-glass windows, I thought. God is with you today, Papi! In the midst of nature's monstrous elements, in the wind, the immenseness of the sea, the depth of the waves, the imposing green roof of the bush, you feel your own infinitesimal smallness, and perhaps it's here, without looking for Him, that you find God, that you touch Him with your finger. I had sensed Him at night during the thousands of hours I had spent buried alive in dank dungeons without a ray of sun; I touched Him today in a sun that would devour everything too weak to resist it. I touched God, I felt Him around me, inside me. He even whispered in my ear: "You will suffer; you will suffer more. But this time I am on your side. You will be free. You will, I promise you.
”
”
Henri Charrière
“
For only blood can wipe out blood, And only tears can heal: And the crimson stain that was of Cain Became Christ’s snow-white seal. VI.
”
”
Oscar Wilde (The Complete Oscar Wilde Collection)
“
A girl who could send tear-stained telegrams.
”
”
F. Scott Fitzgerald
“
I kiss your tear-stained cheeks, tasting the saltiness of a hidden sea of sorrow.
”
”
John Mark Green
“
He was tender with her. He wiped her eyelids with his handkerchief, not noticing how soiled it was. It was stained with ink, crumpled, stuck together. Her lids were large and tender and the handkerchief was stiff, not nearly soft enough. He moistened a corner in his mouth. He was painfully aware of the private softness of her skin, of how the eyes trembled beneath their coverings. He dried the tears with an affection, a particularity, that had never been exercised before. It was a demonstration of 'nature.' He was a birth-wet foal rising to his feet.
”
”
Peter Carey (Oscar and Lucinda)
“
O Lord our Father, our young patriots, idols of our hearts, go forth to battle -- be Thou near them! With them -- in spirit -- we also go forth from the sweet peace of our beloved firesides to smite the foe. O Lord our God, help us to tear their soldiers to bloody shreds with our shells; help us to cover their smiling fields with the pale forms of their patriot dead; help us to drown the thunder of the guns with the shrieks of their wounded, writhing in pain; help us to lay waste their humble homes with a hurricane of fire; help us to wring the hearts of their unoffending widows with unavailing grief; help us to turn them out roofless with little children to wander unfriended the wastes of their desolated land in rags and hunger and thirst, sports of the sun flames of summer and the icy winds of winter, broken in spirit, worn with travail, imploring Thee for the refuge of the grave and denied it -- for our sakes who adore Thee, Lord, blast their hopes, blight their lives, protract their bitter pilgrimage, make heavy their steps, water their way with their tears, stain the white snow with the blood of their wounded feet! We ask it, in the spirit of love, of Him Who is the Source of Love, and Who is the ever-faithful refuge and friend of all that are sore beset and seek His aid with humble and contrite hearts. Amen.
”
”
Mark Twain
“
It was left to Nancy and me to pick up the pieces that my brother had become; to resurrect his shrunken spirit and pull his pale tear-stained face from beneath his pillow and give sense to a world that had given him none; he loved, yet he wasn't loved back.
”
”
Sarah Winman (When God Was a Rabbit)
“
And yet, they hesitated. The knowledge that they might never see each other again, that some of them—maybe all of them—might not survive this night hung heavy in the air. A gambler, a convict, a wayward son, a lost Grisha, a Suli girl who had become a killer, a boy from the Barrel who had become something worse.
Inej looked at her strange crew, barefoot and shivering in their soot-stained prison uniforms, their features limned by the golden light of the dome, softened by the mist that hung in the air.
What bound them together? Greed? Desperation? Was it just the knowledge that if one or all of them disappeared tonight, no one would come looking? Inej’s mother and father might still shed tears for the daughter they’d lost, but if Inej died tonight, there would be no one to grieve for the girl she was now. She had no family, no parents or siblings, only people to fight beside. Maybe that was something to be grateful for, too.
It was Jesper who spoke first. “No mourners,” he said with a grin. “No funerals,” they replied in unison. Even Matthias muttered the words softly.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
. I felt the sun graze my face as I sped further and further from it all. The only negative part about running was that at some point I knew I’d have to stop. I’d have to turn around and go back. And whatever troubles had haunted me when I left, would be waiting upon my return.
”
”
Courtney Giardina (Tear Stained Beaches)
“
What a gift. This page is briefly stained by my tears of gratitude. Novelists don't usually have it so good, do they, when something real happens (something unified, dramatic and pretty saleable), and they just write it down?
”
”
Martin Amis (London Fields)
“
Where are those tears in your eyes, my child?
How horrid of them to be always scolding you for nothing!
You have stained your fingers and face with ink while writing-
is that why they call you dirty?
O, fie! Would they dare to call the full moon dirty because
it has smudged its face with ink?
For every little trifle they blame you, my child. They are
ready to find fault for nothing.
You tore your clothes while playing-is that why they call you
untidy?
O, fie! What would they call an autumn morning that smiles
through its ragged clouds?
Take no heed of what they say to you, my child.
They make a long list of your misdeeds.
Everybody knows how you love sweet things-is that why they
call you greedy?
O, fie! What then would they call us who love you?
”
”
Rabindranath Tagore
“
Turn that worthless lawn into a beautiful garden of food whose seeds are stories sown, whose foods are living origins. Grow a garden on the flat roof of your apartment building, raise bees on the roof of your garage, grow onions in the iris bed, plant fruit and nut trees that bear, don't plant 'ornamentals', and for God's sake don't complain about the ripe fruit staining your carpet and your driveway; rip out the carpet, trade food to someone who raises sheep for wool, learn to weave carpets that can be washed, tear out your driveway, plant the nine kinds of sacred berries of your ancestors, raise chickens and feed them from your garden, use your fruit in the grandest of ways, grow grapevines, make dolmas, wine, invite your fascist neighbors over to feast, get to know their ancestral grief that made them prefer a narrow mind, start gardening together, turn both your griefs into food; instead of converting them, convert their garage into a wine, root, honey, and cheese cellar--who knows, peace might break out, but if not you still have all that beautiful food to feed the rest and the sense of humor the Holy gave you to know you're not worthless because you can feed both the people and the Holy with your two little able fists.
”
”
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
“
The unkempt clapboard residence sported a copious amount of bare wood. Years of rain mixed with rust from metal window screens had stained the cladding at the corner of each opening, creating an illusion that the house was weeping bloody tears. Dead cottonwood trees looked on like silent mourners.
”
”
Kimber Silver (Bullets in the Briar)
“
The child inside me wouldn't stop crying. Every time it loses something so important to it. A person or a thing it loves the most, I pretend like nothing happened. But I hear it sobbing helplessly inside me. And the pathetic part of all this is, It neither grows up nor dies. Every time I stand in front of a mirror, it stares at me through my eyes. With its tear-stained face and that intense eyes that rip my ribs apart and the cry of it echoes through every room of my soul.
”
”
Akshay Vasu
“
If you really believe this is what you want, you're lying to yourself.'
'I'm not lying to myself,' Jacks snarled.
'Then tell me this is what you truly want. Swear you want this more than anything else and I'll never mention it again.'
Jacks grabbed her by the shoulders and looked directly in to her eyes. For a minute, he didn't speak. He just looked at her, at the remaining blood still on her lips and the dried tears staining her cheeks. 'I swear this is what I really want.' He spoke each word like a vow. 'I want to erase every moment you and I have spent together, every word you've said to me, and every time I've touched you, because if I don't, I'll kill you, just like I killed the Fox.'
Evangeline's heart stopped.
She searched Jacks' eyes, but all she saw was darkness, and all she felt was the press of his hands. He held on to her the way a person might grasp the edge of a cliff, knowing once they let go, there was no taking hold again.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
You're going to start drinking already?" said Nim, her tear-stained face bleak.
"No," said Theo. "I'm going to *continue* drinking.
”
”
Leigh Bardugo (Wonder Woman: Warbringer)
“
You could spend a lifetime waiting for someone to love the real you but if you don't know who you really are, you are wasting your time.
”
”
Keysha Jade (Intoxicated stained tears)
“
What a terrible dream I had a few days ago. [...] To the knives and forks clung the tears of enemies I destroyed, and the glasses sang with the sighs of many poor people, but the tear-stains only made me want to laugh, while the hopeless sighs sounded to me like music. I needed banquet music and had it.
”
”
Robert Walser (Jakob von Gunten)
“
As soon as that majestic force,
which had already pierced me once
before I had outgrown my childhood, struck my eyes,
I turned to my left with the confidence
a child has running to his mamma
when he is afraid or in distress
to say to Virgil: 'Not a single drop of blood
remains in me that does not tremble--
I know the signs of the ancient flame.'
But Virgil had departed, leaving us bereft:
Virgil, sweetest of fathers,
Virgil, to whom I gave myself for my salvation.
And not all our ancient mother lost
could save my cheeks, washed in the dew,
from being stained again with tears.
”
”
Dante Alighieri (The Divine Comedy of Dante Alighieri, Volume 2: Purgatorio)
“
I wish I were like the fall...I wish I were like the fall
I wish I were like the fall, silent, with no desires at all
My wishes' leaves would one by one turn sallow-gold
My eyes' sun would grow cold
The heaven of my breast would fill with pain
And suddenly a storm of grief would seize my heart
Like rain my tears would start
And stain my dress
Oh...how lovely then, if I were like the fall
Feral and bitter, with colours seeping into one another, so beautiful
- In Love with Sadness
”
”
Forough Farrokhzad (The Mirror of My Heart: A Thousand Years of Persian Poetry by Women)
“
Dear Woman,
You are a beautiful flower of earth, allow the rain to feed you the same strength as the sun. Don't stop growing through the storms, they are sent to test how solid your soil is not too destroy your roots.
”
”
Keysha Jade (Intoxicated stained tears)
“
The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone.
”
”
Jerome K. Jerome
“
We read the pagan sacred books with profit and delight. With myth and fable we are ever charmed, and find a pleasure in the endless repetition of the beautiful, poetic, and absurd. We find, in all these records of the past, philosophies and dreams, and efforts stained with tears, of great and tender souls who tried to pierce the mystery of life and death, to answer the eternal questions of the Whence and Whither, and vainly sought to make, with bits of shattered glass, a mirror that would, in very truth, reflect the face and form of Nature's perfect self.
These myths were born of hopes, and fears, and tears, and smiles, and they were touched and colored by all there is of joy and grief between the rosy dawn of birth, and death's sad night. They clothed even the stars with passion, and gave to gods the faults and frailties of the sons of men. In them, the winds and waves were music, and all the lakes, and streams, and springs,—the mountains, woods and perfumed dells were haunted by a thousand fairy forms. They thrilled the veins of Spring with tremulous desire; made tawny Summer's billowed breast the throne and home of love; filled Autumns arms with sun-kissed grapes, and gathered sheaves; and pictured Winter as a weak old king who felt, like Lear upon his withered face, Cordelia's tears. These myths, though false, are beautiful, and have for many ages and in countless ways, enriched the heart and kindled thought. But if the world were taught that all these things are true and all inspired of God, and that eternal punishment will be the lot of him who dares deny or doubt, the sweetest myth of all the Fable World would lose its beauty, and become a scorned and hateful thing to every brave and thoughtful man.
”
”
Robert G. Ingersoll (Some Mistakes of Moses)
“
Come on, Avery." Fresh tears stained her cheeks. Her voice shook. "Wake up,
damn it!" She sobbed, rocking forward and back, her arms wrapping tightly
around his big body. "Don't you want to shout at me for disobeying you, you
overbearing, domineering male?"
She squeezed her eyes shut and bit hard on her lip. He couldn't die. He was too
stubborn, too alive, too vigorous. And she couldn't lose him. She loved him too
much.
"I… am a… gentleman," she heard him gasp. "I never shout at women.
”
”
Connie Brockway (My Dearest Enemy)
“
The Universe is made of hands;
Hands that twist fabric and sizzle in the air.
Hands that grasp curls and flick words away
Small, smooth fingers pouring gold over gaping wounds
Before slicing into soft tissue,
Blood mixing with gold.
Hands that make it beautiful.
The Universe is made of bones;
Bones that cut against yards of skin,
Warm and yielding and moulded around the wings that splay across his back.
Bones that cage the heart and dig into the hollows.
Bones that break,
Tear the warm, yielding skin.
Bones that shred and brush his chin.
The Universe is made of lips;
Lips that breathe and stutter warm sighs,
Caressing the cracks in his broken body, the body that he broke.
Lips that carve paths into stone,
That leave trails upon gooseflesh,
Lips that make incisions,
Too delicate to mend.
The Universe is made of blood;
Blood that runs warm and hot and steady and crimson,
Pumping beneath the stone and the gold.
Blood that burns with every jerk of limbs.
Blood that spills on open palms,
Staining the fabric,
Filling up his throat.
The Universe is made of eyes;
Eyes that breach and eyes that splice and eyes that never leave.
Eyes that ripple oceans.
Eyes that whisper in the dark.
Eyes that rip open the seams.
Eyes that create wounds, create chaos, create broken shards of blue.
Eyes that alight and
won’t
let
go.
The Universe was built.
The Universe fell.
You took it apart,
Dragged the chaos from my soul with your hands,
Your bones,
Your lips,
Your blood,
Your eyes.
And now you’re back.
And so is the Universe.
And so, I suppose, am I.
The Universe is made of five things.
The Universe is made of you.
”
”
Velvetoscar (Core 'ngrato)
“
I like who I am with him. I laugh until tears stain my cheeks. I say what I think, and when he senses I'm holding something in, he tells me to spit it out. I don't have to be a perfectly edited version of myself - it's okay to have a few bumps. And I don't have to try.
”
”
Carley Fortune (One Golden Summer)
“
He came down the nave, walking with his graceful stride, dangerous and tear-stained.
”
”
Laura Kinsale (Shadowheart (The Medieval Hearts Series Book 2))
“
People went through life like well handled jugs, collecting chips and scrapes and stains from wear and tear, from holding and pouring life.
”
”
Sarah Hall (The Electric Michelangelo)
“
Forgiveness is the fragrance of the violet which still clings fast to the heel that crushed it.”
Raine’s eyes met mine again, her tears still staining her cheeks.
“I’m a heel, Raine,” I told her. “You’re my beautiful violet, and I’m always crushing you. You take away my nightmares, and I probably add to yours. I don’t think I will ever believe I deserve you, but I love you more than I can even describe. I don’t know if I can ever…be better for you, but if you’re willing to keep forgiving me for being a complete idiot, I’m willing to keep trying.
”
”
Shay Savage (Surviving Raine (Surviving Raine, #1))
“
You can never take away the memories I have of us; I will hold those deep inside. And someday, when my heart heals, I may even be able to forgive you. But I just don't have it in me for second chances. I've done those before and they always turn into three or four. It never ends.
”
”
Courtney Giardina (Tear Stained Beaches)
“
and when I took my fingers down, there was the stain of the tears, tinged with mortal blood. And already there was begun in me the tingling of the monster that had killed, and would kill again,
”
”
Anne Rice (Interview with the Vampire (The Vampire Chronicles, #1))
“
What voices overheard, flinders of luminescent gods glimpsed among the wallpaper's stained foliage, candlestubs lit to rotate in the air over him, prefiguring the cigarette he or a friend must fall asleep someday smoking, thus to end among the flaming, secret salts held all those years by the insatiable stuffing of a mattress that could keep vestiges of every nightmare sweat, helpless overflowing bladder,viciously,tearfully consummated wet dream, like the memory bank to a computer of the lost?
”
”
Thomas Pynchon
“
I’d fought alongside them in that battle, but up close, when they stood quietly watching us, they looked as beautiful as they looked unreal. The angels weren’t supposed to feel emotion, but they were weeping. All of them. Their tears stained their flawless faces like rain running in rivulets across stone.
”
”
Courtney Allison Moulton (Shadows in the Silence (Angelfire, #3))
“
Our lives are our stories,
each day a fresh new page,
each season a whole new chapter.
Our parenting chapters become
the beginning of our children's stories
in glorious, dog-eared, mud-stained,
daisy-chain pages of sunshine-filled
days and wish-on-a-star nights and
shared struggles and triumphs
and tears and laughter.
Where their stories go from
there is up to them,
but where they begin is up to us.
”
”
L.R. Knost
“
Grief broke down in phrases
And extrapolated lines
From me without myself
Tear-stained pillow of stone
I felt I was lying
Beside him in the coffin
Wormy mother
Who takes us into the ground
With her whenever and wherever
She wants the grass glistens
And grows over us in the heat
Of late summer in the country
”
”
Edward Hirsch (Gabriel: A Poem)
“
Cassian lay facedown on the earth.
Nesta rushed toward him,, praying, sobbing, her magic still echoing through the world.
She turned him over, searching for the knife, the wound, but-
The knife lay beneath him. Unbloodied.
He groaned, cracking his eyes open. 'I figured,' he rasped, 'I should lay low while you did that.'
Nesta gaped at him. Then burst into tears.
Cassian sat up, soothing sounds on his tongue, and took her face in his hands. 'You Unmade her.'
Nesta glanced to the Crown on the earth- the black stain where Briallyn had been. 'She had it coming.'
He chuckled, leaning his brow against hers. Nesta closed her eyes, breathing in his scent. 'You are my mate, Cassian,' she said against his lips, and kissed him softly.
'And you're mine,' he said, kissing her in turn.
And then his hands slid into her hair.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #5))
“
Sometimes I almost go hours without crying,
Then I feel if I don't, I'll go insane.
It can seem her whole life was her dying.
She tried so hard, then she tired of trying;
Now I'm tired, too, of trying to explain.
Sometimes I almost go hours without crying.
The anxiety, the rage, the denying;
Though I never blamed her for my pain,
It can seem her whole life was her dying.
And mine was struggling to save her; prying,
Conniving: it was the chemistry in her brain.
Sometimes I almost go hours without crying.
If I said she was easy, I'd be lying;
The lens between her and the world was stained:
It can seem her whole life was her dying.
But the fact, the fact, is stupefying:
Her absence tears at me like a chain.
Sometimes I almost go hours without crying.
It can seem her whole life was her dying.
- Villanelle for a Suicide's Mother
”
”
C.K. Williams (Villanelles (Everyman's Library Pocket Poets Series))
“
How can it be? When we're naked and ashamed and alone in our brokenness, Christ envelops us with His intimate grace. When we're rejected and abandoned and feel beyond wanting, Jesus cups our face: "Come close, my Beloved." When we're dirty and tear-stained and despairing, Jesus Christ is attracted to us and proposes undying love: "All that you're carrying I take... and all that I am is yours." How do you ever get over that?
”
”
Ann Voskamp (The Broken Way: A Daring Path into the Abundant Life)
“
What I had meant to say in the kitchen was that I had loved fish since I was little—white bite, crispy skin. I had been waiting for it so long that the picture of soft flesh decomposed and left bones for a fossil. When I had argued in the kitchen, I was arguing about what was lost to me. Like how I could not read the letters because of the old water stains that had spread ink across the bottom of the page. The problem was not the damage but the cause. I recognized the tears my younger self had wept while touching the shapes on the paper.
”
”
E.J. Koh (The Magical Language of Others)
“
They had expected to see the grey, heathery slope of the moor going up and up to join the dull autumn sky. Instead, a blaze of sunshine met them. It poured through the doorway as the light of a June day pours into a garage when you open the door. It made the drops of water on the grass glitter like beads and showed up the dirtiness of Jill's tear-stained face. And the sunlight was coming from what certainly did look like a different world- what they could see it. They saw smooth turf, smoother and brighter than Jill had ever seen before, and blue sky and, darting to and fro, things so bright that they might have been jewels or huge butterflies.
”
”
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
“
It may be that actual tears have stained the tile floors or soaked into the carpets of such places. It may be that these tears can never be removed. And everywhere the odor of melancholy, that is the very odor of memory.
”
”
Joyce Carol Oates (A Widow's Story)
“
Then Ardent, heavy hearted, turned away; sore for the rusted armor and the wasted days: but as Sir Constant saw his shield, and lo! the lost Emblem of the King was shining once more through its veil of dishonor. For the heart's tears of sorrow had fallen upon the shield, and where they had fallen they had burned away the shame and stain.
”
”
W.E. Cule
“
Every woman has a line in their relationship. It may be imaginary, but it's there. Every woman's line is different. Some actions may weigh heavier on one person than another, but in the end it's all the same. Cross that line and the consequences can be life changing and devastating. It's the type of line that once you cross it, you can never go back.
”
”
Courtney Giardina (Tear Stained Beaches)
“
... WHEN ONE LOOKS INTO THE DARKNESS THERE IS ALWAYS SOMETHING THERE...
Far-off, most secret, and inviolate Rose,
Enfold me in my hour of hours; where those
Who sought thee in the Holy Sepulchre,
Or in the wine-vat, dwell beyond the stir
And tumult of defeated dreams; and deep
Among pale eyelids, heavy with the sleep
Men have named beauty. Thy great leaves enfold
The ancient beards, the helms of ruby and gold
Of the crowned Magi; and the king whose eyes
Saw the pierced Hands and Rood of elder rise
In Druid vapour and make the torches dim;
Till vain frenzy awoke and he died; and him
Who met Fand walking among flaming dew
By a grey shore where the wind never blew,
And lost the world and Emer for a kiss;
And him who drove the gods out of their liss,
And till a hundred morns had flowered red
Feasted, and wept the barrows of his dead;
And the proud dreaming king who flung the crown
And sorrow away, and calling bard and clown
Dwelt among wine-stained wanderers in deep woods:
And him who sold tillage, and house, and goods,
And sought through lands and islands numberless years,
Until he found, with laughter and with tears,
A woman of so shining loveliness
That men threshed corn at midnight by a tress,
A little stolen tress. I, too, await
The hour of thy great wind of love and hate.
When shall the stars be blown about the sky,
Like the sparks blown out of a smithy, and die?
Surely thine hour has come, thy great wind blows,
Far-off, most secret, and inviolate Rose?
Out of sight is out of mind:
Long have man and woman-kind,
Heavy of will and light of mood,
Taken away our wheaten food,
Taken away our Altar stone;
Hail and rain and thunder alone,
And red hearts we turn to grey,
Are true till time gutter away.
... the common people are always ready to blame the beautiful.
”
”
W.B. Yeats (The Secret Rose and Rosa Alchemica)
“
The feeling of not being enough for someone, of knowing you would do anything for them and they not the same for you. I didn't want to, but I felt bad for her. I wanted to hate her, but I couldn't. I couldn't blame her for what she didn't know.
”
”
Courtney Giardina (Tear Stained Beaches)
“
Inej looked at her strange crew, barefoot and shivering in their soot-stained prison uniforms, their features limned by the golden light of the dome, softened by the mist that hung in the air.
What bound them together? Greed? Desperation? Was it just the knowledge that if one or all of them disappeared tonight, no one would come looking? Inej’s mother and father might still shed tears for the daughter they’d lost, but if Inej died tonight, there would be no one to grieve for the girl she was now. She had no family, no parents or siblings, only people to fight beside. Maybe that was something to be grateful for, too.
It was Jesper who spoke first. “No mourners,” he said with a grin.
“No funerals,” they replied in unison. Even Matthias muttered the words softly.
“If any of you survive, make sure I have an open casket,” Jesper said as he hefted two slender coils of rope over his shoulder and signalled for Wylan to follow him across the roof. “The world deserves a few more moments with this face.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.
”
”
Lemony Snicket (The Beatrice Letters (A Series of Unfortunate Events, #12.5))
“
O Godhead of glory and anguish!
O Christ shone through Magdalen's tears!
Thy sons on the universe languish
In iron bands strong as the spheres;
With virtue Thy likeness we cover,
With priestcraft we mock at Thy power,
And the meanest on earth is a lover,
As vile as a flower.
”
”
Aleister Crowley (White Stains & The Nameless Novel: Flowers of Eros and Evil)
“
Marriage is not easy, I thought to myself. It's not supposed to be easy. It's two different people, from two different backgrounds, trying to build a life together for better or worse. It's something you have to work at every single day. There are going to be hard times and those are the times you are supposed to fight like hell. How hard are you willing to fight? The truth is, if you truly love someone, you'll use every ounce of energy you have until you have nothing left. That's what love is. The good times, those are the easy parts. Those are the parts of your relationship you get through the bad times for. You don't use the bad times as an excuse to jump into bed with some trashy whore who doesn't have enough respect for herself to say no to a married man!
”
”
Courtney Giardina (Tear Stained Beaches)
“
There are youngsters who prefer no talk at all when they’re upset. For them, Mom or Dad’s presence is comfort enough. One mother told us about walking into the living room and seeing her ten-year-old daughter slumped on the sofa with tear-stained eyes. The mother sat down beside her daughter, put her arms around her, murmured, “Something happened,” and sat silently with her for five minutes. Finally, her daughter sighed and said, “Thanks, Mom. I’m better now.
”
”
Adele Faber (How to Talk So Kids Will Listen & Listen So Kids Will Talk (The How To Talk Series))
“
I hate the small looking-glass on the stairs," said Jinny. "It shows our heads only; it cuts off our heads...So I skip up the stairs past them, to the next landing, where the long glass hangs, and I see myself entire. I see my body and head in one now; for even in this serge frock they are one, my body and my head. Look, when I move my head I ripple all down my narrow body; even my thin legs rippled like a stalk in the wind. I flicker between the set face of Susan and Rhoda's vagueness; I leap like one of those flames that run between the cracks of the earth; I move, I dance, I never cease to move and dance. I move like the leaf that moved in the hedge as a child and frightened me. i dance over these streaked, these impersonal, distempered walls with their yellow skirting as firelight dances over teapots. i catch fire even from women's cold eyes. when I read, a purple rim runs around the black edge of the textbook. yet I cannot follow any word through its changes. I cannot follow any thought from present to past. I do not stand lost, like Susan, with tears in my eyes remembering home; or lie, like Rhoda, crumpled among the ferns, staining my pink cotton green, while I dream of plants that flower under the sea, and rocks through which the fish swim slowly. I do not dream.
”
”
Virginia Woolf (The Waves)
“
If you remove the bloody floorboards and water-stained tiles; if you destroy the beams that held Robert Carterhook's body, and you tear down the walls that absorbed the screams, do you take down the house? Can it be haunted if the actual guts - its internal organs - have been removed? Or does the nastiness linger in the air?
”
”
Gillian Flynn (The Grownup)
“
Divided - No tides of time or distance will wash away your step. It does not fleet as they do, those gladiators and their mighty spears or the beasts that howl into the dark for release.
Our story carves deeper, pitilessly, infinitely. A wound that bleeds the ink that stained your palm and the tears of an impossible tomorrow.
”
”
R.J. Arkhipov
“
...My voice is stained with bloody light,
and I see irises dry up
at its touch;
in my song
I wear the finery
of a white-faced clown. Love,
sweet Love, hides
under a spider. The sun,
another spider, hides me
under legs of gold.
I will not find my fortune,
for I am like Love himself,
whose arrows are tears,
and whose quiver is the heart...
”
”
Federico García Lorca
“
Cammed each night out of that safe furrow the bulk of this city’s waking each sunrise again set virtuously to plowing, what rich soils had he turned, what concentric planets uncovered? What voices overheard, flinders of luminescent gods glimpsed among the wallpaper’s stained foliage, candlestubs lit to rotate in the air over him, prefiguring the cigarette he or a friend must fall asleep someday smoking, thus to end among the flaming, secret salts held all those years by the insatiable stuffing of a mattress that could keep vestiges of every nightmare sweat, helpless overflowing bladder, viciously, tearfully consummated wet dream, like the memory bank to a computer of the lost?
”
”
Thomas Pynchon (The Crying of Lot 49)
“
here i am. there i was, broken. broken heart, broken dreams, broken soul. and there i was, stumbling down an endless road, my face tattooed in ashes, stained with tears, my clothes tattered, my feet tired of wandering. and there You were. standing at the end of the road, with your heart and arms open wide, and my tired feet ran, they ran to You, to your arms, to your heart. and here i am. slowly being put back together. here i am, no longer in tatters, but clothed in mercy, wrapped in grace. here i am, with a heart with open doors, a soul free to love and free to dream and free to be. with a crown of wildflowers instead of a crown of thorns, and a face of light and beauty instead of ashes. here i am.
”
”
Gaby Comprés (A Song of Bravery)
“
But with what wonder has the season come?
Its treasure lies in earthen ships,
that carry dreams across the foam.
And how your memory of Sarah rapes
the fleshly heart that once bore scenes,
now veiled in smoky stains of tears;
it cries as on its crutches leans,
and ever fills itself with fears.
Be born anew to taste the sky
Lay waste cocoon and upwind fly.
”
”
Craig Froman (An Owl on the Moon: A Journal From the Edge of Darkness)
“
The rain mingled with the tears on his face, they splashed worn on his sleeve, they became part of the stain that was Grandpère's blood. Julius was indifferent, caring no more.
”
”
Daphne du Maurier (Julius)
“
The rain mingled with the tears on his face, they splashed down on his sleeve, they became part of the stain that was Grandpère's blood. Julius was indifferent, caring no more.
”
”
Daphne du Maurier (Julius)
“
Heart’s fragrance is spent with the ending of spring
And nothing left but a tear-stained robe.
”
”
Li Shangyin
“
One lone tear streaked over the rose of her cheek and dropped to her collar, staining the cotton dark. Helen
”
”
Kelly Robson (A Human Stain)
“
His shirt is covered in my sorrow and stained with my tears.
”
”
H.M. Ward (The Arrangement 13: The Ferro Family (The Arrangement, #13))
“
I wouldn't wish this sort of agony on my worst enemy. It was pure and complete torture. To know that, for the man who made up my entire world, I was not enough for him.
”
”
Courtney Giardina (Tear Stained Beaches)
“
I want her writhing below me, snot staining her upper lip, tears mingling with sweat. I want to lick up all the juices she gives me. Cum. Tears. Snot. Blood.
”
”
Holly Guy (We Shouldn't)
“
I closed my eyes at his touch, my salty tears staining his hand.
”
”
Anonymous (Interrupted: A Life Beyond Words [Delete 'A' - MM])
“
Mascara streaks down her cheeks, black tears reflecting the stains marred on her soul. And through everything, she’s still the most stunning thing I’ve ever seen.
”
”
Emily McIntire (Wretched (Never After, #3))
“
was crying, the tears stained as they ran through her makeup, black tears chasing each other down her face.
”
”
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
“
It was a yes,” I laugh, and he reaches up to wipe the tears from my eyes. “Good, because I wanted to wait until I trapped you to tell you the new kitty shat on your rug and left a stain.
”
”
Amy Daws (Blindsided (Harris Brothers World, #2))
“
dripped down her neck and stained the collar of her shirt. It was a mirror to the wash of blood pouring from her scalp, blinding her left eye and trailing down her cheek like macabre tears.
”
”
Kayti Nika Raet (Monster: A YA Post-Apocalyptic Dystopian Thriller (The Outsider Chronicles Book 4))
“
Things get tough Chase, that's the way life is. But when it does, you don't just go running away from it all into the arms of the first girl willing to go to bed with you. That's not how it works. Marriage is supposed to be forever. You made a promise to me, and your broke it. This wasn't just a one-time thing; you saw her over and over and just lied to my face like I was nobody.
”
”
Courtney Giardina (Tear Stained Beaches)
“
Now no joy but lacks salt,
That is not dashed with pain
And weariness and fault;
I crave the stain
Of tears, the aftermark
Of almost too much love,
The sweet of bitter bark
And burning clove.
”
”
Robert Frost (New Hampshire)
“
I see arms and hands and tear-stained faces...
Reaching up but not quite touching the promised land...
I hear pleas and prayers and desperate graces,
Saying Oh Lord, please give us a helping hand...
”
”
Jimi Hendrix (Cherokee Mist: The Lost Writings)
“
absence
looks like a lake bed flooded with sky
sounds like cotton howling
tastes like tear-stained pillows
smells like churning bile and burnt hair
feels like screaming agony, my heart dying and dying
”
”
Beth Morey (Night Cycles: Poetry for a Dark Night of the Soul)
“
Inej looked at her strange crew, barefoot and shivering in their soot-stained prison uniforms, their features limned by the golden light of the dome, softened by the mist that hung in the air.
What bound them together? Greed? Desperation? Was it just the knowledge that if one or all of them disappeared tonight, no one would come looking? Inej’s mother and father might still shed tears for the daughter they’d lost, but if Inej died tonight, there would be no one to grieve for the girl she was now. She had no family, no parents or siblings, only people to fight beside. Maybe that was something to be grateful for, too.
It was Jesper who spoke first. “No mourners,” he said with a grin.
“No funerals,” they replied in unison. Even Matthias muttered the words softly.
“If any of you survive, make sure I have an open casket,” Jesper said as he hefted two slender coils of rope over his shoulder and signaled for Wylan to follow him across the roof. “The world deserves a few more moments with this face.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow.
Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
”
”
Bob Thurber (Paperboy: A Dysfunctional Novel)
“
And yet it seems so full of comfort and of strength, the night. In its great presence, our small sorrows creep away, ashamed. The day has been so full of fret and care, and our hearts have been so full of evil and bitter thoughts, and the world has seemed so hard and wrong to us. Then night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained face upto hers, and smiles, and though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone.
Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night's heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and borne on her dark wings, we pass for a moment into a mightier presence than her own, and in the wondrous light of that great presence, all human life's like a book before us, and we know that Pain and Sorrow are but the angels of God.
”
”
Jerome K. Jerome
“
You will meet people in life who will just dislike you for no reason, not because there is anything wrong with you but because everything is going right for you. Until they master their own peace, they will always try to destroy yours.
”
”
Keysha Jade (Intoxicated stained tears)
“
People will think they can break your heart and then go around saying, "I can't deal with that energy right now, that energy is not to my highest purpose." Going around, tearing people up, then complaining about the blood stains on their walls.
”
”
C. JoyBell C.
“
Please approach with care these figures in black.
Regard with care the weight they bear,
the scars that mark their hearts.
Do you think you can handle these bodies of graphite & coal dust?
This color might rub off. A drop of this red liquid
could stain your skin.
This black powder could blow you sky high.
No ordinary pigments blacken our blues.
Would you mop the floor with this bucket of blood?
Would you rinse your soiled laundry in this basin of tears?
Would you suckle hot milk from this cracked vessel?
Would you be baptized in this fountain of funky sweat?
Please approach with care
these bodies still waiting to be touched.
We invite you to come closer.
We permit you to touch & be touched.
We hope you will engage with care.
”
”
Harryette Mullen
“
She's a living entity woven into my very being, a fever in my bloodstream I can't sweat out, an invisible ink staining my skin, permanent and essential. She is part of me now, inseparable, and I'll tear down the world before I let anything take her away.
”
”
R. Nimes (Shadows of the past)
“
I have had many tears stains on our cheeks. Inflamed tears from hurt and red-eye. Bullets of tears from surviving the wars and battles I have lost. Tears from suffering when they tore me apart. Exhaustion tears from always not knowing how to settle my mind.
”
”
Charlena E. Jackson (Pinwheels and Dandelions)
“
She closed her eyes and listened to the sound of love. Romantic love. Soulmate love. Birds soaring and swans paddling. Trees rustling and flowers blooming. The sound of his hand stroking her tear-stained cheek. And the sound of his heartbeat in sync with hers.
”
”
Nicole Archer (Head-Tripped (Ad Agency, #2))
“
Exoneration of Jesus Christ If Christ was in fact God, he knew all the future.
Before Him like a panorama moved the history yet to be. He knew how his words would be interpreted.
He knew what crimes, what horrors, what infamies, would be committed in his name. He knew that the hungry flames of persecution would climb around the limbs of countless martyrs. He knew that thousands and thousands of brave men and women would languish in dungeons in darkness, filled with pain.
He knew that his church would invent and use instruments of torture; that his followers would appeal to whip and fagot, to chain and rack. He saw the horizon of the future lurid with the flames of the auto da fe.
He knew what creeds would spring like poisonous fungi from every text. He saw the ignorant sects waging war against each other.
He saw thousands of men, under the orders of priests, building prisons for their fellow-men. He saw thousands of scaffolds dripping with the best and bravest blood. He saw his followers using the instruments of pain. He heard the groans—saw the faces white with agony.
He heard the shrieks and sobs and cries of all the moaning, martyred multitudes. He knew that commentaries would be written on his words with swords, to be read by the light of fagots. He knew that the Inquisition would be born of the teachings attributed to him. He saw the interpolations and falsehoods that hypocrisy would write and tell. He saw all wars that would be waged, and-he knew that above these fields of death, these dungeons, these rackings, these burnings, these executions, for a thousand years would float the dripping banner of the cross.
He knew that hypocrisy would be robed and crowned—that cruelty and credulity would rule the world; knew that liberty would perish from the earth; knew that popes and kings in his name would enslave the souls and bodies of men; knew that they would persecute and destroy the discoverers, thinkers and inventors; knew that his church would extinguish reason’s holy light and leave the world without a star.
He saw his disciples extinguishing the eyes of men, flaying them alive, cutting out their tongues, searching for all the nerves of pain.
He knew that in his name his followers would trade in human flesh; that cradles would be robbed and women’s breasts unbabed for gold.
And yet he died with voiceless lips.
Why did he fail to speak? Why did he not tell his disciples, and through them the world: “You shall not burn, imprison and torture in my name. You shall not persecute your fellow-men.”
Why did he not plainly say: “I am the Son of God,” or, “I am God”? Why did he not explain the Trinity? Why did he not tell the mode of baptism that was pleasing to him? Why did he not write a creed? Why did he not break the chains of slaves? Why did he not say that the Old Testament was or was not the inspired word of God? Why did he not write the New Testament himself?
Why did he leave his words to ignorance, hypocrisy and chance? Why did he not say something positive, definite and satisfactory about another world? Why did he not turn the tear-stained hope of heaven into the glad knowledge of another life? Why did he not tell us something of the rights of man, of the liberty of hand and brain?
Why did he go dumbly to his death, leaving the world to misery and to doubt?
I will tell you why. He was a man, and did not know.
”
”
Robert G. Ingersoll
“
She raked him with a glare that told him she saw past his untamed beauty, to the ugly violence that rippled beneath all his taut, bronzed flesh. “As much as you’d like to think your hands are clean, we both know they’re not. They’re stained with a million sins, with a thousand tears, a hundred deceits, and maybe a little blood you pretend isn’t there. You may ignore it, but I see it. I see who you are.” “Then why did ye fucking kiss me back?” he snarled. Samantha hid her gasp behind a shrug. “Because maybe I’m a monster, too.
”
”
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
“
How to Sleep at Night
Try to think of nothing.
That's the secret.
Try to think of nothing.
Do not think of work not done,
or of promises unkept, calls to return,
or agendas you have failed to prepare for meetings
yet unheld.
Think of nothing.
Do not think of words said and unsaid,
or minor scandals and major investigations,
of humiliations endured, insults suffered,
or retorts that did not spring to mind
in time.
Think of nothing.
Do not think of your wife,
of lonely children and their reproachful demands,
or the smile of the pretty woman
whose handshake lingered just a shade too long
in your palm.
Think of nothing.
Do not think of newspaper headlines,
of the insistent transience of the shortwave radio,
or the seductive stridency of the TV microphones
thrust so thrillingly
into your face.
Think of nothing.
Do not think of the waif on the foreign sidewalk,
her large eyes open in supplication,
her ragged shift stained by dirt and dust,
stretching her despairing hand towards you
in hope
No, do not think
of the solitary tear, the broken limb,
the rubble-strewn home, the choking scream;
never think
of piled up bodies, blazing flames,
shattered lives, or sundered souls.
Do not think of the triumph of the torturer,
the wails of the hungry,
the screams of the mutilated,
or the indifferent smirk
of the sleek.
Think of nothing.
then you will be able
to sleep.
”
”
Shashi Tharoor (Riot)
“
I gripped Marcus’s notebook closer to my chest, tracing the words that he’d written, words that he’d written for my brother. I didn’t realize I was crying at first, but my tears fell to the page, staining the blue ink and forcing it to pool around the letters. I felt my grip on this reality slipping, the knowledge that my brother had this secret, one that he never thought to tell me. I cried for Marcus; I cried for his lost love and the future the two of them might’ve had. I cried for my parents and how awful their only living child had become, how they seemed to have lost both of their kids in a matter of weeks. I cried for Joel and Vanessa, how they’d hurt me, and how I’d hurt them. I cried for myself, and all the hurt I’d caused, and all the pain I felt. But most of all, I cried for Ethan because he was no longer here.
”
”
Mason Deaver (The Ghosts We Keep)
“
She went to the church to sit in the cave of stone, filled with the voices of strangers. Murmurs coming through the air, bowling in the ceiling and sifting down with the speckled greens and blues, the deep dark red of the stained glass at the end of the nave. She sat in the hard wooden pew and waited for the hymns. And when the singing started, she could weep. She went to the church to open her mouth and feel her heart again, constricted, struggling, banging against her throat, the tears there in the place of words, her voice struggling out in the vast air, stopped by grief.
”
”
Sarah Blake (The Guest Book)
“
He looked up at the round, stained glass window in front of him, a blurred kaleidoscope backlit in the morning sun. It glowed. The color of heaven. Of her hair.
He sat back and cracked open the dry, leather cover of a pew Bible, and a mixture of sweat and tears christened its pristine pages.
”
”
Red Tash (This Brilliant Darkness)
“
To me, strength is forgiving; it is smiling when I am aching; the ability to love... Strength is choosing humility over pride; it is that still small voice telling me I can; and sometimes, strength is nothing more than a tear-stained promise humbly painted down my face - 'I will try again tomorrow'.
”
”
Cindy Cherie
“
My heart is stained with the salty sadness I won’t let taint my cheeks. As my eyes remain dry, my heart grows heavy. Each unshed tear falling to add to its weight. One day it will be so heavy that my body will no longer be able to hold it. It will plummet into a dark, empty void and the drumbeat of my existence will cease.
”
”
Makenzie Campbell (2am Thoughts)
“
Poem: Roses And Rue (To L. L.) Could we dig up this long-buried treasure, Were it worth the pleasure, We never could learn love's song, We are parted too long. Could the passionate past that is fled Call back its dead, Could we live it all over again, Were it worth the pain! I remember we used to meet By an ivied seat, And you warbled each pretty word With the air of a bird; And your voice had a quaver in it, Just like a linnet, And shook, as the blackbird's throat With its last big note; And your eyes, they were green and grey Like an April day, But lit into amethyst When I stooped and kissed; And your mouth, it would never smile For a long, long while, Then it rippled all over with laughter Five minutes after. You were always afraid of a shower, Just like a flower: I remember you started and ran When the rain began. I remember I never could catch you, For no one could match you, You had wonderful, luminous, fleet, Little wings to your feet. I remember your hair - did I tie it? For it always ran riot - Like a tangled sunbeam of gold: These things are old. I remember so well the room, And the lilac bloom That beat at the dripping pane In the warm June rain; And the colour of your gown, It was amber-brown, And two yellow satin bows From your shoulders rose. And the handkerchief of French lace Which you held to your face - Had a small tear left a stain? Or was it the rain? On your hand as it waved adieu There were veins of blue; In your voice as it said good-bye Was a petulant cry, 'You have only wasted your life.' (Ah, that was the knife!) When I rushed through the garden gate It was all too late. Could we live it over again, Were it worth the pain, Could the passionate past that is fled Call back its dead! Well, if my heart must break, Dear love, for your sake, It will break in music, I know, Poets' hearts break so. But strange that I was not told That the brain can hold In a tiny ivory cell God's heaven and hell.
”
”
Oscar Wilde (Selected Poems)
“
Neither of them were warriors. For Trazyn, the dust of the archive was more familiar than that of the parade ground, and Orikan had spent aeons training his mind and neglecting his body. Had this duel occurred during the Flesh Times, it would have been comical. Two withered ancients, rangy, round-shouldered, stained with ink and smelling of incense tearing at each other with barely the strength to bruise. But biotransference had, for all its horrors, made every necron an armored juggernaut. The two swung at each other, filling the gallery with the sounds of the forge. They locked weapons, shoved and bashed their plated skulls like horned beasts.
”
”
Robert Rath, The Infinite and The Divine
“
Each would stain the other, letting mutual hatred spin a thread that couldn’t be severed. It was too agonizing to live like this, alone, with only the snow to listen to their howls in the night. They had no one to lean on but each other—so why not tear into each other until they were bloody?
This life was already rotten enough.
”
”
Tang Jiu Qing (Ballad of Sword and Wine: Qiang Jin Jiu (Novel) Vol. 1)
“
I didn't know what to say to that. Did he feel bad because he'd gotten caught? Or did he feel bad because he'd learned his lesson the hard way? Relationships were not always black and white, cut and dry. There is always so much history, so much emotional impact on a life that makes it so hard, to just walk away when someone hurts you.
”
”
Courtney Giardina (Tear Stained Beaches)
“
Tears unnumbered ye shall shed; and the Valar will fence Valinor against you, and shut you out, so that not even the echo of your lamentation shall pass over the mountains. On the House of Fëanor the wrath of the Valar lieth from the West unto the uttermost East, and upon all that will follow them it shall be laid also. Their Oath shall drive them, and yet betray them, and ever snatch away the very treasures that they have sworn to pursue. To evil end shall all things turn that they begin well; and by treason of kin unto kin, and the fear of treason, shall this come to pass. The Dispossessed shall they be for ever.
Ye have spilled the blood of your kindred unrighteously and have stained the land of Aman. For blood ye shall render blood, and beyond Aman ye shall dwell in Death's shadow. For though Eru appointed to you to die not in Eä, and no sickness may assail you, yet slain ye may be, and slain ye shall be: by weapon and by torment and by grief; and your houseless spirits shall come then to Mandos. There long shall ye abide and yearn for your bodies, and find little pity though all whom ye have slain should entreat for you. And those that endure in Middle-earth and come not to Mandos shall grow weary of the world as with a great burden, and shall wane, and become as shadows of regret before the younger race that cometh after. The Valar have spoken.
”
”
J.R.R. Tolkien (The Silmarillion)
“
You see, in every story, it's not about the ending. It's about the chapters in between and how you make it through them, but we all know how important it is to get through them in order to et to see how it ends. While you're going through them, it might be scary, terrifying actually, but you'll learn so much about yourself at the end of each one.
”
”
Courtney Giardina (Tear Stained Beaches)
“
Those were the words I thought were going to put everything back together again: but they didn't. I was hurt, angry and lost. I couldn't look at my husband without feeling pain. I didn't want him to touch me, or hold me, or comfort me. It was gone. He stood there, waiting for me to say something, anything that would let him know we still had a chance.
”
”
Courtney Giardina (Tear Stained Beaches)
“
One more drink and we’re sharing our rape stories. Nearly every woman I know has one. If I had a nickel for every time I’ve heard one of these stories I could buy an enormous, plush pillow with which to smother my tear-stained face. Near rape, date rape, rape rape, it’s all the same, I think. Close enough is rape. Once I had a friend tell me this breathless, elaborate story about fighting off a drunk man at a party. He tears her dress, scratches her skin, throttles her throat, and it ends with her punching him in the eye, but, she points out repeatedly, he never actually fucks her. “Thank god nothing happened,” she said to me. I stared at her, and then slowly responded. “Yes,” I said. “Thank god for that.
”
”
Jami Attenberg (All Grown Up)
“
The Universe is Made of Five Things' is how it starts. He thinks it's probably the title, but his fingers don't stop long enough to let him question it any more than that. He rubs his eyes, keeps typing with shaky, jerking fingers.
'The Universe is made of hands;
Hands that twist fabric and sizzle in the air.
Hands that grasp curls and flick words away.
Small, smooth fingers pouring gold over gaping wounds.
Before slicing into soft tissue,
Blood mixing with gold.
Hands that make it beautiful.
The Universe is made of bones;
Bones that cut against yards of skin,
Warm and yielding and moulded around the wings that splay across his back.
Bones that cage the heart and dig into the hollows.
Bones that break,
Tear the warm, yielding skin.
Bones that shred and brush his chin.
The Universe is made of lips;
Lips that breathe and stutter warm sighs,
Caressing the craks in his broken body, the body that he broke.
Lips that carve paths into stone,
That leave trails upon gooseflesh,
Lips that nake incisions,
Too delicate to mend.
The Universe is made of blood;
Blood that runs warm and hot and steady and crimson,
Pumping beneath the stone and the gold.
Blood that burns with every jerk of limbs.
Blood that spills on open palms,
Staining the fabric,
Filling up his throat.
The Universe is made of eyes,
Eyes that breach and eyes that splice and eyes that never leave.
Eyes that ripple oceans.
Eyes that whisper in the dark.
Eyes that create wounds, create chaos, create broken shards of blue.
Eyes that alight and
won ' t
let
go.
The Universe was built.
The Universe fell.
You took it apart,
Draggd the chaos from my soul with your hands,
Your bones,
Your lips,
Your blood,
Your eyes,
And now you're back. And so is the Universe, And so, I suppose, am I.
The Universe is made of five things.
The Universe is made of you.
”
”
Velvetoscar (Core 'ngrato)
“
«I’ve never been to a funeral until today. I see dazzling arrangements of red, yellow, and purple flowers with long, green stems. I see a stained-glass window with a white dove, a yellow sun, a blue sky. I see a gold cross, standing tall, shiny, brilliant. And I see black. Black dresses. Black pants. Black shoes. Black bibles. Black is my favorite color. Jackson asked me about it one time.
“Ava, why don’t you like pink? Or yellow? Or blue?” ”I love black,” I said. ”It suits me.” ”I suit you,” he said. I’m not so sure I love black anymore.
And then, beyond the flowers, beneath the stained-glass window, beside the cross, I see the white casket. I see red, burning love disappear forever. As we pull away, my eyes stay glued to the casket. It’s proof that sometimes life does not go on. I look around. If tears could bring him back, there’d be enough to bring him back a hundred times. That’s not what I’m thinking. I’m thinking, I hate good-byes.
It’s like I was a garden salad with a light vinaigrette, and Jackson was a platter of seafood Cajun pasta. Alone, we were good. Together, we were fantastic.
Memories might keep him alive. But they might kill me.»
”
”
Lisa Schroeder (I Heart You, You Haunt Me)
“
The town stood witness to her fall As she crashed to the earth Exposed and utterly vulnerable Her secret lives, lies and truths Stained her skin and lay in mounds at her feet Her foes sat in judgment as a jury, But love came . . . with gentle hands Love dried her tears Love covered her shame Love sheltered her with compassion Love accepted her anyway Love embraced her Love welcomed her home.
”
”
Deborah Grace Staley (What The Heart Wants (Angel Ridge, #3))
“
From my childhood I had heard read, and read the Bible myself. Morning and evening the sacred volume was opened and prayers were said. The Bible was my first history, the Jews were the first people, and the events narrated by Moses and the other inspired writers, and those predicted by prophets were the all important things. In other books were found the thoughts and dreams of men, but in the Bible were the sacred truths of God.
Yet in spite of my surroundings, of my education, I had no love for God. He was so saving of mercy, so extravagant in murder, so anxious to kill, so ready to assassinate, that I hated him with all my heart. At his command, babes were butchered, women violated, and the white hair of trembling age stained with blood. This God visited the people with pestilence -- filled the houses and covered the streets with the dying and the dead -- saw babes starving on the empty breasts of pallid mothers, heard the sobs, saw the tears, the sunken cheeks, the sightless eyes, the new made graves, and remained as pitiless as the pestilence.
This God withheld the rain -- caused the famine, saw the fierce eyes of hunger -- the wasted forms, the white lips, saw mothers eating babes, and remained ferocious as famine.
”
”
Robert G. Ingersoll
“
Her pen had a heart inside, and the nib was a wound in a vein. She stained the page with herself. She sometimes forgets what she wrote, save that it was true, and the writing hurt. But butterfly wings break when touched. Red knows her own weaknesses as well as anyone. She presses too hard, breaks what she would embrace, tears what she would touch to her teeth. She dreams of a morpho butterfly with wings spread large as a world.
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
Artist, you’re bleeding everywhere,” he says, tearing a section from the bottom of his shirt and wrapping it tight around my forearm. Scarlet soaks through the cotton and stains his fingers. He gets to work untying the wires on my wrists and ankles. “How are you feeling?”
I try to form words, but everything is thick and fuzzy, and my throat is still convulsing. It’s all I can do to keep my head upright. “Great…” I finally manage.
”
”
Jessica S. Olson (A Forgery of Roses)
“
This is stupid. Very, very stupid. I don't even have a tear-stained dog to wave bye to me. But I told everyone I was gonna do this, so I gotta do it... or I will be living a life of feminist-sounding somedays. And I will be more responsible, powerful, and amazing afterward. I will be able to do anything and not self-consciously stare at elevator numbers when the doors close.
I will look the other person in right the eye and nod hello.
”
”
Erika Lopez (Flaming Iguanas: An Illustrated All-Girl Road Novel Thing)
“
Chorus of Clouds
We are full of sighs, full of glances,
We are full of laughter
And sometimes we wear your faces.
We are not far from you.
Who knows how much of your blood rose
And stained us?
Who knows how many tears you have shed
Because of our weeping? How much longing formed us?
We play at dying,
Accustom you gently to death.
You, the inexperienced, who learn nothing in the nights.
Many angels are given you
But you do not see them.
”
”
Nelly Sachs (Collected Poems I: (1944-1949) (Green Integer))
“
The sun had streamed through the stained glass on our wedding day. I remember trying to slow my walk down the aisle, because my soon-to-be husband was staring at me like he never had before.
I thought, This aisle is too short to hold this moment.
When he saw me for the first time in my inevitable wedding dress, he blinked his eyes so hard and fast, as if his own tears surprised him. My veil was a blusher, it covered my face. And for once in our whole relationship, he was the naked and emotional one, and I was the less transparent one.
I remember thinking, Someday I will tell our children how their father looked at me on this day.
But on this day, on the eighth floor of the superior court, the father of the children we never ended up having looked at me for half a second. He glanced at me by accident, really, and then turned on his heel and went into the courtroom.
”
”
Faith Salie
“
WhatsApp forwards about love and kindness. I wonder if on a Sunday morning all these enthusiastic do-gooders could send out truly helpful things like ‘11 cures for a hangover’ or ‘How to clean puke stains from your dress’. I have no such luck; all I get are strange messages like ‘Little memories can last for years’. Very useful when you are trying hard to forget all the embarrassing things you did the night before. Do I really need messages saying, ‘A little hug can wipe out a big tear’ or ‘Friendship is a rainbow’? There is also a message saying, ‘God blues you’, which I am trying to guess could mean that either God wants to bless me, rule me or make a blue movie with me. Has it ever happened that a murderer just before committing his crime gets a message stating, ‘Life is about loving’, and stops in his tracks, or a banker reads ‘No greater sin than cheating’, and quits his job? So, what do these messages really do? I think they allow lazy people to think that they are doing a good deed in the easiest possible manner by sending these daft bits of information out into the universe. Go out there! Sweep a pavement, plant a tree, feed a stray dog. Do something, anything; rather than just using your fingers to tap three keys and destroy 600 people’s brain cells in one shot. 11 a.m.: This is turning out to be a hectic day. The
”
”
Twinkle Khanna (Mrs Funnybones: She's just like You and a lot like Me)
“
You’re too goddamned fat,” he said. I took a defiant drag on my cigarette and willed myself not to cry. The remark made me dizzy. For the past four years, Ma and Grandma had played by the rule: never to mention my weight. Now my jeans and sweatshirt were folded in a helpless pile beside me and there was only a thin sheet of paper between my rolls of dimply flesh and this detestable old man. My heart raced with fear and nicotine and Pepsi. My whole body shook, dripped sweat. “Any trouble with your period?” he asked. “No.” “What?” “No trouble,” I managed, louder. He nodded in the direction of his stand-up scale. The backs of my legs made little sucking sounds as they unglued themselves from the plastic upholstery. He brought the sliding metal bar down tight against my scalp and fiddled with the cylinder in front of my face. “Five-five and a half,” he said. “Two hundred . . . fifty-seven.” The tears leaking from my eyes made stains on the paper gown. I nodded or shook my head abruptly at each of his questions, coughed on command for his stethoscope, and took his pamphlets on diet, smoking, heart murmur. He signed the form. At the door, his hand on the knob, he turned back and waited until I met his eye. “Let me tell you something,” he said. “My wife died four Tuesdays ago. Cancer of the colon. We were married forty-one years. Now you stop feeling sorry for yourself and lose some of that pork of yours. Pretty girl like you—you don’t want to do this to yourself.” “Eat shit,” I said. He paused for a moment, as if considering my comment. Then he opened the door to the waiting room and announced to my mother and someone else who’d arrived that at the rate I was going, I could expect to die before I was forty years old. “She’s too fat and she smokes,” I heard him say just before the hall rang out with the sound of my slamming his office door. I was wheezing wildly by the time I reached the final landing. On the turnpike on the way home, Ma said, “I could stand to cut down, too, you know. It wouldn’t hurt me one bit. We could go on a diet together? Do they still sell that Metrecal stuff?” “I’ve been humiliated enough for one fucking decade,” I said. “You say one more thing to me and I’ll jump out of this car and smash my head under someone’s wheels.
”
”
Wally Lamb (She's Come Undone)
“
Looking at her with a wolf’s gaze, with a hunger satiated only by violence and destruction, he pulled back only slightly with the sight of blood trickling from her nose. When she smiled at him, her teeth stained red, her tongue running over her gums, however, Blossom’s entire body juxtaposed the idea between sweet and innocent to malicious and coarse. She was as sharp as a blade, yet as sweet as a flowering bruise. And his affection for her was as equally a perfect mixture—balance—between the desire to destroy her, tear her limb from limb, devour her, and protect, nurture, save her from all the evil in the world, including himself. But what he didn’t realize, as she batted her lashes back up at him, her body molding under his fingertips so easily he for a minute was convinced she had been created for the sole purpose of him, was that she was a wolf, too. A wolf in sheep’s clothing, a false prey. A predator of equal conviction.
”
”
Kate Winborne
“
We believed we were supposed to "cope" as best we could. As we talked, we realized the disability itself was not that big a deal for us. We had all learned to accept our physical limitations. What made life difficult was not the disability, but the lack of services and support, the lack of accessibility, the unfair and stereotypical ways in which we were treated, the pity doled out for us all our lives. Often, after a meeting, I wrote my thoughts down in a notebook. "It's not my fault that I'm disabled, yet I've been made to feel that it is," I wrote. "My polio never made me unhappy; people made me unhappy. Ever since I was a little girl, people have always made me feel I was no good because I was disabled. From Sicilian women and the nuns to the doctors who couldn't fix me, to my fellow students and prospective employers... and even my own parents." As I wrote, my tears fell and stained the pages - tears of anger, of relief and of new hope.
”
”
Nadina LaSpina (Such a Pretty Girl: A Story of Struggle, Empowerment, and Disability Pride)
“
Woman lost (skin deep) like a damn fine thread in the fire
Woman of the world caught up in your black machinations
I was a woman who cried alone at night, who gave it all
away when she saw the good heart of the man inside
Woman caught standing up; her open parts are broken -
Someone's armour broke right through, it was you, you
For some reason I've been thinking about you, your light
Today, you poured out all the tension, the ego underground
Hibernating inside my heart. I was so close to it, to the flicker
Of love in a lonely street and I turned my head and walked
Away from the flame in your arms. As I put away the fun in
A house of fight I came across you and a mechanism in
My brain shifted chemically, walls caved in like the cadence
In your words and I was lost in the darkness. Even now in
Middle age I remember when desire was a popular drug
And everyone was selling it but I don't live to explore to be
Able to illuminate the proof of my existence, live to burn
Vicariously though the diamond mouth of sleeping stars.
From so much love, pictures of death arrived in black and
White photographs and you're perfect, you always were -
Illusions have no flaws; they're dangerous beings, smoke.
Could I take the moon back and still live with my great
Expectations of nostalgia, laughter, tears and suffering -
But they are all a part of me not the people of the stars,
Long dead videotape, the past has stained the symphony
Of my soul (like the wind through the trees) throughout
Me finding myself, my two left feet as a female poet
The warning was there of the noise of eternity, signs
That said, don't anger the sea, you have an ally in her.
When men grow cold listen to their stories and bask in
The glory of their genuine deaths, their winters, put
Them away so you can read them like the newspaper.
Once in a while you can go back to where you stood
In youth with your afternoon tea, the sun of God in our
Eyes - I am that kind of woman who lives in the past
”
”
Abigail George (Feeding The Beasts)
“
As a stalwart reader of printed books, I’m left to wonder what will happen to the wide, slow silty river of the their history, to the countless volumes waiting now in the abandoned silence of library stacks. Stacks: The word itself connects books to the harvest, to corn and hay. They were always earthbound. Smell the must, feel the brittle, browning pages between your thumb and forefinger. The tears, the cracked spines, the stains and folds. Even if we readers forget them, printed books will hold us in their memory.
”
”
Jane Brox
“
Upon the listening spirit of God fell also the unspoken part of the prayer. He commandeth me to put it into words. Listen! “Lord our Father, our young patriots, idols of our hearts, go forth into battle — be Thou near them! With them — in spirit — we also go forth from the sweet peace of our beloved firesides to smite the foe. O Lord our God, help us tear their soldiers to bloody shreds with our shells; help us to cover their smiling fields with the pale forms of their patriot dead; help us to drown the thunder of the guns with the shrieks of their wounded, writhing in pain; help us to lay waste their humble homes with a hurricane of fire; help us to wring the hearts of their unoffending widows with unavailing grief; help us to turn them out roofless with their little children to wander unfriended in the wastes of their desolated land in rags and hunger and thirst, sports of the sun flames in summer and the icy winds of winter, broken in spirit, worn with travail, imploring thee for the refuge of the grave and denied it — For our sakes who adore Thee, Lord, blast their hopes, blight their lives, protract their bitter pilgrimmage, make heavy their steps, water their way with their tears, stain the white snow with the blood of their wounded feet! We ask it, in the spirit of love, of Him Who is the Source of Love, and Who is the ever-faithful refuge and friend of all that are sore beset and seek His aid with humble and contrite hearts. Amen. (After a pause.) “Ye have prayed it; if ye still desire it, speak! The messenger of the Most High waits.” …
”
”
Mark Twain
“
My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thine happiness,—
That thou, light-winged Dryad of the trees
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.
O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stained mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:
Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs,
Where Beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.
Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Cluster'd around by all her starry Fays;
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.
I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast fading violets cover'd up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.
Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that oft-times hath
Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.
Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is fam'd to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:—Do I wake or sleep?
- Ode to a Nightingale
”
”
John Keats (The Complete Poems)
“
We are learning that through striving for justice, tears and laughter, seem more dynamic and shared as each step is taken with communal courage together. Record a legacy, they truly lived, not once stepped back on the path that beckoned. I am proud of my partner, of my family, of our friends. We have learned to value the quiet patience of gentle support both, unspoken and felt, heard and embraced. And if we seem cryptic in message at times, we wish to lift to the world the cause as artists, using the language of our nature and craft, to address the twisted currents of current laws and corruption, where ears are dulled from light by agendas, that the beauty of Art may be expressed in the reclaiming of itself, from the wreckage of the court system mired with soiled attorney and tainted judge. Colors to where there is grey, to lift the hues cast in cast iron graves, stamped Summary Judgement, with no judgement applied. So together we formulate, and forge what is possible, while tear stains cheek, falling upon lighted smile, in thought of our loved ones, that keeps our current path clear.
”
”
Tom Althouse (The Frowny Face Cow)
“
And yet it seems so full of comfort and of strength, the night. In its great presence, our small sorrows creep away, ashamed. The day has been so full of fret and care, and our hearts have been so full of evil and bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faced up to hers, and smiles; and, though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone.
”
”
Jerome K. Jerome (Three Men in a Boat)
“
I slide to the floor. I feel something warm on my neck, and under my cheek. Red. Blood is a strange color. Dark.
From the corner of my eye, I see David slumped over in his chair.
And my mother walking out from behind him.
She is dressed in the same clothes she wore the last time I saw her, Abnegation gray, stained with her blood, with bare arms to show her tattoo. There are still bullet holes in her shirt; through them I can see her wounded skin, red but no longer bleeding, like she’s frozen in time. Her dull blond hair is tied back in a knot, but a few loose strands frame her face in gold.
I know she can’t be alive, but I don’t know if I’m seeing her now because I’m delirious from the blood loss of if the death serum has addled my thoughts or if she is here in some other way.
She kneels next to me and touches a cool hand to my cheek.
“Hello, Beatrice,” she says, and she smiles.
“Am I done yet?” I say, and I’m not sure if I actually say it or if I just think it and she hears it.
“Yes,” she says, her eyes bright with tears. “My dear child, you’ve done so well.”
“What about the others?” I choke on a sob as the image of Tobias comes into my mind, of how dark and how still his eyes were, how strong and warm his hand was, when we first stood face-to-face. “Tobias, Caleb, my friends?”
“They’ll care for each other,” she says. “That’s what people do.”
I smile and close my eyes.
I feel a thread tugging me again, but this time I know that it isn’t some sinister force dragging me toward death.
This time I know it’s my mother’s hand, drawing me into her arms.
And I go gladly into her embrace.
Can I be forgiven for all I’ve done to get here?
I want to be.
I can.
I believe it.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
But since these rolls of bread and wine bottles are needed by me, and your faces with their hollows and prominences are beautiful, and the table-cloth and its yellow stain, far from being allowed to spread in wider and wider circles of understanding that may at last (so I dream, falling off the edge of the earth at night when my bed floats suspended) embrace the entire world, I must go through the antics of the individual. I must start when you pluck at me with your children, your poems, your chilblains or whatever it is that you do and suffer. But I am not deluded. After all these callings hither and thither, these pluckings and searchings, I shall fall alone through this thin sheet into gulfs of fire. And you will not help me. More cruel than the old torturers, you will let me fall, and will tear me to pieces when I am fallen. Yet there are moments when the walls of the mind grow thin; when nothing is unabsorbed, and I could fancy that we might blow so vast a bubble that the sun might set and rise in it and we might take the blue of midday and the black of midnight and be cast off and escape from here and now.
”
”
Virginia Woolf (The Waves)
“
You never asked about your present.'
'I assumed I wasn't getting one from you.'
He pushed off the door frame and shut the door behind him. He took up all the air in the room just by standing there. 'Why?'
She shrugged. 'I just did.'
He pulled a small box from his jacket and set it on the bed between them. 'Surprise.' Cassian swallowed as she approached, the only sign that this meant something to him.
Nesta's hands turned sweaty as she picked the box up, examining it. She didn't open it yet, though. 'I am sorry for how I behaved last Solstice. For how awful I was.'
He'd gotten her a present then, too. And she hadn't cared, had been so wretched she'd wanted to hurt him for it. For caring.
'I know,' he said thickly. 'I forgave you a long time ago.' She still couldn't look at him, even as he said, 'Open it.'
Her hands shook a little as she did, finding a silver ball nestled in the black velvet box. It was the size of a chicken egg, round save for one area that had been flattened so it might be set upon a surface and not roll. 'What is it?'
'Touch the top. Just a tap.'
Throwing a puzzled glance at him, she did so.
Music exploded into the room.
Nesta leaped back, a hand at her chest as he laughed.
But- music was playing from the silver orb. And not just any music, but the waltzes from the ball the other night, pure and free of any crowd chattering, as if she were sitting in a theatre to hear them. 'This isn't the Veritas orb,' she managed to say as the waltz poured out of the ball, so clear and perfect her blood sang again.
'No, it's a Symphonia, a rare device from Helion's court. It can trap music within itself, and play it back for you. It was originally invented to help compose music, but it never caught on, for some reason.'
'How did you get the crowd noise out when you trapped the sound the other night?' she marvelled.
His cheeks stained with colour. 'I went back the next day. Asked the musicians at the Hewn City to play it all again for me, plus some of their favourites.' He nodded to the ball. 'And then I went to some of your favourite taverns and found those musicians and had them play...'
He trailed off at her bowed head. The tears she couldn't stop. She didn't try to fight them as the music poured into the room.
He had done all of this for her. Had found a way for her to have music- always.
'Nesta,' he breathed.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #5))
“
I gave you water every day,
Sunshine songs, a cozy clay.
You stretched your leaves so wide and fair—
I thought you knew how much I cared.
But puddles grew where roots should breathe,
Your stem turned soft, a silent plea.
One leaf dropped, then two, then three—
My love drowned you, and now I see.
You were my friend in that bright room,
A green hello that fought the gloom.
I didn’t mean to steal your light,
Just wanted to hold your petals tight.
Now your pot sits empty, small,
Dirt stained with tears I let fall.
Sometimes love pours like a storm—
Too much warmth can break what’s warm.
”
”
Saurabh T
“
Blonde hair and blue eyes," she repeated. "The lavender fairy."
"Now, hang on a minute!"
"Just like the lavender fairy has. There's an old story about the beautiful fairy called Lavandula who was born in the wild lavender of the Lure mountain. She grew up and began to wander further from the mountain, looking for somewhere special to make her home. One day she came across the stony, uncultivated landscapes of Haute Provence, and the pitiful sight made her so sad she cried hot tears- hot mauve tears that fell into the ground and stained it. And that is where, ever afterwards, the lavender of her birthplace began to grow.
”
”
Deborah Lawrenson (The Sea Garden)
“
So it was that Mister Povondra started his collection of newspaper cuttings about the newts. Without his passion as a collector much of the material we now have would otherwise have been lost. He cut out and saved everything written about the newts that he could find; it should even be said that after some initial fumblings he learned to plunder the newspapers in his favourite café wherever there was mention of the newts and even developed an unusual, almost magical, virtuosity in tearing the appropriate article out of the paper and putting it in his pocket right under the nose of the head waiter. It is well known that all collectors are willing to steal and murder if that is what's needed to add a certain item to their collection, but that is not in any way a stain on their moral character. His life was now the life of a collector, and that gave it meaning. Evening after evening he would count and arrange his cuttings under the indulgent eyes of Mrs. Povondra who knew that every man is partly mad and partly a little child; it was better for him to play with his cuttings than to go out drinking and playing cards. She even made some space in the scullery for all the boxes he had made himself for his collection; could anything more be asked of a wife?
”
”
Karel Čapek (War with the Newts)
“
How can it be repeated and what for? I love and can love only that earth which I have left, stained with my blood, when, in my ingratitude, I quenched my life with a bullet in my heart. But I have never, never ceased to love that earth, and perhaps on the very night I parted from it I loved it more than ever. Is there suffering upon this new earth? On our earth we can only love with suffering and through suffering. We cannot love otherwise, and we know of no other sort of love. I want suffering in order to love. I long, I thirst, this very instant, to kiss with tears the earth that I have left, and I don't want, I won't accept life on any other!
”
”
Fyodor Dostoevsky (The Dream of a Ridiculous Man)
“
Your blood will be part of this river.” She bent to her mate’s ear and whispered in her own language so the others would not listen. “You’re not dead, Stephen. Not really. Your body will return to the water. Your tears will return to the sea.” She closed her eyes and listened to the cries of her mate’s beloved child. It was one of the things that had connected them. She had told Stephen about her children because he understood. “One day,” she continued whispering, “the blood that stains this grass will fall as rain on the earth your daughter walks on. And your spirit will exist in me forever. Nothing is wasted in the end.” She closed her eyes and repeated to herself, “Nothing is wasted.
”
”
Elizabeth Hunter (Tin God (Elemental Covenant #5))
“
Mr. Freeman: "Time's up, Melinda. Are you ready?"
I hand over the picture. He takes it in his hands and studies it. I sniff again and wipe my eyes on my arm. The bruises are vivid, but they will fade.
Mr. Freeman: "No crying in my studio. It ruins the supplies. Salt, you know, saline. Etches like acid." he sits on the stool next to me and hands back my tree. "You get an A+. You worked hard at this." He hands me the box of tissues. "You've been through a lot, haven't you?"
The tears dissolve the last block of ice in my throat. I feel the frozen stillness melt down through the inside of me, dripping shards of ice that vanish in a puddle of sunlight on the stained floor. Words float up.
Me: "Let me tell you about it.
”
”
Laurie Halse Anderson (Speak)
“
Fine, go get the dildos.”
“Oh, my God.” Alec placed his hands on either side of his face. “This is the best day of my life.”
Keela bit down on her lower lip. “What do you want me to do to them?”
His eyes welled up. “It’s finally happening.”
Bronagh covered her mouth with her hand when she couldn’t control the giggle that erupted from her. Alec’s attention zoned in on her and her mouth.
“You … you’re playing … aren’t you?” he whispered, legit tears falling from his eyes.
Keela laughed then, too.
“That was cruel, Aideen,” Alec whispered and wiped his tear stained cheeks. “So fucking cruel. Don’t ever talk to me again. I don’t like any of you anymore.”
He stormed out of the kitchen with Keela laughing as she ran after him. I looked to Kane and Nico when they grunted and found them staring at me.
“What?” I asked.
Nico blinked he eyes. “You shouldn’t lie like that, not about threesomes. It’s hurtful.”
“It’s only hurtful because this is one threesome that isn’t comin’ true and it’s killin’ all of you.”
Kane chimed in. “That doesn’t make it any less evil to lie about it. You got poor Alec’s hopes up.”
“Just Alec’s?” I grinned.
Kane glared at me. “Mine and Dominic’s too.”
“Damn right,” Nico snarled.
I laughed. “You’re all too easy to play with.”
“You made Alec cry.”
And I actually felt guilty about it.
“Alec cried yesterday when he found out KFC were updatin’ their menu,” Bronagh cut in. “Him cryin’ isn’t that big of a deal, trust me.
”
”
L.A. Casey (Aideen (Slater Brothers, #3.5))
“
She blew a warm breeze on his face and rustled his hair and embraced him in a warm haze and he felt her nonthreatening presence. She looked down and saw his face stained with tears, nobody could reach him in his grief but she could. He saw her and blew her a kiss goodbye. She flew down in a haze in a white dress with wings and whispered into his ear “please don’t cry I am in a better place. Marriage was forever. Love and life was forever. My body died but my soul lives on for eternity”. (Katie)
“The rain stopped suddenly and the grey sky cleared into a bright blue colour and a glowing warm orange sun appeared to show her appreciation. A perfect blue sky remained on the dark winter’s day until after the ceremony and the hailstone and rain commenced again and the dark sky reappeared as the funeral car drove away
”
”
Annette J. Dunlea
“
Dear Shift in the storm,
This is abnormal, but I love how the clouds are shifting in my life. I noticed the lens flare as the clouds drift away. I used to think I was better off because the storm was the storyteller of my life, and I thought it was here to stay.
Now that the clouds are finally drifting away, the scattered light is awaking my soul to a brighter day. I use to be so lost, but Nurse Hope's kindness is helping me find my way. Her actions have made me realize that love doesn’t cost a thing and that I want more out of life. I know that it is possible.
Dear shift in the storm, would you take my complex memories with you? Therefore, curiosity will not enable me to continue to think of the ‘what-ifs.' If you can, would you do me the honor of shrinking my and Kace's memories? Could you void them as they shrink in the fading light? There’s no need to expand what we are trying to do away with.
May you melt our frozen tears? If not, could you please make them invincible in the light? Could Kace and I become intangible as our old life disappears in the shift of the storm? We’ve had more than our share of fragments—and we are ready to be set free. For far too long, we’ve reached our breaking point.
Dear shift in the storm, could you wash away our fears and wash us whole—as we step into our new life? Let there be no more secrets and lies, for Kace and I have endured enough. We are ready to shed our skin, and we are most certainly ready for our new beginning. I feel the change because the tear stains on my face have left their footprints for me to walk into a new world. During this shift, I am going to be still because I know when the storm is over that I am going to be alright.
I no longer have to be selfish for all the wrong reasons.
”
”
Charlena E. Jackson (Pinwheels and Dandelions)
“
From Sister by ROSAMUND LUPTON
The rain hammered down onto your coffin, pitter-patter; ‘Pitter-patter, pitter-patter, I hear raindrops’; I was five and singing it to you, just born.
Your coffin reached the bottom of the monstrous hole. And a part of me went down into the muddy earth with you and lay down next to you and died with you.
Then Mum stepped forwards and took a wooden spoon from her coat pocket. She loosened her fingers and it fell on top of your coffin. Your magic wand.
And I threw the emails I sign ‘lol’. And the title of older sister. And the nickname Bee. Not grand or important to anyone else, I thought, this bond that we had. Small things. Tiny things. You knew that I didn’t make words out of my alphabetti spaghetti but I gave you my vowels so you could make more words out of yours. I knew that your favourite colour used to be purple but then became bright yellow; (‘Ochre’s the arty word, Bee’) and you knew mine was orange, until I discovered that taupe was more sophisticated and you teased me for that. You knew that my first whimsy china animal was a cat (you lent me 50p of your pocket money to buy it) and that I once took all my clothes out of my school trunk and hurled them around the room and that was the only time I had something close to a tantrum. I knew that when you were five you climbed into bed with me every night for a year. I threw everything we had together - the strong roots and stems and leaves and beautiful soft blossoms of sisterhood - into the earth with you. And I was left standing on the edge, so diminished by the loss, that I thought I could no longer be there.
All I was allowed to keep for myself was missing you. Which is what? The tears that pricked the inside of my face, the emotion catching at the top of my throat, the cavity in my chest that was larger than I am. Was that all I had now? Nothing else from twenty-one years of loving you. Was the feeling that all is right with the world, my world, because you were its foundations, formed in childhood and with me grown into adulthood - was that to be replaced by nothing? The ghastliness of nothing. Because I was nobody’s sister now.
I saw Dad had been given a handful of earth. But as he held out his hand above your coffin he couldn’t unprise his fingers. Instead, he put his hand into his pocket, letting the earth fall there and not onto you. He watched as Father Peter threw the first clod of earth instead and broke apart, splintering with the pain of it. I went to him and took his earth-stained hand in mine, the earth gritty between our soft palms. He looked at me with love. A selfish person can still love someone else, can’t they? Even when they’ve hurt them and let them down. I, of all people, should understand that.
Mum was silent as they put earth over your coffin.
An explosion in space makes no sound at all.
”
”
Rosamund Lupton
“
We believed we were supposed to 'cope' as best we could. As we talked, we realized the disability itself was not that big a deal for us. We had all learned to accept our physical limitations. What made life difficult was not the disability, but the lack of services and support, the lack of accessibility, the unfair and stereotypical ways in which we were treated, the pity doled out for us all our lives. Often, after a meeting, I wrote my thoughts down in a notebook. 'It's not my fault that I'm disabled, yet I've been made to feel that it is,' I wrote. 'My polio never made me unhappy; people made me unhappy. Ever since I was a little girl, people have always made me feel I was no good because I was disabled. From Sicilian women and the nuns to the doctors who couldn't fix me, to my fellow students and prospective employers... and even my own parents.' As I wrote, my tears fell and stained the pages - tears of anger, of relief and of new hope.
”
”
Nadina LaSpina (Such a Pretty Girl: A Story of Struggle, Empowerment, and Disability Pride)
“
sometimes I wonder
if Mary breastfed Jesus.
if she cried out when he bit her
or if she sobbed when he would not latch.
and sometimes I wonder
if this is all too vulgar
to ask in a church
full of men
without milk stains on their shirts
or coconut oil on their breasts
preaching from pulpits off limits to the Mother of God.
but then I think of feeding Jesus,
birthing Jesus,
the expulsion of blood
and smell of sweat,
the salt of a mother’s tears
onto the soft head of the Salt of the Earth,
feeling lonely
and tired
hungry
annoyed
overwhelmed
loving
and I think,
if the vulgarity of birth is not
honestly preached
by men who carry power but not burden,
who carry privilege but not labor,
who carry authority but not submission,
then it should not be preached at all.
because the real scandal of the Birth of God
lies in the cracked nipples of a
fourteen year old
and not in the sermons of ministers
who say women
are too delicate
to lead.
”
”
Kaitlin Hardy Shetler
“
It was a glorious night. The moon had sunk, and left the quiet earth alone with the stars. It seemed as if, in the silence and the hush, while we her children slept, they were talking with her, their sister—conversing of mighty mysteries in voices too vast and deep for childish human ears to catch the sound. They awe us, these strange stars, so cold, so clear. We are as children whose small feet have strayed into some dim-lit temple of the god they have been taught to worship but know not; and, standing where the echoing dome spans the long vista of the shadowy light, glance up, half hoping, half afraid to see some awful vision hovering there. And yet it seems so full of comfort and of strength, the night. In its great presence, our small sorrows creep away, ashamed. The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and, though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone. Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night’s heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but the angels of God. Only those who have worn the crown of suffering can look upon that wondrous light; and they, when they return, may not speak of it, or tell the mystery they know.
”
”
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog) — Warbler Classics Illustrated Edition)
“
It was a glorious night. The moon had sunk, and left the quiet earth alone with the stars. It seemed as if, in the silence and the hush, while we her children slept, they were talking with her, their sister—conversing of mighty mysteries in voices too vast and deep for childish human ears to catch the sound.
They awe us, these strange stars, so cold, so clear. We are as children whose small feet have strayed into some dim-lit temple of the god they have been taught to worship but know not; and, standing where the echoing dome spans the long vista of the shadowy light, glance up, half hoping, half afraid to see some awful vision hovering there.
And yet it seems so full of comfort and of strength, the night. In its great presence, our small sorrows creep away, ashamed. The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and, though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone.
Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night’s heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but the angels of God.
Only those who have worn the crown of suffering can look upon that wondrous light; and they, when they return, may not speak of it, or tell the mystery they know.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men #1))
“
A unified Iran is constituted not only politically but also affectively. Liberty and constitutional rule bring "Affection among us." The affective sentiment- that of bonding among differing brothers-produces political bonds of national unity and was associatively linked with other desires. Perhaps foremost was the desire to care for and defend the mother, in particular her bodily integrity. The same words were commonly used to discuss territory and the female body. Laura Mulvey calls these words keys "that could turn either way between the psychoanalytic and the social" (1980, 180). They are not "just words" that open up to either domain; they mediate between these domains, taking power of desire from one to the other. More appropriately, they should be considered cultural nodes of psyhosocial condensation. Tajavuz, literally meaning transgression, expresses both rape and the invasion of territory. Another effective expression, as already noted, was Khak-i pak-i vatan, the pure soil of the homeland. The word used for "pure," pak, is saturated with connotations of sexual purity. Linked to the idea of the purity of a female vatan was the metaphoric notion of the "skirt of chastity" (daman-i 'iffat) and its purity-whether it was stained or not. It was the duty of Iranian men to protect that skirt. The weak and sometimes dying figure of motherland pleaded t her dishonorable sons to arise and cut the hands of foreigners from her skirt. Expressing hope for the success of the new constitutional regime by recalling and wishing away the horrors of previous years, an article in Sur-o Israfil addressed Iran in the following terms: "O Iran! O our Mother! You who have given us milk from the blood of your veins for many long years, and who have fed us with the tissues of your own body! Will we ever live to see your unworthy children entrust your skirt of chastity to the hands of foreigners? Will our eyes ever see foreigners tear away the veil of your chastity?
”
”
Afsaneh Najmabadi (Women with Mustaches and Men without Beards: Gender and Sexual Anxieties of Iranian Modernity)
“
I know I will not find us lying beneath the stars. We won’t be walking through the sunflower fields. We won’t fall in love with the sun rise, or kiss in the afternoon.
Maybe I’ll miss you, and then I’ll cry for you.
And when I’ll miss you, I’ll look for you on my bookshelf. You’ll be there in between four hundred pages.
Maybe covered in dust, maybe stained with tears, I’ll wipe it with my yellow t-shirt,
The one I wore on October first.
But no matter how much I cry, with a broken heart, on a Saturday night. I’ll grab the book close to my heart.
Then I’ll close my hazy eyes and see you smile under clear sky.
I’ll stay an old soul and you’ll stay my vintage dream.
A dream that will bring me back to life like a fantasy novel, and break my heart like a dead poetry.
I’ll open my eyes, the illusions will be destroyed.
But no matter how much I cry. About you, I’ll never write.
This isn’t our song. But years later, on a winter night, if ever, you’ll call it our song.
Then believe me, in a blink, I’ll call it a love song.
”
”
Snehil Niharika (That’ll Be Our Song)
“
longer; it cannot deceive them too much." Madame Defarge looked superciliously at the client, and nodded in confirmation. "As to you," said she, "you would shout and shed tears for anything, if it made a show and a noise. Say! Would you not?" "Truly, madame, I think so. For the moment." "If you were shown a great heap of dolls, and were set upon them to pluck them to pieces and despoil them for your own advantage, you would pick out the richest and gayest. Say! Would you not?" "Truly yes, madame." "Yes. And if you were shown a flock of birds, unable to fly, and were set upon them to strip them of their feathers for your own advantage, you would set upon the birds of the finest feathers; would you not?" "It is true, madame." "You have seen both dolls and birds to-day," said Madame Defarge, with a wave of her hand towards the place where they had last been apparent; "now, go home!" XVI. Still Knitting Madame Defarge and monsieur her husband returned amicably to the bosom of Saint Antoine, while a speck in a blue cap toiled through the darkness, and through the dust, and down the weary miles of avenue by the wayside, slowly tending towards that point of the compass where the chateau of Monsieur the Marquis, now in his grave, listened to the whispering trees. Such ample leisure had the stone faces, now, for listening to the trees and to the fountain, that the few village scarecrows who, in their quest for herbs to eat and fragments of dead stick to burn, strayed within sight of the great stone courtyard and terrace staircase, had it borne in upon their starved fancy that the expression of the faces was altered. A rumour just lived in the village—had a faint and bare existence there, as its people had—that when the knife struck home, the faces changed, from faces of pride to faces of anger and pain; also, that when that dangling figure was hauled up forty feet above the fountain, they changed again, and bore a cruel look of being avenged, which they would henceforth bear for ever. In the stone face over the great window of the bed-chamber where the murder was done, two fine dints were pointed out in the sculptured nose, which everybody recognised, and which nobody had seen of old; and on the scarce occasions when two or three ragged peasants emerged from the crowd to take a hurried peep at Monsieur the Marquis petrified, a skinny finger would not have pointed to it for a minute, before they all started away among the moss and leaves, like the more fortunate hares who could find a living there. Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well—thousands of acres of land—a whole province of France—all France itself—lay under the night sky, concentrated into a faint hair-breadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible
”
”
Charles Dickens (A Tale of Two Cities)
“
Fragment of the Elegy on the Death of Adonis
Prom the Greek of Bion
Published by Forman, "Poetical Works of P. B. S.", 1876.
I mourn Adonis dead—loveliest Adonis—
Dead, dead Adonis—and the Loves lament.
Sleep no more, Venus, wrapped in purple woof—
Wake violet-stoled queen, and weave the crown
Of Death,—'tis Misery calls,—for he is dead.
The lovely one lies wounded in the mountains,
His white thigh struck with the white tooth; he scarce
Yet breathes; and Venus hangs in agony there.
The dark blood wanders o'er his snowy limbs,
His eyes beneath their lids are lustreless,
The rose has fled from his wan lips, and there
That kiss is dead, which Venus gathers yet.
A deep, deep wound Adonis...
A deeper Venus bears upon her heart.
See, his beloved dogs are gathering round—
The Oread nymphs are weeping—Aphrodite
With hair unbound is wandering through the woods,
'Wildered, ungirt, unsandalled—the thorns pierce
Her hastening feet and drink her sacred blood.
Bitterly screaming out, she is driven on
Through the long vales; and her Assyrian boy,
Her love, her husband, calls—the purple blood
From his struck thigh stains her white navel now,
Her bosom, and her neck before like snow.
Alas for Cytherea—the Loves mourn—
The lovely, the beloved is gone!—and now
Her sacred beauty vanishes away.
For Venus whilst Adonis lived was fair—
Alas! her loveliness is dead with him.
The oaks and mountains cry, Ai! ai! Adonis!
The springs their waters change to tears and weep—
The flowers are withered up with grief...
Ai! ai! ... Adonis is dead
Echo resounds ... Adonis dead.
Who will weep not thy dreadful woe. O Venus?
Soon as she saw and knew the mortal wound
Of her Adonis—saw the life-blood flow
From his fair thigh, now wasting,—wailing loud
She clasped him, and cried ... 'Stay, Adonis!
Stay, dearest one,...
and mix my lips with thine—
Wake yet a while, Adonis—oh, but once,
That I may kiss thee now for the last time—
But for as long as one short kiss may live—
Oh, let thy breath flow from thy dying soul
Even to my mouth and heart, that I may suck
That...'
NOTE:
_23 his Rossetti, Dowden, Woodberry; her Boscombe manuscript, Forman
”
”
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
“
When He Returns The iron hand it ain’t no match for the iron rod The strongest wall will crumble and fall to a mighty God For all those who have eyes and all those who have ears It is only He who can reduce me to tears Don’t you cry and don’t you die and don’t you burn For like a thief in the night, He’ll replace wrong with right When He returns Truth is an arrow and the gate is narrow that it passes through He unleashed His power at an unknown hour that no one knew How long can I listen to the lies of prejudice? How long can I stay drunk on fear out in the wilderness? Can I cast it aside, all this loyalty and this pride? Will I ever learn that there’ll be no peace, that the war won’t cease Until He returns? Surrender your crown on this blood-stained ground, take off your mask He sees your deeds, He knows your needs even before you ask How long can you falsify and deny what is real? How long can you hate yourself for the weakness you conceal? Of every earthly plan that be known to man, He is unconcerned He’s got plans of His own to set up His throne When He returns
”
”
Bob Dylan (Lyrics:1962-2012: 1961-2012)
“
Alliance (Sonata)"
Of dusty gazes fallen down to the soil
or leaves without sound and entombing.
Of metals without light, with the void,
with the absence of the dead day of coup.
At the top of the hands the dazzle of butterflies,
the start of butterflies whose light has no end.
You were keeping the trail of light, of broken beings
that the sun abandoned, getting dark, throws to the churches.
Stained with glances, with the aim of bees,
your material of unexpected flame fleeing
coming before and after the day and to your family of gold.
The days stalked they cross the secrecy
but fall inside of your voice of light.
Oh proprietress of love, on your rest
I founded my dream, my silent attitude.
With your body of shy number, extended suddenly
until quantities that define the earth,
behind the fight of the white days of space
and chills of slow deaths and withered stimuli,
I feel burn your lap and move your kisses
making fresh swallows in my dream.
Sometimes the fate of your tears amounts
as the age up to my forehead, there
they are striking the waves, being destroyed of death:
its’ movement is damp, depressed, final.
”
”
Pablo Neruda (Residence on Earth)
“
I had no idea what they sang. I guessed it was all in Latin, but some words could have been French. I didn't need to understand the words to have them touch me. I don't know whether it was the acoustics, the song, the beauty of the singing or the conviction behind it, but there was grandeur and hope in every note.
The frescos flickered in candlelight and stained-glass men looked down upon me benevolently as the monks' singing brought pieces of me apart. Maybe this was why I had come, why I was meant to be here. I saw tears running down Fabiana's cheeks.
Brother Rocher asked in French and English for those wishing to be blessed to come forward. I sat and watched the three Brazilians and half a dozen others move forward in turn. There was a final chant and everyone filed out. Except me.
Centuries of singing, service to others and dedication to something bigger than twenty-first-century materialism had created a peace that permeated the walls. Whatever issues I had with religion were not relevant here. The stillness and austerity gave me a strange sense of comfort, and I seemed to be moving toward some sort of clarity.
”
”
Graeme Simsion (Two Steps Forward)
“
Alliance (Sonata) "
Of dusty glances fallen to the ground
or of soundless leaves burying themselves.
Of metals without light, with the emptiness,
with the absence of the suddenly dead day.
At the tip of the hands the dazzlement of butterflies,
the upflight of butterflies whose light has no end.
You kept the trail of light, of broken beings
that the abandoned sun, sinking, casts at the churches.
Stained with glances, dealing with bees,
your substance fleeing from unexpected flame
precedes and follows the day and its family of gold.
The spying days cross in secret
but they fall within your voice of light.
Oh mistress of love, in your rest
I established my dream, my silent attitude.
With your body of timid number, suddenly extended
to the quantities that define the earth,
behind the struggle of the days white with space
and cold with slow deaths and withered stimuli,
I feel your lap burn and your kisses travel
shaping fresh swallows in my sleep.
At times the destiny of your tears ascends
like age to my forehead, there
the waves are crashing, smashing themselves to death:
their movement is moist, drifting, ultimate.
”
”
Pablo Neruda (The Poetry of Pablo Neruda)
“
His dark room now seemed cool and restfully confining. You could imagine maps in the wallpaper. The roses had faded into vague shells of pink. Only a few silver lines along the vanished stems and in the veins of leaves, indistinct patches of the palest green remained—the faint suggestion of mysterious geography. A grease spot was a marsh, a mountain or a treasure. Irabestis went boating down a crack on cool days, under the tree boughs, bending his head. He fished in a chip of plaster. The perch rose to the bait and were golden in the sunwater. Specks stood for cities; pencil marks were bridges; stains and shutter patterns laid out fields of wheat and oats and corn. In the shadow of a corner the crack issued into a great sea. There was a tear in the paper that looked exactly like a railway and another that signified a range of hills. Some tiny drops of ink formed a chain of lakes. A darker decorative strip of Grecian pediments and interlacing ivy at the ceiling’s edge kept the tribes of Gog and Magog from invasion. Once he had passed through it to the ceiling but it made him dizzy and afraid. Shadows moved quixotically over the whole wall, usually from left to right in tall thin bands, and sank behind the bureau or below the bed or disappeared suddenly in a corner.
”
”
William H. Gass (Omensetter's Luck)
“
Only then did he hear the small gasp—a soundless cry—and feel his mother’s cold fingers tightening on his arm. He turned toward her. Saw the red stain spreading across the front of her dress where the sword had driven in. Through him. Through her. There, just above her heart. The too-small hole of a too-great wound. His mother’s eyes met his.
“Rhy,” she said, a small, disconcerted crease between her brows, the same face she’d made a hundred times whenever he and Kell got into trouble, whenever he shouted or bit his nails or did anything that wasn’t princely.
The furrow deepened, even as her eyes went glassy, one hand drifting toward the wound, and then she was falling. He caught her, stumbled as the sudden weight tore against his open, ruined chest.
“No, no, no,” he said, sinking with her to the prismed floor. No, it wasn’t fair. For once, he’d been fast enough. For once, he’d been strong enough. For once—
“Rhy,” she said again, so gently—too gently.
“No.”
Her bloody hands reached for his face, tried to cup his cheek, and missed, streaking red along his jaw.
“Rhy …”
His tears spilled over her fingers.
“No.”
Her hand fell away, and her body slumped against him, still, and in that sudden stillness, Rhy’s world narrowed to the spreading stain, the lingering furrow between his mother’s eyes.
Only then did the pain come, folding over him with such sudden force, such horrible weight, that he clutched his chest and began to scream.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
James might be a stain upon the world, might be something that would contaminate good Shadowhunter children. He was ready to believe it. But not Mother. Mother was kind, Mother was lovely and loving, Mother was a wish come true and a blessing on the earth.
James could not bear to think how Mother would feel if she thought she had hurt him in any way. If he could get through the Academy, if he could make her believe there was no real difference to him, that would spare her pain.
He wanted to go home. He did not want to face anybody at the Academy. He was a coward. But he was not enough of a coward that he would run away from his own suffering, and let his mother suffer for him.
You are not a coward at all, said Uncle Jem. I remember a time, when I was still James Carstairs, when your mother learned--as she thought then--that she could not have children. She was so hurt by that. She thought herself so changed, from all she had thought she was. I told her the right man would not care, and of course your father, the best of men, the only one fit for her, did not. I did not tell her . . . I was a boy and did not know how to tell her, how her courage in bearing uncertainty of her very self touched me. She doubted herself, but I could never doubt her. I could never doubt you now. I see the same courage in you now, as I saw in her then.
He knew Mother was brave, but surely courage did not feel like this; he had thought it would be something fine, not a feeling that could tear you into pieces.
”
”
Cassandra Clare
“
The Universe is made of hands;
Hands that twist fabric and sizzle in the air.
Hands that grasp curls and flick words away
Small, smooth fingers pouring gold over gaping wounds
Before slicing into soft tissue,
Blood mixing with gold.
Hands that make it beautiful.
The Universe is made of bones;
Bones that cut against yards of skin,
Warm and yielding and moulded around the wings that splay across his back.
Bones that cage the heart and dig into the hollows.
Bones that break,
Tear the warm, yielding skin.
Bones that shred and brush his chin.
The Universe is made of lips;
Lips that breathe and stutter warm sighs,
Caressing the cracks in his broken body, the body that he broke.
Lips that carve paths into stone,
That leave trails upon gooseflesh,
Lips that make incisions,
Too delicate to mend.
The Universe is made of blood;
Blood that runs warm and hot and steady and crimson,
Pumping beneath the stone and the gold.
Blood that burns with every jerk of limbs.
Blood that spills on open palms,
Staining the fabric,
Filling up his throat.
The Universe is made of eyes;
“Eyes that breach and eyes that splice and eyes that never leave.
Eyes that ripple oceans.
Eyes that whisper in the dark.
Eyes that rip open the seams.
Eyes that create wounds, create chaos, create broken shards of blue.
Eyes that alight and
won t
let
go.
The Universe was built.
The Universe fell.
You took it apart,
Dragged the chaos from my soul with your hands,
Your bones,
Your lips,
Your blood,
Your eyes.
And now you’re back.
And so is the Universe.
And so, I suppose, am I.
The Universe is made of five things.
The Universe is made of you.
”
”
Velvetoscar (Core 'ngrato)
“
We both know Dad was my parental trash can, the fatherly receptacle on whom I dumped my emotions. Does she think because she offered me a blanket and chocolate-covered whatever that I'll just hand over the keys to my inner diary? Uh, no.
"I know you're eighteen now," she huffs. "I get it, okay? But you don't know everything. And you know what? I don't like secrets."
My head spins. The first day of the Rest of My Normal Life is not turning out as planned. I shake my head. "I guess I still don't understand what you're asking me."
She stomps her foot. "How long have you been dating him, Emma? How long have you and Galen been an item?"
Ohmysweetgoodness. "I'm not dating Galen," I whisper. "Why would you even think that?"
"Why would I think that? Maybe you should ask Mrs. Strickland. She's the one who told me how intimate you looked standing there in the hall. And she said Galen was beside himself when you wouldn't wake up. That he kept squeezing your hand."
Intimate? I let my backpack slide off my shoulder and onto the floor before I plot to the table and sit down. The room feels like a giant merry-go-round.
I am...embarrassed? No. Embarrassed is when you spill ketchup on your crotch and it leaves a red stain in a suspicious area.
Mortified? No. Mortified is when you experiment with tanning lotion and forget to put some on your feet, so it looks like you're wearing socks with your flip-flops and sundress.
Bewildered? Yep. That's it. Bewildered that after I screamed at him-oh yes, now I remember I screamed at him-he picked up my limp body, carried me all the way to the office, and stayed with me until help arrived. Oh, and he held my hand and sat beside me, too.
I cradle my face in my hands, imagining how close I came to going to school without knowing this. How close I came to walking up to Galen, telling him to take his tingles and shove them where every girl's thoughts have been since he got there. I groan into my laced fingers. "I can never face him again," I say to no one in particular.
Unfortunately, Mom thinks I'm talking to her. "Why? Did he break up with you?" She sits down next to me and pulls my hands from my face. "Is it because you wouldn't sleep with him?"
"Mom!" I screech. "No!"
She snatches her hand away. "You mean you did sleep with him?" Her lips quiver. This can't be happening.
"Mom, I told you, we're not dating!" Shouting is a dumb idea. My heartbeat ripples through my temples.
"You're not even dating him and you slept with him?" She's wringing her hands. Tears puddle in her eyes.
One Mississippi...two Mississippi...Is she freaking serious?...Three Mississippi...four Mississippi...Because I swear I'm about to move out... Five Mississippi...six Mississippi...I might as well sleep with him if I'm going to be accused of it anyway... Seven Mississippi...eight Mississippi...Ohmysweetgoodness, did I really just think that?...Nine Mississippi...ten Mississippi...Talk to your mother-now.
I keep my voice polite when I say, "Mom, I haven't slept with Galen, unless you count laying on the nurse's bed unconscious beside him. And we are not dating. We have never dated. Which is why he wouldn't need to break up with me. Have I missed anything?"
"What were you arguing about in the hall, then?"
"I actually don't remember. All I remember is being mad at him. Trust me, I'll find out. But right now, I'm late for school." I ease out of the chair and over to my backpack on the floor. Bending over is even stupider than shouting. I wish my head would just go ahead and fall off already.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
What’s going on?’ she said. ‘Talk to me.’
‘I …’ I looked down. I didn’t want her to see me. But Rooney was
looking at me, eyebrows furrowed, so many thoughts churning behind her
eyes, and it was that look that made me start spilling everything out. ‘I just
care about you so much … but I’ve always got this fear that … one day
you’ll leave. Or Pip and Jason will leave, or … I don’t know.’ Fresh tears
fell from my cheeks. ‘I’m never going to fall in love, so … my friendships are all I have, so … I just … can’t bear the idea of losing any of my friends.
Because I’m never going to have that one special person.’
‘Can you let me be that person?’ Rooney said quietly.
I sniffed loudly. ‘What d’you mean?’
‘I mean I want to be your special person.’
‘B-but … that’s not how the world works, people always put romance
over friendships –’
‘Says who?’ Rooney spluttered, smacking her hand on the ground in
front of us. ‘The heteronormative rulebook? Fuck that, Georgia. Fuck that.’
She stood up, flailing her arms and pacing as she spoke.
‘I know you’ve been trying to help me with Pip,’ she began, ‘and I
appreciate that, Georgia, I really do. I like her and I think she likes me and
we like being around each other and, yep, I’m just gonna say it – I think we
really, really want to have sex with each other.’
I just stared at her, my cheeks tear-stained, having no idea where this was
going.
‘But you know what I realised on my walk?’ she said. ‘I realise that I
love you, Georgia.’
My mouth dropped open.
‘Obviously I’m not romantically in love with you. But I realised that
whatever these feelings are for you, I …’ She grinned wildly. ‘I feel like I
am in love. Me and you – this is a fucking love story! I feel like I’ve found
something most people just don’t get. I feel at home around you in a way I
have never felt in my fucking life. And maybe most people would look at us
and think that we’re just friends, or whatever, but I know that it’s just … so
much MORE than that.’ She gestured dramatically at me with both hands.
‘You changed me. You … you fucking saved me, I swear to God. I know I
still do a lot of dumb stuff and I say the wrong things and I still have days
where I just feel like shit but … I’ve felt happier over the past few weeks
than I have in years.’
I couldn’t speak. I was frozen.
Rooney dropped to her knees. ‘Georgia, I am never going to stop being
your friend. And I don’t mean that in the boring average meaning of ‘friend’
where we stop talking regularly when we’re twenty-five because we’ve
both met nice young men and gone off to have babies, and only get to meet
up twice a year. I mean I’m going to pester you to buy a house next door to
me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for
dinner because you know I can’t fucking cook to save my life, and if I’ve
got kids and a spouse, they’ll probably come round with me, because
otherwise they’ll be living on chicken nuggets and chips. I mean I’m going
to be the one bringing you soup when you text me that you’re sick and can’t
get out of bed and ferrying you to the doctor’s even when you don’t want to
go because you feel guilty about using the NHS when you just have a
stomach bug. I mean we’re gonna knock down the fence between our
gardens so we have one big garden, and we can both get a dog and take
turns looking after it. I mean I’m going to be here, annoying you, until
we’re old ladies, sitting in the same care home, talking about putting on a
Shakespeare because we’re all old and bored as shit.’
She grabbed the bunch of flowers and practically threw them at me.
‘And I bought these for you because I honestly didn’t know how else to
express any of that to you.’
I was crying. I just started crying again.
Rooney wiped the tears off my cheeks.
”
”
Alice Oseman
“
When he reached the doorman, he stopped.
“Did you see Miss Christian come in a few minutes ago?”
The doorman nodded. “Yes, sir. She got here just before you arrived.”
Relief staggered him. He bolted for the elevator. A few moments later, he strode into the apartment.
“Kelly? Kelly, honey, where are you?”
Not waiting for an answer, he hurried into the bedroom to see her sitting on the edge of the bed, her face pale and drawn in pain. When she heard him, she looked up and he winced at the dullness in her eyes.
She’d been crying.
“I thought I could do it,” she said in a raw voice, before he could beg her forgiveness. “I thought I could just go on and forget and that I could accept others thinking the worst of me as long as you and I were okay again. I did myself a huge disservice.”
“Kelly…”
Something in her look silenced him and he stood several feet away, a feeling of helplessness gripping him as he watched her try to compose herself.
“I sat there tonight while your friends and your mother looked at me in disgust, while they looked at you with a mixture of pity and disbelief in their eyes. All because you took me back. The tramp who betrayed you in the worst possible manner. And I thought to myself I don’t deserve this. I’ve never deserved it. I deserve better.”
She raised her eyes to his and he flinched at the horrible pain he saw reflected there. Then she laughed. A raw, terrible sound that grated across his ears.
“And earlier tonight you forgave me. You stood there and told me it no longer mattered what happened in the past because you forgave me and you wanted to move forward.”
She curled her fingers into tight balls and rage flared in her eyes. She stood and stared him down even as tears ran in endless streams down her cheeks.
“Well, I don’t forgive you. Nor can I forget that you betrayed me in the worst way a man can betray the woman he’s supposed to love and be sworn to protect.”
He took a step back, reeling from the fury in her voice. His eyes narrowed. “You don’t forgive me?”
“I told you the truth that day,” she said hoarsely, her voice cracking under the weight of her tears. “I begged you to believe me. I got down on my knees and begged you. And what did you do? You wrote me a damn check and told me to get out.”
He took another step back, his hand going to his hair. Something was wrong, terribly wrong. So much of that day was a blur. He remembered her on her knees, her tear-stained face, how she put her hand on his leg and whispered, “Please don’t do this.”
It made him sick. He never wanted to go back to the way he felt that day, but somehow this was worse because there was something terribly wrong in her eyes and in her voice. “Your brother assaulted me. He forced himself on me. I didn’t invite his attentions. I wore the bruises from his attack for two weeks. Two weeks. I was so stunned by what he’d done that all I could think about was getting to you. I knew you’d fix it. You’d protect me. You’d take care of me. I knew you’d make it right. All I could think about was running to you. And, oh God, I did and you looked right through me.”
The sick knot in his stomach grew and his chest tightened so much he couldn’t breathe.
“You wouldn’t listen,” she said tearfully. “You wouldn’t listen to anything I had to say. You’d already made your mind up.”
He swallowed and closed the distance between them, worried that she’d fall if he didn’t make her sit. But she shook him off and turned her back, her shoulders heaving as her quiet sobs fell over the room.
“I’m listening now, Kelly,” he forced out. “Tell me what happened. I’ll believe you. I swear.”
But he knew. He already knew. So much of that day was replaying over and over in his head and suddenly he was able to see so clearly what he’d refused to see before.
And it was killing him.
His brother had lied to him after all. Not just lied but he’d carefully orchestrated the truth and twisted it so cleverly that Ryan had been completely deceived.
”
”
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
“
Railways, by days and by night. The flowers in the cuttings with their sooty blossoms, the birds on the wires with their sooty voices, they are their friends and long remember them.
And we also stand still, with astonished eyes, when-already from the far distant distance- there's the cry of promise. And we stand, with hair streaming, when it's there like thunder and as though it had rolled round heaven knows what worlds. And we're still standing, with sooty cheeks, when-already from the far distant distance-it cries. Cries, far, far away. Cries.
Really it was nothing. Or everything. Like us.
And they beat, beyond the windows of prisons, sweet dangerous, promising rhythms. You are all ears then, poor prisoner, all hearing, for the clattering, oncoming trains in the night and their cry and their whistle shiver the soft dark of your cell with pain and desire.
Or they crash bellowing over the bed, when at night you're harboring fever. And your veins, the moon-blue, vibrate and take up the song, the song of the freight trains: Under way-under way-under way- And your ear's an abyss, that swallows the world.
Under way. But ever and again you are spat out at stations, abandoned to farewell and departure.
And the stations raise up their pale signboards like brows beside your dark road. And they have names, those furrowed-brown signs, names, which are the world: bed, they mean, hunger and women. Ulla or Carola. And frozen feet and tears. And they mean tobacco, the stations, or lipstick or schnapps. Or God or bread. And the pale brows of the stations, the signboards, have names, that mean: women.
You are yourself a railway track, rusty, stained, silver, shiny, beautiful and uncertain. And you are divided into sections and bound between stations. And they have signboards whereon is written women, or murder, or moon. And then that is the world.
You are a railway- rumbled over, cried over- you are the track- on you everything happens and makes you rust blind and silver bright.
You are human, your brain giraffe-lonely somewhere above on your endless neck. And no one quite knows your heart.
”
”
Borchert Wolfgang
“
Hours later, the King of Adarlan stood at the back of the dungeon chamber as his secret guards dragged Rena Goldsmith forward. The butcher’s block at the center of the room was already soaked with blood. Her companion’s headless corpse lay a few feet away, his blood trickling toward the drain in the floor. Perrington and Roland stood silent beside the king, watching, waiting. The guards shoved the singer to her knees before the stained stone. One of them grabbed a fistful of her red-gold hair and yanked, forcing her to look at the king as he stepped forward. “It is punishable by death to speak of or to encourage magic. It is an affront to the gods, and an affront to me that you sang such a song in my hall.” Rena Goldsmith just stared at him, her eyes bright. She hadn’t struggled when his men grabbed her after the performance or even screamed when they’d beheaded her companion. As if she’d been expecting this. “Any last words?” A queer, calm rage settled over her lined face, and she lifted her chin. “I have worked for ten years to become famous enough to gain an invitation to this castle. Ten years, so I could come here to sing the songs of magic that you tried to wipe out. So I could sing those songs, and you would know that we are still here—that you may outlaw magic, that you may slaughter thousands, but we who keep the old ways still remember.” Behind him, Roland snorted. “Enough,” the king said, and snapped his fingers. The guards shoved her head down on the block. “My daughter was sixteen,” she went on. Tears ran over the bridge of her nose and onto the block, but her voice remained strong and loud. “Sixteen, when you burned her. Her name was Kaleen, and she had eyes like thunderclouds. I still hear her voice in my dreams.” The king jerked his chin to the executioner, who stepped forward. “My sister was thirty-six. Her name was Liessa, and she had two boys who were her joy.” The executioner raised his ax. “My neighbor and his wife were seventy. Their names were Jon and Estrel. They were killed because they dared try to protect my daughter when your men came for her.” Rena Goldsmith was still reciting her list of the dead when the ax fell.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass #0.1–0.5, 1–7))
“
Poor Zélie! It was much her wont to declare about this time, that she was tired to death of a life of seclusion and labour; that she longed to have the means and leisure for relaxation; to have some one to work for her—a husband who would pay her debts (she was woefully encumbered with debt), supply her wardrobe, and leave her at liberty, as she said, to “goûter un peu les plaisirs.” It had long been rumoured, that her eye was upon M. Emanuel. Monsieur Emanuel’s eye was certainly often upon her. He would sit and watch her perseveringly for minutes together. I have seen him give her a quarter-of-an-hour’s gaze, while the class was silently composing, and he sat throned on his estrade, unoccupied. Conscious always of this basilisk attention, she would writhe under it, half-flattered, half-puzzled, and Monsieur would follow her sensations, sometimes looking appallingly acute; for in some cases, he had the terrible unerring penetration of instinct, and pierced in its hiding-place the last lurking thought of the heart, and discerned under florid veilings the bare; barren places of the spirit: yes, and its perverted tendencies, and its hidden false curves—all that men and women would not have known—the twisted spine, the malformed limb that was born with them, and far worse, the stain or disfigurement they have perhaps brought on themselves. No calamity so accursed but M. Emanuel could pity and forgive, if it were acknowledged candidly; but where his questioning eyes met dishonest denial—where his ruthless researches found deceitful concealment—oh, then, he could be cruel, and I thought wicked! he would exultantly snatch the screen from poor shrinking wretches, passionately hurry them to the summit of the mount of exposure, and there show them all naked, all false—poor living lies—the spawn of that horrid Truth which cannot be looked on unveiled. He thought he did justice; for my part I doubt whether man has a right to do such justice on man: more than once in these his visitations, I have felt compelled to give tears to his victims, and not spared ire and keen reproach to himself. He deserved it; but it was difficult to shake him in his firm conviction that the work was righteous and needed.
”
”
Charlotte Brontë (Villette)
“
Tempestuous plains tell the tale,
Windswept wastes do bewail,
Haunting Spirit of the land,
Seeks the living, seeks the damned.
Horizoned edge sheared with grass,
Dark Storm Rising in the pass,
Ageless Spirit seeks the path,
To torment souls to the last.
Brooding Spirit upon the plain,
Thunderhead gathers for the rain.
Light grows dim then bolts with pain,
On dry Earth her sin is stained.
(Frightened creatures do stampede,
Into night, they do recede).
Ungodded hand on seasoned blade,
Reaps the harvest of the Age.
Released from her eternal din,
Spirit of the Age rises again.
Seeking to plunder and consume,
Those who were proud, those who presumed.
Spirits rage while storm draws nigh,
Upon burning plain and emblazoned sky.
It is said giants grapple in the Earth so deep,
To contend for souls that they might keep.
The Storm spirit now searches the high and the low,
To seek her manchild victim in the fields below.
Leaves bad wasteland to claim but a fallen man,
Denying it Heaven, crowning it, ‘Son of the Damned.’
Treacherous Spirit of the far lost night,
Tramples souls down denying them light.
Storm seethes with furious hiss,
Leads men on to bottomless pit.
This most ancient of foes has come from her den,
To seek the living, to make ready those dead.
A living sacrifice is her soul desire,
To snatch the soul for black funeral pyre.
A double-damned devil, that is she,
This one who lies, who claims to make free.
A lying spirit, that is her domain,
A storm-wracked Fury of self-proclaim.
Onward she seeks, this bleak Northern wind,
Searching for naught but for a soul akin.
Amidst the howling and the rage,
To murder again, that is her trade.
As this spirit of graves left the plain,
She left a wake of dead in shrouded train.
Now down from the plain Storm did come,
Unto those cities wherein was no sun.
There with whirlwind she did rip and scour,
For those souls of whom she could tear and devour.
She comes to seek the living and the dead,
Those who were frightened, those with no dread.
Thus upon those she did acclaim,
“I am the Mistress of the living and the slain.”
O’ haunting Spirit of this land,
Taker of life, maker of the damned.
--On Villainess Storm, Ch. One
Valley of the Damned
”
”
douglas m laurent
“
From the moment she had stepped out from her wooden walls, the path ahead of him had been clearly marked, but he had been too blind to see it. A tosi woman and a Comanche, their pasts stained with tears and bloodshed, had little hope of coexisting happily with either race. To be as one, they had to walk alone, away from both their people.
Where, that was the question. And Hunter had no answers. West, as the prophecy foretold? Into the great mountain ranges? The thought frightened him. He had been raised in open spaces, able to see into tomorrow, with the north wind whispering, the grass waving, the buffalo plentiful. What would he hunt? And how? He wouldn’t know what roots and nuts to gather. He wouldn’t know which plants made good medicine, which bad. Did he dare take a woman into an unknown land, uncertain if he could feed her, care for her, or protect her? What if she came with child? Winter, the time when babies cried. How would he stand tall like a man if his family starved?
Hunter opened his eyes and sat up, raking his fingers through his damp hair. Looking skyward, he searched for Loretta’s Great One, the Almighty Father to whom she gave thanks for her food. At first he had been disgruntled by her prayers. Her God didn’t bring her the food; her husband did. Loretta had explained that her God led Hunter’s footsteps so his hunts were successful.
Was her God up there in the sky, as she believed? Did he truly hear a man’s whispers, his thoughts? Hunter could see his own gods, Mother Earth, Mother Moon, Father Sun, the wind coming from the four directions. It was easy to believe in what he could see. Why did Loretta’s God hide himself? Was he terrible ugly? Did he hide only from Comanches? Loretta said he was father to all, even Indians.
Peace filled Hunter. With so many Great Ones, both his and hers, surely they would be blessed. Relaxing his body, he surrendered himself to fate. The Great Ones would guide them. Loretta’s God would lead his footsteps in the hunt when his own gods failed him. Together he and Loretta would find a new place where the Comanche and tosi tivo could live as one, where Hunter could sing the songs of the People and keep their ways alive.
Rising, Hunter turned back toward the village, his decision made, his heart torn, acutely aware that the prophecy had foretold this moment long ago.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
That was the whole trouble with police work. You come plunging in. a jagged Stone Age knife, to probe the delicate tissues of people's relationships, and of course you destroy far more than you discover. And even what you discover will never be the same as it was before you came; the nubbly scars of your passage will remain. At the very least. you have asked questions that expose to the destroying air fibers that can only exist and fulfill their function in coddling darkness. Cousin Amy, now, mousing about in back passages or trilling with feverish shyness at sherry parties—was she really made all the way through of dust and fluff and unused ends of cotton and rusty needles and unmatching buttons and all the detritus at the bottom of God's sewing basket? Or did He put a machine in there to tick away and keep her will stern and her back straight as she picks out of a vase of brown-at-the-edges dahlias the few blooms that have another day's life in them? Or another machine, one of His chemistry sets, that slowly mixes itself into an apparently uncaused explosion, poof!, and there the survivors are sitting covered with plaster dust among the rubble of their lives. It's always been the explosion by the time the police come stamping in with ignorant heels on the last unbroken bit of Bristol glass; with luck they can trace the explosion back to harmless little Amy, but as to what set her off—what were the ingredients of the chemistry set and what joggled them together—it was like trying to reconstruct a civilization from three broken pots and a seven-inch lump of baked clay which might, if you looked at its swellings and hollows the right way, have been the Great Earth Mother. What's more. people who've always lived together think that they are still the same—oh, older of course and a bit more snappish, but underneath still the same laughing lad of thirty years gone by. "My Jim couldn't have done that." they say. "I know him. Course he's been a bit depressed lately, funny like. but he sometimes goes that way for a bit and then it passes off. But setting fire to the lingerie department at the Army and Navy, Inspector—such a thought wouldn't enter into my Jim's head. I know him." Tears diminishing into hiccuping snivels as doubt spreads like a coffee stain across the threadbare warp of decades. A different Jim? Different as a Martian, growing inside the ever-shedding skin? A whole lot of different Jims. a new one every seven years? "Course not. I'm the same. aren't I, same as I always was—that holiday we took hiking in the Peak District in August thirty-eight—the same inside?"
Pibble sighed and shook himself. You couldn't build a court case out of delicate tissues. Facts were the one foundation.
”
”
Peter Dickinson (The Glass-Sided Ant's Nest (Jimmy Pibble #1))
“
I started blasting my gun. Letting loose a stream of words like I'd never used before. True to form, Misty didn't stay put and stood at my side. Tears stained her cheeks. Her gun firing wildly. It was a blur. The next thing I knew, no zombies were left standing and we knelt at Kali's side. I took out a rag and wiped the feathers from his face. We could tell he was still alive. His chest rising and falling in jerks. "Kali, how bad are you hurt?" I asked with an unsteady voice. "I'm okay, guys. Did we get all of them?" he whispered. "Nate, he's been bit all over!" I looked down at his body, covered in white feathers, speckled with splotches of deep red. "Yep. You got 'em, even those freak chickens." "Nate, I'm thirsty," his voice shaky and cracking. "Okay, buddy. We've got water in the truck." "No, not water. How about a glass of lemonade?" "Kali, what are you saying?" Misty's voice was tense as a piano string. "Hurry, Nate. I'm getting weak—the lemonade." I think running into the crowd of zombies would have been easier than this. Maybe that's why Kali chucked a rock at my head—he knew he could count on me for this. I ripped off a small water gun I had taped on my suit and tore off the cap. "Oh, Nate, don't. Maybe there's something we can do. Maybe—" she stopped. I put my hand behind Kali's neck and felt a slight burn, probably zombie snot. Misty took one of his hands and held it to her chest. "You were so brave, Kali, so brave." My hands didn't shake anymore; they were numb, as if they didn't belong to me. I manipulated them the best I could—like using chopsticks. Lifting Kali's head, I poured the juice into his mouth until it was gone. He was burning up; his skin felt like it was on fire. "I never thought I'd have friends, real friends—thank you, guys." He closed his eyes and I felt the muscles in his neck go limp. Gently, I put his head down and cleaned my blistering hand with the rag. Misty wiped her tears as I put the rag over Kali's face. "No, thank you, kid." We sat there still, silent except for the small cries that we both let slip out. Misty, still holding his hand. Me, staring down at my hands, soaked in tears. I don't know how much time passed. It could have been five minutes; it might have been an hour. Suddenly, the feathers moved, flying in every direction. Looking up, I saw a helicopter coming down in front of us—one of those big black military ones. It landed and three men stepped out. They wore protective gear like you see in those alien movies. I worried a little about what they might have planned for us. I've seen enough movies to know those government types can't be trusted—especially when they're in those protective suits. "What happened here? How did you manage to negate the virus?" one of the hooded figures asked. "Zombie juice," I replied. "Zombie juice?" "Actually it was the Super Zombie Juice Mega Bomb," Misty added as she stood and took my hand.
”
”
M.J.A. Ware (Super Zombie Juice Mega Bomb (A Zombie Apocalypse Novel Book 1))
“
Canto I
And then went down to the ship,
Set keel to breakers, forth on the godly sea, and
We set up mast and sail on that swart ship,
Bore sheep aboard her, and our bodies also
Heavy with weeping, and winds from sternward
Bore us out onward with bellying canvas,
Circe’s this craft, the trim-coifed goddess.
Then sat we amidships, wind jamming the tiller,
Thus with stretched sail, we went over sea till day’s end.
Sun to his slumber, shadows o’er all the ocean,
Came we then to the bounds of deepest water,
To the Kimmerian lands, and peopled cities
Covered with close-webbed mist, unpierced ever
With glitter of sun-rays
Nor with stars stretched, nor looking back from heaven
Swartest night stretched over wretched men there.
The ocean flowing backward, came we then to the place
Aforesaid by Circe.
Here did they rites, Perimedes and Eurylochus,
And drawing sword from my hip
I dug the ell-square pitkin;
Poured we libations unto each the dead,
First mead and then sweet wine, water mixed with white flour.
Then prayed I many a prayer to the sickly death’s-heads;
As set in Ithaca, sterile bulls of the best
For sacrifice, heaping the pyre with goods,
A sheep to Tiresias only, black and a bell-sheep.
Dark blood flowed in the fosse,
Souls out of Erebus, cadaverous dead, of brides
Of youths and of the old who had borne much;
Souls stained with recent tears, girls tender,
Men many, mauled with bronze lance heads,
Battle spoil, bearing yet dreory arms,
These many crowded about me; with shouting,
Pallor upon me, cried to my men for more beasts;
Slaughtered the herds, sheep slain of bronze;
Poured ointment, cried to the gods,
To Pluto the strong, and praised Proserpine;
Unsheathed the narrow sword,
I sat to keep off the impetuous impotent dead,
Till I should hear Tiresias.
But first Elpenor came, our friend Elpenor,
Unburied, cast on the wide earth,
Limbs that we left in the house of Circe,
Unwept, unwrapped in sepulchre, since toils urged other.
Pitiful spirit. And I cried in hurried speech:
“Elpenor, how art thou come to this dark coast?
“Cam’st thou afoot, outstripping seamen?”
And he in heavy speech:
“Ill fate and abundant wine. I slept in Circe’s ingle.
“Going down the long ladder unguarded,
“I fell against the buttress,
“Shattered the nape-nerve, the soul sought Avernus.
“But thou, O King, I bid remember me, unwept, unburied,
“Heap up mine arms, be tomb by sea-bord, and inscribed:
“A man of no fortune, and with a name to come.
“And set my oar up, that I swung mid fellows.”
And Anticlea came, whom I beat off, and then Tiresias Theban,
Holding his golden wand, knew me, and spoke first:
“A second time? why? man of ill star,
“Facing the sunless dead and this joyless region?
“Stand from the fosse, leave me my bloody bever
“For soothsay.”
And I stepped back,
And he strong with the blood, said then: “Odysseus
“Shalt return through spiteful Neptune, over dark seas,
“Lose all companions.” And then Anticlea came.
Lie quiet Divus. I mean, that is Andreas Divus,
In officina Wecheli, 1538, out of Homer.
And he sailed, by Sirens and thence outward and away
And unto Circe.
Venerandam,
In the Cretan’s phrase, with the golden crown, Aphrodite,
Cypri munimenta sortita est, mirthful, orichalchi, with golden
Girdles and breast bands, thou with dark eyelids
Bearing the golden bough of Argicida. So that:
”
”
Ezra Pound
“
Don’t provoke Cheat,” Arin said as they stepped out of the carriage and onto the dusky path that led to the governor’s palace, which looked eerie to Kestrel because its impressive façade was the same as the night before, but the lights burning in the windows were now few.
“Kestrel, do you hear me? You can’t toy with him.”
“He started it.”
“That’s not the point.” Gravel crunched under Arin’s heavy boots as he stalked up the path. “Don’t you understand that he wants you dead? He’d leap at the chance,” Arin said, hands in pockets, head down, almost talking to himself. He strode ahead, his long legs quicker than hers. “I can’t--Kestrel, you must understand that I would never claim you. Calling you a prize--my prize--it was only words. But it worked. Cheat won’t harm you, I swear that he won’t, but you must…hide yourself a little. Help a little. Just tell us how much time we have before the battle. Give him a reason to decide you’re not better off dead. Swallow your pride.”
“Maybe that’s not as easy for me as it is for you.”
He wheeled on her. “It’s not easy for me,” he said through his teeth. “You know that it’s not. What do you think I have had to swallow, these past ten years? What do you think I have had to do to survive?”
They stood before the palace door. “Truly,” she said, “I haven’t the faintest interest. You may tell your sad story to someone else.”
He flinched as if slapped. His voice came low: “You can make people feel so small.”
Kestrel went hot with shame--then was ashamed of her own shame. Who was he, that she should apologize? He had used her. He had lied. Nothing he said meant anything. If she was to feel shame, it should be for having been so easily fooled.
He ran fingers through his cropped hair, but slowly, anger gone, replaced by something heavier. He didn’t look at her. His breath smoked the chill air. “Do what you want to me. Say anything. But it frightens me how you refuse to see the danger you risk with others. Maybe now you’ll see.” He opened the door to the governor’s home.
The smell struck her first. Blood and decaying flesh. It pushed at Kestrel’s gut. She fought not to gag.
Bodies were piled in the reception hall. Lady Neril was lying facedown, almost in the same place where she had stood the night of the ball, greeting guests. Kestrel recognized her by the scarf in her fist, fabric bright in the guttering torchlight. There were hundreds of dead. She saw Captain Wensan, Lady Faris, Senator Nicon’s whole family, Benix…
Kestrel knelt next to him. His large hand felt like cold clay. She could hear her tears drip to his clothes. They beaded on his skin.
Quietly, Arin said, “He’ll be buried today, with the others.”
“He should be burned. We burn our dead.” She couldn’t look at Benix anymore, but neither could she get to her feet.
Arin helped her, his touch gentle. “I’ll make certain it’s done right.”
Kestrel forced her legs to move, to walk past bodies heaped like rubble. She thought that she must have fallen asleep after all, and that this was an evil dream.
She paused at the sight of Irex. His mouth was the stained purple of the poisoned, but he had sticky gashes in his side, and one final cut to the neck. Even poisoned, he had fought.
Tears came again.
Arin’s hold tightened. He pushed her past Irex. “Don’t you dare weep for him. If he weren’t dead, I would kill him myself.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
When a little of his strength returned he moved onto his side, taking her with him, still a part of her. Her hair spilled over his naked chest like a rumpled satin waterfall, and he lifted a shaking hand to smooth it off her face, feeling humbled and blessed by her sweetness and unselfish ardor.
Several minutes later Elizabeth stirred in his arms, and he tipped her chin up so that he could gaze into her eyes. “Have I ever told you that you are magnificent?
She started to shake her head, then suddenly remembered that he had told her she was magnificent once before, and the recollection brought poignant tears to her eyes. “You did say that to me,” she amended, brushing her fingers over his smooth shoulder because she couldn’t seem to stop touching him. “You told me that when we were together-“
“In the woodcutter’s cottage,” he finished for her, recalling the occasion as well. In reply she had chided him for acting as if he also thought Charise Dumont was magnificent, Ian remembered, regretting all the time they had lost since then…the days and nights she could have been in his arms as she was now. “Do you know how I spent the rest of the afternoon after you left the cottage?” he asked softly. When she shook her head, he said with a wry smile, “I spent it pleasurably contemplating tonight. At the time, of course, I didn’t realize tonight was years away.” He paused to draw the sheet up over her back so she wouldn’t be chilled, then he continued in the same quiet voice, “I wanted you so badly that day that I actually ached while I watched you fasten that shirt you were wearing. Although,” he added dryly, “that particular condition, brought on by that particular cause, has become my normal state for the last four weeks, so I’m quite used to it now. I wonder if I’ll miss it,” he teased.
“What do you mean?” Elizabeth asked, realizing that he was perfectly serious despite his light tone.
“The agony of unfulfilled desire,” he explained, brushing a kiss on her forehead, “brought on by wanting you.”
“Wanting me?” she burst out, rearing up so abruptly that she nearly overturned him as she leaned up on an elbow, absently clutching the sheet to her breasts. “Is this-what we’ve just done, I mean-“
“The Scots think of it as making love,” he interrupted gently. “Unlike most English,” he added with flat scorn, “who prefer to regard it as ‘performing one’s marital duty.’”
“Yes,” Elizabeth said absently, her mind on his earlier remark about wanting her until it caused him physical pain, “but is this what you meant all those times you’ve said you wanted me?”
His sensual lips quirked in a half smile. “Yes.”
A rosy blush stained her smooth cheeks, and despite her effort to sound severe, her eyes were lit with laughter. “And the day we bargained about the betrothal, and you told me I had something you wanted very badly, what you wanted to do with me…was this?”
“Among other things,” he agreed, tenderly brushing his knuckles over her flushed cheek.
“If I had known all this,” she said with a rueful smile, “I’m certain I would have asked for additional concessions.”
That startled him-the thought that she would have tried to drive a harder bargain if she’d realized exactly how much and what sort of power she really held. “What kind of additional concessions?” he asked, his face carefully expressionless.
She put her cheek against his shoulder, her arms curving around him. “A shorter betrothal,” she whispered. “A shorter courtship, and a shorter ceremony.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Naturally, without intending to, I transitioned from these dreams in which I healed myself to some in which I cared for others: I am flying over the Champs-Élysées Avenue in Paris. Below me, thousands of people are marching, demanding world peace. They carry a cardboard dove a kilometer long with its wings and chest stained with blood. I begin to circle around them to get their attention. The people, astonished, point up at me, seeing me levitate. Then I ask them to join hands and form a chain so that they can fly with me. I gently take one hand and lift. The others, still holding hands, also rise up. I fly through the air, drawing beautiful figures with this human chain. The cardboard dove follows us. Its bloodstains have vanished. I wake up with the feeling of peace and joy that comes from good dreams. Three days later, while walking with my children along the Champs-Élysées Avenue, I saw an elderly gentleman under the trees near the obelisk whose entire body was covered by sparrows. He was sitting completely still on one of the metal benches put there by the city council with his hand outstretched, holding out a piece of cake. There were birds flitting around tearing off crumbs while others waited their turn, lovingly perched on his head, his shoulders, his legs. There were hundreds of birds. I was surprised to see tourists passing by without paying much attention to what I considered a miracle. Unable to contain my curiosity, I approached the old man. As soon as I got within a couple of meters of him, all the sparrows flew away to take refuge in the tree branches. “Excuse me,” I said, “how does this happen?” The gentleman answered me amiably. “I come here every year at this time of the season. The birds know me. They pass on the memory of my person through their generations. I make the cake that I offer. I know what they like and what ingredients to use. The arm and hand must be still and the wrist tilted so that they can clearly see the food. And then, when they come, stop thinking and love them very much. Would you like to try?” I asked my children to sit and wait on a nearby bench. I took the piece of cake, reached my hand out, and stood still. No sparrow dared approach. The kind old man stood beside me and took my hand. Immediately, some of the birds came and landed on my head, shoulders, and arm, while others pecked at the treat. The gentleman let go of me. Immediately the birds fled. He took my hand and asked me to take my son’s hand, and he another hand, so that my children formed a chain. We did. The birds returned and perched fearlessly on our bodies. Every time the old man let go of us, the sparrows fled. I realized that for the birds when their benefactor, full of goodness, took us by the hand, we became part of him. When he let go of us, we went back to being ourselves, frightening humans. I did not want to disrupt the work of this saintly man any longer. I offered him money. He absolutely would not accept. I never saw him again. Thanks to him, I understood certain passages of the Gospels: Jesus blesses children without uttering any prayer, just by putting his hands on them (Matthew 19:13–15). In Mark 16:18, the Messiah commands his apostles, “They shall lay hands on the sick, and they shall recover.” St. John the Apostle says mysteriously in his first epistle, 1.1, “That which was from the beginning, which we have heard, which we have seen with our eyes, which we have looked upon, and our hands have handled, of the Word of life.
”
”
Alejandro Jodorowsky (The Dance of Reality: A Psychomagical Autobiography)
“
A school bus is many things.
A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.
”
”
Jason Reynolds (Look Both Ways: A Tale Told in Ten Blocks)
“
What I have been doing lately from my WIP "In Hiding" is available on my website. *Strong language warning*
Wayne sat in the hygienic emergency room trying to ignore the bitch of a headache that began radiating at the back of his skull. His worn jeans, a blood-stained t-shirt, and his makeshift bandage sat on a nearby chair. The hysteria created by his appearance in the small hospital ward had died down. A local cop greeted him as soon as he was escorted to the examination room. The conversation was brief, once he revealed he was a bail enforcer the topic changed from investigation to shooting the bull. The experienced officer shook his hand before leaving then joked he hoped this would be their only encounter.
The ER doc was a woman about his age. Already the years of long hours, rotating shifts and the rarity of a personal life showed on her face. Her eyelids were pink-rimmed, her complexion sallow; all were earmarks of the effect of long-term exhaustion. Wayne knew it all too well as he rubbed his knuckle against his own grainy eyes. Despite this, she attended to him with an upbeat demeanor and even slid in some ribbing at his expense. He was defenseless, once the adrenaline dropped off Wayne felt drained. He accepted her volleys without a response. All he mustered was a smile and occasional nod as she stitched him up.
Across the room, his cell toned, after the brief display of the number a woman’s image filled the screen.
Under his breath, he mumbled, “Shit.”
He intends for his exclamation to remain ignored, having caught it the doctor glanced his direction with a smile. Without invitation, she retrieved his phone handing it to him without comment. Wayne noted the raised eyebrow she failed to hide. The phone toned again as he glanced at the flat image on the device. The woman’s likeness was smiling brightly, her blue eyes dancing. Just looking at her eased the pain in his head.
He swiped the screen and connected the call as the doctor finished taping his injury. Using his free uninjured arm, he held the phone away from him slightly, utilizing the speaker option.
“Hey Baby.”
“What the hell, Wayne!”
Her voice filled the small area, in his peripheral vision he saw the doc smirk. Turning his head, he addressed the caller.
“Babe, I was getting ready to call.” The excuse sounded lame, even to him.
“Why the hell do I have to hear about this secondhand?”
Wayne placed the phone to his chest, loudly he exclaimed; “F***!”
The ER doc touched his arm, “I will give you privacy.”
Wayne gave her a grateful nod. With a snatch, she grabbed the corner of the thin curtain suspended from the ceiling and pulled it close. Alone again, he refocused on the call. The woman on the other end had continued in her tirade without him. When he rejoined the call mid-rant, she was issuing him a heartfelt ass-chewing.
“...bullshit Wayne that I have to hear about this from my cousin. We’ve talked about this!”
“Honey...”
She interrupts him before he can explain himself. “So what the hell happened?”
Wisely he waited for silence to indicate it was his turn to speak.
“Lou, Honey first I am sorry. You know I never meant to upset you. I am alright; it is just a flesh wound.” As he speaks, a sharp pain radiates across his side. Gritting his teeth, Wayne vows to continue without having the radiating pain affect his voice. “I didn’t want you to worry Honey; you know calling Cooper first is just business.”
Silence.
The woman miles away grits her teeth as she angrily brushes away her tears. Seated at the simple dining table, she takes a napkin from the center and dabs at her eyes. Mentally she reminds herself of her promise that she was done crying over this man. She takes an unsteady breath as she returns her attention to the call.
“Lou, you still there?”
There is something in his voice, the tender desperation he allows only her to see. Furrowing her brow she closes her eyes, an errant tear coursed down her cheek.
”
”
Caroline Walken
“
As he sat up, he heard soft dripping sounds from the bathroom, little plips like water slipping over the edges of the tub and into the floor. The hairs on the back of his neck rose as he realized where he‟d last heard that sound. His muscles tight with strain from his earlier exertions, he stood and walked warily toward the half open bathroom door and the tub beyond it. Slipping quietly past the door, he saw that the curtain was drawn, and again the shadowed figure lay behind it. One long, slim, leg dangled from the end of the tub, beads of water gliding down its length and off the polished toes. At the other end he saw a mass of auburn curls, matted deep red near the porcelain of the tub. It was the dream and the vision again, more real now, too strong to deny. Shaking, he moved toward the curtain, gagging on the sickly smell of rust and roses, feeling the thin nylon glide between thumb and palm as he pulled it back to reveal his darkest nightmare and deepest regret. He could see the crimson water now, blood bubbles gliding over its surface and clinging to the legs dangling over the tub‟s edge. When he‟d pulled the curtain completely away from the tub and around to its opposite side, he saw her face. Her eyes were closed and he saw that her lids were bruised and purple against the translucent paleness of her face, drained completely dead white under the makeup she‟d brushed on before she‟d died. Staggering by the sight of her, he knelt by the tub and extended one shaking hand to touch her cheek. It all seemed as if he‟d walked into a horror film and once again he needed to prove to his mind that this wasn‟t real. His hand shook as he lifted it nearer to her flesh, waiting for the corpse, the supposedly dead and buried to move. He touched his quivering fingers to her face, feeling its claylike reality. The sensation caused an immediate shudder of revulsion and he fought not to vomit. Even as the moment came, the sight of her moving in the water startled him and he jumped away from the tub. It wasn‟t an obvious movement at first, only soft breaths moving in and out of her nostrils, but then her chest rose and fell with it and he quaked, feeling unstable where he knelt on the floor.
Her eyes opened next and he felt the blood fall out of his face, wanting to scream but too afraid he would cause her to take some action, to reach out and touch him, proving well and forever that he was indeed insane. Scream and you might as well slit your own throat. He swallowed the scream like a rock and stared as her eyes moved slowly in their sockets, locking on him. Slowly, as if she‟d lost control of her muscles, she rose from the tub and looked down at him, smiling. Blood water slid down her bare body, over her neck, down her back and the smooth ridges of her breasts, to slip slowly down her thighs and down over her calves. A puddle spread on the floor, and as it extended toward him he struggled to his feet, skittering away from it. As he watched it spread, he shivered, weak as he started to cry frantic, horrified tears. Breaking down, he looked back up at her face and slipped to the floor once more, his knees incapable of sustaining his own weight. The smile grew wider as she strode to his shivering form, thrown on his side and struggling to rise. The blood water seeped into his clothes, making him sick, a drop of it trickling along the lobe of his ear and into it. And then she leaned down, holding those dim, stained curls of auburn out of her face and tucking them behind her ear. Her lips parted, blue beneath the strong crimson red of her lipstick, and she spoke into his ear with the chill breath of the dead. His eyes grew wide and horrified as she spoke, the hair on his neck rising, sending a maddening shiver of fear through him. “I‟ve returned, Raven.” She whispered “And I want what is mine.” The last thing he saw before his mind, finally, thankfully, shut down was her face in front of his. They were pursed for a kiss.
”
”
Amanda M. Lyons
“
My beloved, your precious tears stained my heart from vast reservoir of resilience.
”
”
Dr. Tony Beizaee
“
She lay there, pale and pasty with a layer of grey smothered over her skin. Her head was slumped against the drawer like a dead flower as her arms hung limp on her sides. Her cheeks had been stained with tears and I wondered whether she really wanted to die.
”
”
Arti Manani (Seven Sins)