Taxi Funny Quotes

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I love New York. You can pop out of the Underworld in Central Park, hail a taxi, head down Fifth Avenue with a giant hellhound loping behind you, and nobody even looks at you funny.
Rick Riordan
A hospital bed is a parked taxi with the meter running.
Groucho Marx
I love New York. You can pop out of the Underworld in Central Park, hail a taxi, head down Fifth Avenue with a giant hellhound loping along behind you, and nobody even looks at you funny. Of course, the Mist helped. People probably couldn't see Mrs. O'Leary, or maybe they thought she was a large,loud,very friendly truck.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Any one could write a book," said the taxi driver. "Yes, they could, but they DON'T," said Maeve Binchy
Maeve Binchy
Jamie spied a Hershey's almond bar still in its wrapper lying in the corner of the landing. He picked it up and tore open one corner. "Was it bitten into?" asked Claudia. "No," Jamie smiled. "Want half?" "You better not touch it," Claudia warned. "It's probably poisoned or filled with marijuana, so you'll eat it and become either dead or a dope addict". Jamie was irritated. "Couldn't it just happen that someone dropped it?" "I doubt that. Who would drop a whole candy bar and not know it? That's like leaving a statue in a taxi".
E.L. Konigsburg (From the Mixed-Up Files of Mrs. Basil E. Frankweiler)
They already knew that they would be telling people about the morning for a long time to come, maybe for the rest of their lives, and the taxi ride was the first attempt at a first draft of a story that would have to satisfy parents, siblings, children, and grandchildren.
Nick Hornby (Funny Girl)
So what happened?" "I don't know." Another glance to ensure his continued state of Not Looking, and then I rip off my clothes in one fast swoop. I am now officially stark naked in the room with the most beautiful boy I know. Funny,but this isn't how I imagined this moment. No.Not funny.One hundred percent the exact opposite of funny. "I think I maybe,possibly, vaguely remember hitting the snooze button." I jabber to cover my mortification. "Only I guess it was the off button.But I had the alarm on my phone set,too, so I don't know what happened." Underwear,on. "Did you turn the ringer back on last night?" "What?" I hop into my jeans, a noise he seems to determinedly ignore.His ears are apple red. "You went to see a film,right? Don't you set your mobile to silent at the theater?" He's right.I'm so stupid. If I hadn't taken Meredith to A Hard Day's Night, a Beatles movie I know she loves, I would have never turned it off. We'd already be in a taxi to the airport. "The taxi!" I tug my sweater over my head and look up to find myself standing across from a mirror. A mirror St. Clair is facing. "It's all right," he says. "I told the driver to wait when I came up here. We'll just have to tip him a little extra." His head is still down. I don't think he saw anything.I clear my throat, and he glances up. Our eyes meet in the mirror,and he jumps. "God! I didn't...I mean,not until just now..." "Cool.Yeah,fine." I try to shake it off by looking away,and he does the same. His cheeks are blazing.I edge past him and rinse the white crust off my face while he throws my toothbrush and deodorant and makeup into my luggage, and then we tear downstairs and into the lobby.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
So after conferring with the waiter for about an hour, the two men managed to convince him it would be easier for him if halved the bill or they'd 'report him'. Obviously, it was a bit hazy exactly who would report whom for what, but eventually, with a certain amount of swearing and arm-waving, the waiter gave up and went into the kitchen and wrote them a new bill. In the meantime Rune and Ove, nodded grimly at one another without noticing that their wives, as usual, had taken a taxi home twenty minutes earlier.
Fredrik Backman (A Man Called Ove)
More often than not, these attempts at sociability ended in painful silence. His old friends, who remembered him as a brilliant student and wickedly funny conversationalist, were appalled by what had happened to him. Tom had slipped from the ranks of the anointed, and his downfall seemed to shake their confidence in themselves, to open the door onto a new pessimism about their own prospects in life. It didn't help matters that Tom had gained weight, that his former plumpness now verged on an embarrassing rotundity, but even more disturbing was the fact that he didn't seem to have any plans, that he never spoke about how he was going to undo the damage he'd done to himself and get back on his feet. Whenever he mentioned his new job, he described it in odd, almost religious terms, speculating on such questions as spiritual strength and the importance of finding one's path through patience and humility, and this confused them and made them fidget in their chairs. Tom's intelligence had not been dulled by the job, but no one wanted to hear what he had to say anymore, least of all the women he talked to, who expected young men to be full of brave ideas and clever schemes about how they were going to conquer the world. Tom put them off with his doubts and soul-searchings, his obscure disquisitions on the nature of reality, his hesitant manner. It was bad enough that he drove a taxi for a living, but a philosophical taxi driver who dressed in army-navy clothes and carried a paunch around his middle was a bit too much to ask. He was a pleasant guy, of course, and no one actively disliked him, but he wasn't a legitimate candidate?not for marriage, not even for a crazy fling.
Paul Auster (The Brooklyn Follies)
Sally's father,' explained Walter, 'got me a job in a bank. I can't tell you what I suffered for three whole days. It was like a PG Wodehouse novel, only not funny at all, or perhaps I've no sense of humour. To begin with, I had to get up at eight every morning. One had much better be dead, you know. Then, my dear, the expense! I can't tell you what it cost me in taxis alone, not to mention the suit I had to buy - a most lugubrious black affair. There was no time to get back here for luncheon, and I couldn't go all day without seeing Sally, so we went to a restaurant that was recommended to us called "Simkins," too putting off. Sally was given some perfectly raw meat with blood instead of gravy, and naturally she nearly fainted, and she had to have brandy before I could get her out of the place. By then we were so upset that we felt we must go to the Ritz in order to be soothed, which meant more taxis. In the end we reckoned that those three days had cost me every penny of thirty pounds, so I gave it up. I can't afford that sort of thing, you know.
Nancy Mitford (Highland Fling)
So they went out for a walk. They went through narrow, lightless lanes, where houses that were silent but gave out smells of fish and boiled rice stood on either side of the road. There was not a single tree in sight; no breeze and no sound but the vaguely musical humming of mosquitoes. Once, an ancient taxi wheezed past, taking a short-cut through the lane into the main road, like a comic vintage car passing through a film-set showing the Twenties into the film-set of the present, passing from black and white into colour. But why did these houses – for instance, that one with the tall, ornate iron gates and a watchman dozing on a stool, which gave the impression that the family had valuables locked away inside, or that other one with the small porch and the painted door, which gave the impression that whenever there was a feast or a wedding all the relatives would be invited, and there would be so many relatives that some of them, probably the young men and women, would be sitting bunched together on the cramped porch because there would be no more space inside, talking eloquently about something that didn’t really require eloquence, laughing uproariously at a joke that wasn’t really very funny, or this next house with an old man relaxing in his easy-chair on the verandah, fanning himself with a local Sunday newspaper, or this small, shabby house with the girl Sandeep glimpsed through a window, sitting in a bare, ill-furnished room, memorising a text by candlelight, repeating suffixes and prefixes from a Bengali grammar over and over to herself – why did these houses seem to suggest that an infinitely interesting story might be woven around them? And yet the story would never be a satisfying one, because the writer, like Sandeep, would be too caught up in jotting down the irrelevances and digressions that make up lives, and the life of a city, rather than a good story – till the reader would shout "Come to the point!" – and there would be no point, except the girl memorising the rules of grammar, the old man in the easy-chair fanning himself, and the house with the small, empty porch which was crowded, paradoxically, with many memories and possibilities. The "real" story, with its beginning, middle and conclusion, would never be told, because it did not exist.
Amit Chaudhuri (A Strange and Sublime Address)
And then there are people – and these don’t unsettle but enrage me – who think comedy is trivial. They believe that serious, intelligent people should focus on worthy, momentous things and that jokes, levity, piss-taking, subverting and satirising are the pastimes of the second-rate. Words cannot express how second-rate I consider such people. In my experience the properly intelligent, whether they’re astrophysicists, politicians, poets, lawyers, entrepreneurs, comedians, taxi drivers, plumbers or doctors, however serious or trivial their career aims, all adore jokes. And they have that in common with a lot of idiots. For as long as I can remember, I have always thought that being funny is the cleverest thing you can do, that taking the piss out of something – parodying it, puncturing it – is at least as clever as making that thing in the first place. This view, which, I’m happy to say, will be most offensive to the people I want most to offend, was probably formed watching my cold grandfather, with all his financial acumen and preference for fish over humans, cry with laughter at a van being repeatedly driven into a swimming pool.
David Mitchell (Back Story)
Both Bob and Suzanne would ask me questions during shoots, and I’d answer them. I impressed them because I was right more than I was wrong. I learned another valuable lesson: Take a stand. I could say, “Bob, do this; I think it’s going to be funny.” If an actor ever asks you which version of a take will be funnier, don’t say, “I don’t care.” Pick one. Pick one even if you don’t know. If you’re wrong, say, “Jesus! I was wrong. Let’s try the other one.” The minute you equivocate or are perceived as someone who doesn’t know what they’re doing, no actor will walk the comedic plank or take any risks for you.
James Burrows (Directed by James Burrows: Five Decades of Stories from the Legendary Director of Taxi, Cheers, Frasier, Friends, Will & Grace, and More)
I need to find out if they can defend their material without being defensive about it. I don’t want to work with someone who says, “No, it’s funny, do it.” If I make suggestions that they don’t think will improve the script and they can articulate why, I will never be upset by it. If they can’t explain why, I won’t work with them.
James Burrows (Directed by James Burrows: Five Decades of Stories from the Legendary Director of Taxi, Cheers, Frasier, Friends, Will & Grace, and More)
I went to a fortune-teller who told me about all kinds of good things that were about to happen to me, and on the way home in the taxi I thought it'd be really funny if a taxi hit me and ran me over and I died after hearing all those good things
Clarice Lispector
I apologize. I feel I’ve let you down somehow with my tales of reasonable and efficient travel. I’m sure if I’d been Bill Bryson my taxi driver would have told me a funny story, or something. I’m afraid mine simply listened to the BBC London and was outraged by everything the presenter was saying. He did spit when he talked, though, if that’s any use to you.
Danny Wallace (Join Me!)
Shara met me at the airport in London, dressed in her old familiar blue woolen overcoat that I loved so much. She was bouncing like a little girl with excitement. Everest was nothing compared to seeing her. I was skinny, long-haired, and wearing some very suspect flowery Nepalese trousers. I short, I looked a mess, but I was so happy. I had been warned by Henry at base camp not to rush into anything “silly” when I saw Shara again. He had told me it was a classic mountaineers’ error to propose as soon as you get home. High altitude apparently clouds people’s good judgment, he had said. In the end, I waited twelve months. But during this time I knew that this was the girl I wanted to marry. We had so much fun together that year. I persuaded Shara, almost daily, to skip off work early from her publishing job (she needed little persuading, mind), and we would go on endless, fun adventures. I remember taking her roller-skating through a park in central London and going too fast down a hill. I ended up headfirst in the lake, fully clothed. She thought it funny. Another time, I lost a wheel while roller-skating down a steep busy London street. (Cursed skates!) I found myself screeching along at breakneck speed on only one skate. She thought that one scary. We drank tea, had afternoon snoozes, and drove around in “Dolly,” my old London black cab that I had bought for a song. Shara was the only girl I knew who would be willing to sit with me for hours on the motorway--broken down--waiting for roadside recovery to tow me to yet another garage to fix Dolly. Again. We were (are!) in love. I put a wooden board and mattress in the backseat so I could sleep in the taxi, and Charlie Mackesy painted funny cartoons inside. (Ironically, these are now the most valuable part of Dolly, which sits majestically outside our home.) Our boys love playing in Dolly nowadays. Shara says I should get rid of her, as the taxi is rusting away, but Dolly was the car that I will forever associate with our early days together. How could I send her to the scrapyard? In fact, this spring, we are going to paint Dolly in the colors of the rainbow, put decent seat belts in the backseat, and go on a road trip as a family. Heaven. We must never stop doing these sorts of things. They are what brought us together, and what will keep us having fun. Spontaneity has to be exercised every day, or we lose it. Shara, lovingly, rolls her eyes.
Bear Grylls (Mud, Sweat and Tears)
It's because his wife left him. That's why he's acting funny. She left him the other night. While she was putting her bags into the taxi he was outside on the footpath begging her to stay. On his knees! Why are men so embarrassing? Bev
Louis Nowra (Summer of the Aliens)
We’d all started for the front hall when my father’s throat-clearing stopped us. “Where do you think you’re going?”   Jack and I exchanged wary looks. Parents pretending to be stupid was usually a sign that they were about to try to be – eugh – funny.   “Out, Mr Yamato,” Rachel said patiently, falling for it. “We’re going to walk to this nexus place. Aren’t you coming?”   Dad got out of the armchair and stretched fluidly. “Yes, but I’m not walking it. I assume you’re up for a ride in the Dad Taxi?”   I might be a barely functioning, emotionally shattered control freak, but I wasn’t an idiot. The next word out of my mouth was “Shotgun!”   The others groaned.
Zoë Marriott (Frail Human Heart (The Name of the Blade, #3))
love New York. You can pop out of the Underworld in Central Park, hail a taxi, head down Fifth Avenue with a giant hellhound loping along behind you, and nobody even looks at you funny.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
A young man and his date were parked on a back road some distance from town. They were about to have sex when the girl stopped. “I really should have mentioned this earlier, but I’m actually a hooker and I charge $20 for sex.” The man reluctantly paid her, and they did their thing. After a cigarette, the man just sat in the driver’s seat looking out the window. “Why aren’t we going anywhere?” asked the girl. “Well, I should have mentioned this before, but I’m actually a taxi driver, and the fare back to town is $25…
Adam Smith (Funny Dirty Jokes: 2016 LOL Edition (Sexual and Adult's Jokes) (Comedy Central))
The one thing you shouldn't do is try to tell a cab driver how to get somewhere.
Jimmy Fallon