Tattoos For Women Quotes

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Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)
Gillian Flynn (Gone Girl)
heavily tattooed women can be said to control and subvert the ever-present 'male gaze' by forcing men (and women) to look at their bodies in a manner that exerts control.
Margo Demello
I love heavily tattooed women. I imagine their lives are filled with sensuality and excess, madness and generosity, impulsive natures and fights. They look like they have endured much pain and sadness, yet have the ability to transcend all of it by documenting it on the body
Margaret Cho
That's when it struck me: how gorgeous we all were, even with cellulite (saw a lot of that) and stretch marks, scars and tattoos. Let me just say this, not single body was perfect, not even the fittest of women there.
Justina Chen (North of Beautiful)
He whirled in the water and grinned at me. Damn, he was a handsome bastard. I realized he was half-naked. Blue swirls of tattoos painted his chest. When God made that chest, he did to tempt women.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Bullshit," Salander said again. "Gottfried isn't the only kid who was ever mistreated. That doesn't give him the right to murder women. He made that choice himself. And the same is true of Martin.
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
I know your character. I know you're going to be a great guardian.” His confidence made that warm feeling return. "I'm glad someone does. Everyone else thinks I'm totally irresponsible.” "With the way you worry more about Lissa than yourself…" He shook his head. "No. You understand your responsibilities better than guardians twice your age. You'll do what you have to do to succeed.” I thought about that. "I don't know if I can do everything I have to do.” He did that cool one-eyebrow thing. "I don't want to cut my hair," I explained. He looked puzzled. "You don't have to cut your hair. It's not required.” "All the other guardian women do. They show off their tattoos.” Unexpectedly, he released my hands and leaned forward. Slowly, he reached out and held a lock of my hair, twisting it around one finger thoughtfully. I froze, and for a moment, there was nothing going on in the world except him touching my hair. He let my hair go, looking a little surprised—and embarrassed—at what he'd done. "Don't cut it," he said gruffly. Somehow, I remembered how to talk again. "But no one'll see my tattoos if I don't.” He moved toward the doorway, a small smile playing over his lips. "Wear it up.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
One more man who hates women,” she muttered at last.
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
Bound by Blood, Marked by the Dragonfly.
Lisa Akers (Let Me Go (Let Me Go, #1))
Women disappear all the time. Nobody misses them. Immigrants. Whores from Russia. Thousands of people pass through Sweden every year.
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
She did know that once tattooed one could no longer expect to lie for all eternity in an orthodox Jewish cemetery. They wouldn't even bury women with pierced ears. A strange theory of mutilation from the people who invented cutting the skin off the pee-pee.
Tom Robbins (Still Life with Woodpecker)
Loving without judgment or fear of abandonment is. . . . the toughest activity known to mankind and I think with best friend that can be even more pronounced because you aren’t my mom, we don’t have kids together—but we do have matching tattoos.
Rebecca Traister (All the Single Ladies: Unmarried Women and the Rise of an Independent Nation)
I’m of the belief that in most industries, women have to work twice as hard to get half the credit. After putting in so much effort to make a good movie, it felt pretty demeaning when they called it a “female comedy.” This meaningless label painted me into a corner and forced me to speak for all females, because I am the actual FEMALE who wrote the FEMALE comedy and then starred as the lead FEMALE in that FEMALE comedy. They don’t ask Seth Rogen to be ALL MEN! They don’t make “men’s comedies.” They don’t ask Ben Stiller, “Hey, Ben, what was your message for all male-kind when you pretended to have diarrhea and chased that ferret in Along Came Polly?
Amy Schumer (The Girl with the Lower Back Tattoo)
I'm mad because girls as young as eight years old are being shamed about their bodies. Fifth graders go on diets and admire Instagram pics of celebs in waist trainers. Some of the people I'm closest to have struggled with eating disorders. I'm mad at an industry that suggests that painfully thin is the only acceptable way to be. Please don't get on me for skinny shaming. If that's how you are shaped, God bless, but we gotta mix it up, because it's upsetting and confusing to women with other body types.
Amy Schumer (The Girl with the Lower Back Tattoo)
Women are always expected to be the gracious hostess, quick with an anecdote and a sprinkling of laughter at others' stories. We are always the ones who have to smooth over all the awkward moments in life with soul-crushing pleasantries. We are basically unpaid geishas. But when we do not fulfill this expectation ( because we are introverted ) people asume we must be either depressed or a cunt".
Amy Schumer (The Girl with the Lower Back Tattoo)
If they have tattoos, they screw. This is true of men and women alike. If they smoke, they poke. Also true, studies show.
Patrick C. Harrison III (100% Match)
In Chloe, a great city, the people who move through the streets are all strangers. At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping. A girl comes along, twirling a parasol on her shoulder, and twirling slightly also her rounded hips. A woman in black comes along, showing her full age, her eyes restless beneath her veil, her lips trembling. At tattooed giant comes along; a young man with white hair; a female dwarf; two girls, twins, dressed in coral. Something runs among them, an exchange of glances link lines that connect one figure with another and draws arrows, stars, triangles, until all combinations are used up in a moment, and other characters come on to the scene: a blind man with a cheetah on a leash, a courtesan with an ostrich-plume fan, an ephebe, a Fat Woman. And thus, when some people happen to find themselves together, taking shelter from the rain under an arcade, or crowding beneath an awning of the bazaar, or stopping to listen to the band in the square, meetings, seductions, copulations, orgies are consummated among them without a word exchanged, without a finger touching anything, almost without an eye raised. A voluptuous vibration constantly stirs Chloe, the most chaste of cities. If men and women began to live their ephemeral dreams, every phantom would become a person with whom to begin a story of pursuits, pretenses, misunderstandings, clashes, oppressions, and the carousel of fantasies would stop.
Italo Calvino
With his buzz-cut black hair, muscles and menagerie of tattoos, the man looked like he lived in a cave and sanded timber with his head and flung innocent young women down on beds and had his wicked way with them.
Cari Silverwood (The Dom with the Perfect Brats (Badass Brats, #2))
How can we pick and choose which parts of the Bible to follow? One thing is God’s will and another is just cultural differences? What if it’s all cultural? What if homosexuality or saving yourself for marriage is as outdated as women staying silent in church or Leviticus forbidding tattoos?
Trevor D. Richardson (Dystopia Boy: The Unauthorized Files)
Brasley still drank too much and liked his women, but at least he paced himself now, walking the path to self-destruction instead of sprinting down it at full speed.
Victor Gischler (The Tattooed Duchess (A Fire Beneath the Skin, #2))
For others, I suspect the vehement dislike of tattoos [on women] is really a fear of women's skin. When a woman makes her own mark on it, she isn't quite as available to receive whatever fantasies you might want to project on to her. If skin is a screen, and a woman writes on it, she is telling the world (or even just herself) that her own standards of attractiveness are more important to her than the standards of anyone else who might cross her path. She is taking ownership. - from "Painted ladies: why women get tattoos" @theguardian.co.uk
Jenn Ashworth
Got a job for you, Seven.” “Yeah?” “I need you to find someone.” “Who?” “A woman,” I say. “About five and a half feet tall. Brown hair. Brown eyes.” “That describes half the women in New York.” “Yeah, well, the one I’m looking for is twenty-one or so,” I say. “She’s good-looking, kind of curvy for being so petite... got a red ‘S’ tattooed on her wrist...” He stares at me, like he expects more information. “What else?” I shrug, glancing at the high heels, flipping them over to look at the red soles. “She wears a size thirty-nine shoe.” “That’s it?” “That’s it.” “Shouldn’t be too hard,” he says, blinking a few times as he looks at the ground. “Only a couple million people in the city.” “That’s the spirit,” I say, slapping him on the back.
J.M. Darhower (Menace (Scarlet Scars, #1))
The childish and savage taste of men and women for new patterns keeps how many shaking and squinting through kaleidoscopes that they may discover the particular figure which this generation requires to-day. The manufacturers have learned that this taste is merely whimsical. Of two patterns which differ only by a few threads more or less of a particular color, the one will be sold readily, the other lie on the shelf, though it frequently happens that after the lapse of a season the latter becomes the most fashionable. Comparatively, tattooing is not the hideous custom which it is called. It is not barbarous merely because the printing is skin-deep and unalterable.
Henry David Thoreau (Walden and Other Writings)
Ironically, the tattoo represents the opposite for me today. It reminds me that it's important to let yourself be vulnerable, to lose control and make a mistake. It reminds me that, as Whitman would say, I contain multitudes and I always will. I'm a level-one introvert who headlined Madison Square Garden—and was the first woman comic to do so. I'm the ‘overnight success’ who's worked her ass off every single waking moment for more than a decade. I used to shoplift the kind of clothing that people now request I wear to give them free publicity. I'm the SLUT or SKANK who's only had one one-night stand. I'm a ‘plus-size’ 6 on a good day, and a medium-size 10 on an even better day. I've suffered the identical indignities of slinging rib eyes for a living and hustling laughs for cash. I'm a strong, grown-ass woman who's been physically, sexually, and emotionally abused by men and women I trusted and cared about. I've broken hearts and had mine broken, too. Beautiful, ugly, funny, boring, smart or not, my vulnerability is my ultimate strength. There's nothing anyone can say about me that's more permanent, damaging, or hideous than the statement I have forever tattooed upon myself. I'm proud of this ability to laugh at myself—even if everyone can see my tears, just like they can see my dumb, senseless, whack, lame lower back tattoo.
Amy Schumer (The Girl with the Lower Back Tattoo)
As far as we know, there is no corresponding taste among women for erotica featuring multiple overweight middle-aged ladies with cheap tattoos, bad haircuts, and black socks having sex with one hot guy. Go figure.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
He said, I won't have one of those things in the house. It gives a young girl a false notion of beauty, not to mention anatomy. If a real woman was built like that she'd fall on her face. She said, If we don't let her have one like all the other girls she'll feel singled out. It'll become an issue. She'll long for one and she'll long to turn into one. Repression breeds sublimation. You know that. He said, It's not just the pointy plastic tits, it's the wardrobes. The wardrobes and that stupid male doll, what's his name, the one with the underwear glued on. She said, Better to get it over with when she's young. He said, All right but don't let me see it. She came whizzing down the stairs, thrown like a dart. She was stark naked. Her hair had been chopped off, her head was turned back to front, she was missing some toes and she'd been tattooed all over her body with purple ink, in a scrollwork design. She hit the potted azalea, trembled there for a moment like a botched angel, and fell. He said, I guess we're safe.
Margaret Atwood (The Female Body)
I call them "The Tattooed Gerneration," those people who think it cool to use their bodies as canvasses; to desecrate themselves with ugly designs, inane sayings and the names of women who divorced them. And they call it ART? If they want art, let them go to an art gallery and buy a painting. If God wanted our bodies used to display artwork, he would have made us flat.
Howard Giordano
For a person accustomed to the multi ethnic commotion of Los Angeles, Vancouver, New York, or even Denver, walking across the BYU campus can be a jarring experience. One sees no graffiti, not a speck of litter. More than 99 percent of the thirty thousand students are white. Each of the young Mormons one encounters is astonishingly well groomed and neatly dressed. Beards, tattoos, and pierced ears (or other body parts) are strictly forbidden for men. Immodest attire and more than a single piercing per ear are forbidden among women. Smoking, using profane language, and drinking alcohol or even coffee are likewise banned. Heeding the dictum "Cougars don't cut corners," students keep to the sidewalks as they hurry to make it to class on time; nobody would think of attempting to shave a few precious seconds by treading on the manicured grass. Everyone is cheerful, friendly, and unfailingly polite. Most non-Mormons think of Salt Lake City as the geographic heart of Mormonism, but in fact half the population of Salt Lake is Gentile, and many Mormons regard the city as a sinful, iniquitous place that's been corrupted by outsiders. To the Saints themselves, the true Mormon heartland is here in Provo and surrounding Utah County--the site of chaste little towns like Highland, American Fork, Orem, Payson and Salem--where the population is nearly 90 percent LDS. The Sabbath is taken seriously in these parts. Almost all businesses close on Sundays, as do public swimming pools, even on the hottest days of the summer months. This part of the state is demographically notable in other aspects, as well. The LDS Church forbids abortions, frowns on contraception, and teaches that Mormon couples have a sacred duty to give birth to as many children as they can support--which goes a long way toward explaining why Utah County has the highest birth rate in the United States; it is higher, in fact, than the birth rate in Bangladesh. This also happens to be the most Republican county in the most Republican state in the nation. Not coincidentally, Utah County is a stronghold not only of Mormonism but also Mormon Fundamentalism.
Jon Krakauer
It had been a long while since I’d watched any television, and things had only gotten weirder. Beauty pageants for infants; ruddy men in trucker caps fighting over abandoned storage lockers; public shamings of compulsive hoarders and pre-diabetics; affluent suburban women made up like transvestite hookers, competing with each other in feats of coarseness and cruelty; barely literate pregnant teens with tattoos, unfocused eyes, and futures like wrecked cars; apoplectic crypto-fascists spitting bile and paranoia; a carnival midway of weight loss devices, hair growth creams, erectile dysfunction potions, and pottery from which herbs grew like green hair. It was like the day room of a surrealist mental hospital, or any big city ER on a summer Saturday night.
Peter Spiegelman (Dr. Knox)
home, alone in my room, with the sounds of #2 and #5 trains rumbling in the distance, I started with a letter to myself. Dear Juliet, Repeat after me: You are a bruja. You are a warrior. You are a feminist. You are a beautiful brown babe. Surround yourself with other beautiful brown and black and indigenous and morena and Chicana, native, Indian, mixed race, Asian, gringa, boriqua babes. Let them uplift you. Rage against the motherfucking machine. Question everything anyone ever says to you or forces down your throat or makes you write a hundred times on the blackboard. Question every man that opens his mouth and spews out a law over your body and spirit. Question every single thing until you find the answer in a daydream. Don’t question yourself unless you hurt someone else. When you hurt someone else, sit down, and think, and think, and think, and then make it right. Apologize when you fuck up. Live forever. Consult the ancestors while counting stars in the galaxy. Hold wisdom under tongue until it’s absorbed into the bloodstream. Do not be afraid. Do not doubt yourself. Do not hide Be proud of your inhaler, your cane, your back brace, your acne. Be proud of the things that the world uses to make you feel different. Love your fat fucking glorious body. Love your breasts, hips, and wide-ass if you have them and if you don’t, love the body you do have or the one you create for yourself. Love the fact that you have ingrown hairs on the back of your thighs and your grandma’s mustache on your lips. Read all the books that make you whole. Read all the books that pull you out of the present and into the future. Read all the books about women who get tattoos, and break hearts, and rob banks, and start heavy metal bands. Read every single one of them. Kiss everyone. Ask first. Always ask first and then kiss the way stars burn in the sky. Trust your lungs. Trust the Universe. Trust your damn self. Love hard, deep, without restraint or doubt Love everything that brushes past your skin and lives inside your soul. Love yourself. In La Virgen’s name and in the name of Selena, Adiosa.
Gabby Rivera (Juliet Takes a Breath)
As women, most interactions from around age eight on teach us to keep things cool so no one is inspired to, God forbid, call us the U or F words: “ugly” or “fat.” I’m not the first to point out how women are taught that our value comes from how we look, and that it takes a lifetime (or at least until menopause) for most women to undo this awful lie. As
Amy Schumer (The Girl with the Lower Back Tattoo)
Every time I saw Lacey, she'd gained five more pounds. She was turning into the kind of obese girl who does her hair like a forties pinup and wears bright red lipstick, a blue polka-dot dress with a white doily collar, colorful tattoos across her huge, smushed cleavage, as if these considerations would distract us from how fat and miserable she'd become.
Ottessa Moshfegh (Homesick for Another World)
Out of the corner of his eye Wycliff saw the little maid’s cheeks turn pink. He’d forgotten how adorably prudish and modest English women could be.
Maya Rodale (The Tattooed Duke (The Writing Girls, #3))
English women made it harder to get them naked than Tahitian women, but he was a practiced bloke at such important life skills.
Maya Rodale (The Tattooed Duke (The Writing Girls, #3))
tattooing amongst women was not regarded with such lenience: a tattoo on a woman’s body not only flouted conventions of feminine purity and beauty, but also rendered her masculine.
Hallie Rubenhold (The Five: The Untold Lives of the Women Killed by Jack the Ripper)
Why is it all hot pants and back tattoos? Why the symbols of toughness instead of actual dark alley terror? Why do we celebrate “girl power” but sneer at “women power”?
Kameron Hurley (The Geek Feminist Revolution)
His red-haired companion wore a similar outfit but without the tattoo and piercings, lacking the courage—or the idiocy—to turn a fashion statement into permanent disfigurement. They
Kelley Armstrong (Bitten (Women of the Otherworld, #1))
I’d spent the entire time before we boarded perusing every adult sitting around us, mentally undressing them, wondering who had piercings or tattoos, who was kinky, who was the best kisser.
Rachel Kramer Bussel (Best Women's Erotica of the Year, Volume 1 (Best Women's Erotica Series))
I don’t know if it was the jealousy in me or the pregnant hormones, but I felt some type of way when I saw the tattoos that Jah did on one of the women’s vagina and even some on a few of their asses.
Diamond D. Johnson (Little Miami Girl 3: Antonia & Jahiem's Love Story)
When they weren’t farming alongside the other Mohaves, the girls spent their first summer with the tribe gathering mesquite, collecting wild vegetables with the women, or swimming naked in the Colorado.
Margot Mifflin (The Blue Tattoo: The Life of Olive Oatman (Women in the West))
my parents are Mexican who are not to be confused with Mexican Americans or Chicanos. i am a Chicano from Chicago which means i am a Mexican American with a fancy college degree & a few tattoos. my parents are Mexican who are not to be confused with Mexicans still living in México. those Mexicans call themselves mexicanos. white folks at parties call them pobrecitos. American colleges call them international students & diverse. my mom was white in México & my dad was mestizo & after they crossed the border they became diverse. & minorities. & ethnic. & exotic. but my parents call themselves mexicanos, who, again, should not be confused for mexicanos living in México. those mexicanos might call my family gringos, which is the word my family calls white folks & white folks call my parents interracial. colleges say put them on a brochure. my parents say que significa esa palabra. i point out that all the men in my family marry lighter-skinned women. that’s the Chicano in me. which means it’s the fancy college degrees in me, which is also diverse of me. everything in me is diverse even when i eat American foods like hamburgers, which, to clarify, are American when a white person eats them & diverse when my family eats them. so much of America can be understood like this.
José Olivarez (Citizen Illegal)
Here is the first guest, a young woman in a short blue dress. Her face is a trifle on the vacant side but she’s got a knockout bod. Somewhere inside that dress, Hodges knows, there will be the sort of tattoo now referred to as a tramp-stamp. Maybe two or three. The men in the audience whistle and stomp their feet. The women in the audience applaud more gently. Some roll their eyes. This is the kind of woman you don’t like to catch your husband staring at.
Stephen King (Mr. Mercedes (Bill Hodges Trilogy, #1))
When, in the course of their march, they came upon a friendly population, these would entertain them with exhibitions of fatted children belonging to the wealthy classes, fed up on boiled chestnuts until they were as white as white can be, of skin plump and delicate, and very nearly as broad as they were long, with their backs variegated and their breasts tattooed with patterns of all sorts of flowers. They sought after the women in the Hellenic army, and would fain have laid with them openly in broad daylight, for that was their custom. The whole community, male and female alike, were fair-complexioned and white-skinned. It was agreed that this was the most barbaric and outlandish people that they had passed through on the whole expedition, and the furthest removed from the Hellenic customs, doing in a crowd precisely what other people would prefer to do in solitude, and when alone behaving exactly as others would behave in company, talking to themselves and laughing at their own expense, standing still and then again capering about, wherever they might chance to be, without rhyme or reason, as if their sole business were to show off to the rest of the world.
Xenophon (Anabasis)
There are cameras and mirrors watching us everywhere. I fix my hair and try not to look too drunk. At the checkout stand we line up on the border of sanity holding our passports, our visa cards. Some women will make it. Others will be asked to stay with their carts, they will be given different clothes, lobotomies, and schizophrenic outbursts, until they look like they grew out of the pavement without mothers or fathers. A number will be tattooed on their neck and they will be ushered outside through special doors that never let you back in.
Mary Woronov
That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men—friends, coworkers, strangers—giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much—no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version—maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”) I waited patiently—years—for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we’d say, Yeah, he’s a Cool Guy. But it never happened. Instead, women across the nation colluded in our degradation! Pretty soon Cool Girl became the standard girl. Men believed she existed—she wasn’t just a dreamgirl one in a million. Every girl was supposed to be this girl, and if you weren’t, then there was something wrong with you. But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool
Gillian Flynn (Gone Girl)
I can give no adequate description of the Horror Camp in which my men and myself were to spend the next month of our lives. It was just a barren wilderness, as bare as a chicken run. Corpses lay everywhere, some in huge piles, sometimes they lay singly or in pairs where they had fallen. It took a little time to get used to seeing men women and children collapse as you walked by them and to restrain oneself from going to their assistance. One had to get used early to the idea that the individual just did not count. One knew that five hundred a day were dying and that five hundred a day were going on dying for weeks before anything we could do would have the slightest effect. It was, however, not easy to watch a child choking to death from diphtheria when you knew a tracheotomy and nursing would save it, one saw women drowning in their own vomit because they were too weak to turn over, and men eating worms as they clutched a half loaf of bread purely because they had to eat worms to live and now could scarcely tell the difference. Piles of corpses, naked and obscene, with a woman too weak to stand propping herself against them as she cooked the food we had given her over an open fire; men and women crouching down just anywhere in the open relieving themselves of the dysentery which was scouring their bowels, a woman standing stark naked washing herself with some issue soap in water from a tank in which the remains of a child floated. It was shortly after the British Red Cross arrived, though it may have no connection, that a very large quantity of lipstick arrived. This was not at all what we men wanted, we were screaming for hundreds and thousands of other things and I don't know who asked for lipstick. I wish so much that I could discover who did it, it was the action of genius, sheer unadulterated brilliance. I believe nothing did more for these internees than the lipstick. Women lay in bed with no sheets and no nightie but with scarlet red lips, you saw them wandering about with nothing but a blanket over their shoulders, but with scarlet red lips. I saw a woman dead on the postmortem table and clutched in her hand was a piece of lipstick. At last someone had done something to make them individuals again, they were someone, no longer merely the number tattooed on the arm. At last they could take an interest in their appearance. That lipstick started to give them back their humanity.
Imperial War Museum
And, leaning over sideways to look, Comrade Snarky says, “My eyes are green, not brown, and my hair is naturally this color auburn.” She watches as he writes green, then says, “And I have a little red rose tattooed on my butt cheek.” Her eyes settle on the silver tape recorder peeking out of his shirt pocket, the little-mesh microphone of it, and she says, “Don't write dyed hair. Women either lift or tint the color of their hair.
Chuck Palahniuk (Haunted)
Blackwell made a pithy sound of consternation. “We find ourselves in a rather complicated predicament.” “How’s that?” Moncrieff stepped to his captain’s side, his hand in his jacket, presumably on a weapon. Blackwell’s eye speared the first mate, glittering with reservation, his own hand reaching behind him. “I cannot, in good conscience, allow innocent women to be held at Ben More against their will.” Farah snorted. “Since when?
Kerrigan Byrne (The Duke with the Dragon Tattoo (Victorian Rebels, #6))
For these galas, the Mohaves came together wearing bark masks and face paint or mud-slathered hair, marched upriver to the feasting area, built a fire, and danced until midnight. The next day they ate. The women arrived carrying soup, cakes, or boiled vegetables in dishes and baskets on their heads. Their cakes were made of ground wheat and boiled pumpkin rolled into a dough that was placed in the sand, covered with a leaf, and baked.
Margot Mifflin (The Blue Tattoo: The Life of Olive Oatman (Women in the West))
They were described variously as majestic, Herculean, and as one of the Smithsonian Institution’s first ethnographers put it, “as fine a race of men physically, perhaps, as there is in existence.”14 They painted their faces coal black, with a red streak from the hairline to the chin, and were known for their tattooing and face painting, on both men and women, which communicated everything from military might to grief over the loss of a child.
Margot Mifflin (The Blue Tattoo: The Life of Olive Oatman (Women in the West))
She was free in her wildness. She was a wanderess, a drop of free water. She belonged to no man and to no city. (by Roman Payne, from “The Wanderess.” How this quote became so popular, I have no idea. I wrote it about one woman: The heroine of “The Wanderess,” Saskia; yet I wrote these lines to describe Saskia at her best—praising the qualities of a heroine that all women should strive to have, or keep if they have them. I wrote these lines to make Saskia be like a statue of Psyche or Demeter. The masculine sculptor doesn’t see rock when he carves Aphrodite. He sees before him the carving of the perfect feminine creature. I was creating my ‘perfect feminine creature’ when I wrote about Saskia. She is completely wild and fearless in her dramatic performance of life. She knows that she may only have one life to live and that most people in her society wish to see her fail in her dream of living a fulfilled life. For if a woman acts and lives exactly as society wants her to live, she will never be truly happy, never fulfilled. For societies do not want girls and women to wander. I am surprised that this quote became so famous, since I didn’t spend more than a few seconds writing it. It was written merely as three sentences in a novel. I didn’t write it to be a solitary poem. This quote that touches so many people is no more than an arrangement of twenty-four words in a book of three-hundred pages. What touches me the most is when fans send me photos of tattoos they’ve had done of this quote—either a few words from it or the whole quote. The fact that these wonderful souls are willing to guard words that I’ve written on their precious skin for the rest of their lives makes me feel that what I am writing is worth something and not nothing. When I get depressed and feel the despair that haunts me from time to time, and cripples me, I look at these photos of these tattoos, and it helps me to think that what I am doing is important to some people, and it helps me to start writing again. Am I a masculine version of the wanderess in this quote? Of course I am! I am wild and fearless, I am a wanderer who belongs to no city and to nobody; I am a drop of free water. I am—to cite one of my other quotes—“free as a bird. King of the world and laughing!
Roman Payne (The Wanderess)
In early 1856 a California rancher named Duff Weaver wrote to Lorenzo to say an American woman was living with Mohave Indians and claimed that Fort Yuma’s new commander, Martin Burke, had refused an offer to trade her back for a few blankets. Southern California’s first newspaper, the Los Angeles Star, ran the story, reprinting Weaver’s letter and fulminating about the commanding officer’s refusal to ransom “two American women from worse than negro slavery.
Margot Mifflin (The Blue Tattoo: The Life of Olive Oatman (Women in the West))
I have a mermaid tattoo on my ankle because mermaids are not afraid of depths, of storms, and of men. The mermaid is, in my opinion, the most powerful archetype for the modern day woman; courageously braving mental challenges and emotional storms in a world dominated by men. Mermaids are never caught; they are only dreamt of, longed for. And if you want to stay with one, you must learn to breathe underwater, learn to enter her oceans. You, too, must become more than mundane.
C. JoyBell C.
Dude, wait until you see the hot little number on there!” He was grinning like the Cheshire cat. “What are you talking about? Aren’t all flight attendant’s middle-aged, blonde women?” “Not this one. She’s feisty too, kneed me right in the balls.” I smiled, and it was actually genuine. I wondered if he was fucking with me. But, it was enough to peak my curiosity. I slowly walked towards the plane wondering if it was going to be a grandma, or something. It wouldn’t be the first time. I really hoped that it wasn’t some die-hard groupie either. As soon as I reached the top of the stairs I almost tripped and fell on my face when I got my first look at her. She was gorgeous! She looked like she walked straight off of a pin-up girl calendar. She had long, black hair with strands of hot pink. I appraised my way down her body. She had a slim waist and curvy hips. She was built like an hourglass. I noticed a couple of sexy facial piercings. She had an adorable little nose and big brown eyes. Then I saw a tattoo peeking out on her shoulder. I could tell that she had a chest piece. I was instantly hard. Awesome…
Sophie Monroe (Battlescars (Battlescars, #1))
A long-time associate, Beth, who likes to refer to herself as the 'Grill Bitch', excelled at putting loudmouths and fools into their proper place. She refused to behave any differently than her male co-workers: she'd change in the same locker area, dropping her pants right alongside them. She was as sexually aggressive, and as vocal about it, as her fellow cooks, but unlikely to suffer behavior she found demeaning. One sorry Moroccan cook who pinched her ass found himself suddenly bent over a cutting board with Beth dry-humping him from behind, saying, 'How do you like it, bitch?' The guy almost died of shame — and never repeated that mistake again. Another female line cook I had the pleasure of working with arrived at work one morning to find that an Ecuadorian pasta cook had decorated her station with some particularly ugly hard-core pornography of pimply-assed women getting penetrated in every orifice by pot-bellied guys with prison tattoos and back hair. She didn't react at all, but a little later, while passing through the pasta man's station, casually remarked. 'Jose, I see you brought in some photos of the family. Mom looks good for her age.
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
People often romanticize children or adults with special needs, as if they are innocent-yet-wise creatures who can humble us all into becoming better humans. First of all, nobody can be innocent and wise at the same time. That’s another one of those impossible combinations. It’s as unachievable and improbable as Brenda. Or Carli. And secondly, I’m not suggesting the ladies of Camp Anchor were either one of those things in particular. But they owned their own flaws, and I am grateful I got to meet them when I was only fourteen. I left camp knowing a bunch of women who weren’t afraid to claim the guy they wanted to dance with; they didn’t change a thing for the men they loved.
Amy Schumer (The Girl with the Lower Back Tattoo)
and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version—maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)
Gillian Flynn (Gone Girl)
Where are the decent women, where are our good daughters, where are our future wives, All i see are whores with tattoos, they smoke do hard drugs and care-less, and if you correct them they insult you, where are our future mothers, where are the women with standards, where are the women with good character and good hearts, where are the women that hide their body from men, Real women are mothers to their kids,wives to their husbands, daughters to their mothers. Real women are strong & independent,Women, stop being a girlfriend that gives boyfriends "wife" privileges! Women: Please set great examples for your daughters & don't let them see you allow nonsense w/your man! Teach them to know their worth. ‪#‎Daniel_Friday_Danzor‬ ‪#‎Women‬
Daniel Friday Danzor
Batley insisted that no cult existed but the jury found him guilty of 35 offences including 11 rapes. three indecent assaults, causing prostitution for personal gain, causing a child to have sex and inciting a child to have sex. The three women, who got Egyptian Eye of Horus tattoos apparently to show their allegiance to their organisation, were found guilty of sex-related charges. Young boys and girls were procured by cult members to take part in sex sessions, the trial heard. The group preyed on vulnerable youngsters, impelling them to join with veiled death threats. Batley was accused of forcing a number of his victims into prostitution. (Morris 2011) There are, after all, no paedophile rings; there is no ritual abuse; recovered memories cannot he trusted; not all victimization claims are legitimate. (Pratt 2009: 70)
Michael Salter (Organised Sexual Abuse)
They started calling people my grandfather’s age “generation ink”. He represents the era when extensive tattoos tipped into the mainstream. Now the old men and women sit together in the lounge room of my grandfather’s nursing home, watching daytime television. They don’t watch sport. Tattoos from their wrist to shoulders and across their chest, snake beneath their woolen cardigans and cotton shirts. Withered souls eternally painted in often incomprehensible scrawling. Faded colours. But that’s not to say that they regret getting inked. Far from it. It’s a part of who they are. As real and as precious as the blank skin they were born with. Their tastes in music haven’t mellowed either. They slowly approach the sound-system, leaning on their walking frame, and skip to songs by Pantera and Sepultura. Or Metallica, Slayer and Iron Maiden. My grandfather enjoyed punk and post-rock bands like Millencolin, Thursday, Coheed and Cambria or At The Drive-In.
Nick Milligan (Part Two (Enormity Book 2))
the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: ‘I like strong women.’ If he says that to you, he will at some point fuck someone else. Because ‘I like strong women’ is code for ‘I hate strong women.’)
Gillian Flynn (Gone Girl)
The rest is just slow diminution and loss. A waning of the full and effulgent moon of my youth. Not that the bright light of my youth was anything to be proud of. I was a terrible person. I did unkind and sometimes illegal things. I treated women abominably. The remembrance of it causes me to flush with shame and to feel a tightening in my groin. It was a radiance without warmth, and I thought of nothing but myself in the brightness of the light. Now I try never to think of myself. I try not to think at all, not to dwell, but, sometimes, late at night, it all comes back to me, and I lose myself in the life that might have been, the wife of twenty years, her comforts and distractions. The fractious children, raucous at the holidays, with their tattoos you asked them not to get and their lacrosse sticks they play with in the house, stringing and restringing them, the trips to Paris to stay at the Lutetia. Photograph albums of a life that never quite came to be. It doesn’t last long when it comes, but it is vivid, and I am there, not here, not here where I belong. When you lose everything, you don’t die. You just continue in ordinary pants with nothing in your pockets.
Robert Goolrick
Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.
Gillian Flynn (Gone Girl)
May God’s people never eat rabbit or pork (Lev. 11:6–7)? May a man never have sex with his wife during her monthly period (Lev. 18:19) or wear clothes woven of two kinds of materials (Lev. 19:19)? Should Christians never wear tattoos (Lev. 19:28)? Should those who blaspheme God’s name be stoned to death (Lev. 24:10–24)? Ought Christians to hate those who hate God (Ps. 139:21–22)? Ought believers to praise God with tambourines, cymbals, and dancing (Ps. 150:4–5)? Should Christians encourage the suffering and poor to drink beer and wine in order to forget their misery (Prov. 31:6–7)? Should parents punish their children with rods in order to save their souls from death (Prov. 23:13–14)? Does much wisdom really bring much sorrow and more knowledge more grief (Eccles. 1:18)? Will becoming highly righteous and wise destroy us (Eccles. 7:16)? Is everything really meaningless (Eccles. 12:8)? May Christians never swear oaths (Matt. 5:33–37)? Should we never call anyone on earth “father” (Matt. 23:9)? Should Christ’s followers wear sandals when they evangelize but bring no food or money or extra clothes (Mark 6:8–9)? Should Christians be exorcising demons, handling snakes, and drinking deadly poison (Mark 16:15–18)? Are people who divorce their spouses and remarry always committing adultery (Luke 16:18)? Ought Christians to share their material goods in common (Acts 2:44–45)? Ought church leaders to always meet in council to issue definitive decisions on matters in dispute (Acts 15:1–29)? Is homosexuality always a sin unworthy of the kingdom of God (1 Cor. 6:9–10)? Should unmarried men not look for wives (1 Cor. 7:27) and married men live as if they had no wives (1 Cor. 7:29)? Is it wrong for men to cover their heads (1 Cor. 11:4) or a disgrace of nature for men to wear long hair (1 Cor. 11:14)? Should Christians save and collect money to send to believers in Jerusalem (1 Cor. 16:1–4)? Should Christians definitely sing psalms in church (Col. 3:16)? Must Christians always lead quiet lives in which they work with their hands (1 Thess. 4:11)? If a person will not work, should they not be allowed to eat (2 Thess. 3:10)? Ought all Christian slaves always simply submit to their masters (reminder: slavery still exists today) (1 Pet. 2:18–21)? Must Christian women not wear braided hair, gold jewelry, and fine clothes (1 Tim. 2:9; 1 Pet. 3:3)? Ought all Christian men to lift up their hands when they pray (1 Tim. 2:8)? Should churches not provide material help to widows who are younger than sixty years old (1 Tim. 5:9)? Will every believer who lives a godly life in Christ be persecuted (2 Tim. 3:12)? Should the church anoint the sick with oil for their healing (James 5:14–15)? The list of such questions could be extended.
Christian Smith (The Bible Made Impossible: Why Biblicism is Not a Truly Evangelical Reading of Scripture)
I love tattoos on women,” said Henry. “Although the last one I saw was on Sally Mae, a friend of mine at the nursing home. Her tattoo was supposed to be a clover-leaf, but damn if it didn’t look more like a beanstalk. Course, the thing must have grown over fifty years.” Tiny laughed and started the engine. Paige rubbed her forehead. “God, I’m not going to even ask where that was located.
Kristen Middleton (End Zone (Zombie Games, #5))
The Gems did not nag or complain, did not get periods or PMT, did not get pregnant, did not get body odour or hair, did not have discharge or bad breath, no shit or urine, did not get spots, did not suffer from diseases or headaches, did not have annoying bad habits, never farted, belched, vomited or picked their noses, did not need drugs or alcohol, did not need gifts such as jewellery, flowers, chocolate and money, did not need to shop, did not have piercings or tattoos, had no capacity to willingly lie or be fake, were never disloyal, were always eager to do any task required by their owner, sexual or non-sexual, did all the housework and cooking without complaint, were produced in the form of the perfect woman in the eyes of each client, did not constantly require their man to tell them they loved them, but most of all they did not age.
Robert Black (The Gems)
The women were passive, sexualized and blank, save for the hint of a Mona Lisa smile on all their faces.  Objects to be observed and enjoyed by some unseen onlooker.  Nothing in the depictions of these women – or girls, really -- suggested they had personalities, goals, family, friends, history, feelings… It bothered me more, however, that all of them were young and White, their translucent, porcelain skin unscathed by tattoos, moles or scars.  Only a sexy set of freckles or sunburnt cheeks marred their otherwise flawless skin. 
Zainab Amadahy (Resistance)
What are you looking to do?” Aaron asked as we walked into his workroom. “Nothing too complicated,” I said, displaying my wrist. “I want Bailey’s name on my wrist.” Aaron exhaled slowly. “Are you sure? The Johanssons don’t play when it comes having their women’s names on their wrists. It’s forever shit for them. That’s how I knew Cooper wasn’t fucking around with Farah.” “Bailey’s mine, but I can’t find a way to make her truly believe. When I try, it feels like just words. I know her name on my wrist is a word too, but maybe it’s one that she’ll know means forever.” “Fair enough. Just know once the Johansson boys see her name on your wrist, it’s like you’ve gotten on one knee and proposed. Trust me that Bailey and Jodi will be talking wedding dates behind your back. If you lose interest or cheat or break it off, it’s not going down softly. The shit will hit the fan.” “The only way Bailey gets rid of me is to put me in the ground.
Bijou Hunter (Damaged and the Dragon (Damaged, #5))
What are we talking about?” Tawny asked as Judd rolled a ball, knocked over a few pins, then frowned like he might knock the others over with his angry glare. “Aaron’s going to fix her tat,” Bailey explained while Cooper and Farah wandered off. “He’s an artist,” Tawny cooed. “He made this angel on Judd.” After Tawny showed me Judd’s arm, she put her hand back to where she had a gorgeous tattoo of a fallen angel. “He’s very talented,” she added. “I’m excited to get my butterfly finished.” “He’ll do a great job,” Bailey reassured, taking a ball from Vaughn and rolling it into the wrong alley. “Oops.” “Idiot.” “Be nice or I won’t be nice,” Bailey warned, glaring up at him. “I love feisty women,” he said, smirking down at her. “Not interested. Blond men are usually stupid. Just look at my brothers. Anyway, I don’t want a dumbass loser. I want a smartass winner.” “You deserve nothing less,” I said and Bailey smiled at me like I was amazing.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
Farah looked freaked out until Tawny hugged her and the tension faded from her face. A minute later, the table cloth lifted and Bailey appeared with beer bottles in her hands. “I figured you’d need booze to deal with the boredom of hiding.” “I can’t drink,” Farah said. “I’m off the pill and trying to get knocked up.” “I am knocked up. I also don’t like that brand of beer.” Handing the beers to Tawny, Bailey nodded. “Be back in a sec.” A minute later, Bailey returned with two cans of Coke for Farah and me. “So what are we talking about?” Bailey asked. “Men needing to protect their women,” I explained. “Lame. Talk about something I can join in on. What’s your sister like? Is she hotter than me?” “Yes.” “I hate her and you should tell her to watch out. If I see her, that pretty face is dead meat.” Grinning, I cuddled up with her as the table shook from fighting bodies knocking against it. “You’re having a baby?” she asked, wrapping her arms around me. “Everyone is getting married or having babies.” “Raven isn’t,” I said as Farah peeked out from under the table cloth to check on Cooper. She smiled and returned to her spot. “Judd and Aaron have stripped Mac down and are shoving him out the door.” Tawny laughed. “Judd finally got to punish Mac for letting me touch his arm months ago. Good for him.” Laughing, I leaned my head against Bailey. “Raven has bad taste in men. Going out with her will be great for you. If Raven likes someone, you’ll know he’s a loser. So she’ll distract all the shitty guys from you.” “Huh. And she’s hot, so she’ll draw guys to us. I think she might be my new best friend,” Bailey said, taking a swig. ‘Don’t be jealous. I just need a man because all of the kissing and fucking and marrying and baby making you guys keep doing. I can’t be the only one alone and Vaughn doesn’t count because he’ll be dead in a few months and shouldn’t be dating anyway.” We all frowned at Bailey who shrugged. “Those Devils fuck are going to kill him or he’ll try to kill them and get killed. Why do you think they call him Dead Man Walking?” “You’re bumming me out,” I told her while finishing my soda. “I wish Aaron was here.” “As you wish,” Aaron said, leaning down. “Look at you pretty girls hiding under here.” “We’re not hiding,” I said, crawling out. “We’re planning our attack. You know, just in case you couldn’t handle things.” When Aaron grinned, I noticed blood on his lip. “You’re hurt.” “You should see the other guys.” Glancing around, I noticed Mac’s friend was propped up on the pool table and the other guys were throwing pretzels and peanuts at him. In the corner, Kirk and Jodi sat as if on their porch drinking lemonade and admiring the sunset. “My hero,” I said, caressing the cobra. “Are you talking to me or the tattoo?” “Both, baby. Always both.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
Finishing her cigarette, Raven put it out in the ashtray then sighed. “I never really bought into the God thing. Religion felt like a lie men told to make people listen to them. Mostly, it seemed dumb to think a magic man in the sky cared about us. Like if I was a magic man and could make the earth or whatever, I wouldn’t waste time on helping out losers.” Raven set the ashtray on the ground and crossed her arms as if cold. “I see what Lark has now with you, this house, the ugly dogs, her friends, and now the baby. It makes me think God might exist. While losers run in our family, Lark could be more if she let herself. Now she has more and I think God might have helped her out. I prayed someone would. Even not believing, I prayed and told God if He was real and wanted me to believe that He needed to help Lark. I guess He heard me because she’s happy like I’ve never seen her happy before. Not even when Phoenix was alive and we were the best we ever were as a family.” “I’m glad you’re here and you’re welcome to stay as long as you want, but, Raven, my dogs aren’t ugly.” She laughed and tapped her foot against mine. “You’re a good guy. I know I said that before, but I didn’t think you would be. I’ve been around and good guys are rare.” “They exist though.” Raven nodded. “I need to quit men the way I need to quit smoking. Just go cold turkey. If I try to be rational about it, I’ll fool myself into falling for another creep. No, just say enough is enough all that shit. Focus on other stuff like a job and roller derby and family.” “If you ever get sick of living here, the Johanssons have an apartment that Cooper used to live in.” “There are plenty of apartments in Ellsberg.” “Yeah, but if you want to avoid loser men, those apartments won’t help. They’re full of assholes. College shitheads and lowlife fuckers. If you stay out there with the Johanssons, no man will bother you. You might even like Bailey. She’s an acquired taste, but a good friend if you can deal with her mouth.” “Bossy bitches are my favorite,” Raven said, pulling her knees up to her chest. “No hurry moving out though. Lark is feeling unsure about stuff and having you here makes her feel more centered. Like she’s combining her old life with her new one and it fits.” “I just have one question, bud,” Raven said, standing up and ready to leave the cold evening. “Are you planning to fix her damn worm?” “I don’t normally tattoo pregnant women.” “You really going to have your kid born to a chick with a worm tattoo?” Smiling at Raven, I nodded. “I don’t want to do anything to jinx the pregnancy. Since we’ve been together, Lark was hurt by Larry, got into a fight with my ex, and had to hide under the table during a bar brawl. I want the rest of her pregnancy to be as pain free as possible.” “Sissy,” she said, grinning. “I’m really glad you aren’t an asshole. It was a pleasant surprise.” “Glad you approve, but don’t mock my dogs again and stop barking at Pollack.” “Fuck off,” she said over her shoulder while walking inside.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
His boss was a slight, angular man, with a face both mean and beautiful, black limpid eyes inherited from his Filipino mother, and intricate full-sleeve tattoos that told stories of lost islands in a language Isaac wasn’t meant to comprehend. Xavier preferred his vodka cold and neat, his food fried, and his women leggy. He liked all three expensive and was protective of his passions
G.L. Carriger (The Omega Objection (San Andreas Shifters, #2))
then, lads, if no one will match me, I believe that pot is mine.” The seamen muttered as he raked in his winnings. Some were big men, whalers, hairy and covered in tattoos. The Navy men and women tended to be slimmer, neater. The room smelled of oil, leather and cigar smoke, some of which curled up from Avery’s own cigar clamped between his teeth. He was not a large man, but somehow
Jack Conner (The Atomic Sea: Volume One (The Atomic Sea, #1))
The past is like a tattoo. Your life changes, but the tattoo is still there to remind you who you were and you forget who you are.
Clifford Thurlow (Operation Jihadi Bride: The Covert Mission to Rescue Young Women from ISIS)
Josie, can you read my mind?" If so, she’d find Vulcan's intense desire for her tattooed across his brain. Vulcan Tara Malone Series Paranormal Romance
Nini Church (Vulcan)
The bartender, a blond girl with tattoo sleeves, catches my eye with a murderous expression on her face, and I know that she is going to have to clean up their mess. Women always do.
Janelle Brown (Pretty Things)
There were no longer to be holy women for the priests, for the ancient laws of Jerusalem had filtered into Egypt. My mother and the other women I had always known as aunts were now called prostitutes and whores, like the women on the streets who had their prices etched into the soles of their sandals so that the men who followed them knew how much they must pay for favors. All at once, what had been honored was reviled. The henna tattoos that had proclaimed them as women of worth now marked them as worthless, and the priests for whom they had sacrificed themselves were the first to accuse them of their sins.
Alice Hoffman (The Dovekeepers)
the University of the South, a Tennessee liberal arts college with a handful of graduate students, known informally as Sewanee (because that’s the name of the town). The first thing you’ll notice on visiting Sewanee is that most of the men are wearing jackets and ties, while most of the women are wearing makeup and skirts. Forty years ago, most colleges had a similar dress code. Today, Sewanee is one of a handful. The majority of students pledge fraternities and sororities and social life revolves around a never-ending stream of “big-weekend” beer bashes. The biggest of them all is homecoming weekend, where students get a date and dress up for a huge see-and-be-seen fashion show that includes innumerable cocktail parties before and after. Conservative, well-heeled, and All-American, Sewanee is the perfect place for a carefree 1950s-style college education. In the words of one student, Sewanee has “the happiest college student body I have ever encountered.” No one would ever say such a thing about Bard College, a school of similar size about an hour north of New York City. Though the students may find happiness there, too, it is well hidden beneath a thick veneer of liberal artistic angst. Bard students, it seems, carry the weight of the world on their shoulders. If there is an oppressed group anywhere to be found, Bard students can be counted on to buy T-shirts, sell buttons, and organize protests on its behalf. As for clothes, you would be hard-pressed to find a Bard man who even owns a jacket and tie. Nor would the typical Bard woman be caught dead in a dress—unless it was paired with combat boots. Jewelry and makeup worn in traditional ways are nonexistent, but there is plenty of spiked hair, fluorescent hair, tattoos, and piercings protruding from every conceivable body part. As for football and fraternities? Take a wild guess. The biggest social event of the year at Bard is called Drag Race, where everyone dresses in drag and parties nonstop.
Fiske Guide To Colleges (Fiske Guide to Colleges 2005)
Why don’t you have a girlfriend, Matt?” I ask. And I really want to know, because it’s unfathomable to me that he’s single. He’s handsome, and he’s so kind. He shakes a finger at me. “There’s a story there,” he says. I settle into the sofa a little deeper and turn so that my feet are pointed toward him, my legs extended. My toes almost touch his thigh. But then he lifts my feet and slides under them, scooting closer to me. “I was in love with a girl. For a long time.” “What happened to her?” I ask. He starts to tickle across my toes, and then his fingertips drag down the top of my foot. It’s a gentle sweep, and it feels so good that I don’t want him to stop. His fingers play absently as he starts to talk. “When I got the diagnosis,” he says, “she couldn’t deal with it.” “Cancer?” I ask. He nods. His fingers drag up and down my shin, and he slides around to stroke the back of my knee. I don’t stop him when his hand slides beneath my skirt, although I do tense up. He smiles when he finds the top of my thigh-highs, and he unclips the little fastener that attaches them to my garters. He repeats the action on the other side, his hands teasing the sensitive skin of my inner thigh as he frees the stocking and rolls it down. He pulls it all the way over my foot, and does the same with the other side. I am suddenly really glad I shaved my legs this morning. I wiggle my toes at him, and he starts to stroke me again. I don’t ever want him to stop. “This okay?” he asks. But he’s not looking at my face. He’s looking at my legs. “Yeah,” I breathe. “Keep talking. You got diagnosed…” “I got diagnosed, and the prognosis wasn’t good. I went through chemo and got a little better. But then I needed a second round. Things didn’t look good, and we were flat broke. I couldn’t work at the tattoo parlor anymore because my immune system was too weak, so I had no money coming in. I was poor and sick, and she didn’t love me enough to walk the path with me.” He shrugs, but I can tell he’s serious. “She cheated with my best friend.” He shrugs again. “And that’s the end of that sad story.” “You still love her?” I ask. I don’t breathe, waiting for his answer. He shakes his head and looks up. “I did love her for a long time. And I haven’t been looking for a relationship. I haven’t dated anyone since her. But I’m not in love with her anymore. I know that now.” “Why now?” I ask. He looks directly into my eyes and says, “Because I met you, and I feel really hopeful that you’ll want to go after something real with me. I know we just met and all, but I was serious about making you fall in love with me.” He laughs. “Then you hit me in the nose tonight, and I knew it was meant to be.” “What?” I have no idea what he’s talking about. “When my brother Logan met Emily, she punched him in the face. And when Pete and Reagan first started dating, she hit him in the nose.” He reaches up and touches his nose gently. “So, when you hit me tonight, I just knew it was meant to be.” He grins. “I hope you feel the same way, because I really want to see where this thing is going to go.” “So the women your brothers fell in love with, they committed bodily harm to them and that’s how you guys knew it was real?” “We kind of have a rule. If a woman punches you in the face, you have to marry her.” He laughs. “I didn’t punch you.” “Same difference,” he says. “That’s my story and I’m sticking to it.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
Come on, you. I won’t bite.” That seemed to be enough assurance for Evangeline, who scooted closer, the lantern light gilding her tiny porcelain hand before she gripped Aelin’s arm to hop from the cab. No more than eleven, she was delicately built, her red-gold hair braided back to reveal citrine eyes that gobbled up the drenched street and women before her. As stunning as her mistress—or would have been, were it not for the deep, jagged scars on both cheeks. Scars that explained the hideous, branded-out tattoo on the inside of the girl’s wrist. She’d been one of Clarisse’s acolytes—until she’d been marred and lost all value. Aelin winked at Evangeline and said with a conspirator’s grin as she led her through the rain, “You look like my sort of person.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
...Lindsay Lohan is a textbook persecuted gothic heroine. In the space of about two months just after Christmas 2006, Lindsay Lohan entered rehab; Anna Nicole Smith was found dead in her suite at the Seminole Hard Rock Hotel and Casino, surrounded by prescription-pill bottles, nicotine gum, and empty cans of SlimFast; and Britney Spears, trailed by paparazzi, walked into a Sherman Oaks tattoo parlor and shaved her head. Each time women like these made headlines, the headlines shot to the top of the most-read lists. The hunger for Britney's pantyless crotch shots dominated even as troops surges, systematic layoffs, and a rise in global warming and global terrorism took place, and as global credit and asset bubbles headed for a pop. It was as though the tabloids were not just distracting us from the scary stuff but enacting our fears and honing our outrage to bite-size pieces. (What were suspect sites and credit-default swaps, anyway?) More virgins were sacrificed to the god of war. Because that's who got it the worst by far: the former child stars and erstwhile Mouseketeers who had the temerity to grow up.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
I personally go for highly-tattooed skinny commitment-phobic musicians with ridiculous amounts of facial hair, but I can certainly see what women might see in you.
Alice Bex (Santa (Maybe))
Do you want to make more money and increase your attractive mojo? In a 2012 study published in the Journal of Hospitality and Tourism Research, waitresses who wore red received 15 to 26% more in tips from male customers. In a different study, when women wore a red t-shirt, it increased a female hitchhiker’s chances of getting a ride.
Cary G. Weldy (The Power of Tattoos: Twelve Hidden Energy Secrets of Body Art Every Tattoo Enthusiast Should Know)
They’ve talked about getting matching tattoos. The girls are always casually touching in a way Frida has never done with anyone. She envies women who touch like that.
Jessamine Chan (The School for Good Mothers)
Because it’s so easy,” he said. “Women disappear all the time. Nobody misses them. Immigrants. Whores from Russia. Thousands of people pass through Sweden every year.
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
19th century “Women’s doctor” named J. Marion Sims was the spiritual founder of the Memorial Sloan-Kettering Cancer Center.  Sims received a very brief medical training before he began performing surgery.  While some tattoo artists develop their skills by practicing on the skin of pigs or even the porous skin of a grapefruit, Sims began his training on a group of slave women from the southern United States.
Mark Sloan (The Cancer Industry: Crimes, Conspiracy and The Death of My Mother (The Real Truth About Cancer Book 1))
This was not an ordinary AA group. The failed, the aberrant, the doubly addicted, and the totally brain-fried whose neurosis didn't even have a name found their way to the Work the Steps or Die, Motherfucker meeting: strippers from the Quarter, psychotic street people, twenty-dollar hookers, peckerwood fundamentalists, leather-clad, born-again bikers, women who breast-fed their infants in a sea of cigarette smoke, a couple of cops who had done federal time, male prostitutes dying of AIDS, parolees with a lean, hungry look who sought only a signature on an attendance slip for their P.O.'s, methheads who drank from fire extinguishers in the joint, and Vietnam vets who wore their military tattoos and black- or olive-colored 1st Cav. and airborne T-shirts and still heard the thropping of helicopter blades in their sleep.
James Lee Burke (Jolie Blon's Bounce (Dave Robicheaux, #12))
Captivity of the Oatman Girls was published at a perfect moment for success—particularly for a female audience. It appeared at the height of the industrial revolution, when women were reading more because of increased education for girls, lower birthrates, and lighter domestic workloads, thanks to new technology. Middle-class women were becoming voracious readers not only because they were better schooled but also because they were trapped: their domestic responsibilities were reduced by manufacturing, yet they were confined to the home.
Margot Mifflin (The Blue Tattoo: The Life of Olive Oatman (Women in the West))
Since the 1970s, feminist academics have revisited the story in their explorations of women-in-captivity literature and examinations of the female body in nineteenth-century writing.
Margot Mifflin (The Blue Tattoo: The Life of Olive Oatman (Women in the West))
The sight of the white men’s beards, now tumbling down their chests after many months of travel, afforded them—especially the women—considerable glee. Some tried to touch them to verify that they were real, but, wrote Mollhausen, “they gave us to understand, in an unmistakable manner, that they did not consider these appendages at all attractive, though we were rather proud of them, as testifying to the length of our journey.” When the bearded men rode past them, the women burst into laughter and “put their hands to their mouths, as if the sight of us rather tended to make them sick.” 13 Unaccustomed to hairy faces, the women thought the beards made the men look like talking vaginas. 14 Mollhausen, meanwhile, could not determine whether Mohave men, who had little or no facial hair, shaved, singed, or plucked.
Margot Mifflin (The Blue Tattoo: The Life of Olive Oatman (Women in the West))
A masculine man wears his attitude. He is as much comfortable wearing three piece suits as he is in wearing ripped torn jeans. He does not chase love, women, or power. He gets them anyhow. He would never ever give up his masculinity for anyone or anything in his life. He lives by his ideals that are tattooed to his soul. He does not believe in leading a comfortable life with luxuries. Rather he works hard to achieve his goals in life. He lives raw. He wanders often. And his life story becomes a testament to his masculinity!
Avijeet Das
What if this road ends up with stars aligned? Tattooing our names proudly on the highest sky. What if all the exits we once faced were just entrances to somewhere else .
Samiha Totanji
I’ll never agree to anything without hearing it first. That’s how people end up with a tattoo of a platypus on their ass.
Piper Sheldon (The Treble With Men (Scorned Women's Society, #2))
the tradition of tattooing body parts and faces was mainly for women.
Enthralling History (Ancient Japan: An Enthralling Overview of Ancient Japanese History, Starting from the Jomon Period to the Heian Period (Asia))
Japan had always had a thriving sex trade, but this was different. Before the war there had been a few streetwalkers in the seamier parts of town, but most of the prostitution was carried on in designated brothels, behind closed doors, with a certain decadent élan. Now, though, there were hordes of women standing around all the major train stations hoping to rent their bodies to some stranger for an hour or two, simply because they could find no other way to support themselves.
Akimitsu Takagi (The Tattoo Murder Case)
It’s not a tattoo people have on their foreheads labeling them as monsters. There’s this sliding scale to toxic masculinity. Over time you learn where these bros are on the scale. Do they make a couple of out of line comments and then backpedal when I call them out? Or are they the guys that make the waitress’s skin crawl by the way they talk to her? Do they think consent is optional and just a bunch of people being too sensitive? Then there are guys that just hide it well and you only see it slip every now and then. It’s confusing because, like Jake, getting women is not a problem for them. It’s not some resentment about rejection. It’s about conquering something, a need to dominate someone.
Danielle Stewart (The Girl at the Party)
I’ve seen Soviet tank drivers. Dad showed me pictures. Two hundred pounds, big moustaches, smoking pipes, tattoos, and that was just the women.
Lee Child (Tripwire (Jack Reacher, #3))
You have a good heart,” she said with a smile, slightly stretching the tattoo on her chin. “The spirit of a fighter. You love the dry desert and the high mountains equally, the bluebird and the bear. You trust, time and time again, even though you have been hurt, time and time again. You have both old scars and new wounds, and still, you look towards the future. You cry for old women who have no one else, give what little you have to young boys with no parents. I see so much promise in you. It would be a shame to fill a grave and bury what is inside you. I see the red of your cheeks and the black of your hair and the green of your eyes, but I can also see your soul, Aspa. If you only knew how brightly it shines. It is in fact, quite blinding.
Eli Gardner (1,000 Nights : Death's Love Letter to Afghanistan (Fairytales & Conflicts Collection))
It’d been difficult to make it as a female tattoo artist in the 1990s, but at that point, she wouldn’t have known what to do if she didn’t have to fight for her place in the world. Every taunt and incredulous look thrown her way was powder in the keg. She wasn’t going to be good. She was going to be explosive.
Marina Vivancos (Paint Eater)
If Salander had been an ordinary citizen, she would most likely have called the police and reported the rape as soon as she left Advokat Bjurman’s office. The bruises on her neck, as well as the DNA signature of his semen staining her body and clothing, would have nailed him. Even if the lawyer had claimed that she wanted to do it or she seduced me or any other excuse that rapists routinely used, he would have been guilty of so many breaches of the guardianship regulations that he would instantly have been stripped of his control over her. A report would have presumably resulted in Salander being given a proper lawyer, someone well-versed in assaults on women, which in turn might have led to a discussion of the very heart of the problem—meaning the reason she had been declared legally incompetent. Since 1989, the term “legally incompetent” has no longer been applied to adults.
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))