Tattoos For Men Quotes

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Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)
Gillian Flynn (Gone Girl)
heavily tattooed women can be said to control and subvert the ever-present 'male gaze' by forcing men (and women) to look at their bodies in a manner that exerts control.
Margo Demello
I don’t care what color your hair is, if you’re pale or tan, if you have makeup on or just woke up all I care about is that when I look at you, you always look back and see me.  You’re beautiful inside and out and if you wanted to tattoo all that pretty white skin from head to toe I would be honored to put it there for you but if not I’ll take you all smooth and milky white any chance I get.
Jay Crownover (Rule (Marked Men, #1))
He had tattooed all of the names of the men he had killed on his body...unfortunately he had run out of room.
Anthony Horowitz (Scorpia Rising (Alex Rider, #9))
Seriously, what is it about men in jeans and bare feet which is so totally hot?
Samantha Towle
I’m not Jet so I can’t write you a song that makes you understand how important you are to me.  I’m not Nash so I can’t find a building and paint you a mural that makes see that it all starts and ends with you for me. I’m a tattoo artist, I’ll probably always be a tattoo artist (...) Here’s my heart Shaw.  You have it in your hands and I promise you’re the first and last person to ever touch it.  You need to be careful with it because it’s far more fragile than I ever thought and if you try and give it back I’m not taking it.
Jay Crownover (Rule (Marked Men, #1))
Bullshit," Salander said again. "Gottfried isn't the only kid who was ever mistreated. That doesn't give him the right to murder women. He made that choice himself. And the same is true of Martin.
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium #1))
I thought maybe since it's you birthday Mr. Tall, Dark and Tattooed would be around. I'm telling you ladies, I'm in stage four lust and it can only be cured by Rule.
Jay Crownover (Rule (Marked Men, #1))
Seeing those scars, those marks that he most definitely had never asked for, I had to wonder how he felt about being permanently marked up against his will.
Jay Crownover (Rome (Marked Men, #3))
All men should be required to have their marital status tattooed on their foreheads.
Gemma Halliday (Spying in High Heels (High Heels, #1))
You're a dumb shit. There's a million first girls for a million different first things. There's the first girl you slow-dance with, and the first girl you go to bed with. There's the first girl to give you a kiss, and then the first one you take home to mama." His amber eyes lit up with humor. "There's the first girl you fight with and the first girl you fight for. There's also the first girl you have to let go of. There's the first girl you love, obviously, and the first girl to break your heart. There's always a first girl, Rowdy, but there is also the girl that is going to come after her until you get to the last girl. The last girl is the one that really matters.
Jay Crownover (Rowdy (Marked Men, #5))
Bullshit is as common as lame poetry and more unavoidable than those armed men who are there to protect you from Bullshit like this is straight from the lab and god loves you and the government doesn't want war and it's the best movie since Repo Man and if i stopped drinking the world might end anyway and breathanarianism and immortality for anything besides Bullshit that's as common as murder and jailhouse tattoos selling bunk drugs in paint chip hotels where a cigarette burn on the mattress tells you more about death than a splatter movie festival.
Sparrow 13 Laughingwand (Hell Soup: The Collected Writings of)
I may remember you, Scarlet,” he bellowed, backing up when she grabbed her fork and held it out like a dagger. She’d murdered men with less. Even immortals. “But you haven’t haunted me.” Motions stiff, he raised his shirt. Amid the cuts, above his heart, was a tattoo of eyes. Dark eyes. Like hers. “Don’t you see? You…haven’t…haunted…me.
Gena Showalter (The Darkest Lie (Lords of the Underworld, #6))
ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.
Olivia Gatwood (New American Best Friend)
I’m of the belief that in most industries, women have to work twice as hard to get half the credit. After putting in so much effort to make a good movie, it felt pretty demeaning when they called it a “female comedy.” This meaningless label painted me into a corner and forced me to speak for all females, because I am the actual FEMALE who wrote the FEMALE comedy and then starred as the lead FEMALE in that FEMALE comedy. They don’t ask Seth Rogen to be ALL MEN! They don’t make “men’s comedies.” They don’t ask Ben Stiller, “Hey, Ben, what was your message for all male-kind when you pretended to have diarrhea and chased that ferret in Along Came Polly?
Amy Schumer (The Girl with the Lower Back Tattoo)
I stared straight ahead like a gangsta, never acknowledging the cast of Hannah Montana sitting next to me, and fantasized that they were staring at me out of the corners of their eyes thinking, Who is that woman with The Suit? Is she playing with his hair? Oh my God, she’s such a badass. He looks like some rich business executive, but Rocker Chick has her arm around him like he’s her fucking bitch. I’ll bet she has tattoos. And rides a motorcycle. And keeps a pair of brass knuckles in her vagina.
B.B. Easton (44 Chapters About 4 Men)
There was a time when, if you encountered someone with a tattoo, you could pretty much assume he was either a sailor or had, at one time or another, been in prison. There was something, it seemed, about men being cooped up together that made them want to draw on themselves.
Cuthbert Soup (A Whole Nother Story)
If they have tattoos, they screw. This is true of men and women alike. If they smoke, they poke. Also true, studies show.
Patrick C. Harrison III (100% Match)
In Chloe, a great city, the people who move through the streets are all strangers. At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping. A girl comes along, twirling a parasol on her shoulder, and twirling slightly also her rounded hips. A woman in black comes along, showing her full age, her eyes restless beneath her veil, her lips trembling. At tattooed giant comes along; a young man with white hair; a female dwarf; two girls, twins, dressed in coral. Something runs among them, an exchange of glances link lines that connect one figure with another and draws arrows, stars, triangles, until all combinations are used up in a moment, and other characters come on to the scene: a blind man with a cheetah on a leash, a courtesan with an ostrich-plume fan, an ephebe, a Fat Woman. And thus, when some people happen to find themselves together, taking shelter from the rain under an arcade, or crowding beneath an awning of the bazaar, or stopping to listen to the band in the square, meetings, seductions, copulations, orgies are consummated among them without a word exchanged, without a finger touching anything, almost without an eye raised. A voluptuous vibration constantly stirs Chloe, the most chaste of cities. If men and women began to live their ephemeral dreams, every phantom would become a person with whom to begin a story of pursuits, pretenses, misunderstandings, clashes, oppressions, and the carousel of fantasies would stop.
Italo Calvino
There had never been a funeral in our town before, at least not during our lifetimes. The majority of dying had happened during the Second World War when we didn't exist and our fathers were impossibly skinny young men in black-and-white photographs—dads on jungle airstrips, dads with pimples and tattoos, dads with pinups, dads who wrote love letters to the girls who would become our mothers, dads inspired by K rations, loneliness and glandular riot in malarial air into poetic reveries that ceased entirely once they got back home.
Jeffrey Eugenides (The Virgin Suicides)
There was nothing her Ash could not overcome. Nothing he'd not endured. He had a resilience and strength only belonging to men of myth and ancient Gods. He was her own, personal legend." Chapter 22, page 243
Kerrigan Byrne (The Duke with the Dragon Tattoo (Victorian Rebels, #6))
So here’s to the beauties that came to us by fate, the only ones we asked for a second date, the ones who we chose as our best friend, and who really dig us hot as hell tattooed men.” I lifted my glass. “Forever Steel.
M.J. Fields (Xavier (Men of Steel, #4))
Noooooo!Noooooo! Noooooooo!” I rubbed my hand against the sheet till the skin turned red and sore.But all the rubbing and scrubbing wouldn’t make it go away. It was permanent, that tattoo. The tattoo that said ‘Done With Men’. And it hurt! What on earth was I thinking? My habit of thinking out loud was bad enough, but tattooing my thoughts onto myself? This wasn’t happening to me.
Shuchi Singh Kalra (Done With Men)
Great God! hast Thou given men Thine own image that it should be thus cruelly defaced by the hands of their brethren!
Walter Scott (Ivanhoe)
The childish and savage taste of men and women for new patterns keeps how many shaking and squinting through kaleidoscopes that they may discover the particular figure which this generation requires to-day. The manufacturers have learned that this taste is merely whimsical. Of two patterns which differ only by a few threads more or less of a particular color, the one will be sold readily, the other lie on the shelf, though it frequently happens that after the lapse of a season the latter becomes the most fashionable. Comparatively, tattooing is not the hideous custom which it is called. It is not barbarous merely because the printing is skin-deep and unalterable.
Henry David Thoreau (Walden and Other Writings)
Ironically, the tattoo represents the opposite for me today. It reminds me that it's important to let yourself be vulnerable, to lose control and make a mistake. It reminds me that, as Whitman would say, I contain multitudes and I always will. I'm a level-one introvert who headlined Madison Square Garden—and was the first woman comic to do so. I'm the ‘overnight success’ who's worked her ass off every single waking moment for more than a decade. I used to shoplift the kind of clothing that people now request I wear to give them free publicity. I'm the SLUT or SKANK who's only had one one-night stand. I'm a ‘plus-size’ 6 on a good day, and a medium-size 10 on an even better day. I've suffered the identical indignities of slinging rib eyes for a living and hustling laughs for cash. I'm a strong, grown-ass woman who's been physically, sexually, and emotionally abused by men and women I trusted and cared about. I've broken hearts and had mine broken, too. Beautiful, ugly, funny, boring, smart or not, my vulnerability is my ultimate strength. There's nothing anyone can say about me that's more permanent, damaging, or hideous than the statement I have forever tattooed upon myself. I'm proud of this ability to laugh at myself—even if everyone can see my tears, just like they can see my dumb, senseless, whack, lame lower back tattoo.
Amy Schumer (The Girl with the Lower Back Tattoo)
For a person accustomed to the multi ethnic commotion of Los Angeles, Vancouver, New York, or even Denver, walking across the BYU campus can be a jarring experience. One sees no graffiti, not a speck of litter. More than 99 percent of the thirty thousand students are white. Each of the young Mormons one encounters is astonishingly well groomed and neatly dressed. Beards, tattoos, and pierced ears (or other body parts) are strictly forbidden for men. Immodest attire and more than a single piercing per ear are forbidden among women. Smoking, using profane language, and drinking alcohol or even coffee are likewise banned. Heeding the dictum "Cougars don't cut corners," students keep to the sidewalks as they hurry to make it to class on time; nobody would think of attempting to shave a few precious seconds by treading on the manicured grass. Everyone is cheerful, friendly, and unfailingly polite. Most non-Mormons think of Salt Lake City as the geographic heart of Mormonism, but in fact half the population of Salt Lake is Gentile, and many Mormons regard the city as a sinful, iniquitous place that's been corrupted by outsiders. To the Saints themselves, the true Mormon heartland is here in Provo and surrounding Utah County--the site of chaste little towns like Highland, American Fork, Orem, Payson and Salem--where the population is nearly 90 percent LDS. The Sabbath is taken seriously in these parts. Almost all businesses close on Sundays, as do public swimming pools, even on the hottest days of the summer months. This part of the state is demographically notable in other aspects, as well. The LDS Church forbids abortions, frowns on contraception, and teaches that Mormon couples have a sacred duty to give birth to as many children as they can support--which goes a long way toward explaining why Utah County has the highest birth rate in the United States; it is higher, in fact, than the birth rate in Bangladesh. This also happens to be the most Republican county in the most Republican state in the nation. Not coincidentally, Utah County is a stronghold not only of Mormonism but also Mormon Fundamentalism.
Jon Krakauer
A couple bodyguards were checking the crowd for potential threats, but they moved back out of the way when their charges were comfortable. Neil's world slowed to a crawl at the sight of black tattoos and dark hair.
Nora Sakavic (The King's Men (All for the Game, #3))
My parents were minutes away from finding out that their sixteen-year-old only child was dating a grown man with no job and no car and no brain cells and bad teeth and oh, by the way, he also has a fucking penis tattooed on his head.
B.B. Easton (44 Chapters About 4 Men)
Naked, tattooed men meandered around, lit torches, congregated in groups, spoke in hushed voices. It was like pictures I had seen on the internet of Comic Con, except no one was wearing a cape. And there were no females. So, yes, it was just like Comic Con.
Heather Rigney (Waking the Merrow)
Four men walked from among the trees. All of them had their heads shaved. The one in the front, the Alpha, had a beard, dirty blond and full. He was the same size as the other two wolves, large and intimidating, moving with a grace he hadn’t had before. The fourth man moved with them, smaller than the others, but his tattoos were as bright as they’d ever been, the raven fluttering on his arm. They
T.J. Klune (Wolfsong (Green Creek, #1))
I’m a tattoo artist, I’ll probably always be a tattoo artist and I don’t know how that plays into your future or the future you have planned after school and frankly I don’t care. This is what I have to offer you Shaw and just like you let me be your first, I’m letting you be mine,” I covered her entire palm with a detailed drawing of a sacred heart, it matched the one I had inked on the center of my chest. It had flames dancing up the back, a crown of thorns on top of it, a spray of roses along the bottom and in the center I drew a scrolling banner with my name in the center. “Here’s my heart Shaw. You have it in your hands and I promise you’re the first and last person to ever touch it. You need to be careful with it because it’s far more fragile than I ever thought and if you try and give it back I’m not taking it. I don’t know enough about love to know for sure that’s what this between us is, but I know that for me it’s you and only you from here on out and I can only promise to be careful and not push you away again. Life without you in it is doable, but if I have a choice I want to do it with you by my side and I’m telling you I’m not running away from the work it takes to make that happen. Shaw I’m not scared of us anymore.
Jay Crownover (Rule (Marked Men, #1))
It had been a long while since I’d watched any television, and things had only gotten weirder. Beauty pageants for infants; ruddy men in trucker caps fighting over abandoned storage lockers; public shamings of compulsive hoarders and pre-diabetics; affluent suburban women made up like transvestite hookers, competing with each other in feats of coarseness and cruelty; barely literate pregnant teens with tattoos, unfocused eyes, and futures like wrecked cars; apoplectic crypto-fascists spitting bile and paranoia; a carnival midway of weight loss devices, hair growth creams, erectile dysfunction potions, and pottery from which herbs grew like green hair. It was like the day room of a surrealist mental hospital, or any big city ER on a summer Saturday night.
Peter Spiegelman (Dr. Knox)
I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.' But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich. Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth. Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ. I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.' I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain. I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again. This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
After a few seconds of scraping, I realize what he has isn’t a trail, it’s a whole forest! Ack! Weren’t all men supposed to shave their chest and stuff nowadays? Whatever happened to having fuzz-free Hollywood heroes as role models? At least my embarrassment is completely foregone by the irritation at his lack of upkeep. The only thing distracting me now is that heady mix of musk, shaving cream and a distinctly…male scent. And God knows that is one seriously jeopardizing distraction. Especially with a whizzing needle in one’s hand.
Rucy Ban (All My Life (First Things, #1))
His anger seemed out of proportion to the crime. Men. Give them an orgasm and they want...well, probably more orgasms.
Kate Meader (Rekindle the Flame (Hot in Chicago, #0.5))
These men were fucking godlike with their tattoos and piercings and muscles for days.
Dana Isaly (Scars (The Triad, #1))
Got you tattooed over my heart, rebel girl. Don’t know if it gets more possessive than that.
Giana Darling (Good Gone Bad (The Fallen Men, #3))
Respectable men don’t get tattoos a shirt can’t hide.
Elsie Silver (Wild Eyes (Rose Hill, #2))
Team Jacob, eh?” Say this to a man with a wolf tattoo.
Kyle Prue (How to Piss Off Men: 106 Things to Say to Shatter the Male Ego)
Right near the corner was a picture Neil didn't recognize at all: a shot of Neil and Andrew standing alone. They were bundled up in their matching coats and staring each other down barely a breath apart. It took Neil a moment to place it; the people packed into the background didn't look like a game crowd. The windows finally gave it away. Dan had taken this at Upstate Regional Airport on their way to play against Texas. Neil hadn't even realized she'd been watching them. Neil had gotten caught in a couple of her group pictures, but this was the only one up that had Neil's natural looks. Dan had even caught Neil on his right side, so the bandage over his tattoo wasn't showing. This was a picture of Nathaniel Wesninski; this was the moment Neil gave Andrew his name. Neil reached out to tear the picture down but stopped as soon as he caught hold of the edge. He'd come to Palmetto State to play, but he'd also come because Kevin was proof that a real person existed behind all of his lies. In May both Nathaniel and Neil would be gone, but in June this picture would still be here. He'd be a tiny part of the Foxhole Court for years to come. It was comforting, or it should be. Neil didn't think comfort should feel like such a sick knot in his stomach.
Nora Sakavic (The King's Men (All for the Game, #3))
Whenever he wrapped those bulging tattooed arms around me, I felt as though I’d just shrugged on a fur coat made from live puppies that could sing “Lovesong” by The Cure a cappella.
B.B. Easton (44 Chapters About 4 Men)
my parents are Mexican who are not to be confused with Mexican Americans or Chicanos. i am a Chicano from Chicago which means i am a Mexican American with a fancy college degree & a few tattoos. my parents are Mexican who are not to be confused with Mexicans still living in México. those Mexicans call themselves mexicanos. white folks at parties call them pobrecitos. American colleges call them international students & diverse. my mom was white in México & my dad was mestizo & after they crossed the border they became diverse. & minorities. & ethnic. & exotic. but my parents call themselves mexicanos, who, again, should not be confused for mexicanos living in México. those mexicanos might call my family gringos, which is the word my family calls white folks & white folks call my parents interracial. colleges say put them on a brochure. my parents say que significa esa palabra. i point out that all the men in my family marry lighter-skinned women. that’s the Chicano in me. which means it’s the fancy college degrees in me, which is also diverse of me. everything in me is diverse even when i eat American foods like hamburgers, which, to clarify, are American when a white person eats them & diverse when my family eats them. so much of America can be understood like this.
José Olivarez (Citizen Illegal)
The first time someone asked about Riko's and Kevin's tattoos, Riko hadn't beat around the bush. He was the best striker in the game, he said, and he wanted everyone to know it. The story changed a little when Jean made his first public appearance with a "3" on his face. Riko was supposedly handpicking the future US National Team. He called it the "perfect Court", and even though it was unofficial and unbelievably arrogant, his talent and upbringing gave some credibility to the idea. "Oh," Neil said. "You mean this." He peeled the bandage off his face and let the reporters get a good look at his tattoo.
Nora Sakavic (The King's Men (All for the Game, #3))
Sometimes it amazed him. Lanky Thom with his white hair and mustaches, who had been a Queen’s lover once, and more willingly than himself, not to mention more than a lover, if you believed half he said. Square-jawed Harnan with that tattoo on his cheek and more elsewhere, who had been a soldier all his life. Juilin with his bamboo staff and his sword-breaker on his hip, who thought himself as good as any lord even if the idea of carrying a sword himself still made him uneasy, and fat Vanin, who made Juilin look a bootlicker by comparison. Skinny Fergin, and Gorderan, nearly as wide in the shoulders as Perrin, and Metwyn, whose pale Cairhienin face still looked like a boy’s despite being years older than Mat. Some of them followed Mat Cauthon because they thought he was lucky, because his luck might keep them alive when the swords were out, and some for reasons he was not really sure of, but they followed. Not even Thom had ever more than protested an order of his. Maybe Renaile had been more than luck. Maybe his being ta’veren did more than dump him in the-middle of trouble. Suddenly he felt... responsible... for these men. It was an uncomfortable feeling. Mat Cauthon and responsibility did not go together. It was unnatural.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
Horace, hands on hips, paced around the circle, frowning as he studied them. They were a scruffy bunch, he thought, and none too clean. Their hair and beards were overlong and often gathered in rough and greasy plaits, like Nils’s. There were scars and broken noses and cauliflower ears in abundance, as well as the widest assortment of rough tattoos, most of which looked as if they had been carved into the skin with the point of a dagger, after which dye was rubbed into the cut. There were grinning skulls, snakes, wolf heads and strange northern runes. All of the men were burly and thickset. Most had bellies on them that suggested they might be overfond of ale. All in all they were as untidy, rank smelling and rough tongued a bunch of pirates as one could be unlucky enough to run into. Horace turned to Will and his frown faded. ‘They’re beautiful,’ he said.
John Flanagan (Ranger's Apprentice 6: The Siege of Macindaw)
What did those people teach you?" he asked me one night, mystified. "What exactly do Catholics believe?" I'd been preparing my whole life for this question. "First of all, blood. BLOOD. Second of all, thorns. Third of all, put dirt on your forehead. Do it right now. Fourth of all, Martin Luther was a pig in a cloak. Fifth of all, Jesus is alive, but he's also dead, and he's also immortal, but he's also made of clouds, and his face is a picture of infinite peace, but he also always looks like one of those men in a headache commercial, because you'rec causing him so much suffering whenever you cuss. He is so gentle that sheep seem like demented murderers in his presence, but also rays of sunlight shoot out of his face so hard they can kill people. In fact, they do kill people, and one day they will kill you. He has a tattoo of a daisy on his lower back and he gets his hair permed every eight weeks. He's wearing a flowing white dress, but only because people didn't know about jeans back then. He's holding up two fingers because his dad won't let him have a gun. If he lived on earth, he would have a white truck, plastered with bumper stickers of Calvin peeing on a smaller Calvin who is not a Catholic." Jason was aghast. "Thorns?" he whispered. "But that's the most dangerous part of the rose.
Patricia Lockwood (Priestdaddy)
What did I tell you about playing the martyr card?" Andrew asked. "You said no one wanted it," Nathaniel said. "You didn't tell me to stop." "It was implied." "I'm stupid, remember? I need things spelled out." "Shut up." "Am I at ninety-four yet?" "You are at one hundred," Andrew said. "What happened to your face?" Nathaniel swallowed hard against a rush of nausea. "A dashboard lighter." He winced at the awful sound Nicky made. The groan of a quickly-shifting mattress almost swallowed up Aaron's ragged curse. Nathaniel looked back without thinking, needing to see who was on the move, and saw Aaron had rolled off the bed to go stand with Nicky. Turning meant the others got a look at his burned cheek. Kevin recoiled so hard he slammed into the wall behind him. He clapped a protective hand over his own tattoo and Nathaniel knew he was imagining Riko's reaction to this atrocity. This time it was Dan stopping Matt from getting up, her knuckles white against his dark shirt and her head turned away. Matt started to fight free but settled for a hoarse, "Jesus, Neil. The fuck did they do to you?
Nora Sakavic (The King's Men (All for the Game, #3))
Never have I seen such a motley assemblage of characters. Except that we are at sea, I would believe that I had been abducted by a traveling circus. There are men here of every hue and size, also men whose race cannot be determined due to the indigo tattoos that cover their faces and arms. There are men with bullrings through their noses, with turbans large enough to hide a samovar, with gold thread braided into their hair, with scimitars lashed to their hips; some with teeth sharpened to points, some with no teeth at all. Many of the men have lost fingers, one has no ears, and not a few of them sport blistered patches upon their faces, necks, and forearms.
Eli Brown (Cinnamon and Gunpowder)
Here is the first guest, a young woman in a short blue dress. Her face is a trifle on the vacant side but she’s got a knockout bod. Somewhere inside that dress, Hodges knows, there will be the sort of tattoo now referred to as a tramp-stamp. Maybe two or three. The men in the audience whistle and stomp their feet. The women in the audience applaud more gently. Some roll their eyes. This is the kind of woman you don’t like to catch your husband staring at.
Stephen King (Mr. Mercedes (Bill Hodges Trilogy, #1))
He had men for hands. It only took a few days all told before the posters came to a man with a throat-cut tattoo and fuck-you-money ambitions. Addresses were compiled. Plans made. Weapons secured. Blood pacts sealed. His will be done.
Jordan Harper (She Rides Shotgun)
I stand there for just a few seconds before people realize that I’m there. Their conversation peters out. I wipe my palms off on the hem of my shirt. Too many eyes, and too much silence. Evelyn clears her throat. “Everyone, this is Tris Prior. I believe you may have heard a lot about her yesterday.” “And Christina, Uriah, and Lynn,” supplies Tobias. I’m grateful for his attempt to divert everyone’s attention from me, but it doesn’t work. I stand glued to the door frame for a few seconds, and then one of the factionless men--older, his wrinkled skin patterned with tattoos--speaks up. “Aren’t you supposed to be dead?” Some of the others laugh, and I try a smile. It emerges crooked and small. “Supposed to be,” I say. “We don’t like to give Jeanine Matthews what she wants, though,” Tobias says.
Veronica Roth (Insurgent (Divergent, #2))
He kissed me like he owned me, one hand going to the skin over my heart and pressed there, warm and heavy, and the other diving into my hair so he could hold me how he wanted. I felt his claim almost painfully as he tattooed himself into every inch of my skin, synchronized himself to beat of my reborn heart.
Giana Darling (Good Gone Bad (The Fallen Men, #3))
The men toasted their bottles, as they did when Mouse was mentioned. The part of their tattoo that no longer existed. The man had died on the job, protecting Blake because he was loyal to Beckett. “And…” Cole shot Beckett a look. “You’re unofficially known as Sparkles and Jesus.” Beckett squinted as Cole pretended to be offended. “I think it’s only fair if we give you a nickname, Blake?” Cole asked. Blake stood and added a log to the fire. It’d been burning steady since right after dinner. Being with his brothers like this was Beckett’s favorite. It his wildest dreams he never pictured getting to sit with them in a Blake’s backyard.
Debra Anastasia
That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men—friends, coworkers, strangers—giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much—no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version—maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”) I waited patiently—years—for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we’d say, Yeah, he’s a Cool Guy. But it never happened. Instead, women across the nation colluded in our degradation! Pretty soon Cool Girl became the standard girl. Men believed she existed—she wasn’t just a dreamgirl one in a million. Every girl was supposed to be this girl, and if you weren’t, then there was something wrong with you. But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool
Gillian Flynn (Gone Girl)
The gruff murmur, irregularly broken by the taking out of pipes and the putting in of pipes which had kept on assuring her, though she could not hear what was said (as she sat in the window which opened on the terrace), that the men were happily talking; this sound, which had lasted now half an hour and had taken its place soothingly in the scale of sounds pressing on top of her, such as the tap of balls upon bats, the sharp, sudden bark now and then, "How's that? How's that?" of the children playing cricket, had ceased; so that the monotonous fall of the waves on the beach, which for the most part beat a measured and soothing tattoo to her thoughts and seemed consolingly to repeat over and over again as she sat with the children the words of some old cradle song, murmured by nature, "I am guarding you––I am your support," but at other times suddenly and unexpectedly, especially when her mind raised itself slightly from the task actually in hand, had no such kindly meaning, but like a ghostly roll of drums remorselessly beat the measure of life, made one think of the destruction of the island and its engulfment in the sea, and warned her whose day had slipped past in one quick doing after another that it was all ephemeral as a rainbow––this sound which had been obscured and concealed under the other sounds suddenly thundered hollow in her ears and made her look up with an impulse of terror.
Virginia Woolf (To the Lighthouse)
I can give no adequate description of the Horror Camp in which my men and myself were to spend the next month of our lives. It was just a barren wilderness, as bare as a chicken run. Corpses lay everywhere, some in huge piles, sometimes they lay singly or in pairs where they had fallen. It took a little time to get used to seeing men women and children collapse as you walked by them and to restrain oneself from going to their assistance. One had to get used early to the idea that the individual just did not count. One knew that five hundred a day were dying and that five hundred a day were going on dying for weeks before anything we could do would have the slightest effect. It was, however, not easy to watch a child choking to death from diphtheria when you knew a tracheotomy and nursing would save it, one saw women drowning in their own vomit because they were too weak to turn over, and men eating worms as they clutched a half loaf of bread purely because they had to eat worms to live and now could scarcely tell the difference. Piles of corpses, naked and obscene, with a woman too weak to stand propping herself against them as she cooked the food we had given her over an open fire; men and women crouching down just anywhere in the open relieving themselves of the dysentery which was scouring their bowels, a woman standing stark naked washing herself with some issue soap in water from a tank in which the remains of a child floated. It was shortly after the British Red Cross arrived, though it may have no connection, that a very large quantity of lipstick arrived. This was not at all what we men wanted, we were screaming for hundreds and thousands of other things and I don't know who asked for lipstick. I wish so much that I could discover who did it, it was the action of genius, sheer unadulterated brilliance. I believe nothing did more for these internees than the lipstick. Women lay in bed with no sheets and no nightie but with scarlet red lips, you saw them wandering about with nothing but a blanket over their shoulders, but with scarlet red lips. I saw a woman dead on the postmortem table and clutched in her hand was a piece of lipstick. At last someone had done something to make them individuals again, they were someone, no longer merely the number tattooed on the arm. At last they could take an interest in their appearance. That lipstick started to give them back their humanity.
Imperial War Museum
Throughout the meal Lucy would grin with the knowledge of her secret, and I would ask, “What?” and she would say, “You’ll see.” Then everyone stopped looking at Johnny Depp and turned toward the door. Lucy grinned wider, and I looked, too. Joe came over, gliding across the floor as the room parted for him. Tall men in sleeveless sweatshirts and dark glasses and brilliant red tattoos tend to stand out in Spago. Even Johnny Depp was looking.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
I have a mermaid tattoo on my ankle because mermaids are not afraid of depths, of storms, and of men. The mermaid is, in my opinion, the most powerful archetype for the modern day woman; courageously braving mental challenges and emotional storms in a world dominated by men. Mermaids are never caught; they are only dreamt of, longed for. And if you want to stay with one, you must learn to breathe underwater, learn to enter her oceans. You, too, must become more than mundane.
C. JoyBell C.
He doesn’t know anything about Max, except from what’s implied in that note; also, Max had first choice of lockers, and he chose the red one. He must be aggressive. Stan wouldn’t wish to be pushed off an extension ladder by an angry naked man, a naked man to whose rippling epidermis he now adds copious tattoos. Most likely Max also has a shaved head, covered in scars and welts from all the times he’s broken men’s teeth and jaws with the sheer force of his bullet-shaped skull. Stan
Margaret Atwood (The Heart Goes Last)
The room was small, lit by two naked bulbs in wall recesses, and bare of anything except for two solid wooden posts the height of a man and four feet apart. In each post, at just below shoulder height, was set a large iron ring. There were two other men already waiting, both leathermen. Len indicated each in turn. 'Rick and Sam.' The two men regarded Mike with arms folded. Rick was in his late twenties, a tall, blond biker, his hair hanging down well past his shoulders. Under his leather waistcoat he was bare-chested, his spare, pale flesh covered with tattoos of skulls, burning angels and other biker motifs, the twining reds, blues and blacks extending along both arms as well. He was wearing black leather gloves and impenetrable black shades. Shaven-headed Sam was older, shorter and stockier, built like a rugby player. A leather harness stretched across the barrel of his chest, its steel circlet buried in wiry hair. Through his leather chaps Mike could see a sizeable pouch, heavy with its contents.
Jack Stevens (Fellowship of Iron)
1495: Salamanca The First Word from America Elio Antonio de Nebrija, language scholar, publishes here his “Spanish-Latin Vocabulary.” The dictionary includes the first Americanism of the Castilian language: Canoa: Boat made from a single timber. The new word comes from the Antilles. These boats without sails, made of the trunk of a ceiba tree, welcomed Christopher Columbus. Out from the islands, paddling canoes, came the men with long black hair and bodies tattooed with vermilion symbols. They approached the caravels, offered fresh water, and exchanged gold for the kind of little tin bells that sell for a copper in Castile. (52
Eduardo Galeano (Genesis (Memory of Fire Book 1))
People often romanticize children or adults with special needs, as if they are innocent-yet-wise creatures who can humble us all into becoming better humans. First of all, nobody can be innocent and wise at the same time. That’s another one of those impossible combinations. It’s as unachievable and improbable as Brenda. Or Carli. And secondly, I’m not suggesting the ladies of Camp Anchor were either one of those things in particular. But they owned their own flaws, and I am grateful I got to meet them when I was only fourteen. I left camp knowing a bunch of women who weren’t afraid to claim the guy they wanted to dance with; they didn’t change a thing for the men they loved.
Amy Schumer (The Girl with the Lower Back Tattoo)
Terry Allen and a larger portion of his 1st Division descended on Oran from the sandstone hills above St. Cloud, a key crossroads east of the city, and the salt lakes farther south. Children in dirty kaftans shouted “Hi yo, Silver!” or flung stiff-arm Fascist salutes to liberators they presumed to be German. Veiled Berber women with indigo tattoos peered through casement shutters, and in cafés men wearing fezzes looked up from their tea glasses long enough to applaud the passing troops, African-style: arms extended, clapping hands hinged at the wrists, no pretense of sincerity. A war correspondent seeking adjectives to describe the locals settled on “scrofulous, unpicturesque, ophthalmic, lamentable.” Exhausted
Rick Atkinson (An Army at Dawn: The War in Africa, 1942-1943)
The Roberta tightened to her chains when the second head of the hurricane hit, as did schooner after schooner in swift succession. The sea, white with fury, boiled in tiny, spitting wavelets. The deck of the Malahini vibrated under the men’s feet. The taut-stretched halyards beat a tattoo against the masts, and all the rigging, as if smote by some mighty hand, set up a wild thrumming. It was impossible to face the wind and breathe. Mulhall, crouching with the others behind the shelter of the cabin, discovered this, and his lungs were filled in an instant with so great a volume of driven air which he could not expel that he nearly strangled ere he could turn his head away. “It’s incredible,” he gasped, but no one heard him.
Ambrose Bierce (The Classic American Short Story MEGAPACK ® (Volume 1): 34 of the Greatest Stories Ever Written)
Where are the decent women, where are our good daughters, where are our future wives, All i see are whores with tattoos, they smoke do hard drugs and care-less, and if you correct them they insult you, where are our future mothers, where are the women with standards, where are the women with good character and good hearts, where are the women that hide their body from men, Real women are mothers to their kids,wives to their husbands, daughters to their mothers. Real women are strong & independent,Women, stop being a girlfriend that gives boyfriends "wife" privileges! Women: Please set great examples for your daughters & don't let them see you allow nonsense w/your man! Teach them to know their worth. ‪#‎Daniel_Friday_Danzor‬ ‪#‎Women‬
Daniel Friday Danzor
They started calling people my grandfather’s age “generation ink”. He represents the era when extensive tattoos tipped into the mainstream. Now the old men and women sit together in the lounge room of my grandfather’s nursing home, watching daytime television. They don’t watch sport. Tattoos from their wrist to shoulders and across their chest, snake beneath their woolen cardigans and cotton shirts. Withered souls eternally painted in often incomprehensible scrawling. Faded colours. But that’s not to say that they regret getting inked. Far from it. It’s a part of who they are. As real and as precious as the blank skin they were born with. Their tastes in music haven’t mellowed either. They slowly approach the sound-system, leaning on their walking frame, and skip to songs by Pantera and Sepultura. Or Metallica, Slayer and Iron Maiden. My grandfather enjoyed punk and post-rock bands like Millencolin, Thursday, Coheed and Cambria or At The Drive-In.
Nick Milligan (Part Two (Enormity Book 2))
His expression was perturbed, as if he’d been reminded of something he had wanted to forget. But as his gaze slid over her bewildered face, his mouth curved a little, and he settled into the cradle of her body with an insolent familiarity that temporarily robbed her of breath. “Mr. Rohan … how … why … what are you doing here?” He replied without moving, as if he were planning to lie there and converse all day. His infinitely polite tone was an unsettling contrast to the intimacy of their position. “Miss Hathaway. What a pleasant surprise. As it happens, I’m visiting friends. And you?” “I live here.” “I don’t think so. This is Lord Westcliff’s estate.” Her heart thundered in her breast as her body absorbed the details of him. “I didn’t mean precisely here, I meant over there, on the other side of the woods. The Ramsay estate. We’ve just taken up residence.” She couldn’t seem to stop herself from chattering in the aftermath of nerves and fright. “What was that noise? What were you doing? Why do you have that tattoo on your arm? It’s a pooka—an Irish creature—isn’t it?” That last question earned her an arrested stare. Before Rohan could reply, the other two men approached. From her prone position, Amelia had an upside-down view of them. Like Rohan, they were in their shirtsleeves, with waistcoats left unbuttoned. One of them was a portly old gentleman with a shock of silver hair. He held a small wood-and-metal sextant, which had been strung around his neck on a lanyard. The other, black-haired man looked to be in his late thirties. He wasn’t as tall as Rohan, but he had an air of authority tempered with aristocratic arrogance. Amelia made a helpless movement, and Rohan lifted away from her with fluid ease. He helped her stand, his arm steadying her. “How far did it go?” he asked the men. “Devil take the rocket,” came a gravelly reply. “What is the woman’s condition?” “Unharmed.” The silver-haired gentleman remarked, “Impressive, Rohan. You covered a distance of fifty yards in no more than five or six seconds.” “I would hardly miss a chance to leap on a beautiful woman,” Rohan said, causing the older man to chuckle.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: ‘I like strong women.’ If he says that to you, he will at some point fuck someone else. Because ‘I like strong women’ is code for ‘I hate strong women.’)
Gillian Flynn (Gone Girl)
Ouch.” The yelp came out by accident as Trent went back over the bumps of her spine. Harper winced. Trent was doing his best to move the needle location around, she could feel that, but it was really starting to hurt. She heard Trent put down his equipment and slide the stool around in front of her. “This is the worst it’s going to be, Harp. You’re being so incredibly brave. I’ve had grown men cry at this point.” He paused for a moment before kissing her gently on the temple. “We have two options. I can stop in a minute and we can pick it up next time, or I can keep going for another twenty minutes and it will be done. The final appointments, then, will be short and sweet. Not to mention a whole lot less painful.” Harper took in a deep breath and blew it out harshly. Determined not to cry, she bit down on her lip hard. It stopped the pending deluge, but the tears still threatened. “Oh darlin’.” Trent kissed her softly. “I’d switch places with you in a heartbeat if I could. I know it hurts where I’m working.” Harper nodded. He understood. “Can you make it fifteen?” Trent kissed the side of her eye, where a single tear was making a break for freedom. “I’ll do it in ten.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
He guessed the NKVD didn’t even know that Waffen-SS men could be identified by the blood-group tattoos on the underside of their left arms, usually near the armpit. Richter didn’t have one. He’d been classed as a non-combatant, as he’d said, at least for a portion of the war. He decided it could be weeks before they found out who he was. But Volsky’s confidence appeared to have been restored too, now. He said, ‘And the vat of incense?’ ‘I had the incense brought from the remnants of a Christmas smoker factory. Silly little hollow figurines invented by toymakers in the Ore Mountains. Cone incense burns down inside the figurines and the smoke emerges from the open mouths. There was a glut of them,’ Richter said, truthfully. ‘Berliners were shocked and saddened after Stalingrad. But they lost the will to celebrate after the Battle of Kursk. They knew the Red Army was coming. The puerile little incense smokers were redundant, together with the incense they were to hold. Except it didn’t go to waste. The vat was taken from a merchant’s house. It’s from Hong Kong, I think.’ Volsky leaned back in his chair. He said, ‘Why go to all the trouble?’ That’s a good question, Richter thought. He stifled a smile. ‘To mask the smell.
Gary Haynes (The Blameless Dead)
His light blue shuma and silver torque did nothing to hide the mass of cuts, scrapes, and purple bruises that covered his body and made his iridescent tattoos practically glow by contrast. He had a dark bruise under one eye that ran all the way down to the ulumi-lia tattoo on his cheekbone, and another on his jaw. “This?” He gestured to his battered frame. “Ono, moa halea.I was invited to partake in a wrestling match yesterday afternoon.” “A wrestling match with whom? Kukuna the Stone God?” His grin flashed, then faltered as the gesture tugged at his split lip. “It was a very intense match. And you have been reading the legends of my people. You are curious about Calberna. This is good.” She grimaced. “Don’t jump to conclusions. I read most of those legends before I met you so I could teach the children at the school about Calberna.” Then, because curiosity got the best of her, she asked, “So which one of Wynter’s men beat you to a pulp?” His brows rose. “I am unpulped.” “Not from where I’m standing. Or are you saying the other fellow looks worse?” He cocked his head to one side, as if considering, then gave that charming half grin again and said, “About the same. We declared it equal contest.” “Who did you leave unpulped then?” “It is of no concern. We had our match. We tested each other’s skill and resolve, and came away with a new understanding of each other.” 
C.L. Wilson (The Sea King (Weathermages of Mystral, #2))
But here, as she turned the page, suddenly her search for the picture of a rake or a mowing-machine was interrupted. The gruff murmur, irregularly broken by the taking out of pipes and the putting in of pipes which had kept on assuring her, though she could not hear what was said (as she sat in the window), that the men were happily talking; this sound, which had lasted now half an hour and had taken its place soothingly in the scale of sounds pressing on top of her, such as the tap of balls upon bats, the sharp, sudden bark now and then, “How’s that? How’s that?” of the children playing cricket, had ceased; so that the monotonous fall of the waves on the beach, which for the most part beat a measured and soothing tattoo to her thoughts and seemed consolingly to repeat over and over again as she sat with the children the words of some old cradle song, murmured by nature, “I am guarding you—I am your support”, but at other times suddenly and unexpectedly, especially when her mind raised itself slightly from the task actually in hand, had no such kindly meaning, but like a ghostly roll of drums remorselessly beat the measure of life, made one think of the destruction of the island and its engulfment in the sea, and warned her whose day had slipped past in one quick doing after another that it was all ephemeral as a rainbow—this sound which had been obscured and concealed under the other sounds suddenly thundered hollow in her ears and made her look up with an impulse of terror.
Virginia Woolf (Virginia Woolf: The Complete Works)
BEST FRIENDS SHOULD BE TOGETHER We’ll get a pair of those half-heart necklaces so every ask n’ point reminds us we are one glued duo. We’ll send real letters like our grandparents did, handwritten in smart cursive curls. We’ll extend cell plans and chat through favorite shows like a commentary track just for each other. We’ll get our braces off on the same day, chew whole packs of gum. We’ll nab some serious studs but tell each other everything. Double-date at a roadside diner exactly halfway between our homes. Cry on shoulders when our boys fail us. We’ll room together at State, cover the walls floor-to-ceiling with incense posters of pop dweebs gone wry. See how beer feels. Be those funny cute girls everybody’s got an eye on. We’ll have a secret code for hot boys in passing. A secret dog named Freshman Fifteen we’ll have to hide in the rafters during inspection. Follow some jam band one summer, grooving on lawns, refusing drugs usually. Get tattoos that only spell something when we stand together. I’ll be maid of honor in your wedding and you’ll be co-maid with my sister but only cause she’d disown me if I didn’t let her. We’ll start a store selling just what we like. We’ll name our firstborn daughters after one another, and if our husbands don’t like it, tough. Lifespans being what they are, we’ll be there for each other when our men have passed, and all the friends who come to visit our assisted living condo will be dazzled by what fun we still have together. We’ll be the kind of besties who make outsiders wonder if they’ve ever known true friendship, but we won’t even notice how sad it makes them and they won’t bring it up because you and I will be so caught up in the fun, us marveling at how not-good it never was.
Gabe Durham (Fun Camp)
Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.
Gillian Flynn (Gone Girl)
May God’s people never eat rabbit or pork (Lev. 11:6–7)? May a man never have sex with his wife during her monthly period (Lev. 18:19) or wear clothes woven of two kinds of materials (Lev. 19:19)? Should Christians never wear tattoos (Lev. 19:28)? Should those who blaspheme God’s name be stoned to death (Lev. 24:10–24)? Ought Christians to hate those who hate God (Ps. 139:21–22)? Ought believers to praise God with tambourines, cymbals, and dancing (Ps. 150:4–5)? Should Christians encourage the suffering and poor to drink beer and wine in order to forget their misery (Prov. 31:6–7)? Should parents punish their children with rods in order to save their souls from death (Prov. 23:13–14)? Does much wisdom really bring much sorrow and more knowledge more grief (Eccles. 1:18)? Will becoming highly righteous and wise destroy us (Eccles. 7:16)? Is everything really meaningless (Eccles. 12:8)? May Christians never swear oaths (Matt. 5:33–37)? Should we never call anyone on earth “father” (Matt. 23:9)? Should Christ’s followers wear sandals when they evangelize but bring no food or money or extra clothes (Mark 6:8–9)? Should Christians be exorcising demons, handling snakes, and drinking deadly poison (Mark 16:15–18)? Are people who divorce their spouses and remarry always committing adultery (Luke 16:18)? Ought Christians to share their material goods in common (Acts 2:44–45)? Ought church leaders to always meet in council to issue definitive decisions on matters in dispute (Acts 15:1–29)? Is homosexuality always a sin unworthy of the kingdom of God (1 Cor. 6:9–10)? Should unmarried men not look for wives (1 Cor. 7:27) and married men live as if they had no wives (1 Cor. 7:29)? Is it wrong for men to cover their heads (1 Cor. 11:4) or a disgrace of nature for men to wear long hair (1 Cor. 11:14)? Should Christians save and collect money to send to believers in Jerusalem (1 Cor. 16:1–4)? Should Christians definitely sing psalms in church (Col. 3:16)? Must Christians always lead quiet lives in which they work with their hands (1 Thess. 4:11)? If a person will not work, should they not be allowed to eat (2 Thess. 3:10)? Ought all Christian slaves always simply submit to their masters (reminder: slavery still exists today) (1 Pet. 2:18–21)? Must Christian women not wear braided hair, gold jewelry, and fine clothes (1 Tim. 2:9; 1 Pet. 3:3)? Ought all Christian men to lift up their hands when they pray (1 Tim. 2:8)? Should churches not provide material help to widows who are younger than sixty years old (1 Tim. 5:9)? Will every believer who lives a godly life in Christ be persecuted (2 Tim. 3:12)? Should the church anoint the sick with oil for their healing (James 5:14–15)? The list of such questions could be extended.
Christian Smith (The Bible Made Impossible: Why Biblicism is Not a Truly Evangelical Reading of Scripture)
It’s just a kiss,” she says softly. “Why are you all torn up about a kiss?” She’s studying me way too closely. “I’m not torn up,” I protest. “You’ve been moping ever since I told you about the fundraiser, Sean,” she says. “What’s your problem? It’s for charity, for God’s sake.” She lays her free hand on her chest. “My kiss is going to feed victims of domestic violence. I’m doing my part for a better community.” I look down at her mouth. God, I could just slide my fingers into her hair, pull her to me, and kiss her right here and now. But I won’t. Because she doesn’t want me. “I can’t believe you’re going kiss some stranger,” I bite out. “Don’t do it.” “I’ve kissed men before, Sean,” she reminds me. I wish she would keep that shit to herself. “What if it’s some big, goofy guy with really bad breath?” I ask. “What if it’s some big, brawny guy who smells like you and kisses like a god?” she asks. She smiles, the corners of her lips tilting up so prettily. Her fingertips touch my forearm lightly, and she traces the tattoos that decorate my arm from wrist to shoulder. Every hair on my body stands up, and I lift my hand from her knee and thread my fingers with hers so she’ll stop. “If I’m lucky, he’ll be all tatted up, too.” She looks off into the distance, her gaze no longer on me. “Honey, if you want to kiss someone who looks like me and smells like me, I think I can accommodate you so you don’t have to kiss some stranger.” Her eyes shift back to meet mine, and she may as well have just punched me in the gut. She looks into my eyes and stares as if she’s looking into my soul. She can look into it anytime. Shit, I’d give it to her, if she wanted it. But it’s not me she wants. She’s made that abundantly clear. “If I ever kissed you, I would never be able to stop,” I say quietly. My voice sounds like it’s been dragged down a gravel road and back, and I fucking hate that she can affect me this way. “Prove it,” she says, and then she licks her cherry-red lips. She doesn’t break eye contact. I move quickly. This is the first time she’s ever made an offer like this, and my gut tells me that she’s going to take it back. I cup her neck with my palm and pull her toward me. My gentle tug brings her flush against my chest, and the weight of her settles against me and feels so right. Her lips are so close to mine that her inhale is my exhale. My hand quivers as it holds her nape, so I work my fingers into the hair at the back of her head. I hold her still and look into her green eyes. “Tell me you want me to kiss you and you got me, honey,” I whisper. She shivers and inches up my chest ever so slightly, her mouth moving closer to mine. So close. Just a little closer. I can almost taste her. “I want you to kiss me,” she whispers. “Please.” Suddenly, the door opens, and Lacey jumps up, separating us in one final, powerful leap. Fuck. I pull the pillow from behind my head and shove it in my lap, sitting up on the side of the bed. Friday,
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
The throbbing of the music murky yellow light revealing swaying bodies moving to the beat. Shadowy outlines of tall men the waving hair of the woman. Happy smiles and a heart beating with excitement. Fedoras, suspenders and tattoos.Swing music, pounding base. Laughing with friends. Walking down well lite city streets, feeling humanity all around. ~Swing Dancing
Elizabeth Novak
He’s been playing ‘I Fall Apart’ on repeat for a week now,” she stage whispers. “I can’t stand it anymore! For the love of God, help us, before I start dreaming about pasty white men with face tattoos.
Jessica Peterson (Southern Charmer (Charleston Heat, #1))
The ancient black hand shone in the flickering light of the small campfire, its tattoos of spirals and sun wheels spinning as it passed through the circular clearing of the forest. It moved past the two men sitting close to the flames and whispered in the dancing shadows, stroking the cheek of its grandson before vanishing out of the circle and into the night.
B. Catling (The Vorrh)
The Bridges of Marin County harbor views back east never so panoramic but here driving the folds of mt tamalpais the whole picture smooth blue of the bay set like a table for dinner guests who seat themselves in berkeley oakland and san jose pass around delicate dishes of angel island ferry boats and alcatraz i'll save a spot for you in san francisco spread with your favorite dishes don't leave me hanging in marin dinner at eight and everyone else on time you said you'd bring the wine we waited as long as we could the food went cold witnesses said that you stood nearly an hour i imagine you crossing back and forth leaning tower to tower finally choosing the southern your wish to rest nearer the city than the driveway how long had you been letting your two selves push each other over the edge stuffing your pockets with secrets and shame weighing yourself down with cement shoes a gangster assuring your own silence i pay the toll daily wondering as the dark shroud of the bay smoothed over you that night who did you think your quiet splash was saving were you keeping yourself from the pleasures you found in the city boys in dark bars handsome men who loved you did they love you too did you wrestle with vertigo lose your sense of balance imagine yourself icarus dizzied by your own precarious perch glorious ride on flawed wings was it so impossible to live and love on both sides of the bay did you think i couldn't feel your love when it was there for me your distraction when desires divided history like the water smoothes over with half-truth story of good job and grieving widow but each time i cross this span i wonder about the men with whom i share the loss of you invisibly i sit unseen in a castro cafe wondering which men gave you what kinds of comfort delight satisfaction these men of leather metal tattoos did you know them how did you get their attention how did they get yours did you walk hand-in-hand with a man who looked like you the marlboro man double exposed did you bury a love of bondage dominance submission in the bay did you find friendship too would you and i have found the same men handsome where are you in this cafe crowd i want to love what you wouldn't show me dance with more than a slice of truth hold your halves together in my arms and rock the till i have mourned and honored the whole of you was it so impossible to cross that divide to live and love on both sides of the bay hey isn't that what bridges are for
Nancy Boutilier (On the Eighth Day Adam Slept Alone: New Poems)
Throwing a frightened glance at the wagons, she threw herself across his body. “Don’t shoot!” Her scream pierced the air. “Don’t shoot, damn you! Don’t shoot!” A hush fell over the flats. The whites had already ceased firing, afraid of killing one of their own. The Comanches, even those who had never seen Hunter’s golden-haired wife, had been told about her and lowered their rifles. Swift Antelope leaped off his horse and ran out. Warrior, at the far right in the front line, rode forward as well. The two men didn’t waste a second. With gentle hands they pulled Loretta away from her husband. Lifting Hunter’s limp body between them, they slung him across his horse. Loretta pushed to her feet, watching in helpless misery as Swift Antelope led Hunter’s stallion in among the others and Warrior ran back to his pinto. “Warrior! Don’t leave me here! Please don’t leave me!” Before he rode off, Warrior turned to look at her, his dark eyes piercing, his face stricken. Then he disappeared into the ranks. As quickly as they had advanced, the Comanches retreated. Loretta, buffeted by the wind, stood alone on the flats until they rode from sight. When she could no longer hear the tattoo of their horses’ hooves, she held up her hands and stared at the smears of crimson that stained her skin. Hunter’s blood. The ultimate sacrifice. And he had made it without a second’s hesitation, out of love for her. The pain that knowledge caused her ran too deep for tears.
Catherine Anderson (Comanche Moon (Comanche, #1))
Probably the best-known images of any Cherokee are those of Sequoyah, who is virtually always pictured wearing what appears to be a turban and blue jacket of European design. Both were, in fact, common clothing among Cherokee of that era, though not the tribe’s original dress. Although some have claimed the turban as evidence of pre-European contact by Arabs, the real origin of the outfit was more recent. When the first delegation of Cherokee visited England, the tattooed heads and bodies of the men were deemed too savage and frightening for their audience with the Royal Family. To cover up these markings, they were given English smoking jackets and turbans, such as those worn by the Muslim servants of the royal household. For whatever reason, these styles caught on among the people of the Five Civilized Tribes and continue to be part of cultural dress among the Cherokee.
Philip Stewart (Cherokee (North American Indians Today))
Among the chattering, cheerful, well-dressed crowd of people waiting at the gate were a number of quiet young men, each with a pleasant but neutral expression, each rather short even for a Japanese, and each with a Japanese calligraphy character tattooed on his forehead. As I walked past, one of them smiled and raised his hand. "Mr. Rawson?" At my puzzled nod he bowed and his smile broadened. "Welcome to Japan. I am a robot working for the Convention and Visitors' Bureau of the Japanese government, and I have been assigned as your guide and interpreter while you are in our country. There is no charge for my services, but you are free to accept or decline them. I should add that the bureau wishes to extend special hospitality to a visitor from such a great distance, and that it will probably ask the favor of an interview, which will then be published in one of our tourist magazines. My name is Toshio Takata, and most of my English-speaking guests call me 'T-Square.'" Before this last sentence he had clasped his
Gerard K. O'Neill (2081)
covered in tattoos. The Navy men and women tended to be slimmer, neater. The room smelled of oil, leather and cigar smoke, some of which curled up from Avery’s own cigar clamped between his teeth. He was not a large man, but somehow that made him stand out all the more. His smoke drifted around his balding head with its black comb-over and joined the cloud that stirred against the ceiling. “That’s your fourth
Jack Conner (The Atomic Sea: Volume One (The Atomic Sea, #1))
We are now working on a case,—and this is the absolute truth,—in which hundreds of men with tattooed skin were slaughtered and skinned so that the wife of the death camp could have lampshades made of the colored human tissues.
Tom Hofmann (Benjamin Ferencz, Nuremberg Prosecutor and Peace Advocate)
In appearance though, Darrell seemed anything but a criminal. Erin was still naive enough to believe that all crooks had bad teeth, greasy hair and jailhouse tattoos. She assumed that cleancut, good-looking men enjoyed the same natural advantages as cleancut, good-lucking women: the world treated you better, and consequently there was no reason for unwholesome behavior.
Carl Hiaasen (Strip Tease)
Dorothy Parker who wrote witty stories, did not foresee that spectacles would be- come fashion accessories. “Men seldom make passes At girls who wear glasses.” And today, in Washington Square Park I thought of her, Miss Parker, and what she might say assessing the spectacles of our day: “Even the nicest lasses Have tattoos on their asses.
David Lehman (Poems in the Manner Of)
The weapon was a showpiece with a blade that was only five inches long and a handle made of carved bone. The carving was a depiction of a one-sided battle in which men with knives and arrows and axes slaughtered unarmed men who appeared to be praying instead of fighting. Bosch assumed this was the massacre of the Shaolin monks that Chu had told him was the origin of the triads. The shape of the knife was very much like the shape of the tattoo on the inside of Chang's arm.
Michael Connelly (Nine Dragons (Harry Bosch, #14; Harry Bosch Universe, #21))
writing books about psychos in a magical prison for Fae who are all ruled by the stars and the zodiac and the lead character would be this badass werewolf girl who wants to break out a hot, tattooed incubus with a pierced dick and-
Caroline Peckham (The Death Club (Dead Men Walking, #1))
If the human race survives, a group of archeologists will someday discover a circle of the tools I’ve launched into the air in frustration. They’ll conclude that a small cult called "the Tool Hurlers" once occupied this ground. I've learned to leave skilled work to young men. Muscular types with tool belts and tattoos, and a barely concealed disdain for the tottering old fool who doesn't realize a simple clockwise twist of an 11/16ths deep socket wrench would have fixed the problem. I do actually own that wrench, but I use it for slide guitar.
Garnet Rogers (6 Crows Gold)
The overall impression of the group was that the location was the site of a military operation, an operation that most likely involved the U.S. Navy. One viewer described the Pentagon. Two perceived images of a navy ship, perhaps an aircraft carrier, which was somehow linked to the activity in Utah. The viewers saw armed men in military uniforms who wore dark sunglasses and sported navy tattoos.
Colm A. Kelleher (Hunt for the Skinwalker: Science Confronts the Unexplained at a Remote Ranch in Utah)
I started covering mine when I started performing. Mainly because my parents wanted me to, but also because I couldn’t stand the reminders of those low points in my life. The scars were ugly, and I got tired of seeing them. It helps that tattoos add to the whole bad boy brand I was aiming for. Somehow, men’s mental health does not.
Sav R. Miller (Vipers and Virtuosos (Monsters & Muses, #2))
There’s other things I think I’d be good at too if I got the chance,” I hurried on, tossing my fake hook away. “Like water skiing, rollerblading, wearing a fez respectfully and coolly, saving animals from bush fires, knitting clothes for cats, eating a pint of ice cream in under fifteen minutes, making Moscow Mules, riding horses backwards while yodelling, guessing the sex of people’s babies before they’re born and if they’re going to grow up to be assholes, writing books about psychos in a magical prison for Fae who are all ruled by the stars and the zodiac and the lead character would be this badass werewolf girl who wants to break out a hot, tattooed incubus with a pierced dick and-
Caroline Peckham (The Death Club (Dead Men Walking, #1))
These young people didn’t live in a world of ladies and gentlemen. They were allowed to dress like slobs and curse like gangsters. To drink like tosspots. To tattoo and pierce their bodies like primitives. To listen to songs with animal rhythms and vulgar lyrics. They had no curfews, no chaperones, no guidance that applied to real-life male and female behavior. Indeed, they were told that gender was mutable and sex an irrelevance. And then the young men—only the men—were held to rules of behavior that would have been restrictive when Victoria was queen.
Andrew Klavan
With one of those long biblical beards men grow when their heads can no longer contain their self-regard and it simply flows out of their chins all the way down to their sternums. Also a black ponytail. Also a purple flower tattoo on his neck. Also a ring in his nose. Oh, how original and eccentric he was!
Andrew Klavan (A Strange Habit of Mind (Cameron Winter #2))
I ran my fingers over his face, across his lip rings and down the tattoo of tree roots on his neck—roots because he’d always wanted a family and a place to belong. Knowing I was his roots and his place to belong, I felt complete.
Linda Kage (Be My Hero (Forbidden Men, #3))
I’ll never agree to anything without hearing it first. That’s how people end up with a tattoo of a platypus on their ass.
Piper Sheldon (The Treble With Men (Scorned Women's Society, #2))
It had taken a lot of therapy for me to stop gravitating toward emotionally unavailable men, the kind who’d get a matching tattoo with you on week, and be dating your upstairs neighbor the next. I’d been so relieved when I finally fell in love with someone who actually wanted to love me back.
Emily Henry (Back To Life: Get Rid of Your Back Pain Naturally)
The last thing I needed on this earth was to involve myself with a man. And that man, in particular? He was regret waiting to happen. Something about the predatory grace of his movements filled me with unease. He didn’t have to ink tattoos on his skin or carry a gun on his hip to broadcast a threat. The lethal confidence he exuded did the job far more efficiently than any overt warning. He carried himself with a kind of self-possessed aloofness that distinguished him from every person around him. That was probably why he was the only man who’d piqued my interest since I had arrived in New York. I seemed to enjoy picking especially challenging men. It was a talent of mine.
Jill Ramsower (Where Loyalties Lie (The Five Families, #3.5))