Tate Sad Quotes

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He is the most beautiful creature I have ever seen and it's not about his face, but the life force I can see in him. It's the smile and the pure promise of everything he has to offer. Like he's saying, 'Here I am world, are you ready for so much passion and beauty and goodness and love and every other word that should be in the dictionary under the word life?' Except this boy is dead, and the unnaturalness of it makes me want to pull my hair out with Tate and Narnie and Fitz and Jude's grief all combined. It makes me want to yell at the God that I wish I didn't believe in. For hogging him all to himself. I want to say, 'You greedy God. Give him back. I needed him here.
Melina Marchetta (On the Jellicoe Road)
I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
Penelope Douglas (Bully (Fall Away, #1))
It's funny how that works. Sometimes not speaking says more than all the words in the world. Sometimes my silence is saying I don't know how to speak to you. I don't know what you're thinking. talk to me. Tell me everything you've ever sad. All the words. Starting from your very first one.
Colleen Hoover (Ugly Love)
It is better to travel with hope in one's heart than to arrive in safety. . . . We should celebrate today's failure because it is a clear sign that our voyage of discovery is not yet over. The day the experiment succeeds is the day the experiment ends. And I inevitably find that the sadness of ending outweighs the celebration of success.
Jacqueline Kelly (The Evolution of Calpurnia Tate (Calpurnia Tate, #1))
If you had died, Tate …, there are no words. I would have been very sad. And not just because I had done something bad, I want you to know. I would have been sad because my world is a very lonely place without you.
Stylo Fantome (Separation (The Kane Trilogy, #2))
When I am very sad, I tend towards symbolism.
Joe Dunthorne (Submarine)
I couldn’t even picture Mavis’s face anymore. It was sad. She was being erased. I wanted to put my finger on her forehead, but there was nothing there.
James Tate (The Ghost Soldiers)
Mr. Williams, how do explain a day like today? A day filled with lots of sad and happy, too. Tonight I asked Aunt Patty Cake that very question. She said, 'Baby, that's called life' " -Tate P. Ellerbee
Kimberly Willis Holt (Dear Hank Williams)
They went through all that shit to raise you, and now you're sad so you jump off a fucking bridge. If my kid did that, I'd be pissed. What a fucking moron! I wouldn't even give him a funeral.
Andrew Tate (The Tate Bible)
How is Tate?” He dropped into the chair across from her with an irritated sound. “Well, he isn’t the man I used to know.” Her eyes held a soft sadness. “You don’t know why, Colby.” “Like to bet?” he asked with a wry grin. “He called Matt Holden everything except a man, and then he stared on his mother. He was livid that she’d kept the truth about his real father from him all those years, and that she hung up on him when he called to get the truth out of her. But he was even madder when he found out that she’d moved into Holden’s house and was living with him. He called her a name I won’t repeat.” “What happened?” Cecily prompted impatiently when he paused. “Senator Holden knocked him over the sofa. Leta got in the way and broke it up, but Tate left in a red rage, swearing that he’d never speak to either of them again.” It was no less than she’d expected, having known Tate for so many years. But she felt sorry for Leta and Matt. “Do you know where he went?” she asked. “He didn’t say. I wasn’t willing to risk asking him, either,” he added ruefully. “Tate and I have had our differences lately.” “What a mess.” “It’ll blow over,” he said. “People get mad, they get over it.” “Tate doesn’t.” “Well, he can work on joining the human race, can’t he?
Diana Palmer (Paper Rose (Hutton & Co. #2))
and groaned. And Tate, saint that he is, just sighed and helped Rachel stand up, wrapping an arm around her waist to keep her steady as their sad little group moved towards the exit. "Okay Mike Tyson, let's go." He turned to Casey
Karla Sorensen (By Your Side (Three Little Words, #1))
Steel tempered by fire,” she said aloud, without thinking. “Am I?” he asked. She smiled sadly. “Aren’t you?” He let out a long, slow breath and some of the tension drained out of him. He looked at her quizzically. “You give me peace,” he said unexpectedly. “The only time I ever feel it is when I’m with you. God knows why, when you set me off like a bomb.” She searched his eyes. “Tate, Senator Holden has a reason for what he did,” she told him seriously. “I don’t pretend to know what it is, but I know him. He’s not like some politicians who lie when the truth would suit better. He has integrity. He doesn’t hold grudges and he doesn’t backstab. You know that,” she added with conviction. He scowled. “Yes, I do.” His narrow eyes searched hers. “What do you know, Cecily?” “I know archaeology,” she replied. He reached out and touched her firm little chin with hard fingers. “You’re keeping something from me,” he said in a low, deep tone. “I’m not sure why I sense that, but I do.” “You think you know all about me,” she replied, trying to draw back. “Don’t…do that,” she muttered, reaching up to catch his hair-roughened wrist in her warm fingers. His breath caught. “Fatal error, Cecily,” he said huskily, moving in, giving in to the hunger that had really brought him to her apartment at this hour of the night. “You shouldn’t have touched me…
Diana Palmer (Paper Rose (Hutton & Co. #2))
I wish you’d told me this before.” “It wouldn’t have changed anything.” “Maybe not. But talking about wounds can help heal them.” “You don’t talk about yours,” she pointed out. He sat down on the sofa facing her and leaned forward. “But I do,” he said seriously. “I talk to you. I’ve never told anyone else about the way my father treated us. That’s a deeply personal thing. I don’t share it. I can’t share it with anyone but you.” “I’m part of your life,” she said heavily, smoothing her hair back again. “Neither of us can help that. You were my comfort when Mama died, my very salvation when my stepfather hurt me. But I can’t expect you to go on taking care of me. I’m twenty-five years old, Tate. I have to let you go.” “No, you don’t.” He caught her wrists and pulled her closer. He was more solemn than she’d ever seen him. “I’m tired of fighting it. Let’s find out how deep your scars ago. Come to bed with me, Cecily. I know enough to make it easy for you.” She stared at him blankly. “Tate…” She touched his lean cheek hesitantly. He was offering her paradise, if she could face her own demons in bed with him. “This will only make things worse, whatever happens.” “You want me,” he said gently. “And I want you. Let’s get rid of the ghosts. If you can get past the fear, I won’t have anyone else from now on except you. I’ll come to you when I’m happy, when I’m sad, when the world falls on me. I’ll lie in your arms and comfort you when you’re sad, when you’re frightened. You can come to me when you need to be held, when you need me. I’ll cherish you.” “And you’ll make sure I never get pregnant.” His face tautened. “You know how I feel about. I’ve never made a secret of it. I won’t compromise on that issue, ever.” She touched his long hair, thinking how beautiful he was, how beloved. Could she live with only a part of him, watch him leave her one day to marry another woman? If he never knew the truth about his father, he might do that. She couldn’t tell him about Matt Holden, even to insure her own happiness. He glanced at her, puzzled by the expression on her face. “I’ll be careful,” he said. “And very slow. I won’t hurt you, in any way.” “Colby might come back…” He shook his head. “No. He won’t.” He stood up, pulling her with him. He saw the faint indecision in her face. “I won’t ask for more than you can give me,” he said quietly. “If you only want to lie in my arms and be kissed, that’s what we’ll do.” She looked up into his dark eyes and an unsteady sigh passed her lips. “I would give…anything…to let you love me,” she said huskily. “For eight long years…!” His mouth covered the painful words, stilling them.
Diana Palmer (Paper Rose (Hutton & Co. #2))
You’re as beautiful as you were the night we made our son,” she whispered, bending to kiss him tenderly. His fingers traced her dark eyebrows, her cheeks, her mouth. “I wish we could have another baby,” he said heavily. “So do I. But I’m too old,” she said sadly. She lay her cheek against his broad, damp chest and stroked the silver-tipped hair that covered it. “We’ll have to hope for grandchildren, if he ever forgives us.” He held her tightly, as if by holding her he could keep her safe. What he felt for her was ferociously protective. She misunderstood the tightening of his arms. She smiled and sighed. “We can’t, again. Cecily will think we’ve deserted her.” His hand smoothed her long hair. “She probably knows exactly what we’re doing,” he said on a chuckle. “She loves you.” “She likes you. Maybe we could adopt her.” “Better if our son marries her.” She grinned. “We can hope.” She sat up and stretched, liking the way he watched her still-firm breasts. “The last time I felt like this was thirty-six years ago,” she confided. “The same is true for me,” he replied. She searched his eyes, already facing her departure. She would have to go back to the reservation, home. He could still read her better than she knew. He drew her hand to his mouth. “It’s too late, but I want to marry you. This week. As soon as possible.” She was surprised. She didn’t know what to say. “I love you,” he said. “I never stopped. Forgive me and say yes.” She considered the enormity of what she would be agreeing to do. Be his hostess. Meet his friends. Go to fund-raising events. Wear fancy clothes. Act sophisticated. “Your life is so different from mine,” she began. “Don’t you start,” he murmured. “I’ve seen what it did to Cecily when Tate used that same argument with her about all the differences. It won’t work with me. We love each other too much to worry about trivial things. Say yes. We’ll work out all the details later.” “There will be parties, benefits…” He pulled her down into his arms and kissed her tenderly. “I don’t know much about etiquette,” she tried again. He rolled her over, pinning her gently. One long leg inserted itself between both of hers as he kissed her. “Oh, what the hell,” she murmured, and wrapped her legs around his, groaning as the joints protested. “Arthritis?” he asked. “Osteoarthritis.” “Me, too.” He shifted, groaning a little himself as he eased down. “We’ll work on new positions one day. But it’s…too late…now. Leta…!” he gasped. She didn’t have enough breath to answer him. He didn’t seem to notice that she hadn’t. Bad joints notwithstanding, they managed to do quite a few things that weren’t recommended for people their ages. And some that weren’t in the book at all.
Diana Palmer (Paper Rose (Hutton & Co. #2))
To Hate or Be Great To Hate or Be Great~ Which one is your fate? You're mad and I'm glad, My life won't be sad. Raging with jealousy~ Blind, yet won't see. The time you wasted, Victory never tasted. Fighting against the freed, A heart, as black as coal. Seeking to destroy the soul, That's purposed with goals. Without a "Vision" people perish, Create things that you cherish. Begin to turn your world around, Come out of the lost... Be found! Surrendering all... without cost, Knowledge, Wisdom is boss. A Life that's wonderful... No Doubt! "Be Great"... It's what, I'm about!
Singleton Tate
It was her concern and commitment to a friend which last year involved her in perhaps the most emotional period of her life. For five months she secretly helped to care for Adrian Ward-Jackson who had discovered that he was suffering from AIDS. It was a time of laughter, joy and much sorrow as Adrian, a prominent figure in the world of art, ballet and opera, gradually succumbed to his illness. A man of great charisma and energy, Adrian initially found it difficult to come to terms with his fate when in the mid-1980s he was diagnosed as HIV positive. His word as deputy chairman of the Aids Crisis Trust, where he first met the Princess, had made him fully aware of the reality of the disease. Finally he broke the news in 1987 to his great friend Angela Serota, a dancer with the Royal Ballet until a leg injury cut short her career and now prominent in promoting dance and ballet. For much of the time, Angela, a woman of serenity and calm practicality, nursed Adrian, always with the support of her two teenage daughters. He was well enough to receive a CBE at Buckingham Palace in March 1991 for his work in the arts--he was a governor of the Royal Ballet, chairman of the Contemporary Arts Society and a director of the Theatre Museum Association--and it was at a celebratory lunch held at the Tate Gallery that Angela first met the Princess. In April 1991 Adrian’s condition deteriorated and he was confined to his Mayfair apartment where Angela was in almost constant attendance. It was from that time that Diana made regular visits, once even brining her children Princes Willian and Harry. From that time Angela and the Princess began to forge a supportive bond as they cared for their friend. Angela recalls: “I thought she was utterly beautiful in a very profound way. She has an inner spirit which shines forth though there was also a sense of pervasive unhappiness about her. I remember loving the way she never wanted me to be formal.” When Diana brought the boys to see her friends, a reflection of her firmly held belief that her role as mother is to bring them up in a way that equips them for every aspect of life and death, Angela saw in William a boy much older and more sensitive than his years. She recalls: “He had a mature view of illness, a perspective which showed awareness of love and commitment.” At first Angela kept in the background, leaving Diana alone in Adrian’s room where they chatted about mutual friends and other aspects of life. Often she brought Angela, whom she calls “Dame A”, a gift of flowers or similar token. She recalls: “Adrian loved to hear about her day-to-day work and he loved too the social side of life. She made him laugh but there was always the perfect degree of understanding, care and solicitude. This is the point about her, she is not just a decorative figurehead who floats around on a cloud of perfume.” The mood in Mount Street was invariably joyous, that sense of happiness that understands about pain. As Angela says: “I don’t see death as sad or depressing. It was a great journey he was going on. The Princess was very much in tune with that spirit. She also loved coming for herself, it was an intense experience. At the same time Adrian was revitalized by the healing quality of her presence.” Angela read from a number of works by St. Francis of Assisi, Kahil Gibran and the Bible as well as giving Adrian frequent aromatherapy treatments. A high spot was a telephone call from Mother Teresa of Calcutta who also sent a medallion via Indian friends. At his funeral they passed Diana a letter from Mother Teresa saying how much she was looking forward to meeting her when she visited India. Unfortunately Mother Teresa was ill at that time so the Princess made a special journey to Rome where she was recuperating. Nonetheless that affectionate note meant a great deal to the Princess.
Andrew Morton (Diana: Her True Story in Her Own Words)
Poem (I Can’t Speak for the Wind) I don’t know about the cold. I am sad without hands. I can’t speak for the wind Which chips away at me. When pulling a potato, I see only the blue haze. When riding an escalator, I expect something orthopedic to happen. Sinking in quicksand, I’m a wild appaloosa. I fly into a rage at the sight of a double-decker bus, I want to eat my way through the Congo, I’m a double agent who tortures himself and still will not speak. I don’t know about the cold, But I know what I like I like tropical madness, I like to shake the coconuts And fingerprint the pythons,- fevers which make the children dance. I am sad without hands, I’m very sad without sleeves or pockets. Winter is coming to this city, I can’t speak for the wind which chips away at me.
James Tate (Viper jazz (The Wesleyan poetry program ; v. 82))
How sad to be the last of your kind, flashing your signal in the dark, alone, to nothingness. But I was not alone, was I? I had learned that there were others of my kind out there.
Jacqueline Kelly (The Evolution of Calpurnia Tate (Calpurnia Tate, #1))
It means that we should celebrate today's failure because it is a clear sign that our voyage of discovery is not yet over. The day the experiment succeeds is the day the experiment ends. And I inevitably find that the sadness of ending outweighs the celebration of success.
Jacqueline Kelly (The Evolution of Calpurnia Tate (Calpurnia Tate, #1))
Don't be sad, the sun is shining Just be happy, why you whining? Waiting room is getting crowded Your not special (Your not special) Don't be sad, the sun is shining Just be happy, why you whining Waiting room is getting crowded You're not special, you're not special
Tate McRae