“
How's that target on your back feel?" "Familiar," Neil said.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
Heraclitus, a philosopher born in the Persian Empire back in the fifth century BC, had it right when he wrote about men on the battlefield. “Out of every one hundred men,” he wrote, “ten shouldn’t even be there, eighty are just targets, nine are the real fighters, and we are lucky to have them, for they make the battle. Ah, but the one, one is a warrior…
”
”
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
“
The whole time I pretend I have mental telepathy. And with my mind only, I’ll say — or think? — to the target, 'Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller
coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you’ve never even
heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose—allow smells
to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to thatmiserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want. That’s what they tell us at school, but if you keep getting on that train and going to the place you hate I’m going to start thinking the people at school are liars like the Nazis who told the Jews they were just being relocated to work factories. Don’t do that to us. Tell us the truth. If adulthood is working some death-camp job you hate for the rest of your life, divorcing your secretly criminal husband, being disappointed in your son, being stressed and miserable, and dating a poser and pretending he’s a hero when he’s really a lousy person and anyone can tell that just by shaking his slimy hand — if it doesn’t get any better, I need to know right now. Just tell me. Spare me from some awful fucking fate. Please.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
“
I cocked my fist back, remembering what Brendan had taught me. "Don't aim for your target. You'll have more of an impact that way."
I was aiming for China.
”
”
Cara Lynn Shultz (Spellcaster (Spellbound, #2))
“
Keep your elbows in!" Sturmhond berated Mal. "Stop flapping them like some kind of chicken."
Mal let out a disturbingly convincing cluck.
Tamar raised a brow. "Your friend seems to be enjoying himself."
I shrugged. "Mal's always been like that. You could drop him in a camp full of Fjerdan assassins, and he'd come out carried on their shoulders. He just blooms wherever he's planted."
"And you?"
"I'm more of a weed," I said drily.
Tamar grinned. In combat, she was cold and silent fire, but when she wasn't fighting, her smiles came easily. "I like weeds," said said, pushing herself off from the railing and gathering her scattered lengths of rope. "They're survivors."
I caught myself returning her smile and quickly went back to working on the knot that I was trying to tie. The problem was that I liked being aboard Sturmhond's ship. I liked Tolya and Tamar and the rest of the crew. I like sitting at meals with them, and the sound of Privyet's lilting tenor. I liked the afternoon when we took target practice, lining up empty wine bottles to shoot off the fantail and making harmless wagers.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
But never hold back from firing the arrow if all that paralyses you is fear of making a mistake. If you have made the right movements, open your hand and release the string. Even if the arrow fails to hit the target, you will learn how to improve your aim next time.
”
”
Paulo Coelho (The Way of the Bow)
“
Judge him by his actions and not your suspicions," he says. "Because if the only measure of a man's worth is what he does to make money, a lot of good men would be judged unfairly.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
If you want to put a target on your back, make sure you're strong enough to carry the target first.
”
”
K.X. Song (The Night Ends with Fire (The Dragon Spirit, #1))
“
What kind of question was that?” Adam interjected.
When she glanced at him, he was scowling at Tom, who just shrugged.
“What’s cool about your project?” Adam repeated back.
“Yeah. Cool. You know what I mean.”
“I don’t think I do, and maybe neither does Olive.”
Tom huffed. “Fine, what would you ask?”
Adam turned to Olive. His knee brushed her leg, warm and oddly reassuring through her jeans. “What issues does your project target? Why do you think it’s significant? What gaps in the literature does it fill? What techniques are you using? What challenges do you foresee?”
Tom huffed. “Right, sure. Consider all those long, boring questions asked, Olive.
”
”
Ali Hazelwood (The Love Hypothesis)
“
Word around town is you're a bit of a dick-tator.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
No more boys taking you on trips, you hear?” His voice was gravelly. “You can take your own self from now on. Last thing you need is some boy distracting you and making this whole situation even more complicated. Promise me you'll stay away from that son of Pharzuph.”
I opened my mouth but the words stuck in my dry throat. How sweat beaded up on my forehead.
“I tried that once, John,” Patti warned him. “It didn't work out so well for me.”
“Have you seen the way he looks at her?” He focused on Patti, but pointed at me.
“Yes, and I've seen the way she looks at him. Truthfully, I think they need each other.”
“Those two need each other like a bullet needs a target. Trust me. I've seen Nephilim kids killed for falling in love and letting it get in the way of their work.”
“Well, you don't have to worry, because we're not in love,” I chimed in. “He doesn't like me like that.”
Dad puffed out a breath of air. “Well, he must feel something, 'cause he sure doesn't want that other kid near you.”
“Is there someone else you're interested in?” Patti asked.
I rolled my colors back up, tucked them inside, and yanked the barrier back into place. Then I entertained the image of Kopano's sweet dimple for a brief second before pushing it away.
“I'm not ready to think about that,” I answered.
My father tilted his head up to the ceiling and pressed his giant hands to his face, muffling his speech. “I'm way too old for this.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Never let them see your fear… it's rule number one. And it's not that I'm afraid. No, I'm not.
I don't fear death.
I've already died too many times before.
I'm a cat with nine lives and I'm already on number twelve. I'm living on borrowed time. When death wants to take me, it'll take me.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
Desperately, Phoenix attempted to maneuver both tips of the instrument around the bullet. He knew that each move caused Nellie unimaginable pain, but he could not grasp the target. "It's no use," he sobbed. "And my hand is going numb."
In a frenzy, Nellie shouted something into the gag, but no one could understand her.
"I beg your pardon, child?" queried Alistair.
Nellie spat out the rag and rasped, "Get the Kabra chick!"
"Natalie?" Fiske exclaimed. "She's fallen completely to pieces."
"Get her!" Nellie demanded. "Anybody with eyebrows plucked like that knows how to use a tweezers!"
Reagan bounded across the room and came back with a shivering, mewling Natalie.
"I can't!" she wheezed.
Fiske poured alchohol over the girl's beautifully manicured fingers. "You must."
Still protesting, her eyes tightly shut, she took over the instrument from Phoenix. "I can't do it! You can't make me—oh!" She said in sudden surprise. "This?" And when she pulled the tweezers out of the wound, the tips were firmly grasping a flattened, blood-slimed bullet.
Nellie laughed—and promptly fainted.
”
”
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
“
You and me… we love differently. But that doesn't mean you don't love her, in your own twisted way.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
I fire again and again, and none of the bullets come close.
"Statistically speaking," the Erudite boy next to me-his name is Will-says, grinning at me, "you should have hit the target at least once by now, even by accident." He is blond, with shaggy hair and a crease between his eyebrows.
"Is that so," I say without inflection.
"Yeah," he says. "I think you're actually defying nature."
I grit my teeth and turn toward the target, resolving to at least stand still. If I can't muster the first task they give us,how will I ever make it through stage one?
I squeeze the trigger,hard, and this time I'm ready for the recoil.It makes my hand jump back,but my feet stay planted.A bullet hole appears at the edge of the target,and I raise an eyebrow at Will.
"So you see,I'm right.The stats don't lie," he says.
I smile a little.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
When Atticus came home to dinner he found me crouched down aiming across the street. "What are you shooting at?"
"Miss Maudie's rear end."
Atticus turned and saw my generous target bending over her bushes. He pushed his hat to the back of his head and crossed the street. "Maudie," he called, "I thought I'd better warn you. You're in considerable peril."
Miss Maudie straightened up and looked toward me. She said,"Atticus, you are a devil from hell.
”
”
Harper Lee (To Kill a Mockingbird)
“
I have faced bullying before. Not in high school. Not in any school but when I published my now bestselling book series as an indie author back in 2010 through 2012 and became a target for indie publishing, especially in YA because I stood by Amazon self-publishing versus the traditional publishers. How I dealt with it? I kept doing what I love - writing and publishing, and giving my readers what they love. Indie publishing took off soon afterwards and now it is a valid and more desirable way to publish books. So the lesson learned is...don't let bullies stop you from doing what you love and from keeping you from giving your readers the books they love to read from you.
”
”
Kailin Gow
“
You’re fond of pretending to be weaklings,” Rin observed. “Does that always work?”
“Almost every time. The Mugenese are terribly attracted to easy targets.”
“And they never catch on?”
“Not as far as I’ve noticed. See, they’re bullies. Weakness is what they want to see. They’re so convinced that we’re just base, cowardly animals, they won’t stop to question it. They don’t want to believe we can fight back, so they won’t.
”
”
R.F. Kuang (The Burning God (The Poppy War, #3))
“
Did you bring the charms?” Wulf asked Diesel.
Diesel took the charms from his pocket and held them in his palm so Wulf could see.
“They have an excellent selection of baby carriages at Target,” I whispered to Diesel.
“Not now,” Diesel said. “Get a grip.”
“Was I bad? DO I need to get punished? Maybe I need a good paddling.”
Wulf looked like he was thinking about rolling his eyes, and Diesel wrapped an arm around my shoulders and dragged me to him.
“We’ll get to that later,” Diesel said.
“I’d be happy to paddle the wench if you’re too bust.” Hatchet said.
Diesel cut his eyes to him, and Hatchet took a step back.
-Lizzy, Diesel, and Hatchet, page 304.
”
”
Janet Evanovich (Wicked Appetite (Lizzy & Diesel, #1))
“
Think of them. Heads up, eyes on the target. Running. Full speed. Gravity be damned. Toward that thick layer of glass that is the ceiling. Running, full speed, and crashing. Crashing into that ceiling and falling back. Crashing into it and falling back. Into it and falling back. Woman after woman. Each one running and each one crashing. And everyone falling. How many women had to hit that glass before the first crack appeared? How many cuts did they get, how many bruises? How hard did they have to hit the ceiling? How many women had to hit that glass to ripple it, to send out a thousand hairline fractures? How many women had to hit that glass before the pressure of their effort caused it to evolve from a thick pane of glass into just a thin sheet of splintered ice? So that when it was my turn to run, it didn’t even look like a ceiling anymore. I mean, the wind was already whistling through—I could always feel it on my face. And there were all these holes giving me a perfect view to the other side. I didn’t even notice the gravity, I think it had already worn itself away. So I didn’t have to fight as hard. I had time to study the cracks. I had time to decide where the air felt the rarest, where the wind was the coolest, where the view was the most soaring. I picked my spot in the glass and I called it my target. And I ran. And when I finally hit that ceiling, it just exploded into dust. Like that.
”
”
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
“
targets of emotional blackmail may become guarded about certain subjects and stop sharing major parts of their lives,
”
”
Paul T. Mason (Stop Walking on Eggshells: Taking Your Life Back When Someone You Care About Has Borderline Personality Disorder)
“
When I prove it, it puts a target on Seth's back and a paintbrush in your hands.
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
I used to pinch those pages closed when I read the book to keep from having to see Joan [of Arc] fail. But now I love that picture. I love it so much. I love how Joan kept going right up to the end. It reminds me that sometimes defeat is the price of taking action. If you do something, you become a target. People want to take you down. That's a risk. But it's better to do too much, better to try to hard, better to have a crisis of faith and get thrown and climb back up on your horse and keep riding, than to see something wrong in the world and not do anything at all.
”
”
Madeleine George (The Difference Between You and Me)
“
Nothing is more infuriating than being paid no attention. In the process of seduction, you may have to pull back at times, subjecting your target to moments of doubt. But prolonged inattention will not only break the seductive spell, it can create hatred.
”
”
Robert Greene (The Art of Seduction)
“
They all stared. Still woozy, Target Four said, “It’s a slitting SecUnit, you pussers, how stupid are you?” Yeah, these Targets are going to be fun to chat with, I can tell already. I told him, “You’re the one who got yourself bodyslammed into station detention, so let’s talk about how dumb you are.” Target Four seemed shocked. “SecUnits aren’t supposed to talk back,” Target Five said weakly. Tell me about it. “Cargo ship crews aren’t supposed to take Port Authority supervisors as hostages, but here we all are.
”
”
Martha Wells (Fugitive Telemetry (The Murderbot Diaries, #6))
“
Too much attention early on will actually just suggest insecurity, and raise doubts as to your motives. Worst of all, it gives your targets no room for imagination. Take a step back; let the thoughts you are provoking come to them as if they were their own. This is doubly important if you are dealing with someone who has a deep effect on you.
”
”
Robert Greene (The Art of Seduction)
“
Before I got better, if people didn’t have any protection in place for themselves I would aim right at them. Who doesn’t want a target that they can sink? But what I was doing, and what a lot of borderlines do, is not a game or a way to get kicks. It’s about survival. People who had healthy boundaries in place left me feeling too defective, too out of control, and too vulnerable.
”
”
Paul T. Mason (Stop Walking on Eggshells: Taking Your Life Back When Someone You Care About Has Borderline Personality Disorder)
“
I want to tell you a story. I'm going to ask you all to close your eyes while I tell you the story. I want you to listen to me. I want you to listen to yourselves. Go ahead. Close your eyes, please. This is a story about a little girl walking home from the grocery store one sunny afternoon. I want you to picture this little girl. Suddenly a truck races up. Two men jump out and grab her. They drag her into a nearby field and they tie her up and they rip her clothes from her body. Now they climb on. First one, then the other, raping her, shattering everything innocent and pure with a vicious thrust in a fog of drunken breath and sweat. And when they're done, after they've killed her tiny womb, murdered any chance for her to have children, to have life beyond her own, they decide to use her for target practice. They start throwing full beer cans at her. They throw them so hard that it tears the flesh all the way to her bones. Then they urinate on her. Now comes the hanging. They have a rope. They tie a noose. Imagine the noose going tight around her neck and with a sudden blinding jerk she's pulled into the air and her feet and legs go kicking. They don't find the ground. The hanging branch isn't strong enough. It snaps and she falls back to the earth. So they pick her up, throw her in the back of the truck and drive out to Foggy Creek Bridge. Pitch her over the edge. And she drops some thirty feet down to the creek bottom below. Can you see her? Her raped, beaten, broken body soaked in their urine, soaked in their semen, soaked in her blood, left to die. Can you see her? I want you to picture that little girl. Now imagine she's white.
”
”
John Grisham (A Time to Kill (Jake Brigance, #1))
“
He was thinking of the book, and what Dahlia had said about sleepwalking, and a strange thought came to him: had Arthur seen that Clark was sleepwalking? Would this be in the letters to V.? Because he had been sleepwalking, Clark realized, moving half-asleep through the motions of his life for a while now, years; not specifically unhappy, but when had he last found real joy in his work? When was the last time he'd truly been moved by anything? When had he last felt awe or inspiration? He wished he could somehow go back and find the iPhone people whom he'd jostled on the sidewalk earlier, apologize to them--I'm sorry, I've realized that I'm just as minimally present in this world as your are, I had no right to judge--and also he wanted of every 360° report and apologize to them too, because it's an awful thing to appear in someone else's report, he saw that now, it's an awful thing to be a target.
”
”
Emily St. John Mandel (Station Eleven)
“
But never hold back from firing the arrow if all that paralyzes you is fear of making a mistake. If you ave made the right movements, open your hand and release the string. Even if the arrow fails to hit the target, you will learn how to improve your aim next time.
If you never take a risk, you will never know what changes you need to make.
Each arrow leaves a memory in your heart, and it is the sum of those memories that will make you shoot better and better.
”
”
Paulo Coelho (The Archer)
“
oh neil, as unpredictable as he is unreal. the last time we spoke you were afraid riko would notice you. either you lied to me or you changed your mind. i do hope it’s the latter, because i hate being lied to.”
“i didn’t change my mind, but i didn’t have a choice.”
“there is always a choice.”
“i had to say something.”
“and what a thing to say! you took a swing at riko on live tv. he’s not going to take that sitting down, you know. how’s the target on your back?”
“familiar.”
- andrew & neil
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
He pushes in then, slowly, deeply, stroking a chord inside of me. My breath hitches. Oh God.
"I love that sound," he whispers, his voice gritty. "It's the best music in the world."
I wrap my arms around him. "Maybe that should be your ringtone, then."
He laughs, his face nuzzled into my neck. "That wouldn't work."
"Why?"
"Because others would hear it. That sound belongs only to my ears.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
I slammed the door shut before we had a cold buffet in the front corridor. The shouts grew louder, denied their target. If I had better aim I'd have opened the door and tossed it all right back at them. But with my luck I'd hit the sleeping baby or an innocent old grandmother out for her morning constitution. And then we'd be dragged through the streets for certain.
Dread uncurled in the pit of my stomach.
"Is that cabbage?" Colin asked, coming out of the dining room. Listening to the raised voices, he reached for the doorknob, frowning.
I caught his hand. "Don't."
"Whyever not?"
I raised an eyebrow. "You'll get a rotted meat tart in the eye for your trouble,that's why.
”
”
Alyxandra Harvey (Haunting Violet (Haunting Violet #1))
“
Now, listen up, Adina. That dress, while you look lovely in it, has done nothing but paint a target on your back, just like mine. And not just for Esme. Before, they would have discounted you, kept you alive to pick off at the end. And now that they have another, easier target, they won’t miss.
”
”
Joelle Wellington (Their Vicious Games)
“
A’ight, so what do you think it means?”
“You don’t know?” I ask.
“I know. I wanna hear what YOU think.”
Here he goes. Picking my brain. “Khalil said it’s about what society feeds us as youth and how it comes back and bites them later,” I say. “I think it’s about more than youth though. I think it’s about us, period.”
“Us who?” he asks.
“Black people, minorities, poor people. Everybody at the bottom in society.”
“The oppressed,” says Daddy.
“Yeah. We’re the ones who get the short end of the stick, but we’re the ones they fear the most. That’s why the government targeted the Black Panthers, right? Because they were scared of the Panthers?”
“Uh-huh,” Daddy says. “The Panthers educated and empowered the people. That tactic of empowering the oppressed goes even further back than the Panthers though. Name one.”
Is he serious? He always makes me think. This one takes me a second. “The slave rebellion of 1831,” I say. “Nat Turner empowered and educated other slaves, and it led to one of the biggest slave revolts in history.”
“A’ight, a’ight. You on it.” He gives me dap. “So, what’s the hate they’re giving the ‘little infants’ in today’s society?”
“Racism?”
“You gotta get a li’l more detailed than that. Think ’bout Khalil and his whole situation. Before he died.”
“He was a drug dealer.” It hurts to say that. “And possibly a gang member.”
“Why was he a drug dealer? Why are so many people in our neighborhood drug dealers?”
I remember what Khalil said—he got tired of choosing between lights and food. “They need money,” I say. “And they don’t have a lot of other ways to get it.”
“Right. Lack of opportunities,” Daddy says. “Corporate America don’t bring jobs to our communities, and they damn sure ain’t quick to hire us. Then, shit, even if you do have a high school diploma, so many of the schools in our neighborhoods don’t prepare us well enough. That’s why when your momma talked about sending you and your brothers to Williamson, I agreed. Our schools don’t get the resources to equip you like Williamson does. It’s easier to find some crack than it is to find a good school around here.
“Now, think ’bout this,” he says. “How did the drugs even get in our neighborhood? This is a multibillion-dollar industry we talking ’bout, baby. That shit is flown into our communities, but I don’t know anybody with a private jet. Do you?”
“No.”
“Exactly. Drugs come from somewhere, and they’re destroying our community,” he says. “You got folks like Brenda, who think they need them to survive, and then you got the Khalils, who think they need to sell them to survive. The Brendas can’t get jobs unless they’re clean, and they can’t pay for rehab unless they got jobs. When the Khalils get arrested for selling drugs, they either spend most of their life in prison, another billion-dollar industry, or they have a hard time getting a real job and probably start selling drugs again. That’s the hate they’re giving us, baby, a system designed against us. That’s Thug Life.
”
”
Angie Thomas (The Hate U Give (The Hate U Give, #1))
“
Kill me and the witches will come for you,” Koschei reminded her. “The entire council, Marya. All the Boroughs, and every witch who has ever been in my debt. Kill me and you’ll paint a target on your back for generations, until each one of your daughters has bled for your enmity. Is that what you want?
”
”
Olivie Blake (One for My Enemy)
“
I've always been fascinated by how the body works.
How a fist-sized muscle deep in your chest is responsible for keeping you alive every day. It steadily beats, every second of every hour, pushing blood through your arteries then back to it through your veins. And you do nothing to make it happen. It just does it, all on its own. Doesn't matter how you're feeling, what you're thinking, if your fucking heart is breaking... it keeps on beating, a hundred thousand times a day.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
I matched him glare for glare and refused to back down. I’d learnt that much, working with the guys we recruited for protection work. Forget your average heavy…we used the elite. Ex-commandos used to living behind enemy lines on nothing more than fresh air and dung beetles, and who could zero in on a target using mouse farts three miles away.
”
”
Mina Carter (Hard as a Rock (Hearts of Stone, #1))
“
When Atticus came home to dinner he found me crouched down aiming across the street. “What are you shooting at?” “Miss Maudie’s rear end.” Atticus turned and saw my generous target bending over her bushes. He pushed his hat to the back of his head and crossed the street. “Maudie,” he called, “I thought I’d better warn you. You’re in considerable peril.
”
”
Harper Lee (To Kill a Mockingbird)
“
He was laid-back. Drugs'll do that to a person. Take a pill and you're not really crazy anymore.
”
”
James Patterson (The 6th Target (Women's Murder Club, #6))
“
What changes your life is the day-to-day stuff leading up to and following the events.
”
”
Nita Sweeney (Depression Hates a Moving Target: How Running With My Dog Brought Me Back From the Brink)
“
You are of course right, Yanis. These targets that they insist on can’t work. But, you must understand that we have put too much into this programme. We cannot go back on it. Your credibility depends on accepting and working within this programme.2 So, there I had it. The head of the IMF was telling the finance minister of a bankrupt government that the policies imposed upon his country couldn’t work. Not that it would be hard to make them work. Not that the probability of them working was low. No, she was acknowledging that, come hell or high water, they couldn’t work. With
”
”
Yanis Varoufakis (Adults in the Room: My Battle with Europe's Deep Establishment)
“
Always, endeavor, Slick, to keep a fix on the addiction industries: you can't lose. The addicts can't win. Dope, Liquor, gambling, anything video--these have to be the deep-money veins. Nowadays the responsible businessman keeps a finger on the pulse of dependence. What next? All projections are targeting the low-energy domestic stuff, the schlep factor. People just can't hack going out any more. They're all addicted to staying at home. Hence the shit-food bonanza. Swallow your chemicals, swallow them fast, and get back inside. Or take the junk back with you. Stay off the streets. Stay inside. With pornography...
”
”
Martin Amis (Money)
“
Naz starts to walk out but pauses in the doorway of the den. "A word of advice?"
"Uh, sure."
"Judge him by his actions and not your suspicions," he says. "Because if the only measure of a man's worth is what he does to make money, a lot of good men would be judged unfairly."
"Like you?"
"Not like me," he says. "Not sure how many times I have to tell you... I'm not a good man, Karissa, and try as I might, I probably never will be.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
What kind of soldier are you that you’re going to just sit in a cell while the world is thrown into chaos? Do you not understand what could happen if those weapons fall into the wrong hands? How could you be so selfish? (Syd)
I’m selfish? Look, Agent Westbrook, your daddy’s a Boston stockbroker. I’m a death broker. I’m sure you don’t lecture Daddy on finance, so don’t even try to lecture me on assassination politics. I know all about them. Some bureaucratic ass-wipe sitting in a pristine office that’s totally isolated from the rest of the world decides the son of King Oomp-Loomp is a threat. He then hands down orders to people like me to go off King Oomp-Loompa’s son. Like an idiot, I do what he says without question. I hunt my target down, using information that is mostly bullshit and unreliable, gathered by someone like you who assured me it was correct as the time. But hey, if it changes minute by minute, and God forbid we pass that along to you. So me and my spotter lie in the grass, sand, or snow for days on end, cramped and hungry, never able to move more than a millimeter an hour until I have that one perfect shot I’ve been waiting for days. I take it, and then we lie there like pieces of dirt until we can inch our way back to safety, where hopefully the helicopter team will remember that they were supposed to retrieve us. Have you any idea of the nerves it takes to do what I do? To lie there on the ground while other armed men search for you? Have them step on you and not be able to even breathe or wince because if you do, it’s not only your life, but the life of your spotter? Do you know what it’s like to have the brains of your best friend spayed into your face and not be able to render aid to him because you know he’s dead and if you do, you’ll be killed too? I have been into the bowels of hell and back, Miz Westbrook. I have stared down the devil and made him sweat. So don’t tell me I don’t take this seriously. (Steele)
”
”
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
“
It means you have to pull back on the bow, use all your might to fight against the strain in your arm as you’re going for what you want. It means that if you don’t break the bow, you can’t ever go forward and hit the target.
”
”
Corinne Michaels (Come Back for Me (The Arrowood Brothers, #1))
“
Sudden loud noise triggers a cluster of split-second protective reflexes known as the startle pattern. You blink to protect your eyes, while your upper body swivels toward the sound to assess the threat. The arms bend and retract to the chest, the shoulders hunch, and the knees bend, all of which combine to make you a smaller, less noticeable target. Snapping the limbs in tight to the torso may also serve to protect your vital innards.‡ You are your own human shield. Siddle says hunching may have evolved to protect the neck: a holdover from caveman days. “A big cat stalking prey will jump the last twenty feet and come down on the back and shoulders and bite through the neck.
”
”
Mary Roach (Grunt: The Curious Science of Humans at War)
“
An important part of being an alpha is to be hateful and calculating, but to appear just inconsiderate. You need to put in effort to get what you want, but people will push back if they think you’re doing something maliciously. If they believe you just don’t know any better, are just kind of a selfish dick and they got in the way of that, rather than thinking they were a target, then you can get away with a lot more, and from then on they either avoid you or accept you as a force of nature.
”
”
A.D. Aliwat (Alpha)
“
Mr. McLean looked up at Piper. He seemed unconcerned by her knife and blowgun. “Going out?” “Just for a while.” Piper kissed her father on the cheek. “I’ll be back tonight. Don’t let them take the sleeping bags, okay? You and I can camp out on the terrace. It’ll be fun.” “All right.” He patted her arm absently. “Good luck…studying?” “Yep,” Piper said. “Studying.” You have to love the Mist. You can stroll out of your house heavily armed, in the company of a satyr, a demigod, and a flabby former Olympian, and thanks to the Mist’s perception-bending magic, your mortal father assumes you’re going to a study group. That’s right, Dad. We need to go over some math problems that involve the trajectory of blowgun darts against moving targets.
”
”
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
“
I struggle with how I am supposed to live as a survivor, how to present my story and myself to the world, how much or how little to disclose. There have been numerous times I have not brought up my case because I do not want to upset anybody or spoil the mood. Because I want to preserve your comfort. Because I have been told that what I have to say is too dark, too upsetting, too targeting, too triggering, let's tone it down. You will find society asking you for the happy ending, saying come back when you're better, when what you say can make us feel good, when you have something more uplifting, affirming. This ugliness was something I never asked for, it was dropped on me, and for a long time I worried it made me ugly too. It made me into a sad, unwelcome story that nobody wanted to hear.
”
”
Chanel Miller (Know My Name)
“
Q. What if you strapped C4 to a boomerang? Could this be an effective weapon, or would it as stupid as it sounds?
A. Aerodynamics aside, I'm curious what tactical advantage you're expecting to gain by having the high explosive fly back at you if it misses the target.
”
”
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
“
You've had ample opportunity to send me up the river… you could've easily gotten me locked up long ago just by opening your mouth. I didn't need to marry you to gain your silence. You've given it to me from the start. If you didn't turn on me then, when you had plenty of reason to, I trust that you won't do it now, ring or no ring. I married you, Karissa, because I love you. Nothing more, nothing less."
As many times as he's said those words… I love you… it still makes my stomach flutter to hear them come from him. The butterflies soar. He's not an outwardly emotional person, not at all, so when he says it, I know he means it.
Wrapping my arms around his neck, I reach up on my tiptoes and kiss him. His lips are soft, sweet. His tongue tastes like peppermint. "I love you, too, you know."
"I know.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
Experimental physics—hell, all of science—is about solving problems. However, you can’t solve them all at once. There’s always a larger, overarching question—the big target. But if you obsess on the sheer enormity of it, you lose focus. The key is to start small. Focus on solving problems you can answer. Build some dry ground to stand on. And after you’ve put in the work, and if you’re lucky, the mystery of the overarching question becomes knowable. Like stepping slowly back from a photomontage to witness the ultimate image revealing itself.
”
”
Blake Crouch (Dark Matter)
“
She glanced back once, hoping that Parsley would be coming, too, but there was no sign of her almost-ally.
“Our sister had to return to her duties,” said one of the maidens.
“Duties?” asked Serilda.
Another maiden released a wry laugh. “Just like a mortal to think that all we do is bathe in the waterfall and sing to hedgehogs.”
“I didn’t say that,” said Serilda, affronted. “Judging by your weaponry, I suspect you spend a great deal of time dueling and competing in target practice.”
The one who laughed shot her a fierce look. “Don’t forget it.
”
”
Marissa Meyer (Gilded (Gilded, #1))
“
Anyway,” the agent said abruptly. “I just . . . wanted you to know that I’m sorry for everything. I want to help you and the rest of the Order in any way I can, so if there is anything you need, you know where I am.”
“Chase,” Dante said as the male turned to leave the room. “Apology accepted, man. And for what it’s worth, I’m sorry too. I haven’t been fair to you either. Despite our differences, know that I respect you. The Agency lost a good one the day they cut you loose.”
Chase’s smile was crooked as he acknowledged the praise with a short nod.
Dante cleared his throat. “And about that offer of help . . .”
“Name it.”
“Tess was walking a dog when the Rogues attacked her tonight. Ugly little mutt, not good for much more than a foot-warmer, but it’s special to her. Actually, it was a gift from me, more or less. Anyway, the dog was running loose on its leash when I saw it a block or so away from Ben Sullivan’s place.”
“You want me to go retrieve a wayward canine, is that where this is heading?”
“Well, you did say anything, didn’t you?”
“So I did.” Chase chuckled. “All right. I will.”
Dante dug his keys to his Porsche out of his pocket and tossed them to the other vampire. As Chase turned to be on his way again, Dante added, “The little beast answers to the name Harvard, by the way.”
“Harvard,” Chase drawled, shaking his head and throwing a smirk in Dante’s direction. “I don’t suppose that’s a coincidence.”
Dante shrugged. “Good to see that Ivy League pedigree of yours comes in handy for something.”
“Jesus Christ, warrior. You really were busting my ass since the minute I came on board, weren’t you?”
“Hey, by all comparisons, I was kind. Do yourself a favor and don’t look too closely at Niko’s shooting target, unless you’re very secure about your manhood.”
“Assholes,” Chase muttered, but there was only humor in his tone. “Sit tight, and I’ll be back in a few with your mutt. Anything else you’re gonna hit me up for now that I opened my big yap about wanting to get square with you?”
“Actually, there might be something else,” Dante replied, his thoughts going sober when he considered Tess and any kind of future that might be deserving of her. “But we can talk about that when you get back, yeah?”
Chase nodded, catching on to the turn in mood. “Yeah. Sure we can.
”
”
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
“
No one moved. No one spoke. They seemed be riveted by whatever it was they saw in his eyes.
“Place me like a seal over your heart, like a seal on your arm; for love is as strong as death, its jealousy unyielding as the grave.”
A few gasps erupted.
His voice rang out, bold, clear.
“It burns like blazing fire, like a mighty flame. Many waters cannot quench love; rivers cannot wash it away.”
It was safe to say everyone was awake now. He’d startled most of his parishioners and aroused the rest of them.
“Evie Duggan …”
And all the heads official swiveled to follow the beam of the reverend’s gaze. Then swiveled back to him.
Then back to Eve.
Whose heart was in her eyes.
“ … You are the seal upon my heart. You are the fire and flame that warms me, heals me, burns me. You are the river that cools me and carries me. I love you. And love may be as strong as death, but you … I know now you are my life.”
A pin would have echoed like a dropped kettle in the church then.
Eve was absolutely riveted. Frozen, her eyes burning into his.
“And though I wish I could have protected you and kept you safe from some of the storms of your life, I find cannot regret any part of your past. For it has made you who you are. Loyal, passionate, brave, kind, remarkable. You need repent nothing.”
The last word fell like a gavel.
Not a single person moved or breathed.
“There are those who think good is a pastime, to engage in like embroidery or target shooting. There are those who think beauty is a thing of surface, and forget that it’s really of the soul. But good is something you are, not something you do. And by that definition, I stand before you today and declare that Evie Duggan is one of the best people I have ever had the privilege of knowing.
”
”
Julie Anne Long (A Notorious Countess Confesses (Pennyroyal Green, #7))
“
As I lay there clutching the phone to my ear in our bedroom, Roger rolled over to look at me. He could clearly sense my anxiety rising. “I think you oughta dump your other boyfriend,” he said with a sleepy smile. He closed his eyes again. I turned back to the phone. “I’ll be in soon,” I said.
”
”
Nada Bakos (The Targeter: My Life in the CIA, Hunting Terrorists and Challenging the White House)
“
And I would use the motherfuckers’ heads as target practice. Until I start to fucking waddle, no one is to treat me any fucking differently. If they do, I’ll chain them to the back of your stupid Audi and rip them apart. Pregnant or not, I’m still fucking Bloody Melody,” she yelled in my face.
”
”
J.J. McAvoy (Ruthless People (Ruthless People, #1))
“
were listening to Tupac right before . . . you know.” “A’ight, so what do you think it means?” “You don’t know?” I ask. “I know. I wanna hear what you think.” Here he goes. Picking my brain. “Khalil said it’s about what society feeds us as youth and how it comes back and bites them later,” I say. “I think it’s about more than youth though. I think it’s about us, period.” “Us who?” he asks. “Black people, minorities, poor people. Everybody at the bottom in society.” “The oppressed,” says Daddy. “Yeah. We’re the ones who get the short end of the stick, but we’re the ones they fear the most. That’s why the government targeted the Black Panthers, right? Because they were scared of the Panthers?” “Uh-huh,” Daddy says. “The Panthers educated and empowered the people. That tactic of empowering the oppressed goes even further back than the Panthers though. Name one.” Is he serious? He always makes me think. This one takes me a second. “The slave rebellion of 1831,” I say. “Nat Turner empowered and educated other slaves, and it led to one of the biggest slave revolts in history.” “A’ight, a’ight. You on it.” He gives me dap. “So, what’s the hate they’re giving the ‘little infants’ in today’s society?” “Racism?” “You gotta get a li’l more detailed than that. Think ’bout Khalil and his whole situation. Before he died.” “He was a drug dealer.” It hurts to say that. “And possibly a gang member.” “Why was he a drug dealer? Why are so many people in our neighborhood drug dealers?” I remember what Khalil said—he got tired of choosing between lights and food. “They need money,” I say. “And they don’t have a lot of other ways to get it.” “Right. Lack of opportunities,” Daddy says. “Corporate America don’t bring jobs to our communities, and they damn sure ain’t quick to hire us. Then, shit, even if you do have a high school diploma, so many of the schools in our neighborhoods don’t prepare us well enough. That’s why when your momma talked about sending you and your brothers to Williamson, I agreed. Our schools don’t get the resources to equip you like Williamson does. It’s easier to find some crack than it is to find a good school around here.
”
”
Angie Thomas (The Hate U Give)
“
Absently, she brushed back some of the hair from her face, and she saw as Jaguar's eyes followed how the long strands slid across her throat. Though his dark skin did not show pallor as clearly as Lord Daryl's had, Turquoise could tell Jaguar had not fed yet, and she recognized the hungry look in his black eyes.
Testing, she stood, the movement appearing reluctant. "I"ll leave you to your work if you'd like."
He answered the way she had expected him to. Not raising his gaze from her throat, he said, "Come here." Though the words were an order, the tone left room for argument.
For a moment, Turquoise almost felt guilty. She was intentionally manipulating him. A feeding vampire is an easy target; most of them completely lost sense of their surroundings as they drew blood. Jaguar did not even try to catch her mind as his lips fell to her throat. If she had been armed, it would have been revoltingly easy to kill him.
”
”
Amelia Atwater-Rhodes (Midnight Predator (Den of Shadows, #4))
“
Did I...'
'Ser the curtains on fire?' He lifts a brow. 'Yes.'
'Oh.' I can't find it in me to be embarrassed, so I brush the backs of my fingers across the stubble along his jaw. 'And you put it out.'
'Yes. Right before I destroyed your throwing target.' He grimaces. 'I'll get you a new one.'
I glance over at the armoire. 'And we...'
'Yep.' He lifts his brows. 'and I'm pretty sure you need a new chair, too.'
'That was...' I didn't even get the man's pants entirely off, and my dressing gown is haphazardly hanging from one shoulder.
'Frighteningly perfect.' He cups the side of my face. ' We should get you cleaned up and to sleep. We can worry about... your room tomorrow. Ironically, your bed is the only thing we didn't wreck.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
To the left, civil rights are like a subway: When you reach your stop, you get off. Meanwhile, I’ll just repeat what I said yesterday: For the New Yorker’s target audience, the equivalence of free speech advocates to “gun nuts” is a clear signal of where they’re supposed to fall on the argument. But all I can say is that if the “speech nuts” do as well as the “gun nuts” have done over the past couple of decades, we’ll be in pretty good shape. And the lesson from the “gun nuts” is: Don’t compromise, don’t admit that there’s such a thing as a “reasonable restriction,” don’t back down, and keep pointing out that your opponents are liars and hypocrites. And punish the hell out of politicians who vote with the other side. —Glenn Reynolds, Instapundit, 11 August 2015
”
”
Vox Day (SJWs Always Lie: Taking Down the Thought Police (The Laws of Social Justice Book 1))
“
We see now why the great target of Satan is to break down our faith. He knows all too well that the righteous live by faith, so he aims at cutting our lifeline to God. Faith is like the hand that reaches up to receive what God has freely promised. If the devil can pull your hand back down to your side, then he has succeeded. All of God's intended supply will just stay where it is in heaven.
”
”
Jim Cymbala (Fresh Faith: What Happens When Real Faith Ignites God's People)
“
It’s them!” screamed Hermione.
Tonks landed in a long skid that sent earth and pebbles everywhere.
“Remus!” Tonks cried as she staggered off the broom into Lupin’s arms. His face was set and white: He seemed unable to speak. Ron tripped dazedly toward Harry and Hermione.
“You’re okay,” he mumbled, before Hermione flew at him and hugged him tightly.
“I thought--I thought--”
“’M all right,” said Ron, patting her on the back. “’M fine.”
“Ron was great,” said Tonks warmly, relinquishing her hold on Lupin. “Wonderful. Stunned one of the Death Eaters, straight to the head, and when you’re aiming at a moving target from a flying broom--”
“You did?” said Hermione, gazing up at Ron with her arms still around his neck.
“Always the tone of surprise,” he said a little grumpily, breaking free.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
One day a man's son was run over by a car and he was killed and all mangled up. The father couldn't go on living, he felt ill, he cried all day, he went to a wizard and gave him all his money to bring his son back to life. The wizard said: "Go home and wait. Your son will return tonight." The father waited, but the son did not come home, so in the end he went to bed. He was just falling asleep when he heard footsteps in the kitchen. He got up feeling very happy and saw his son, he was all mangle up and had one arm missing and his head was split open, with the brains running out and he said he hated him because he'd left him in the middle of the road to go with women and it was his fault he was dead.' 'So?' 'So the father got some petrol and set fire to him.' 'I don't blame him.' I threw and finally hit the target. 'Point!' 'Four-two.
”
”
Niccolò Ammaniti (I'm Not Scared)
“
If she’d known what a good shot you are,” he whispered past the unfamiliar tightness in his throat, “she’d never have dared.” His hand lifted to her wet cheek, holding it pressed against his chest. “You could always call her out, you know.” The spasmodic shaking in Elizabeth’s slender shoulders began to subside, and Ian added with forced tightness, “Better yet, Robert should stand in for you. He’s not as fine a shot as you are, but he’s a hell of a lot faster…”
A teary giggle escaped the girl in his arms, and Ian continued, “On the other hand, if you’re holding the pistol, you’ll have some choices to make, and they’re not easy…”
When he didn’t say more, Elizabeth drew a shaky breath. “What choices?” she finally whispered against his chest after a moment.
“What to shoot, for one thing,” he joked, stroking her back. “Robert was wearing Hessians, so I had a tassel for a target. I suppose, though, you could always shoot the bow off Valerie’s gown.”
Elizabeth’s shoulders gave a lurch, and a choked laugh escaped her.
Overwhelmed with relief, Ian kept his left arm around her and gently took her chin between his forefinger and thumb, tipping her face up to his. Her magnificent eyes were still wet with tears, but a smile was trembling on her rosy lips. Teasingly, he continued, “A bow isn’t much of a challenge for an expert marksman like you. I suppose you could insist that she hold up an earring between her fingers so you could shoot that instead.”
The image was so absurd that Elizabeth chuckled.
Without being conscious of what he was doing, Ian moved his thumb from her chin to her lower lip, rubbing lightly against its inviting fullness. He finally realized what he was doing and stopped.
Elizabeth saw his jaw tighten. She drew a shuddering breath, sensing he’d been on the verge of kissing her, and had just decided not to do it. After the last shattering minutes, Elizabeth no longer knew who was friend or foe, she only knew she’d felt safe and secure in his arms, and at that moment his arms were already beginning to loosen, and his expression was turning aloof. Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please-“
Ian realized what she was asking for, but he responded with a questioning lift of his brows.
“I-“ she began, uncomfortably aware of the knowing look in his eyes.
“Yes?” he prompted.
“I don’t know-exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms.
“Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.”
“What!”
“You heard me.”
“Of all the arrogant-“
He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Will:"You know, when two people narrowly escape falling to their deaths, they usually have something to talk about, Even if they hadn't met before that moment, they usually have something to sayto each other afterward. But you haven't said anything to me. I've been tryingto give you some time. I've been trying to give you some space. All I want is-"
Ivy:"Thank you. Thank you for risking your life. Thank you for saving me."
"That's not what I wanted! Gratitude is the last thing I-"
"Well, let me tell you what I want, Honesty."
"When haven't I been honest? When?"
"I found your note, Will. I know you blackmailed Gregory. I didn't tell the police yet, but I will."
"So tell them, go ahead! It's old news to them, but if you've got the note, it's one more piece for the police files. I just don't get- Wait a minute. Do you think- You couldn't really think I did that to make money, could you?"
"That's usually why people blackmail."
"You think I'd betray you like that? Ivy I set up that blackmail--I got the Celentanos to help me out, and i videotaped it-so that i had something to take to the police." "Back in August when you were in the hospital, Gregory called me and told me you had tried to commit suicide. I couldn't believe it. I knew how much you missed Tristan, but I knew you were a fighter, too. I went to the train station that morning to look around and try to figure out what had gone through your head. As i was leaving I found the jacket and hat. I picked them up, but for weeks I didn't know how or even if they were connected to what had happened." "When school started I ran across some file photos of Tristan in the newspaper office. Suddenly I figured it out. I knew it wasn't like you to jump in front of a train, but it was just like you Eric and Gregory to con you across the track. I remembered how Eric had played chicken with us, and I blamed him at first. Later I realized that there was a lot more than a game going on."
"Why didn't you tell me this before? You should have told me this before."
"You weren't telling me things, either."
"I was trying to protect you!"
"What the heck do you think I was doing?...I had to distract him, give him another target, and try to get something on him at the same time. It almost worked. I gave the tape to Lieutenant Donnelly Tuesday afternoon, but Gregory had already laid his trap." "You thought I'd betray you."
"Will I'm sorry. I was wrong. I really am sorry, I made a mistake. A big one. Try to understand. I was so mixed up and afraid. I thought I betrayed myself when I trusted you-and betrayed Tristan when I fell in love with you. Will!"
"You fell in love with me?"
"Love you, Will."
"Love you, Ivy.
”
”
Elizabeth Chandler (Soulmates (Kissed by an Angel, #3))
“
Consider just a few of the expressions that fall under the umbrella ARGUMENT IS WAR, collected by the linguist George Lakoff and the philosopher Mark Johnson.
Your claims are indefensible. He attacked every weak point in my argument. His criticisms were right on target. I demolished his argument. I've never won an argument with her. You don't agree? Okay, shoot! If you use that strategy, he'll wipe you out. She shot down all of my arguments.
Or the many variations of LOVE IS A JOURNEY:
Our relationship has hit a dead-end street. It's stalled; we can't keep going the way we've been going. Look how far we've come. It's been a long, bumpy road. We can't turn back now. We're at a crossroads. We may have to go our separate ways. The relationship isn't going anywhere. We're spinning our wheels. Our relationship is off the track. Our marriage is on the rocks. I'm thinking of bailing out.
”
”
Steven Pinker (The Stuff of Thought: Language as a Window into Human Nature)
“
This is your idea of mission uniform?” Cole asked, eyeing my burgundy leather ensemble.
I arched a brow at him as I shoved my cell phone inside of my back pant pocket. “What? Do you have a problem with it?”
“Well, last I checked, we were supposed to get in and take care of the mission without drawing any attention to ourselves.”
“And we will,” I assured him. “Just remember to keep your eyes on the target as opposed to on me, and we’ll be fine.
”
”
Nicole Sobon (Arabella (Guardians #1))
“
I love the name of it. Makes me feel hopeful. I want it over my mantle.” I paused in what I was doing, my eyes scanning over the photos title, Second Chances. He was smiling, I could hear it in his voice, when he added, “And I could tell it was your favorite when you showed it to me. I figure I have a better chance of getting you to come back to my house, if I fill it with the things you love.” He’d hit his target with the opening salvo. That second part was just overkill.
”
”
R.K. Lilley (Lovely Trigger (Tristan & Danika, #3))
“
In your Christian walk there will be times that you will have to separate from friends and acquaintances. Otherwise, you'll be tempted to go back to dabble in past behaviors. Understand the enemy...he will use anybody he knows that will carry out his plan to separate you from God. If you are strong in the Lord and have changed your ways, you will become target numero uno and he will use old ties to bring you back to your old lifestyle and, in many cases, you will end up worse off than you were before.
”
”
Donna Lynn Hope
“
LORENZO :-)
So I've been told," Lorenzo says. "Word around town is you're a bit of a dick-tator."
---------------------------------------------------------------
"Honestly? I don't know. All of this, if you ask me, is total bullshit. You're just whacking yourselves off under the table, getting off on the theatrics, like we're on fucking Broadway. Dance, little soldier, dance. It's a joke. I'll never understand it. But Ignazio here requested a meeting, and what kind of friend would I be if I didn't show up?
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
Circus tricks ain’t much use when you’re the King’s Champion.” She shifted her gaze to him, but kept positioned toward the target. “You’d be better off on your back, learning tricks useful to a woman. In fact, I can teach you some tonight, if you’d like.” He laughed, and Cain joined with him. Celaena gripped the hilt of a dagger so hard that it hurt. “Don’t listen to them,” Nox murmured. He tossed another dagger, missing the bull’s-eye again. “They wouldn’t know the first thing to do with a woman, even if one walked stark naked into their bedroom.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
Stop staring at Kevin so much. You're making me fear for your life over here."
"What do you mean?"
"Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats."
"Can you take the creepy down a level?" Aaron asked.
"What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push."
"I don't need a push," Neil said. "I'm fine on my own."
"Seriously, how are you not bored of your hand by now?"
"I'm done with this conversation," Neil said. "This and every future variation of it. [...]"
The stadium door slammed open as Andrew showed up at last. He swept them with a wide-eyed look as if surprised to see them all there.
"Kevin wants to know what's taking you so long. Did you get lost?"
"Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later." [...]
"Wow, Nicky," Andrew said. "You start early."
"Can you really blame me?"
Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall. [...]
"Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?"
"You know I'd never hurt him. If he says yes-"
"I said no."
"Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-"
He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey. [...]
Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it. If Nicky so much as breathed wrong right now, Andrew would cut his lungs to ribbons, any and all consequences be damned.
Neil wondered if Andrew's medicine would let him grieve, or if he'd laugh at Nicky's funeral too. Then he wondered if a sober Andrew would act any different. Was this Andrew psychosis or his medicine? Was he flying too high to understand what he was doing, or did his medicine only add a smile to Andrew's ingrained violence? [...]
Andrew let go of Nicky and spun away. [...] Aaron squized Nicky's shoulder on his way out. Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all.
"On second thought, you're not my type after all,” Nicky said [...].
"Don't let him get away with things like that."
Nicky considered him for a moment, his smile fading into something small and tired.
"Oh, Neil. You're going to make this so hard on yourself. Look, [...] Andrew is a little crazy. Your lines are not his lines, so you can get all huff and puff when he tramps across yours but you'll never make him understand what he did wrong. Moreover, you'll never make him care. So just stay out of his way."
"He's like this because you let him get away with it," Neil said. [...]
"That was my fault. [...] I said something I shouldn't have, and got what I deserved.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
What Is Marketing? Some people think marketing is advertising or branding or some other vague concept. While all these are associated with marketing, they are not one and the same. Here’s the simplest, most jargon-free definition of marketing you’re ever likely to come across: If the circus is coming to town and you paint a sign saying “Circus Coming to the Showground Saturday,” that’s advertising. If you put the sign on the back of an elephant and walk it into town, that’s promotion. If the elephant walks through the mayor’s flower bed and the local newspaper writes a story about it, that’s publicity. And if you get the mayor to laugh about it, that’s public relations. If the town’s citizens go to the circus, you show them the many entertainment booths, explain how much fun they’ll have spending money at the booths, answer their questions and, ultimately, they spend a lot at the circus, that’s sales. And if you planned the whole thing, that’s marketing. Yup, it’s as simple as that—marketing is the strategy you use for getting your ideal target market to know you, like you and trust you enough to become a customer. All the stuff you usually associate with marketing are tactics.
”
”
Allan Dib (The 1-Page Marketing Plan: Get New Customers, Make More Money, And Stand out From The Crowd)
“
Take out a sheet of paper and list your last ten major decisions, the ones that really shook things up. Look at your list and ask yourself: Were these all necessary, or were they hand grenades? Look for patterns in the decisions that weren’t necessary. Were you rushing? Micromanaging? Penny-pinching? Then, if you see a pattern emerge, write down your current assassin. Bonus: If you really want to have fun with this, you could always print off a picture of a target and write in “The Supervisor” or “The Speed Demon” or whatever assassin you’re currently facing. Then fold up that target and put it in your wallet or purse and carry it around with you.
”
”
Dan Martell (Buy Back Your Time: Get Unstuck, Reclaim Your Freedom, and Build Your Empire)
“
Maybe if you’d been able to restrain yourselves from endlessly screaming about the unique evil of white people, I wouldn’t have started to look into exactly who was doing most of the screaming. Since you apparently can’t help yourself from continually profiling me, don’t cry foul when I start profiling you. And I don’t think it qualifies as imagining there are Jews in your sandwich when anywhere from half to three-quarters of the hoagie you’re feeding me is stuffed with kosher meat. Palefaced XY-chromosome devils have been persistently framed in popular discourse as eternal oppressors and congenital spewers of venom, bile, and hatred. But despite everything the media has been peddling for generations, it appears that this oft-maligned demographic suffers from a fatal flaw, one that runs contrary to the stereotype—they’re way too nice. They’re not homicidally intolerant so much as they’re suicidally tolerant. And unless their antagonists—whether they’re self-loathing crackers such as Michael Moore or anyone else in the increasingly hostile and jeering Rainbow Coalition—learn to cool it with the screaming, it appears that the only option is to start screaming back. Otherwise it seems evident that the tireless bashers of everything white and male don’t view white males as a powerful oppressor so much as an easy target.
”
”
Jim Goad (Whiteness: The Original Sin)
“
The last shot wasn’t bad,” he said, dropping the subject of the duel. “However, the target is the twig, not the leaves. The end of the twig,” he added.
“You must have missed the twig yourself,” she pointed out, lifting the gun and aiming it carefully, “since it’s still there.”
“True, but it’s shorter than it was when I started.”
Elizabeth momentarily forgot what she was doing as she stared at him in disbelief and amazement. “Do you mean you’ve been clipping the end off it?”
“A bit at a time,” he said, concentrating on her next shot.
She hit another leaf on the twig and handed the gun back to him.
“You’re not bad,” he complimented.
She was an outstanding shot, and his smile said he knew it as he handed her a freshly loaded gun. Elizabeth shook her head. “I’d rather see you try it.”
“You doubt my word?”
“Let’s merely say I’m a little skeptical.”
Taking the gun, Ian raised it in a swift arc, and without pausing to aim, he fired. Two inches of twig spun away and fell to the ground. Elizabeth was so impressed she laughed aloud. “Do you know,” she exclaimed with an admiring smile, “I didn’t entirely believe until this moment that you really meant to shoot the tassel off Robert’s boot!”
He sent her an amused glance as he reloaded and handed her the gun. “At the time I was sorely tempted to aim for something more vulnerable.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Do I get to come in?” he asked.
She shrugged and stood aside. “I’m just packing.”
“Moving again?” he asked with faint sarcasm. “You used to be easier to keep track of.”
“Because I was living in a nest of spies!” she threw at him, having only recently gleaned that bit of information from Colby. “You got me an apartment surrounded by government agents!”
“It was the safest place for you,” he said simply. “Someone was always watching you when I couldn’t.”
“I didn’t need watching!”
“You did,” he returned, perching on the arm of her big easy chair to stare at her intently. “You never realized it, but you were a constant target for anyone who had a grudge against me. In the end, it was why I gave up government work and got a job in the private sector.” He folded his arms over his broad chest, watching surprise claim her features. “There was a communist agent with a high-powered rifle one day, and a South American gentlemen with an automatic pistol the following week. You were never told about them. But you had two close calls. If you hadn’t been living in a ‘nest of spies,’ I’d have buried you. Funerals are expensive,” he added with a cold smile.
She stared at him blankly. “Why didn’t you just send me back to South Dakota?” she asked.
“To your stepfather?” he drawled.
That was still a sore spot with her, and she was certain that he knew it. But she wouldn’t give him the satisfaction of arguing. He seemed to be spoiling for a fight. She turned away to the kitchen. “Want a cup of coffee?”
He got up and took her by the shoulders. “I’m sorry,” he said. “That was a low blow.”
“Another in a long line of them lately,” she said without meeting his eyes. “I seem to do nothing except rub you the wrong way.”
“And you don’t know why?” he asked curtly, letting her go.
She moved one shoulder as she went about the business of getting down a cup and saucer. “At a guess, you’re mad at somebody you can’t get to, and I’m the stand-in.”
He chuckled. “How do you see through me so easily? Even my mother can’t do that.”
If he thought about it, he’d know, she thought miserably.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Haven’t even fucked her yet and she’s shuddering under my touch.
It’s in this moment that I know I’m done waiting.
Done waiting for her to fully come to me.
I’m over being patient.
Gabriella is going to be mine in every way I can have her.
“You can walk away from this right now. Today. I will allow it. You’re tired and I prefer you get some decent rest if you won’t get it here.”
“Allow?”
My hand circles around the front of her throat, unable to not touch her in any way that I can. I feel like a beggar needing water who’s just been handed a jug. All I want to do is roam over her skin and memorize how every silky inch feels. I know my touch is possessive and out of fucking order, seeing as only hours ago she was still treating me as her boss only. But she made that switch when she turned up, didn’t she? She can’t take that back now.
“Yes, allow. I gave you time to come to me. Here you are, Gabriella. Now you can put us in my hands.”
She blinks and I feel the pulse in her delicate throat start to jump. What she doesn’t do is move out from under my hands. I feel as though she’s gifted me a prize. So close to her, her scent is arresting, she smells fucking good, lickable.
She sucks her lower lip between her teeth and I want to bite it hard.
“What… what does that even mean?”
“It means you can no longer deny what we are, cara. It’s time for me to make the decisions in how we proceed from here. No more waiting.”
“What are we?”
“An explosion.
”
”
V. Theia (Manhattan Target (From Manhattan #6))
“
When facing a problem
The First Step is stopping
Stop letting where you are at
Be the mindset that determines how far you can get
Yeah, you’ve been cut plus stabbed in the back
But use a suture
Fix your eyes on a time in the future
Wrap your hands round the straps of your boots
Or your bow aimed by you
A well-trained archer after success a target much larger
You are not a problem
You are THEE
Problem Solver
The Second Step
Remember where you were
Experience has knit the sack, your quiver
So set a goal, get your arrow, let it go
And when you grow
Tell them, Oh . . . I understand
Your story
Might be the sword in her hand
Tell him, You are me.
Tell of how you used to be
the epitome of POV-erty
But now you know the best way out undoubtedly is PO-etry
”
”
T.L. Sanders (kNew: The Poetic Screenplay)
“
1. Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you.
2. The man who passes the sentence should swing the sword.
3. A wise man does not make demands of kings.
4. A mind needs a book as a sword needs a whetstone, if it is to keep it's edge.
5. People often claim to hunger for truth, but seldom like the taste when it's served up.
6. A reader lives a thousand lives before he dies. The man who never reads lives only one.
7. I swear to you, sitting a throne is a thousand times harder than winning one.
8. In the world as I have seen it, no man grows rich by kindness.
9. If a man paints a target on his chest, he should expect that sooner or later someone will loose an arrow on him.
10. Crowns do queer things to the heads beneath them.
11. In battle a Captain's lungs are as important as his sword arm. I does not matter how brave or brilliant the man is if his commands can't be heard.
12. A man is never so vulnerable in battle as when he flees.
13. Gold has it's uses, but wars are won with iron.
14. The man who fears losing has already lost.
15. Words are wind.
16. The unseen enemy is always the most fearsome.
17. Sharp steel and strong arms rule this world, don't ever believe any different.
18. Give gold to a foe and he will just come back for more.
19. In this world only winter is certain.
20. The gods have no mercy. That's why they're gods.
21. I have learned that the contents of a man's letters are more valuable than the contents of his wallet
”
”
George R.R. Martin
“
Dottie: I miss being across the hall from you.
Jason: Words I never thought you’d say.
Dottie: I know, I surprised myself, but despite your annoying tendencies and non-stop chattering, I miss it.
Jason: You’re making my heart soar like a fucking falcon. A goddamn FALCON, Dottie.
Dottie: Falcon. That’s pretty serious. Do you know what would have been more serious? An albatross.
Jason: Pfft, no way. They might have a ten-foot wingspan, but they’re seabirds, so they shit in the ocean. Where’s the fun in that?
Dottie: As opposed to . . .
Jason: Shitting on people’s heads, of course. If I was a bird, that would be my main purpose in life, shitting on unsuspecting people’s heads. Think about it, being targeted by a bird bowel movement is detrimental as a human being. You’re just going about your normal business when all of a sudden, WHACK, white goop drips from your forehead down your cheek. What is that, you think? You carefully touch it, your fingers immediately wet with semi-warm liquid. And when you realize it’s an anal secretion from a flying vertebrate, all hell breaks loose. The horror! The disgust! The SHAME OF BEING SHIT ON. There’s no coming back from that. #DayRuined And as the maniacal bird, there you are, floating around in the peaceful skies, watching idiot humans running around in circles, trying to get rid of the poo-poo. With one flip of the feather—or the bird, hey-o—you’re off to the bird feeder, filling up so you can drop turd once again. A vicious cycle of humans feeding birds only to get shit on unsuspectedly, I AM HERE FOR THAT!
Dottie: I was wrong. I don’t have to be across the hall to be annoyed by you.
”
”
Meghan Quinn (The Lineup)
“
REQUIREMENTS TO BE GREAT AT RUNNING HR What kind of person should you look for to comprehensively and continuously understand the quality of your management team? Here are some key requirements: World-class process design skills Much like the head of quality assurance, the head of HR must be a masterful process designer. One key to accurately measuring critical management processes is excellent process design and control. A true diplomat Nobody likes a tattletale and there is no way for an HR organization to be effective if the management team doesn’t implicitly trust it. Managers must believe that HR is there to help them improve rather than police them. Great HR leaders genuinely want to help the managers and couldn’t care less about getting credit for identifying problems. They will work directly with the managers to get quality up and only escalate to the CEO when necessary. If an HR leader hoards knowledge, makes power plays, or plays politics, he will be useless. Industry knowledge Compensation, benefits, best recruiting practices, etc. are all fast-moving targets. The head of HR must be deeply networked in the industry and stay abreast of all the latest developments. Intellectual heft to be the CEO’s trusted adviser None of the other skills matter if the CEO does not fully back the head of HR in holding the managers to a high quality standard. In order for this to happen, the CEO must trust the HR leader’s thinking and judgment. Understanding things unspoken When management quality starts to break down in a company, nobody says anything about it, but super-perceptive people can tell that the company is slipping. You need one of those.
”
”
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers—Straight Talk on the Challenges of Entrepreneurship)
“
One of the things necessary for healing to take place is recognizing the truth of the relationship and that person. You experienced so many covert lies; it is incredibly helpful to be able to see clearly. The truth is you were in love with an illusion, with the person they portrayed themselves to be. At first, this is an excruciating realization. You will doubt and wonder if you are overinflating this, if they really are innocent and you’re just scared to move on. You will have a ton of self-doubt. Eventually, with education and support, you will see that your hunch, your inner knowing, is on target. In time the truth that you were in love with an illusion will feel like a relief because truth does set you free. That full realization will validate years of confusion you felt, years of unexplained exhaustion and health issues, years of sexual confusion, years of feeling less than, and years of unhappiness, along with anxiety. You lived in an unsafe environment, were demeaned and devalued for years (decades for some of you; entire childhoods for many of you). You did not experience unconditional love; you did not live with someone who treated you with respect, who cherished you, treasured you, and felt so lucky to have you in their life. No, the truth is you experienced a counterfeit. If this was a spouse or romantic partner, this awakening to the truth is excruciating because you did love that person with all your heart. You were dedicated. You were in 100%. The truth is that you were the lifeforce in the relationship. When you’re really honest with yourself, when you look back with clear vision, that life, that love you gave and felt, was never fully reciprocated.
”
”
Debbie Mirza (The Covert Passive Aggressive Narcissist: Recognizing the Traits and Finding Healing After Hidden Emotional and Psychological Abuse)
“
The Sherwood Forest Chronicles
.
1. If Robin Hood steals from the rich, doesn't that make them poor? Does he give them their money back? I mean, what the point of robbing to begin with if your mission statement is logically flawed?
2. If the Sheriff of Nottingham is such an asshole, why isn’t he the Prime Minister of Nottingham?
3. Why don’t I see elves here? Did all the elves of Sherwood Forest migrate to New Zealand to become extras on the Peter Jackson’s Hobbit films?
4. Does Little John even know what an oxymoron is?
5. If Smokey the Bear came to Sherwood Forest to make a public service announcement about preventing forest fires, would he leave with arrows in his ass or would the Merry Men feast on bear meat for several days? And what makes the Merry Men merry in the first place?
6. What do you think? Does Robin Hood shop at Walmart or Target?
”
”
Beryl Dov
“
Narrative and analytical information does not coexist. It cannot; that’s simply impossible. The human brain is unable to be coldly analytical and warmly engaged in a narrative at the same time. This is the secret power of the intrigue frame. When your target drills down into technical material, you break that frame by telling a brief but relevant story that involves you. This is not a story that you make up on the spot; this is a personal story that you have prepared in advance and that you take to every meeting you have. Since all croc brains are pretty similar, you will not need more than one story because the intrigue it will contain will have the same impact on every audience. You need to be at the center of the story, which immediately redirects attention back to you. People will pause, look up, and listen because you are sharing something personal.
”
”
Oren Klaff (Pitch Anything: An Innovative Method for Presenting, Persuading, and Winning the Deal)
“
I must say, you aren’t being very mature or very consistent!”
His dark brows snapped together as their truce began to disintegrate. “What the hell is that supposed to mean?”
Elizabeth bridled, looking at him like the haughty, disdainful young aristocrat she was born to be. “It means,” she informed him, making a monumental effort to speak clearly and coolly, “that you have no right to act as if I did something evil, when in truth you yourself regarded it as nothing but a-a meaningless dalliance. You said as much, so there’s no point in denying it!”
He finished loading the gun before he spoke. In contrast to his grim expression, his voice was perfectly bland. “My memory apparently isn’t as good as yours. To whom did I say that?”
“My brother, for one,” she said, impatient with his pretense.
“Ah, yes, the honorable Robert,” he replied, putting sarcastic emphasis on the word “honorable.” He turned to the target and fired, but the shot was wide of the mark.
“You didn’t even hit the right tree,” Elizabeth said in surprise. “I thought you said you were going to clean the guns,” she added when he began methodically sliding them into leather cases, his expression preoccupied.
He looked up at her, but she had the feeling he’d almost forgotten she was there. “I’ve decided to do it tomorrow instead.” Ian went into the house, automatically putting the guns back on the mantel; then he wandered over to the table, frowning thoughtfully as he reached for the bottle of Madeira and poured some into his glass. He told himself it made no difference how she might have felt when her brother told her that falsehood. For one thing, she was already engaged at the time, and, by her own admission, she’d regarded their relationship as a flirtation. Her pride might have suffered a richly deserved blow, but nothing worse than that.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
It had been obvious to me from a young age that my parents didn’t like one another. Couples in films and on television performed household tasks together and talked fondly about their shared memories. I couldn’t remember seeing my mother and father in the same room unless they were eating. My father had “moods.” Sometimes during his moods my mother would take me to stay with her sister Bernie in Clontarf, and they would sit in the kitchen talking and shaking their heads while I watched my cousin Alan play Ocarina of Time. I was aware that alcohol played a role in these incidents, but its precise workings remained mysterious to me. I enjoyed our visits to Bernie’s house. While we were there I was allowed to eat as many digestive biscuits as I wanted, and when we returned, my father was either gone out or else feeling very contrite. I liked it when he was gone out. During his periods of contrition he tried to make conversation with me about school and I had to choose between humoring and ignoring him. Humoring him made me feel dishonest and weak, a soft target. Ignoring him made my heart beat very hard and afterward I couldn’t look at myself in the mirror. Also it made my mother cry. It was hard to be specific about what my father’s moods consisted of. Sometimes he would go out for a couple of days and when he came back in we’d find him taking money out of my Bank of Ireland savings jar, or our television would be gone. Other times he would bump into a piece of furniture and then lose his temper. He hurled one of my school shoes right at my face once after he tripped on it. It missed and went in the fireplace and I watched it smoldering like it was my own face smoldering. I learned not to display fear, it only provoked him. I was cold like a fish. Afterward my mother said: why didn’t you lift it out of the fire? Can’t you at least make an effort? I shrugged. I would have let my real face burn in the fire too. When he came home from work in the evening I used to freeze entirely still, and after a few seconds I would know with complete certainty if he was in one of the moods or not. Something about the way he closed the door or handled his keys would let me know, as clearly as if he yelled the house down. I’d say to my mother: he’s in a mood now. And she’d say: stop that. But she knew as well as I did. One day, when I was twelve, he turned up unexpectedly after school to pick me up. Instead of going home, we drove away from town, toward Blackrock. The DART went past on our left and I could see the Poolbeg towers out the car window. Your mother wants to break up our family, my father said. Instantly I replied: please let me out of the car. This remark later became evidence in my father’s theory that my mother had poisoned me against him.
”
”
Sally Rooney (Conversations with Friends)
“
Am I to assume the Valerie I was introduced to earlier was the Valerie of our greenhouse notes?” He realized his mistake the instant her eyes clouded over and she glanced in the direction he’d looked.
“Yes.”
“Shall I ask Willington to clear his ballroom so you have the requisite twenty paces? Naturally, I’ll stand as your second.”
Elizabeth drew a shaky breath, and a smile curved her lips. “Is she wearing a bow?”
Ian looked and shook his head. “I’m afraid not.”
“Does she have an earring?”
He glanced again and frowned. “I think that’s a wart.”
Her smile finally reached her eyes. “It’s not a large target, but I suppose-“
“Allow me,” he gravely replied, and she laughed.
The last strains of their waltz were dying away, and as they left the dance floor Ian watched Mondevale making his way toward the Townsendes, who’d returned to the ballroom.
“Now that you’re a marquess,” Elizabeth asked, “will you live in Scotland or in England?”
“I only accepted the title, not the money or the lands,” he replied absently, watching Mondevale. “I’ll explain everything to you tomorrow morning at your house. Mondevale is going to ask you to dance as soon as we reach the Townsendes, so listen closely-I’m going to ask you to dance again later. Turn me down.”
She sent him a puzzled look, but she nodded. “Is there anything else?” she asked when he was about to relinquish her to her friends.
“There’s a great deal else, but it will have to wait until tomorrow.”
Mystified, Elizabeth turned her attention to Viscount Mondevale.
Alex watched the byplay between Elizabeth and Ian but her mind was elsewhere. While the couple danced, Alex had told her husband exactly what she thought of Ian Thornton who’d first ruined Elizabeth’s reputation and now deceived her into thinking he was still a man of very modest means. Instead of agreeing that Thornton was completely without principles, Jordan had calmly insisted that Ian intended to set matters aright in the morning, and then he’d made her, and his grandmother, promise not to tell Elizabeth anything until Ian had been given the opportunity to do so himself. Dragging her thoughts back to the ballroom, Alex hoped more than anything that Ian Thornton would do nothing more to hurt her good friend.
By the end of the evening a majority of the guests at the Willington ball had drawn several conclusions: first, that Ian Thornton was definitely the natural grandson of the Duke of Stanhope (which everyone claimed to have always believed); second, that Elizabeth Cameron had very probably rebuffed his scandalous advances two years ago (which everyone claimed to have always believed); third, that since she had rejected his second request for a dance tonight, she might actually prefer her former suitor Viscount Mondevale (which hardly anyone could really believe).
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
All the women, white or black or brown, who woke up like this, who came before me in this town. Think of them. Heads up, eyes on the target. Running. Full speed. Gravity be damned. Toward that thick layer of glass that is the ceiling. Running, full speed, and crashing. Crashing into that ceiling and falling back. Crashing into it and falling back. Into it and falling back. Woman after woman. Each one running and each one crashing. And everyone falling. How many women had to hit that glass before the first crack appeared? How many cuts did they get, how many bruises? How hard did they have to hit the ceiling? How many women had to hit that glass to ripple it, to send out a thousand hairline fractures? How many women had to hit that glass before the pressure of their effort caused it to evolve from a thick pane of glass into just a thin sheet of splintered ice? So that when it was my turn to run, it didn’t even look like a ceiling anymore.
”
”
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
“
He lays out the methods to achieve this, which he describes as “mind manipulation.” The goal, Nir says, is to “create a craving” in human beings—and he cites B. F. Skinner as a model for how to do it. His approach can be summarized by the headline on one of his blog posts: “Want to Hook Your Users? Drive Them Crazy.” The goal of the designer is to create an “internal trigger” (remember them?) that will keep the user coming back again and again. To help the designer picture the kind of person they are targeting, he says they should imagine a user he names Julie, who “fears being out of the loop.” He comments: “Now we’ve got something! Fear is a powerful internal trigger, and we can design our solution to help calm Julie’s fear.” Once you have succeeded in playing on feelings like this, “a habit is formed, [and so] the user is automatically triggered to use the product during routine events such as wanting to kill time while waiting in line,” he writes approvingly. Designers
”
”
Johann Hari (Stolen Focus: Why You Can't Pay Attention—and How to Think Deeply Again)
“
I select the right practice gun, the one about the size of a pistol, but bulkier, and offer it to Caleb.
Tris’s fingers slide between mine. Everything comes easily this morning, every smile and every laugh, every word and every motion.
If we succeed in what we attempt tonight, tomorrow Chicago will be safe, the Bureau will be forever changed, and Tris and I will be able to build a new life for ourselves somewhere. Maybe it will even be a place where I trade my guns and knives for more productive tools, screwdrivers and nails and shovels. This morning I feel like I could be so fortunate. I could.
“It doesn’t shoot real bullets,” I say, “but it seems like they designed it so it would be as close as possible to one of the guns you’ll be using. It feels real, anyway.”
Caleb holds the gun with just his fingertips, like he’s afraid it will shatter in his hands.
I laugh. “First lesson: Don’t be afraid of it. Grab it. You’ve held one before, remember? You got us out of the Amity compound with that shot.”
“That was just lucky,” Caleb says, turning the gun over and over to see it from every angle. His tongue pushes into his cheek like he’s solving a problem. “Not the result of skill.”
“Lucky is better than unlucky,” I say. “We can work on skill now.”
I glance at Tris. She grins at me, then leans in to whisper something to Christina.
“Are you here to help or what, Stiff?” I say. I hear myself speaking in the voice I cultivated as an initiation instructor, but this time I use it in jest. “You could use some practice with that right arm, if I recall correctly. You too, Christina.”
Tris makes a face at me, then she and Christina cross the room to get their own weapons.
“Okay, now face the target and turn the safety off,” I say. There is a target across the room, more sophisticated, than the wooden-board target in the Dauntless training rooms. It has three rings in three different colors, green, yellow, and red, so it’s easier to tell where the bullets it. “Let me see how you would naturally shoot.”
He lifts up the gun with one hand, squares off his feet and shoulders to the target like he’s about to lift something heavy, and fires. The gun jerks back and up, firing the bullet near the ceiling. I cover my mouth with my hand to disguise my smile.
“There’s no need to giggle,” Caleb says irritably.
“Book learning doesn’t teach you everything, does it?” Christina says. “You have to hold it with both hands. It doesn’t look as cool, but neither does attacking the ceiling.”
“I wasn’t trying to look cool!”
Christina stands, her legs slightly uneven, and lifts both arms. She stares the target for a moment, then fires. The training bullet hits the outer circle of the target and bounces off, rolling on the floor. It leaves a circle of light on the target, marking the impact site. I wish I’d had this technology during initiation training.
“Oh, good,” I say. “You hit the air around your target’s body. How useful.”
“I’m a little rusty,” Christina admits, grinning.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
All the women, white or black or brown, who woke up like this, who came before me in this town. Think of them. Heads up, eyes on the target. Running. Full speed. Gravity be damned. Toward that thick layer of glass that is the ceiling. Running, full speed, and crashing. Crashing into that ceiling and falling back. Crashing into it and falling back. Into it and falling back. Woman after woman. Each one running and each one crashing. And everyone falling. How many women had to hit that glass before the first crack appeared? How many cuts did they get, how many bruises? How hard did they have to hit the ceiling? How many women had to hit that glass to ripple it, to send out a thousand hairline fractures? How many women had to hit that glass before the pressure of their effort caused it to evolve from a thick pane of glass into just a thin sheet of splintered ice? So that when it was my turn to run, it didn’t even look like a ceiling anymore. I mean, the wind was already whistling through—I could always feel it on my face. And there were all these holes giving me a perfect view to the other side. I didn’t even notice the gravity, I think it had already worn itself away. So I didn’t have to fight as hard. I had time to study the cracks. I had time to decide where the air felt the rarest, where the wind was the coolest, where the view was the most soaring. I picked my spot in the glass and I called it my target. And I ran. And when I finally hit that ceiling, it just exploded into dust. Like that. My sisters who went before me had already handled it. No cuts. No bruises. No bleeding. Making it through the glass ceiling to the other side was simply a matter of running on a path created by every other woman’s footprints. I just hit at exactly the right time in exactly the right spot. So I’m breaking my family’s rule today. This is a trophy for participation. And I am beyond honored and proud to receive it. Because this? Was a group effort. Thank you to all the women in this room. Thank you to all the women who never made it into this room. And thank you to all the women who will hopefully fill a room one hundred times this size when we are all gone. You are all an inspiration.
”
”
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
“
Today, working hard is about taking apparent risk. Not a crazy risk like betting the entire company on an untested product. No, an apparent risk: something that the competition (and your co-workers) believe is unsafe but that you realize is in fact far more conservative than sticking with the status quo. Richard Branson doesn’t work more hours than you do. Neither does Steve Ballmer or Carly Fiorina. Robyn Waters, the woman who revolutionized what Target sells—and helped the company trounce Kmart—probably worked fewer hours than you do in an average week. None of the people who are racking up amazing success stories and creating cool stuff are doing it just by working more hours than you are. And I hate to say it, but they’re not smarter than you either. They’re succeeding by doing hard work. As the economy plods along, many of us are choosing to take the easy way out. We’re going to work for the Man, letting him do all the hard work while we put in the long hours. We’re going back to the future, to a definition of work that embraces the grindstone. Some people (a precious few, so far) are
”
”
Seth Godin (Small Is the New Big: and 183 Other Riffs, Rants, and Remarkable Business Ideas)
“
She says you're different, you know," he continues, turning back around to continue slicing his tomatoes. "I've been trying to see it… to see what she sees… but you don't seem any different to me."
I want to tell him it's because he's not looking hard enough, but that's a lie and I know it. The problem is, he's looking harder than Karissa is. She thinks I'm different because she wants me to be. And I'm trying to be. But I'm still me.
I can't be anybody but me.
At some point, every part of me became every part of that. The life isn't just something I lived… it was how I survived. It infused itself into every one of my cells, infecting every mitochondrion. It's in my blood and my bones, and unless you drain me dry and rip me to pieces, you'll never rid me of all of it.
It's like expecting a man to survive without a beating heart in his chest.
Expecting him to breathe without lungs.
Expecting him to fight when he has no reason to live.
It's like expecting a man to still be a man after taking away everything that makes him who he is.
I can be good to her.
I might even be good for her.
But that doesn't mean I'm good.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
I still have no choice but to bring out Minerva instead.”
“But Minerva doesn’t care about men,” young Charlotte said helpfully. “She prefers dirt and rocks.”
“It’s called geology,” Minerva said. “It’s a science.”
“It’s certain spinsterhood, is what it is! Unnatural girl. Do sit straight in your chair, at least.” Mrs. Highwood sighed and fanned harder. To Susanna, she said, “I despair of her, truly. This is why Diana must get well, you see. Can you imagine Minerva in Society?”
Susanna bit back a smile, all too easily imagining the scene. It would probably resemble her own debut. Like Minerva, she had been absorbed in unladylike pursuits, and the object of her female relations’ oft-voiced despair. At balls, she’d been that freckled Amazon in the corner, who would have been all too happy to blend into the wallpaper, if only her hair color would have allowed it.
As for the gentlemen she’d met…not a one of them had managed to sweep her off her feet. To be fair, none of them had tried very hard.
She shrugged off the awkward memories. That time was behind her now.
Mrs. Highwood’s gaze fell on a book at the corner of the table. “I am gratified to see you keep Mrs. Worthington close at hand.”
“Oh yes,” Susanna replied, reaching for the blue, leatherbound tome. “You’ll find copies of Mrs. Worthington’s Wisdom scattered everywhere throughout the village. We find it a very useful book.”
“Hear that, Minerva? You would do well to learn it by heart.” When Minerva rolled her eyes, Mrs. Highwood said, “Charlotte, open it now. Read aloud the beginning of Chapter Twelve.”
Charlotte reached for the book and opened it, then cleared her throat and read aloud in a dramatic voice. “’Chapter Twelve. The perils of excessive education. A young lady’s intellect should be in all ways like her undergarments. Present, pristine, and imperceptible to the casual observer.’”
Mrs. Highwood harrumphed. “Yes. Just so. Hear and believe it, Minerva. Hear and believe every word. As Miss Finch says, you will find that book very useful.”
Susanna took a leisurely sip of tea, swallowing with it a bitter lump of indignation. She wasn’t an angry or resentful person, as a matter of course. But once provoked, her passions required formidable effort to conceal.
That book provoked her, no end.
Mrs. Worthington’s Wisdom for Young Ladies was the bane of sensible girls the world over, crammed with insipid, damaging advice on every page. Susanna could have gleefully crushed its pages to powder with a mortar and pestle, labeled the vial with a skull and crossbones, and placed it on the highest shelf in her stillroom, right beside the dried foxglove leaves and deadly nightshade berries.
Instead, she’d made it her mission to remove as many copies as possible from circulation. A sort of quarantine. Former residents of the Queen’s Ruby sent the books from all corners of England. One couldn’t enter a room in Spindle Cove without finding a copy or three of Mrs. Worthington’s Wisdom. And just as Susanna had told Mrs. Highwood, they found the book very useful indeed. It was the perfect size for propping a window open. It also made an excellent doorstop or paperweight. Susanna used her personal copies for pressing herbs. Or occasionally, for target practice.
She motioned to Charlotte. “May I?” Taking the volume from the girl’s grip, she raised the book high. Then, with a brisk thwack, she used it to crush a bothersome gnat.
With a calm smile, she placed the book on a side table. “Very useful indeed.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
Use your brain to knock out your opponent. Now that we have a basic understanding of diffuse axonal injury, the obvious next question is, “How can I use this knowledge to become a better fighter?” Sometimes the right visualization of the process is all it takes so give your training a significant edge. When you throw a punch, think about how your punch will rotate your opponent’s head. If you give your opponent a linear palm strike to the face, you will probably do a lot of damage to your opponent, but if you can strike and then move your hand up and over, forcing your opponent to look up at the ceiling, you will probably have a better chance of knockout from that strike. Another way to adjust your training is to practice hitting something that can rotate. Some heavy bags or double-end bags can rotate when you hit them, or you can try out the Quest Training AllStrike, which functions much like a focus mitt in the shape of a human head for fine-tuning your targeting, but it also provides realistic rotational feedback. If you can start understanding when you are spinning a head versus when you are pushing it back, you are on your way to being a better knockout artist.
”
”
Jason Thalken (Fight Like a Physicist: The Incredible Science Behind Martial Arts (Martial Science))
“
If you’re hoping for a good meal, you’ve come to the wrong place. Miss Cameron has already attempted to sacrifice herself on the altar of domesticity this morning, and we both narrowly escaped death from her efforts. I’m cooking supper,” he finished, “and it may not be much better.”
“I’ll try my hand at breakfast,” the vicar volunteered good-naturedly.
When Elizabeth was out of earshot, Ian said quietly, “How badly is the woman hurt?”
“It’s hard to say, considering that she was almost too angry to be coherent. Or it might have been the laudanum that did it.”
“Did what?”
The vicar paused a moment to watch a bird hop about in the rustling leaves overhead, then he said, “She was in a rare state. Quite confused. Angry, too. On the one hand, she was afraid you might decide to express your ‘tender regard’ for Lady Cameron, undoubtedly in much the way you were doing it when I arrived.” When his gibe evoked nothing but a quirked eyebrow from his imperturbable nephew, Duncan sighed and continued, “At the same time, she was equally convinced that her young lady might try to shoot you with your own gun, which I distinctly understood her to say the young lady had already tried to do. It is that which I feared when I heard the gunshots that sent me galloping up here.”
“We were shooting at targets.”
The vicar nodded, but he was studying Ian with an intent frown.
“Is something else bothering you?” Ian asked, noting the look.
The vicar hesitated, then shook his head slightly, as if trying to dismiss something from his mind. “Miss Throckmorton-Jones had more to say, but I can scarcely credit it.”
“No doubt it was the laudanum,” Ian said, dismissing the matter with a shrug.
“Perhaps,” he said, his frown returning. “Yet I have not taken laudanum, and I was under the impression you are about to betroth yourself to a young woman named Christina Taylor.”
“I am.”
His face turned censorious. “Then what excuse can you have for the scene I just witnessed a few minutes ago?”
Ian’s voice was clipped. “Insanity.”
They walked back to the house, the vicar silent and thoughtful, Ian grim. Duncan’s untimely arrival had not bothered him, but now that his passion had finally cooled he was irritated as hell with his body’s uncontrollable reaction to Elizabeth Cameron. The moment his mouth touched hers it was as if his brain went dead. Even though he knew exactly what she was, in his arms she became an alluring angel.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
AT: oKAYYYY, mY BROMO SAPIEN,
AT: r U READY,
AT: tO GET STRAIGHT IN, FLAT DOWN, BROAD SIDE, SCHOOL FED UP THE BONE BULGE,
AT: bY A DOPE SMACKED, TRINKED OUT, SMOTHER FUDGING,
AT: tROLLLLLLLLLLLLLLLLL,
TG: dont care
AT: oK, lET ME,
AT: oRGANIZE MY NOTES HERE,
AT: oKAYYY,
AT: (tURN ON SOME STRICT BEATS MAYBE, iT WILL HELP TO LISTEN TO THEM WHILE i DESTROY YOU,)
AT: wHEN THE POLICE MAN BUSTS ME, aND POPS THE TRUNK,
AT: hE'S ALL SUPRISED TO FIND I'M TOTING SICK BILLY,
AT: wHOSE,
AT: gOAT IS THAT, hE ASKS, wHILE HE STOPS TO THUNK
AT: aBOUT IT, aND i'S JUST SAY IT'S DAVE'S, yOU SILLY
AT: gOOSE,
AT: bUT THE MAN SAYS, gOOSE! wHERE, lET ME SEE YOUR HANDS,
AT: aND i SAY SHIT SORRY, i DIDN'T KNOW IT WAS HONKTRABAND,
AT: wOW, oK,
AT: i AM GETTING OFF THE POINT, wHICH WAS,
AT: aBOUT THIS HOT MESS DAVE, tHAT YOU GOT LANDED IN,
AT: lIKE THE COP i MENTIONED, bUT INSTEAD OF YOUR BADGE,
AT: aND YOUR GUN, IT'S YOUR ASS THAT YOU HANDED IN,
AT: (aND THEN GOT HANDED BACK TO YOU,)
AT: cAUSE THAT'S HOW HUMANS GET SERVED,
AT: aND GUYS LIKE YOU DESERVE TO UNDERSTAND THAT iT'S,
AT: a CIRCLE AND HORNS IN YOUR BUTT THAT GOT BRANDED IN,
AT: (uMM, bEFORE i GAVE YOUR ASS BACK TO YOU, i DID THAT, iS WHAT i MEAN,)
AT: bUT i MEAN, gETTING BACK TO THE POINT, oR MAYBE TWO ACTUALLY,
AT: tHE FIRST IS YOU SUCK, aND THE SECOND IS HOW i SMACKEDYOUFULLY,
AT: (oH YEAH, tHAT RHYME WAS SO ILLLLLLLLL,)
AT: bUT NO, jUST JOKING, lET'S SEE, hOW CAN i PUT THIS TACTFULLULLY,
AT: i MEAN THE POINTS ON THE HORNS ON MY HEAD,
AT: cOMING AT YOU THROUGH TRAFFIC,
AT: aIMED AT THE TARGET ON YOUR SHIRT THAT IS RED,
AT: wE'RE ABOUT TO GET MAD HORNOGRAPHIC,
AT: (i MEAN SORT OF LIKE A GRAPHIC CRIME SCENE, nOT LIKE,)
AT: (aNYTHING SEXUAL,)
AT: (eRR, wHOAAAAA,)
AT: (nEVERMIND,)
AT: oK, gETTING BACK TO THE ACTUAL, tACTICAL, vERNACULAR SMACKCICLE,
AT: i'M FORCING YOU TO BE LICKING, (aND lIKING,)
AT: gRAB MY HORNS AND START KICKING, lIKE YOU'RE RIDING A VIKING,
AT: cAUSE i'M YOUR BULLY, aND YOU'RE NOT IN CHARGE,
AT: yOU THINK YOU'RE IN CHARGE BUT YOU'RE NOT IN CHARGE,
AT: i'M IN CHARGE, cAUSE i'M CHARGING IN,
AT: yOUR CHINASHOP,
AT: bREAKING, uH, yOUR PLATES AND STUFF, WHICH i DON'T REALLY KNOW,
AT: wHAT THE PLATES ARE SUPPOSED TO REPRESENT, bUT,
AT: (fUCK,)
AT: iT'S JUST THAT YOU THINK YOU ARE THE COCK OF THE WALK'S HOT SHIT
AT: bUT WHEN IN FACT YOU ARE NOT, mORE LIKE YOU ARE,
AT: sOMETHING THAT RHYMES WITH THE COCK OF THE WALK'S HOT SHIT,
AT: bUT IS SO MUCH WORSE THAN THE COCK'S SHIT,
AT: sO, gIVEN THAT, lET ME BE THE FIRST,
AT: tO SAY YOU ACT LIKE YOU'RE GOLD FROM PROSPIT,
AT: wHEN YOU'RE REALLY COLD SHIT FLUSHED FROM DERSE,
”
”
Andrew Hussie (Homestuck)
“
Get off your horse, Jack."
"Why don't you just ride outta here, missy, and I'll forget this ever happened."
Willow's voice trembled with fury. "Get off your horse," she repeated. "Slow and easy."
Still grinning his contempt, he did as he asked.
"That's good. Now, real slow like, take your gunbelt off and toss it my way."
"Like hell!" A shot rang out and nicked a chunk of leather from his boot. Cursing, he unbuckled his gun and tossed it at her mare's feet.
"Now,strip them britches off, underwear, too," she ordered.
"You little shi-" Bang! Jack's hat whizzed off his head. He dropped his pants in a puddle over his boots, trying his best to shelter his privates from her view.
"My,my,Jack." Willow laughed humorlessly. "Is that puny thing you're trying to hide the same thing you were threatening me with?"
If looks could kill, Willow would have been dead and buried ten times over, then and there.
"Take them confounded boots off so's you can get your pants clear off," she ordered in mock exasperation.
He wheeled around, gaining a modicum of privacy while he complied.
"You're puny all over, Jack. You got the boniest bee-hind I ever did see. You sure you ain't picked up a worm somewheres?"
"You're gonna pay for this,you little slut!"
"Shut your filthy mouth and pick them pants off the ground and toss 'em over here at my horse's feet. Then you can put your boots back on."
He gave the pants a toss, put his boots on, and turned around to face her, cuping his privates in his hands.
"Okay,Jack, finish the job. You've been real generous but I'm a greedy cuss. Give me the shirt off your back, too."
Cursing, he again turned around and obeyed.
"Oh,ah,Jack, you better reach behind you there,and get your hat. I'll let you keep it. We wouldn't want your bald spot to get sunburned."
Scofield now stood in nothing but his boots, using his hat to shield his lower half. Humiliated, the gunslinger's eyes burned with bloody intent. Willow suddenly regretted her damnable quick temper and realized the folly of her reckless retaliation. No doubt,the heinous man would seek revenge. But the damage was done and the man was so mad that backing off now would be the same as signing her death warrant.
"Step away from your horse and start walking toward the ranch, Scofield."
"You're out of your mind!"
"Maybe,but I bet you'll think twice before threatening to poke that puny thing at another lady."
"You? A lady? Ha!"
Willow's temper flared anew. "Walk, Jack. Real fast. Cuz if you don't, I'm gonna use your puny thing for target practice." Her bullet kicked up the dust at his feet and started him on his way.
”
”
Charlotte McPherren (Song of the Willow)
“
He clipped the male again, this time in the shoulder, sending Einar flying backward.
He was vaguely aware of Cyn racing to Leilani. He could hear her calling out his own name, but he tuned everything out, including her.
Con couldn’t go to her yet. The threat needed to be eliminated.
A red haze had descended across his vision as he body-slammed Einar, who was attempting to stand. That male wasn’t walking out of here.
He knew he wasn’t acting rational, that the threat could be put down easier than this, but he couldn’t stop the rage that had overtaken him.
Einar pumped a fist against Con’s ribcage as they tumbled to the ground. He barely felt it as he slammed a left hook across the male’s jaw. Didn’t feel anything as he jabbed him in the gut, the ribs, the face. Over and over. He felt a bloodlust overtake him as he pounded at Einar’s face. This male had wanted to hurt Leilani, to take her from Con.
Strong arms wrapped around Con, tackling him to the ground and rolling him off his target. “Con!” Cyn held him tight, his eyes wild as he kept him pinned down. “It’s done. You’re scaring her.”
Those words snapped him out of the dark fog of savagery that had overtaken him. Leilani stood a few feet away, her eyes wide as she stared at him. Fuck, he had scared her. “I’m fine,” he rasped to his brother.
Cyn paused before loosening his grip. When he did, Con stood, terrified he’d screwed things up for good. He didn’t glance at Einar, who he was certain was dead. He’d never lost control like that, had never even come close. It pierced him that Leilani had seen him kill someone, that he literally had blood on his hands in front of her now. “Leilani—”
She jumped at him, throwing her arms around his neck on a sob. “You came for me.”
Unable to do anything about the blood, he wrapped his arms around her and held tight.
Of course he’d come for her. There was nowhere she could go that he wouldn’t follow.
That realization slammed into him as if someone had actually struck him. They’d known each other less than two weeks but she’d changed his world without even trying. He would give up his role of leader for her. The thought should have terrified him, but it didn’t.
He buried his face against her neck, inhaled her sweet, arilod scent. “I’m not letting you go after the moon cycle.”
She sniffled, her fingers gripping his shoulders tight. “Good because I’m not going anywhere,” she said as she pulled back. Her eyes were bright with tears as she looked at him.
“I would move to the mainland for you.”
She blinked once in surprise before her lips pulled up into a smile. “No. This is your home— my home now.”
No, he realized, she was his home, but he simply nodded and crushed his mouth to hers.
”
”
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
“
Why did you cry off?”
She stiffened in surprise; then, trying to match his light, mocking tone, she said, “Viscount Mondevale proved to be a trifle high in the instep about things like his fiancé cavorting about in cottages and greenhouses with you.” She fired and missed.
“How many contenders are there this Season?” he asked conversationally as he turned to the target, pausing to wipe the gun.
She knew he meant contenders for her hand, and pride absolutely would not allow her to say there were none, nor had there been for a long time. “Well…” she said, suppressing a grimace as she thought of her stout suitor with a houseful of cherubs. Counting on the fact that he didn’t move in the inner circles of the ton, she assumed he wouldn’t know much about either suitor. He raised the gun as she said, “There’s Sir Francis Belhaven, for one.”
Instead of firing immediately as he had before, he seemed to require a long moment to adjust his aim. “Belhaven’s an old man,” he said. The gun exploded, and the twig snapped off.
When he looked at her his eyes had chilled, almost as if he thought less of her. Elizabeth told herself she was imagining that and determined to maintain their mood of light conviviality. Since it was her turn, she picked up a gun and lifted it.
“Who’s the other one?”
Relieved that he couldn’t possibly find fault with the age of her reclusive sportsman, she gave him a mildly haughty smile. “Lord John Marchman,” she said, and she fired.
Ian’s shout of laughter almost drowned out the report from the gun. “Marchman!” he said when she scowled at him and thrust the butt of the gun in his stomach. “You must be joking!”
“You spoiled my shot,” she countered.
“Take it again,” he said, looking at her with a mixture of derision, disbelief, and amusement.
“No, I can’t shoot with you laughing. And I’ll thank you to wipe that smirk off your face. Lord Marchman is a very nice man.”
“He is indeed,” said Ian with an irritating grin. “And it’s a damned good thing you like to shoot, because he sleeps with his guns and fishing poles. You’ll spend the rest of your life slogging through streams and trudging through the woods.”
“I happen to like to fish,” she informed him, striving unsuccessfully not to lose her composure. “And Sir Francis may be a trifle older than I, but an elderly husband might be more kind and tolerant than a younger one.”
“He’ll have to be tolerant,” Ian said a little shortly, turning his attention back to the guns, “or else a damned good shot.”
It angered Elizabeth that he was suddenly attacking her when she had just worked it out in her mind that they were supposed to be dealing with what had happened in a light, sophisticated fashion. “I must say, you aren’t being very mature or very consistent!
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
PRESCRIPTION 5 Low Back and Trunk This prescription can be used to treat these symptoms and restrictions: Abdominal pain Compromised breathing Hip extension range of motion Hip pain Low back pain Sciatica Spinal rotation, flexion and extension range of motion Overview Methods: Contract and relax Pressure wave Smash and floss Tools: Small ball Large ball Small bouncy ball or under-inflated soccer/volleyball Total time: 14 minutes This prescription is great for treating low back pain and supporting the hardworking muscles of your trunk. We’ve established that poor spinal mechanics and sitting can cause adaptive stiffness and irritation in the discs, ligaments, and muscles around your spine and trunk. And when that happens, low back pain is often the result. Although there are other contributing factors to consider, like previous injuries, arthritis, obesity, and stress, we would argue that one of the leading causes of low back pain and trunk-related problems stems from poor posture, prolonged sitting, and a lack of basic self-maintenance. Having spent the majority of this book outlining a protocol for preventing and resolving the issue from a mechanical standpoint, let’s turn our attention to the maintenance side of things. This prescription targets the muscles that are responsible for keeping your spine braced, as well as the muscles that may get stiff when you move poorly or sit for too long.
”
”
Kelly Starrett (Deskbound: Standing Up to a Sitting World)
“
Rider cursed, ducked another blow, threw one of his own, and then bent down, hoisting the scrappy little female, none too gently, over his shoulder. "This is no place for you, girl, even if this whole mess is your fault."
"My fault!" screamed Willie, dangling upside down. "You're the one who had to go and open his big mouth!" She beat on his back as he dodged brawlers, and headed for safe ground. "Dammit, put me down, you overgrown ox. You're gonna make me miss the fight!"
As she screeched and kicked in a most unladylike manner,her small feet barely missed his vunerable groin. Raising his hand to smack her bottom, Rider found it suddenly immobilized by a fierce grip. "Take your hands off my sister!"
The lieutenant's head swiveled toward the owner of the surly voice, and met with a hard fist. He stumbled and bumped into another brawling twosome, slacking his grip on Willie's legs. Seizing the advantage,she aimed a well-placed kick,and this time connected with her intended target.
Rider grabbed his crotch and lurched forward in pain, dropping the little hellion on top of her brother. Like cats, the girl and her sibling were on their feet,weaving a zigzag escape through the mayhem.
Rider quickly regained his balance and swore, "Damn,I should have known the little rebel had a brother." Still cupping his privates and cursing the air blue, he watched brother and sister disappear. "Someday, freckle face, someday.
”
”
Charlotte McPherren (Song of the Willow)
“
The store he’d chosen was Target. Which could be my second home, so I led him right to kids’ clothes.
He stood on the edge of the little girls’ department with his mouth slightly agape. “This is a lot of clothes.”
I laughed and looped my arm through his. “C’mon, it’s not that bad.”
“How do you choose anything? It just goes on forever.”
“What did your sister say? Be specific.” I released his arm and ran my fingers over a cute floral dress.
“Size two. No exact matches. Summer clothes. Nothing slutty. Shorts. Dresses. No pants.”
I turned and stared at him. “Wait, she said nothing slutty?”
He chuckled. “I just threw that in to see if you were really paying attention. You kind of had that glazed-over storegasm look.”
My lips parted. “Did you just say ‘storegasm’?”
With a sheepish grin he looked down, then glanced back up. “My sister calls it that. I swear it’s not my word. Like when she walks into her favorite store or finds a sale, she says it’s better than…” He looked away. “I think I’m just going to shut up now.”
“Huh.” I looked through the rack again. “I kind of like it. Storegasm.” Cade didn’t move as I repeated the word, testing it out for myself. “But don’t worry. I was listening. Trust me, you’d know if I was having a storegasm.” I glanced at him, then walked over to the next rack.
When he didn’t follow, I looked over my shoulder at him. “You coming?”
One eyebrow shot up.
I bit back a smile and turned away.
He cleared his throat and followed.
”
”
Renita Pizzitola (Just a Little Flirt (Crush, #2))
“
Robin leaned back and drained the rest of his Madeira. Several seconds passed before he realized that the poem had ended, and his appraisal was required. ‘We have translators working on poetry at Babel,’ he said blandly, for lack of anything better to say. ‘Of course that’s not the same,’ Pendennis said. ‘Translating poetry is for those who haven’t the creative fire themselves. They can only seek residual fame cribbing off the work of others.’ Robin scoffed. ‘I don’t think that’s true.’ ‘You wouldn’t know,’ said Pendennis. ‘You’re not a poet.’ ‘Actually—’ Robin fidgeted with the stem of his glass for a moment, then decided to keep talking. ‘I think translation can be much harder than original composition in many ways. The poet is free to say whatever he likes, you see – he can choose from any number of linguistic tricks in the language he’s composing in. Word choice, word order, sound – they all matter, and without any one of them the whole thing falls apart. That’s why Shelley writes that translating poetry is about as wise as casting a violet into a crucible.* So the translator needs to be translator, literary critic, and poet all at once – he must read the original well enough to understand all the machinery at play, to convey its meaning with as much accuracy as possible, then rearrange the translated meaning into an aesthetically pleasing structure in the target language that, by his judgment, matches the original. The poet runs untrammelled across the meadow. The translator dances in shackles.
”
”
R.F. Kuang (Babel)
“
It doesn’t matter what they think. Dance with me.”
He took her hand, and for the first time in a long while, she felt safe. He pulled her to the center of the floor and into the motions of the dance.
Ronan didn’t speak for a few moments, then touched a slim braid that curved in a tendril along Kestrel’s cheek. “This is pretty.”
The memory of Arin’s hands in her hair made her stiffen.
“Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.”
She attempted a light tone. “What will ladies do, when this kind of exaggerated flirtation is no longer the fashion? We shall be spoiled.”
“You know it’s not mere flirtation,” Ronan said. “You’ve always known.”
And Kestrel had, it was true that she had, even if she hadn’t wanted to shake the knowledge out of her mind and look at it, truly see it. She felt a dull spark of dread.
“Marry me, Kestrel.”
She held her breath.
“I know things have been hard lately,” Ronan continued, “and that you don’t deserve it. You’ve had to be so strong, so proud, so cunning. But all of this unpleasantness will go away the instant we announce our engagement. You can be yourself again.”
But she was strong. Proud. Cunning. Who did he think she was, if not the person who mercilessly beat him at every Bite and Sting game, who gave him Irex’s death-price and told him exactly what to do with it? Yet Kestrel bit back her words. She leaned into the curve of his arm. It was easy to dance with him. It would be easy to say yes.
“Your father will be happy. My wedding gift to you will be the finest piano the capital can offer.”
Kestrel glanced into his eyes.
“Or keep yours,” he said hastily. “I know you’re attached to it.”
“It’s just…you are very kind.”
He gave a short, nervous laugh. “Kindness has little to do with it.”
The dance slowed. It would end soon.
“So?” Ronan had stopped, even though the music continued and dancers swirled around them. “What…well, what do you think?”
Kestrel didn’t know what to think. Ronan was offering everything she could want. Why, then, did his words sadden her? Why did she feel like something had been lost? Carefully, she said, “The reasons you’ve given aren’t reasons to marry.”
“I love you. Is that reason enough?”
Maybe. Maybe it would have been. But as the music drained from the air, Kestrel saw Arin on the fringes of the crowd. He watched her, his expression oddly desperate. As if he, too, were losing something, or it was already lost.
She saw him and didn’t understand how she had ever missed his beauty. How it didn’t always strike her as it did now, like a blow.
“No,” Kestrel whispered.
“What?” Ronan’s voice cut into the quiet.
“I’m sorry.”
Ronan swiveled to find the target of Kestrel’s gaze. He swore.
Kestrel walked away, pushing past slaves bearing trays laden with glasses of pale gold wine. The lights and people blurred in her stinging eyes. She walked through the doors, down a hall, out of the palace, and into the cold night, knowing without seeing or hearing or touching him that Arin was at her side.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
You want me,' I put my hand on his chest and feel his heart pounding. 'And I know that scares you even though I want you just as badly.'
He stiffens.
'But here's the thing,' I hold his gaze, knowing he could bolt at any second. 'You don't get to dictate how I feel. You might give the orders out there, but not in here. You don't get to tell me we can fuck but I can't fall for you. That's not fair. You can only respect what I choose to do. So we're not doing this again until I want to risk my heart. And if I fall, then that's my problem, not yours. You're not responsible for my choices.'
His jaw clenches once. Twice. And then he pushes off the wall, giving me space. 'I think that's for the best. I'm graduating soon, and who knows where I'll end up. Besides, you and I are chained together because of Sgaeyl and Tairn, which complicates... everything.' He retreats one step at a time, the distance more than just physical. 'Besides, with all that pretending, I'm sure we'll eventually forget last night ever happened.'
The way we're looking at each other tells me neither of us is ever going to forget. And he can avoid it all he wants, but we're going to end up right here time and again until he's willing to recognise what this is. Because if there's one thing I know for certain, it's that I'm going to fall for this man- if I haven't already- and he's halfway there, too, whether he realises it or not.
Turning my back on him, I walk to the shattered halves of my throwing target and pick them up before heading back across my room. 'I never figured you for a liar, Xaden.' I shove the halves at his chest. 'You can get me a new one when you're ready to come to your senses. Then we'll blow off some steam.' I throw the aggravating man out.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
Syn finished with dispatch then called his first officer. While waiting for the phone to be answered he told Furi to pack a bag with whatever he would need for the next couple of days. Furi didn’t move.
“Furious,” Syn growled. He wanted to get the hell out of that apartment just in case Sasha wanted to come finish the job.
“I’m not leaving. She is not going to run me out of my own damn place.” Furi jutted out his chin in defiance.
Syn forgot about his phone call and came to stand directly in front of Furi. “Go and pack a bag now. That crazy bitch is not going to get a second chance if I have anything to say about it.”
“You don’t have anything to say about it.”
“The hell I don’t,” Syn barked. “Your foolish pride will get you killed. Let's deal with her and then you’re more than welcome to come home. Don’t let your stubbornness make you an easy target, because that’s just stupid.”
“You calling me stupid?” Furi snapped right back.
Syn rolled his eyes in frustration. “Are you fuckin’ kiddin’ me? Furious we don’t have time for this Mickey Mouse bullshit right now. Go get your shit and let’s move.” Syn went over to the only window in Furi’s apartment and stood watch while Furi threw some clothes, toiletries, books and a laptop into a bag, grumbling curses the entire time. Syn let him say whatever he wanted to, as long as he was doing what needed to be done.
Furi had a large duffle draped over his shoulder when he came to stand in front of Syn. “Done, Detective. Anything else you want to order me to do?”
Syn took a quick calming breath. He took Furi’s duffle off his shoulder and set it gently at his feet. He put his arms around Furi’s waist and pulled him to him. “I’m not trying to order you around. I just can’t let anyone hurt you.” Syn squeezed his eyes shut.
”
”
A.E. Via
“
The physical technique is important,” I say. “But it’s mostly a mental game, which is lucky for you, because you know how to play those. You don’t just practice the shooting, you also practice the focus. And then, when you’re in a situation where you’re fighting for your life, the focus will be so ingrained that it will happen naturally.”
“I didn’t know the Dauntless were so interested in training the brain,” Caleb says. “Can I see you try it, Tris? I don’t think I’ve ever really seen you shoot something without a bullet wound in your shoulder.”
Tris smiles a little and faces the target. When I first saw her shoot during Dauntless training, she looked awkward, birdlike. But her thin, fragile form has become slim but muscular, and when she holds the gun, it looks easy. She squints one eye a little, shifts her weight, and fires. Her bullet strays from the target’s center, but only by inches. Obviously impressed, Caleb raises his eyebrows.
“Don’t look so surprised!” Tris says.
“Sorry,” he says. “I just…you used to be so clumsy, remember? I don’t know how I missed that you weren’t like that anymore.”
Tris shrugs, but when she looks away, her cheeks are flushed and she looks pleased. Christina shoots again, and this time hits the target closer to the middle.
I step back to let Caleb practice, and watch Tris fire again, watch the straight lines of her body as she lifts the gun, and how steady she is when it goes off. I touch her shoulder and lean in close to her ear. “Remember during training, how the gun almost hit you in the face?”
She nods, smirking.
“Remember during training, when I did this?” I say, and I reach around her to press my hand to her stomach. She sucks in a breath.
“I’m not likely to forget that anytime soon,” she mutters.
She twists around and draws my face toward hers, her fingertips on my chin. We kiss, and I hear Christina say something about it, but for the first time, I don’t care at all.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
So what did you and Landon do this afternoon?” Minka asked, her soft voice dragging him back to the present.
Angelo looked up to see that Minka had already polished off two fajitas. Damn, the girl could eat. “Landon gave me a tour of the DCO complex. I did some target shooting and blew up a few things. He even let me play with the expensive surveillance toys. I swear, it felt more like a recruiting pitch to get me to work there than anything.”
Minka’s eyes flashed green, her full lips curving slightly. Damn, why the hell had he said it like that? Now she probably thought he was going to come work for the DCO. Even if he wanted to, he couldn’t, not after just reenlisting for another five years. The army wasn’t the kind of job where you could walk into the boss’s office and say, “I quit.”
Thinking it would be a good idea to steer the conversation back to safer ground, he reached for another fajita and asked Minka a question instead. “What do you think you’ll work on next with Ivy and Tanner? You going to practice with the claws for a while or move on to something else?”
Angelo felt a little crappy about changing the subject, but if Minka noticed, she didn’t seem to mind. And it wasn’t like he had to fake interest in what she was saying. Anything that involved Minka was important to him. Besides, he didn’t know much about shifters or hybrids, so the whole thing was pretty damn fascinating.
“What do you visualize when you see the beast in your mind?” he asked.
“Before today, I thought of it as a giant, blurry monster.
But after learning that the beast is a cat, that’s how I picture it now.” She smiled. “Not a little house cat, of course. They aren’t scary enough. More like a big cat that roams the mountains.”
“Makes sense,” he said.
Minka set the other half of her fourth fajita on her plate and gave him a curious look. “Would you mind if I ask you a personal question?”
His mouth twitched as he prepared another fajita. He wasn’t used to Minka being so reserved. She usually said whatever was on her mind, regardless of whether it was personal or not.
“Go ahead,” he said.
“The first time we met, I had claws, fangs, glowing red eyes, and I tried to kill you. Since then, I’ve spent most of the time telling you about an imaginary creature that lives inside my head and makes me act like a monster. How are you so calm about that? Most people would have run away already.”
Angelo chuckled. Not exactly the personal question he’d expected, but then again Minka rarely did the expected.
“Well, my mom was full-blooded Cherokee, and I grew up around all kinds of Indian folktales and legends.
My dad was in the army, and whenever he was deployed, Mom would take my sisters and me back to the reservation where she grew up in Oklahoma. I’d stay up half the night listening to the old men tell stories about shape-shifters, animal spirits, skin-walkers, and trickster spirits.” He grinned. “I’m not saying I necessarily believed in all that stuff back then, but after meeting Ivy, Tanner, and the other shifters at the DCO, it just didn’t faze me that much.”
Minka looked at him with wide eyes. “You’re a real American Indian? Like in the movies? With horses and everything?”
He laughed again. The expression of wonder on her face was adorable. “First, I’m only half-Indian. My dad is Mexican, so there’s that. And second, Native Americans are almost nothing like you see in the movies. We don’t all live in tepees and ride horses. In fact, I don’t even own a horse.”
Minka was a little disappointed about the no-horse thing, but she was fascinated with what it was like growing up on an Indian reservation and being surrounded by all those legends. She immediately asked him to tell her some Indian stories. It had been a long time since he’d thought about them, but to make her happy, he dug through his head and tried to remember every tale he’d heard as a kid.
”
”
Paige Tyler (Her Fierce Warrior (X-Ops, #4))
“
[...] Kevin had grown up playing left-handed. Seeing him take on Andrew right-handed was ballsy enough, seeing him actually score was surreal.
Kevin kicked them off the court [...], but instead of following [...] he stayed behind with Andrew to keep practicing. Neil watched them over his shoulder.
"I saw him first," Nicky said.
"I thought you had Erik," Neil said.
"I do, but Kevin's on the List," Nicky said. When Neil frowned, Nicky explained. "It's a list of celebrities we're allowed to have affairs with. Kevin is number three."
Neil pretended to understand and changed the topic.
"How does anyone lose against the Foxes with Andrew in your goal?"
"He's good, right? [...] Coach bribed Andrew into saving our collective asses with some really nice booze."
"Bribed?" Neil echoed.
"Andrew's good," Nicky said again, "but it doesn't really matter to him if we win or lose. You want him to care, you gotta give him incentive."
"He can't play like that and not care."
"Now you sound like Kevin. You'll find out the hard way, same as Kevin did. Kevin gave Andrew a lot of grief this spring [...]. Up until then they were fighting like cats and dogs. Now look at them. They're practically trading friendship bracelets and I couldn't fit a crowbar between them if it'd save my life."
"But why?" Neil asked. "Andrew hates Kevin's obsession with Exy."
"The day they start making sense to you, let me know," Nicky said [...]. "I gave up trying to sort it all out weeks ago. [...] But as long as I'm doling out advice? Stop staring at Kevin so much. You're making me fear for your life over here."
"What do you mean?"
"Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats."
"Can you take the creepy down a level?" Aaron asked.
"What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push."
"I don't need a push," Neil said. "I'm fine on my own."
"Seriously, how are you not bored of your hand by now?"
"I'm done with this conversation," Neil said. "This and every future variation of it [...]."
The stadium door slammed open as Andrew showed up at last. [...]
"Kevin wants to know what's taking you so long. Did you get lost?"
"Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later."
[...] "Wow, Nicky," Andrew said. "You start early."
"Can you really blame me?"
Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall.
[...] "Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?"
"You know I'd never hurt him. If he says yes-"
"I said no."
"Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-"
He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey.
[...] Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it.
[...] "Hey, are we playing or what?" Neil asked. "Kevin's waiting."
[...] Andrew let go of Nicky and spun away. [...] Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all.
"On second thought, you're not my type after all [...].
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
This is a short public service announcement: you don't have to fail with abandon.
Say you're playing Civilization, and your target is to get to sleep before midnight, and you check the clock, and it's already 12:15. If that happens, you don't have to say "too late now, I already missed my target" and then keep playing until 4 in the morning.
Say you're trying to eat no more than 2000 calories per day, and then you eat 2300 by the end of dinner, you don't have to say "well I already missed my target, so I might as well indulge."
If your goal was to watch only one episode of that one TV show, and you've already watched three, you don't have to binge-watch the whole thing.
Over and over, I see people set themselves a target, miss it by a little, and then throw all restraint to the wind. "Well," they seem to think, "willpower has failed me; I might as well over-indulge." I call this pattern "failing with abandon."
But you don't have to fail with abandon. When you miss your targets, you're allowed to say "dang!" and then continue trying to get as close to your target as you can.
You don't have to say dang, either. You're allowed to over-indulge, if that's what you want to do. But for lots and lots of people, the idea of missing by as little as possible never seems to cross their mind. They miss their targets, and then suddenly they treat their targets as if they were external mandates set by some unjust authority; the jump on the opportunity to defy whatever autarch set an impossible target in the first place; and then (having already missed their target) they reliably fail with abandon.
So this is a public service announcement: you don't have to do that. When you miss your target, you can take a moment to remember who put the target there, and you can ask yourself whether you want to get as close to the target as possible. If you decide you only want to miss your target by a little bit, you still can.
You don't have to fail with abandon.
”
”
Nate Soares (The Replacing Guilt Series)
“
To summarize the strategy: An Angel is a low float Stock in Play which is gapping with heavy volume in the pre-market. At the market Open, our Angel makes a new high of the day but sells off quickly. You do not want to jump into the trade yet, not until it consolidates around an important trading level such as the low of the pre-market, or moving averages on your daily or 5-minute chart. This is where our Angel will have fallen to. As soon as the stock is coming back up with heavy volume, that is the place you take the trade to the long side. The entry signal is to see a new 1-minute or 5-minute high after the consolidation with MASSIVE volume only. You must remember that the volume on the way up needs to be significantly higher than previous candlesticks. The stop loss is below the consolidation period. The profit target can be (1) VWAP, (2) the then high of the day, (3) the high of the pre-market, and (4) any other important level nearby such as Y High or Y Low. If you don’t see an obvious support level and consolidation, do not trade the stock. If you see a breakout but it does not have strong volume, do not trade the stock. Fallen Angel is generally a difficult strategy to trade, especially since it is difficult to manage the risk in. You will have seen in the above examples that most of the drops are sharp, and if you are not quick in getting out of a losing trade, you may get stuck in a very bad position and be forced to accept a heavy loss. Remember, these stocks often gapped up significantly and can lose the majority of their gap during the day, so holding them during the day may not be a good idea, especially if volume is dropping during the day. I recommend trading this strategy in the simulator for some period of time before trading it live. When you go live, make sure to take small size. I know, it is easy to take a 10,000 share on a $1 stock, but remember, every cent up and down in a $1 stock is the equivalent of a 1% swing in your position. I usually take 4,000 shares for low float stocks below $10.
”
”
Andrew Aziz (Advanced Techniques in Day Trading: A Practical Guide to High Probability Strategies and Methods (Stock Market Trading and Investing))
“
It’s a basic fact of their relationship that Olivia wants sex more often than Patrick does, so she ends up initiating most of the time. But Olivia’s experience of being the target of Patrick’s placebo-powered rampant lust the previous night had given her a powerful insight: It had felt good to be open to sex, without feeling driven to have sex. It had felt good to allow sexual desire to pull her gradually and gently toward sex, rather than feeling like it was pushing her. So as the next step in their experiment, they tried flipping their usual dynamic on its head. They set a “date night” and then didn’t do anything to prepare; they just showed up that night in their usual states of mind—Olivia ready to go, Patrick not disinterested, but not actively interested either. And they made Olivia follow her partner’s lead, while Patrick started to explore what kinds of things he could do to shift himself into active interest. They spent a lot of time “preheating the oven”: kissing and talking and massaging—and, surprisingly, a little adventure, moving from the bedroom to the kitchen to feed each other. When Patrick was in charge with full permission to do whatever occurred to him, they tried new things and played together. They learned a lot about what context worked for Patrick, because he had to create that context, had to ask for what felt right. They learned a surprising thing about Olivia, too: When she stayed still enough to move at Patrick’s pace rather than her own naturally faster pace, the gradual buildup and the sustained arousal and the necessity of holding herself back created a context that wasn’t just as good as the context that worked for her. It was unbelievably better. Olivia emailed me: “One of the rules we set was I had to ask for permission before I had an orgasm. And he did not always say yes when I asked. Um, we’ll be doing that again.” In other words: Creating a great sex-positive context for the lower-desire partner resulted in a context that was mind-blowingly, almost painfully erotic for the higher-desire partner. This chapter is about why and how that works.
”
”
Emily Nagoski (Come as You Are: The Surprising New Science that Will Transform Your Sex Life)
“
Mr. Morales sidles up to the bar and says, “May I have this dance, Lara Jean?”
“You may,” I say. To John I warn, “Don’t you dare come close to me.”
He throws his hands out like he’s warding me off. “Don’t you come close to me!”
As Mr. Morales leads me in a slow dance, I press my face against his shoulder to hide my smile. I’m really quite good at this espionage thing. John McClaren is sitting on a love seat now, watching Stormy play and chatting with Alicia. I’ve got him right where I want him. I can’t even believe how lucky I am. I’d been planning on showing up at his next Model UN meeting, but this is so much better.
I’m thinking I’ll come up from behind him, take him by surprise, when Stormy stands up and declares she needs a piano break, she wants to dance with her grandson. I go turn on the stereo and cue up the CD we decided on for her break.
John is protesting: “Stormy, I told you I don’t dance.” He used to try and fake sick during the square-dancing unit in gym--that’s how much he hates dancing.
Stormy doesn’t listen, of course. She pulls him off the love seat and starts trying to teach him how to fox-trot. “Put your hand on my waist,” she orders. “I didn’t wear heels to sit behind a piano all night.” Stormy’s trying to teach him the steps, and he keeps stepping on her feet. “Ouch!” she snaps.
I can’t stop giggling. Mr. Morales is too. He dances us over closer. “May I cut in?” he asks.
“Please!” John practically pushes Stormy into Mr. Morales’s arms.
“Johnny, be a gentleman and ask Lara Jean to dance,” Stormy says as Mr. Morales twirls her.
John gives me a searching look, and I have a feeling he’s still suspicious of me and whether or not I have his name.
“Ask her to dance,” Mr. Morales urges, grinning at me. “She wants to dance, don’t you, Lara Jean?”
I shrug a sad kind of shrug. Wistful. The very picture of a girl who is waiting to be asked to dance.
“I want to see the young people dance!” Normal yells.
John McClaren looks at me, one eyebrow raised. “If we’re just swaying back and forth, I probably won’t step on your feet.”
I feign hesitation and then nod. My pulse is racing. Target acquired.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
The whole reason I’d written about him so freely was that I never expected to face him in person and could therefore imagine him in ways that gratified my conception of who he should be: a white trash savant imbued with junkyard political savvy. In truth, I found the magazine completely disgusting—as I was meant to, obviously: it had long been the most reviled instance of mass-circulation pornography around and used people like me (shame-ridden bourgeois feminists and other elites) for target practice, with excremental grossness among its weapons of choice. It was also particularly nasty to academics who in its imagination are invariably prissy and uptight—sadly I’m one of this breed too. (A cartoon academic to his wife: “Eat your pussy? You forget, Gladys, I have a Ph.D.”)1 Maybe I yearned to be rescued from my primness, though Flynt was obviously no one’s idea of a white knight. (Of course, being attracted to what you’re also repelled by is not exactly unknown in human history.) For some reason, I tend to be drawn to excess: to men who laugh too loud and drink too much, who are temperamentally and romantically immoderate, have off-kilter politics and ideas. Aside from that, it also happened that in the period during which my ideas about things were being formed, the bawdy French satirist Rabelais was enjoying an intellectual revival in my sorts of circles, along with the idea of the “carnivalesque”: the realm of subversion and sacrilege—the grotesque, the unruly, the profane—where the lower bodily stratum and everything that emerges from it is celebrated for supposedly subverting established pieties and hierarchies. I was intrigued by these kinds of ideas, despite—or more likely because of—my aforementioned primness. Contemplating where one might locate these carnivalesque impulses in our own time I’d immediately thought of Hustler, even though back then I had only the vaguest idea what bodily abhorrences awaited me within its shrink-wrapped covers (as if a thin sheet of plastic were sufficient to prevent seepage from the filth within). In fact, the first time I peeled away the protective casing and tried to actually read a copy, I was so disgusted I threw it away, I didn’t even want it in the house.
”
”
Laura Kipnis (Men: Notes from an Ongoing Investigation)
“
Cataract Treatment Advanced by Laser Eye Surgery
It is estimated that half of individuals aged 65 and above will grow a cataract at some period in their life. A cataract is an eye condition that may be hazardous to your eyesight. In a healthy eye, there's a clear lens which enables you to focus. For those who have a cataract, the lens slowly deteriorates over a long period of time. Your vision can be blurry as the cataract develops, until the whole-of the lens is muddy. Your sight will slowly get worse, becoming blurry or misty, which makes it tough to see clearly. Cataracts can occur at any age but generally develop as you get older.
Cataract surgery involves removing the cataract by emulsifying the lens by sonography and replacing it with a small plastic lens. This artificial lens is then stabilised within your natural lens that was held by the same lens capsule. The results restore clear vision and generally wholly remove the significance of reading glasses. However, years following the surgery, patients can occasionally experience clouding of their sight again. Vision can become blurred and lots of patients have issues with glare and bright lights. What is truly happening is a thickening of the lens capsule that holds the artificial lens. Medically this is known as Posterior Lens Capsule Opacification.
This thickening of the lens capsule occurs in the back, meaning natural lens cells develop across the rear of the lens. These cells are sometimes left behind subsequent cataract surgery, causing problems with the light entering the-eye and hence problems with your vision.
Laser Eye getlasereyesurgery.co.uk y Treatment
Lasers are beams of power which may be targeted quite correctly. Nowadays the technology will be used increasingly for the purpose of rectifying the vision of patients after cataract operation. The YAG laser is a focused laser with really low energy levels and can be used to cut away a small circle shaped area in the lens capsule which enables light to once again pass through to the rear of the artificial lens. A proportion of the lens capsule is retained in order to keep the lens in place, but removes enough of the cells to let the light to the retina.
If you want to read more information, please Click Here
”
”
getlasereyesurgery
“
Our regiment was all women…We flew to the front in May 1942…
The planes they gave us were Po-2s. Small, slow. They flew only at a low level. Hedge-hopping. Just over the ground! Before the war young people in flying clubs learned to fly in them, but no one could have imagined they would have any military use. The plane was constructed entirely of plywood, covered with aircraft fabric. In fact, with cheesecloth. One direct hit and it caught fire and burned up completely in the air, before reaching the ground. Like a match. The only solid metal part was the M-11 motor.
Later on, toward the end of the war, we were issued parachutes, and a machine gun was installed in the pilot’s cabin, but before there had been no weapon, except for four bomb racks under the wings—that’s all. Nowadays they’d call us kamikazes, and maybe we were kamikazes. Yes! We were! But victory was valued more than our lives.
“Before I retired, I became ill from the very thought of how I could possibly not work. Why then had I completed a second degree in my fifties? I became a historian. I had been a geologist all my life. But a good geologist is always in the field, and I no longer had the strength for it. A doctor came, took a cardiogram, and asked, “When did you have a heart attack?”
“What heart attack?”
“Your heart is scarred all over.”
I must have acquired those scars during the war. You approach a target, and you’re shaking all over. Your whole body is shaking, because below it’s all gunfire: fighter planes are shooting, antiaircraft guns are shooting…Several girls had to leave the regiment; they couldn’t stand it. We flew mostly during the night. For a while they tried sending us on day missions, but gave it up at once. A rifle shot could bring down a Po-2…
We did up to twelve flights a night. (...) You come back and you can’t even get out of the cabin; they used to pull us out. We couldn’t carry the chart case; we dragged it on the ground.
And the work our girl armorers did! They had to attach four bombs to the aircraft by hand—that meant eight hundred pounds. They did it all night: one plane takes off, another lands. The body reorganized itself so much during the war that we weren’t women…We didn’t have those women’s things…Periods…You know…And after the war not all of us could have children.
”
”
Svetlana Alexievich (War's Unwomanly Face)
“
The rats that Marian Diamond studied had either an enriched or an impoverished environment. That changed their brain state. If you’re surrounded by a nurturing physical, emotional, mental, and spiritual environment, you’re in one brain state. If you’re surrounded by danger, uncertainty, and hostility, you’re in a quite different brain state. Brain states, along with mental, emotional, and spiritual states, run the gamut. When the brain’s Enlightenment Circuit is turned on, you’re in a happy and positive state. When the Default Mode Network (DMN) of Chapter 2 predominates, you’re in a negative and stressed state. State Progression Cognitive psychologist Michael Hall has been fascinated by human potential for over 40 years. He has studied the most advanced methods, authored more than 30 books on the topic, and mapped the stages by which people change. Unpleasant experiences are what usually motivate us to change. These involve mental, emotional, or spiritual states. Examples of such states are despair, stagnation, anger, or resentment. Hall calls these “unresourceful” states. We can cultivate resourceful states, such as joy, empowerment, mastery, and contentment. To describe the movement of a person from an unresourceful to a resourceful state, Hall uses the term “state progression.” Hall’s “state progression” model has several steps: Identify the unresourceful state. Identify the desired state. Countercondition dysfunctional behavioral patterns that maintain the unresourceful state. Activate change toward the desired state. Experience the target state. Repeat the experience of the desired state. Condition new behaviors that reinforce the desired state. That’s the promise of directing your attention consciously rather than defaulting to the brain’s negativity bias. Attention sustained over time produces state progression and triggers neural plasticity. If you focus on positive beliefs and thoughts repeatedly, bringing your mind and focus back to the good, you then use attention in the service of positive neural plasticity. When we have practiced sufficiently to be able to maintain this focus, we achieve a condition that Hall calls positive state stability. Our minds become stable in that new state. Their default setting is no longer to focus on the negative. The brain’s negativity bias is no longer hijacking our attention and directing it toward the negative things that are happening, either in our own lives or in the world. We have moved through the stages of state progression to positive state stability.
”
”
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
“
for later. Keep it safe. If the child has collapsed into a tantrum in a place where he might hurt himself, move him to an area where he will be safe—an open, carpeted area, away from the glass coffee table. A child in the midst of a tantrum often flails, grabs for things to throw, or reaches for people to hit. Keep the child away from everything, including your body. Sometimes very young children feel totally out of control and will need you to contain them. Sit on the floor and gently but firmly hold your child’s back to your front, on the floor between your legs, both arms crossed in front of him. This is not an angry hold, but rather one that says I am keeping you safe. Soon (or maybe not so soon!) he will stop resisting you, relax a bit, and take it down a notch to crying. This hold should not become a physical battle. It is, instead, a form of support and safety that you provide for your child. Do not leave the child alone. There are those who believe in sending the child to his room to have the meltdown. I believe the child is better served by your not abandoning him to his out-of-control feelings and behavior. Stay close by. Even though you are not talking to him, he knows you are there, and your presence is comforting. He might command you to “Go away” or “Leave me alone,” but he doesn’t mean it. Sit in a chair across the room and pick up a magazine. If the child is holding on to your leg, try to ignore it. In fact, try to ignore him altogether as best as you can. You can say: “You are really angry right now. I will wait until you are done.” Or, “Let me know when you are done.” If the child is trying to hurt you, hit you, or grab at you, stand up and step away. Tell him: “I will not let you hurt me. Let me know when you are done, and we can talk.” When you are standing, your legs are the only target he can reach. He’ll wrap his arms around your calves in a death grip. Ignore it. It will end eventually, I promise. The End Save. You can usually tell when the tantrum is winding down. When you hear and see that your child is starting to come back down to earth—his crying has calmed to sobs, his breaths are broken and quick, he is sniffling a bit—it is a good time to step in and accompany him on his journey back. Scoop him up and say something diverting, like: “C’mon, Sam, let’s go see if there are any squirrels outside.” By this point, most children are ready to be saved. They just don’t know how to do so gracefully. A paradigm shift offers the child the chance to reenter the world and save face.
”
”
Betsy Brown Braun (Just Tell Me What to Say: Simple Scripts for Perplexed Parents)
“
Kristen- So you know I ran… and he got me. He had his belt in hand ready to whip me, and he did repeatedly until I fell to the ground, with him straddling me, his hand touching me, he started pinching me, and that is when he pierced my nipple with an old rusty nail. ‘Honey hush,’ he said as I screamed, even more, the second time; because I knew the pain was picking and nearing. He laughed-
‘Saying now everything matches!’ I recall him saying this- as he pulled me up dragging me by the hair.
‘Good now your bare ass can rub up on the bark of the tree, and then I can smack it later on tonight. You would like that? Wouldn’t you? My little bitch!’
Kristen- I had to say- ‘Yes, Yes- I would!’ I screamed louder than I have ever had in my entire life! For the reason that I knew what was coming! I could see him coming with the cruel tools in hand! I was thinking to myself. ‘Please God don’t let him have a screwdriver.’’ Because knew what he would do with it, and where it would be shoved in! Just for the hell of it, he drew a target on my tummy with my lipstick and started throwing tools like wrenches, trying to hit the same spot. I thought for sure something of his was going to go deep inside me. He looked at me, flashing scissors, and said in a sick way. ‘Look, baby, these are the same scissors your momma used to slit her wrist. He slapped them in my hand, and said it is your choice; you can do the same thing she had the choice of... What do you say? You know these are the very same scissors, that gave your mother the episiotomy that brought you into this world. Now they can be the same scissors to take you out.’
Gasping for breath in being so appalled, I remember saying- ‘What did I do to you?’
He said- ‘It is not what you did to me, it is what they want, and what I was asked to do, and what they will do to me if I don’t!’
I said- ‘Who are they?’ He whispered in my ear, as well as he bit it- my earlobe with his teeth afterward saying. - ‘You are that stupid? I knew it! Will If I tell you, I will have to kill you.’ He said- (In a very paranoid, yet almost cocky tone of voice.)
So, I yelled back- ‘Just do it- you- vain shit-face!’
That is when he did it, one by one. Yes, one toe by toe, all the nails went in and through my fingernails and flesh. This happened to my hand, palm, and wrists one nail at a time. (Bang! Bang! Bang!) Until the point that I was able to suspend from them alone on the tree. The same tree that he carved our names into, saying forever and ever. I have to say at that point I did not want to live, saying get me down!
Then he yelled- ‘Not yet- my baby!
”
”
Marcel Ray Duriez (Nevaeh Struggle with Affections)
“
The best defense in fighting is an aggressive defense. Each defensive move must be accompanied by a counter-punch or be followed immediately by a counterpunch. And you cannot counter properly if you do not know how to punch. That does not mean that "a strong offense is the best defense." That overworked quotation may apply to other activities; but it does not apply to fighting. It does not apply when you're pitted against an experienced opponent. You may have the best attack in the world; but if you're an open target-if you're a "clay pigeon"-you'll likely get licked by the first experienced scrapper you tackle. YOU MUST HAVE A GOOD DEFENSE TO BE A WELL-ROUNDED FIGHTER. AND THE BEST DEFENSE IS AN AGGRESSIVE DEFENSE.
Another reason for teaching punch first was this: You learned how to throw every important punch without having an opponent attempt to strike you.
I'm convinced that it's wrong to try to teach beginners punching moves and defensive moves at the same time.
Most humans cannot have two attitudes toward one subject at one time. And a beginner can't have two attitudes toward fighting.
If you take any ten beginners and attempt to teach them punching and defense simultaneously, more than half of them will concentrate on defense instead of punching.
That's a natural inclination, for it's only human that a fellow doesn't like to get hit in the face-or in the body either, for that matter. It follows that more than half the beginners will consider it more important to protect their own noses than to concentrate on learning how to belt the other guy in the nose. They'll develop "defense complexes" that will stick with them. Fellows with defense complexes rarely develop into good punchers. Even when they are shown how to hit correctly, they sprout bad punching habits while concentrating on blocking, parrying, back-pedaling and the like. They "pull" their punches; they side-step while trying to throw straight smashes; they move in with "clutching" fists that seek to encircle their opponents for clinches; and they do much showy but purposeless footwork. The little thought-ditch that is dug in the beginning will become the big channel for later fistic reactions.
You're lucky. You're starting with the mental accent on punch. And it's a 100-to-1 shot that your attitude will not change. It's true that you haven't punched yet at a live target-at another fellow. Don't worry; there's plenty of time for that. And when you do start tossing at a live target, you'll know exactly how to toss. That exact knowledge will help you to become accurate and precise, as well as explosive, against a moving target.
”
”
Jack Dempsey (Toledo arts: championship fighting and agressive defence (Martial arts))
“
There is one thing I need to be sure of,” said the Emperor, taking an arrow, and placing it in the bow, cocking it back, “I need to know where your loyalties lay, Miss Roberts.”
“With you, Emperor,” said Areli, scared, “of course, they’re with you.”
“Then prove it,” said the Emperor, “prove your obedience to me. Prove your allegiance.” He placed the crossbow in her fingers, laced her finger against the trigger, and positioned the butt of the weapon against her shoulders. “That woman there. She’s a follower, Areli. She’s a deceitful little tramp that had taken residence in the bed of Degendhard’s. I want you to kill her for me. I want you to punish her, for her crimes against her Empire.” Areli looked at him, bewildered, with eyes that screamed, you can’t be serious!
“If you don’t. Then I will have no other option than to assume you have been taken to Degendhard’s bed as well. You will do this, Areli. You will punish her. Prove your worth.” Areli took a deep breath, feeling the smoothness of the wood and the coldness of the trigger for the first time since having the harsh weapon thrust into her hand.
The Emperor, sensing her hesitation, forced himself upon her. Her lifted her arms, and steadied the weapon into her shoulder, his chest pressed up against her back, his lips rubbing against her ear. The crossbow shook. The woman’s head lulled back and forth as she was stuck in a drug rendered dream-state, not knowing that her body faced impalement.
“Stop shaking!” said the Emperor. Areli’s finger kept going back and forth between the trigger and the wooden body of the bow.
“She’s moving too much!” cried Areli.
“Fine,” said the Emperor. He turned Areli’s body to face her mother, the arrow aimed at her chest. “Maybe this will be an easier target.”
“No!” screamed Areli, “no, please, I beg of you. I’ll do it, please. Please!” The Emperor moved the aim of the arrow back to the prisoner.
“Hesitate now, Areli . . . this arrow will be lodged between your mother’s eyes. I can promise you that.” Areli’s whole body shook. The woman’s head continued to move as if it was a board on water, caught in a wicked storm.
“I’m so sorry,” said Areli, under her breath, “I’m so, so sorry.” Her heart caught in her lungs, as the Emperor slid his fingers on top of hers.
“All you have to do is pull, Areli,” said the Emperor, “just pull the trigger.”
Areli closed her eyes, the Emperor held himself firmly pressed against her, steadying her convulsing body, and kept the weapon pointing true. She pulled her finger towards her body. She felt the kick of the bow, as violent as an unbroken horse, against her shoulder. She heard the snap of the arrow being pushed towards its target.
“Welcome to Abhi, Areli” whispered the Emperor into her ear. “You’re dismissed.” She opened her eyes. The weapon fell from her hands. The prisoner was no longer in front of her kneeling. The force of the arrow had knocked her onto her back, the shaft lodged into the woman’s head. Areli had just killed a person. Not just killed, but executed someone. And not just someone, but a follower of Degendhard.
”
”
Jeffrey Johnson (The Column Racer (Column Racer, #1))
“
Reaching the door of his mother’s apartments, Marcus found it locked. He rattled the handle violently. “Open it,” he bellowed. “Open it now!”
Silence, and then a maid’s frightened reply from within. “Milord… the countess bade me to tell you that she is resting.”
“I’ll send her to her eternal fucking rest,” Marcus roared, “if this door isn’t opened now.”
“Milord, please—”
He drew back three or four paces and hurled himself against the door, which shook on its hinges and partially gave with a splintering sound. There were fearful cries in the hallway from a pair of female guests who happened to witness the astonishing display of raging frenzy. “Dear God,” one exclaimed to the other, “he’s gone berserk!”
Marcus drew back again and lunged at the door, this time sending chunks of paneling flying. He felt Simon Hunt’s hands grasp him from behind, and he whirled with his fist drawn back, ready to launch an attack on all fronts.
“Jesus,” Hunt muttered, retreating a step or two with his hands raised in a defensive gesture. His face was taut and his eyes were wide, and he stared at Marcus as if he were a stranger. “Westcliff—”
“Stay the hell out of my way!”
“Gladly. But let me point out that if our positions were reversed, you would be the first to tell me to keep a cool—”
Ignoring him, Marcus swerved back to the door and targeted the disjointed lock with a powerful, accurately aimed blow of his boot heel. The housemaid’s scream shot through the doorway as the ruined portal swung open. Bursting into the receiving room, Marcus charged toward the bedchamber, where the countess sat in a chair by a small hearth fire. Fully dressed and swathed in ropes of pearls, she stared at him with amused disdain.
Breathing heavily, Marcus advanced on her with bloodlust racing through his veins. It was certain that the countess had no idea that she was in mortal danger, or she would not have received him so calmly.
“Full of animal spirits today, are we?” she asked. “Your descent from gentleman to savage brute has been accomplished so very quickly. I must offer Miss Bowman my compliments on her efficacy.”
“What have you done with her?”
“Done with her?” Her expression taunted him with its innocent perplexity. “What the devil do you mean, Westcliff?”
“You met with her at Butterfly Court this morning.”
“I never walk that far from the manor,” the countess said haughtily. “What a ridiculous asser—” She let out a strident cry as Marcus seized her, his fingers wrapping around the pearl ropes and tightening them around her throat.
“Tell me where she is, or I’ll snap your neck like a wishbone!”
Simon Hunt seized him from behind once more, determined to prevent a murder from occurring. “Westcliff!”
Marcus closed his hand in a harder grip around the pearls. He glared without blinking into his mother’s face, not missing the flicker of vindictive triumph that lurked in her eyes. He did not take his gaze from hers even as he heard his sister Livia’s voice.
“Marcus,” she said urgently. “Marcus, listen to me! You have my permission to throttle her later. I’ll even help. But at least wait until we’ve found out what she’s done.”
Marcus tightened the tension of the pearls until the elderly woman’s eyes seemed to protrude from their shallow sockets. “Your only value to me,” he said in a low tone, “is your knowledge of Lillian Bowman’s whereabouts. If I can’t obtain that from you, I’ll send you to the devil. Tell me, or I’ll choke it from you. And believe that I have enough of my father in me to do it without a second thought.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Isn’t this the weekend of Xander Eckhart’s party?”
“Yes.” Jordan held her breath in a silent plea. Don’t ask if I’m bringing anyone. Don’t ask if I’m bringing anyone.
“So are you bringing anyone?” Melinda asked.
Foiled.
Having realized there was a distinct possibility the subject would come up, Jordan had spent some time running through potential answers to this very question. She had decided that being casual was the best approach. “Oh, there’s this guy I met a few days ago, and I was thinking about asking him.” She shrugged. “Or maybe I’ll just go by myself, who knows.”
Melinda put down her forkful of gnocchi, zoning in on this like a heat-seeking missile to its target. “What guy you met a few days ago? And why is this the first we’re hearing of him?”
“Because I just met him a few days ago.”
Corinne rubbed her hands together, eager for the details. “So? Tell us. How’d you meet him?”
“What does he do?” Melinda asked.
“Nice, Melinda. You’re so shallow.” Corinne turned back to Jordan. “Is he hot?”
Of course, Jordan had known there would be questions. The three of them had been friends since college and still saw each other regularly despite busy schedules, and this was what they did. Before Corinne had gotten married, they talked about her now-husband, Charles. The same was true of Melinda and her soon-to-be-fiancé, Pete. So Jordan knew that she, in turn, was expected to give up the goods in similar circumstances. But she also knew that she really didn’t want to lie to her friends.
With that in mind, she’d come up with a backup plan in the event the conversation went this way. Having no choice, she resorted to the strategy she had used in sticky situations ever since she was five years old, when she’d set her Western Barbie’s hair on fire while trying to give her a suntan on the family-room lamp.
Blame it on Kyle.
I’d like to thank the Academy . . . “Sure, I’ll tell you all about this new guy. We met the other day and he’s . . . um . . .” She paused, then ran her hands through her hair and exhaled dramatically. “Sorry. Do you mind if we talk about this later? After seeing Kyle today with the bruise on his face, I feel guilty rattling on about Xander’s party. Like I’m not taking my brother’s incarceration seriously enough.” She bit her lip, feeling guilty about the lie. So sorry, girls. But this has to stay my secret for now.
Her diversion worked like a charm. Perhaps one of the few benefits of having a convicted felon of a brother known as the Twitter Terrorist was that she would never lack for non sequiturs in extracting herself from unwanted conversation.
Corinne reached out and squeezed her hand. “No one has stood by Kyle’s side more than you, Jordan. But we understand. We can talk about this some other time. And try not to worry—Kyle can handle himself. He’s a big boy.”
“Oh, he definitely is that,” Melinda said with a gleam in her eye.
Jordan smiled. “Thanks, Corinne.” She turned to Melinda, thoroughly skeeved out. “And, eww—Kyle?”
Melinda shrugged matter-of-factly. “To you, he’s your brother. But to the rest of the female population, he has a certain appeal. I’ll leave it at that.”
“He used to fart in our Mr. Turtle pool and call it a ‘Jacuzzi.’ How’s that for appeal?”
“Ah . . . the lifestyles of the rich and famous,” Corinne said with a grin.
“And on that note, my secret fantasies about Kyle Rhodes now thoroughly destroyed, I move that we put a temporary hold on any further discussions related to the less fair of the sexes,” Melinda said.
“I second that,” Jordan said, and the three women clinked their glasses in agreement
”
”
Julie James (A Lot like Love (FBI/US Attorney, #2))
“
Unattractive, like a selfish woman. Ugly, like an ambitious one. Like one who chose to punish a good man for not being the right man, who left because staying was too boring, too painful, too hard. Like a woman who had to be a weapon because she couldn’t be anything else.
thing, for one chance—
Parisa tousled her hair, switching her part from one side to the other. She didn’t have a bad side.
—but I’m done being grateful! I’m done trying to make myself suitable for this family, for this God, for this life. I’m done being small, I’ve outgrown the person who needed you to save her, I don’t even know who she is anymore—
She pouted at the mirror and started again, pinching her cheeks to see the color come and go.
—and I want more, so much more—
Lip balm. Mascara. Lips softer, eyes wider, be something different, something else.
—I just want to live, Nas! Just let me live!
What was the point of reliving the past? She was hunting her invisible nemeses, grappling for power, finding new methods of control. She should be busy, too busy being the most dangerous person in this or any world to think about why she’d been such an easy target for Atlas Blakely, a man in need of weapons just to make a universe that he could stand. But now—
Now she was thinking about Nasser, as if it mattered at all what kind of person she’d been over a decade ago.
Just an hour of your time, now and then. That’s all I ask. I know, I know, I’m asking a lot more from you inside my head, but that’s not fair—doesn’t it matter what I choose to put in front of you? Someday maybe you’ll understand that there’s a difference between what a person thinks and who they choose to be—
A glint caught her eye from her reflection. A brief, unnatural sparkle in the placid lake of her appearance, the consistency of her beauty, the easy grace she always wore. She leaned forward, forgetting her internal monologue, letting it collapse.
Someday the view will be different, eshgh, and I hope you see me in a softer light—
“Parisa?”
Dalton leaned against the frame of the bathroom door. In his left hand was one of her dresses. In his right hand was her phone.
“I don’t care if you want to see your husband. Sorry—Nasser. If you want me to call him that, I will. I suppose you’re right, anyway, you’ll need to see him, because if the Society could find evidence of him in your past then the Forum surely can as well, and so can Atlas. And so can anyone else who wants you dead.” Another pause as Dalton set her phone back on the bathroom counter. “I replied to the physicist for you as well. I think you’ll need to find out what he plans to do about the archives, or at least keep track of what Atlas is doing at the house. Atlas is going to win over both the physicists unless you can convince one of them to do it differently.
“What is it?” Dalton asked, frowning at her silence. His gaze traced the placement of her fingers, which had been parsing the thickness of her hair.
“I—” Parisa was caught somewhere between laughing and crying. “I found a gray hair.”
“So?”
Laughter, definitely laughter. It escaped her in something of a rueful bray. Unattractive, like a selfish woman. Ugly, like an ambitious one. Like one who chose to punish a good man for not being the right man, who left because staying was too boring, too painful, too hard. Like a woman who had to be a weapon because she couldn’t be anything else.
“Nothing.” Only the future loss of her desirability, the collapse of her personhood. The first glimpse of an empire steadily falling to unseen ruin. The fate she already knew was coming, the punishment she’d always known she deserved. What timing!
”
”
Olivie Blake (The Atlas Six (The Atlas, #1))
“
So what brought you here?” Emilio asks. I don’t set the icing bag down, because it’s nice to have something to do with my hands, although they’re suddenly shaking. “I wanted to talk to you about Peck.” “What about her?” “I wanted to see if you’d have any objections to me asking her to marry me.” I hear a whoop from the other room. Emilio rolls his eyes. “Why do you want to marry her?” Why do I want to marry her? She’s just Peck. And I feel like she was made for me. “Um…” “The answer is no, if that’s the best you can do.” He points to the cupcakes. “Ice them,” he says. I ice quietly for a few minutes, trying to gather my thoughts. “Didn’t expect you to give up quite so easily,” he suddenly says. I look up. “Oh, I’m not giving up. I’m just thinking.” “You about done with that?” I shake my head. “Not yet.” “Keep icing.” Suddenly, Marta strolls into the room. There’s purpose in her stride and I back up against the wall, because I’m afraid I’m her target. But I quickly see I’m not. She goes for Emilio, but he must be used to this. He runs around the corner of the center island and she chases him. She picks up a rolling pin and runs, but he runs a little bit faster. Suddenly, she stops and blows a stray lock of hair from her eyes. “Stop tormenting the poor boy,” she says. She shakes the rolling pin at him. “Oh, Jesus Christ,” he breathes. “I was having fun with it!” He grins. Then he sobers completely. “Did Peck tell you about the day we met?” “Yes, sir,” I tell him. “What she didn’t tell you was my side of it.” He rubs at the back of his hand. “I had been hanging out in the boys’ ward at the home, and one of the little assholes bit me on the back of the hand, so I was in a bad mood. I wanted nothing more than to get out of there. I walked around the corner, trying to find Marta, and I saw her sitting beside a little girl. I took one look at that kid and I said to myself, She’s my daughter.” He takes a deep breath. “I know it sounds stupid, and I suppose it should. But she was sitting there on the edge of the bed and she wouldn’t speak. But when she looked at me, she said a million words with her eyes.” Marta wipes a tear from her cheek. “I have loved that little girl from the minute I met her. I never doubted that she belonged to us, and neither did she.” He waits a beat. “The first time she spoke to me was when she had a set of drumsticks in her hand.” He looks at me. “Do you know what she said?” I shake my head, and swallow past the lump in my throat. “She took my hand and said, ‘I’m glad you’re my dad.’ It was one big stutter, and I loved every syllable. She makes me so fucking proud.” He points a finger at me. “She’s fucking perfect, so if you so much as make her cry, I will find you and jam her drumsticks so far up your ass that you’ll taste them ten years from now. Do you understand?” “Yes, sir.” I swallow again. “So, yes, you can marry my daughter. And you better make her happy every day for the rest of her life, because I will be watching. Understand?” “Yes, sir.” He points to the cupcakes. “Keep icing.” “Yes, sir.” I grin. Marta lays a hand on my shoulder. “Did you get a ring yet?” “No, ma’am. I wanted to get permission first.” She looks at Emilio and quirks a brow. He nods. She disappears into a bedroom and comes back a minute later with a box. “It was my mother’s,” Emilio says. “Peck used to try it on all the time when she was small, and she loves it. So you can use it if you want to.” He’s grumbling, but I can tell he’s serious. I pop open the box and stare down at a beautiful antique ring. “It’s lovely. Are you sure it’s okay if I use it?” He nods. He points to the cupcakes. “Keep icing.” “Yes, sir.” I smile.
”
”
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
“
Speaking of shooting, my lady,” Mr. Pinter said as he came around the table, “I looked over your pistol as you requested. Everything seems to be in order.”
Removing it from his coat pocket, he handed it to her, a hint of humor in his gaze. As several pair of male eyes fixed on her, she colored. To hide her embarrassment, she made a great show of examining her gun. He’d cleaned it thoroughly, which she grudgingly admitted was rather nice of him.
“What a cunning little weapon,” the viscount said and reached for it. “May I?”
She handed him the pistol.
“How tiny it is,” he exclaimed.
“It’s a lady’s pocket pistol,” she told him as he examined it.
Oliver frowned at her. “When did you acquire a pocket pistol, Celia?”
“A little while ago,” she said blithely.
Gabe grinned. “You may not know this, Basto, but my sister is something of a sharpshooter. I daresay she has a bigger collection of guns than Oliver.”
“Not bigger,” she said. “Finer perhaps, but I’m choosy about my firearms.”
“She has beaten us all at some time or another at target shooting,” the duke said dryly. “The lady could probably hit a fly at fifty paces.”
“Don’t be silly,” she said with a grin. “A beetle perhaps, but not a fly.” The minute the words were out of her mouth, she could have kicked herself. Females did not boast of their shooting-not if they wanted to snag husbands.
“You should come shooting with us,” Oliver said. “Why not?”
The last thing she needed was to beat her suitors at shooting. The viscount in particular would take it very ill. She suspected that Portuguese men preferred their women to be wilting flowers.
“No thank you,” she said. “Target shooting is one thing, but I don’t like hunting birds.”
“Suit yourself,” Gabe said, clearly happy to make it a gentlemen-only outing, though he knew perfectly well that hunting birds didn’t bother her.
“Come now, Lady Celia,” Lord Devonmont said. “You were eating partridges at supper last night. How can you quibble about shooting birds?”
“If she doesn’t want to go, let her stay,” Gabe put in.
“It’s not shooting birds she has an objection to,” Mr. Pinter said in a taunting voice. “Her ladyship just can’t hit a moving target.”
She bit back a hot retort. Don’t scare off the suitors.
“That’s ridiculous, Pinter,” Gabe said. “I’ve seen Celia-ow! What the devil, Oliver? You stepped on my foot!”
“Sorry, old chap, you were in the way,” Oliver said as he went to the table. “I think Pinter’s right, though. Celia can’t hit a moving target.”
“Oh, for heaven’s sake,” she protested, “I most certainly can hit a moving target! Just because I choose not to for the sake of the poor, helpless birds-“
“Convenient, isn’t it, her sudden dislike of shooting ‘poor, helpless birds’?” Mr. Pinter said with a smug glance at Lord Devonmont.
“Convenient, indeed,” Lord Devonmont agreed. “But not surprising. Women don’t have the same ability to follow a bird in flight that a man-“
“That’s nonsense, and you know it!” Celia jumped to her feet. “I can shoot a pigeon or a grouse on the wing as well as any man here.”
“Sounds like a challenge to me,” Oliver said. “What do you think, Pinter?”
“A definite challenge, sir.” Mr. Pinter was staring at her with what looked like satisfaction.
Blast it all, had that been his purpose-to goad her into it?
Oh, what did it matter? She couldn’t let a claim like this or Lord Devonmont’s stand. “Fine. I’ll join you gentlemen for the shooting.”
“Then I propose that whoever bags the most birds gets to kiss the lady,” Lord Devonmont said with a gleam in his eye.
“That’s not much of a prize for me,” Gabe grumbled.
She planted her hands on her hips. “And what if I bag the most birds?”
“Then you get to shoot whomever you wish,” Mr. Pinter drawled.
As the others laughed, Celia glared at him. He was certainly enjoying himself, the wretch. “I’d be careful if I were you, Mr. Pinter. That person would most likely be you.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
Kneeling down next to an article of clothing, Kevin looked up to see Christine a few feet away, gathering up one of her extravagant lolita dresses. Looking at her like this, the girl really did look cute, like a fragile porcelain doll. As he continued to watch her, his eyes landed on the black choker around her neck. “Isn’t that the choker that I bought you for your birthday a while back?” Kevin asked. Christine paused in her work. Her hand went to her choker. “A-ah, um, yes, it is. I… well, this is my… my favorite choker, so I like to wear it a lot…” Christine’s cheeks flushed once more, but she at least didn’t seem to be blowing her top. “After you, Iris, and Lilian left, I was really lonely. I hadn’t realized how important all of you were to me until you were gone. Ever since that day, ever since you three went off to Greece, I’ve taken to wearing this, because it reminded me of all the good times we’ve shared together.” That was probably the most honest thing he’d ever heard Christine say since she’d confessed her feelings for him. He’d noticed it before, but Christine really was a tsundere. She rarely ever told anyone what she was really thinking, and she covered up her embarrassment with bluster and violence. Moments like this were rare for her. He could count the number of times where she’d been honest with her feelings on one hand and still have fingers left over. “I’m sorry we left you like that,” Kevin apologized. Christine shook her head. “You don’t need to apologize. I know that you didn’t have much of a choice. Had you not left, then…” Then he, Lilian, and Iris would have put everyone in danger. Back then, Lilian had been targeted by the Shénshèng Clan. One of its members, a three-tailed kitsune named Fan had attacked them during Lindsay’s soccer game. Iris had nearly been killed and Kevin had destroyed an entire school building just to defeat Fan. Christine had been there when it happened, so she understood why they had to leave. “Thank you for being so understanding,” he said. Christine quickly turned her back to him. “T-there’s no need to thank me. We’re friends. I-I was only doing what any good friend would do.” Tsundere until the end, Kevin thought with an amused chuckle. “Then, Christine, I’m very glad that you’re my friend.” Christine squeaked. As she sputtered incoherently, Kevin finally grabbed the article that he’d been kneeling over. Blinking when he realized that it felt different than everything else that he’d picked up thus far, he held the article up to study it. “What is this…?” He trailed off. The object in his hands… was Christine’s panties. “Uh…” Kevin could hear his brain sizzling. “W-what are you doing, idiot!? Don’t stare at those!” Christine leapt at him, and Kevin, too shocked by the object in his hands to do anything, let her tackle him to the ground. The panties were thrown from his hands as his back slammed into the floor. Spots appeared in his vision, but they were soon replaced by Christine’s face, which hovered not two inches from his own. Their noses were almost touching. “C-Christine?” He felt his eyes widen as Christine’s face inched a little closer to his. This was bad. This was a very bad situation. Christine was straddling him, and he could feel her thighs touching him, and her body was pressed against him, and… and… Oh, no… Perhaps it was the result of him still being horny because Christine had interrupted him and Lilian while they were having sex, but Kevin felt his arousal skyrocket. Christine felt it, too, because her eyes went even wider and she looked down. He also looked down. Then he looked back up. Their eyes met. Christine’s face was the brightest blue that he’d ever seen. “I can explain this,” Kevin said calmly. “KYA!” The sound of Christine’s scream was followed by a loud slap.
”
”
Brandon Varnell (A Fox's War (American Kitsune, #12))
“
Do you want to run scared all your life? Or do you want to take a stand and fight back?
”
”
Chris Bradford (Target (Bodyguard #4))
“
You know, I’ve been thinking about what you said, about vampirism being the ultimate oral fixation.” I groaned. “Please, can we give this whole vampire thing a rest?” “I don’t mean vampires as blood suckers or soul suckers. But as oral robbers.” My brow furrowed. “Oral robbers?” “Yes. Those who steal with their mouths—not by way of fangs, but with words.” “I don’t understand,” I said. Grayson turned his back on me and reached back into the cupboard. “What if I told you I was thinking of letting you go, Drex?” My gut fell four inches. “What? Why? What did I do wrong?” He turned back around. “Did you feel an internal shift?” “Internal shift?” I said. “I feel destroyed. Like I want to throw up! Why are you doing this?” “To prove my point.” “What point? That I’m no good?” “No. That in a way, we’re all oral robbers—with our words.” “Huh?” I whined. Grayson studied me clinically. “All I did was utter some particular arrangement of tones through my vocal chords. You interpreted them as words, and applied your own meaning to them.” I was hurt. And on my last nerve with Grayson’s stupid analogies. “Come on, Grayson! Just tell me. Am I fired, or what?” Grayson locked his green eyes on mine. “My words formed images in your mind that sent chemical and hormonal secretions into your bloodstream, causing emotions that shifted your entire world view.” I glared at him. “Fine. I’ll pack my bags and leave with the Triple A guy.” “See?” Grayson said. “Now you’re insecure about your whole future, based on a couple of words that came out of my mouth.” “You’d be undone, too, if you just got fired and had to go back to Point Paradise and work with Earl!” “That’s just it,” Grayson said. “You don’t have to. I didn’t fire you. I only asked you, ‘What if I told you I was thinking of letting you go?’ You did the rest yourself.” I blanched. “So ... I’m not fired?” “No. Like I said before, it was all to prove my point. Every word we say is a psychic vampire, Drex, striking others with the power of suggestion that either drains or boosts the energy of its intended target.” “Oh,” I said, feeling a wave of confused relief wash over me. “In other words, we all live and die by the thoughts and words we chose to believe?
”
”
Margaret Lashley (Oral Robbers (Freaky Florida Mystery Adventures #3))
“
TRENT ALEXANDER-ARNOLD’S
FREE KICK TECHNIQUE STEP 1: First things first, you’ll need to win a free kick in a good shooting position. If your attacking teammates aren’t up to the job, then fly forward to win one yourself. STEP 2: As soon as the referee blows the whistle, race over and grab the ball. This one’s yours. And after you’ve scored a few beauties, no-one will argue anymore. STEP 3: Place the ball down carefully and then start your routine: three steps backwards, pause, then one step to the right. You’re in the zone now. STEP 4: While you wait for the whistle, take a deep breath and look up at the target. In your head, imagine the ball flying into the corner of the net. Right, time to make it a reality… STEP 5: Take short steps towards the ball and then swing that right leg back, ready to strike… STEP 6: BANG! Put plenty of whip on your shot to send it up over the jumping wall and then down into the bottom corner. STEP 7: GOAL! Kiss the badge on your shirt as you race over to celebrate with the fans. You’re a local legend now!
”
”
Matt Oldfield (Alexander-Arnold (Ultimate Football Heroes - the No. 1 football series): Collect them all!)
“
Jenna, you are halfway to freedom from Wayne. A few more months and you can hand him back to us, and not have to deal with him anymore. If you launch this business with him, you are locked in, day in and day out, for a minimum of four or five years. And really, can you imagine him really helping at these events? I just see him knocking over ice sculptures, and tipping over cakes, and generally being a bull in the china shop everywhere he goes. A bull on steroids. With an inner ear imbalance. On roller skates."
"Enough, lawdouche, she gets it."
"I know. But again, Wayne is pretty clear that his area here would be identifying and helping land clients, and consulting on thematic details and event brainstorming, and keeping up with all industry aspects of the target market."
"You mean going to movies, reading comics, and playing video games."
"Yep, something like that."
"You can't really be thinking you are going to do this."
"I can be thinking that. And I'm pretty sure that the only opinion I asked you for on this was legal ramifications and financial obligations. I don't really care about your personal opinions."
"Well, that hurts my feelings, because I still care about you on a personal level, and I think this is a huge mistake for you personally."
I wait for my heart to race, for the sweats to start, for my colon to twist itself into a pretzel. And when none of that happens, I look at Brian.
"I think, that being the case, that perhaps you ought to speak to your partners about who might be the best attorney to work with me moving forward."
"You're firing me? Because I care about you?"
"I'm firing you because I need an attorney who is less personally interested in the decisions I make. I'm a big girl, and I have a dad. And clearly, this is no longer a good fit. I'll appreciate a call from the other partners by the end of the week with a plan that I can review."
"Seriously, I feel like you've completely lost your mind!"
"Careful, Brian. At the moment, I'm asking you be removed from my account. However uncomfortable that may be for you with your partners, I assume you would rather that, than having to explain why I'm leaving the firm entirely. And I will be advising Wayne to shift to the same person I am with, obviously, for convenience."
His chiseled jaw snaps shut, and while I can see a dozen retorts on the tip of his tongue, he doesn't speak.
"Thank you. I'll review this further, and will discuss my decision with my new attorney. You'll get formal word from Wayne on his choice soon, I'm sure.
”
”
Stacey Ballis (Out to Lunch)
“
writes that people with BPD who under-express anger “fear they will lose control if they express even the slightest anger, and at other times they fear that targets of even minor anger expression will retaliate.
”
”
Paul T. Mason (Stop Walking on Eggshells: Taking Your Life Back When Someone You Care About Has Borderline Personality Disorder)
“
And that’s another reason I detest Mogshack, by the way. I never knew him to try and wean a patient away from dependence on guns. Yet he has two, three thousand a year of the population of New York State through his hands. By this time, if he’d done his job properly, he’d have created a glut of second-hand weaponry and cooled the temperature in this city past the flashpoint.”
“Two or three thousand out of how many many million?” Flamen snapped.
“Out of how many who are unstable enough to lose their marbles and start shooting at random into the street?” Conroy countered. “You don’t start riots, I don’t start riots, the politically educated leaders of the X Patriots don’t start riots. Paranoids start riots and other people are tipped over the edge by contagious hysteria. Your typical insurrectionary sniper isn’t a revolutionary or a fanatic—he’s someone who’s so devoid of empathy he can treat the human beings below his window as moving targets conveniently offered for his skill. And by clever exploitation of the public’s insecurity the Gottschalks have managed to put over a gang of lies equating gunmanship with masculine potency, which do even more damage than Mogshack’s pernicious dogmas. Damn it, man: anyone who can treat another human being as an object for target practice is stuck even further back in the infantile stage than somebody who’s frightened to move on from the masturbation phase and go to bed with a girl! Do you own a gun?
”
”
John Brunner (The Jagged Orbit)
“
I want to know how you fight. I never want to be caught off guard like I was that night.” Brela looked ready to argue against it, so Farrah stepped back and lifted her chin. “If I figured out that the Night Terror was a Veil Worshipper, others won’t be far behind. You need to throw them off your trail, especially if you’re also hiding shadow magic, which means you need different targets. Teach me so I can help. Teach me so I can make sure no woman ever suffers like we did again.
”
”
Laura Winter (The Bones of Crystal Sand (Smoke and Shadow, #0))
“
the attention residue concept is still telling because it implies that the common habit of working in a state of semi-distraction is potentially devastating to your performance. It might seem harmless to take a quick glance at your inbox every ten minutes or so. Indeed, many justify this behavior as better than the old practice of leaving an inbox open on the screen at all times (a straw-man habit that few follow anymore). But Leroy teaches us that this is not in fact much of an improvement. That quick check introduces a new target for your attention. Even worse, by seeing messages that you cannot deal with at the moment (which is almost always the case), you’ll be forced to turn back to the primary task with a secondary task left unfinished. The attention residue left by such unresolved switches dampens your performance.
”
”
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
“
About the “Direct Path” (直通の位の事) ◎ Jikitsū-no-kurai (“direct path”) is the soul of combat.15 All the teachings I have outlined above are like parts of the human body.16 Nothing more is needed. They must never be neglected. Depending on the situation, there are times when some techniques will not be suitable, but nothing will work without them [in your repertoire]. For example, the eyes, ears, nose, tongue, hands and feet are what our bodies are comprised of. If one of these things is missing, then we are incomplete. The sword techniques that I have conveyed must all be committed to memory and used intuitively. Without the soul and spirit of the “direct path,” they amount to random madness. In all the techniques, be sure to seize the initiative and take the attack to the enemy. This will enable you to identify target areas. You must then determine what techniques or guards will be effective and what are not viable in a particular situation. Gauge how to close the distance, then commit with single-minded resolve to follow through to your mark (star) and attack without deviating. For example, even if you have to deflect the whole world, the flight of your sword must not diverge from its path. Purge yourself of fear. When you know the moment for that one [direct and decisive] strike of jikitsū, let the power surge through you to deliver the cut. It is no different when you enter the opponent’s space to arrest him. Advance rapidly, thinking of nothing other than grabbing hold of him. The further in you get, the better. Without the mind of “direct path,” your swords will be lifeless. Even this and discover what it means. Even retreat counts as a loss. When we speak of the “interior” (deepest principles), nothing is deeper than this. When we talk of the gateway (fundamental principles), nothing is more fundamental than this. The great monk Kūkai17 traveled deep into the mountain when planning to construct a monastery in the innermost reaches of Mount Kōya. Thinking it was still not far enough, he continued walking further, but eventually came across dwellings again. He said, “The further I entered, the closer I came to human habitation; I had looked too far in.”18 The interior is not the interior. The gate is not the gate. There are no special, secret interior teachings to look for if the great wisdom of combat strategy surges through your sinews and veins. Just make sure that nobody to your front or back can ever get the better of you. This cannot be conveyed with words and letters.
”
”
Alexander Bennett (The Complete Musashi: The Book of Five Rings and Other Works)
“
Brooklyn’s pregnant,” I lash back. “You trained her yourself too.” “Want me to stick a fucking baby in you? I’ll do it right here. At least then I’ll have a reason to lock your ass down, safe at home.” “So romantic.” “It could be,” he combats. “We can hear everything you’re saying,” Theo hisses into our earpieces. “Threaten to impregnate Harlow again and I’ll be forced to crash a ten-thousand-pound drone into your head.” “And be thankful my brother is deaf, or you wouldn’t live long enough to put a bullet in our target,” Leighton adds cheerfully. “No impregnations today, then,” I surmise.
”
”
J. Rose (Hollow Veins (Sabre Security, #3))
“
The most nerve-wracking trading moment isn't when you're in the red. It's when you're just one step from your target, and the stock decides to U-turn right back to your stop loss!
”
”
Jayesh Thakkar
“
I was in charge of decisions and marketing, and Sean was in charge of research and operations. When we were trying to identify our target customer, he spent a ton of time putting together spreadsheets comparing all the different markets we should consider. When he showed them to me and asked me what I thought, I replied, “Yoga.” Huh? “We could easily do multiple products serving people who do yoga,” I told him. “It’s an emerging trend. And I know a ton of those people; I can ask them what they want. Let’s start a yoga business.” Sean’s initial response was, “That’s not a quantitative analysis, Ryan!” I’ve never been one to overthink things—most people spend way too much time in the research period. I make decisions fast and adjust later. With our target customer identified, we made a list of possible products and chose our gateway product—a yoga mat. With that, we began the process of product development. We looked up the top-selling yoga mats on Amazon and read through the reviews; we asked questions on Facebook groups, subreddits, and Instagram influencer accounts. It didn’t take long before we had an idea of the main pain points we needed to address with our first product. I remembered Don’s advice and began looking for people to make the product. With a quick scroll and a click, we could choose between a wholesaler in China, a private label supplier out of India, or a contract manufacturer in Vietnam. For about fifty bucks, we were able to order a set of yoga mat samples that had the exact features we were looking for. It was that easy. Samples in hand, we needed to refine our product idea to make sure we were really hitting the pain points we’d identified. At that time, I’d done yoga maybe two or three times in my life, and I wasn’t nearly the right demographic for our mats anyway. That forced me to ask questions. We were targeting yoga-loving millennials, so I went where they often congregate: Starbucks. There, I did the kind of tough field work that really makes an entrepreneur sweat: asking young women questions over coffee. “Which yoga mat do you prefer? Why?” “What makes the difference between a bad yoga mat and a good one?” “What’s wrong with your current yoga mat?” “What do you think of this one? And what about this one?” Next, I headed over to local yoga studios to see how our samples stacked up against the strenuous demands of a yoga class. A few classes later, Sean and I had everything we needed to narrow down our product development. Armed with all our data, we went back to the manufacturers. From a couple yoga-clueless guys, we’d become knowledgeable enough to know not just what a good yoga mat looked like, but how it had to feel and perform. We knew what we needed our yoga mat to do. Now we just had to find the manufacturer to supply it.
”
”
Ryan Daniel Moran (12 Months to $1 Million: How to Pick a Winning Product, Build a Real Business, and Become a Seven-Figure Entrepreneur)
“
Going left is done by taking a sliding pace or getting away. In both cases, the departure must necessarily be combined with the task of "direct" counter-parting right in the head, in order to anticipate the possible blow of the opponent's right hand. When leaving to the left, it is also possible to task the opponent with a "direct" counter-part right down the head or in the torso. Going back. The movement of this defense starts with the left leg kicking off the floor and step back with your right foot. Performing a backward move, the boxer should, by assessing the body position of the attacking opponent, determine the exposed target and choose the type of counter-part. Just the right leg will touch the floor, the boxer, without spreading the weight of the body on both legs and without losing the right moment, should step forward quickly to target the counter-target of "defense".
”
”
Michael Wenz (BOXING: COMBAT SPORT: RULES, TECHNIQUES, POSITIONS, DISTANCE, MOVEMENT. BECOME A SPORT LEGEND. (TRAINING))
“
I asked Hogan to describe his process in performing this task. He replied: In 1998, I read Tracks in the Psychic Wilderness by Dale Graff333 [retired Defense Intelligence Agency director of the US government’s classified psi research program] in which he described how to remote view. I sat in front of a monitor with the code for a target in my mind and closed my eyes. I made my mind “an empty rice bowl.” I repeated the code to myself and waited. The impressions came and I sketched them. I nailed the target the first time. What I do hasn’t changed much [since then], but I have some nuances that are different. I go to a quiet place and sit. I close my eyes and warm down for a minute or two by relaxing. [Former army “psychic spy”] Joe McMoneagle takes 45 minutes to warm down. I’d be asleep by then. I can go only a minute or two. With my eyes closed, I blank my mind and repeat the target code or location. It could be a code like [the letters] AMEF or a location like “on the table in Wayne’s office.” I just need something to focus my attention on that thing out of the innumerable other things in the universe. I have a place I “look” in my mind, and I know my eyes actually focus on it. It isn’t like an infinity setting on a camera. I think it’s with a focus of about three feet. The next part is difficult to describe. I allow images to come. If someone says it’s an object on a table, I allow an “impression” of a table to come into that space. I’m not really remote viewing the table. It’s just a platform. Then my mind relaxes into allowing target impressions through. I may say, “Let me see the object on Wayne’s table.” As I relax into it, I get a feeling that is a little like a very small feeling of that time when you’re starting to drift into sleep. I could guess it’s going from Alpha [brainwave rhythm] into Theta, but I don’t know. I don’t hold it for long, though. I come back from it and have to go back in. I have to open my eyes and sketch what I get, but I’m not a good artist and by the time I get a part of a sketch started, I’ve lost some of the target. I write the impressions in words and sketch what I can. Then I have to close my eyes again, warm down briefly, and repeat the process. I have to stay with details and avoid naming something. I’m much better at objects than pictures. I’ve learned that everything I get is meaningful, but some can’t be associated with an object. It’s still attached to some real thing. I have had no training, and probably haven’t done more than a hundred sessions since I first learned I could do it in 1998.
”
”
Dean Radin (Supernormal: Science, Yoga and the Evidence for Extraordinary Psychic Abilities)
“
charge meant you knew every step your people took. When they ate, when they worked, when they slept. You knew all their secrets, even the ones they weren’t aware of. And you definitely knew when they were hiding an outsider with a target on his back.
”
”
Avril Ashton (Dig Your Grave (Staniel, #2))
“
It was quite common for households in towns like mine to have BB rifles, commonly called slug guns. These were air rifles that shot very tiny soft lead pellets called slugs. They weren’t that lethal unless you shot at very close range, but they could blind you if you got shot in the eye. Most teenagers had them to control pests like rats, or to stun rabbits. However, most kids used them to shoot empty beer cans lined up on the back fence, practising their aim for the day they were old enough to purchase a serious firearm. Fortunately, a law banning guns was introduced in Australia in 1996 after thirty-five innocent people were shot with a semi-automatic weapon in a mass shooting in Tasmania. The crazy shooter must have had a slug gun when he was a teenager. But this was pre-1996. And my brothers, of course, loved shooting. My cousin Billy, who was sixteen years old at the time – twice my age – came to visit one Christmas holiday from Adelaide. He loved coming to the outback and getting feral with the rest of us. He also enjoyed hitting those empty beer cans with the slug gun. Billy wasn’t the best shooter. His hand-eye coordination was poor, and I was always convinced he needed to wear glasses. Most of the slugs he shot either hit the fence or went off into the universe somewhere. The small size of the beer cans frustrated him, so he was on the lookout for a bigger target. Sure enough, my brothers quickly pushed me forward and shouted, ‘Here, shoot Betty!’ Billy laughed, but loved the idea. ‘Brett, stand back a bit and spread your legs. I’ll shoot between them just for fun.’ Basically, he saw me as an easy target, and I wasn’t going to argue with a teenager who had a weapon in his hand. I naively thought it could be a fun game with my siblings and cousin; perhaps we could take turns. So, like a magician’s assistant, I complied and spread my skinny young legs as far apart as an eight-year-old could, fully confident he would hit the dust between them . . . Nope. He didn’t. He shot my leg, and it wasn’t fun. Birds burst out of all the surrounding trees – not from the sound of the gunshot, but from my piercing shriek of pain. While I rolled around on the ground, screaming in agony, clutching my bleeding shin, my brothers were screaming with laughter. I even heard one of them shout, ‘Shoot him while he’s down!’ Who needs enemies when you have that kind of brotherly love? No one rushed to help; they simply moved to the back fence to line up the cans for another round. I crawled inside the house with blood dripping down my leg, seeking Mum, the nurse, to patch me up. To this day, I have a scar on my leg as a souvenir from that incident . . . and I still think Billy needed glasses. I also still get very anxious when anyone asks me to spread my legs.
”
”
Brett Preiss (The (un)Lucky Sperm: Tales of My Bizarre Childhood - A Funny Memoir)
“
The neck is also a viable target. Given our understanding of diffuse axonal injury as the result of stretching forces on the axons in the brain (particularly near the base of the skull), it is reasonable to assume you could generate the same damage by applying a force on either side of the same axon. Since it appears that knockouts occur as a result of diffuse axonal injury involving the brainstem (Smith, et al., 2000), we should be able to apply our force to the neck to get a knockout as well. Of course, if you land a left hook to the chin, you get to use the head as a lever, but there are no levers for the neck, so you will have to apply more force to your strike in order to get the same result. We can see this in action in muay Thai, MMA, and kickboxing matches, where a kick to the side of the neck can cause an opponent to lose consciousness immediately. Strikes directly to the back of the head (at the base of the skull) generate the same effect, but the minimum force required is lower, possibly because there is less muscle and other tissue between the axons and the point of impact. These strikes are illegal in most styles of fighting for sport, but they are still good to know, just in case you find yourself in a life-or-death scenario with an opportunity to strike there.
”
”
Jason Thalken (Fight Like a Physicist: The Incredible Science Behind Martial Arts (Martial Science))
“
What happens when I don’t need to be rescued anymore, Wyatt? She struck a target with that question. Just as he was in her mind, she was in his. He didn’t give a damn and that was the truth. His dark gaze drifted over her, deliberately possessive. He brought her wrist to his mouth and slid his tongue over her pulse, felt her shiver and watched her eyes go an even darker purple. Somthin’ tells, me, sugar, you’re always goin’ to be gettin’ yourself into trouble and I’ll always have to go rushin’ to your rescue. You got trouble stamped all over you, woman. Any man can see that a mile out. He winked at her, and turned his attention back to the table
”
”
Christine Feehan (Viper Game (GhostWalkers, #11))
“
A good but plain-Jane drill you prob’ly know pits the shooter against two to four standard IDPA/ USPSA cardboard torso targets. Using a shot-timer like the PACT Club Timer III, from the beep, put two rounds in each, slow enough to assure all hits are in top-scoring zones. Check your elapsed times. Push faster until you start dropping rounds outside the sweet spots, then back off, slow down and work your way up again. Maybe you integrate a reload. It’s sound, but it lacks panache. Kick it up. Between and around those full-size cardboards, add in half-size*, and some 10" and 5" mini-torsos**. Vary your drills; don’t just shoot left-to-right and back again. Shoot the little guys first, then the larger ones or vice versa or “Connor-versa,” which appears to onlookers to be a spazz-pattern. It is actually coldly calculated — by a spazz. Me. The variety is healthy. You can snap-shoot the full and half-size targets, but the minis force you to concentrate, bear down and get squinty. Sure, program reloads in too, and switching from right to left hand. Now add more fun with malfunction drills: Say you have 10 identical 15-round magazines and six inert dry-fire rounds. In six mags, stagger placement of duds, like second round in one, sixth round in another, blah-blah. Then mix the mags up so you don’t know where the surprises are. And on the timer, give yourself no slack for correcting your malf’s. Now for the spicy stir-fry sauce: Between sweeps of the targets, while gripping your pistol in one hand, bring your other hand back, touch your thumb to your nose, waggle your fingers vigorously, and shout as loudly as possible “O ye sinners, now shall ye repent! Let the Great Slaying begin!” or, “For freedom, Fritos and chicken-fried steak!” or, “Back awaaay from the bulgogi and nobody gets hurt!” Note: Never mess with my bulgogi. Never. Or, try shouting “I love you and blood sausage too!” — but shout it in German; makes it confusing and terrifying. Ich liebe dich und blutwurst auch! Exercising exemplary muzzle control and strictly observing all range safety protocols, slump your shoulders, hang your head and slowly turn around, looking dazed, lost, spaced-out ... Then, by degrees, “recover consciousness” and smile. It’s unlikely anyone will be there by this point, so that smile can be very genuine. If any looky-lou’s are still present, they’ll prob’ly be frozen like deer caught in headlights. Perfecto! If you see me at the range and I’m munchin’ a sammich and sippin’ coffee, stop and say howdy. But if I’m shooting drills, well ... Trouble not, etcetera. Connor OUT
”
”
John Connor (Guncrank Diaries)
“
Kettlebell deadlift. The kettlebell deadlift primarily targets the posterior chain (lower back, glutes, and hamstrings). It is an excellent companion to the kettlebell box squat and additionally helps teach proper hip-creasing mechanics, creating an important foundation for the classical kettlebell exercises (e.g., swing, clean, snatch). With the kettlebell on the ground, stand with your feet shoulder-width apart with the kettlebell just in front of you (see figure 7.9a). Keep your chest lifted as you sit back with your hips until your hands can reach the handle (see figure 7.9b). Grab the handle with both hands and stand up by pressing your feet into the ground until your body is fully upright (see figure 7.9c). Repeat by sitting back to lightly touch the kettlebell to the ground. Do 10 controlled repetitions with a light weight and then repeat with a more challenging weight (e.g., women start with 8 kg [18 lb] for 10 repetitions and then use 12 kg [26 lb] for 10 repetitions; men start with 16 kg [35 lb] for 10 repetitions and then use 24 kg [53 lb] for 10 repetitions). This basic exercise teaches you to keep your center of gravity aligned vertically over your base of support. It is important to have control over your center of mass because kettlebell training involves such dynamic movements. A strong and stable base will keep you safe when swinging the kettlebell. KEY PRINCIPLES Crease at the hips instead of bending at the waist. Maintain a neutral spine and slightly arched lower back. Legs can be bent or straight depending on the desired training effect. Straight legs will recruit the hamstrings more and bent legs will recruit the quadriceps more.
”
”
Steve Cotter (Kettlebell Training)
“
Five big things tend to eat away at advantages:
1. Being right instills confidence that you can't be wrong, which is a devastating characteristic where being an outlier of success has a target on it's back.
2. Success tends to lead to growth usually by design. But a big organization is a different animal than a small one and strategies that lead to success at one size can be impossible at another.
3. Hard work is in pursuit a goal and once that goal is met, the relaxation that feels so justified removes paranoia. This allows competitors in a changing world to creep in unnoticed.
4. A skill that is valuable in one era may not extend to the next. You can work as hard and be as paranoid as you've always been, but if the world no longer values your skill is loss. Being a one trick pony is common, because people in large companies that are very good at one specific thing tend to be the highest paid during the boom.
5. Some success is owed to being in the right place at the right time.
”
”
Morgan Housel (SAME AS EVER: Timeless Lessons on Risk, Opportunity and Living a Good Life (From the author of The Psychology Of Money))
“
The evening news never spares us. Tune in and we
hear: if you’re a boy and you’re black, you live
with a target on your back. We each take it in and
shiver, one sharp-bladed question hanging overhead: how
long do I get to walk this earth? The smell of death is too intense,
and so we bury the thought, because the future is
ours, right? We get to choose? Well, we choose life.
”
”
Nikki Grimes (One Last Word: Wisdom from the Harlem Renaissance)
“
I was smart, charming, a perfectionist, wholesome, acceptably available but not so accessible that men could feel entitled, and yet here I was again. There is nothing you can do to take the target off your back when that is literally the way systems are designed. When you survive something once already, you’d think that would be the end of it, but somehow, despite all my work, I was here again.
”
”
Tarana Burke (You Are Your Best Thing: Vulnerability, Shame Resilience, and the Black Experience)
“
Croque Madame drums her fingers on the steering wheel. “Bridges are one of the first things the enemy looks to destroy.” “Why? So people can’t get to work?” Terk asks. “No,” Cardyn counters. “It’s so trucks can’t pass over and boats can’t pass through. It’s all about cutting off supply lines.” He taps his temple. “Very clever strategy.” Brohn shakes his head. “It’s to destroy morale. Bridges are symbols. They show there’s nothing human beings can’t do, no distance we can’t cross. Destroy that, and you destroy morale. Destroy morale, and you keep everyone afraid and too broken to fight back.” Rain suggests that targeting bridges has to do with a reallocation of resources. “It’s like in chess,” she says. “If I can get you to dedicate your pieces to defense on one side of the board, I’m free to launch my attack on the other.” I tell them I’m pretty sure I read that the destruction of bridges in war is to prevent the movement of enemy troops. From a few rows behind us, Manthy’s voice is smooth and even. “It’s about separation.” She seems fixated on something outside the bus—maybe the long green grass along the side of the road or the intact houses and shops up ahead—and doesn’t turn to look at us.
”
”
K.A. Riley (Transfigured (The Transcendent Trilogy, #2))
“
Start by redistributing a chunk of your own authority. Step back from critical decisions and let your team decide. (We’ll say more about this in chapter 15.) If your company doesn’t have a profit-sharing plan, lobby for one and make sure it’s available to every employee. In a good year, profit sharing should raise average compensation by 10 percent or more. Wherever possible, disaggregate big units into small ones. In general, keep operating units to fewer than fifty people. Give every unit a full-fledged P&L. Minimize corporate overhead allocations and avoid building targets around detailed KPIs. Expand the decision-making prerogatives of frontline operating teams. Give them responsibility for decisions around unit strategy, operations, and people. Roll back legacy policies that have truncated the freedom of frontline units. Give businesses the right to negotiate the price of centrally provided services and opt out if they don’t think they’re getting a good deal. Once every unit has a genuine P&L, significantly increase the proportion of individual or team compensation that’s at risk. Ensure that above-average performance brings above-average rewards.
”
”
Gary Hamel (Humanocracy: Creating Organizations as Amazing as the People Inside Them)
“
In closing”—he clears his throat—“I’m relieved that I’m no longer the only person on the receiving end of all your most annoying text messages. In fact, their occurrence has decreased dramatically since Cade came into your life. Or you blasted into his, and—let’s be honest—knowing you, that’s the more likely scenario. Which leads me to believe you’ve made him the target of all your unhinged harassment, and I couldn’t be happier for myself about that.” Chuckles ripple through the crowd. “Most of all, I’m happy my little sister found someone who loves getting those obnoxious messages as much as I do. And if seeing her this unbearably happy means a few less chances to mock her mercilessly via text, then that’s a sacrifice I’m willing to make.” Willa’s eyes roll, but I see tears well in the wake of that motion. “Because I’m selfless like that.” Ford tosses her a wink and a killer grin. She mouths you’re an idiot back to him.
”
”
Elsie Silver (Hopeless (Chestnut Springs, #5))
“
Harts held up his hand. “No, it doesn’t fit. The crime wave ruse was well underway before you became involved, and following you would not facilitate it.” Murphy shook his head. “What can I do?” The general took the photo, put it in an envelope and gave it back to Murphy. “You may need this. Since we now know you’re a target of surveillance, we have to proceed by different rules. When you’re walking, double back occasionally and see if anyone else does the same thing. Leave stores and cafés by a different door than you came in, if they have one. If you take the Metro, get on the first train and get off before it departs and see if anyone else does the same thing. If you see him again, let me know. Right now there is more deception and intrigue here in Paris than in the whole rest of the world. Do you still have your service weapon?” “Yes sir, but it’s under lock and key at
”
”
Mark Anthony Sullivan (A Prelude to Versailles: Love and Intrigue at the Paris Peace Conference)
“
Now it’s time to take back what is ours, what was stolen from us. We had no choice before they sealed the realms. None. How many of your people are beyond those doors? Hmm?” He pointed towards Santiago, then the others. “Or yours, or yours? Do you wonder if they still live?” Those words hit their target. “And this book? You have it?” the leader of the shades asked. Kaden clicked his tongue. “That’s the next part. I do not have it yet, but soon. Elijah,” he pointed toward the mortal and his council, “has been kind enough to provide intel on the celestials. We have infiltrated their ranks, which is the reason I called you all here. We need to be united. Once I start the process of opening the realms, we can’t be seen as weak.” He looked pointedly at the empty seats of the vampires. “Not even for a second. I need you all with me, and if you’re not…” He glanced at the center of the table, letting the threat hang above them. One by one, they all agreed by saying yes in their native tongue. The werewolves were the last to speak, and I knew I wasn’t the only one who noticed.
”
”
Amber V. Nicole (The Book of Azrael (Gods & Monsters, #1))
“
Direct response marketing is designed to evoke an immediate response and compel prospects to take some specific action, such as opting in to your email list, picking up the phone and calling for more information, placing an order or being directed to a web page. So what makes a direct response ad? Here are some of the main characteristics: It’s trackable. That is, when someone responds, you know which ad and which media was responsible for generating the response. This is in direct contrast to mass media or “brand” marketing—no one will ever know what ad compelled you to buy that can of Coke; heck you may not even know yourself. It’s measurable. Since you know which ads are being responded to and how many sales you’ve received from each one, you can measure exactly how effective each ad is. You then drop or change ads that are not giving you a return on investment. It uses compelling headlines and sales copy. Direct response marketing has a compelling message of strong interest to your chosen prospects. It uses attention-grabbing headlines with strong sales copy that is “salesmanship in print.” Often the ad looks more like an editorial than an ad (hence making it at least three times more likely to get read). It targets a specific audience or niche. Prospects within specific verticals, geographic zones or niche markets are targeted. The ad aims to appeal to a narrow target market. It makes a specific offer. Usually, the ad makes a specific value-packed offer. Often the aim is not necessarily to sell anything from the ad but to simply get the prospect to take the next action, such as requesting a free report. The offer focuses on the prospect rather than on the advertiser and talks about the prospect’s interests, desires, fears, and frustrations. By contrast, mass media or “brand” marketing has a broad, one-size-fits-all marketing message and is focused on the advertiser. It demands a response. Direct response advertising has a “call to action,” compelling the prospect to do something specific. It also includes a means of response and “capture” of these responses. Interested, high-probability prospects have easy ways to respond, such as a regular phone number, a free recorded message line, a website, a fax back form, a reply card or coupons. When the prospect responds, as much of the person’s contact information as possible is captured so that they can be contacted beyond the initial response. It includes multi-step, short-term follow-up. In exchange for capturing the prospect’s details, valuable education and information on the prospect’s problem is offered. The information should carry with it a second “irresistible offer”—tied to whatever next step you want the prospect to take, such as calling to schedule an appointment or coming into the showroom or store. Then a series of follow-up “touches” via different media such as mail, email, fax and phone are made. Often there is a time or quantity limit on the offer.
”
”
Allan Dib (The 1-Page Marketing Plan: Get New Customers, Make More Money, And Stand out From The Crowd)
“
The first big problem is that even with the combat model, there's more to difficult conversations than a power imbalance, and we know it. When we peel back the superficial layer of power rules (if you think you can't win, don't engage. If you're one down, make yourself a small target. If you're one up, you win), we find a different incompatible rule: I am a good guy, and I am in the right, so if my counterpart resists me, the wrong is on his side. And the worse the conversation gets, the more likely it is that one side or the other will turn to it. We are still battling, but the rules just changed from might to right. How does that happen? How does right come into a scene that used to be determined by might? It happens when at some point, the conversation crosses a line, something new appears to be at risk, something more fundamentally important than a power position: our self respect. We are people involved in these conversations, not just entities and respective power positions.
”
”
Holly Weeks (Failure to Communicate: How Conversations Go Wrong and What You Can Do to Right Them)
“
Why the Sun Rises and Sets
Once upon a time, cinnamon people were sky-born. They lived within the clouds,
and the browner their skin was, the longer they lived because they were so
beloved by the sun. No one ever slept because no one ever needed to, and the sun
stayed high in the sky all day. Night did not exist. It did not need to. Boys wearing
burnt-sienna skin with pride would play in the sky, mahogany mothers watched
their chestnut children fly away from them unafraid, because they always came
back and no one feared anything—no one ever had to.
Until the day the earth men came. They saw the sky people and wanted what they
had. Joy. But the earth men didn’t know that joy was not a commodity and thought
the sun’s rays were the secret gold that made these people so happy. The earth men
hunted every little brown boy, girl, mother, father. They cut off their wings. They
took them from the sky. They brought them to the earth and put them on ships as
slaves, and took their sun, their homes, and even their bodies from them. Still, the
sky people sung. Still, they held on. Still, they performed survival magics and
proved so powerful in their spirit. You see, beings that are beloved by the sun do
not get destroyed so easily. The sun, upon losing his people, turned the whole sky
black in mourning, leaving his sister moon and his friends the stars in his stead.
And till his people are restored to their former glory, he rises every morning to
search for them, to hope them home, but every day he hears about how they are
still targeted, injured, put into the ground, their children still murdered, so he
paints the sky black again with his sadness, leaving his sister moon in charge
again.
The sun has never given up hope that one day, they will find their joy again. And
until they do, he will paint the whole sky black to let them know he rises and sets
for them.
”
”
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
“
How did you lose your mother?” I asked quietly. “Drive-by shooting—wrong place at the wrong time. She had just stepped out of the house to run to the market and was gunned down on the sidewalk. I heard the shots and ran outside to find her in a puddle of her own blood. Some street thug with a target on his back had been walking by at the same time—a stray bullet hit her right in the heart.” His voice was so devoid of emotion, it gave me chills. “How old were you?” “Seventeen. Arianna was only fourteen.” His younger sister—she’d still been a young girl. “Did you have to go into foster care?” “Only for a couple months. The second I turned eighteen, I petitioned for custody of her.
”
”
Jill Ramsower (Forever Lies (The Five Families #1))
“
UNKNOWN UNKNOWNS Associative binding of experiences in memory to create an internal chronology would also help explain why most precognitive dreams are only identified as such in hindsight. Even if premory is just an aspect of memory and obeys most of the same principles, the stand-out exception is that only with memory for things past can we engage in what psychologists call source monitoring. We can often tell more or less how we know things from past experience because we can situate them, at least roughly, in relation to other biographical details. We can’t do this with experiences refluxing from our future, because they lack any context. We don’t know yet where or how they fit into our lives, so it may be natural for the conscious mind to assume that they don’t fit at all.12 Again, it is natural and inviting to think of precognition as a kind of radar or sonar scanning for perils in the water ahead. A metaphor that Dunne used for precognitive dreaming is a flashlight we point ahead of us on a dark path. But it makes more sense that our brains are constantly receiving messages sent back in time from our future self and are continually sifting and scanning those messages for possible associations to present concerns and longstanding priorities without knowing where that information comes from, let alone how far away it is in time. Items that match our current concerns or preoccupations will be taken and elaborated as dreams or premonitions or other conscious “psi” experiences, but we are likely only to recognize their precognitive character after the future event transpires and we recognize its source. And even then, we will only notice it, by and large, if we are paying close attention. That matching or resonance with current concerns may be important in determining the timing of a dream in relation to its future referent. For instance, it is possible Freud dreamed about the oral symptoms in the mouth of his patient Anna Hammerschlag when he did because of a confluence of events in his life in 1895 that pre-minded him of his situation all those years later, in 1923—including his relapse to smoking his cigars after his friend Wilhelm Fliess had told him to quit. Again, his thoughts about his smoking may have been the short circuit or thematic resonance between these two distant points in his life, precipitating the dream. Incidentally, there is no reason to assume that that single dream of Freud’s was the only one in his life about his cancer and surgeries. Multiple dreams may point to the same experience via multiple symbolic or associative avenues, so it would be expected that some of Freud’s later dreams, especially closer to 1923, may have also related to the same experiences. We’ll never know, of course. But dreamers frequently report multiple precognitive dreams targeting the same later upheaval in their lives, especially major experiences like health crises and life milestones.
”
”
Eric Wargo (Precognitive Dreamwork and the Long Self: Interpreting Messages from Your Future (A Sacred Planet Book))
“
You will increasingly have these kinds of sublime realizations about the block universe and your own unconscious role in fulfilling your fate the more you become attuned to precognitive dreaming. PAY IT FORWARD Earlier I mentioned the possibility of sowing seeds in our past for a better tomorrow via establishing habits of honoring our dreams and other potentially precognitive experiences. Among the positive values of Jung’s writings and teachings was his emphasis on honoring and commemorating the miraculous in one’s life. He encouraged his patients to draw or paint their dreams, for instance, and he commemorated his own synchronicities in the grand style that his and (mostly) his wife’s wealth allowed. For instance, during a period in 1933 when he was studying the relationship between Christianity and Alchemy, he encountered a snake that had choked to death trying to swallow a fish. This seemed to him like a concrete symbol of the fatal inability of both systems of thought—the Christian fish and the Alchemical serpent—to integrate each other. He honored this synchronistic discovery with a stone engraving that can still be seen at his Bollingen tower retreat on the shore of Lake Zurich, where he had found the animals.1 Developing personal habits and rituals to honor our dreams is an important part of precognitive dreamwork. Writing dreams down in the morning in a notebook dedicated for the purpose is the most fundamental part of it. But drawing or painting striking images from dreams is also a common practice. However you choose to honor your dreams, such honoring is a crucial feed-forward component helpful in manifesting precognition with regularity. As with any habit or skill we wish to improve upon, it is important to build positive associations with it, so these little celebratory acts of honoring can contribute to those associations and in some cases even serve as the target of our precognition. Some of these targets may become powerful personal symbols and associations that you will then find have fed back into your prior dreamlife.
”
”
Eric Wargo (Precognitive Dreamwork and the Long Self: Interpreting Messages from Your Future (A Sacred Planet Book))
“
I’ve never really understood the importance of class participation. If I have the knowledge and I can prove that I have it in a test or in some homework, then why do I have to show it off in front of the whole classroom to get the grade? Or worse, if I don’t know the answer, why do I have to humiliate myself in front of the entire classroom just for some points? I just don’t get it. All I can say is that I definitely didn’t want that top spot hard enough to participate daily in every class. Although I gotta say that sometimes I was tempted to force myself to participate just so I could get the teachers off my back. “You have to learn to come out of your shell,” “Don’t be shy, we don’t bite,” “You’re never going to make it in the real world if you don’t talk.” They always used the same old, tired phrases. I knew some of them had good intentions, and maybe they were right, maybe I needed to speak up and participate more, but why did they think it was a good idea to motivate me like that? I’m sure there are other ways to promote class participation without being so aggressive or rude. Public humiliation was not going to magically transform me into someone outgoing like my brother, my parents had already tried that for years with no results. It is the teachers’ job to create a safe space for students to grow and develop, not a safe space for mocking and bullying. By singling me out as the “quiet one,” the teachers basically put a target on my back and gave my classmates permission to mock me for the same reason. And they took that permission by heart. All through middle school, many kids enjoyed bullying me for being quiet—and for other things, like preferring to read during recess instead of playing sports and for my short stature, but mostly it was for being quiet, which is something that I’ve never fully understood. Why did being quiet make me stand out? Shouldn’t it have been the other way around? I used to try to not pay attention to the bullies, but when so many people—including some of the teachers—tell you that there’s something wrong with you, you can’t help but start to wonder if they’re right.
”
”
Kevin Martz (Introverted Me)
“
Treat that target reader like the protagonist of your next novel. Give him a back story; assign some quirks. Make him real.
”
”
Emlyn Chand (Discover Your Brand: A Do-It-Yourself Branding Workbook for Authors (Novel Publicity Guides to Writing & Marketing Fiction 1))
“
Yesterday I got a credit card application from a major bank with a variable rate of 12.99% to 20.99%. Such a deal. And what if I fall on hard times and lose my job? So, I wrote them a return letter:
Dear major bank,
Thank you for the opportunity to express how I really feel about your corporation. What I do appreciate, is that there is no stamp required for your return envelope. After tearing off all my personal information, so some dumpster diver doesn’t fill out your application for me, and find out he picked the wrong target; I just wanted to make one comment:
Your practice of usury is despicable, along with crashing the global economy.
Danny - I think I have my grandmother’s charm and wit. Too bad she’s not here to share it with.
Maybe if every disgruntled person would use that free envelope and apply their creative talent, they might get the picture that we’re tired of this bullshit.
Marcie, there are so many people you could visit and test your information extraction program on, so what are you people doing here? Is this just a practice run? Well, you wanted to know what I was thinking. And you wonder why I look to God for solutions. Wake me up when it’s over.
Marcie - You are a crazy SOB. You want me to use my system to play Robin Hood.
Danny - You’d make an excellent Robin Hood, make sure you get your merry band to sign on. Maybe that’s the reason we were connected by design.
How much materialism do you really need? Some people take what they need from the orchard and other people pick the orchard clean.
Marcie - You’re wondering what I’m thinking. I don’t want to mess your mind up with what I’m thinking, so let me simply say, I don’t approve of what some of these people have been doing for decades.
Who do you think I am?
Danny - Someone who frustrates me, don’t we have enough guessing games in life?
Marcie - Marcie is a miracle worker, so what does that tell you? You do not even know what to make of me, someone who keeps coming back for you, someone who won’t let go of you.
Danny - Why is it that there’s only a handful of words for truth and over 100 synonyms and derivatives for deception?
Marcie - Are you surprised?
Danny - It puts it in a different light when you start reading through the list. You may as well add amygdala hijacking.
Marcie - Has Danny been bamboozled?
Danny - You picked one with an unknown origin.
Marcie - That is the best way to start a mind game.
Danny - Okay, just for kicks, try saying synonym - cinnamon 10 times as fast as you can.
From - "The Mind Game Company - The Players
”
”
Andrew Neff
“
charity work. Any smart, ethical business owner is going to be involved with something that gives back, whether it is at the community level, in the fight against a specific disease, or in a broad campaign to address another social issue. If you are willing to take the time to roll up your sleeves—first, to find out what groups your targeted mentor works with, and second, to start giving your money, time, or resources to that same group—you can find inroads to business mentors very quickly, and all while pursuing a worthy cause.
”
”
Ryan Blair (Nothing to Lose, Everything to Gain: How I Went from Gang Member to Multimillionaire Entrepreneur)
“
Shelby, you should run for your life, I’m not kidding. I’ve never been reliable where women are concerned. And I’m not real well fixed with brakes, either. God, I really don’t want to hurt you.” “Are you trying to scare me again, Luke?” “Yeah, I’m trying to scare you. Warn you. Use your head, Shelby. You’re young, you’re sweet, and I’m just an irresponsible, horny bastard. You’d be making a mistake, getting mixed up with me.” She traced his ear with a finger. “Well, Luke, I’m already a little mixed up with you. And you got yourself mixed up with me.” “Shelby, I’m temporary at best. I’m not staying here.” “Me, neither. Is that it?” He sighed and shook his head. “I’ve been known to run through women like sharks run through scuba divers. I wouldn’t be good for you.” “Are you sleeping with a lot of women right now?” she asked him. He hadn’t been with a woman in so long, he had a hard time remembering the last one. That fact alone made him even more vulnerable to Shelby’s incredibly seductive charm. “There has been only one woman on my mind. My brain is like a frickin’ missile and if you don’t move out of the target, I’m afraid I’m going to end up doing some things you might hate me for later. And then your Uncle Walt is going to shoot me.” It only made her chuckle. “Do you always warn your women not to get involved with you before you swoop down and devour them?” “Never. That could keep me from getting laid. But I worry about you. You need to fall in love, I can smell it on you. And I don’t fall in love. I don’t put down roots and I don’t make commitments.” “You know something, Luke?” she asked, smiling. “I think maybe you’re more worried you might fall in love with me than the other way around.” “See, you shouldn’t think like that—” “I just said maybe. It’s not like I expect it.” “You don’t?” “I’m going to travel and go to school. You’re going to fix up your cabins and sell them. You’ve been very clear. You’ve warned me a hundred times. And now, I’m just warning you.” “You want a fling? With a guy like me? Who’s too old for you?” She just laughed and he wanted to shake her. “You are pretty old,” she said. “Pretty soon, all these long warnings won’t even be necessary.” She tilted her head back and laughed. His
”
”
Robyn Carr (Temptation Ridge)
“
As I said in the chipping chapter, I don’t want the grip end of the club moving very far. If you get the idea that you need to make a faster swing with your arms doing most of the work, the first thing that’s going to happen is that the pulling action of the left arm will send your left shoulder up, tilt your spine back, away from the target, move the bottom of your swing way behind the ball, and there it is—a fat shot, or a skull from hitting it on the upswing. Think of it as a bigger pivot and you’ll start to feel the chain reaction
”
”
Stan Utley (The Art of the Short Game: Tour-Tested Secrets for Getting Up and Down)
“
Now isn’t the time,” Val suggested. “You don’t feel ready, you’re having second thoughts, or you don’t particularly relish getting involved with a man who’s the target of impending mayhem.” Much less, he thought, one who had only one reliably functional hand, even after more than a month of abstaining from his music. He was pushing her, but he wanted out from under the uncertainty of his reception in her arms. It had been almost a week since they’d been what he could call intimate, and in the intervening days his desire for her had only grown. “Now is the time,” Ellen said softly. “But if you let me think about it, I’ll lose my nerve and make excuses, and I don’t want…” He pulled back to survey her velvety brown eyes, finding them so somber as to unnerve him. He wanted this joining to be pleasurable for her, joyous even. “You don’t want?” “To never have known what it’s like,” she finished the thought, “to be with you like that. To be your lover.” Warnings went off in Val’s head, as her words could mean she wanted only a single experience of him, wanted a taste, a sample, nothing more. He wanted more, he wanted more than he deserved of her; he wanted to devour her, to make a feast of her, and to offer himself for her delectation too. Ah, well. A man worked with what life gave him, and life was giving him this opportunity with Ellen. He folded himself back down against her lap in gratitude and felt her hand stroking the back of his head. The moment was made complete and more memorable by the sudden gentle tattoo of rain on her roof, a showery patter that presaged a good, soaking rain, not merely a passing cloudburst. “Valentine?
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
Atlantic merely tipped his chin down and said, “We need you to find him, Baldwin.” Baldwin was too tired to fight. Arguing with Atlantic was fruitless, he’d learned that long ago. He turned to Garrett. “I can’t believe you didn’t tell me this. You know that I need every ounce of information to find this fool. You held back the most important piece of the puzzle. Jesus, Garrett. I thought I could trust you.” Atlantic cleared his throat. “He was acting on my instructions. We didn’t want your judgment clouded. If you thought he was targeting you, you wouldn’t have been of any use to us.” “Of course. Because that’s all that matters to you, isn’t it? That I give you what you need. Screw you.
”
”
J.T. Ellison (Judas Kiss (Taylor Jackson #3))
“
You do not lie so good, Yellow Hair. Your eyes make big talk against you. But that is okay. We have had this one moment together, no? And you did not spit.”
Chuckling, he ducked his head and tightened his arm around her with such crushing strength that she couldn’t breathe, let alone fight. Then he wheeled his horse, yelling gibberish. The young man who held Amy nudged his pony out of the ranks and galloped it toward the house. In a skid of hooves and flying dust, he dumped her none too gently onto the dirt and rode off. Amy scrambled to her feet, holding out her arms.
“Loretta, no…Loretta, please…”
To Loretta’s relief, Rachel burst out of the cabin, grabbed Amy, and dragged her up the steps. After shoving the child through the door, she reappeared with a rifle in her hands. Lifting the stock to her shoulder, she took careful aim. At Loretta…
It happened so fast that even the Comanche was taken by surprise. His body snapped taut. For the space of a heartbeat, Loretta felt a shattering sense of betrayal, of fear. Then she understood. Aunt Rachel was going to kill her rather than see her taken by Comanches.
The blast of the gun and a roar from the Comanche came almost simultaneously. He threw his body forward, slamming Loretta against the stallion’s neck. Pain exploded in her chest, a flattening, mind-searing pain. Insane as it was, the thought crossed her mind that the Comanche hadn’t won after all.
The stallion reared, striking the air, then leaped forward, nearly tossing both his riders. Loretta was squashed between the long ridge of the animal’s neck and the Comanche’s chest. Sitting sideways as she was, her body was twisted at an impossible angle. Instinctively she clutched the horse’s mane to hold her seat. She was going to fall. The hooves of the other horses thundered all around her. If she lost her grip, the other riders would surely trample her.
Desperation filled her. She was slipping. At the last moment, when her fingers lost their hold and she felt herself falling, her captor’s arm clamped around her ribs, pulling her back onto the horse. Then the weight of his chest anchored her, so heavy she couldn’t breathe. Wind blew against her face. Slack-jawed, she labored for air, pressure building to a pulsating intensity in her temples.
The Indians rode a safe distance from the house before stopping. When Hunter finally drew rein and leaped off the horse, Loretta fell with him and landed in a heap at his feet. Dust plumed around her. Men dismounted, yelling, running in her direction. For a moment she thought they were going to swoop down on her, but they circled her captor instead, jabbering and touching his shoulder. There were so many legs, some naked. Brown buttocks flashed everywhere she looked. Hunter snarled something and peeled off his shirt. A furrowed flesh wound angled across his right shoulder.
Pressing a hand to her chest, Loretta glanced down in bewilderment. She had been so sure…Laughter bubbled up her throat. Aunt Rachel had missed? She never missed when she could draw a steady bead on a still target. Loretta’s throat tightened. The Comanche. She looked up, confusion clouding her blue eyes. He had shielded her with his own body?
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Pressing a hand to her chest, Loretta glanced down in bewilderment. She had been so sure…Laughter bubbled up her throat. Aunt Rachel had missed? She never missed when she could draw a steady bead on a still target. Loretta’s throat tightened. The Comanche. She looked up, confusion clouding her blue eyes. He had shielded her with his own body?
Waving his friends away, Hunter hunkered down and scooped a handful of dirt, pressing it to the shallow cut on his shoulder. Loretta stared at the blood trailing down his arm. If not for his quick thinking, it could have been her own. Survival instinct and common sense warred within her. She knew death might be preferable to what was in store for her, but she couldn’t help being glad she was alive.
As if he felt her staring at him, the Comanche lifted his head. When his eyes met hers, the fury and loathing in them chilled her. He stood and jerked the feathers from his braid, wrapping them in his shirt. Never taking his gaze off her, he stuffed the bundle into a parfleche hanging from his surcingle.
“Keemah,” he growled.
Uncertain what he wanted and afraid of doing the wrong thing, Loretta stayed where she was. He caught her by the arm and hauled her to her feet.
“Keemah, come!” He gave her a shake for emphasis, his eyes glittering. “Listen good, and learn quick. I have little patience with stupid women.”
Grasping her waist, he tossed her on the horse and scooted her to the back of the blanket saddle. The hem of her nightgown rode high. She could feel all the men staring at her. Had he no decency? With trembling hands, she tugged at the gown and tried to cover her thighs. There wasn’t enough material to stretch. And it was so thin from years of wear, it was nearly transparent. The morning breeze raised gooseflesh on her naked arms and back.
With a grim set to his mouth, her captor opened a second parfleche, withdrawing a length of braided wool and a leather thong. Before she realized what he was about to do, he knotted the wool around one of her ankles, looped it under his horse’s belly, and swiftly bound her other foot.
“We must ride like the wind!” he yelled to the others. “Meadro! Let’s go!”
The other men ran for their horses. Grasping the stallion’s mane, Hunter vaulted to its back and settled himself in front of her. When he reached for her arms and pulled them around him, she couldn’t stifle a gasp. Her breasts were flattened against his back.
“Your woman does not like you, cousin,” someone called in English. Loretta turned to see who spoke and immediately recognized the brave who had encouraged Hunter to kill her that first day. His scarred face was unforgettable. He flashed her a twisted smile that seemed more a leer, his black eyes sliding insolently down her body to rest on her naked thighs. Then he laughed and wheeled his chestnut horse. “She won’t be worth the trouble she will make for you.”
Hunter glanced over his shoulder at her. The fiery heat of his anger glowed like banked embers in his eyes. “She will learn.” With an expertise born of long practice, he lashed her wrists together with the leather. “She will learn quick.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
All my children would be--” Hunter rolled his eyes. “Can you see me, surrounded by White Eyes?”
“Ah, that is the trouble. She is a White Eyes.” Many Horses nodded and, in a teasing voice, said, “I don’t blame you there. No man could be proud of a son with white blood. He’d be weak and cowardly, a shame to any who claimed him.”
Hunter froze and glanced up. The white blood in his own veins was an unspoken truth between him and his father. Never before had Many Horses alluded to it.
Many Horses sniffed and rubbed the ash from his nose. “Of course, there are the rare exceptions. I suppose a man could raise a child of mixed blood and teach him to be one of the true People. It would take work, though.”
The stiffness eased from Hunter’s shoulders. “Did I test your patience, my father?”
Many Horses seemed to ponder that question a moment. “I found myself short on patience the time you shot me in the thigh with your first bow and arrow. It wouldn’t have been so bad if I hadn’t been standing behind you.”
Hunter laughed softly. “You weren’t when I let fly with the arrow. If I remember, I turned around to ask you a question.”
“Which I never did answer. I always thanked the Great Ones that you were only knee high. If you’d been much taller, your brothers and sister never would have been born.” He sniffed again, then grinned. “Come to think of it, Warrior was even more dangerous with his first rifle. Remember the time he accidentally fired through my lodge and shot a hole in your mother’s cooking pot? She was boiling rabbit. The water hit the fire and filled the place with so much smoke, I nearly choked to death before I got everyone outside to safety.”
Hunter threw back his head and roared with laughter. “I remember you pulling that rabbit out of the pot and telling Warrior it was a perfect shot, right through the heart. Except, of course, that it was gutted. And would he practice on live targets from then on?”
“Speaking of pits in plum pudding, do you remember your sister’s first attempt? Your grandfather broke off his only remaining tooth trying to eat it.”
“And swallowed tooth, pit and all, so he wouldn’t embarrass her in front of Gray Horse, who had come to court her.” Hunter placed a hand over his aching midriff and sighed. “It is good I came, my father. You have the gift. Already my heart is lighter.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Did I test your patience, my father?”
Many Horses seemed to ponder that question a moment. “I found myself short on patience the time you shot me in the thigh with your first bow and arrow. It wouldn’t have been so bad if I hadn’t been standing behind you.”
Hunter laughed softly. “You weren’t when I let fly with the arrow. If I remember, I turned around to ask you a question.”
“Which I never did answer. I always thanked the Great Ones that you were only knee high. If you’d been much taller, your brothers and sister never would have been born.” He sniffed again, then grinned. “Come to think of it, Warrior was even more dangerous with his first rifle. Remember the time he accidentally fired through my lodge and shot a hole in your mother’s cooking pot? She was boiling rabbit. The water hit the fire and filled the place with so much smoke, I nearly choked to death before I got everyone outside to safety.”
Hunter threw back his head and roared with laughter. “I remember you pulling that rabbit out of the pot and telling Warrior it was a perfect shot, right through the heart. Except, of course, that it was gutted. And would he practice on live targets from then on?”
“Speaking of pits in plum pudding, do you remember your sister’s first attempt? Your grandfather broke off his only remaining tooth trying to eat it.”
“And swallowed tooth, pit and all, so he wouldn’t embarrass her in front of Gray Horse, who had come to court her.” Hunter placed a hand over his aching midriff and sighed. “It is good I came, my father. You have the gift. Already my heart is lighter.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Come to think of it, Warrior was even more dangerous with his first rifle. Remember the time he accidentally fired through my lodge and shot a hole in your mother’s cooking pot? She was boiling rabbit. The water hit the fire and filled the place with so much smoke, I nearly choked to death before I got everyone outside to safety.”
Hunter threw back his head and roared with laughter. “I remember you pulling that rabbit out of the pot and telling Warrior it was a perfect shot, right through the heart. Except, of course, that it was gutted. And would he practice on live targets from then on?
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Taking her cue from the points I had made, Christine seconded my appeals for debt relief and lower tax rates as prerequisites for a Greek recovery. Then she addressed me with calm and gentle honesty: You are of course right, Yanis. These targets that they insist on can’t work. But, you must understand that we have put too much into this programme. We cannot go back on it. Your credibility depends on accepting and working within this programme.2 So, there I had it. The head of the IMF was telling the finance minister of a bankrupt government that the policies imposed upon his country couldn’t work. Not that it would be hard to make them work. Not that the probability of them working was low. No, she was acknowledging that, come hell or high water, they couldn’t work. With
”
”
Yanis Varoufakis (Adults in the Room: My Battle with Europe's Deep Establishment)
“
There are two keys to this entire sequence. The first is knocking over the head pin, taking the beachhead, crossing the chasm (and chaining together three mixed metaphors to do it!). The size of the first pin is not the issue, but the economic value of the problem it fixes is. The more serious the problem, the faster the target niche will pull you out of the chasm. Once out, your opportunities to expand into other niches are immensely increased because now, having one set of pragmatist customers solidly behind you, you are much less risky for others to back as a new vendor. The
”
”
Geoffrey A. Moore (Crossing the Chasm: Marketing and Selling Disruptive Products to Mainstream Customers)
“
the blue sky, cawing angrily at Dad for disturbing them. A giant bald eagle, with a wingspan of at least six feet, glided in to take their place. It perched on an uppermost branch of a tree, pointed its yellow beak down at them. “That’s what I expect of you two,” Dad said. Mama exhaled smoke. “We’re going to be here awhile, baby girl.” Dad handed Leni the rifle. “Okay, Red. Let’s see what you’ve got naturally. Look through the scope—don’t get too close—and when you have the target in your sight, squeeze the trigger. Slow and steady. Breathe evenly. Okay, aim. I’ll tell you when to shoot. Watch out for—” She lifted the rifle, aimed, thought, Wow, Matthew, I can’t wait to tell you, and accidently pulled the trigger. The rifle hit her shoulder hard enough to knock her off her feet and the sight slammed into her eye area with a crack that sounded like breaking bone. Leni screamed in pain, dropped the rifle, and collapsed to her knees in the mud, clamping a hand over her throbbing eye. It hurt so badly she felt sick to her stomach, almost puked. She was still screaming and crying when she felt someone drop in place beside her, felt a hand rubbing her back. “Shit, Red,” Dad said. “I didn’t tell you to shoot. You’re okay. Just breathe. It’s a normal rookie mistake. You’ll be fine.” “Is she okay?” Mama screamed. “Is she?” Dad pulled Leni to her feet. “No crying, Leni,
”
”
Kristin Hannah (The Great Alone)
“
it is better to have it and not need it than to need it and not have it. And even if your state allows open carry, keep your gun concealed. If you wear it openly, it is like having a target on your back; you will be the first to be shot.
”
”
Chris Bird (Surviving a Mass Killer Rampage: When Seconds Count, Police Are Still Minutes Away)
“
I pulled my knees in to my chest. As I did, I felt something small and jagged against my leg. A small shard of glass, I figured, or maybe a rough pebble. I looked down at the ground, and with mounting dread, I saw that it was neither. It was a tooth. My breath caught in my throat. I looked across and saw a hint of a smile on Otto’s model face. He opened the box, revealing a set of rusted tools. I saw a set of pliers, a hacksaw, a box cutter—and then I stopped looking. Bob: “Where is she?” “I already told you. I don’t know.” “That answer,” Bob said. I could see the back of his head shaking. “It’s very disappointing.” Otto remained impassive. He kept the gun aimed at me, but his gaze kept sneaking a loving look at his tools. The dead eyes would light up when they landed on the pliers, the hacksaw, the box cutter. Bob again: “Jake?” “What?” “Otto is going to cuff you now. You won’t do anything stupid. He has a gun, and hey, we can always drive back to campus and use your students for target practice. You understand me?” I swallowed again, my mind whirling. “I don’t know anything.” Bob gave an overdramatic sigh. “I didn’t ask you if you knew anything, Jake. Well, I mean, yes, I asked you that before, but right now, I’m asking if you understand what I said—about the handcuffs and the student target practice. Did you understand all that, Jake?” “Yes.” “Okay, so stay still.” Bob used his blinker and slid into the left lane. We were still on the highway. “Go ahead, Otto.” I didn’t have much time. I knew that. Seconds maybe. Once the handcuff was in place—once I was fastened to the van wall—I was finished. I looked down at the tooth. A good reminder of what was about to come. Otto came at me from near the back door. He still held the gun. I could rush him, I guess, but he’d be expecting that. I considered trying to open the side door and roll out, take my chances with this van moving more than sixty miles per hour on a highway. But the door locks were down. I’d never get one open in time. Otto
”
”
Harlan Coben (Six Years)
“
To reach your target quicker, don’t lose your time by looking back!
”
”
Mehmet Murat ildan
“
I need actual X-Ultra vests, not schematics and spec sheets.”
“More than one?”
“A statistically significant sample would be best. Like a hundred.”
“Why so many?”
“Target practice.”
Her eyes widened. “Let me make sure I have this straight. You want to blow holes in one hundred bulletproof army vests.”
“That’s correct.”
“Where do you plan to do that?”
He looked at her.
“I’ll ask Norm,” Kenzie said.
“If it’s not too much trouble. What if he tells you no?”
Kenzie shook her head. “He’s ex-army.”
“Should have known. He never shaved again,” Linc said.
“Shut up. He’s a ZZ Top fan. Be glad he won’t mind. He might ask you not to be too conspicuous about it. There’s a smaller range off to the side. You haven’t seen it.”
“If he has the right targets, I can pay him,” Linc offered.
“You should see what’s in the basement. Everything from paper thugs to wooden dummies. I’ll borrow a gun from Norm. I want to get this done and over with.”
Kenzie was military all the way, but he hadn’t noticed her having much interest in hardware. “Mind telling me why you’re so gung-ho?”
“Because sooner or later I’m going to be the one to tell Christine that Frank Branigan died. And I don’t want her to think I had a chance to help find out why and did zip.”
“Okay. I understand. But I’m the one who has to get the vests. You can’t do that. They know who you are.”
She conceded the point with a nod.
“How are you going to get in?” she wanted to know.
“Right through the front gate.”
Kenzie shot him a curious look. “Let me guess. You aren’t going to explain how you’re going to do that because you would have to reveal your secret identity.”
He chuckled at her reply. “You’re not that far off.”
“Thought so,” she said with satisfaction.
“And,” he went on, sobering, “there is one more thing I have to do.”
“Let’s hear it.”
“Mike Warren and I noticed that a lot of lines are starting to converge on SKC. While I’m inside, I want to take video.”
“Of what?”
“More like who. As in everyone I can get on microcam.”
“How micro is it?”
“About as big as a button.” He rose and stretched, rubbing his back. “Which is good. I may not be able to carry anything ever again.”
“Tough workout?” she teased.
“Let’s just say I had more fun watching yours.
”
”
Janet Dailey (Honor (Bannon Brothers, #2))
“
If you want the reader to feel intimately related to your subject, try a close-up shot. Describe the character, object or scene as if it were positioned directly in front of your eyes, close enough to touch. Let the reader see the hand-etched signature on the bottom of the wooden bowl or the white strip on the divorcée’s finger where a wedding ring once lay. Let him smell the heaviness of the milking barn after a night of rain, hear the squeak of the farmer’s rubber boots. If you want to get even closer, take the reader inside a character’s body and let him experience her world—the reeling nausea of Lydia’s first morning sickness, the tenderness of her breasts, the metallic taste in her mouth—from the inside out. Then, when you need to establish distance, to remove the reader from the scene as Shirley Jackson did in “The Lottery,” pull back. Describe your object from a great distance. The wooden bowl is no longer a hand-crafted, hand-signed original, or if it is, you can’t tell from where you’re standing. The pregnant woman is no longer Lydia-of-the-tender-breasts; she’s one of dozens of other faceless women seated in the waiting room of the county clinic. As you vary the physical distance between your describer and the subjects being described, you may find that your personal connection with your subjects is altered. Physical closeness often presages emotional closeness. Consider how it is possible that kind and loving men (like my father, who served in three wars) are capable of dropping bombs on “enemy” villages. One factor is their physical distance from their targets. The scene changes dramatically when they face a villager eye to eye; no longer is the enemy a tiny dot darting beneath the shadow of their planes, or a blip on the radar screen. No, this “enemy” has black hair flecked with auburn and a scar over her left eyebrow; she’s younger than the wives they left behind. If
”
”
Rebecca McClanahan (Word Painting: A Guide to Writing More Descriptively)
“
Death told me the Fool showed you a vision with ten swords in your back.”
I nodded. “The ten of swords card indicates that a devastating catastrophe is headed one’s way and will strike without warning. Bingo, Matthew.”
“Hmm.”
“Hmm, what?”
“That card is also about letting go and accepting one’s current circumstances.”
Accepting that you can’t change fate. As my mom had done with my dad. “Should I let go of Jack? Like you let go of the man you lost?”
She lifted one slim shoulder. “You’d already fallen for another.”
“I swore revenge on Richter. How can I think of surrendering that need?” Richter, I’m . . . not coming for you? “Do you know what I fear more than marching off to die fighting him? That I might have to live with what he did.”
“No one’s suggesting you give up your revenge. But what if we can’t find him for half a year? Two years? Will you cease living till then? Will you force Death to stop as well? He yearns to be a normal man. Even if just for a day. Will you not give that to him?”
“I made the point to him about our limited time,” I said, still cringing at my clumsiness. “All I did was insult him.”
“He wanted a wife. Not a buddy.”
Was she listening to everything in the castle? “I don’t want to hurt him, but I don’t know what to do.”
She pinned my gaze with her own. “Therein lies the lesson of the card, Evie Greene. The lesson of life. When you can’t change your situation, you must change yourself. You must rise and walk—despite the ten swords in your back.”
What was harder than dying? Living a nightmare.
Mom had learned to live without Dad. I had learned to live without Mom. Could I go on without Jack? “I shouldn’t even be thinking about Aric. I disobeyed the dictates of the game, and I got Jack killed. What if I do the same to Aric?”
Circe made a sound of amusement. “You always did think highly of yourself. Do you believe you had something to do with that massacre? Think logically. Richter could have reversed the order of his attacks—targeting Fort Arcana earlier, vaporizing the Magician, one of Fauna’s wolves, and the stronghold of his enemies. He could have shot at the army by helicopter afterward. Instead he targeted mortals and one player. The Moon.”
My lips parted. “Because she was more of a threat to him.”
“She was the only one in the area who could slay him from a distance. Richter will target the Tower as well, since Joules shares that ability,” she said. “So if we should blame any card for your mortal’s death, blame the Moon.”
“I’ll never blame her.”
“Yet you’ll blame yourself?” Circe shook her head, and the river swirled. “I say we blame the Emperor.” Could it be that easy?
Had Richter always had Selena in his sights? If fate couldn’t be changed—then she’d been doomed to die the second we’d saved her from the Lovers.
”
”
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
“
Are you trying to make me jealous, my pretty bird?” Theseus asked, teasing. He took one of the filled wine goblets from the cupbearer attending him and tried to give it to me. I turned my shoulder to him deliberately. “You can’t seem to take your eyes off Telys. What will it take to make you spare just one of those sweet glances for me? Shall I step onto the training ground myself?”
“Only if you’ll let me be the one to fight you, sword against sword,” I replied. “I’m willing to stake my freedom on the match.”
His lips twisted into a mocking smile. “And risk damaging that face? In four days’ time, we’ll be married. I intend to have a queen whose beauty makes me the envy of all.” He tried to stroke my cheek. I jerked my head back.
“Don’t worry, Theseus,” I said. “If we fight, I won’t be the one who’ll take away a scar. But if you’re afraid, name one of your men to match swords with me.” I swept the training ground with my eyes and in a loud, carrying voice added: “Or are all the men of Athens scared to fight a Spartan girl?”
A grumbling ran through the ranks of the assembled guardsmen. My barb hit the target and sunk in deep. Theseus didn’t like the way things were going. He tried to pull the fangs from my challenge by turning it into a joke.
“Ha! I know what you’re after, Helen. You’re hoping I’ll say yes to this mad proposal of yours, then you’ll find some sly, womanly way to fix it so that you fight Telys. There’s an easy win for anyone!”
I looked into his leering face and decided I’d seen enough of the cold malice everyone in the palace inflicted on Telys. The soldiers, the servants, and even the slaves were all a yapping pack of hounds following the lead of Theseus, the nastiest cur of them all. I leaped to my feet and shouted, “You worm! If you’re too scared to fight me yourself, then say so!
”
”
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
“
Calvin, can I speak to my brother in private?" The Admiral looked at Steven, who nodded. He stood and bowed to them before exiting the room. "You need to show a little more respect, Mitch," Steven said. "He's an Admiral in-" "Frig that, Steve. And frig you, too. The Alliance set me up and sold me out, and yet I'm the one still desperately fighting to save our people? Me and a crew of incarcerated soldiers? Grab your crotch and make sure your balls are still there." "Mitch-" "Shut up, Steve. Look, I left out part of my story. When I was on Hell, I entered this virtual world the Tetron call a Construct. Origin left something for me in there. I don't know what it is, but according to it the other Tetron don't know it exists, and it's important enough that it can help us with the war effort." "You don't know what it is?" "No. But I know where it is. They etched the coordinates into my memory." "It altered your memory? Why didn't it implant the memory of what it was?" "Come on, Steve. This is advanced alien tech, how the frig do I know why it works the way it does? The point is, it's out there, and it will help. If Goliath doesn't show, that should be our next move." "Instead of trying to save what's left?" "Yes. If it makes you feel better, you can send a ship out into unexplored space with a few Adam and Eves on it. Let them find a nice planet to land on and frig like bunnies for a few thousand years. We're soldiers. We need to keep fighting. Your wife and daughter are out there." Steven's face twisted. "Don't you think I know that, Mitch? That they're out there, sitting on Earth wondering where I am and thinking that everything is going to be okay? This is bigger than both of us." "It's bigger than you. Not me. I have to be big enough to stop it. That's my fate, or destiny, or bad luck, or whatever the frig you want to call it. And I've never done it! I've never won this war. Humankind dies because of me, over and over again. No pressure, Mitch." Mitchell reached out and grabbed Steven by the shoulders. "I could use a lot of support in this. Especially from my big brother." Steven stared at Mitchell, his lip quivering. "Don't get all emotional on me," Mitchell said. "You're right. I know you're right. We'll fight, even if we die trying. You have my fleet, what little of it is left. We're beat up and out of ammo, but we make good targets." Mitchell laughed. "Thank you." He gave Steven a short hug and backed away, turning his head to look out the viewport again. There was still no sign of the Goliath. Steven walked over to stand next to Mitchell. The two of them stared out into space. "How long do we wait?" Steven asked. "I don't know. A day?" "A day sounds good." Steven's eyes reached into the darkness.
”
”
M.R. Forbes (The Knife's Edge (War Eternal, #3))
“
It would be so simple, Harry thought, his mind flickering back across the years to another op. In Europe. A train station just like this one.
So simple to just raise his hand, the suppressed pistol concealed within his coat. Fire a single shot, walk on without stopping, without even pausing to give the cameras something to work with. Leave your target to bleed out. He’d done it before
”
”
Stephen England (Embrace the Fire (Shadow Warriors #3))
“
Part of making a market thick involves finding a time at which lots of people will participate at the same time. But gaming the system when the system is “first come, first served” can mean contriving to be earlier than your competitors. That’s why, for example, the recruitment of college freshmen to join fraternities and sororities is called “rush.” Back in the late 1800s, fraternities were mostly social clubs for college seniors. But in an effort to get a little ahead of their competitors in recruiting, some started “rushing” to recruit earlier and earlier. Fast-forward to today, when it is first-semester students who are the targets of fraternity and sorority rush.
”
”
Alvin E. Roth (Who Gets What — and Why: The New Economics of Matchmaking and Market Design)
“
You stay alive in the practice of leadership by reducing the extent to which you become the target of people’s frustrations. The best way to stay out of range is to think constantly about giving the work back to the people who need to take responsibility. Place the work within and between the factions who are faced with the challenge, and tailor your interventions so they are unambiguous and have a context.
”
”
Ronald A. Heifetz (Leadership on the Line: Staying Alive through the Dangers of Leading)
“
Almost as sensational as the black mob beating up a pregnant teenager is the case of the Seattle teenager, who in 2011 was assaulted and tortured for several hours because he was white. And “they started bringing up the past—like slavery—being like, white people did this,” said the victim. “They started bringing up the past - like slavery - being like, white people did this,” Shane said. The attackers stripped off McClellan’s belt and started whipping his back. “They said, ‘This is for what your people did to our people.’ They were like whipping me with my belt, my studded belt,” Shane recounts. “They’re like, ‘Aw, white boy, what are you doing? You can’t hang out this late. What are you doing around here?’ They’re like, ‘White boy has no belonging - being out here at 2 a.m.’ “They targeted me for being white, and they made it very clear that’s why they were assaulting me,” Shane said. The victim’s father said the attack was nothing short of hours of torture. “Put a gun to the back of his head and told him if he said anything they were going to blow his head off while they sat there and burned him with cigarettes on the back of the neck,” he says.7
”
”
Colin Flaherty ('White Girl Bleed A Lot': The Return of Racial Violence to America and How the Media Ignore It)
“
To get the most out of this chapter, first find where you are on this map of the cancer journey: Critical stress points. When you have just been diagnosed with cancer or learned that your cancer has recurred or is not responding to treatment. Treatment preparation. When you are anticipating surgery, radiation, chemotherapy, or molecular target therapies. Side effect management. When you are undergoing treatment and need ways (instead of or in addition to drugs) to manage its side effects. Post-treatment. When you are adjusting to the end of active treatment, usually after the final chemotherapy cycle. This situation can, perhaps surprisingly, prove quite stressful. Remission maintenance. Although definitely good news, remission introduces its own issues, most notably fear of recurrence. Remission is also when you will be most determined to take back your life from cancer.
”
”
Keith Block (Life Over Cancer: The Block Center Program for Integrative Cancer Treatment)
“
Let me begin by saying that no, I am not crazy. I had no intention of initiating this little trauma with one child while giving birth to another. In fact, I was thinking middle school was probably a good target for the whole process. But he, apparently, had other plans.
"I go potty!" he said. We were standing at the sink brushing our teeth.
"What?" I asked, looking around to see if there was someone else in the room.
"I go potty!" he said again. He got down from his little stepstool and stood adamantly before the toilet.
"Well, OK, little guy," I replied, hesitantly, "I mean, sure, if that's what you want to do . . . "
I certainly couldn't discourage him without being the focus of therapy for years to come. And besides, what kind of mother says, "No, honey, I'd really rather you stayed in diapers until you're old enough to date"? I dutifully took off his diaper and pants, popped in his little potty seat, and lifted him up.
"All done!" he squealed with delight.
"What?" I practically screamed. "What do you mean, all done? You haven't been up there ten seconds!"
"All done!" he said again, and started to hop down. He stood there in the middle of the bathroom, looking very proud of himself, and proceeded to pee on the floor. OK, I said to myself. It's just going to take some time.
"Good job, honey! Nice try! We'll get 'em next time!" I said cheerfully. I then put a clean diaper on him, put his pants back on, cleaned up the floor, and started down the stairs.
"I go potty!" he called after me. "I go potty again!
”
”
Maggie Lamond Simone (From Beer to Maternity)
“
If the trade is based on your personal whim or conviction and is not backed by charts or price, volume and time proof, then it’s best to put a specific target of what you are ready to lose.
”
”
Ashu Dutt (15 Easy Steps to Mastering Technical Charts)
“
Miss Stanik? That your name, Candace Stanik?” Her voice was soft, but thin and strained. Pike wasn’t listening to her; he listened past her, searching for other occupants. A crisp medicinal smell of ether came from her apartment, telling him that someone had been freebasing. “Yes. He went—” “Let us in now, hon. We can’t leave until we come in, so just let us in.” Flynn pushed gently on the door until she backed away. Pike shadowed inside, then quickly stepped to the side so they weren’t bunched together. Together, they would make a single large target; apart, two targets more difficult to kill. Pike kept his back to the wall.
”
”
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
“
War & Peace, huh? Isn't that, like, a billion pages?"
I take my eyes off the road for a second, glancing down at my lap where the book rests. "It's around thirteen hundred, give or take."
"Favorite of yours?"
"I wouldn't exactly call it my favorite, but it's been there for me in times of need."
She smiles, like she knows what I mean. "I've read some stuff like that."
"Like?"
I almost expect her to say the Bible, when she spouts off with, "Cosmopolitan."
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
But whatever allocation you settle on, the key is to stick with it through thick and thin, including rebalancing back to your target percentage on a regular basis.
”
”
William J. Bernstein
“
Fallout avoid a DUI Lawyer
The brutal truth is that this effect swallowing and is surprisingly stiff back. Problems and opportunities caused by drunk drivers are frightening. There is a reasonable demand and good heavy penalties only in the hope of avoiding a criminal. The reality is, sad to say, people that many of us are caught up in their original crimes and facing a big change in everyday life and dangerous consequences. Across the country, low crime rate and reduce contains a number from the understanding of the consequences of the ever more stringent. Privileges rear suspension imprisonment, fines, ignition programs and more are binding on all the possibilities and potential impact. Ideal to this procedure, which is full of dangers and pitfalls, in the sense of finding a positive DUI lawyers to get form? Unfortunately, it may be impossible, and many so-called authorities, the practical experience of the senses, a goat for certain customers. An important aspect is the number of measurements to choose high quality coming DUI lawyers.
Breakfast is my way to someone who has experience to fulfill. This means that someone who had the food study drunken 50 penalties. He wanted to try, if someone who works mainly candidates with DUI Lawyers. This special mention of the many methods that come from expected with this film with less destructive.
On your own, because you to maintain a professional DUI law towards pace, the situation in other readouts. It seems contradictory, but even if someone switches deftly defended many conditions, but also a person who to stay away from the demonstration says. The demo is the last thing should be, especially if they are responsible for themselves. As an alternative to the other, determine the direction of an attorney who is familiar with the specifics of the work and to help to suspend the license and, hopefully, to inform the prosecution of more than a very low price or misplaced. Sometimes the profits to avoid the interest rate and the term of the hard disk, especially for lawyer’s first area infringer years drunk help of the beautiful region. Other cases are in different directions, which can be implemented, which may contribute to an excellent result. The only way to get the opportunity of a personal imaginary profession rather than receiving.
Inevitably, any DUI lawyer to explain myself properly to you from serious sanctions targeting drunken price almost never consumed and protect commitment. Can these days of increased restrictions reduce patrols and even a person consumes also be a number. Whatever complaints taxis, sleeping on the couch or taking a walk on the estate has raised overnight in prisons and the ability to deal with this part of the transaction. Even at a time when the only work in the easiest possible development is still very worrying turning point in history and let yourself.
”
”
Steve White