“
Heraclitus, a philosopher born in the Persian Empire back in the fifth century BC, had it right when he wrote about men on the battlefield. “Out of every one hundred men,” he wrote, “ten shouldn’t even be there, eighty are just targets, nine are the real fighters, and we are lucky to have them, for they make the battle. Ah, but the one, one is a warrior…
”
”
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
“
How's that target on your back feel?" "Familiar," Neil said.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
The whole time I pretend I have mental telepathy. And with my mind only, I’ll say — or think? — to the target, 'Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller
coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you’ve never even
heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose—allow smells
to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to thatmiserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want. That’s what they tell us at school, but if you keep getting on that train and going to the place you hate I’m going to start thinking the people at school are liars like the Nazis who told the Jews they were just being relocated to work factories. Don’t do that to us. Tell us the truth. If adulthood is working some death-camp job you hate for the rest of your life, divorcing your secretly criminal husband, being disappointed in your son, being stressed and miserable, and dating a poser and pretending he’s a hero when he’s really a lousy person and anyone can tell that just by shaking his slimy hand — if it doesn’t get any better, I need to know right now. Just tell me. Spare me from some awful fucking fate. Please.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
“
I cocked my fist back, remembering what Brendan had taught me. "Don't aim for your target. You'll have more of an impact that way."
I was aiming for China.
”
”
Cara Lynn Shultz (Spellcaster (Spellbound, #2))
“
Keep your elbows in!" Sturmhond berated Mal. "Stop flapping them like some kind of chicken."
Mal let out a disturbingly convincing cluck.
Tamar raised a brow. "Your friend seems to be enjoying himself."
I shrugged. "Mal's always been like that. You could drop him in a camp full of Fjerdan assassins, and he'd come out carried on their shoulders. He just blooms wherever he's planted."
"And you?"
"I'm more of a weed," I said drily.
Tamar grinned. In combat, she was cold and silent fire, but when she wasn't fighting, her smiles came easily. "I like weeds," said said, pushing herself off from the railing and gathering her scattered lengths of rope. "They're survivors."
I caught myself returning her smile and quickly went back to working on the knot that I was trying to tie. The problem was that I liked being aboard Sturmhond's ship. I liked Tolya and Tamar and the rest of the crew. I like sitting at meals with them, and the sound of Privyet's lilting tenor. I liked the afternoon when we took target practice, lining up empty wine bottles to shoot off the fantail and making harmless wagers.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
But never hold back from firing the arrow if all that paralyses you is fear of making a mistake. If you have made the right movements, open your hand and release the string. Even if the arrow fails to hit the target, you will learn how to improve your aim next time.
”
”
Paulo Coelho (The Way of the Bow)
“
Judge him by his actions and not your suspicions," he says. "Because if the only measure of a man's worth is what he does to make money, a lot of good men would be judged unfairly.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
What kind of question was that?” Adam interjected.
When she glanced at him, he was scowling at Tom, who just shrugged.
“What’s cool about your project?” Adam repeated back.
“Yeah. Cool. You know what I mean.”
“I don’t think I do, and maybe neither does Olive.”
Tom huffed. “Fine, what would you ask?”
Adam turned to Olive. His knee brushed her leg, warm and oddly reassuring through her jeans. “What issues does your project target? Why do you think it’s significant? What gaps in the literature does it fill? What techniques are you using? What challenges do you foresee?”
Tom huffed. “Right, sure. Consider all those long, boring questions asked, Olive.
”
”
Ali Hazelwood (The Love Hypothesis)
“
Word around town is you're a bit of a dick-tator.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
No more boys taking you on trips, you hear?” His voice was gravelly. “You can take your own self from now on. Last thing you need is some boy distracting you and making this whole situation even more complicated. Promise me you'll stay away from that son of Pharzuph.”
I opened my mouth but the words stuck in my dry throat. How sweat beaded up on my forehead.
“I tried that once, John,” Patti warned him. “It didn't work out so well for me.”
“Have you seen the way he looks at her?” He focused on Patti, but pointed at me.
“Yes, and I've seen the way she looks at him. Truthfully, I think they need each other.”
“Those two need each other like a bullet needs a target. Trust me. I've seen Nephilim kids killed for falling in love and letting it get in the way of their work.”
“Well, you don't have to worry, because we're not in love,” I chimed in. “He doesn't like me like that.”
Dad puffed out a breath of air. “Well, he must feel something, 'cause he sure doesn't want that other kid near you.”
“Is there someone else you're interested in?” Patti asked.
I rolled my colors back up, tucked them inside, and yanked the barrier back into place. Then I entertained the image of Kopano's sweet dimple for a brief second before pushing it away.
“I'm not ready to think about that,” I answered.
My father tilted his head up to the ceiling and pressed his giant hands to his face, muffling his speech. “I'm way too old for this.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Never let them see your fear… it's rule number one. And it's not that I'm afraid. No, I'm not.
I don't fear death.
I've already died too many times before.
I'm a cat with nine lives and I'm already on number twelve. I'm living on borrowed time. When death wants to take me, it'll take me.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
Desperately, Phoenix attempted to maneuver both tips of the instrument around the bullet. He knew that each move caused Nellie unimaginable pain, but he could not grasp the target. "It's no use," he sobbed. "And my hand is going numb."
In a frenzy, Nellie shouted something into the gag, but no one could understand her.
"I beg your pardon, child?" queried Alistair.
Nellie spat out the rag and rasped, "Get the Kabra chick!"
"Natalie?" Fiske exclaimed. "She's fallen completely to pieces."
"Get her!" Nellie demanded. "Anybody with eyebrows plucked like that knows how to use a tweezers!"
Reagan bounded across the room and came back with a shivering, mewling Natalie.
"I can't!" she wheezed.
Fiske poured alchohol over the girl's beautifully manicured fingers. "You must."
Still protesting, her eyes tightly shut, she took over the instrument from Phoenix. "I can't do it! You can't make me—oh!" She said in sudden surprise. "This?" And when she pulled the tweezers out of the wound, the tips were firmly grasping a flattened, blood-slimed bullet.
Nellie laughed—and promptly fainted.
”
”
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
“
You and me… we love differently. But that doesn't mean you don't love her, in your own twisted way.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
If you want to put a target on your back, make sure you're strong enough to carry the target first.
”
”
K.X. Song (The Night Ends with Fire (The Night Ends with Fire, #1))
“
I fire again and again, and none of the bullets come close.
"Statistically speaking," the Erudite boy next to me-his name is Will-says, grinning at me, "you should have hit the target at least once by now, even by accident." He is blond, with shaggy hair and a crease between his eyebrows.
"Is that so," I say without inflection.
"Yeah," he says. "I think you're actually defying nature."
I grit my teeth and turn toward the target, resolving to at least stand still. If I can't muster the first task they give us,how will I ever make it through stage one?
I squeeze the trigger,hard, and this time I'm ready for the recoil.It makes my hand jump back,but my feet stay planted.A bullet hole appears at the edge of the target,and I raise an eyebrow at Will.
"So you see,I'm right.The stats don't lie," he says.
I smile a little.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
When Atticus came home to dinner he found me crouched down aiming across the street. "What are you shooting at?"
"Miss Maudie's rear end."
Atticus turned and saw my generous target bending over her bushes. He pushed his hat to the back of his head and crossed the street. "Maudie," he called, "I thought I'd better warn you. You're in considerable peril."
Miss Maudie straightened up and looked toward me. She said,"Atticus, you are a devil from hell.
”
”
Harper Lee (To Kill a Mockingbird)
“
Did you bring the charms?” Wulf asked Diesel.
Diesel took the charms from his pocket and held them in his palm so Wulf could see.
“They have an excellent selection of baby carriages at Target,” I whispered to Diesel.
“Not now,” Diesel said. “Get a grip.”
“Was I bad? DO I need to get punished? Maybe I need a good paddling.”
Wulf looked like he was thinking about rolling his eyes, and Diesel wrapped an arm around my shoulders and dragged me to him.
“We’ll get to that later,” Diesel said.
“I’d be happy to paddle the wench if you’re too bust.” Hatchet said.
Diesel cut his eyes to him, and Hatchet took a step back.
-Lizzy, Diesel, and Hatchet, page 304.
”
”
Janet Evanovich (Wicked Appetite (Lizzy & Diesel, #1))
“
I have faced bullying before. Not in high school. Not in any school but when I published my now bestselling book series as an indie author back in 2010 through 2012 and became a target for indie publishing, especially in YA because I stood by Amazon self-publishing versus the traditional publishers. How I dealt with it? I kept doing what I love - writing and publishing, and giving my readers what they love. Indie publishing took off soon afterwards and now it is a valid and more desirable way to publish books. So the lesson learned is...don't let bullies stop you from doing what you love and from keeping you from giving your readers the books they love to read from you." - Kailin Gow in a National Radio Interview.
”
”
Kailin Gow
“
Think of them. Heads up, eyes on the target. Running. Full speed. Gravity be damned. Toward that thick layer of glass that is the ceiling. Running, full speed, and crashing. Crashing into that ceiling and falling back. Crashing into it and falling back. Into it and falling back. Woman after woman. Each one running and each one crashing. And everyone falling. How many women had to hit that glass before the first crack appeared? How many cuts did they get, how many bruises? How hard did they have to hit the ceiling? How many women had to hit that glass to ripple it, to send out a thousand hairline fractures? How many women had to hit that glass before the pressure of their effort caused it to evolve from a thick pane of glass into just a thin sheet of splintered ice? So that when it was my turn to run, it didn’t even look like a ceiling anymore. I mean, the wind was already whistling through—I could always feel it on my face. And there were all these holes giving me a perfect view to the other side. I didn’t even notice the gravity, I think it had already worn itself away. So I didn’t have to fight as hard. I had time to study the cracks. I had time to decide where the air felt the rarest, where the wind was the coolest, where the view was the most soaring. I picked my spot in the glass and I called it my target. And I ran. And when I finally hit that ceiling, it just exploded into dust. Like that.
”
”
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
“
targets of emotional blackmail may become guarded about certain subjects and stop sharing major parts of their lives,
”
”
Paul T. Mason (Stop Walking on Eggshells: Taking Your Life Back When Someone You Care About Has Borderline Personality Disorder)
“
You’re fond of pretending to be weaklings,” Rin observed. “Does that always work?”
“Almost every time. The Mugenese are terribly attracted to easy targets.”
“And they never catch on?”
“Not as far as I’ve noticed. See, they’re bullies. Weakness is what they want to see. They’re so convinced that we’re just base, cowardly animals, they won’t stop to question it. They don’t want to believe we can fight back, so they won’t.
”
”
R.F. Kuang (The Burning God (The Poppy War, #3))
“
I used to pinch those pages closed when I read the book to keep from having to see Joan [of Arc] fail. But now I love that picture. I love it so much. I love how Joan kept going right up to the end. It reminds me that sometimes defeat is the price of taking action. If you do something, you become a target. People want to take you down. That's a risk. But it's better to do too much, better to try to hard, better to have a crisis of faith and get thrown and climb back up on your horse and keep riding, than to see something wrong in the world and not do anything at all.
”
”
Madeleine George (The Difference Between You and Me)
“
Nothing is more infuriating than being paid no attention. In the process of seduction, you may have to pull back at times, subjecting your target to moments of doubt. But prolonged inattention will not only break the seductive spell, it can create hatred.
”
”
Robert Greene (The Art of Seduction)
“
They all stared. Still woozy, Target Four said, “It’s a slitting SecUnit, you pussers, how stupid are you?” Yeah, these Targets are going to be fun to chat with, I can tell already. I told him, “You’re the one who got yourself bodyslammed into station detention, so let’s talk about how dumb you are.” Target Four seemed shocked. “SecUnits aren’t supposed to talk back,” Target Five said weakly. Tell me about it. “Cargo ship crews aren’t supposed to take Port Authority supervisors as hostages, but here we all are.
”
”
Martha Wells (Fugitive Telemetry (The Murderbot Diaries, #6))
“
Too much attention early on will actually just suggest insecurity, and raise doubts as to your motives. Worst of all, it gives your targets no room for imagination. Take a step back; let the thoughts you are provoking come to them as if they were their own. This is doubly important if you are dealing with someone who has a deep effect on you.
”
”
Robert Greene (The Art of Seduction)
“
When I prove it, it puts a target on Seth's back and a paintbrush in your hands.
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
Before I got better, if people didn’t have any protection in place for themselves I would aim right at them. Who doesn’t want a target that they can sink? But what I was doing, and what a lot of borderlines do, is not a game or a way to get kicks. It’s about survival. People who had healthy boundaries in place left me feeling too defective, too out of control, and too vulnerable.
”
”
Paul T. Mason (Stop Walking on Eggshells: Taking Your Life Back When Someone You Care About Has Borderline Personality Disorder)
“
He was thinking of the book, and what Dahlia had said about sleepwalking, and a strange thought came to him: had Arthur seen that Clark was sleepwalking? Would this be in the letters to V.? Because he had been sleepwalking, Clark realized, moving half-asleep through the motions of his life for a while now, years; not specifically unhappy, but when had he last found real joy in his work? When was the last time he'd truly been moved by anything? When had he last felt awe or inspiration? He wished he could somehow go back and find the iPhone people whom he'd jostled on the sidewalk earlier, apologize to them--I'm sorry, I've realized that I'm just as minimally present in this world as your are, I had no right to judge--and also he wanted of every 360° report and apologize to them too, because it's an awful thing to appear in someone else's report, he saw that now, it's an awful thing to be a target.
”
”
Emily St. John Mandel (Station Eleven)
“
But never hold back from firing the arrow if all that paralyzes you is fear of making a mistake. If you ave made the right movements, open your hand and release the string. Even if the arrow fails to hit the target, you will learn how to improve your aim next time.
If you never take a risk, you will never know what changes you need to make.
Each arrow leaves a memory in your heart, and it is the sum of those memories that will make you shoot better and better.
”
”
Paulo Coelho (The Archer)
“
oh neil, as unpredictable as he is unreal. the last time we spoke you were afraid riko would notice you. either you lied to me or you changed your mind. i do hope it’s the latter, because i hate being lied to.”
“i didn’t change my mind, but i didn’t have a choice.”
“there is always a choice.”
“i had to say something.”
“and what a thing to say! you took a swing at riko on live tv. he’s not going to take that sitting down, you know. how’s the target on your back?”
“familiar.”
- andrew & neil
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
I want to tell you a story. I'm going to ask you all to close your eyes while I tell you the story. I want you to listen to me. I want you to listen to yourselves. Go ahead. Close your eyes, please. This is a story about a little girl walking home from the grocery store one sunny afternoon. I want you to picture this little girl. Suddenly a truck races up. Two men jump out and grab her. They drag her into a nearby field and they tie her up and they rip her clothes from her body. Now they climb on. First one, then the other, raping her, shattering everything innocent and pure with a vicious thrust in a fog of drunken breath and sweat. And when they're done, after they've killed her tiny womb, murdered any chance for her to have children, to have life beyond her own, they decide to use her for target practice. They start throwing full beer cans at her. They throw them so hard that it tears the flesh all the way to her bones. Then they urinate on her. Now comes the hanging. They have a rope. They tie a noose. Imagine the noose going tight around her neck and with a sudden blinding jerk she's pulled into the air and her feet and legs go kicking. They don't find the ground. The hanging branch isn't strong enough. It snaps and she falls back to the earth. So they pick her up, throw her in the back of the truck and drive out to Foggy Creek Bridge. Pitch her over the edge. And she drops some thirty feet down to the creek bottom below. Can you see her? Her raped, beaten, broken body soaked in their urine, soaked in their semen, soaked in her blood, left to die. Can you see her? I want you to picture that little girl. Now imagine she's white.
”
”
John Grisham (A Time to Kill (Jake Brigance, #1))
“
He pushes in then, slowly, deeply, stroking a chord inside of me. My breath hitches. Oh God.
"I love that sound," he whispers, his voice gritty. "It's the best music in the world."
I wrap my arms around him. "Maybe that should be your ringtone, then."
He laughs, his face nuzzled into my neck. "That wouldn't work."
"Why?"
"Because others would hear it. That sound belongs only to my ears.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
I slammed the door shut before we had a cold buffet in the front corridor. The shouts grew louder, denied their target. If I had better aim I'd have opened the door and tossed it all right back at them. But with my luck I'd hit the sleeping baby or an innocent old grandmother out for her morning constitution. And then we'd be dragged through the streets for certain.
Dread uncurled in the pit of my stomach.
"Is that cabbage?" Colin asked, coming out of the dining room. Listening to the raised voices, he reached for the doorknob, frowning.
I caught his hand. "Don't."
"Whyever not?"
I raised an eyebrow. "You'll get a rotted meat tart in the eye for your trouble,that's why.
”
”
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
“
The most humble of words, whispered in the darkness with sincerity and thought are more powerful than the grandest public speech. Often the target audience is 'one' and to speak personally to someone publicly is to draw attention to yourself and away from the person you wish to feel your words. If you have something positive or supportive to say to someone then don't hold back, even if you can't quite get the words right, for it is the message that the reader will feel when they need it the most. And if you know not what to say, regardless of context, a simple 'I love you' will always be better than nothing at all.
”
”
Raven Lockwood
“
A’ight, so what do you think it means?”
“You don’t know?” I ask.
“I know. I wanna hear what YOU think.”
Here he goes. Picking my brain. “Khalil said it’s about what society feeds us as youth and how it comes back and bites them later,” I say. “I think it’s about more than youth though. I think it’s about us, period.”
“Us who?” he asks.
“Black people, minorities, poor people. Everybody at the bottom in society.”
“The oppressed,” says Daddy.
“Yeah. We’re the ones who get the short end of the stick, but we’re the ones they fear the most. That’s why the government targeted the Black Panthers, right? Because they were scared of the Panthers?”
“Uh-huh,” Daddy says. “The Panthers educated and empowered the people. That tactic of empowering the oppressed goes even further back than the Panthers though. Name one.”
Is he serious? He always makes me think. This one takes me a second. “The slave rebellion of 1831,” I say. “Nat Turner empowered and educated other slaves, and it led to one of the biggest slave revolts in history.”
“A’ight, a’ight. You on it.” He gives me dap. “So, what’s the hate they’re giving the ‘little infants’ in today’s society?”
“Racism?”
“You gotta get a li’l more detailed than that. Think ’bout Khalil and his whole situation. Before he died.”
“He was a drug dealer.” It hurts to say that. “And possibly a gang member.”
“Why was he a drug dealer? Why are so many people in our neighborhood drug dealers?”
I remember what Khalil said—he got tired of choosing between lights and food. “They need money,” I say. “And they don’t have a lot of other ways to get it.”
“Right. Lack of opportunities,” Daddy says. “Corporate America don’t bring jobs to our communities, and they damn sure ain’t quick to hire us. Then, shit, even if you do have a high school diploma, so many of the schools in our neighborhoods don’t prepare us well enough. That’s why when your momma talked about sending you and your brothers to Williamson, I agreed. Our schools don’t get the resources to equip you like Williamson does. It’s easier to find some crack than it is to find a good school around here.
“Now, think ’bout this,” he says. “How did the drugs even get in our neighborhood? This is a multibillion-dollar industry we talking ’bout, baby. That shit is flown into our communities, but I don’t know anybody with a private jet. Do you?”
“No.”
“Exactly. Drugs come from somewhere, and they’re destroying our community,” he says. “You got folks like Brenda, who think they need them to survive, and then you got the Khalils, who think they need to sell them to survive. The Brendas can’t get jobs unless they’re clean, and they can’t pay for rehab unless they got jobs. When the Khalils get arrested for selling drugs, they either spend most of their life in prison, another billion-dollar industry, or they have a hard time getting a real job and probably start selling drugs again. That’s the hate they’re giving us, baby, a system designed against us. That’s Thug Life.
”
”
Angie Thomas (The Hate U Give (The Hate U Give, #1))
“
I've always been fascinated by how the body works.
How a fist-sized muscle deep in your chest is responsible for keeping you alive every day. It steadily beats, every second of every hour, pushing blood through your arteries then back to it through your veins. And you do nothing to make it happen. It just does it, all on its own. Doesn't matter how you're feeling, what you're thinking, if your fucking heart is breaking... it keeps on beating, a hundred thousand times a day.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
I matched him glare for glare and refused to back down. I’d learnt that much, working with the guys we recruited for protection work. Forget your average heavy…we used the elite. Ex-commandos used to living behind enemy lines on nothing more than fresh air and dung beetles, and who could zero in on a target using mouse farts three miles away.
”
”
Mina Carter (Hard as a Rock (Hearts of Stone, #1))
“
When Atticus came home to dinner he found me crouched down aiming across the street. “What are you shooting at?” “Miss Maudie’s rear end.” Atticus turned and saw my generous target bending over her bushes. He pushed his hat to the back of his head and crossed the street. “Maudie,” he called, “I thought I’d better warn you. You’re in considerable peril.
”
”
Harper Lee (To Kill a Mockingbird)
“
He was laid-back. Drugs'll do that to a person. Take a pill and you're not really crazy anymore.
”
”
James Patterson (The 6th Target (Women's Murder Club, #6))
“
You are of course right, Yanis. These targets that they insist on can’t work. But, you must understand that we have put too much into this programme. We cannot go back on it. Your credibility depends on accepting and working within this programme.2 So, there I had it. The head of the IMF was telling the finance minister of a bankrupt government that the policies imposed upon his country couldn’t work. Not that it would be hard to make them work. Not that the probability of them working was low. No, she was acknowledging that, come hell or high water, they couldn’t work. With
”
”
Yanis Varoufakis (Adults in the Room: My Battle with Europe's Deep Establishment)
“
Always, endeavor, Slick, to keep a fix on the addiction industries: you can't lose. The addicts can't win. Dope, Liquor, gambling, anything video--these have to be the deep-money veins. Nowadays the responsible businessman keeps a finger on the pulse of dependence. What next? All projections are targeting the low-energy domestic stuff, the schlep factor. People just can't hack going out any more. They're all addicted to staying at home. Hence the shit-food bonanza. Swallow your chemicals, swallow them fast, and get back inside. Or take the junk back with you. Stay off the streets. Stay inside. With pornography...
”
”
Martin Amis (Money)
“
Naz starts to walk out but pauses in the doorway of the den. "A word of advice?"
"Uh, sure."
"Judge him by his actions and not your suspicions," he says. "Because if the only measure of a man's worth is what he does to make money, a lot of good men would be judged unfairly."
"Like you?"
"Not like me," he says. "Not sure how many times I have to tell you... I'm not a good man, Karissa, and try as I might, I probably never will be.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
What kind of soldier are you that you’re going to just sit in a cell while the world is thrown into chaos? Do you not understand what could happen if those weapons fall into the wrong hands? How could you be so selfish? (Syd)
I’m selfish? Look, Agent Westbrook, your daddy’s a Boston stockbroker. I’m a death broker. I’m sure you don’t lecture Daddy on finance, so don’t even try to lecture me on assassination politics. I know all about them. Some bureaucratic ass-wipe sitting in a pristine office that’s totally isolated from the rest of the world decides the son of King Oomp-Loomp is a threat. He then hands down orders to people like me to go off King Oomp-Loompa’s son. Like an idiot, I do what he says without question. I hunt my target down, using information that is mostly bullshit and unreliable, gathered by someone like you who assured me it was correct as the time. But hey, if it changes minute by minute, and God forbid we pass that along to you. So me and my spotter lie in the grass, sand, or snow for days on end, cramped and hungry, never able to move more than a millimeter an hour until I have that one perfect shot I’ve been waiting for days. I take it, and then we lie there like pieces of dirt until we can inch our way back to safety, where hopefully the helicopter team will remember that they were supposed to retrieve us. Have you any idea of the nerves it takes to do what I do? To lie there on the ground while other armed men search for you? Have them step on you and not be able to even breathe or wince because if you do, it’s not only your life, but the life of your spotter? Do you know what it’s like to have the brains of your best friend spayed into your face and not be able to render aid to him because you know he’s dead and if you do, you’ll be killed too? I have been into the bowels of hell and back, Miz Westbrook. I have stared down the devil and made him sweat. So don’t tell me I don’t take this seriously. (Steele)
”
”
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
“
It means you have to pull back on the bow, use all your might to fight against the strain in your arm as you’re going for what you want. It means that if you don’t break the bow, you can’t ever go forward and hit the target.
”
”
Corinne Michaels (Come Back for Me (The Arrowood Brothers, #1))
“
Sudden loud noise triggers a cluster of split-second protective reflexes known as the startle pattern. You blink to protect your eyes, while your upper body swivels toward the sound to assess the threat. The arms bend and retract to the chest, the shoulders hunch, and the knees bend, all of which combine to make you a smaller, less noticeable target. Snapping the limbs in tight to the torso may also serve to protect your vital innards.‡ You are your own human shield. Siddle says hunching may have evolved to protect the neck: a holdover from caveman days. “A big cat stalking prey will jump the last twenty feet and come down on the back and shoulders and bite through the neck.
”
”
Mary Roach (Grunt: The Curious Science of Humans at War)
“
An important part of being an alpha is to be hateful and calculating, but to appear just inconsiderate. You need to put in effort to get what you want, but people will push back if they think you’re doing something maliciously. If they believe you just don’t know any better, are just kind of a selfish dick and they got in the way of that, rather than thinking they were a target, then you can get away with a lot more, and from then on they either avoid you or accept you as a force of nature.
”
”
A.D. Aliwat (Alpha)
“
Mr. McLean looked up at Piper. He seemed unconcerned by her knife and blowgun. “Going out?” “Just for a while.” Piper kissed her father on the cheek. “I’ll be back tonight. Don’t let them take the sleeping bags, okay? You and I can camp out on the terrace. It’ll be fun.” “All right.” He patted her arm absently. “Good luck…studying?” “Yep,” Piper said. “Studying.” You have to love the Mist. You can stroll out of your house heavily armed, in the company of a satyr, a demigod, and a flabby former Olympian, and thanks to the Mist’s perception-bending magic, your mortal father assumes you’re going to a study group. That’s right, Dad. We need to go over some math problems that involve the trajectory of blowgun darts against moving targets.
”
”
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
“
You've had ample opportunity to send me up the river… you could've easily gotten me locked up long ago just by opening your mouth. I didn't need to marry you to gain your silence. You've given it to me from the start. If you didn't turn on me then, when you had plenty of reason to, I trust that you won't do it now, ring or no ring. I married you, Karissa, because I love you. Nothing more, nothing less."
As many times as he's said those words… I love you… it still makes my stomach flutter to hear them come from him. The butterflies soar. He's not an outwardly emotional person, not at all, so when he says it, I know he means it.
Wrapping my arms around his neck, I reach up on my tiptoes and kiss him. His lips are soft, sweet. His tongue tastes like peppermint. "I love you, too, you know."
"I know.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
Experimental physics—hell, all of science—is about solving problems. However, you can’t solve them all at once. There’s always a larger, overarching question—the big target. But if you obsess on the sheer enormity of it, you lose focus. The key is to start small. Focus on solving problems you can answer. Build some dry ground to stand on. And after you’ve put in the work, and if you’re lucky, the mystery of the overarching question becomes knowable. Like stepping slowly back from a photomontage to witness the ultimate image revealing itself.
”
”
Blake Crouch (Dark Matter)
“
She glanced back once, hoping that Parsley would be coming, too, but there was no sign of her almost-ally.
“Our sister had to return to her duties,” said one of the maidens.
“Duties?” asked Serilda.
Another maiden released a wry laugh. “Just like a mortal to think that all we do is bathe in the waterfall and sing to hedgehogs.”
“I didn’t say that,” said Serilda, affronted. “Judging by your weaponry, I suspect you spend a great deal of time dueling and competing in target practice.”
The one who laughed shot her a fierce look. “Don’t forget it.
”
”
Marissa Meyer (Gilded (Gilded, #1))
“
Anyway,” the agent said abruptly. “I just . . . wanted you to know that I’m sorry for everything. I want to help you and the rest of the Order in any way I can, so if there is anything you need, you know where I am.”
“Chase,” Dante said as the male turned to leave the room. “Apology accepted, man. And for what it’s worth, I’m sorry too. I haven’t been fair to you either. Despite our differences, know that I respect you. The Agency lost a good one the day they cut you loose.”
Chase’s smile was crooked as he acknowledged the praise with a short nod.
Dante cleared his throat. “And about that offer of help . . .”
“Name it.”
“Tess was walking a dog when the Rogues attacked her tonight. Ugly little mutt, not good for much more than a foot-warmer, but it’s special to her. Actually, it was a gift from me, more or less. Anyway, the dog was running loose on its leash when I saw it a block or so away from Ben Sullivan’s place.”
“You want me to go retrieve a wayward canine, is that where this is heading?”
“Well, you did say anything, didn’t you?”
“So I did.” Chase chuckled. “All right. I will.”
Dante dug his keys to his Porsche out of his pocket and tossed them to the other vampire. As Chase turned to be on his way again, Dante added, “The little beast answers to the name Harvard, by the way.”
“Harvard,” Chase drawled, shaking his head and throwing a smirk in Dante’s direction. “I don’t suppose that’s a coincidence.”
Dante shrugged. “Good to see that Ivy League pedigree of yours comes in handy for something.”
“Jesus Christ, warrior. You really were busting my ass since the minute I came on board, weren’t you?”
“Hey, by all comparisons, I was kind. Do yourself a favor and don’t look too closely at Niko’s shooting target, unless you’re very secure about your manhood.”
“Assholes,” Chase muttered, but there was only humor in his tone. “Sit tight, and I’ll be back in a few with your mutt. Anything else you’re gonna hit me up for now that I opened my big yap about wanting to get square with you?”
“Actually, there might be something else,” Dante replied, his thoughts going sober when he considered Tess and any kind of future that might be deserving of her. “But we can talk about that when you get back, yeah?”
Chase nodded, catching on to the turn in mood. “Yeah. Sure we can.
”
”
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
“
No one moved. No one spoke. They seemed be riveted by whatever it was they saw in his eyes.
“Place me like a seal over your heart, like a seal on your arm; for love is as strong as death, its jealousy unyielding as the grave.”
A few gasps erupted.
His voice rang out, bold, clear.
“It burns like blazing fire, like a mighty flame. Many waters cannot quench love; rivers cannot wash it away.”
It was safe to say everyone was awake now. He’d startled most of his parishioners and aroused the rest of them.
“Evie Duggan …”
And all the heads official swiveled to follow the beam of the reverend’s gaze. Then swiveled back to him.
Then back to Eve.
Whose heart was in her eyes.
“ … You are the seal upon my heart. You are the fire and flame that warms me, heals me, burns me. You are the river that cools me and carries me. I love you. And love may be as strong as death, but you … I know now you are my life.”
A pin would have echoed like a dropped kettle in the church then.
Eve was absolutely riveted. Frozen, her eyes burning into his.
“And though I wish I could have protected you and kept you safe from some of the storms of your life, I find cannot regret any part of your past. For it has made you who you are. Loyal, passionate, brave, kind, remarkable. You need repent nothing.”
The last word fell like a gavel.
Not a single person moved or breathed.
“There are those who think good is a pastime, to engage in like embroidery or target shooting. There are those who think beauty is a thing of surface, and forget that it’s really of the soul. But good is something you are, not something you do. And by that definition, I stand before you today and declare that Evie Duggan is one of the best people I have ever had the privilege of knowing.
”
”
Julie Anne Long (A Notorious Countess Confesses (Pennyroyal Green, #7))
“
Absently, she brushed back some of the hair from her face, and she saw as Jaguar's eyes followed how the long strands slid across her throat. Though his dark skin did not show pallor as clearly as Lord Daryl's had, Turquoise could tell Jaguar had not fed yet, and she recognized the hungry look in his black eyes.
Testing, she stood, the movement appearing reluctant. "I"ll leave you to your work if you'd like."
He answered the way she had expected him to. Not raising his gaze from her throat, he said, "Come here." Though the words were an order, the tone left room for argument.
For a moment, Turquoise almost felt guilty. She was intentionally manipulating him. A feeding vampire is an easy target; most of them completely lost sense of their surroundings as they drew blood. Jaguar did not even try to catch her mind as his lips fell to her throat. If she had been armed, it would have been revoltingly easy to kill him.
”
”
Amelia Atwater-Rhodes (Midnight Predator (Den of Shadows, #4))
“
Did I...'
'Ser the curtains on fire?' He lifts a brow. 'Yes.'
'Oh.' I can't find it in me to be embarrassed, so I brush the backs of my fingers across the stubble along his jaw. 'And you put it out.'
'Yes. Right before I destroyed your throwing target.' He grimaces. 'I'll get you a new one.'
I glance over at the armoire. 'And we...'
'Yep.' He lifts his brows. 'and I'm pretty sure you need a new chair, too.'
'That was...' I didn't even get the man's pants entirely off, and my dressing gown is haphazardly hanging from one shoulder.
'Frighteningly perfect.' He cups the side of my face. ' We should get you cleaned up and to sleep. We can worry about... your room tomorrow. Ironically, your bed is the only thing we didn't wreck.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
To the left, civil rights are like a subway: When you reach your stop, you get off. Meanwhile, I’ll just repeat what I said yesterday: For the New Yorker’s target audience, the equivalence of free speech advocates to “gun nuts” is a clear signal of where they’re supposed to fall on the argument. But all I can say is that if the “speech nuts” do as well as the “gun nuts” have done over the past couple of decades, we’ll be in pretty good shape. And the lesson from the “gun nuts” is: Don’t compromise, don’t admit that there’s such a thing as a “reasonable restriction,” don’t back down, and keep pointing out that your opponents are liars and hypocrites. And punish the hell out of politicians who vote with the other side. —Glenn Reynolds, Instapundit, 11 August 2015
”
”
Vox Day (SJWs Always Lie: Taking Down the Thought Police (The Laws of Social Justice Book 1))
“
We see now why the great target of Satan is to break down our faith. He knows all too well that the righteous live by faith, so he aims at cutting our lifeline to God. Faith is like the hand that reaches up to receive what God has freely promised. If the devil can pull your hand back down to your side, then he has succeeded. All of God's intended supply will just stay where it is in heaven.
”
”
Jim Cymbala (Fresh Faith: What Happens When Real Faith Ignites God's People)
“
It’s them!” screamed Hermione.
Tonks landed in a long skid that sent earth and pebbles everywhere.
“Remus!” Tonks cried as she staggered off the broom into Lupin’s arms. His face was set and white: He seemed unable to speak. Ron tripped dazedly toward Harry and Hermione.
“You’re okay,” he mumbled, before Hermione flew at him and hugged him tightly.
“I thought--I thought--”
“’M all right,” said Ron, patting her on the back. “’M fine.”
“Ron was great,” said Tonks warmly, relinquishing her hold on Lupin. “Wonderful. Stunned one of the Death Eaters, straight to the head, and when you’re aiming at a moving target from a flying broom--”
“You did?” said Hermione, gazing up at Ron with her arms still around his neck.
“Always the tone of surprise,” he said a little grumpily, breaking free.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
I struggle with how I am supposed to live as a survivor, how to present my story and myself to the world, how much or how little to disclose. There have been numerous times I have not brought up my case because I do not want to upset anybody or spoil the mood. Because I want to preserve your comfort. Because I have been told that what I have to say is too dark, too upsetting, too targeting, too triggering, let's tone it down. You will find society asking you for the happy ending, saying come back when you're better, when what you say can make us feel good, when you have something more uplifting, affirming. This ugliness was something I never asked for, it was dropped on me, and for a long time I worried it made me ugly too. It made me into a sad, unwelcome story that nobody wanted to hear.
”
”
Chanel Miller (Know My Name)
“
One day a man's son was run over by a car and he was killed and all mangled up. The father couldn't go on living, he felt ill, he cried all day, he went to a wizard and gave him all his money to bring his son back to life. The wizard said: "Go home and wait. Your son will return tonight." The father waited, but the son did not come home, so in the end he went to bed. He was just falling asleep when he heard footsteps in the kitchen. He got up feeling very happy and saw his son, he was all mangle up and had one arm missing and his head was split open, with the brains running out and he said he hated him because he'd left him in the middle of the road to go with women and it was his fault he was dead.' 'So?' 'So the father got some petrol and set fire to him.' 'I don't blame him.' I threw and finally hit the target. 'Point!' 'Four-two.
”
”
Niccolò Ammaniti (I'm Not Scared)
“
were listening to Tupac right before . . . you know.” “A’ight, so what do you think it means?” “You don’t know?” I ask. “I know. I wanna hear what you think.” Here he goes. Picking my brain. “Khalil said it’s about what society feeds us as youth and how it comes back and bites them later,” I say. “I think it’s about more than youth though. I think it’s about us, period.” “Us who?” he asks. “Black people, minorities, poor people. Everybody at the bottom in society.” “The oppressed,” says Daddy. “Yeah. We’re the ones who get the short end of the stick, but we’re the ones they fear the most. That’s why the government targeted the Black Panthers, right? Because they were scared of the Panthers?” “Uh-huh,” Daddy says. “The Panthers educated and empowered the people. That tactic of empowering the oppressed goes even further back than the Panthers though. Name one.” Is he serious? He always makes me think. This one takes me a second. “The slave rebellion of 1831,” I say. “Nat Turner empowered and educated other slaves, and it led to one of the biggest slave revolts in history.” “A’ight, a’ight. You on it.” He gives me dap. “So, what’s the hate they’re giving the ‘little infants’ in today’s society?” “Racism?” “You gotta get a li’l more detailed than that. Think ’bout Khalil and his whole situation. Before he died.” “He was a drug dealer.” It hurts to say that. “And possibly a gang member.” “Why was he a drug dealer? Why are so many people in our neighborhood drug dealers?” I remember what Khalil said—he got tired of choosing between lights and food. “They need money,” I say. “And they don’t have a lot of other ways to get it.” “Right. Lack of opportunities,” Daddy says. “Corporate America don’t bring jobs to our communities, and they damn sure ain’t quick to hire us. Then, shit, even if you do have a high school diploma, so many of the schools in our neighborhoods don’t prepare us well enough. That’s why when your momma talked about sending you and your brothers to Williamson, I agreed. Our schools don’t get the resources to equip you like Williamson does. It’s easier to find some crack than it is to find a good school around here.
”
”
Angie Thomas (The Hate U Give)
“
If she’d known what a good shot you are,” he whispered past the unfamiliar tightness in his throat, “she’d never have dared.” His hand lifted to her wet cheek, holding it pressed against his chest. “You could always call her out, you know.” The spasmodic shaking in Elizabeth’s slender shoulders began to subside, and Ian added with forced tightness, “Better yet, Robert should stand in for you. He’s not as fine a shot as you are, but he’s a hell of a lot faster…”
A teary giggle escaped the girl in his arms, and Ian continued, “On the other hand, if you’re holding the pistol, you’ll have some choices to make, and they’re not easy…”
When he didn’t say more, Elizabeth drew a shaky breath. “What choices?” she finally whispered against his chest after a moment.
“What to shoot, for one thing,” he joked, stroking her back. “Robert was wearing Hessians, so I had a tassel for a target. I suppose, though, you could always shoot the bow off Valerie’s gown.”
Elizabeth’s shoulders gave a lurch, and a choked laugh escaped her.
Overwhelmed with relief, Ian kept his left arm around her and gently took her chin between his forefinger and thumb, tipping her face up to his. Her magnificent eyes were still wet with tears, but a smile was trembling on her rosy lips. Teasingly, he continued, “A bow isn’t much of a challenge for an expert marksman like you. I suppose you could insist that she hold up an earring between her fingers so you could shoot that instead.”
The image was so absurd that Elizabeth chuckled.
Without being conscious of what he was doing, Ian moved his thumb from her chin to her lower lip, rubbing lightly against its inviting fullness. He finally realized what he was doing and stopped.
Elizabeth saw his jaw tighten. She drew a shuddering breath, sensing he’d been on the verge of kissing her, and had just decided not to do it. After the last shattering minutes, Elizabeth no longer knew who was friend or foe, she only knew she’d felt safe and secure in his arms, and at that moment his arms were already beginning to loosen, and his expression was turning aloof. Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please-“
Ian realized what she was asking for, but he responded with a questioning lift of his brows.
“I-“ she began, uncomfortably aware of the knowing look in his eyes.
“Yes?” he prompted.
“I don’t know-exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms.
“Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.”
“What!”
“You heard me.”
“Of all the arrogant-“
He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Will:"You know, when two people narrowly escape falling to their deaths, they usually have something to talk about, Even if they hadn't met before that moment, they usually have something to sayto each other afterward. But you haven't said anything to me. I've been tryingto give you some time. I've been trying to give you some space. All I want is-"
Ivy:"Thank you. Thank you for risking your life. Thank you for saving me."
"That's not what I wanted! Gratitude is the last thing I-"
"Well, let me tell you what I want, Honesty."
"When haven't I been honest? When?"
"I found your note, Will. I know you blackmailed Gregory. I didn't tell the police yet, but I will."
"So tell them, go ahead! It's old news to them, but if you've got the note, it's one more piece for the police files. I just don't get- Wait a minute. Do you think- You couldn't really think I did that to make money, could you?"
"That's usually why people blackmail."
"You think I'd betray you like that? Ivy I set up that blackmail--I got the Celentanos to help me out, and i videotaped it-so that i had something to take to the police." "Back in August when you were in the hospital, Gregory called me and told me you had tried to commit suicide. I couldn't believe it. I knew how much you missed Tristan, but I knew you were a fighter, too. I went to the train station that morning to look around and try to figure out what had gone through your head. As i was leaving I found the jacket and hat. I picked them up, but for weeks I didn't know how or even if they were connected to what had happened." "When school started I ran across some file photos of Tristan in the newspaper office. Suddenly I figured it out. I knew it wasn't like you to jump in front of a train, but it was just like you Eric and Gregory to con you across the track. I remembered how Eric had played chicken with us, and I blamed him at first. Later I realized that there was a lot more than a game going on."
"Why didn't you tell me this before? You should have told me this before."
"You weren't telling me things, either."
"I was trying to protect you!"
"What the heck do you think I was doing?...I had to distract him, give him another target, and try to get something on him at the same time. It almost worked. I gave the tape to Lieutenant Donnelly Tuesday afternoon, but Gregory had already laid his trap." "You thought I'd betray you."
"Will I'm sorry. I was wrong. I really am sorry, I made a mistake. A big one. Try to understand. I was so mixed up and afraid. I thought I betrayed myself when I trusted you-and betrayed Tristan when I fell in love with you. Will!"
"You fell in love with me?"
"Love you, Will."
"Love you, Ivy.
”
”
Elizabeth Chandler (Soulmates (Kissed by an Angel, #3))
“
Consider just a few of the expressions that fall under the umbrella ARGUMENT IS WAR, collected by the linguist George Lakoff and the philosopher Mark Johnson.
Your claims are indefensible. He attacked every weak point in my argument. His criticisms were right on target. I demolished his argument. I've never won an argument with her. You don't agree? Okay, shoot! If you use that strategy, he'll wipe you out. She shot down all of my arguments.
Or the many variations of LOVE IS A JOURNEY:
Our relationship has hit a dead-end street. It's stalled; we can't keep going the way we've been going. Look how far we've come. It's been a long, bumpy road. We can't turn back now. We're at a crossroads. We may have to go our separate ways. The relationship isn't going anywhere. We're spinning our wheels. Our relationship is off the track. Our marriage is on the rocks. I'm thinking of bailing out.
”
”
Steven Pinker (The Stuff of Thought: Language as a Window into Human Nature)
“
LORENZO :-)
So I've been told," Lorenzo says. "Word around town is you're a bit of a dick-tator."
---------------------------------------------------------------
"Honestly? I don't know. All of this, if you ask me, is total bullshit. You're just whacking yourselves off under the table, getting off on the theatrics, like we're on fucking Broadway. Dance, little soldier, dance. It's a joke. I'll never understand it. But Ignazio here requested a meeting, and what kind of friend would I be if I didn't show up?
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
Circus tricks ain’t much use when you’re the King’s Champion.” She shifted her gaze to him, but kept positioned toward the target. “You’d be better off on your back, learning tricks useful to a woman. In fact, I can teach you some tonight, if you’d like.” He laughed, and Cain joined with him. Celaena gripped the hilt of a dagger so hard that it hurt. “Don’t listen to them,” Nox murmured. He tossed another dagger, missing the bull’s-eye again. “They wouldn’t know the first thing to do with a woman, even if one walked stark naked into their bedroom.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
Stop staring at Kevin so much. You're making me fear for your life over here."
"What do you mean?"
"Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats."
"Can you take the creepy down a level?" Aaron asked.
"What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push."
"I don't need a push," Neil said. "I'm fine on my own."
"Seriously, how are you not bored of your hand by now?"
"I'm done with this conversation," Neil said. "This and every future variation of it. [...]"
The stadium door slammed open as Andrew showed up at last. He swept them with a wide-eyed look as if surprised to see them all there.
"Kevin wants to know what's taking you so long. Did you get lost?"
"Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later." [...]
"Wow, Nicky," Andrew said. "You start early."
"Can you really blame me?"
Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall. [...]
"Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?"
"You know I'd never hurt him. If he says yes-"
"I said no."
"Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-"
He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey. [...]
Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it. If Nicky so much as breathed wrong right now, Andrew would cut his lungs to ribbons, any and all consequences be damned.
Neil wondered if Andrew's medicine would let him grieve, or if he'd laugh at Nicky's funeral too. Then he wondered if a sober Andrew would act any different. Was this Andrew psychosis or his medicine? Was he flying too high to understand what he was doing, or did his medicine only add a smile to Andrew's ingrained violence? [...]
Andrew let go of Nicky and spun away. [...] Aaron squized Nicky's shoulder on his way out. Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all.
"On second thought, you're not my type after all,” Nicky said [...].
"Don't let him get away with things like that."
Nicky considered him for a moment, his smile fading into something small and tired.
"Oh, Neil. You're going to make this so hard on yourself. Look, [...] Andrew is a little crazy. Your lines are not his lines, so you can get all huff and puff when he tramps across yours but you'll never make him understand what he did wrong. Moreover, you'll never make him care. So just stay out of his way."
"He's like this because you let him get away with it," Neil said. [...]
"That was my fault. [...] I said something I shouldn't have, and got what I deserved.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
What Is Marketing? Some people think marketing is advertising or branding or some other vague concept. While all these are associated with marketing, they are not one and the same. Here’s the simplest, most jargon-free definition of marketing you’re ever likely to come across: If the circus is coming to town and you paint a sign saying “Circus Coming to the Showground Saturday,” that’s advertising. If you put the sign on the back of an elephant and walk it into town, that’s promotion. If the elephant walks through the mayor’s flower bed and the local newspaper writes a story about it, that’s publicity. And if you get the mayor to laugh about it, that’s public relations. If the town’s citizens go to the circus, you show them the many entertainment booths, explain how much fun they’ll have spending money at the booths, answer their questions and, ultimately, they spend a lot at the circus, that’s sales. And if you planned the whole thing, that’s marketing. Yup, it’s as simple as that—marketing is the strategy you use for getting your ideal target market to know you, like you and trust you enough to become a customer. All the stuff you usually associate with marketing are tactics.
”
”
Allan Dib (The 1-Page Marketing Plan: Get New Customers, Make More Money, And Stand out From The Crowd)
“
Maybe if you’d been able to restrain yourselves from endlessly screaming about the unique evil of white people, I wouldn’t have started to look into exactly who was doing most of the screaming. Since you apparently can’t help yourself from continually profiling me, don’t cry foul when I start profiling you. And I don’t think it qualifies as imagining there are Jews in your sandwich when anywhere from half to three-quarters of the hoagie you’re feeding me is stuffed with kosher meat. Palefaced XY-chromosome devils have been persistently framed in popular discourse as eternal oppressors and congenital spewers of venom, bile, and hatred. But despite everything the media has been peddling for generations, it appears that this oft-maligned demographic suffers from a fatal flaw, one that runs contrary to the stereotype—they’re way too nice. They’re not homicidally intolerant so much as they’re suicidally tolerant. And unless their antagonists—whether they’re self-loathing crackers such as Michael Moore or anyone else in the increasingly hostile and jeering Rainbow Coalition—learn to cool it with the screaming, it appears that the only option is to start screaming back. Otherwise it seems evident that the tireless bashers of everything white and male don’t view white males as a powerful oppressor so much as an easy target.
”
”
Jim Goad (Whiteness: The Original Sin)
“
The last shot wasn’t bad,” he said, dropping the subject of the duel. “However, the target is the twig, not the leaves. The end of the twig,” he added.
“You must have missed the twig yourself,” she pointed out, lifting the gun and aiming it carefully, “since it’s still there.”
“True, but it’s shorter than it was when I started.”
Elizabeth momentarily forgot what she was doing as she stared at him in disbelief and amazement. “Do you mean you’ve been clipping the end off it?”
“A bit at a time,” he said, concentrating on her next shot.
She hit another leaf on the twig and handed the gun back to him.
“You’re not bad,” he complimented.
She was an outstanding shot, and his smile said he knew it as he handed her a freshly loaded gun. Elizabeth shook her head. “I’d rather see you try it.”
“You doubt my word?”
“Let’s merely say I’m a little skeptical.”
Taking the gun, Ian raised it in a swift arc, and without pausing to aim, he fired. Two inches of twig spun away and fell to the ground. Elizabeth was so impressed she laughed aloud. “Do you know,” she exclaimed with an admiring smile, “I didn’t entirely believe until this moment that you really meant to shoot the tassel off Robert’s boot!”
He sent her an amused glance as he reloaded and handed her the gun. “At the time I was sorely tempted to aim for something more vulnerable.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Do I get to come in?” he asked.
She shrugged and stood aside. “I’m just packing.”
“Moving again?” he asked with faint sarcasm. “You used to be easier to keep track of.”
“Because I was living in a nest of spies!” she threw at him, having only recently gleaned that bit of information from Colby. “You got me an apartment surrounded by government agents!”
“It was the safest place for you,” he said simply. “Someone was always watching you when I couldn’t.”
“I didn’t need watching!”
“You did,” he returned, perching on the arm of her big easy chair to stare at her intently. “You never realized it, but you were a constant target for anyone who had a grudge against me. In the end, it was why I gave up government work and got a job in the private sector.” He folded his arms over his broad chest, watching surprise claim her features. “There was a communist agent with a high-powered rifle one day, and a South American gentlemen with an automatic pistol the following week. You were never told about them. But you had two close calls. If you hadn’t been living in a ‘nest of spies,’ I’d have buried you. Funerals are expensive,” he added with a cold smile.
She stared at him blankly. “Why didn’t you just send me back to South Dakota?” she asked.
“To your stepfather?” he drawled.
That was still a sore spot with her, and she was certain that he knew it. But she wouldn’t give him the satisfaction of arguing. He seemed to be spoiling for a fight. She turned away to the kitchen. “Want a cup of coffee?”
He got up and took her by the shoulders. “I’m sorry,” he said. “That was a low blow.”
“Another in a long line of them lately,” she said without meeting his eyes. “I seem to do nothing except rub you the wrong way.”
“And you don’t know why?” he asked curtly, letting her go.
She moved one shoulder as she went about the business of getting down a cup and saucer. “At a guess, you’re mad at somebody you can’t get to, and I’m the stand-in.”
He chuckled. “How do you see through me so easily? Even my mother can’t do that.”
If he thought about it, he’d know, she thought miserably.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Haven’t even fucked her yet and she’s shuddering under my touch.
It’s in this moment that I know I’m done waiting.
Done waiting for her to fully come to me.
I’m over being patient.
Gabriella is going to be mine in every way I can have her.
“You can walk away from this right now. Today. I will allow it. You’re tired and I prefer you get some decent rest if you won’t get it here.”
“Allow?”
My hand circles around the front of her throat, unable to not touch her in any way that I can. I feel like a beggar needing water who’s just been handed a jug. All I want to do is roam over her skin and memorize how every silky inch feels. I know my touch is possessive and out of fucking order, seeing as only hours ago she was still treating me as her boss only. But she made that switch when she turned up, didn’t she? She can’t take that back now.
“Yes, allow. I gave you time to come to me. Here you are, Gabriella. Now you can put us in my hands.”
She blinks and I feel the pulse in her delicate throat start to jump. What she doesn’t do is move out from under my hands. I feel as though she’s gifted me a prize. So close to her, her scent is arresting, she smells fucking good, lickable.
She sucks her lower lip between her teeth and I want to bite it hard.
“What… what does that even mean?”
“It means you can no longer deny what we are, cara. It’s time for me to make the decisions in how we proceed from here. No more waiting.”
“What are we?”
“An explosion.
”
”
V. Theia (Manhattan Target (From Manhattan #6))
“
Dottie: I miss being across the hall from you.
Jason: Words I never thought you’d say.
Dottie: I know, I surprised myself, but despite your annoying tendencies and non-stop chattering, I miss it.
Jason: You’re making my heart soar like a fucking falcon. A goddamn FALCON, Dottie.
Dottie: Falcon. That’s pretty serious. Do you know what would have been more serious? An albatross.
Jason: Pfft, no way. They might have a ten-foot wingspan, but they’re seabirds, so they shit in the ocean. Where’s the fun in that?
Dottie: As opposed to . . .
Jason: Shitting on people’s heads, of course. If I was a bird, that would be my main purpose in life, shitting on unsuspecting people’s heads. Think about it, being targeted by a bird bowel movement is detrimental as a human being. You’re just going about your normal business when all of a sudden, WHACK, white goop drips from your forehead down your cheek. What is that, you think? You carefully touch it, your fingers immediately wet with semi-warm liquid. And when you realize it’s an anal secretion from a flying vertebrate, all hell breaks loose. The horror! The disgust! The SHAME OF BEING SHIT ON. There’s no coming back from that. #DayRuined And as the maniacal bird, there you are, floating around in the peaceful skies, watching idiot humans running around in circles, trying to get rid of the poo-poo. With one flip of the feather—or the bird, hey-o—you’re off to the bird feeder, filling up so you can drop turd once again. A vicious cycle of humans feeding birds only to get shit on unsuspectedly, I AM HERE FOR THAT!
Dottie: I was wrong. I don’t have to be across the hall to be annoyed by you.
”
”
Meghan Quinn (The Lineup)
“
REQUIREMENTS TO BE GREAT AT RUNNING HR What kind of person should you look for to comprehensively and continuously understand the quality of your management team? Here are some key requirements: World-class process design skills Much like the head of quality assurance, the head of HR must be a masterful process designer. One key to accurately measuring critical management processes is excellent process design and control. A true diplomat Nobody likes a tattletale and there is no way for an HR organization to be effective if the management team doesn’t implicitly trust it. Managers must believe that HR is there to help them improve rather than police them. Great HR leaders genuinely want to help the managers and couldn’t care less about getting credit for identifying problems. They will work directly with the managers to get quality up and only escalate to the CEO when necessary. If an HR leader hoards knowledge, makes power plays, or plays politics, he will be useless. Industry knowledge Compensation, benefits, best recruiting practices, etc. are all fast-moving targets. The head of HR must be deeply networked in the industry and stay abreast of all the latest developments. Intellectual heft to be the CEO’s trusted adviser None of the other skills matter if the CEO does not fully back the head of HR in holding the managers to a high quality standard. In order for this to happen, the CEO must trust the HR leader’s thinking and judgment. Understanding things unspoken When management quality starts to break down in a company, nobody says anything about it, but super-perceptive people can tell that the company is slipping. You need one of those.
”
”
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers)
“
One of the things necessary for healing to take place is recognizing the truth of the relationship and that person. You experienced so many covert lies; it is incredibly helpful to be able to see clearly. The truth is you were in love with an illusion, with the person they portrayed themselves to be. At first, this is an excruciating realization. You will doubt and wonder if you are overinflating this, if they really are innocent and you’re just scared to move on. You will have a ton of self-doubt. Eventually, with education and support, you will see that your hunch, your inner knowing, is on target. In time the truth that you were in love with an illusion will feel like a relief because truth does set you free. That full realization will validate years of confusion you felt, years of unexplained exhaustion and health issues, years of sexual confusion, years of feeling less than, and years of unhappiness, along with anxiety. You lived in an unsafe environment, were demeaned and devalued for years (decades for some of you; entire childhoods for many of you). You did not experience unconditional love; you did not live with someone who treated you with respect, who cherished you, treasured you, and felt so lucky to have you in their life. No, the truth is you experienced a counterfeit. If this was a spouse or romantic partner, this awakening to the truth is excruciating because you did love that person with all your heart. You were dedicated. You were in 100%. The truth is that you were the lifeforce in the relationship. When you’re really honest with yourself, when you look back with clear vision, that life, that love you gave and felt, was never fully reciprocated.
”
”
Debbie Mirza (The Covert Passive Aggressive Narcissist: Recognizing the Traits and Finding Healing After Hidden Emotional and Psychological Abuse (The Narcissism Series Book 1))
“
The Sherwood Forest Chronicles
.
1. If Robin Hood steals from the rich, doesn't that make them poor? Does he give them their money back? I mean, what the point of robbing to begin with if your mission statement is logically flawed?
2. If the Sheriff of Nottingham is such an asshole, why isn’t he the Prime Minister of Nottingham?
3. Why don’t I see elves here? Did all the elves of Sherwood Forest migrate to New Zealand to become extras on the Peter Jackson’s Hobbit films?
4. Does Little John even know what an oxymoron is?
5. If Smokey the Bear came to Sherwood Forest to make a public service announcement about preventing forest fires, would he leave with arrows in his ass or would the Merry Men feast on bear meat for several days? And what makes the Merry Men merry in the first place?
6. What do you think? Does Robin Hood shop at Walmart or Target?
”
”
Beryl Dov
“
Narrative and analytical information does not coexist. It cannot; that’s simply impossible. The human brain is unable to be coldly analytical and warmly engaged in a narrative at the same time. This is the secret power of the intrigue frame. When your target drills down into technical material, you break that frame by telling a brief but relevant story that involves you. This is not a story that you make up on the spot; this is a personal story that you have prepared in advance and that you take to every meeting you have. Since all croc brains are pretty similar, you will not need more than one story because the intrigue it will contain will have the same impact on every audience. You need to be at the center of the story, which immediately redirects attention back to you. People will pause, look up, and listen because you are sharing something personal.
”
”
Oren Klaff (Pitch Anything: An Innovative Method for Presenting, Persuading, and Winning the Deal)
“
I must say, you aren’t being very mature or very consistent!”
His dark brows snapped together as their truce began to disintegrate. “What the hell is that supposed to mean?”
Elizabeth bridled, looking at him like the haughty, disdainful young aristocrat she was born to be. “It means,” she informed him, making a monumental effort to speak clearly and coolly, “that you have no right to act as if I did something evil, when in truth you yourself regarded it as nothing but a-a meaningless dalliance. You said as much, so there’s no point in denying it!”
He finished loading the gun before he spoke. In contrast to his grim expression, his voice was perfectly bland. “My memory apparently isn’t as good as yours. To whom did I say that?”
“My brother, for one,” she said, impatient with his pretense.
“Ah, yes, the honorable Robert,” he replied, putting sarcastic emphasis on the word “honorable.” He turned to the target and fired, but the shot was wide of the mark.
“You didn’t even hit the right tree,” Elizabeth said in surprise. “I thought you said you were going to clean the guns,” she added when he began methodically sliding them into leather cases, his expression preoccupied.
He looked up at her, but she had the feeling he’d almost forgotten she was there. “I’ve decided to do it tomorrow instead.” Ian went into the house, automatically putting the guns back on the mantel; then he wandered over to the table, frowning thoughtfully as he reached for the bottle of Madeira and poured some into his glass. He told himself it made no difference how she might have felt when her brother told her that falsehood. For one thing, she was already engaged at the time, and, by her own admission, she’d regarded their relationship as a flirtation. Her pride might have suffered a richly deserved blow, but nothing worse than that.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
It had been obvious to me from a young age that my parents didn’t like one another. Couples in films and on television performed household tasks together and talked fondly about their shared memories. I couldn’t remember seeing my mother and father in the same room unless they were eating. My father had “moods.” Sometimes during his moods my mother would take me to stay with her sister Bernie in Clontarf, and they would sit in the kitchen talking and shaking their heads while I watched my cousin Alan play Ocarina of Time. I was aware that alcohol played a role in these incidents, but its precise workings remained mysterious to me. I enjoyed our visits to Bernie’s house. While we were there I was allowed to eat as many digestive biscuits as I wanted, and when we returned, my father was either gone out or else feeling very contrite. I liked it when he was gone out. During his periods of contrition he tried to make conversation with me about school and I had to choose between humoring and ignoring him. Humoring him made me feel dishonest and weak, a soft target. Ignoring him made my heart beat very hard and afterward I couldn’t look at myself in the mirror. Also it made my mother cry. It was hard to be specific about what my father’s moods consisted of. Sometimes he would go out for a couple of days and when he came back in we’d find him taking money out of my Bank of Ireland savings jar, or our television would be gone. Other times he would bump into a piece of furniture and then lose his temper. He hurled one of my school shoes right at my face once after he tripped on it. It missed and went in the fireplace and I watched it smoldering like it was my own face smoldering. I learned not to display fear, it only provoked him. I was cold like a fish. Afterward my mother said: why didn’t you lift it out of the fire? Can’t you at least make an effort? I shrugged. I would have let my real face burn in the fire too. When he came home from work in the evening I used to freeze entirely still, and after a few seconds I would know with complete certainty if he was in one of the moods or not. Something about the way he closed the door or handled his keys would let me know, as clearly as if he yelled the house down. I’d say to my mother: he’s in a mood now. And she’d say: stop that. But she knew as well as I did. One day, when I was twelve, he turned up unexpectedly after school to pick me up. Instead of going home, we drove away from town, toward Blackrock. The DART went past on our left and I could see the Poolbeg towers out the car window. Your mother wants to break up our family, my father said. Instantly I replied: please let me out of the car. This remark later became evidence in my father’s theory that my mother had poisoned me against him.
”
”
Sally Rooney (Conversations with Friends)
“
All the women, white or black or brown, who woke up like this, who came before me in this town. Think of them. Heads up, eyes on the target. Running. Full speed. Gravity be damned. Toward that thick layer of glass that is the ceiling. Running, full speed, and crashing. Crashing into that ceiling and falling back. Crashing into it and falling back. Into it and falling back. Woman after woman. Each one running and each one crashing. And everyone falling. How many women had to hit that glass before the first crack appeared? How many cuts did they get, how many bruises? How hard did they have to hit the ceiling? How many women had to hit that glass to ripple it, to send out a thousand hairline fractures? How many women had to hit that glass before the pressure of their effort caused it to evolve from a thick pane of glass into just a thin sheet of splintered ice? So that when it was my turn to run, it didn’t even look like a ceiling anymore.
”
”
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
“
I select the right practice gun, the one about the size of a pistol, but bulkier, and offer it to Caleb.
Tris’s fingers slide between mine. Everything comes easily this morning, every smile and every laugh, every word and every motion.
If we succeed in what we attempt tonight, tomorrow Chicago will be safe, the Bureau will be forever changed, and Tris and I will be able to build a new life for ourselves somewhere. Maybe it will even be a place where I trade my guns and knives for more productive tools, screwdrivers and nails and shovels. This morning I feel like I could be so fortunate. I could.
“It doesn’t shoot real bullets,” I say, “but it seems like they designed it so it would be as close as possible to one of the guns you’ll be using. It feels real, anyway.”
Caleb holds the gun with just his fingertips, like he’s afraid it will shatter in his hands.
I laugh. “First lesson: Don’t be afraid of it. Grab it. You’ve held one before, remember? You got us out of the Amity compound with that shot.”
“That was just lucky,” Caleb says, turning the gun over and over to see it from every angle. His tongue pushes into his cheek like he’s solving a problem. “Not the result of skill.”
“Lucky is better than unlucky,” I say. “We can work on skill now.”
I glance at Tris. She grins at me, then leans in to whisper something to Christina.
“Are you here to help or what, Stiff?” I say. I hear myself speaking in the voice I cultivated as an initiation instructor, but this time I use it in jest. “You could use some practice with that right arm, if I recall correctly. You too, Christina.”
Tris makes a face at me, then she and Christina cross the room to get their own weapons.
“Okay, now face the target and turn the safety off,” I say. There is a target across the room, more sophisticated, than the wooden-board target in the Dauntless training rooms. It has three rings in three different colors, green, yellow, and red, so it’s easier to tell where the bullets it. “Let me see how you would naturally shoot.”
He lifts up the gun with one hand, squares off his feet and shoulders to the target like he’s about to lift something heavy, and fires. The gun jerks back and up, firing the bullet near the ceiling. I cover my mouth with my hand to disguise my smile.
“There’s no need to giggle,” Caleb says irritably.
“Book learning doesn’t teach you everything, does it?” Christina says. “You have to hold it with both hands. It doesn’t look as cool, but neither does attacking the ceiling.”
“I wasn’t trying to look cool!”
Christina stands, her legs slightly uneven, and lifts both arms. She stares the target for a moment, then fires. The training bullet hits the outer circle of the target and bounces off, rolling on the floor. It leaves a circle of light on the target, marking the impact site. I wish I’d had this technology during initiation training.
“Oh, good,” I say. “You hit the air around your target’s body. How useful.”
“I’m a little rusty,” Christina admits, grinning.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
She says you're different, you know," he continues, turning back around to continue slicing his tomatoes. "I've been trying to see it… to see what she sees… but you don't seem any different to me."
I want to tell him it's because he's not looking hard enough, but that's a lie and I know it. The problem is, he's looking harder than Karissa is. She thinks I'm different because she wants me to be. And I'm trying to be. But I'm still me.
I can't be anybody but me.
At some point, every part of me became every part of that. The life isn't just something I lived… it was how I survived. It infused itself into every one of my cells, infecting every mitochondrion. It's in my blood and my bones, and unless you drain me dry and rip me to pieces, you'll never rid me of all of it.
It's like expecting a man to survive without a beating heart in his chest.
Expecting him to breathe without lungs.
Expecting him to fight when he has no reason to live.
It's like expecting a man to still be a man after taking away everything that makes him who he is.
I can be good to her.
I might even be good for her.
But that doesn't mean I'm good.
”
”
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
“
I still have no choice but to bring out Minerva instead.”
“But Minerva doesn’t care about men,” young Charlotte said helpfully. “She prefers dirt and rocks.”
“It’s called geology,” Minerva said. “It’s a science.”
“It’s certain spinsterhood, is what it is! Unnatural girl. Do sit straight in your chair, at least.” Mrs. Highwood sighed and fanned harder. To Susanna, she said, “I despair of her, truly. This is why Diana must get well, you see. Can you imagine Minerva in Society?”
Susanna bit back a smile, all too easily imagining the scene. It would probably resemble her own debut. Like Minerva, she had been absorbed in unladylike pursuits, and the object of her female relations’ oft-voiced despair. At balls, she’d been that freckled Amazon in the corner, who would have been all too happy to blend into the wallpaper, if only her hair color would have allowed it.
As for the gentlemen she’d met…not a one of them had managed to sweep her off her feet. To be fair, none of them had tried very hard.
She shrugged off the awkward memories. That time was behind her now.
Mrs. Highwood’s gaze fell on a book at the corner of the table. “I am gratified to see you keep Mrs. Worthington close at hand.”
“Oh yes,” Susanna replied, reaching for the blue, leatherbound tome. “You’ll find copies of Mrs. Worthington’s Wisdom scattered everywhere throughout the village. We find it a very useful book.”
“Hear that, Minerva? You would do well to learn it by heart.” When Minerva rolled her eyes, Mrs. Highwood said, “Charlotte, open it now. Read aloud the beginning of Chapter Twelve.”
Charlotte reached for the book and opened it, then cleared her throat and read aloud in a dramatic voice. “’Chapter Twelve. The perils of excessive education. A young lady’s intellect should be in all ways like her undergarments. Present, pristine, and imperceptible to the casual observer.’”
Mrs. Highwood harrumphed. “Yes. Just so. Hear and believe it, Minerva. Hear and believe every word. As Miss Finch says, you will find that book very useful.”
Susanna took a leisurely sip of tea, swallowing with it a bitter lump of indignation. She wasn’t an angry or resentful person, as a matter of course. But once provoked, her passions required formidable effort to conceal.
That book provoked her, no end.
Mrs. Worthington’s Wisdom for Young Ladies was the bane of sensible girls the world over, crammed with insipid, damaging advice on every page. Susanna could have gleefully crushed its pages to powder with a mortar and pestle, labeled the vial with a skull and crossbones, and placed it on the highest shelf in her stillroom, right beside the dried foxglove leaves and deadly nightshade berries.
Instead, she’d made it her mission to remove as many copies as possible from circulation. A sort of quarantine. Former residents of the Queen’s Ruby sent the books from all corners of England. One couldn’t enter a room in Spindle Cove without finding a copy or three of Mrs. Worthington’s Wisdom. And just as Susanna had told Mrs. Highwood, they found the book very useful indeed. It was the perfect size for propping a window open. It also made an excellent doorstop or paperweight. Susanna used her personal copies for pressing herbs. Or occasionally, for target practice.
She motioned to Charlotte. “May I?” Taking the volume from the girl’s grip, she raised the book high. Then, with a brisk thwack, she used it to crush a bothersome gnat.
With a calm smile, she placed the book on a side table. “Very useful indeed.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
If you’re hoping for a good meal, you’ve come to the wrong place. Miss Cameron has already attempted to sacrifice herself on the altar of domesticity this morning, and we both narrowly escaped death from her efforts. I’m cooking supper,” he finished, “and it may not be much better.”
“I’ll try my hand at breakfast,” the vicar volunteered good-naturedly.
When Elizabeth was out of earshot, Ian said quietly, “How badly is the woman hurt?”
“It’s hard to say, considering that she was almost too angry to be coherent. Or it might have been the laudanum that did it.”
“Did what?”
The vicar paused a moment to watch a bird hop about in the rustling leaves overhead, then he said, “She was in a rare state. Quite confused. Angry, too. On the one hand, she was afraid you might decide to express your ‘tender regard’ for Lady Cameron, undoubtedly in much the way you were doing it when I arrived.” When his gibe evoked nothing but a quirked eyebrow from his imperturbable nephew, Duncan sighed and continued, “At the same time, she was equally convinced that her young lady might try to shoot you with your own gun, which I distinctly understood her to say the young lady had already tried to do. It is that which I feared when I heard the gunshots that sent me galloping up here.”
“We were shooting at targets.”
The vicar nodded, but he was studying Ian with an intent frown.
“Is something else bothering you?” Ian asked, noting the look.
The vicar hesitated, then shook his head slightly, as if trying to dismiss something from his mind. “Miss Throckmorton-Jones had more to say, but I can scarcely credit it.”
“No doubt it was the laudanum,” Ian said, dismissing the matter with a shrug.
“Perhaps,” he said, his frown returning. “Yet I have not taken laudanum, and I was under the impression you are about to betroth yourself to a young woman named Christina Taylor.”
“I am.”
His face turned censorious. “Then what excuse can you have for the scene I just witnessed a few minutes ago?”
Ian’s voice was clipped. “Insanity.”
They walked back to the house, the vicar silent and thoughtful, Ian grim. Duncan’s untimely arrival had not bothered him, but now that his passion had finally cooled he was irritated as hell with his body’s uncontrollable reaction to Elizabeth Cameron. The moment his mouth touched hers it was as if his brain went dead. Even though he knew exactly what she was, in his arms she became an alluring angel.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Get off your horse, Jack."
"Why don't you just ride outta here, missy, and I'll forget this ever happened."
Willow's voice trembled with fury. "Get off your horse," she repeated. "Slow and easy."
Still grinning his contempt, he did as he asked.
"That's good. Now, real slow like, take your gunbelt off and toss it my way."
"Like hell!" A shot rang out and nicked a chunk of leather from his boot. Cursing, he unbuckled his gun and tossed it at her mare's feet.
"Now,strip them britches off, underwear, too," she ordered.
"You little shi-" Bang! Jack's hat whizzed off his head. He dropped his pants in a puddle over his boots, trying his best to shelter his privates from her view.
"My,my,Jack." Willow laughed humorlessly. "Is that puny thing you're trying to hide the same thing you were threatening me with?"
If looks could kill, Willow would have been dead and buried ten times over, then and there.
"Take them confounded boots off so's you can get your pants clear off," she ordered in mock exasperation.
He wheeled around, gaining a modicum of privacy while he complied.
"You're puny all over, Jack. You got the boniest bee-hind I ever did see. You sure you ain't picked up a worm somewheres?"
"You're gonna pay for this,you little slut!"
"Shut your filthy mouth and pick them pants off the ground and toss 'em over here at my horse's feet. Then you can put your boots back on."
He gave the pants a toss, put his boots on, and turned around to face her, cuping his privates in his hands.
"Okay,Jack, finish the job. You've been real generous but I'm a greedy cuss. Give me the shirt off your back, too."
Cursing, he again turned around and obeyed.
"Oh,ah,Jack, you better reach behind you there,and get your hat. I'll let you keep it. We wouldn't want your bald spot to get sunburned."
Scofield now stood in nothing but his boots, using his hat to shield his lower half. Humiliated, the gunslinger's eyes burned with bloody intent. Willow suddenly regretted her damnable quick temper and realized the folly of her reckless retaliation. No doubt,the heinous man would seek revenge. But the damage was done and the man was so mad that backing off now would be the same as signing her death warrant.
"Step away from your horse and start walking toward the ranch, Scofield."
"You're out of your mind!"
"Maybe,but I bet you'll think twice before threatening to poke that puny thing at another lady."
"You? A lady? Ha!"
Willow's temper flared anew. "Walk, Jack. Real fast. Cuz if you don't, I'm gonna use your puny thing for target practice." Her bullet kicked up the dust at his feet and started him on his way.
”
”
Charlotte McPherren (Song of the Willow)
“
He clipped the male again, this time in the shoulder, sending Einar flying backward.
He was vaguely aware of Cyn racing to Leilani. He could hear her calling out his own name, but he tuned everything out, including her.
Con couldn’t go to her yet. The threat needed to be eliminated.
A red haze had descended across his vision as he body-slammed Einar, who was attempting to stand. That male wasn’t walking out of here.
He knew he wasn’t acting rational, that the threat could be put down easier than this, but he couldn’t stop the rage that had overtaken him.
Einar pumped a fist against Con’s ribcage as they tumbled to the ground. He barely felt it as he slammed a left hook across the male’s jaw. Didn’t feel anything as he jabbed him in the gut, the ribs, the face. Over and over. He felt a bloodlust overtake him as he pounded at Einar’s face. This male had wanted to hurt Leilani, to take her from Con.
Strong arms wrapped around Con, tackling him to the ground and rolling him off his target. “Con!” Cyn held him tight, his eyes wild as he kept him pinned down. “It’s done. You’re scaring her.”
Those words snapped him out of the dark fog of savagery that had overtaken him. Leilani stood a few feet away, her eyes wide as she stared at him. Fuck, he had scared her. “I’m fine,” he rasped to his brother.
Cyn paused before loosening his grip. When he did, Con stood, terrified he’d screwed things up for good. He didn’t glance at Einar, who he was certain was dead. He’d never lost control like that, had never even come close. It pierced him that Leilani had seen him kill someone, that he literally had blood on his hands in front of her now. “Leilani—”
She jumped at him, throwing her arms around his neck on a sob. “You came for me.”
Unable to do anything about the blood, he wrapped his arms around her and held tight.
Of course he’d come for her. There was nowhere she could go that he wouldn’t follow.
That realization slammed into him as if someone had actually struck him. They’d known each other less than two weeks but she’d changed his world without even trying. He would give up his role of leader for her. The thought should have terrified him, but it didn’t.
He buried his face against her neck, inhaled her sweet, arilod scent. “I’m not letting you go after the moon cycle.”
She sniffled, her fingers gripping his shoulders tight. “Good because I’m not going anywhere,” she said as she pulled back. Her eyes were bright with tears as she looked at him.
“I would move to the mainland for you.”
She blinked once in surprise before her lips pulled up into a smile. “No. This is your home— my home now.”
No, he realized, she was his home, but he simply nodded and crushed his mouth to hers.
”
”
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
“
Why did you cry off?”
She stiffened in surprise; then, trying to match his light, mocking tone, she said, “Viscount Mondevale proved to be a trifle high in the instep about things like his fiancé cavorting about in cottages and greenhouses with you.” She fired and missed.
“How many contenders are there this Season?” he asked conversationally as he turned to the target, pausing to wipe the gun.
She knew he meant contenders for her hand, and pride absolutely would not allow her to say there were none, nor had there been for a long time. “Well…” she said, suppressing a grimace as she thought of her stout suitor with a houseful of cherubs. Counting on the fact that he didn’t move in the inner circles of the ton, she assumed he wouldn’t know much about either suitor. He raised the gun as she said, “There’s Sir Francis Belhaven, for one.”
Instead of firing immediately as he had before, he seemed to require a long moment to adjust his aim. “Belhaven’s an old man,” he said. The gun exploded, and the twig snapped off.
When he looked at her his eyes had chilled, almost as if he thought less of her. Elizabeth told herself she was imagining that and determined to maintain their mood of light conviviality. Since it was her turn, she picked up a gun and lifted it.
“Who’s the other one?”
Relieved that he couldn’t possibly find fault with the age of her reclusive sportsman, she gave him a mildly haughty smile. “Lord John Marchman,” she said, and she fired.
Ian’s shout of laughter almost drowned out the report from the gun. “Marchman!” he said when she scowled at him and thrust the butt of the gun in his stomach. “You must be joking!”
“You spoiled my shot,” she countered.
“Take it again,” he said, looking at her with a mixture of derision, disbelief, and amusement.
“No, I can’t shoot with you laughing. And I’ll thank you to wipe that smirk off your face. Lord Marchman is a very nice man.”
“He is indeed,” said Ian with an irritating grin. “And it’s a damned good thing you like to shoot, because he sleeps with his guns and fishing poles. You’ll spend the rest of your life slogging through streams and trudging through the woods.”
“I happen to like to fish,” she informed him, striving unsuccessfully not to lose her composure. “And Sir Francis may be a trifle older than I, but an elderly husband might be more kind and tolerant than a younger one.”
“He’ll have to be tolerant,” Ian said a little shortly, turning his attention back to the guns, “or else a damned good shot.”
It angered Elizabeth that he was suddenly attacking her when she had just worked it out in her mind that they were supposed to be dealing with what had happened in a light, sophisticated fashion. “I must say, you aren’t being very mature or very consistent!
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Am I to assume the Valerie I was introduced to earlier was the Valerie of our greenhouse notes?” He realized his mistake the instant her eyes clouded over and she glanced in the direction he’d looked.
“Yes.”
“Shall I ask Willington to clear his ballroom so you have the requisite twenty paces? Naturally, I’ll stand as your second.”
Elizabeth drew a shaky breath, and a smile curved her lips. “Is she wearing a bow?”
Ian looked and shook his head. “I’m afraid not.”
“Does she have an earring?”
He glanced again and frowned. “I think that’s a wart.”
Her smile finally reached her eyes. “It’s not a large target, but I suppose-“
“Allow me,” he gravely replied, and she laughed.
The last strains of their waltz were dying away, and as they left the dance floor Ian watched Mondevale making his way toward the Townsendes, who’d returned to the ballroom.
“Now that you’re a marquess,” Elizabeth asked, “will you live in Scotland or in England?”
“I only accepted the title, not the money or the lands,” he replied absently, watching Mondevale. “I’ll explain everything to you tomorrow morning at your house. Mondevale is going to ask you to dance as soon as we reach the Townsendes, so listen closely-I’m going to ask you to dance again later. Turn me down.”
She sent him a puzzled look, but she nodded. “Is there anything else?” she asked when he was about to relinquish her to her friends.
“There’s a great deal else, but it will have to wait until tomorrow.”
Mystified, Elizabeth turned her attention to Viscount Mondevale.
Alex watched the byplay between Elizabeth and Ian but her mind was elsewhere. While the couple danced, Alex had told her husband exactly what she thought of Ian Thornton who’d first ruined Elizabeth’s reputation and now deceived her into thinking he was still a man of very modest means. Instead of agreeing that Thornton was completely without principles, Jordan had calmly insisted that Ian intended to set matters aright in the morning, and then he’d made her, and his grandmother, promise not to tell Elizabeth anything until Ian had been given the opportunity to do so himself. Dragging her thoughts back to the ballroom, Alex hoped more than anything that Ian Thornton would do nothing more to hurt her good friend.
By the end of the evening a majority of the guests at the Willington ball had drawn several conclusions: first, that Ian Thornton was definitely the natural grandson of the Duke of Stanhope (which everyone claimed to have always believed); second, that Elizabeth Cameron had very probably rebuffed his scandalous advances two years ago (which everyone claimed to have always believed); third, that since she had rejected his second request for a dance tonight, she might actually prefer her former suitor Viscount Mondevale (which hardly anyone could really believe).
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Rider cursed, ducked another blow, threw one of his own, and then bent down, hoisting the scrappy little female, none too gently, over his shoulder. "This is no place for you, girl, even if this whole mess is your fault."
"My fault!" screamed Willie, dangling upside down. "You're the one who had to go and open his big mouth!" She beat on his back as he dodged brawlers, and headed for safe ground. "Dammit, put me down, you overgrown ox. You're gonna make me miss the fight!"
As she screeched and kicked in a most unladylike manner,her small feet barely missed his vunerable groin. Raising his hand to smack her bottom, Rider found it suddenly immobilized by a fierce grip. "Take your hands off my sister!"
The lieutenant's head swiveled toward the owner of the surly voice, and met with a hard fist. He stumbled and bumped into another brawling twosome, slacking his grip on Willie's legs. Seizing the advantage,she aimed a well-placed kick,and this time connected with her intended target.
Rider grabbed his crotch and lurched forward in pain, dropping the little hellion on top of her brother. Like cats, the girl and her sibling were on their feet,weaving a zigzag escape through the mayhem.
Rider quickly regained his balance and swore, "Damn,I should have known the little rebel had a brother." Still cupping his privates and cursing the air blue, he watched brother and sister disappear. "Someday, freckle face, someday.
”
”
Charlotte McPherren (Song of the Willow)
“
It doesn’t matter what they think. Dance with me.”
He took her hand, and for the first time in a long while, she felt safe. He pulled her to the center of the floor and into the motions of the dance.
Ronan didn’t speak for a few moments, then touched a slim braid that curved in a tendril along Kestrel’s cheek. “This is pretty.”
The memory of Arin’s hands in her hair made her stiffen.
“Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.”
She attempted a light tone. “What will ladies do, when this kind of exaggerated flirtation is no longer the fashion? We shall be spoiled.”
“You know it’s not mere flirtation,” Ronan said. “You’ve always known.”
And Kestrel had, it was true that she had, even if she hadn’t wanted to shake the knowledge out of her mind and look at it, truly see it. She felt a dull spark of dread.
“Marry me, Kestrel.”
She held her breath.
“I know things have been hard lately,” Ronan continued, “and that you don’t deserve it. You’ve had to be so strong, so proud, so cunning. But all of this unpleasantness will go away the instant we announce our engagement. You can be yourself again.”
But she was strong. Proud. Cunning. Who did he think she was, if not the person who mercilessly beat him at every Bite and Sting game, who gave him Irex’s death-price and told him exactly what to do with it? Yet Kestrel bit back her words. She leaned into the curve of his arm. It was easy to dance with him. It would be easy to say yes.
“Your father will be happy. My wedding gift to you will be the finest piano the capital can offer.”
Kestrel glanced into his eyes.
“Or keep yours,” he said hastily. “I know you’re attached to it.”
“It’s just…you are very kind.”
He gave a short, nervous laugh. “Kindness has little to do with it.”
The dance slowed. It would end soon.
“So?” Ronan had stopped, even though the music continued and dancers swirled around them. “What…well, what do you think?”
Kestrel didn’t know what to think. Ronan was offering everything she could want. Why, then, did his words sadden her? Why did she feel like something had been lost? Carefully, she said, “The reasons you’ve given aren’t reasons to marry.”
“I love you. Is that reason enough?”
Maybe. Maybe it would have been. But as the music drained from the air, Kestrel saw Arin on the fringes of the crowd. He watched her, his expression oddly desperate. As if he, too, were losing something, or it was already lost.
She saw him and didn’t understand how she had ever missed his beauty. How it didn’t always strike her as it did now, like a blow.
“No,” Kestrel whispered.
“What?” Ronan’s voice cut into the quiet.
“I’m sorry.”
Ronan swiveled to find the target of Kestrel’s gaze. He swore.
Kestrel walked away, pushing past slaves bearing trays laden with glasses of pale gold wine. The lights and people blurred in her stinging eyes. She walked through the doors, down a hall, out of the palace, and into the cold night, knowing without seeing or hearing or touching him that Arin was at her side.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
You want me,' I put my hand on his chest and feel his heart pounding. 'And I know that scares you even though I want you just as badly.'
He stiffens.
'But here's the thing,' I hold his gaze, knowing he could bolt at any second. 'You don't get to dictate how I feel. You might give the orders out there, but not in here. You don't get to tell me we can fuck but I can't fall for you. That's not fair. You can only respect what I choose to do. So we're not doing this again until I want to risk my heart. And if I fall, then that's my problem, not yours. You're not responsible for my choices.'
His jaw clenches once. Twice. And then he pushes off the wall, giving me space. 'I think that's for the best. I'm graduating soon, and who knows where I'll end up. Besides, you and I are chained together because of Sgaeyl and Tairn, which complicates... everything.' He retreats one step at a time, the distance more than just physical. 'Besides, with all that pretending, I'm sure we'll eventually forget last night ever happened.'
The way we're looking at each other tells me neither of us is ever going to forget. And he can avoid it all he wants, but we're going to end up right here time and again until he's willing to recognise what this is. Because if there's one thing I know for certain, it's that I'm going to fall for this man- if I haven't already- and he's halfway there, too, whether he realises it or not.
Turning my back on him, I walk to the shattered halves of my throwing target and pick them up before heading back across my room. 'I never figured you for a liar, Xaden.' I shove the halves at his chest. 'You can get me a new one when you're ready to come to your senses. Then we'll blow off some steam.' I throw the aggravating man out.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
Syn finished with dispatch then called his first officer. While waiting for the phone to be answered he told Furi to pack a bag with whatever he would need for the next couple of days. Furi didn’t move.
“Furious,” Syn growled. He wanted to get the hell out of that apartment just in case Sasha wanted to come finish the job.
“I’m not leaving. She is not going to run me out of my own damn place.” Furi jutted out his chin in defiance.
Syn forgot about his phone call and came to stand directly in front of Furi. “Go and pack a bag now. That crazy bitch is not going to get a second chance if I have anything to say about it.”
“You don’t have anything to say about it.”
“The hell I don’t,” Syn barked. “Your foolish pride will get you killed. Let's deal with her and then you’re more than welcome to come home. Don’t let your stubbornness make you an easy target, because that’s just stupid.”
“You calling me stupid?” Furi snapped right back.
Syn rolled his eyes in frustration. “Are you fuckin’ kiddin’ me? Furious we don’t have time for this Mickey Mouse bullshit right now. Go get your shit and let’s move.” Syn went over to the only window in Furi’s apartment and stood watch while Furi threw some clothes, toiletries, books and a laptop into a bag, grumbling curses the entire time. Syn let him say whatever he wanted to, as long as he was doing what needed to be done.
Furi had a large duffle draped over his shoulder when he came to stand in front of Syn. “Done, Detective. Anything else you want to order me to do?”
Syn took a quick calming breath. He took Furi’s duffle off his shoulder and set it gently at his feet. He put his arms around Furi’s waist and pulled him to him. “I’m not trying to order you around. I just can’t let anyone hurt you.” Syn squeezed his eyes shut.
”
”
A.E. Via
“
The physical technique is important,” I say. “But it’s mostly a mental game, which is lucky for you, because you know how to play those. You don’t just practice the shooting, you also practice the focus. And then, when you’re in a situation where you’re fighting for your life, the focus will be so ingrained that it will happen naturally.”
“I didn’t know the Dauntless were so interested in training the brain,” Caleb says. “Can I see you try it, Tris? I don’t think I’ve ever really seen you shoot something without a bullet wound in your shoulder.”
Tris smiles a little and faces the target. When I first saw her shoot during Dauntless training, she looked awkward, birdlike. But her thin, fragile form has become slim but muscular, and when she holds the gun, it looks easy. She squints one eye a little, shifts her weight, and fires. Her bullet strays from the target’s center, but only by inches. Obviously impressed, Caleb raises his eyebrows.
“Don’t look so surprised!” Tris says.
“Sorry,” he says. “I just…you used to be so clumsy, remember? I don’t know how I missed that you weren’t like that anymore.”
Tris shrugs, but when she looks away, her cheeks are flushed and she looks pleased. Christina shoots again, and this time hits the target closer to the middle.
I step back to let Caleb practice, and watch Tris fire again, watch the straight lines of her body as she lifts the gun, and how steady she is when it goes off. I touch her shoulder and lean in close to her ear. “Remember during training, how the gun almost hit you in the face?”
She nods, smirking.
“Remember during training, when I did this?” I say, and I reach around her to press my hand to her stomach. She sucks in a breath.
“I’m not likely to forget that anytime soon,” she mutters.
She twists around and draws my face toward hers, her fingertips on my chin. We kiss, and I hear Christina say something about it, but for the first time, I don’t care at all.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
So what did you and Landon do this afternoon?” Minka asked, her soft voice dragging him back to the present.
Angelo looked up to see that Minka had already polished off two fajitas. Damn, the girl could eat. “Landon gave me a tour of the DCO complex. I did some target shooting and blew up a few things. He even let me play with the expensive surveillance toys. I swear, it felt more like a recruiting pitch to get me to work there than anything.”
Minka’s eyes flashed green, her full lips curving slightly. Damn, why the hell had he said it like that? Now she probably thought he was going to come work for the DCO. Even if he wanted to, he couldn’t, not after just reenlisting for another five years. The army wasn’t the kind of job where you could walk into the boss’s office and say, “I quit.”
Thinking it would be a good idea to steer the conversation back to safer ground, he reached for another fajita and asked Minka a question instead. “What do you think you’ll work on next with Ivy and Tanner? You going to practice with the claws for a while or move on to something else?”
Angelo felt a little crappy about changing the subject, but if Minka noticed, she didn’t seem to mind. And it wasn’t like he had to fake interest in what she was saying. Anything that involved Minka was important to him. Besides, he didn’t know much about shifters or hybrids, so the whole thing was pretty damn fascinating.
“What do you visualize when you see the beast in your mind?” he asked.
“Before today, I thought of it as a giant, blurry monster.
But after learning that the beast is a cat, that’s how I picture it now.” She smiled. “Not a little house cat, of course. They aren’t scary enough. More like a big cat that roams the mountains.”
“Makes sense,” he said.
Minka set the other half of her fourth fajita on her plate and gave him a curious look. “Would you mind if I ask you a personal question?”
His mouth twitched as he prepared another fajita. He wasn’t used to Minka being so reserved. She usually said whatever was on her mind, regardless of whether it was personal or not.
“Go ahead,” he said.
“The first time we met, I had claws, fangs, glowing red eyes, and I tried to kill you. Since then, I’ve spent most of the time telling you about an imaginary creature that lives inside my head and makes me act like a monster. How are you so calm about that? Most people would have run away already.”
Angelo chuckled. Not exactly the personal question he’d expected, but then again Minka rarely did the expected.
“Well, my mom was full-blooded Cherokee, and I grew up around all kinds of Indian folktales and legends.
My dad was in the army, and whenever he was deployed, Mom would take my sisters and me back to the reservation where she grew up in Oklahoma. I’d stay up half the night listening to the old men tell stories about shape-shifters, animal spirits, skin-walkers, and trickster spirits.” He grinned. “I’m not saying I necessarily believed in all that stuff back then, but after meeting Ivy, Tanner, and the other shifters at the DCO, it just didn’t faze me that much.”
Minka looked at him with wide eyes. “You’re a real American Indian? Like in the movies? With horses and everything?”
He laughed again. The expression of wonder on her face was adorable. “First, I’m only half-Indian. My dad is Mexican, so there’s that. And second, Native Americans are almost nothing like you see in the movies. We don’t all live in tepees and ride horses. In fact, I don’t even own a horse.”
Minka was a little disappointed about the no-horse thing, but she was fascinated with what it was like growing up on an Indian reservation and being surrounded by all those legends. She immediately asked him to tell her some Indian stories. It had been a long time since he’d thought about them, but to make her happy, he dug through his head and tried to remember every tale he’d heard as a kid.
”
”
Paige Tyler (Her Fierce Warrior (X-Ops, #4))
“
This is a short public service announcement: you don't have to fail with abandon.
Say you're playing Civilization, and your target is to get to sleep before midnight, and you check the clock, and it's already 12:15. If that happens, you don't have to say "too late now, I already missed my target" and then keep playing until 4 in the morning.
Say you're trying to eat no more than 2000 calories per day, and then you eat 2300 by the end of dinner, you don't have to say "well I already missed my target, so I might as well indulge."
If your goal was to watch only one episode of that one TV show, and you've already watched three, you don't have to binge-watch the whole thing.
Over and over, I see people set themselves a target, miss it by a little, and then throw all restraint to the wind. "Well," they seem to think, "willpower has failed me; I might as well over-indulge." I call this pattern "failing with abandon."
But you don't have to fail with abandon. When you miss your targets, you're allowed to say "dang!" and then continue trying to get as close to your target as you can.
You don't have to say dang, either. You're allowed to over-indulge, if that's what you want to do. But for lots and lots of people, the idea of missing by as little as possible never seems to cross their mind. They miss their targets, and then suddenly they treat their targets as if they were external mandates set by some unjust authority; the jump on the opportunity to defy whatever autarch set an impossible target in the first place; and then (having already missed their target) they reliably fail with abandon.
So this is a public service announcement: you don't have to do that. When you miss your target, you can take a moment to remember who put the target there, and you can ask yourself whether you want to get as close to the target as possible. If you decide you only want to miss your target by a little bit, you still can.
You don't have to fail with abandon.
”
”
Nate Soares (The Replacing Guilt Series)
“
Mr. Morales sidles up to the bar and says, “May I have this dance, Lara Jean?”
“You may,” I say. To John I warn, “Don’t you dare come close to me.”
He throws his hands out like he’s warding me off. “Don’t you come close to me!”
As Mr. Morales leads me in a slow dance, I press my face against his shoulder to hide my smile. I’m really quite good at this espionage thing. John McClaren is sitting on a love seat now, watching Stormy play and chatting with Alicia. I’ve got him right where I want him. I can’t even believe how lucky I am. I’d been planning on showing up at his next Model UN meeting, but this is so much better.
I’m thinking I’ll come up from behind him, take him by surprise, when Stormy stands up and declares she needs a piano break, she wants to dance with her grandson. I go turn on the stereo and cue up the CD we decided on for her break.
John is protesting: “Stormy, I told you I don’t dance.” He used to try and fake sick during the square-dancing unit in gym--that’s how much he hates dancing.
Stormy doesn’t listen, of course. She pulls him off the love seat and starts trying to teach him how to fox-trot. “Put your hand on my waist,” she orders. “I didn’t wear heels to sit behind a piano all night.” Stormy’s trying to teach him the steps, and he keeps stepping on her feet. “Ouch!” she snaps.
I can’t stop giggling. Mr. Morales is too. He dances us over closer. “May I cut in?” he asks.
“Please!” John practically pushes Stormy into Mr. Morales’s arms.
“Johnny, be a gentleman and ask Lara Jean to dance,” Stormy says as Mr. Morales twirls her.
John gives me a searching look, and I have a feeling he’s still suspicious of me and whether or not I have his name.
“Ask her to dance,” Mr. Morales urges, grinning at me. “She wants to dance, don’t you, Lara Jean?”
I shrug a sad kind of shrug. Wistful. The very picture of a girl who is waiting to be asked to dance.
“I want to see the young people dance!” Normal yells.
John McClaren looks at me, one eyebrow raised. “If we’re just swaying back and forth, I probably won’t step on your feet.”
I feign hesitation and then nod. My pulse is racing. Target acquired.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
All the women, white or black or brown, who woke up like this, who came before me in this town. Think of them. Heads up, eyes on the target. Running. Full speed. Gravity be damned. Toward that thick layer of glass that is the ceiling. Running, full speed, and crashing. Crashing into that ceiling and falling back. Crashing into it and falling back. Into it and falling back. Woman after woman. Each one running and each one crashing. And everyone falling. How many women had to hit that glass before the first crack appeared? How many cuts did they get, how many bruises? How hard did they have to hit the ceiling? How many women had to hit that glass to ripple it, to send out a thousand hairline fractures? How many women had to hit that glass before the pressure of their effort caused it to evolve from a thick pane of glass into just a thin sheet of splintered ice? So that when it was my turn to run, it didn’t even look like a ceiling anymore. I mean, the wind was already whistling through—I could always feel it on my face. And there were all these holes giving me a perfect view to the other side. I didn’t even notice the gravity, I think it had already worn itself away. So I didn’t have to fight as hard. I had time to study the cracks. I had time to decide where the air felt the rarest, where the wind was the coolest, where the view was the most soaring. I picked my spot in the glass and I called it my target. And I ran. And when I finally hit that ceiling, it just exploded into dust. Like that. My sisters who went before me had already handled it. No cuts. No bruises. No bleeding. Making it through the glass ceiling to the other side was simply a matter of running on a path created by every other woman’s footprints. I just hit at exactly the right time in exactly the right spot. So I’m breaking my family’s rule today. This is a trophy for participation. And I am beyond honored and proud to receive it. Because this? Was a group effort. Thank you to all the women in this room. Thank you to all the women who never made it into this room. And thank you to all the women who will hopefully fill a room one hundred times this size when we are all gone. You are all an inspiration.
”
”
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
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Cataract Treatment Advanced by Laser Eye Surgery
It is estimated that half of individuals aged 65 and above will grow a cataract at some period in their life. A cataract is an eye condition that may be hazardous to your eyesight. In a healthy eye, there's a clear lens which enables you to focus. For those who have a cataract, the lens slowly deteriorates over a long period of time. Your vision can be blurry as the cataract develops, until the whole-of the lens is muddy. Your sight will slowly get worse, becoming blurry or misty, which makes it tough to see clearly. Cataracts can occur at any age but generally develop as you get older.
Cataract surgery involves removing the cataract by emulsifying the lens by sonography and replacing it with a small plastic lens. This artificial lens is then stabilised within your natural lens that was held by the same lens capsule. The results restore clear vision and generally wholly remove the significance of reading glasses. However, years following the surgery, patients can occasionally experience clouding of their sight again. Vision can become blurred and lots of patients have issues with glare and bright lights. What is truly happening is a thickening of the lens capsule that holds the artificial lens. Medically this is known as Posterior Lens Capsule Opacification.
This thickening of the lens capsule occurs in the back, meaning natural lens cells develop across the rear of the lens. These cells are sometimes left behind subsequent cataract surgery, causing problems with the light entering the-eye and hence problems with your vision.
Laser Eye getlasereyesurgery.co.uk y Treatment
Lasers are beams of power which may be targeted quite correctly. Nowadays the technology will be used increasingly for the purpose of rectifying the vision of patients after cataract operation. The YAG laser is a focused laser with really low energy levels and can be used to cut away a small circle shaped area in the lens capsule which enables light to once again pass through to the rear of the artificial lens. A proportion of the lens capsule is retained in order to keep the lens in place, but removes enough of the cells to let the light to the retina.
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getlasereyesurgery
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for later. Keep it safe. If the child has collapsed into a tantrum in a place where he might hurt himself, move him to an area where he will be safe—an open, carpeted area, away from the glass coffee table. A child in the midst of a tantrum often flails, grabs for things to throw, or reaches for people to hit. Keep the child away from everything, including your body. Sometimes very young children feel totally out of control and will need you to contain them. Sit on the floor and gently but firmly hold your child’s back to your front, on the floor between your legs, both arms crossed in front of him. This is not an angry hold, but rather one that says I am keeping you safe. Soon (or maybe not so soon!) he will stop resisting you, relax a bit, and take it down a notch to crying. This hold should not become a physical battle. It is, instead, a form of support and safety that you provide for your child. Do not leave the child alone. There are those who believe in sending the child to his room to have the meltdown. I believe the child is better served by your not abandoning him to his out-of-control feelings and behavior. Stay close by. Even though you are not talking to him, he knows you are there, and your presence is comforting. He might command you to “Go away” or “Leave me alone,” but he doesn’t mean it. Sit in a chair across the room and pick up a magazine. If the child is holding on to your leg, try to ignore it. In fact, try to ignore him altogether as best as you can. You can say: “You are really angry right now. I will wait until you are done.” Or, “Let me know when you are done.” If the child is trying to hurt you, hit you, or grab at you, stand up and step away. Tell him: “I will not let you hurt me. Let me know when you are done, and we can talk.” When you are standing, your legs are the only target he can reach. He’ll wrap his arms around your calves in a death grip. Ignore it. It will end eventually, I promise. The End Save. You can usually tell when the tantrum is winding down. When you hear and see that your child is starting to come back down to earth—his crying has calmed to sobs, his breaths are broken and quick, he is sniffling a bit—it is a good time to step in and accompany him on his journey back. Scoop him up and say something diverting, like: “C’mon, Sam, let’s go see if there are any squirrels outside.” By this point, most children are ready to be saved. They just don’t know how to do so gracefully. A paradigm shift offers the child the chance to reenter the world and save face.
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Betsy Brown Braun (Just Tell Me What to Say: Simple Scripts for Perplexed Parents)
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There is one thing I need to be sure of,” said the Emperor, taking an arrow, and placing it in the bow, cocking it back, “I need to know where your loyalties lay, Miss Roberts.”
“With you, Emperor,” said Areli, scared, “of course, they’re with you.”
“Then prove it,” said the Emperor, “prove your obedience to me. Prove your allegiance.” He placed the crossbow in her fingers, laced her finger against the trigger, and positioned the butt of the weapon against her shoulders. “That woman there. She’s a follower, Areli. She’s a deceitful little tramp that had taken residence in the bed of Degendhard’s. I want you to kill her for me. I want you to punish her, for her crimes against her Empire.” Areli looked at him, bewildered, with eyes that screamed, you can’t be serious!
“If you don’t. Then I will have no other option than to assume you have been taken to Degendhard’s bed as well. You will do this, Areli. You will punish her. Prove your worth.” Areli took a deep breath, feeling the smoothness of the wood and the coldness of the trigger for the first time since having the harsh weapon thrust into her hand.
The Emperor, sensing her hesitation, forced himself upon her. Her lifted her arms, and steadied the weapon into her shoulder, his chest pressed up against her back, his lips rubbing against her ear. The crossbow shook. The woman’s head lulled back and forth as she was stuck in a drug rendered dream-state, not knowing that her body faced impalement.
“Stop shaking!” said the Emperor. Areli’s finger kept going back and forth between the trigger and the wooden body of the bow.
“She’s moving too much!” cried Areli.
“Fine,” said the Emperor. He turned Areli’s body to face her mother, the arrow aimed at her chest. “Maybe this will be an easier target.”
“No!” screamed Areli, “no, please, I beg of you. I’ll do it, please. Please!” The Emperor moved the aim of the arrow back to the prisoner.
“Hesitate now, Areli . . . this arrow will be lodged between your mother’s eyes. I can promise you that.” Areli’s whole body shook. The woman’s head continued to move as if it was a board on water, caught in a wicked storm.
“I’m so sorry,” said Areli, under her breath, “I’m so, so sorry.” Her heart caught in her lungs, as the Emperor slid his fingers on top of hers.
“All you have to do is pull, Areli,” said the Emperor, “just pull the trigger.”
Areli closed her eyes, the Emperor held himself firmly pressed against her, steadying her convulsing body, and kept the weapon pointing true. She pulled her finger towards her body. She felt the kick of the bow, as violent as an unbroken horse, against her shoulder. She heard the snap of the arrow being pushed towards its target.
“Welcome to Abhi, Areli” whispered the Emperor into her ear. “You’re dismissed.” She opened her eyes. The weapon fell from her hands. The prisoner was no longer in front of her kneeling. The force of the arrow had knocked her onto her back, the shaft lodged into the woman’s head. Areli had just killed a person. Not just killed, but executed someone. And not just someone, but a follower of Degendhard.
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Jeffrey Johnson (The Column Racer (Column Racer, #1))
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Reaching the door of his mother’s apartments, Marcus found it locked. He rattled the handle violently. “Open it,” he bellowed. “Open it now!”
Silence, and then a maid’s frightened reply from within. “Milord… the countess bade me to tell you that she is resting.”
“I’ll send her to her eternal fucking rest,” Marcus roared, “if this door isn’t opened now.”
“Milord, please—”
He drew back three or four paces and hurled himself against the door, which shook on its hinges and partially gave with a splintering sound. There were fearful cries in the hallway from a pair of female guests who happened to witness the astonishing display of raging frenzy. “Dear God,” one exclaimed to the other, “he’s gone berserk!”
Marcus drew back again and lunged at the door, this time sending chunks of paneling flying. He felt Simon Hunt’s hands grasp him from behind, and he whirled with his fist drawn back, ready to launch an attack on all fronts.
“Jesus,” Hunt muttered, retreating a step or two with his hands raised in a defensive gesture. His face was taut and his eyes were wide, and he stared at Marcus as if he were a stranger. “Westcliff—”
“Stay the hell out of my way!”
“Gladly. But let me point out that if our positions were reversed, you would be the first to tell me to keep a cool—”
Ignoring him, Marcus swerved back to the door and targeted the disjointed lock with a powerful, accurately aimed blow of his boot heel. The housemaid’s scream shot through the doorway as the ruined portal swung open. Bursting into the receiving room, Marcus charged toward the bedchamber, where the countess sat in a chair by a small hearth fire. Fully dressed and swathed in ropes of pearls, she stared at him with amused disdain.
Breathing heavily, Marcus advanced on her with bloodlust racing through his veins. It was certain that the countess had no idea that she was in mortal danger, or she would not have received him so calmly.
“Full of animal spirits today, are we?” she asked. “Your descent from gentleman to savage brute has been accomplished so very quickly. I must offer Miss Bowman my compliments on her efficacy.”
“What have you done with her?”
“Done with her?” Her expression taunted him with its innocent perplexity. “What the devil do you mean, Westcliff?”
“You met with her at Butterfly Court this morning.”
“I never walk that far from the manor,” the countess said haughtily. “What a ridiculous asser—” She let out a strident cry as Marcus seized her, his fingers wrapping around the pearl ropes and tightening them around her throat.
“Tell me where she is, or I’ll snap your neck like a wishbone!”
Simon Hunt seized him from behind once more, determined to prevent a murder from occurring. “Westcliff!”
Marcus closed his hand in a harder grip around the pearls. He glared without blinking into his mother’s face, not missing the flicker of vindictive triumph that lurked in her eyes. He did not take his gaze from hers even as he heard his sister Livia’s voice.
“Marcus,” she said urgently. “Marcus, listen to me! You have my permission to throttle her later. I’ll even help. But at least wait until we’ve found out what she’s done.”
Marcus tightened the tension of the pearls until the elderly woman’s eyes seemed to protrude from their shallow sockets. “Your only value to me,” he said in a low tone, “is your knowledge of Lillian Bowman’s whereabouts. If I can’t obtain that from you, I’ll send you to the devil. Tell me, or I’ll choke it from you. And believe that I have enough of my father in me to do it without a second thought.
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Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))