Taps Movie Quotes

Hey—don’t ditch me until I find Michael, okay?” “Call me ‘Wessy,’ and I totally won’t.” I snorted. “Fine. If you ditch me, Wessy, I will stab you with the keg tap.” “My little Libby is such a savage.

So I was thinking we should skip tomorrow, stay right here and watch shitty movies all day." My first response was to say I couldn't skip a whole day's worth of classes, but as I met Cam's mischievous gaze, I said screw it. "That's a brilliant idea." "I know, right?" He tapped his head. "I'm full of great shit." "Yeah, you're definitely full of it..." "Ha.

Singin' in the Rain was most excellent if you like movies where people burst into song and tap-dance. Which I do, though not as much as I like movies where people don't.

Bet you can't even name one romantic movie you like," she teased. She felt smug when a few minutes went by and Oliver was still unable to name one romantic movie he could profess to enjoy. The Empire Strikes Back," Oliver finally declared, tapping his horn at a Prius that wandered over the line. The Empire Strikes Back? The Star Wars movie? That's not romantic!" Schuyler huffed, fiddling with the air conditioner controls. Au contraire, my dear, it's very romantic. The last scene, you know, when they're about to put Han in that freezing cryogenic chamber or whatever? Remember?" Schuyler mmm-hmmmed. And Leia leans over the ledge and says, 'I love you.'" That's cheesy, not romatic," Schuyler argued, although she did like that part. Let me explain. What's romantic is what Han says back. Remember what he says to her? After she says 'I love you'?" Schuyler grinned. Maybe Oliver had a point. "Han says, 'I know.'" Exactly," Oliver tapped the wheel. "He doesn't have to say anything so trite as 'I love you." Because that's already understood. And that's romantic.

Magic comes from the heart, from your feelings, your deepest expressions of desire. That's why black magic is so easy—it comes from lust, from fear and anger, from things that are easy to feed and make grow. The sort I do is harder. It comes from something deeper than that, a truer and purer source—harder to tap, harder to keep, but ultimately more elegant, more powerful. My magic. That was at the heart of me. It was a manifestation of what I believed, what I lived. It came from my desire to see to it that someone stood between the darkness and the people it would devour. It came from my love of a good steak, from the way I would sometimes cry at a good movie or a moving symphony. From my life. From the hope that I could make things better for someone else, if not always for me. Somewhere, in all of that, I touched on something that wasn't tapped out, in spite of how horrible the past days had been, something that hadn't gone cold and numb inside of me. I grasped it, held it in my hand like a firefly, and willed its energy out, into the circle I had created with the spinning amulet on the end of its chain.

The truth is, Colonel, that there's no divine spark, bless you. There's many a man alive no more value than a dead dog. Believe me, when you've seen them hang each other...Equality? Christ in Heaven. What I'm fighting for is the right to prove I'm a better man than many. Where have you seen this divine spark in operation, Colonel? Where have you noted this magnificent equality? The Great White Joker in the Sky dooms us all to stupidity or poverty from birth. no two things on earth are equal or have an equal chance, not a leaf nor a tree. There's many a man worse than me, and some better, but I don't think race or country matters a damn. What matters is justice. 'Tis why I'm here. I'll be treated as I deserve, not as my father deserved. I'm Kilrain, and I God damn all gentlemen. I don't know who me father was and I don't give a damn. There's only one aristocracy, and that's right here - " he tapped his white skull with a thick finger - "and YOU, Colonel laddie, are a member of it and don't even know it. You are damned good at everything I've seen you do, a lovely soldier, an honest man, and you got a good heart on you too, which is rare in clever men. Strange thing. I'm not a clever man meself, but I know it when I run across it. The strange and marvelous thing about you, Colonel darlin', is that you believe in mankind, even preachers, whereas when you've got my great experience of the world you will have learned that good men are rare, much rarer than you think.

Draft-dodging is what chicken-hawks do best. Dick Cheney, Glenn Beck, Karl Rove, Rush Limbaugh (this capon claimed he had a cyst on his fat ass), Newt Gingrich, former Attorney General John Ashcroft—he received seven deferments to teach business education at Southwest Missouri State—pompous Bill O’Reilly, Jeb Bush, hey, throw in John Wayne—they were all draft-dodgers. Not a single one of these mouth-breathing, cowardly, and meretricious buffoons fought for his country. All plumped for deferments. Former New York Mayor Rudy Giuliani? Did not serve. Former Massachusetts Governor Mitt Romney? Did not serve in the military. (He served the Mormon Church on a thirty-month mission to France.) Former Senator Fred Thompson? Did not serve. Former President Ronald Reagan? Due to poor eyesight, he served in a noncombat role making movies for the Army in southern California during WWII. He later seems to have confused his role as an actor playing a tail gunner with the real thing. Did Rahm Emanuel serve? Yes, he did during the Gulf War 1991—in the Israeli Army. John Boehner did not serve, not a fucking second. Senate Minority Leader Mitch McConnell, R-KY? Not a minute! Former Senate Majority Leader Trent Lott, R-MS? Avoided the draft. Senate Minority Whip Jon Kyl, R-AZ—did not serve. National Republican Senatorial Committee Chair John Cornyn, R-TX—did not serve. Former Senate Republican Policy Committee Chair John Ensign, R-NV? Did not serve. Jack Kemp? Dan Quayle? Never served a day. Not an hour. Not an afternoon. These are the jackasses that cherish memorial services and love to salute and adore hearing “Taps.

But there comes a point in the speech where I find my cadence. The crowd quiets rather than roars. It's the kind of moment I'd come to recognize in subsequent years, on certain magic nights. There's a physical feeling, a current of emotion that passes back and forth between you and the crowd, as if your lives and theirs are suddenly spliced together, like a movie reel, projecting backward and forward in time, and your voice creeps right up to the edge of cracking, because for an instant, you feel them deeply; you can see them whole. You've tapped into some collective spirit, a thing we all know and wish for - a sense of connection that overrides our differences and replaces them with a giant swell of possibility - and like all things that matter most, you know the moment is fleeting and that soon the spell will be broken.

I keep thinking about all the kids who got wiped out by seventeen years of war movies before coming to Vietnam to get wiped out for good. You don’t know what a media freak is until you’ve seen the way a few of those grunts would run around during a fight when they knew that there was a television crew nearby; they were actually making war movies in their heads, doing little guts-and-glory Leatherneck tap dances under fire, getting their pimples shot off for the networks. They were insane, but the war hadn’t done that to them. Most combat troops stopped thinking of the war as an adventure after their first few firefights, but there were always the ones who couldn’t let that go, these few who were up there doing numbers for the cameras… We’d all seen too many movies, stayed too long in Television City, years of media glut had made certain connections difficult.

Readers who were born postmillennium might not understand the fuss, but trust me, this was a goddamned miracle. Nowadays, connectivity is just presumed. Smartphones, laptops, desktops, everything’s connected, always. Connected to what exactly? How? It doesn’t matter. You just tap the icon your older relatives call “the Internet button” and boom, you’ve got it: the news, pizza delivery, streaming music, and streaming video that we used to call TV and movies. Back then, however, we walked uphill both ways, to and from school, and plugged our modems directly into the wall, with manly twelve-year-old hands.

Augustus: It's a metaphor Hazel: You choose your behaviours based on their metaphorical resonances... Augustus: Oh yes, I'm a big believer in metaphor, Hazel Grace *taps car window* Hazel: I'm going to a movie with Augustus Waters, please record the next episodes of the ANTM marathon for me

Starvation was the first indication of my self-discipline. I was devoted to anorexia. I went the distance of memorizing the calorie content within every bite of food while calculating the exact amount of exercise I needed to burn double my consumption. I was luckily young enough to mask my excessive exercise with juvenile hyperactivity. Nobody thought twice about the fact that I was constantly rollerblading, biking, and running for hours in stifling summer humidity. I learned to cut my food into tiny bites and move it around my plate. I read that standing burned more calories than sitting, so I refused to watch television without doing crunches, leg lifts, or at least walking in place. When socially forced to soldier through a movie, I tapped my foot in desperation to knock out about seventy-five extra calories. From age eleven to twelve, I dropped forty pounds and halted the one period I’d had.

His gaze meandered along my chest. "Hey!" I crossed my arms over my breasts. "Those are…" "Patrick's?" "Well, his name isn't tattooed on them, but yeah, currently they are reserved for him." I peered at him and noted the similarities between him and his sons. "Ruadan, I presume?" "Got it in one," he said, silver eyes twinkling. "You scared the shit out of me." One corner of his mouth lifted into a grin. He picked up the parchment and tapped on it. "So, you're Patrick's soul mate." "No." "But you read the scroll. Only his sonuachar can do that." "Let me explain." I paused. "No, there is too much. Let me sum up." " The Princess Bride!" Ruadan exclaimed in happy surprise. "I love that movie. 'Hello, my name is Inigo Montoya. You killed my father. Prepare to die!'" He leapt off the bed and made fencing motions. "Ruadan, we're in a bit of crisis around here." "Hey! My swords." He practically skipped to the dresser where I had left them when I got ready for my bath. He whirled the half-swords like a master swordsman, which, of course, he was. "My mother really knows how to smith a weapon, doesn't she? Real fairy gold." He stabbed an invisible foe's chest with one and his stomach with the other. "Die, evil one! Die!" He jumped up and down, the swords held above his head, and did a victory dance. "You're like a big puppy!" I exclaimed. "A big, dumb puppy.

So,Batman,eh?" Effing St. Clair. I cross my arms and slouch into one of the plastic seats. I am so not in the mood for this.He takes the chair next to me and drapes a relaxed arm over the back of the empty seat on his other side. The man across from us is engrossed in his laptop,and I pretend to be engrossed in his laptop,too. Well,the back of it. St. Clair hums under his breath. When I don't respond,he sings quietly. "Jingle bells,Batman smells,Robin flew away..." "Yes,great,I get it.Ha ha. Stupid me." "What? It's just a Christmas song." He grins and continues a bit louder. "Batmobile lost a wheel,on the M1 motorway,hey!" "Wait." I frown. "What?" "What what?" "You're singing it wrong." "No,I'm not." He pauses. "How do you sing it?" I pat my coat,double-checking for my passport. Phew. Still there. "It's 'Jingle bells, Batman smells,Robin laid an egg'-" St. Clair snorts. "Laid an egg? Robin didn't lay an egg-" "'Batmobile lost a wheel,and the Joker got away.'" He stares at me for a moment,and then says with perfect conviction. "No." "Yes.I mean,seriously,what's up with the motorway thing?" "M1 motorway. Connects London to Leeds." I smirk. "Batman is American. He doesn't take the M1 motorway." "When he's on holiday he does." "Who says Batman has time to vacation?" "Why are we arguing about Batman?" He leans forward. "You're derailing us from the real topic.The fact that you, Anna Oliphant,slept in today." "Thanks." "You." He prods my leg with a finger. "Slept in." I focus on the guy's laptop again. "Yeah.You mentioned that." He flashes a crooked smile and shrugs, that full-bodied movement that turns him from English to French. "Hey, we made it,didn't we? No harm done." I yank out a book from my backpack, Your Movie Sucks, a collection of Roger Ebert's favorite reviews of bad movies. A visual cue for him to leave me alone. St. Clair takes the hint. He slumps and taps his feet on the ugly blue carpeting. I feel guilty for being so harsh. If it weren't for him,I would've missed the flight. St. Clair's fingers absentmindedly drum his stomach. His dark hair is extra messy this morning. I'm sure he didn't get up that much earlier than me,but,as usual, the bed-head is more attractive on him. With a painful twinge,I recall those other mornings together. Thanksgiving.Which we still haven't talked about.

Fine. If you ditch me, Wessy, I will stab you with the keg tap.” “My little Libby is such a savage.

Certain aspects of sex are troubling—the way it’s used as power, or the way it takes the form of perversions that exploit other people...Sex is a doorway to something so powerful and mystical, but movies usually depict it in a completely flat way. Being explicit doesn’t tap into the mystical aspect of it, either. These things are hard to convey in film because sex is such a mystery.

what does help the person who has been raped is to chew it up and then spit it the hell out. And by chew it up I mean talk about it, write about it, paint it, make a movie about it, and then be done with it and move on. Because here’s the truth about rape: you do not have to be victimized by it forever. You can take this awful, bottomless horror the rapist has inflicted on you, and you can seize it and recycle it into something wonderful and helpful and useful. You can, in this way, transform what was “done” to you into something that was “given” to you in the form of brutally raw material. You can, in other words, accept this hideous thing and embrace it and take complete control of the experience and reshape it as you please. This is not to deny the experience and how devastating it is; it is to accept the experience on the deepest level as your own possession now. An experience that is now part of you. Instead of allowing it to be a tap that drains you, you can force it into duty in service to your creative or intellectual goals. Many

Then we’ll be Tarzan and Jane, mating like wildebeests and frolicking from tree limb to tree limb.”               “The Disney movie never showed them mating.”               “Jane was a hottie. Tarzan would have tapped that ass the second the credits came up. Now that’s a fact.

You spend hours wrestling with yourself, trying to keep your vision intact, your intensity undiminished. Sometimes I have to stick my head under the tap to get my wits back. And for what? You know what publishing is like these days. Paper costs going up all the time. Nothing gets printed unless it can be made into a movie. Everything is media. Crooked politicians sell their unwritten memoirs for thousands. I’ve got a great idea for a novel. It’s about a giant shark who’s possessed by a demon while swimming in the Bermuda Triangle. And the demon talks in CB lingo, see? There’ll be recipes in the back.

Tommy noticed my sullenness. “Hey. Greg.” He was tapping this Transformer-y robot thing he’d affixed to his dashboard. It looked a little bit like an armored crab—the cheap, Happy Meal–ish toy that a boy might stick to his bedroom windowsill. “Be careful, Greg,” Tommy said, as he bobbled his dashboard toy. “Be careful or monster will get you.

WhatsApp forwards about love and kindness. I wonder if on a Sunday morning all these enthusiastic do-gooders could send out truly helpful things like ‘11 cures for a hangover’ or ‘How to clean puke stains from your dress’. I have no such luck; all I get are strange messages like ‘Little memories can last for years’. Very useful when you are trying hard to forget all the embarrassing things you did the night before. Do I really need messages saying, ‘A little hug can wipe out a big tear’ or ‘Friendship is a rainbow’? There is also a message saying, ‘God blues you’, which I am trying to guess could mean that either God wants to bless me, rule me or make a blue movie with me. Has it ever happened that a murderer just before committing his crime gets a message stating, ‘Life is about loving’, and stops in his tracks, or a banker reads ‘No greater sin than cheating’, and quits his job? So, what do these messages really do? I think they allow lazy people to think that they are doing a good deed in the easiest possible manner by sending these daft bits of information out into the universe. Go out there! Sweep a pavement, plant a tree, feed a stray dog. Do something, anything; rather than just using your fingers to tap three keys and destroy 600 people’s brain cells in one shot. 11 a.m.: This is turning out to be a hectic day. The

He works fast," Alan commented as he lifted his wine. "David?" Shelby sent him a puzzled look. "Actually his fastest sped is crawl unless he's got a guitar in his hands." "Really?" Alan's eyes met hers as he sipped, but she didn't understand the amusement in them. "You only stood him up tonight, and already he's planning his wedding to someone else." "Stood him-" she began on a laugh, then remembered. "Oh." Torn between annoyance and her own sense of te ridiculous, Shelby toyed with the stem of her glass. "Men are fickle creatures," she decided. "Apparently." Reaching over, he lifted her chin with a fingertip. "You're holding up well." "I don't like to wear my heart on my sleeve" Exasperated, amused, she muffled a laugh. "Dammit, he would have to pick tonight to show up here." "Of all the gin joints in all the towns..." This time the laugh escaped fully. "Well done," Shelby told him. "I should've thought of that line myself; I heard the movie not long ago." "Heard it?" "Mmm-hmmm. Well..." She lifted her glass in a toast. "To broken hearts?" "Or foolish lies?" Alan countered. Shelby wrinkled her nose as she tapped her glass against his. "I usually tell very good ones. Besides, I did date David.Once.Tree years ago." She finished off her wine. "Maybe four.You can stop grinning in that smug, masculine way any time, Senator." "Was I?" Rising, he offered Shelby her damp jacket. "How rude of me." "It would've been more polite not to acknowledge that you'd caught me in a lie," she commented as they worked their way through the crowd and back into the rain. "Which you wouldn't have done if you hadn't made me so mad that I couldn't think of a handier name to give you in the first place." "If I work my way through the morass of that sentence it seems to be my fault." Alan slipped an arm around her shoulders in so casually friendly a manner she didn't protest. "Suppose I apologize for not giving you time to think of a lie that would hold up?" "It seems fair.

Because I know there is still a wonderful person inside this big grouch standing in front of me.” Jake sighed. “I’m not a grouch.” “Please,” Naomi said with a gentle smile. “You’re so grouchy Oscar would call you his homeboy.” Jake rolled his eyes. “You’re so grouchy if they made a movie about you they would call it Grouch-zilla,” Naomi continued, stepping even closer, tapping her finger to the center of his chest. “You’re so grouchy, that if you were a leprechaun your name would be Snarly McGrouchyPot the Third.” “McGrouchyPot,” Jake repeated with a raised brow. “McGrouchyPot the Third,” she corrected with a straight face. “Knight of the Cranky Britches.

Carey recalled Tillman turning to him and tapping him on the shoulder. "Look who's coming up the road!" he said incredulously. In a scene straight from a movie, General Douglas MacArthur confidently walked straight up the center of the road, "bullets flying around him." Carey was dumbfounded. As MacArthur walked up to his position, Carey pulled him behind the building. "The general fell over" and stared at the lieutenant, quickly snapping, "What the hell do you think you're doing, Lieutenant?" "I'm just trying to keep you from getting killed," Carey snapped back. MacArthur glared at Carey with icy presence and said, "There isn't a bullet made that can kill me.

Maybe I’m not cut out for monogamy,” G. had said to me early on. “Maybe I should just live in a room by myself and have girlfriends.” Another woman might have said, “Now, where did I put my coat?” Being a madly infatuated rationalist who had read her Simone de Beauvoir, I took a deep breath and carefully and calmly explained that of course he had to make up his own mind about how he wanted to live, and that I understood fidelity wasn’t for everyone, that some people could be perfectly happy without it, but I wanted to give my whole self in love and I couldn’t do that if I was being compared to other women on a daily basis (which I was) or if our relationship was only tentative and provisional (which it was). “Sweetie!” he said when I finished. “I love it that you can say how you feel without getting angry at me.” That other woman would have slammed the door behind her before he’d finished speaking. They say philanderers are attractive to women because of the thrill of the chase—you want to be the one to capture and tame that wild quarry. But what if a deeper truth is that women fall for such men because they want to be those men? Autonomous, in charge, making their own rules. Imagine that room G. spoke of, in which the women would come and go—is there not something attractive about it? Rain tapping softly on the tin ceiling, a desk, a lamp, a bed. A woman dashes up the narrow stairs, her raincoat flaring, her wet face lifted up like a flower. And then, the next day—maybe even the same day—different footsteps, another expectant face. I had to admit, it was an exciting scenario. You wouldn’t want to be one of the women trooping up and down the staircase, but you might want to be the man who lived in the room.

EXCITED was not the right word. Stevie NEEDED to go back and she WANTED to go back, but the accompanying emotion was anxiety. Anxiety and excitement are cousins; they can be mistaken for each other at points. They have many features in common - the bubbling, carbonated feel of the emotion the speed, the wide eyes and racing heart. But where excitement tends to take you up, into the higher, brighter levels of feeling, anxiety pulls you down, making you feel like you have to grip the earth to keep from sliding off as it turns. This was the sympathetic nervous system at work, her therapist had told her. To work with anxiety, you had to let it complete its cycle. Steve tapped her foot against the SUV floor, telling the cycle to get a movie on. What was she anxious about? Going back to the case, going back to her friends, going back to her classes, going back...

Question 2: How Do You Want to Grow? When you watch how young children soak up information, you realize how deeply wired we are to learn and grow. Personal growth can and should happen throughout life, not just when we’re children. In this section, you’re essentially asking yourself: In order to have the experiences above, how do I have to grow? What sort of man or woman do I need to evolve into? Notice how this question ties to the previous one? Now, consider these four categories from the Twelve Areas of Balance: 5.​YOUR HEALTH AND FITNESS. Describe how you want to feel and look every day. What about five, ten, or twenty years from now? What eating and fitness systems would you like to have? What health or fitness systems would you like to explore, not because you think you ought to but because you’re curious and want to? Are there fitness goals you’d like to achieve purely for the thrill of knowing you accomplished them (whether it’s hiking a mountain, learning to tap dance, or getting in a routine of going to the gym)? 6.​YOUR INTELLECTUAL LIFE. What do you need to learn in order to have the experiences you listed above? What would you love to learn? What books and movies would stretch your mind and tastes? What kinds of art, music, or theater would you like to know more about? Are there languages you want to master? Remember to focus on end goals—choosing learning opportunities where the joy is in the learning itself, and the learning is not merely a means to an end, such as a diploma. 7.​YOUR SKILLS. What skills would help you thrive at your job and would you enjoy mastering? If you’d love to switch gears professionally, what skills would it take to do that? What are some skills you want to learn just for fun? What would make you happy and proud to know how to do? If you could go back to school to learn anything you wanted just for the joy of it, what would that be? 8.​YOUR SPIRITUAL LIFE. Where are you now spiritually, and where would you like to be? Would you like to move deeper into the spiritual practice you already have or try out others? What is your highest aspiration for your spiritual practice? Would you like to learn things like lucid dreaming, deep states of meditation, or ways to overcome fear, worry, or stress?

THE SPEED OF TIME VARIED, fast or slow, depending on the depth of my sleep. I became very sensitive to the taste of the water from the tap. Sometimes it was cloudy and tasted of soft minerals. Other times it was gassy and tasted like somebody’s bad breath. My favorite days were the ones that barely registered. I’d catch myself not breathing, slumped on the sofa, staring at an eddy of dust tumbling across the hardwood floor in the draft, and I’d remember that I was alive for a second, then fade back out. Achieving that state took heavy dosages of Seroquel or lithium combined with Xanax, and Ambien or trazodone, and I didn’t want to overuse those prescriptions. There was a fine mathematics for how to mete out sedation. The goal for most days was to get to a point where I could drift off easily, and come to without being startled. My thoughts were banal. My pulse was casual. Only the coffee made my heart work a bit harder. Caffeine was my exercise. It catalyzed my anxiety so that I could crash and sleep again. The movies I cycled through the most were The Fugitive, Frantic, Jumpin’ Jack Flash, and Burglar. I loved Harrison Ford and Whoopi Goldberg.

Listen to Me in the truth of your soul. Listen to Me in the feelings of your heart. Listen to Me in the quiet of your mind. Hear Me, everywhere. Whenever you have a question, simply know that I have answered it already. Then open your eyes to your world. My response could be in an article already published. In the sermon already written and about to be delivered. In the movie now being made. In the song just yesterday composed. In the words about to be said by a loved one. In the heart of a new friend about to be made. My Truth is in the whisper of the wind, the babble of the brook, the crack of the thunder, the tap of the rain. It is the feel of the earth, the fragrance of the lily, the warmth of the sun, the pull of the moon. My Truth—and your surest help in time of need—is as awesome as the night sky, and as simply, incontrovertibly, trustful as a baby’s gurgle. It is as loud as a pounding heartbeat—and as quiet as a breath taken in unity with Me. I will not leave you, I cannot leave you, for you are My creation and My product, My daughter and My son, My purpose and My…Self. Call on Me, therefore, wherever and whenever you are separate from the peace that I am. I will be there. With Truth. And Light. And Love.

Pru curled up in the bay window and looked out at the city. People were going to the movies, parents were putting their children to bed. Suddenly, she feared for them all. She remembered, as she did from time to time, that everyone was going to die. Plane crashes, heart attacks, the slow erosion of bones. How did we manage to forget this, she wondered, and get through our daily lives? It was astonishing to her. Everybody was going to die, but still they did the laundry, watered the plants, dug out the scum around the taps in the bathroom,. They let themselves love others, who were also going to die. They created little beings, who they also loved, and who will, one day, cease to exist. What did it matter how love ended? So it ended for Patsy with Jacob returning to his wife, instead of with his death. Did it really matter so much? She thought of something her mother used to say, a warning she gave whenever they’d begun to fight over some precious object or another: “It’s going to end in tears girls! It always ends in tears.” For a long time, she’d thought the whole problem was about finding love. She’d thought that, once she’d found it, she’d basically be done. Set. Good to go. Funny how until just now, she hadn’t put it all together: All love ended, somehow. One way, or another. It was all going to end in tears, wasn’t it?

Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!

Have you talked about how many children you’d like to have?” “Yes, sir,” Marlboro Man said. “And?” Father Johnson prodded. “I’d like to have six or so,” Marlboro Man answered, a virile smile spreading across his face. “And what about Ree?” Father Johnson asked. “Well, she says she’d like to have one,” Marlboro Man said, looking at me and touching my knee. “But I’m workin’ on her.” Father Johnson wrinkled his brow. “How do you and Ree resolve conflict?” “Well…,” Marlboro Man replied. “To tell you the truth, we haven’t really had much conflict to speak of. We get along pretty darn well.” Father Johnson looked over his glasses. “I’m sure you can think of something.” He wanted some dirt. Marlboro Man tapped his boot on the sterile floor of Father Johnson’s study and looked His Excellence straight in the eye. “Well, she fell off her horse once when we went riding together,” he began. “And that upset her a little bit. And a while back, I dragged her to a fire with me and it got a little dicey…” Marlboro Man and I looked at each other. It was the largest “conflict” we’d had, and it had lasted fewer than twelve hours. Father Johnson looked at me. “How did you deal with that, Ree?” I froze. “Uh…uh…” I tapped my Donald Pliner mule on the floor. “I told him how I felt. And after that it was fine.” I hated every minute of this. I didn’t want to be examined. I didn’t want my relationship with Marlboro Man to be dissected with generic, one-size-fits-all questions. I just wanted to drive around in his pickup and look at pastures and curl up on the couch with him and watch movies. That had been going just fine for us--that was the nature of our relationship. But Father Johnson’s questioning was making me feel defensive, as if we were somehow neglecting our responsibility to each other if we weren’t spending every day in deep, contemplative thought about the minutiae of a future together. Didn’t a lot of that stuff just come naturally over time? Did it really serve a purpose to figure it out now? But Father Johnson’s interrogation continued: “What do you want for your children?” “Have you talked about budgetary matters?” “What role do your parents play in your life?” “Have you discussed your political preferences? Your stances on important issues? Your faith? Your religion?” And my personal favorite: “What are you both going to do, long term, to nurture each other’s creativity?” I didn’t have an answer for him there. But deep down, I knew that, somehow, gravy would come into play.

Tom carried with him a glass full of wine, which clearly hadn’t been his first of the evening. He swaggered and swayed as he started to speak, and his eyes, while not quite at half mast, were certainly well on their way. “In my mind,” Tom began, “this is what love is all about.” Sounded good. A little slurred, but it was nice and simple. “And…and…and in my mind,” Tom continued, “in my mind, I know this is all about…this is all love here.” Oh dear. Oh no. “And all I can say is that in my mind,” he went on, “it’s just so great to know that true love is possible right now in this time.” Crickets. Tap-tap. Is this thing on? “I’ve known this guy for a long, long time,” he resumed, pointing to Marlboro Man, who was sitting and listening respectfully. “And…in my mind, all I have to say is that’s a long…long time.” Tom was dead serious. This was not a joke toast. This was not a ribbing toast. This was what was “in his mind.” He made that clear over and over. “I just want to finish by saying…that in my mind, love is…love is…everything,” he continued. People around the room began to snicker. At the large table where Marlboro Man and I sat with our friends, people began to crack up. Everyone except Marlboro Man. Instead of snickering and laughing at his friend--whom he’d known since they were boys and who, he knew, had recently gone through a rough couple of years--Marlboro Man quietly motioned to everyone at our table with a tactful “Shhhh,” followed by a quietly whispered “Don’t laugh at him.” Then Marlboro Man did what I should have known he’d do. He stood up, walked up to his friend, who was rapidly entering into embarrassing territory…and gave him a friendly handshake, patting him on the shoulder. And the dinner crowd, rather than bursting into the uproarious laughter that had been imminent moments before, clapped instead. I watched the man I was about to marry, who’d always demonstrated a tenderness and compassion for people--whether in movies or in real life--who were subject to being teased or ridiculed. He’d never shown a spot of discomfort in front of my handicapped brother Mike, for all the times Mike had sat on his lap or begged him for rides to the mall. He’d never mocked or ridiculed another person as long as I’d known him. And while his good friend Tom wasn’t exactly developmentally disabled, he’d just gotten perilously close to being voted Class Clown by a room full of people at our rehearsal dinner. But Marlboro Man had swept in and ensured that didn’t happen. My heart swelled with emotion.

There was only one thing in the room that was different. For a moment or so he couldn't see what the one thing that was different was, because it too was covered in a film of disgusting dust. Then his eyes caught it and stopped. It was next to a battered old television on which it was only possible to watch Open University Study Courses, because if it tried to show anything more exciting it would break down. It was a box. Arthur pushed himself up on his elbows and peered at it. It was a grey box, with a kind of dull lustre to it. It was a cubic grey box, just over a foot on a side. It was tied with a single grey ribbon, knotted into a neat bow on the top. He got up, walked over and touched it in surprise. Whatever it was was clearly gift-wrapped, neatly and beautifully, and was waiting for him to open it. Cautiously, he picked it up and carried it back to the bed. He brushed the dust off the top and loosened the ribbon. The top of the box was a lid, with a flap tucked into the body of the box. He untucked it and looked into the box. In it was a glass globe, nestling in fine grey tissue paper. He drew it out, carefully. It wasn't a proper globe because it was open at the bottom, or, as Arthur realized turning it over, at the top, with a thick rim. It was a bowl. A fish bowl. It was made of the most wonderful glass perfectly transparent, yet with an extraordinary silver-grey quality as if crystal and slate had gone into its making. Arthur slowly turned it over and over in his hands. It was one of the most beautiful objects he had ever seen, but he was entirely perplexed by it. He looked into the box, but other than the tissue paper there was nothing. On the outside of the box there was nothing. He turned the bowl round again. It was wonderful. It was exquisite. But it was a fish bowl. He tapped it with his thumbnail and it rang with a deep and glorious chime which was sustained for longer than seemed possible, and when at last it faded seemed not to die away but to drift off into other worlds, as into a deep sea dream. Entranced, Arthur turned it round yet again, and this time the light from the dusty little bedside lamp caught it at a different angle and glittered on some fine abrasions on the fish bowl's surface. He held it up, adjusting the angle to the light, and suddenly saw clearly the finely engraved shapes of words shadowed on the glass. "So Long," they said, "and Thanks ..." And that was all. He blinked, and understood nothing. For fully five more minutes he turned the object round and around, held it to the light at different angles, tapped it for its mesmerizing chime and pondered on the meaning of the shadowy letters but could find none. Finally he stood up, filled the bowl with water from the tap and put it back on the table next to the television. He shook the little Babel fish from his ear and dropped it, wriggling, into the bowl. He wouldn't be needing it any more, except for watching foreign movies

The archetypal example is portrayed in the 1991 movie Silence of the Lambs, where Jodie Foster, who plays a junior FBI agent, seeks out, listens to, and acts on information from a psychotic murderer named Hannibal Lecter. Despite the fact that Hannibal Lecter was serving a life sentence in prison while the murders took place, Jodie Foster’s character understood that Lecter had the same mind-set and many of the same life experiences as the killer she was trying to capture. Silence of the Lambs was just a movie, but if we in the United States had had someone like Hannibal Lecter who had the same mind-set and many of the same life experiences as the terrorists that masterminded 9/11, we surely would have tapped into his knowledge base, wouldn’t we?

Marturano recommended something radical: do only one thing at a time. When you’re on the phone, be on the phone. When you’re in a meeting, be there. Set aside an hour to check your email, and then shut off your computer monitor and focus on the task at hand. Another tip: take short mindfulness breaks throughout the day. She called them “purposeful pauses.” So, for example, instead of fidgeting or tapping your fingers while your computer boots up, try to watch your breath for a few minutes. When driving, turn off the radio and feel your hands on the wheel. Or when walking between meetings, leave your phone in your pocket and just notice the sensations of your legs moving. “If I’m a corporate samurai,” I said, “I’d be a little worried about taking all these pauses that you recommend because I’d be thinking, ‘Well, my rivals aren’t pausing. They’re working all the time.’ ” “Yeah, but that assumes that those pauses aren’t helping you. Those pauses are the ways to make you a more clear thinker and for you to be more focused on what’s important.” This was another attack on my work style. I had long assumed that ceaseless planning was the recipe for effectiveness, but Marturano’s point was that too much mental churning was counterproductive. When you lurch from one thing to the next, constantly scheming, or reacting to incoming fire, the mind gets exhausted. You get sloppy and make bad decisions. I could see how the counterintuitive act of stopping, even for a few seconds, could be a source of strength, not weakness. This was a practical complement to Joseph’s “is this useful?” mantra. It was the opposite of zoning out, it was zoning in. In fact, I looked into it and found there was science to suggest that pausing could be a key ingredient in creativity and innovation. Studies showed that the best way to engineer an epiphany was to work hard, focus, research, and think about a problem—and then let go. Do something else. That didn’t necessarily mean meditate, but do something that relaxes and distracts you; let your unconscious mind go to work, making connections from disparate parts of the brain. This, too, was massively counterintuitive for me. My impulse when presented with a thorny problem was to bulldoze my way through it, to swarm it with thought. But the best solutions often come when you allow yourself to get comfortable with ambiguity. This is why people have aha moments in the shower. It was why Kabat-Zinn had a vision while on retreat. It was why Don Draper from Mad Men, when asked how he comes up with his great slogans, said he spends all day thinking and then goes to the movies. Janice Marturano was on

There is something shut up in you, something big that’s about to be released—dreams, books, movies, inventions, businesses, ministries, potential that you haven’t tapped into, gifts and talents that you hadn’t known were there. You haven’t seen them yet because it hasn’t been the right time, but your season is coming. The good break, the promotion, the opportunity—it’s on the way.

Don’t do that.” “Why not?” “Because I want to learn what’s in here—” He taps my temple with his finger. “—before I learn what’s in here.” He cups my center, holding tightly to my heat for a moment before he withdraws. My heart skips a beat and my belly clenches. “You want to go watch a movie?” he asks. “I think Phil got Lethal Weapon III at Blockbuster.” “Are you serious? I’ve been dying to see that.” I get to my feet. He holds out the shorts I didn’t put on earlier. “Put some clothes on. Please.” He holds his hands together like he’s praying. “My dick won’t be able to stand it if he finds out there’s nothing but a pair of panties between him and where he wants to go.” My belly flips like there are a thousand butterflies trying to get free. “Okay.” I take them from him. He clutches a hand to his heart. “Oh my God. She actually did something I asked her to do!

Just think about the incredible transformation that took place in Steve’s life and career after Pixar. In 1983, Apple launched their computer Lisa, the last project Jobs worked on before he was let go. Jobs released Lisa with a nine-page ad in the New York Times spelling out the computer’s technical features. It was nine pages of geek talk nobody outside NASA was interested in. The computer bombed. When Jobs returned to the company after running Pixar, Apple became customer-centric, compelling, and clear in their communication. The first campaign he released went from nine pages in the New York Times to just two words on billboards all over America: Think Different. When Apple began filtering their communication to make it simple and relevant, they actually stopped featuring computers in most of their advertising. Instead, they understood their customers were all living, breathing heroes, and they tapped into their stories. They did this by (1) identifying what their customers wanted (to be seen and heard), (2) defining their customers’ challenge (that people didn’t recognize their hidden genius), and (3) offering their customers a tool they could use to express themselves (computers and smartphones). Each of these realizations are pillars in ancient storytelling and critical for connecting with customers. I’ll teach you about these three pillars and more in the coming chapters, but for now just realize the time Apple spent clarifying the role they play in their customers’ story is one of the primary factors responsible for their growth. Notice, though, the story of Apple isn’t about Apple; it’s about you. You’re the hero in the story, and they play a role more like Q in the James Bond movies. They are the guy you go see when you need a tool to help you win the day.

There was a moral foundation to Walt’s movies that people tapped into—a basic moral foundation. In Disney films, you see strong values and role models. You see the importance of being kind to others, of serving others, of finding joy even in adversity.

If you’ve ever seen the movie Spinal Tap, I think you know where we should try and reach by the end of our crime Story.

... this film taps perfectly into the viewers’ sense of the world. It was a big, big hit, and one of Hollywood’s best-remembered marriage movies, although by grounding itself in trendy political issues, it avoids ordinary day-to-day marital problems. Its bottom line is, however, marry your own kind.

book The World Beyond Your Head: On Becoming an Individual in an Age of Distraction as a jumping off point, he takes care to unpack the various cultural mandates  that have infected the way we think and feel about distraction. I found his ruminations not only enlightening but surprisingly emancipating: There are two big theories about why [distraction is] on the rise. The first is material: it holds that our urbanized, high-tech society is designed to distract us… The second big theory is spiritual—it’s that we’re distracted because our souls are troubled. The comedian Louis C.K. may be the most famous contemporary exponent of this way of thinking. A few years ago, on “Late Night” with Conan O’Brien, he argued that people are addicted to their phones because “they don’t want to be alone for a second because it’s so hard.” (David Foster Wallace also saw distraction this way.) The spiritual theory is even older than the material one: in 1887, Nietzsche wrote that “haste is universal because everyone is in flight from himself”; in the seventeenth century, Pascal said that “all men’s miseries derive from not being able to sit in a quiet room alone.”… Crawford argues that our increased distractibility is the result of technological changes that, in turn, have their roots in our civilization’s spiritual commitments. Ever since the Enlightenment, he writes, Western societies have been obsessed with autonomy, and in the past few hundred years we have put autonomy at the center of our lives, economically, politically, and technologically; often, when we think about what it means to be happy, we think of freedom from our circumstances. Unfortunately, we’ve taken things too far: we’re now addicted to liberation, and we regard any situation—a movie, a conversation, a one-block walk down a city street—as a kind of prison. Distraction is a way of asserting control; it’s autonomy run amok. Technologies of escape, like the smartphone, tap into our habits of secession. The way we talk about distraction has always been a little self-serving—we say, in the passive voice, that we’re “distracted by” the Internet or our cats, and this makes us seem like the victims of our own decisions. But Crawford shows that this way of talking mischaracterizes the whole phenomenon. It’s not just that we choose our own distractions; it’s that the pleasure we get from being distracted is the pleasure of taking action and being free. There’s a glee that comes from making choices, a contentment that settles after we’ve asserted our autonomy. When

Music, and moonlight, and love and ro...mance.” he sang softly to himself, tapping some computer

Eric immediately turned around and tried to run back out the door. BONK! He bounced off the door. He tried the wall. Same result. “I’m sorry, but we’ve locked everything down,” Jevvrey said. Eric spun around. Jevvrey was looking at him through the futuristic glasses. He waved to Eric. “Bluetooth Go Wild goggles. $99.99. Available soon for pre-order.” I looked around the room. Jevvrey had added a few things since I’d last seen it. For one, he was sitting on a swivel chair in front of a six-foot-tall black rectangle in the middle of the room. It looked like one of those supercomputers from the movies with switches and buttons and blinking lights all over it. The other thing was Mr. Gregory, sitting at his desk in front of a laptop, looking miserable. “I was hoping you’d make it in time,” Jevvrey said. “In time for what?” “We’re about to find out what happens at the end of the game!” Jevvrey took out his phone and tapped on the screen. “Mark?” Eric asked. Jevvrey nodded. “He’s fading fast now.” He turned the phone around so we could see it. Mark was fading. Not like his health or anything — he was actually disappearing

I love you honey / was the dribbled caramel / of Hollywood movies / Dallas / Dynasty / where electricity surged through skyscrapers / twenty-four hours a day / hot water gushed / at the touch of gleaming taps / banquets obscene as the Pentagon / were mere backdrops / to emotion without consequences / words that / cost nothing / meant nothing.

I'm not a big believer in most things occult,' Halina said. "But I do believe the world is a more mysterious place than we often recognize - or care to admit. If there is some natural power in the earth under us, some magnetic current yet undiscovered, and if there are individuals who can tap it, then they're probably those men we say have charisma. Not silly movie stars or singers, not the cheap charisma of entertainers. I'm speaking now of those with great charisma, the power to infect enormous numbers of others with their ego-driven fantasies. Hitler. Stalin. Mao.

I tap on The Proposal. I’ll swap one fantasy for another. I’ve always dreamed of having Ryan Reynolds as my personal assistant. The movie begins, and I smile at the screen. I love this movie. No matter how many times I watch it, I always laugh. Gammy is my favorite.

I want to create the type of cinema that shows by not showing. This is very different from most movies nowadays, which are not literally pornographic but are in essence pornographic, because they show so much that they take away any possibility of imagining things for ourselves. My aim is to give the chance to create as much as possible in our minds, through creativity and imagination. I want to tap the hidden information that’s within yourself and that you probably didn’t even know existed inside you.

It’s like, how much more black could it be? And the answer is none, none more black.

Cortisol we’ve covered a bit earlier, but adrenaline is something you probably already know about. When we talk about adrenaline, we’re talking about fight-or-flight, get-up-and-go, Dwayne “The Rock” Johnson movie, built-in excitement! Guns blazing, tanks, walking away from the explosion in slow motion, the whole 9 yards. Adrenaline is an incredible part of our physiology that allows us to tap into our greatest strengths. Throughout evolution, adrenaline enabled us to either fight off a threat or run for the hills

There’s only one activity that stimulates the brain to produce all seven at the same time, and that’s the ecstatic state of flow. The shortest way there is deep, alpha-driven meditation. When you blend all seven into a single cocktail, the result is euphoria. Let’s see: What might a combination of the first letters of each drug look like? Serotonin, Oxytocin, Norepinephrine, Dopamine, Anandamide, Nitric oxide, and Beta-endorphin? Just for fun, let’s combine them, and call our cocktail’s special blend SONDANoBe. This is the magic formula that, produced inside our own bodies in the proper ratios, bathes the brain in the chemicals of ecstasy. GETTING HIGH ON YOUR OWN SUPPLY When I meditate, I can feel the moment when each drug in the cocktail kicks in. First, I use EFT tapping and release any and every negative thought, emotion, and energy. This drops my level of cortisol, along with suppressing the high beta brain waves of stress. I now have a molecular substrate in my brain upon which I can build a deep and focused meditative experience. Next, I close my eyes and focus. Dopamine kicks in as I anticipate the delicious hormone and neurotransmitter drug cocktail I’m about to be rewarded with. The dopaminergic reward system of my brain fires up and the “body learning” of how to meditate—stored in my basal ganglia, which memorize frequently performed actions—comes online. Ingredient one. My mind starts to wander. My email inbox. The morning’s first meeting. The laugh line of the movie I watched last night. An overdue deadline. Damn, I’m way out of the zone already, cortisol rising, and I haven’t been meditating more than 5 minutes. Dopamine brings me back to focus, aided by norepinephrine. I’m motivated. I want Bliss Brain more than I want an endless loop of the Me Show. I return to center. Cortisol drops. Ahhh, I’m back. Norepinephrine stimulates my attention. Ingredient two. Then I realize that my body is uncomfortable. I have a twinge in my right knee. My lower back hurts. My tummy’s rumbling because it’s empty. I consciously shift my wandering mind back into focus. Back in sync, my neurons secrete beta-endorphin, which masks the pain. The discomfort drops away, and being in a body feels wonderful. Ingredient three. I tune in to each of the archetypal strands that guide me. Mother Mary. Kwan Yin. Healing. Strength. Beauty. Wisdom. I imagine myself meditating in a field of a million saints. I’m lost in Bliss Brain, as serotonin, the satisfaction drug, kicks in. Ingredient four. I feel one with the universe. Oxytocin starts to flow, as I bond with everything. Ingredient five. That releases nitric oxide and anandamide. Ingredients six and seven.

Guy walks up to a girl at a bar...asks to buy her a drink...ok...are you ready to do whatever it takes? I laughed during the movie Buffalo66...Tap Dancing with a pair of shiny shoes in Bowling all spares will never get you a hole in one at Golf.

Britt ignored the growing sense of dread swirling inside her stomach and tapped tentatively on the battered door of Lorraine Grayson’s office. Fifteen seconds dragged by. Apart from her heart beating more rapidly in her chest, nothing happened. As she raised her hand for a second attempt, a scream from inside caused her to recoil. It was the kind she’d only ever heard in those low-budget horror movies Howie enjoyed watching on a Friday evening after drinking too much Guinness. The scream morphed into a deathly gurgle. It sounded like someone was being strangled. A few seconds of forbidding silence. Then a grunting noise, followed by the sound of something being smashed in furious retribution, caused Britt to think twice about entering this madwoman’s lair. Maybe she would come back in half an hour. Yes. A quick espresso in the NSIS canteen to allow things to calm down. By then, Lorraine’s mood would have descended from the realms of complete insanity, dropped through the domain of the dangerously demented, and settled into its more natural state of moderate lunacy. Hopefully. Then the door swung open and Lorraine’s squat figure was in front of her – cheeks crimson, hair tousled, eyes bulging, lungs heaving. From the look of her, Britt wouldn’t have been surprised to discover she had just strangled someone.

Eli: You know what's the good thing about no soap, you can smell a hijacker from a mile away Hijack Leader: The hijackers come out of hiding "I am impressed, this man can smell us from thirty feet away, now what's that say about our hygiene! To Eli " What's in the bag? Eli: What bag? Hijack Leader: You got a gun, he's got a gun, tip it on the ground Eli: I can't do that Hijack Leader: This guy's a fucking genius, drop the fucking bag on the ground!Are you listening to me? "He taps Eli on the side of the shoulder" Eli: Yeah, are you listening to me, touch me with that hand again and you're not getting it back Hijack Leader: He laughs and goes to touch Eli again, Eli cuts off his hand "He cut off my hand, what are you standing around for kiss him! Hijacker: Why'd he say? Eli: He's in shock, I think he meant kill him.

I don’t have many early memories of my dad before the divorce, and the ones after are tainted with an air of not belonging or being a burden. Watching Nate interact with his daughter with a wide smile and a tap to her red nose, her resounding giggle at almost anything he does, heals something inside of me I thought I had long bandaged over.

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