“
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
Tis some visitor," I muttered, "tapping at my chamber door —
Only this, and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; — vainly I had sought to borrow
From my books surcease of sorrow — sorrow for the lost Lenore —
For the rare and radiant maiden whom the angels name Lenore —
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me — filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
Tis some visitor entreating entrance at my chamber door —
Some late visitor entreating entrance at my chamber door; —
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"— here I opened wide the door; —
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" —
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore —
Let my heart be still a moment and this mystery explore; —
'Tis the wind and nothing more."
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door —
Perched upon a bust of Pallas just above my chamber door —
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore —
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marveled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning— little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door —
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore.
”
”
Edgar Allan Poe (The Raven)
“
Who taught you to write in blood on my back? Who taught you to use your hands as branding irons? You have scored your name into my shoulders, referenced me with your mark. The pads of your fingers have become printing blocks, you tap a message on to my skin, tap meaning into my body.
”
”
Jeanette Winterson (Written on the Body)
“
Wait. Is this book about aliens?”
She snatched it back from me. “Yes.”
“Really?”
“But they’re hot aliens.” She tapped on the guy’s face with one thin finger. “And he can be my ET any day.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
His hand slid back up to my shoulder. He gave me a pat. "Threesome fearsome. No one stands a chance."
I grinned at him. "What about Nate?"
He tapped his beer with mine. "When he's around, it's the foursome fearsome. You can add any 'some to that name. Thank goodness, huh?" Then he groaned. "I really need to get laid tonight.
”
”
Tijan (Fallen Crest High (Fallen Crest High, #1))
“
Bet you can't even name one romantic movie you like," she teased.
She felt smug when a few minutes went by and Oliver was still unable to name one romantic movie he could profess to enjoy.
The Empire Strikes Back," Oliver finally declared, tapping his horn at a Prius that wandered over the line.
The Empire Strikes Back? The Star Wars movie? That's not romantic!" Schuyler huffed, fiddling with the air conditioner controls.
Au contraire, my dear, it's very romantic. The last scene, you know, when they're about to put Han in that freezing cryogenic chamber or whatever? Remember?"
Schuyler mmm-hmmmed.
And Leia leans over the ledge and says, 'I love you.'"
That's cheesy, not romatic," Schuyler argued, although she did like that part.
Let me explain. What's romantic is what Han says back. Remember what he says to her? After she says 'I love you'?"
Schuyler grinned. Maybe Oliver had a point. "Han says, 'I know.'"
Exactly," Oliver tapped the wheel. "He doesn't have to say anything so trite as 'I love you." Because that's already understood. And that's romantic.
”
”
Melissa de la Cruz (Revelations (Blue Bloods, #3))
“
She turned back to the cards and tapped the Ace of Cups. "You're on the verge of a new beginning, a rebirth of great power and emotion. Your life will change, but it will be change that takes you in the direction that, while difficult, will ultimatley illuminate the world."
"Whoa," I said.
Rhonda then pointed to the Empress. "Power and leadership lie ahead of you, which you will handle with grace and intelligence. The seeds are already in place, though there's an edge of uncertainty-an enigmatic set of influences that hang around you like a mist." Her attention was on the Moon as she said those words. "But my overall impression is that those unknown factors won't deter you from your destiny."
Lissa's eyes were wide. "You can teel that just from the cards?"
...
After several moments of heavy silence, she said, "You will destroy that which is undead."
i waited about thirty seconds for her to continue, but she didn't. "Wait, that's it?"
...
Her eyes flickered over the cards, looked at Dimitri, then looked back at the cards. Her expression was blank. "You will lose what you value most, so treasure it while you can." She pointed to the Wheel of Fortune card. "The wheel is turning, always turning.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
The War Has Been Declared.
Your Ally Been Ensnared.
It Is Now Or It Is Never.
Break The Code Or Die Forever.
Time Is Running Out
Running Out
Running Out
To the Warrior Give My Blade
By His Hand Your Fate Is Made
But Do Not Forget the Ticking
Or the Clicking, Clicking, Clicking
While a Rat's Tongue May Be Flicking
With Its Feet It Does the Tricking
For the Paw and Not the Jaw
Makes the Code of Claw
Time Is Standing Still
Standing Still
Standing Still
Since the Princess Is the Key
To Unlock the Treachery
She Cannot Avoid the Matching or the Scratching, Scratching, Scratching
When a Secret Plot is Hatching
In the Naming Is the Catching
What She Saw, It Is the Flaw
Of the Code of Claw
Time is Turning Back
Turning Back
Turning Back
When the Monster's Blood Is Spilled
When the Warrior Has Been Killed
You Must Not Ingore the Rapping
Or the Tapping, Tapping, Tapping
If the Gnawers Find you Napping
You Will Rot While They Are Mapping
Out the Law of Those Who Gnaw
In the Code of Claw
”
”
Suzanne Collins (Gregor and the Code of Claw (Underland Chronicles, #5))
“
Poirot said placidly, “One does not, you know, employ merely the muscles. I do not need to bend and measure the footprints and pick up the cigarette ends and examine the bent blades of grass. It is enough for me to sit back in my chair and think. It is this – ” he tapped his egg-shaped head – “this, that functions!
”
”
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
“
Alex propped himself against the metal railing where Willow had just stood. "Okay, let's get something straight," he said in Spanish."If you think I don't know you're after my girfriend, you're crazy. And if you try to put any sleazy moves on her while you're here, you're going to regret it." Seb's knapsack was at his feet. He took out a pack of cigarettes; tapped out the last one and lit it.Settling back against the door jamb, he gave Alex a considering, faintly humorous look. "Sleazy moves?" he repeated. "Don't worry, I don't do sleazy moves."
"Let me rephrase," said Alex coldly "Any moves, just keep your hands off her.
”
”
L.A. Weatherly (Angel Fire (Angel, #2))
“
I’ll have the bison burger and the pale ale on tap.” Jonah folds the lodge’s menu and hands it back to Chris. “And Calla will have a steak knife to drag across my jugular.
”
”
K.A. Tucker (Wild at Heart (Wild, #2))
“
Come with me to the Pacific Design Center.”
“Why?”
“Because I need help picking out a new couch,” he said, peering up at her uncertainly. “Isn’t that what friends do?”
“Okay.”
“Okay.” “Should we go?”
Taylor went back inside her apartment and grabbed her keys. As she followed Jason out to his car, she tapped him on the shoulder.
“Hey—can I drive the Aston Martin?”
“No.”
“But isn’t that what friends do?”
“No.”
“My, my, you’re awfully grumpy today . . . Is something wrong?”
“Buckle up, sweetheart,” he told her. “This ain’t no PT Cruiser.
”
”
Julie James (Just the Sexiest Man Alive)
“
Did you know, God damn it, that Les was all for bringing a tangerine in to you last night before he went to bed? My God. Even Bessie can't stand stories with tangerines in them. And God knows I can't. If you're going to go on with this breakdown business, I wish to hell you'd go back to college to have it. Where you're not the baby of the family. And where, God knows, nobody'll have any urges to bring you any tangerines. And where you don't keep your goddam tap shoes in the closet.
”
”
J.D. Salinger (Franny and Zooey)
“
Elizabeth."
I feel my smile on my face as I understand what she is doing. Though it's a strange one, she has a name-sound just like I do, and she's telling me what it is. I try to make the same sounds.
"Ehh..beh." I frown. Why is her name-sound so difficult and so long?
She frowns right back at me and says it again. "Elizabeth."
"Beh-tah-babaa."
She sighs and her forehead wrinkles.
"Elizabeth. Eeee-lizzzz-ahh-beth."
"Laahh...baaay."
She taps her chest again.
"Beth!"
The sound is shorter but still very odd.
"Beh-bet."
"Beth," she repeats.
I've had enough. I reach out and touch her should.
"Beh."
"Beth."
I tap her a little harder and growl.
"Beh", I repeat. I tap her again. "BEH!"
Her eyes widen a bit, and she inhales sharply. A moment later, her shoulders drop and she sighs.
"Beh," she says quietly.
”
”
Shay Savage (Transcendence (Transcendence, #1))
“
I dropped down on the cushion beside Lea and picked up the book she'd been reading. Turning the book over, my brows flew up as I got an eyeful of the hottie on the cover. "Wait. Is this book about aliens?"
She snatched it back from me. "Yes."
"Really?"
"But they're hot aliens." She tapped on the guy's face with one thin finger. "And he can be my ET any day.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
He slid over to me and grabbed me closer to him. My smile fell from my face with the unexpectedness of it. His hands cupped my face, his lips hovering above mine.
“You seriously want to know, Tess?”
He closed the space and claimed my mouth with an urgent, hot, delving kiss.
He smiled. “You are sexy, in your own goofball way, you’re sweet and beautiful and smart and funny and, although you kiss to the point where I feel like I want to go back for seconds, you’re my best friend, and that’s why I don’t want to tap that.
”
”
C.J. Duggan (The Boys of Summer (Summer, #1))
“
If you flinch," Four says, slowly, carefully. "Al takes your place. Understand?" I nod. Four's eyes are still on mine when he lifts his hand, pulls his elbow back, and throws the knife. It is just a flash in the air, and then I hear a thud. The knife is buried in the board, half a foot away from the my cheek. I close my eyes. Thank God. "You about done Stiff?" asks Four. I remember Al's wide eyes and his quiet sobs at night and shake my head. "No." "Eyes open, then." He taps the spot between his eyebrows...
"Come on, Stiff," he says. "Let someone else stand there and take it." Why is he trying to goad me into giving up? Does he want me to fail? "Shut up, Four!"
.....
My body goes rigid. This time, when it hits the board, my ear stings, and blood tickles my skin. I touch my ear. He nicked it. And judging by the look he gives me, he did it on purpose.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Everyone I know is either more successful or more interesting than me. This realization is nothing new. In fact, it used to feel like everyone I didn’t know was more successful and interesting than me too. I still remember the sensation of watching a talent show on TV as a child and realizing that the girl dancing was a whole year younger than me. She was wearing a red sequin dress and patent tap shoes. She looked like a ruby, a human jewel spinning across the stage. I was in my pajamas from T.J. Maxx eating cereal for dinner, already destined for a life of mediocrity. Why didn’t I just pull myself together back then? I was five! I could have turned it around!
”
”
Coco Mellors (Cleopatra and Frankenstein)
“
Do you know how old the earth is, Quinn?”
“No, but I bet I'm about to find out.”
“Four and a half billion years old,” he says. His voice is full of wonder, like this is his absolute favorite thing to talk about. “Do you know how long ago our specific species appeared?”
“No idea.”
“Only two hundred thousand years ago,” he says. “Only two hundred thousand years out of four and a half billion years. It's unbelievable.” He grabs my hand and lays it palm down on his thigh. He begins tracing over the back of my hand with a lazy finger. “If the back of your hand represented the age of this earth and every species that has ever lived, the entire human race wouldn't even be visible to the naked eye. We are that insignificant.” He drags his finger to the center of the back of my hand and points to a small freckle. “From the beginning of time until now, we could combine every single human that has ever walked this earth, and all their problems and concerns as a whole wouldn't even amount to the size of this freckle right here.” He taps my hand. “Every single one of your life experiences could fit right here in this tiny freckle. So would mine. So would Beyonce's.
”
”
Colleen Hoover (All Your Perfects (Hopeless, #3))
“
The tapping grows insistent, and I turn, intending to tell off the Cadet. Instead, I'm faced with a slave-girl looking up at me through impossibly long eyelashes. A heated, visceral shock flares through me at the clarity of her dark gold eyes. For a second, I forget my name.
I've never seen her before, because if I had, I'd remember. Despite the heavy silver cuffs and high, painful-looking bun that mark all of Blackcliff's drudges, nothing about her says slave. Her black dress fits her like a glove, sliding over every curve in a way that makes more than one head turn. Her full lips and fine, straight nose would be the envy of most girls, Scholar or not. I stare at her, realize I'm staring, tell myself to stop staring, and then keep staring. My breath falters, and my body, traitor that is, tugs me forward until there are only inches between us.
“Asp-aspirant Veturius.”
It's the way she says my name—like it's something to fear—that brings me back to myself. Pull it together, Veturius. I step away, appalled at myself when I see the terror in her eyes.
“What is it?” I ask calmly.
”
”
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
“
Ellen walks past the lobby in her high heels, stops in her tracks, and turns back around to face Zack.
She points at Marvin. "Is that a goat?"
Zack nods once. "Yes, ma'am."
"In my lobby?"
"Yes, ma'am. But he's a friendly goat."
Ellen plasters on a polite smile. "I don't care if he's a tap-dancing goat. I want him out of here.
”
”
Chelsea Fine (Best Kind of Broken (Finding Fate, #1))
“
In a rush this weekday morning,
I tap the horn as I speed past the cemetery
where my parents are buried
side by side beneath a slab of smooth granite.
Then, all day, I think of him rising up
to give me that look
of knowing disapproval
while my mother calmly tells him to lie back down.
”
”
Billy Collins
“
Ellie, my darling, please explain to me why the office has been flooded with calls about, and I quote"--she crooked her fingers in the air--"a vicious vampire on the loose, a crazy knife-wielding maniac, and oh, this one's my favorite--an assassin carrying a gun!"
"I can explain."
Sara folded her arms and tapped one fashionably clad foot. "Explain why you flashed not only a knife but a gun? I hope to God you didn't actually use either of them without authoriation because if the VPA gets ahold of it, we're screwed."
Elena rubbed the back of her neck. "Exigent circumstances. He was trying to make me his bed buddy. I declined. He gave chase."
Ranson chocked back what sounded suspiciously like a laugh. "Why did you say no? It's been a dry spell of what, forever?"
She threw him a dirty look before returning her gaze to Sara. "You know I'd never have considered using the gun otherwise."
Sara heldup a hand. "How, exactly, did you 'decline' his offer?"
"By slitting his throat.
”
”
Nalini Singh (Angels' Blood (Guild Hunter, #1))
“
All of us, I suppose, like to believe that in a moral emergency we will behave like the heroes of our youth, bravely and forthrightly, without thought of personal loss or discredit. Certainly that was my conviction back in the summer of 1968. Tim O'Brien: a secret hero. The Lone Ranger. If the stakes ever became high enough—if the evil were evil enough, if the good were good enough—I would simply tap a secret reservoir of courage that had been accumulating inside me over the years. Courage, I seemed to think, comes to us in finite quantities, like an inheritance, and by being frugal and stashing it away and letting it earn interest, we steadily increase our moral capital in preparation for that day when the account must be drawn down. It was a comforting theory. It dispensed with all those bothersome little acts of daily courage; it offered hope and grace to the repetitive coward; it justified the past while amortizing the future.
”
”
Tim O'Brien (The Things They Carried)
“
So then, it’s fair to say that you were thinking about me all week?” Now it was my turn to look shaken. Damn. Just when I had him.
“No…and…. no, I will not go out with
you.” I leaned back in my chair and decided to look at the score board. Maybe, if I ignored him, he would leave. The Black Eyed Peas were playing loudly over the speakers. I tapped my foot to the rhythm.
“Why not?” He seemed agitated. I liked it.
“Because I am a llama and you are a bird and WE are not compatible.
”
”
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
“
I took in a deep breath, and smoke twisted around my head as I let it slip through my teeth. “Do you know what my favorite show was when I was a little kid?”
The look again. “I would have no idea.”
“Doctor Who. British sci-fi show.”
“I am familiar with it. Christopher Eccleston, David Tennant, and Matt—“
“No,” I said. “The new show’s great, but I grew up on the old one. The low-budget, rubber monster show with Tom Baker and Peter Davison. I watched it on PBS all the time as a kid.”
I looked out at the dark ruins of Hollywood, at the stumbling shadows dotting the streets as far as you could see. The only other living person within half a mile was standing behind me, her eyes boring into my head.
“The Doctor didn’t have super-powers or weapons or anything like that. He was just a really smart guy who always tried to do the right thing. To help people, no matter what. That struck me when I was a kid. The idea that no matter how cold and callous and heartless the world seemed, there was somebody out there who just wanted to make life better. Not better for worlds or countries in some vague way. Just better for people trying to live their lives, even if they didn’t know about him.”
I turned back to her and tapped my chest. “That’s what this suit’s always been about. Not scaring people like you or Gorgon do. Not some sort of pseudo-sexual roleplay or repressed emotions. I wear this thing, all these bright colors, because I want people to know someone’s trying to make their lives better. I want to give them hope.
”
”
Peter Clines (Ex-Heroes (Ex-Heroes, #1))
“
I don't think immediate tragedy is a very good source of art. It can be, but too often it's raw and painful and un-dealt-with. Sometimes art can be a really good escape from the intolerable, and a good place to go when things are bad, but that doesn't mean you have to write directly about the bad thing; sometimes you need to let time pass, and allow the thing that hurts to get covered with layers, and then you take it out, like a pearl, and you make art out of it.
When my father died, on the plane from his funeral in the UK back to New York, still in shock, I got out my notebook and wrote a script. It was a good place to go, the place that script was, and I went there so deeply and so far that when we landed Maddy had to tap me on the arm to remind me that I had to get off the plane now. (She says I looked up at her, puzzled, and said "But I want to find out what happens next.") It was where I went and what I did to cope, and I was amazed, some weeks later when I pulled out that notebook to start typing, to find that I'd written pretty much the entire script in that six hour journey.
”
”
Neil Gaiman
“
When I was a kid I used to drink from the tap all the time. I'd run back into the flat all hot and sweaty from playing and didn't even bother putting it in a glass, just turned the tap on and stuck my mouth underneath it. If my mom caught me doing it she used to scold me, but my dad just said that I had to be careful. 'What if a fish jumped out?' he used to say. 'You'd swallow it before you knew it was there.' Dad was always saying stuff like that and it wasn't until I was seventeen that I realised it was because he was stoned all the time.
”
”
Ben Aaronovitch (Midnight Riot (Rivers of London #1))
“
But there comes a point in the speech where I find my cadence. The crowd quiets rather than roars. It's the kind of moment I'd come to recognize in subsequent years, on certain magic nights. There's a physical feeling, a current of emotion that passes back and forth between you and the crowd, as if your lives and theirs are suddenly spliced together, like a movie reel, projecting backward and forward in time, and your voice creeps right up to the edge of cracking, because for an instant, you feel them deeply; you can see them whole. You've tapped into some collective spirit, a thing we all know and wish for - a sense of connection that overrides our differences and replaces them with a giant swell of possibility - and like all things that matter most, you know the moment is fleeting and that soon the spell will be broken.
”
”
Barack Obama (A Promised Land)
“
I am doing my best here. I will make it back to New York, but frankly, to spend some time in Paris, Missouri, is to come to question the city, where it is normal to work 24/7, tapping away on your BlackBerry for someone who will fire you in an instant, but crazy to pause to help someone you love when they are falling.
”
”
George Hodgman (Bettyville: A Memoir)
“
My shift isn’t over until six,” I say glumly.
“Hold on,” he says. He pulls a Blackberry from his coat pocket and taps out a text. It buzzes, and he taps out another text before stashing it back in his pocket. “I think you can take the rest of the afternoon off.”
“I only have a week left, but my boss would kill me,” I say.
“I’m your boss, Anna.”
“What do you mean?”
There’s that smile again, the one with all those teeth. “I just bought Walmart,” he says.
”
”
Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
“
The Cascade happens and Neha calls fire and ice, Elena said into his mind at the same instant. Titus moves the earth, Astaad the sea, while creepy Lijuan brings the dead back to life. Meanwhile, my gorgeous archangel, not satisfied with, I don't know, shooting lightning bolts or something, actually taps into the energy of the planet and calls an army of bogeymen from the bottom of the ocean.
Of course you do.
The dry commentary made him wonder how he'd ever walked through life without the wit and laughter of his hunter by his side. He could no longer imagine such a cold, remote existence, the idea of it spawning an immediate repudiation in his bloodstream.
”
”
Nalini Singh (Archangel's Legion (Guild Hunter, #6))
“
I figured. Can’t expect a faery to do you a favor without naming a price. Squashing down my annoyance, I stole a glance at Ash, and saw him nod. He’d expected it, too. I sighed and turned back to the oracle. “What do you want?”
She tapped a nail against her chin, dislodging a few flakes of dead skin or dust. I wrinkled my nose and eased back a step. “Hmm, let us see. What would the girl be willing to part with. Perhaps…your future chi—”
“No,” Ash and I said in unison. She snorted.
”
”
Julie Kagawa
“
So what's the deal with you and my sister?"
He laughs shortly and rubs the back of his neck like something is there, tickling, tapping.
"Tamra." Clutching the dashboard, I turn and glare at her. "There is no deal."
She snorts. "Well, we wouldn't be sitting here if that was the case now, would we?"
I open my mouth to demand she end the interrogation when Will's voice stops me.
"I like your sister. A lot."
I look at him dumbly.
He looks at me, lowers his voice to say, "I like you."
I know that, I guess, but heat still crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can't stop shivering. Can't speak. My throat hurts too much.
"Jacinda," he says.
"I think you've shocked her," Tamra offers, then sighs.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
But let me tell you something, girl,” she goes on, speaking low and discreet for the few customers in the place. “What you feel for him or anyone else isn’t what you need. This—” she taps my chest over my heart, “what you’re feeling right now—is the best thing that can happen to you. Because when all the pieces of your heart start to come back together, and they will, they’ll be stronger. And much tougher for someone to pierce.
”
”
Penelope Douglas (Birthday Girl)
“
Lok’tar ogar!” The daemon holding me pulled my head back, exposing my throat.
“Victory or death,” I retorted at my captor hoarsely. “For the Horde. And for the record, shouting World of Warcraft battle
cries kind of kills the whole ‘imminent death’ expectation.”
The daemon paused. “What server are you on?” he demanded.
“Blackhand.”
“Righteous. Guild?”
I couldn’t imagine what the hell that mattered at this point, but it was keeping me alive so that was a bonus. I’d gladly spit out
the rest of my Warcraft stats if it bought me a few more minutes.
“Yeah,” I coughed. “ElfhunterBitches.”
He blinked and then grinned, tapping himself on the chest. “No shit. I’m TartBarbie. Undead DeathKnight.”
I stared at him. “TB? Seriously? I’m Baconator. Blelf Warlock. You did a hell of a job tanking on that raid the other night.”
“Yeah, I am pretty awesome.” He glanced over his shoulder, releasing me. “Look, if I’d known it was you, I’d never have
agreed to this. Go on.” He nudged me with a leather boot. “I’ll tell them you got away.”
I didn’t have to be told twice. “Thanks,” I said softly. “I’ll make it up to you, somehow.”
“No worries.” He winked. “See you next Thursday.
”
”
Allison Pang (A Brush of Darkness (Abby Sinclair, #1))
“
Most often, our water is shut off because of some reconstruction project, either in our village or in the next one over. A hole is dug, a pipe is replaced, and within a few hours things are back to normal. The mystery is that it's so perfectly timed to my schedule. That is to say that the tap dries up at the exact moment I roll out of bed, which is usually between 10:00 and 10:30. For me this is early, but for Hugh and most of our neighbors it's something closer to midday. What they do at 6:00 a.m. is anyone's guess. I only know that they're incredibly self-righteous about it and talk about the dawn as if it's a personal reward, bestowed on account of their great virtue.
”
”
David Sedaris (When You Are Engulfed in Flames)
“
What pet name would you like me to call you?” “Whatever makes you the happiest. Just pick one.” In that moment, the effect of the baby came back with a vengeance. “I don’t know,” I said, kicking that one out of my head. “I guess one in Spanish makes sense. Bollito? Cuchi cuchi? Pocholito?” “Bollito?” “It’s little bun.” I smiled. “Like those bread buns that are spongey and shiny and so cute that—" “Okay, no.” He frowned. “I think it’s better if we stick to our names,” he said, taking both drinks from the attendant who had just reappeared and placing mine in front of me. “I don’t think I can trust you to pick one in Spanish without knowing what it means.” “I’m very trustworthy—you should know that by now.” I brought a finger to my chin, tapping it a few times. “How about conejito? That’s little bunny.” With a long sigh, Aaron let his massive body fall deeper into the seat. “You are right; you are not a bunny.” I paused. “Osito?” I made a show of looking him up and down, as if I were testing the name on him. “Yeah, that one is way more fitting. You are more of a bear.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
What can I do for you, Arbitrator?” I asked.
“George, please. There is no hot water in my bathroom.”
“Oh really?” You don’t say.
“Yes. In fact, it’s ice-cold.” He raised a half-filled glass. Thin slivers of ice floated on its surface. “I drew this from the tap in my sink.”
“How unfortunate. When did this happen?”
“About two minutes ago.”
“While you were in the shower?”
“Yes.”
“My apologies. I’ll get right on that.”
George squinted at me, his face thoughtful, and waved the call off.
Sophie leaned back and laughed. “You really love those trees.
”
”
Ilona Andrews (Sweep in Peace (Innkeeper Chronicles, #2))
“
Kage glanced back at him once, saw him move, and then strutted right over to the edge of the cage where I was sitting. As he passed by me, he tapped his fist against his chest once, right over his heart, then looked directly into my eyes just long enough to give me a secret wink that sent shivers down my spine.
”
”
Maris Black (Kage (Kage Trilogy, #1))
“
She lay on her back and walked her fingers down her ribs, skipped them over her abdomen, and landed on her pelvic bones. She tapped them with her Knuckles. [. . .] I can hear my bones, she thought. Her fingers moved up from her pelvic bones to her waist. The elastic of her underpants barely touched the center of her abdomen. The bridge is almost finished, she thought. The elastic hung loosely around each thigh. More progress. She put her knees together and raised them in the air. No matter how tightly she pressed them together, her thighs did not touch.
”
”
Steven Levenkron (The Best Little Girl in the World)
“
When I looked a little closer, I noticed a guy sitting in the dark, tapping his leg in slow, deliberate movements. His head was cast down, but his eyes...his eyes looked directly at me. My breath caught. I tried to focus on what was being said, but the penetrating gaze from the guy in shadows made my heart pound wildly. When my eyes found their way back to him, I noticed the scowl on his face and immediately looked away. My goodness, this was going to be a long meeting.
”
”
Maayan Nahmani (Underwater (Serendipity, #1))
“
I place a palm at his chest. His heartbeat knocks rapidly against my skin. "I never would have guessed."
"What's that?" he asks on a hoarse whisper.
"That you're one of those netherlings who has a rare penchant for kindness and courage."
"Tut." He presses his glove over my hand. "Only when there's fringe benefits."
Smiling, I rise to my toes, grip his lapels, and kiss each one of his jewels until they change to a captivating dark purple—the color of passion fruit. I ease back to the balls of my feet. "So beautiful," I whisper, tapping one of the sparkling gems.
Morpheus catches my palm and kisses the scars there. "I couldn't agree more."
”
”
A.G. Howard (Splintered (Splintered, #1))
“
Eventually, I developed my own image of teh "befriending" impulse behind my depression. Imagine that from early in my life, a friendly figure, standing a block away, was trying to get my attention by shouting my name, wanting to teach me some hard but healing truths about myself. But I-- fearful of what I might hear or arrogantly trying to live wihtout help or simply too busy with my ideas and ego and ethics to bother-- ignored teh shouts and walked away.
So this figure, still with friendly intent, came closer and shouted more loudly, but AI kept walking. Ever closer it came, close enough to tap me on the shoulder, but I walked on. Frustrated by my unresponsiveness, the figure threw stones at my back, then struck me with a stick, still wanting simply to get my attention. But despite teh pain, I kept walking away.
Over teh years, teh befriending intent of this figure never disapppeared but became obscured by the frustration cuased by my refusal to turn around. Since shouts and taps, stones and sticks had failed to do the trick, there was only one thing left: drop the nuclear bomb called depression on me, not with the intent to kill but as a last-ditch effort to get me to turn and ask the simple question, "What do you want?" When I was finally able to make the turn-- and start to absorb and act on the self-knowledge that then became available to me-- I began to get well.
The figure calling to me all those years was, I believe, what Thomas Merton calls "true self." This is not the ego self that wants to inflate us (or deflate us, another from of self-distortion), not the intellectual self that wants to hover above the mess of life in clear but ungrounded ideas, not the ethical self that wants to live by some abstract moral code. It is the self-planted in us by the God who made us in God's own image-- the self that wants nothing more, or less, than for us to be who we were created to be.
True self is true friend. One ignores or rejects such friendship only at one's peril.
”
”
Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
“
If I walked too far and wondered loud enough the fields would change. I could look down and see horse corn and I could hear it then- singing- a kind of low humming and moaning warning me back from the edge. My head would throb and the sky would darken and it would be that night again, that perpetual yesterday lived again. My soul solidifying, growing heavy. I came up to the lip of my grave this way many times but had yet to stare in.
I did begin to wonder what the word heaven meant. I thought, if this were heaven, truly heaven, it would be where my grandparents lived. Where my father's father, my favorite of them all, would lift me up and dance with me. I would feel only joy and have no memory, no cornfield and no grave.
You can have that,' Franny said to me. 'Plenty of people do.'
How do you make the switch?' I asked.
It's not as easy as you might think,' she said. 'You have to stop desiring certain answers.'
I don't get it.'
If you stop asking why you were killed instead of someone else, stop investigating the vaccum left by your loss, stop wondering what everyone left on Earth is feeling,' she said, 'you can be free. Simply put, you have to give up on Earth.'
This seemed impossible to me.
...
She used the bathroom, running the tap noisily and disturbing the towels. She knew immediately that her mother had bought these towels- cream, a ridiculous color for towels- and monogrammed- also ridiculous, my mother thought. But then, just as quickly, she laughed at herself. She was beginning to wonder how useful her scorched-earth policy had been to her all these years. Her mother was loving if she was drunk, solid if she was vain. When was it all right to let go not only of the dead but of the living- to learn to accept?
I was not in the bathroom, in the tub, or in the spigot; I did not hold court in the mirror above her head or stand in miniature at the tip of every bristle on Lindsey's or Buckley's toothbrush. In some way I could not account for- had they reached a state of bliss? were my parents back together forever? had Buckley begun to tell someone his troubles? would my father's heart truly heal?- I was done yearning for them, needing them to yearn for me. Though I still would. Though they still would. Always.
”
”
Alice Sebold (The Lovely Bones)
“
Daemon poked me in the back with his pen.
Lesa’s brows arched, but she wisely said nothing as I twisted around. “Yes?”
His half grin was all too familiar. “Reindeer socks today?”
“No. Polka dots.”
“Sock mittens?”
“Regular”, I said, fighting a stupid grin.
“I’m not sure how I feel about that.” He tapped his pen on the edge of his desk. “Regular socks just seem so boring after seeing the reindeer socks.”
Lesa cleared her throar. “Reindeer socks?”
“She has these socks that have reindeers on them and are kind of like mitten for the toes.” He explained.
“Oh, I have a pair like that,” Carissa said, grinning. “But mine have stripes on them. Love them in the winter.”
I passed Daemon a smug look. My socks were cool.
“Am I the only person who is wondering how you saw her socks”? Lesa asked.
Carissa punched her on the arm.
“We live next door to each other,” he reminded her. “I see lots of things.”
I shook my head frantically. “No, he doesn’t. He hardly sees anything.”
“Blushing,” he said, pointing at my cheeks with the blue cap of his pen.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
I told Mensah through the feed that I wouldn’t speak aloud on the comm anymore. She tapped back an acknowledgment on the feed, and I heard her telling the others to get off my feed and my comm, that she was going to be the only one speaking to me so I wasn’t distracted. Mensah underestimated my ability to ignore humans but I appreciated the thought.
”
”
Martha Wells (All Systems Red (The Murderbot Diaries, #1))
“
I nod and tap my fingers against my knees. “What to do with a girlfriend while I work my hours at the TOG. Hmm…Can I really do this? Will I be able to pull it off? Will she be able to read at the snack bar tables without losing her mind,” I mumble.
“Do you always talk to yourself?”
“Yes. Bad habit. Does it bother you?” I walk back over to her side of the small stage.
“No. It's interesting. I hate people knowing my thoughts. But yours just fall out of your head so easily.” She shrugs.
“I never thought of it like that…but you're my girlfriend now…so who cares if you know what I think?”
Her cheeks turn pink, and I laugh.
”
”
Anne Eliot (Almost)
“
She pulled me into a hug and I squeezed her so tight we lost our breaths.
"I love you, Soph." She pulled back from me, her eyes wide and searching. "I'll see you really soon."
"I know," I said, forcing my smile. "And I love you too."
She tapped my nose and dropped her voice to a conspiratorial whisper.
"We're the real love story here, you know that, don't you?"
I wiped a tear from my cheek. "I know that, Mil. I've always known that.
”
”
Catherine Doyle (Mafiosa (Blood for Blood, #3))
“
We didn't finish that dance."
"Here?"
"Why not?"
Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up.
"Do you hear that?" I aked.
Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?"
I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music."
Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing."
"Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me.
She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing.
My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air.
I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster.
A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home.
I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer.
She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire.
Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo.
Her eyes met mine again. "So what does this mean for us?"
I lowered my forehead to hers. "It means you 're mine.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
It always took my breath away,’ he said, ‘that the five of us could have found one another–against such odds, through all the layers of armored fortifications each of us had set up… Do you see now why I believe in miracles? I used to imagine time folding over, the shades of our future selves slipping back to the crucial moments to tap each of us on the shoulder and whisper: Look, there, look! That man, that woman: they’re for you; that’s your life, your future, fidgeting in that line, dripping on the carpet, shuffling in that doorway. Don’t miss it.
”
”
Tana French (The Likeness)
“
As I looked down at him, as I saw his yellow hair pressed against my coat, I had a vision of him from long ago, that tall, stately gentleman in the swirling black cape, with his head thrown back, his rich, flawless voice singing the lilting air of the opera from which we'd only just come, his walking stick tapping the cobblestones in time with the music, his large, sparkling eye catching the young woman who stood by, enrapt, so that a smile spread over his face as the song died on his lips; and for one moment, that one moment when his eye met hers, all evil seemed obliterated in that flush of pleasure, that passion for merely being alive.
”
”
Anne Rice
“
Will that be all?” I asked the pimply faced teen who ogled my exposed legs as if in heat. My pen tapped impatiently on the notepad while I waited for him to look up.
Slowly his dull grey eyes roved over my body and a limp smile drew up his thin, crusted lips making him look more weasel than human.
“Yep. That’d be it,” his cheerful, adolescent voice cracked.
“Great,” I mumbled, walking back behind the counter.
”
”
Brandi Aquino (Faerie Tales: The Misfortune of a Teenage Socialite)
“
I tipped my chin up and kissed him, gently. He responded by wrapping an arm across my back and lifting me into him, strong and warm and certain.
It took a while for us to break apart.
“We pass through the currentstream today,” I said. “Will you come with me?”
“In case you hadn’t noticed,” he said, “I’ll pretty much go with you anywhere.”
He tapped my nose with a gray-stained finger, leaving a mark that even I could see out of the corner of my eye.
“Did you just stain my nose right before I have to go out in public?”
He grinned, and nodded.
“I hate you,” I said.
“And I love you,” he replied.
”
”
Veronica Roth (The Fates Divide (Carve the Mark, #2))
“
The vision that accompanied me on my drive was a girl, a lady actually. We had the same hair but she didn't look like me. She was in a camel coat and ankle boots. A dress under the coat was belted high on her waist. She carried various shopping bags from specialty stores and as she was walking, pausing at certain windows, her coat would fly back in the wind. Her boot heels tapped on the cobblestones. She had lovers and breakups, an analyst, a library, acquaintances she ran into on the street whose names she couldn't call to mind. She belonged to herself only. She had edges, boundaries, tastes, definition down to her eyelashes. And when she walked it was clear she knew where she was going.
”
”
Stephanie Danler (Sweetbitter)
“
He breathed in her hair, the sweet-smelling thickness of it. My father usually agreed with her requests, because stamped in his two-footed stance and jaw was the word Provider, and he loved her the way a bird-watcher's heart leaps when he hears the call of the roseate spoonbill, a fluffy pink wader, calling its lilting coo-coo from the mangroves. Check, says the bird-watcher. Sure, said my father, tapping a handful of mail against her back.
”
”
Aimee Bender (The Particular Sadness of Lemon Cake)
“
Nostos algos. I want to go home. A phrase that's stuck on a loop, that I hear before falling asleep, waiting in line for my coffee, tapping the elevator button and rising through the sky to my apartment...and yet my desire is not attached to a particular place...I want to go home but what I mean, what I'm grasping for, is not a place. It's a feeling. I want to go back. But back where? Maybe to the first time I heard Stevie Nicks, to watching the snow fall outside the window with a paperback folded open in my lap, to the moment before I tasted alcohol, to virginity and not really knowing that things die, back to believing that something great is still up ahead, back to before I made the choices that would hem me in to the life I live now. A life that I regret sometimes, I think, only because it's mine, because it's turned out this way and not some other way, because I can't go back and change what will happen.
”
”
Julie Buntin (Marlena)
“
Then she jerked back with a siren's smile that made his confidence falter. "Well." She tapped her chin. "That was a decent kiss, all things being equal." She pressed her hand to her chest. "My heart is, if not quite racing, then heading into a quick walk. But I need a thermometer to determine if and how high my body heated. I shall just go--"
"Don't you dare." He caught her by the arm as she was on the verge of fleeing. "You know bloody well that you responded to that kiss."
With a suspicious glee in her eyes, she tugged her arm from his grip. "I'm not saying I didn't respond-- just that I didn't respond to any overwhelming degree. But it was a good kiss, I suppose. Better than some, not as good as others."
"What the hell do you mean? How many chaps have you kissed in the last nine years, anyway?"
"No more than you've kissed women, I should imagine."
"My God."
"But don't worry-- I don't think the average woman would complain about your kissing. You're perfectly competent."
Competent? Bloody insolent chit. Even knowing she was trying to provoke him didn't ease his wounded pride. "Perhaps we should try again."
-Giles and Minerva
”
”
Sabrina Jeffries (How to Woo a Reluctant Lady (Hellions of Halstead Hall, #3))
“
When Martha first met me, I was anxious and jumpy. I was always tapping my foot, rocking, or exhibiting some other behavioral aberration. Of course, now we know that’s just normal Aspergian behavior, but back then other people thought it was weird, so of course I did, too. One day, for some reason, she decided to try petting my arm, and I immediately stopped rocking and fidgeting. The result was so dramatic, she never stopped. It didn’t take long for me to realize the calming effect, too. I like being petted and scratched. “Can you pet me?” I say when I sit next to her.
”
”
John Elder Robison (Look Me in the Eye: My Life with Asperger's)
“
Oh my gosh, he smells good, like some exotic but comforting spice, nutmeg or cardamom. Slowly Damian lowers his head to mine and I think my chest might explode, my heart is tap-dancing so quickly.
He's going to kiss me.
I've imagined this and now it's really happening, I am like a block of wood. I can't move. I can't breathe. I close my eyes as the lightest feather of a breath , then lips, brushing over my lips. His breath is sweet and the taste of coffee barely lingers in his mouth. I feel as though my whole body has turned to liquid, into a river of millions of droplets, rushing apart and then back together.
"You have the softest lips," he whispers as he pulls back to look at me.
"So do you," I murmur. Oh, was that a stupid thing to say? I turn my face into his jacket and breathe in his scent.
”
”
Lisa Ann Sandell (A Map of the Known World)
“
Once I am sure there's nothing going on
I step inside, letting the door thud shut.
Another church: matting, seats, and stone,
And little books; sprawlings of flowers, cut
For Sunday, brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense, musty, unignorable silence,
Brewed God knows how long. Hatless, I take off
My cycle-clips in awkward reverence.
Move forward, run my hand around the font.
From where I stand, the roof looks almost new -
Cleaned, or restored? Someone would know: I don't.
Mounting the lectern, I peruse a few
Hectoring large-scale verses, and pronounce
'Here endeth' much more loudly than I'd meant.
The echoes snigger briefly. Back at the door
I sign the book, donate an Irish sixpence,
Reflect the place was not worth stopping for.
Yet stop I did: in fact I often do,
And always end much at a loss like this,
Wondering what to look for; wondering, too,
When churches will fall completely out of use
What we shall turn them into, if we shall keep
A few cathedrals chronically on show,
Their parchment, plate and pyx in locked cases,
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?
Or, after dark, will dubious women come
To make their children touch a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort will go on
In games, in riddles, seemingly at random;
But superstition, like belief, must die,
And what remains when disbelief has gone?
Grass, weedy pavement, brambles, buttress, sky,
A shape less recognisable each week,
A purpose more obscure. I wonder who
Will be the last, the very last, to seek
This place for what it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber, randy for antique,
Or Christmas-addict, counting on a whiff
Of gown-and-bands and organ-pipes and myrrh?
Or will he be my representative,
Bored, uninformed, knowing the ghostly silt
Dispersed, yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation - marriage, and birth,
And death, and thoughts of these - for which was built
This special shell? For, though I've no idea
What this accoutred frowsty barn is worth,
It pleases me to stand in silence here;
A serious house on serious earth it is,
In whose blent air all our compulsions meet,
Are recognized, and robed as destinies.
And that much never can be obsolete,
Since someone will forever be surprising
A hunger in himself to be more serious,
And gravitating with it to this ground,
Which, he once heard, was proper to grow wise in,
If only that so many dead lie round.
”
”
Philip Larkin
“
The melody drifted into an aching silence. Austin lifted his head, and she saw his tears, trailing along his cheeks, glistening in the moonlight.
She slipped from beneath the blankets, her bare feet hitting the cold floor. "What were you playing?" she asked reverently, not wanting to disturb the ambiance that remained in the room.
"That was my heart breaking," he said, his voice ragged.
She felt as though her own heart might shatter as she took a step toward him. "Austin—"
"Don't stop loving me, Loree. You want me to learn what those little black bugs on those pieces of paper mean, I'll learn. You want me to play the violin from dawn until dusk, hell, I'll play till midnight, just don't stop loving me."
She flung her arms around his neck and felt his arms come around her back, the violin tapping against her backside. "Oh, Austin, I couldn't stop loving you if I wanted."
"I do know how to love, Loree. I just don't know how to keep a woman loving me."
"I'll always love you, Austin," she said trailing kisses over his face. "Always."
She felt a slight movement away from her as he set the violin aside, and then his arms came around her, tighter than before. "Let me love you, Loree. I need to love you."
-Austin and Loree
”
”
Lorraine Heath (Texas Splendor (Texas Trilogy, #3))
“
Single parenting isn’t just being the only one to take care of your kid. It’s not about being able to “tap out” for a break or tag team bath- and bedtime; those were the least of the difficulties I faced. I had a crushing amount of responsibility. I took out the trash. I brought in the groceries I had gone to the store to select and buy. I cooked. I cleaned. I changed out the toilet paper. I made the bed. I dusted. I checked the oil in the car. I drove Mia to the doctor, to her dad's house. I drove her to ballet class if I could find one that offered scholarships and then drove her back home again. I watched every twirl, every jump, and every trip down the slide. It was me who pushed her on the swing, put her to sleep at night, kissed her when she fell. When I sat down, I worried. With the stress gnawing at my stomach, worrying. I worried that my paycheck might not cover bills that month. I worried about Christmas, still four months away. I worried that Mia's cough might become a sinus infection that would keep her out of day care... . I worried that I would have to reschedule work or miss it altogether.
”
”
Stephanie Land (Maid: Hard Work, Low Pay, and a Mother's Will to Survive)
“
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult?
Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully.
“Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.”
On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.”
“I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done.
Dead silence crashes over the kitchen.
Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list.
That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it...
“I just have one question,” Garrett starts.
“Really?” Tuck says. “Because I have many.”
Sighing, I put my pen down. “Go ahead. Get it out of your systems.”
Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.”
“It’s for Grace,” I reply through clenched teeth.
My best friend nods solemnly.
Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing.
“What are you doing?” I demand.
“Texting Wellsy. She needs to know this.”
“I hate you.”
I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.”
“Cutlass?” Garrett wheezes. “Like the sword?”
“The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.”
Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.”
He’s right. I should have. I’m a terrible poet and I do know it.
“Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.”
“Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.”
I ponder the next line. “How sweet…”
“Your ass,” Tucker supplies.
Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again.
“Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.”
“Call my girlfriend a ho one more time and you won’t have a bro.”
Tucker chuckles. “Seriously, why are you writing poetry for this chick?”
“Because I’m trying to win her back. This is one of her requirements.”
That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?”
“None of your fucking business.”
“Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!”
I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.”
Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
Sink,” I mumbled.“What?” the nurse asked.“I think she said ‘drink,’” Preya said.“Sink!” I yelled.They hurried me to the small washing area near the rear of the clinic just in time for the stainless steel sink to catch the chicken soup that refused to stay eaten. I heaved and heaved until I had nothing
left to heave, and then some. Preya held up my hair while the nurse rubbed circles on my back. My entire body convulsed. After the trembling stopped, I lifted the tap and washed out my mouth.“When did I eat carrots?
”
”
Kate Evangelista (Taste)
“
I love Sara, but something was taken from me at the church, something that she can’t relate to. Every time I walk outside I think maybe someone is going to grab me. I take a sip of a glass of water I got out of my own tap and swish it around in my mouth first, like maybe it’s a threat. And I’m starting to understand why Alex walks around on the balls of her feet, why her back muscles are always tensed, like a cat ready to spring.
She knows. She gets it. So that’s why I’m going to tell Sara that I’m okay and leave it at that.
”
”
Mindy McGinnis (The Female of the Species)
“
Women don't always want the right things in a man. And men don't have even an idea of what they want," she said. "Why, one minute their bodies tell them they want a wild woman that makes their blood rush. The next minute their good sense reminds them that they need a hard worker who is sturdy enough to help plow the field and birth the babies. They want a woman who'll mind their word and not be giving no jawing. But they also want a gal they can complain to when they are scared and unsure and who's smart enough to talk clear about the things goin' on."
"So the wife has to be all those things?"
"No, the wife is none of them," the old woman answered. "The wife is a wife and no further definition is necessary." Granny leaned forward in her chair to look more closely at Meggie. "Roe Farley married you and you were his wife. Nothing further even need to be said."
Her face flushing with embarrassment, she glanced away. "But he doesn't... he didn't love me."
"And did you think he would?"
Momentarily Meggie was taken aback. "Well, yes."
"Lord Almighty, child," Granny said. "Love ain't something that heaven hands out like good teeth or keen eyesight. Love is something two people make together."
Shaking her head, the old woman leaned back in her chair once more and tapped on her pipe. "Love, oh, my, it starts out simple and scary with all that heavy breathing and in the bed sharing," she said. "You a-trembling when he runs his hands acrost your skin, him screaming out your name when he gets in the short rows. That's the easy part, Meggie. Every day thereafter it gets harder. The more you know him, the more he knows you, the longer you are a part of each other, the stronger the love is and the tougher it is to have it.
”
”
Pamela Morsi (Marrying Stone (Tales from Marrying Stone, #1))
“
I will take you down my own avenue of remembrance, which winds among the hazards and shadows of my single year as a plebe. I cannot come to this story in full voice. I want to speak for the boys who were violated by this school, the ones who left ashamed and broken and dishonored, who departed from the Institute with wounds and bitter grievances. I want also to speak for the triumphant boys who took everything the system could throw at them, endured every torment and excess, and survived the ordeal of the freshman year with a feeling of transformation and achievement that they never had felt before and would never know again with such clarity and elation.
I will speak from my memory- my memory- a memory that is all refracting light slanting through prisms and dreams, a shifting, troubled riot of electrons charged with pain and wonder. My memory often seems like a city of exiled poets afire with the astonishment of language, each believing in the integrity of his own witness, each with a separate version of culture and history, and the divine essentional fire that is poetry itself.
But i will try to isolate that one lonely singer who gathered the fragments of my plebe year and set the screams to music. For many years, I have refused to listen as his obsessive voice narrated the malignant litany of crimes against my boyhood. We isolate those poets who cause us the greatest pain; we silence them in any way we can. I have never allowed this furious dissident the courtesy of my full attention. His poems are songs for the dead to me. Something dies in me every time I hear his low, courageous voice calling to me from the solitude of his exile. He has always known that someday I would have to listen to his story, that I would have to deal with the truth or falsity of his witness. He has always known that someday I must take full responsibility for his creation and that, in finally listening to him, I would be sounding the darkest fathoms of myself. I will write his stories now as he shouts them to me. I will listen to him and listen to myself. I will get it all down.
Yet the laws of recall are subject to distortion and alienation. Memory is a trick, and I have lied so often to myself about my own role and the role of others that I am not sure I can recognize the truth about those days. But I have come to believe in the unconscious integrity of lies. I want to record even them. Somewhere in the immensity of the lie the truth gleams like the pure, light-glazed bones of an extinct angel. Hidden in the enormous falsity of my story is the truth for all of us who began at the Institute in 1963, and for all who survived to become her sons. I write my own truth, in my own time, in my own way, and take full responsibility for its mistakes and slanders. Even the lies are part of my truth.
I return to the city of memory, to the city of exiled poets. I approach the one whose back is turned to me. He is frail and timorous and angry. His head is shaved and he fears the judgment of regiments. He will always be a victim, always a plebe. I tap him on the shoulder.
"Begin," I command.
"It was the beginning of 1963," he begins, and I know he will not stop until the story has ended.
”
”
Pat Conroy (The Lords of Discipline)
“
Did you want to change into something more comfortable?” Adrian asks with a raise in his eyebrows, breaking me out of my train of thought, but not away from naughty thoughts.
I smack his knee. “I'm comfortable, but I know you're not.” He doesn't mind dressing up, but on most days I see him in casual clothes like screen-printed tees and hoodies.
“You're right,” he says, tapping my knee lightly, standing up. As he walks toward the hallway, he slips his shirt off the rest of the way. I can't look away from the sight, even if it is only from the back. Damn. What is happening to me? Have I gone mad?
Before I can tear my eyes away from him, he turns around. Judging by the look in his eyes, I've been caught. I have so been caught. Damn again. I didn't want him to see me practically drooling. It's too late for that now.
He smirks. “You know, I could spend the rest of the night just like this.” He places a hand to the hard muscles of his chest.
I clear my throat, trying really hard not to imagine my hand in place of his, and say, “If I'm wearing clothes, you're wearing clothes.”
“So if I'm not wearing clothes...” I grab a coaster from the coffee table and fling it at him. He catches it in his hand. “Just remember, all you have to do is say otherwise.
”
”
Lilly Avalon (Here All Along)
“
Again I waited - oh, but for a brief interval: I presently distinguished an extraordinary shuffling and stamping of feet on the staircase, on the floors, on the carpets; a sound not only of boots and' human shoes, but tapping of crutches, of crutches of wood, and knocking of iron crutches which clanged like cymbals. And behold, I perceived, all at once, on the door sill, an armchair, my large reading chair, which came waddling out. Right into the garden it went, followed by others, the chairs of my drawing room, then the comfortable settee, crawling like crocodiles on their short legs; next, all my chairs bounding like goats,and the small footstools which followed like rabbits.
Oh, what a hideous surprise! I stepped back behind the shrubs, where I stayed, crouched and watching this procession of my furniture; for out they all came, one behind the other, quickly or slowly according to their form and weight. My piano - my large grand piano - passed at a canter like a horse, with a faint murmur of music from within; the smallest objects crawled on the gravel like ants - brushes, glasses and cups glistening in the rays of the moon with phosphorescence like glowworms. The curtains, tablecloths and, draperies wriggled along, with their feelers in the puddles like the cuttle-fish in the sea. Suddenly I beheld my pet bureau, a rare specimen of the last century, and which contained all my correspondence, all my love letters, the whole history of my heart, an old history of how much I have suffered!
And within, besides, were, above all, certain photographs! ("Who Knows?")
”
”
Guy de Maupassant (Ghostly By Gaslight)
“
Someone shouted her name, making her startle and pull her horse to a quick stop. She turned to find Nicolae riding toward her, his familiar grin quick and easy despite the large gash that ran from the center of his forehead to the bridge of his nose and onto his left cheek.
"Lada! Did you miss me?"
She frowned, tapping her chin. "Have you been gone? I had not noticed."
"You cried yourself to sleep every day."
" I luxuriated in the blessed quiet that you left in your wake."
He clapped a hand on her shoulder, still beaming, and she finally allowed herself a smile in return. In truth, she was overjoyed.
"Tell me everything. Including how that happened." She nodded toward his scar.
"This? Alas, my beautiful face. Is it not tragic?"
"You should be grateful. For the first time in your life you have to eyebrows instead of one."
Nicolae threw his head back, laughter roaring through the square. "My little dragon, always finding the bright side of life. Come. We drink.
”
”
Kiersten White (And I Darken (The Conqueror's Saga, #1))
“
That looks cozy," I said in a timid voice.
He turned at the sound and-taking in my appearance-immediately spit hot chocolate all over.
"What?" I demanded.
With an obvious effort to compose himself, he forced his lips into a frown and wiped his chin with the back of his hand. "Breathtaking."
I raised an eyebrow,and his lips started to quiver, and then there was no stopping him. The laughter came in waves.
"Well,that's not exactly the reaction I was going for," I said.
"Isn't it?" he said, gasping for breath.
I put my hand on my hip and tapped my foot as he inhaled deeply and rubbed his eyes with the palm of his hand. "Finished?" I asked.
He shook his head. "I love you."
"I'm sorry?"
"You heard me." He stood and walked toward me.
I glanced down at my sweats,and then back at his face. "Did you not notice my getup?"
He halved the distance between us. "Oh yeah. I noticed," he said,like it was the sexiest thing he'd ever seen. His lips curled up into a smile.
"Okay,so that's not the reaction I was going for either," I said,taking a small step backward as he closed the gap between us.
He grabbed my hands in his and his grin disappeared. "Becks.I think I know what you're worried about,but I meant what I said.I love you. And I would never push you."
My entire body turned red. "But don't you mythological higher beings-" I tried to remember how Jules had put it-"need...the...um..."
Jack looked confused,and then he chuckled. "Please don't even try to finish that sentence.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
So,Batman,eh?"
Effing St. Clair.
I cross my arms and slouch into one of the plastic seats. I am so not in the mood for this.He takes the chair next to me and drapes a relaxed arm over the back of the empty seat on his other side. The man across from us is engrossed in his laptop,and I pretend to be engrossed in his laptop,too. Well,the back of it.
St. Clair hums under his breath. When I don't respond,he sings quietly. "Jingle bells,Batman smells,Robin flew away..."
"Yes,great,I get it.Ha ha. Stupid me."
"What? It's just a Christmas song." He grins and continues a bit louder. "Batmobile lost a wheel,on the M1 motorway,hey!"
"Wait." I frown. "What?"
"What what?"
"You're singing it wrong."
"No,I'm not." He pauses. "How do you sing it?"
I pat my coat,double-checking for my passport. Phew. Still there. "It's 'Jingle bells, Batman smells,Robin laid an egg'-"
St. Clair snorts. "Laid an egg? Robin didn't lay an egg-"
"'Batmobile lost a wheel,and the Joker got away.'"
He stares at me for a moment,and then says with perfect conviction. "No."
"Yes.I mean,seriously,what's up with the motorway thing?"
"M1 motorway. Connects London to Leeds."
I smirk. "Batman is American. He doesn't take the M1 motorway."
"When he's on holiday he does."
"Who says Batman has time to vacation?"
"Why are we arguing about Batman?" He leans forward. "You're derailing us from the real topic.The fact that you, Anna Oliphant,slept in today."
"Thanks."
"You." He prods my leg with a finger. "Slept in."
I focus on the guy's laptop again. "Yeah.You mentioned that."
He flashes a crooked smile and shrugs, that full-bodied movement that turns him from English to French. "Hey, we made it,didn't we? No harm done."
I yank out a book from my backpack, Your Movie Sucks, a collection of Roger Ebert's favorite reviews of bad movies. A visual cue for him to leave me alone. St. Clair takes the hint. He slumps and taps his feet on the ugly blue carpeting.
I feel guilty for being so harsh. If it weren't for him,I would've missed the flight. St. Clair's fingers absentmindedly drum his stomach. His dark hair is extra messy this morning. I'm sure he didn't get up that much earlier than me,but,as usual, the bed-head is more attractive on him. With a painful twinge,I recall those other mornings together. Thanksgiving.Which we still haven't talked about.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
What is this, Enki?” says the Queen. “Do you not honor me?”
Enki’s smile is wide and bright. “I give you the greatest honor,” he says.
“You are dressed in the manner of a slave,” says she, “in a city where there are none.”
“There aren’t,” he agrees, though now his smile seems too sharp for his words. “But there is the verde.”
“And what of it?”
“I am dressed in the manner of my people.”
“Are we not your people?” And we see that the Queen is torn between amusement and anger. Enki is leading her in a dance, but has not tapped out its rhythm.
“You are everything to me.”
“And yet you come before us hardly as a king.”
“I come before you,” says Enki, “as a simple verde boy.” He takes a quick step back, almost skipping, and his dust-lightened hair bobs around his ears. “I will leave you as a king.” And when the drums start, that’s how he dances: as a king.
”
”
Alaya Dawn Johnson (The Summer Prince)
“
On my way home, an everlasting tiredness dissipates me and the alcohol has caused my mind to project images, most of which are harsh and relentless: Passing by a derelict building and hearing a child sigh along with an older man, an elderly lady sitting by her window, tapping a long, skeletal finger against the glass, endlessly, every day, a girl I once had sex with whose back was so scarred from her boyfriend at the time that it looked like darkness was pouring out of the wounds, which crept like breathing mouths all over her naked body, people who were tethering on the brink of insanity, a by-product of living in the city, so empty and famished they drugged themselves daily to numb their ceaseless pain, and teens, most of them around my age, walking aimlessly in circles and, above all, beaming with its own empty light, the deprived husk of a message:
I have never cared for anyone and I hate people.
”
”
Damien Blake (Harsh Generation)
“
You know what I love? The spaces between I love you. The tap of your fork against the plate and how my cup of wine clicks against our table. The scratchy voice coming from the radio in the other room. The quiet sound of your hand reaching across the table and whispering over mine. How your voice sounds like your mouth on the back of my neck. The soft murmur of our easy conversation.
Between these quiet Tuesday night routines, following every comma and right after every pause for breath, is I, love, and you. In the middle of every I love you is a sink full of dishes, whisper of socked feet tangled in white sheets, and gentle kisses against curved cheeks. We lyric ourselves into the laundry that needs to be finished, into the ends of every smile that follows me repeating your name. We write ourselves into the grocery bags we need to carry, the cracks running up our rented walls, the sides of the bed we choose to drag up the sails of heavy eyed dreams.
Like the spaces between our fingers, in the spaces between I, love, and you, we wait.
The in-betweens have always been my favorite.
”
”
Marlen Komar (Ugly People Beautiful Hearts)
“
It's a queer thing is a man's soul. It is the whole of him. Which means it is the unknown him, as well as the known. It seems to me just funny, professors and Benjamins fixing the functions of the soul. Why, the soul of man is a vast forest, and all Benjamin intended was a neat back garden. And we've all got to fit into his kitchen garden scheme of things. Hail Columbia !
The soul of man is a dark forest. The Hercynian Wood that scared the Romans so, and out of which came the white- skinned hordes of the next civilization.
Who knows what will come out of the soul of man? The soul of man is a dark vast forest, with wild life in it. Think of Benjamin fencing it off!
Oh, but Benjamin fenced a little tract that he called the soul of man, and proceeded to get it into cultivation. Providence, forsooth! And they think that bit of barbed wire is going to keep us in pound for ever? More fools they.
...
Man is a moral animal. All right. I am a moral animal. And I'm going to remain such. I'm not going to be turned into a virtuous little automaton as Benjamin would have me. 'This is good, that is bad. Turn the little handle and let the good tap flow,' saith Benjamin, and all America with him. 'But first of all extirpate those savages who are always turning on the bad tap.'
I am a moral animal. But I am not a moral machine. I don't work with a little set of handles or levers. The Temperance- silence-order- resolution-frugality-industry-sincerity - justice- moderation-cleanliness-tranquillity-chastity-humility keyboard is not going to get me going. I'm really not just an automatic piano with a moral Benjamin getting tunes out of me.
Here's my creed, against Benjamin's. This is what I believe:
'That I am I.'
' That my soul is a dark forest.'
'That my known self will never be more than a little clearing in the forest.'
'Thatgods, strange gods, come forth f rom the forest into the clearing of my known self, and then go back.'
' That I must have the courage to let them come and go.'
' That I will never let mankind put anything over me, but that I will try always to recognize and submit to the gods in me and the gods in other men and women.'
There is my creed. He who runs may read. He who prefers to crawl, or to go by gasoline, can call it rot.
”
”
D.H. Lawrence (Studies in Classic American Literature)
“
My eye was caught by movement from behind the automaton. Just a flicker, but my heart clenched with surprise and fear, and I tapped Dean on the arm, pointing. “Something’s over there.”
He followed my finger, and we both saw the flicker of red on the unbroken gray brick of the foundry walls.
“Son of a bitch,” Dean growled, jamming his hand in his pocket and pulling out his switchblade. “Hey!” he bellowed at the moving shadow. “Hey, you!”
“Dean …,” I started, thinking that perhaps shouting at the figure wasn’t the best idea.
“I see you!” Dean shouted. “No point in hiding.”
“Dean, we don’t know what it is,” I whispered, worried that if he made a move, whoever or whatever lurked beyond the automaton would take it badly. Dean shook his head.
“Relax, princess. It’s a kid.” He advanced on the shadow. “Aren’t you?”
“Up yours, mister!” the shadow shouted back. I pressed a hand over my mouth, both to stifle a laugh and from relief. To find another person in this wasteland was ten times more unexpected than finding a creature like the nightjars and ghouls that populated Lovecraft’s underground.
“Say,” Dean drawled, brows drawing together. “I know you, kid.”
“I know your mother!” the kid retorted. “And she has some disappointing things to say about you.
”
”
Caitlin Kittredge (The Nightmare Garden (Iron Codex, #2))
“
I leaned against the SUV he was working on. “So….”
“So?” he asked, looking back down at the tablet.
“How rich are we?”
He snorted. “Get back to work.”
And I was going to do just that, except that Kelly Bennett decided to appear right at that moment.
Wearing a deputy’s uniform. Tight green pants with a tan button-up shirt that pulled against his torso. He had a mic clipped near his shoulder and a black utility belt around his waist. He wasn’t carrying a gun, but I barely noticed because at that exact moment, I discovered my legs decided to quit working and I tripped and fell into the side of the SUV.
Everyone stopped what they were doing to look at me.
“Sorry,” I said quickly, using the SUV to pull myself back up. And immediately hit the top of my head on the open hood. “Son of a bitch.”
“What are you doing?” Gordo asked slowly.
I laughed wildly. “Nothing! It’s nothing. Just… don’t even worry about it.”
He turned toward the front of the garage.
“Oh no,” he said when he saw who was standing there. “Not this again.” He pointed the tablet at Kelly. “I swear to god, if I find an animal carcass brought here at any point, I will make both your lives a living hell. Do you understand me? I’m getting too old for this shit.”
“I can’t believe we have to watch this all over again,” Chris said to Tanner. “It was bad enough the first time. Remember when Robbie figured out that he wanted to put himself all over Kelly?”
“Yeah,” Tanner said. “How could I forget? We had to tell Ms. Martin that her side mirror was broken by accident instead of telling her the truth, that Robbie got a weird wolf boner and forgot his own strength.”
“Maybe it’ll be like it was with Ox and Joe,” Rico said, tapping a socket wrench against his hand. “Mini muffins, you know? I ate, like, ten of them.”
Chris looked scandalized. “You did what? That was one of their mystical moon magic presents! You don’t touch another man’s mystical moon magic present, Rico. They could have killed you, or worse, gotten confused and made you their mate.” He frowned. “Are there werewolf threesomes? That sounds complicated. Too many limbs. I don’t know anything about being a wolf.
”
”
T.J. Klune (Heartsong (Green Creek, #3))
“
The answer to that question is…I won’t. You belong with me. Which leads me to the discussion I wanted to have with you.”
“Where I belong is for me to decide, and though I may listen to what you have to say, that doesn’t mean I will agree with you.”
“Fair enough.” Ren pushed his empty plate to the side. “We have some unfinished business to take care of.”
“If you mean the other tasks we have to do, I’m already aware of that.”
“I’m not talking about that. I’m talking about us.”
“What about us?” I put my hands under the table and wiped my clammy palms on my napkin.
“I think there are a few things we’ve left unsaid, and I think it’s time we said them.”
“I’m not withholding anything from you, if that’s what you mean.”
“You are.”
“No. I’m not.”
“Are you refusing to acknowledge what has happened between us?”
“I’m not refusing anything. Don’t try to put words in my mouth.”
“I’m not. I’m simply trying to convince a stubborn woman to admit that she has feelings for me.”
“If I did have feelings for you, you’d be the first one to know.”
“Are you saying that you don’t feel anything for me?”
“That’s not what I’m saying.”
“Then what are you saying?”
“I’m saying…nothing!” I spluttered.
Ren smiled and narrowed his eyes at me.
If he kept up this line of questioning, he was bound to catch me in a lie. I’m not a very good liar.
He sat back in his chair. “Fine. I’ll let you off the hook for now, but we will talk about this later. Tigers are relentless once they set their minds to something. You don’t be able to evade me forever.”
Casually, I replied, “Don’t get your hopes up, Mr. Wonderful. Every hero has his Kryptonite, and you don’t intimidate me.” I twisted my napkin in my lap while he tracked my every move with his probing eyes. I felt stripped down, as if he could see into the very heart of me.
When the waitress came back, Ren smiled at her as she offered a smaller menu, probably featuring desserts. She leaned over him while I tapped my strappy shoe in frustration. He listened attentively to her. Then, the two of them laughed again.
He spoke quietly, gesturing to me, and she looked my way, giggled, and then cleared all the plates quickly. He pulled out a wallet and handed her a credit card. She put her hand on his arm to ask him another question, and I couldn’t help myself. I kicked him under the table. He didn’t even blink or look at me. He just reached his arm across the table, took my hand in his, and rubbed the back of it absentmindedly with his thumb as he answered her question. It was like my kick was a love tap to him. It only made him happier.
When she left, I narrowed my eyes at him and asked, “How did you get that card, and what were you saying to her about me?”
“Mr. Kadam gave me the card, and I told her that we would be having our dessert…later.”
I laughed facetiously. “You mean you will be having dessert later by yourself this evening because I am done eating with you.”
He leaned across the candlelit table and said, “Who said anything about eating, Kelsey?”
He must be joking! But he looked completely serious. Great! There go the nervous butterflies again.
“Stop looking at me like that.”
“Like what?”
“Like you’re hunting me. I’m not an antelope.”
He laughed. “Ah, but the chase would be exquisite, and you would be a most succulent catch.”
“Stop it.”
“Am I making you nervous?”
“You could say that.”
I stood up abruptly as he was signing the receipt and made my way toward the door. He was next to me in an instant. He leaned over.
“I’m not letting you escape, remember? Now, behave like a good date and let me walk you home. It’s the least you could do since you wouldn’t talk with me.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
The moment we walk into the suite, Tommy descends on us. “The Queen’s on the line. On Skype, Your Grace.” Anxiety rings in his voice like the ping of a tapped crystal glass. “She’s been waiting. She does’na like to be kept waiting.”
I nod briskly. “Have David bring me a scotch.”
“Oh, me too!” Henry pipes up.
“He’ll have coffee,” I tell Tommy.
And I think Henry sticks his tongue out at me behind my back.
I head into the library and he follows, seeming marginally closer to sober—at least he’s walking straight and unassisted now. I sit behind the desk and open the laptop. On the screen, my grandmother looks back at me, wearing a pale pink robe, hair in rollers and a hairnet, gray eyes piercing, her expression as friendly as the grim reaper’s.
This should be fun.
“Nicholas.” She greets me without emotion.
“Grandmother,” I return, just as flat.
“Granny!” Henry calls, like a child, coming around the desk into view. Then he proceeds to hug the computer and kiss the screen.
“Mwah! Mwah!”
“Henry, oh, Hen—” My grandmother swats the air with her hands, like he’s actually there kissing her.
And I do my damnedest not to laugh at them.
“Mwah!”
“Henry! Remember yourself! My gracious!”
“Mmmmmwah!” He perches, grinning like a fool, on the arm of my chair, forcing me to shift over. “I’m sorry, Grandmother—it’s just so good to see you
”
”
Emma Chase (Royally Screwed (Royally, #1))
“
But then Azriel approached her. Nesta had blinked at the gift the shadowsinger set in her lap. 'I didn't get you anything,' she murmured to Az, her cheeks turning rosy.
'I know,' he said, smiling. 'I don't mind.'
...
...his gaze snagged on Nesta's fingers as she opened the small box. She peered at what was inside, then looked at Azriel in confusion. 'What is it?'
Azriel plucked up the small folded silver wand within and unfurled it. One end held a clip, the other a small glass sphere. 'You can attach this to whatever book you're reading, and the little ball of faelight will shine. So you don't have to squint when you're reading at night.'
Nesta touched the glass ball, no bigger than her thumbnail, and faelight flickered within, casting a bright, easy glow upon her lap. She tapped it again and it turned off. And then she jumped to her feet and flung her arms around Azriel.
The room went silent for a beat.
But Azriel chuckled and squeezed her gently. Cassian smiled to see it- to see them. 'Thank you,' Nesta said, quickly pulling away to marvel at the device. 'It's brilliant.'
Azriel blushed and stepped back, shadows swirling.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Rooster here has missed Ned a few times himself, horse and all,' said the captain. 'I reckon his is on his way now to missing him again.'
Rooster was holding a bottle with a little whiskey in it. He said, 'You keep on thinking that.' He drained off the whiskey in about three swallows and tapped the cork back in and tossed the bottle up in the air. He pulled his revolver and fired at it twice and missed. The bottle fell and rolled and Rooster shot at it two or three more times and broke it on the ground. He got out his sack of cartridges and reloaded his pistol. He said, 'The Chinaman is running them cheap shells in on me again.'
LaBoeuf said, 'I thought maybe the sun was in your eyes. That is to say, your eye.'
Rooster swung the cylinder back in his revolver and said, 'Eyes, is it? I'll show you eyes!' He jerked the sack of corn dodgers free from his saddle baggage. He got one of the dodgers out and flung it in the air and fired at it and missed. Then he flung another one up and he hit it. The corn dodger exploded. He was pleased with himself and he got a fresh bottle of whiskey from his baggage and treated himself to a drink.
LaBoeuf pulled one of his revolvers and got two dodgers out of the sack and tossed them both up. He fired very rapidly but he only hit one. Captain Finch tried it with two and missed both of them. Then he tried with one and made a successful shot. Rooster shot at two and hit one. They drank whiskey and used up about sixty corn dodgers like that. None of them ever hit two at one throw with a revolver but Captain Finch finally did it with his Winchester repeating rifle, with somebody else throwing. It was entertaining for a while but there was nothing educational about it. I grew more and more impatient with them.
I said, 'Come on, I have had my bait of this. I am ready to go. Shooting cornbread out here on this prairie is not taking us anywhere.'
By then Rooster was using his rifle and the captain was throwing for him. 'Chunk high and not so far out this time,' said he.
”
”
Charles Portis (True Grit)
“
There.You're officially Canadian. Try not to abuse your new power."
"Whatever.I'm totally going out tonight."
"Good." He slows down. "You should."
We're both standing still. He's so close to me.His gaze is locked on mine, and my heart pounds painfully in my chest. I step back and look away. Toph. I like Toph,not St. Clair. Why do I have to keep reminding myself of this? St. Clair is taken.
"Did you paint these?" I'm desperate to change the mood. "These above your bed?" I glance back,and he's still staring at me.
He bites his thumbnail before replying. His voice is odd. "No.My mum did."
"Really? Wow,they're good. Really, really...good."
"Anna..."
"Is this here in Paris?"
"No,it's the street I grew up on. In London."
"Oh."
"Anna..."
"Hmm?" I stand with my back to him, trying to examine the paintings. They really are great. I just can't seem to focus. Of course it's not Paris. I should've known-
"That guy.Sideburns.You like him?"
My back squirms. "You've asked me that before."
"What I meant was," he says, flustered. "Your feelings haven't changed? Since you've been here?"
It takes a moment to consider the question. "It's not a matter of how I feel," I say at last. "I'm interested,but...I don't know if he's still interested in me."
St. Clair edges closer. "Does he still call?"
"Yeah.I mean,not often. But yes."
"Right.Right,well," he says, blinking. "There's your answer."
I look away. "I should go.I'm sure you have plans with Ellie."
"Yes.I mean,no. I mean, I don't know. If you aren't doing any-"
I open his door. "So I'll see you later. Thank you for the Canadian citizenship." I tap the patch on my bag.
St. Clair looks strangely hurt. "No problem. Happy to be of service."
I take the stairs two at a time to my floor. What just happened? One minute we were fine,and the next it was like I couldn't leave fast enough. I need to get out of here.I need to leave the dorm. Maybe I'm not a brave American,but I think I can be a brave Canadian.I grab the Pariscope from inside my room and jog downstairs.
I'm going to see Paris.Alone.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Some of the leaders of the backlash said their name was an acronym for “Taxed Enough Already.” Maybe this was true at first. But the Tea Party was soon infused with paranoia that had nothing to do with taxes. While the ugliness caught Washington observers by surprise, anyone who had spent time in a battleground state recognized it instantly. Back in Ohio, volunteers had been told to check boxes corresponding to a voter’s most important issue: economy, environment, health care. But what box were you supposed to check when a voter’s concern was that Obama was a secret Muslim? Or a terrorist? Or a communist? Or the actual, literal Antichrist? How could you convince a voter whose pastor told them your candidate would bring about the biblical end of days? Other people were just plain racist. Outside an unemployment center in Canton, a skinny white man with stringy hair and a ratty T-shirt told me he would never, ever support my candidate. When I asked why, he took two fingers and tapped them against the veiny underside of his forearm. At first I didn’t understand. “You won’t vote for Obama because you’re a heroin addict?” It took me at least ten seconds to realize he was gesturing to the color of his skin.
”
”
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
“
It’s crucial to understand that ordinarily the FBI applies for a wiretap separately from the National Security Agency. The NSA had tapped my phones for years, going back to the 1993 World Trade Center attack. But those wire taps would not automatically get shared with the FBI, unless the Intelligence Community referred my activities for a criminal investigation. The FBI took no such action. Instead—by coincidence I’m sure, the FBI started its phone taps exactly when the Senate Foreign Relations Committee planned a series of hearings on Iraq in late July, 2002.212 That timing suggests the FBI wanted to monitor what Congress would learn about the realities of Pre-War Intelligence, which contradicted everything the White House was preaching on FOX News and CNN. In which case, the Justice Department discovered that I told Congress a lot—and Congress rewarded the White House by pretending that I had not said a word. But phone taps don’t lie. Numerous phone conversations with Congressional offices show that I identified myself as one of the few Assets covering Iraq.213 Some of my calls described the peace framework, assuring Congressional staffers that diplomacy could achieve the full scope of results sought by U.S policymakers.
”
”
Susan Lindauer (EXTREME PREJUDICE: The Terrifying Story of the Patriot Act and the Cover Ups of 9/11 and Iraq)
“
He laughed. “I’m never forgettin’, so….”
“So what you’re saying is we’re doing this?”
“Yeah, because I’m not forgettin’ you used to like me—”
“Oh hell no.” I rolled onto my hip and freaking went for him.
Not for his head but for his ribs. His weak spot.
“What the fuck, Bianca!” Zac literally fucking shouted as he threw his body and head back against the headboard, his arms slamming down into place against his ribs… and my fingers.
I cackled, digging my fingers even deeper into his sides. “You remember now? Who’s your daddy, huh?”
Those big, strong arms jerked up and down along his sides, trying to disengage me as he tried to melt into the headboard to get away from me. “You said you were gonna noogie me! What the hell are you doing? Stop it!”
“Duh. Ouch!”
He instantly stopped moving, and so did I in surprise that he’d actually stopped after his elbow clipped one of the bones on my wrist.
Zac’s face was flushed red, eyes bright, and I decided to take pity on him. So I smiled, keeping my fingers where they were but not digging in anymore. “You thought I didn’t remember?” I asked him before dipping my face in even closer. Then I whispered, like a psycho, “I remember everything.” I tapped my fingers lightly along his sides, feeling him flinch. “Especially you being ticklish.”
Those blue eyes bore into mine, and his mouth went damn near flat. Zac’s voice was almost a whisper too as he said, “Did you ask me who my daddy is?”
I nodded gravely.
His voice was still a whisper when he went on with, “You’re my daddy now, I guess.”
Pulling my fingers away, I sat back on my knees and laughed. “Deal. I promise not to use that against you unless I have to.”
His nostrils flared, and he stared at me right in the eyes as he said, still quietly, “Bianca.”
“Yes?”
“I remember things too.”
What?
Before I could process who this man was, what he did for a living, and what talents he’d polished over the years, he came at me with one of those hands that were lightning fast and accurate. Zac licked the tip of his index finger and shoved that turd into my ear just as I started yelling, “Don’t you dare!”
He dared.
”
”
Mariana Zapata (Hands Down)
“
So we call upon the author to explain
(Doop doop doop doop dooop)
Our myxomatoid kids spraddle the streets, we've shunned them from the greasy-grind The poor little things, they look so sad and old as they mount us from behind I ask them to desist and to refrain And then we call upon the author to explain (Doop doop doop doop dooop)Rosary clutched in his hand, he died with tubes up his nose
And a cabal of angels with finger cymbals chanted his name in code
We shook our fists at the punishing rain And we call upon the author to explain (Doop doop doop doop dooop)
He said everything is messed up around here, everything is banal and jejune
There is a planetary conspiracy against the likes of you and me in this idiot constituency of the moon
Well, he knew exactly who to blame
And we call upon the author to explain
(Doop doop doop doop dooop)
Prolix! Prolix! Nothing a pair of scissors can't fix!
Prolix! Prolix! Nothing a pair of scissors can't fix!(Doop doop doop doop dooop) Well, I go guruing down the street, young people gather round my feet Ask me things, but I don't know where to start They ignite the power-trail ssstraight to my father's heart And once again I call upon the author to explain (Doop doop doop doop dooop ...)We call upon the author to explain Who is this great burdensome slavering dog-thing that mediocres my every thought? I feel like a vacuum cleaner, a complete sucker, it's fucked up and he is a fucker But what an enormous and encyclopaedic brain
I call upon the author to explain
(Doop doop doop doop dooop ...) Oh rampant discrimination, mass poverty, third world debt, infectious diseease
Global inequality and deepening socio-economic divisions Well, it does in your brain And we call upon the author to explain (Doop doop doop doop dooop ...) Now hang on, my friend Doug is tapping on the window (Hey Doug, how you been?) Brings me back a book on holocaust poetry complete with pictures Then tells me to get ready for the rain And we call upon the author to explain (Doop doop doop doop dooop ...) I say prolix! Prolix! Something a pair of scissors can fix
Bukowski was a jerk! Berryman was best!
He wrote like wet papier mache, went the Heming-way weirdly on wings and with maximum pain We call upon the author to explain (Doop doop doop doop dooop ...) Down in my bolthole I see they've published another volume of unreconstructed rubbish "The waves, the waves were soldiers moving". Well, thank you, thank you, thank you
And again I call upon the author to explain Yeah, we call upon the author to explain Prolix! Prolix! There's nothing a pair of scissors can't fix!
”
”
Nick Cave
“
Is anyone else coming?” I asked him when he didn’t say anything after setting his glass back down on the table. I’d overheard a couple of the guys talking about Rip’s half-hearted invitation when I had taken a bathroom break, but I hadn’t heard more than that.
His gaze hadn’t left mine from the moment he had spotted me, and it didn’t go anywhere as he shrugged and said, “Doubt it.”
I must have made a face because he added, casually, “I’m not exactly anybody’s favorite, Luna.”
The smile fell right off my mouth, and I couldn’t help but frown at him. At the harshness of his words. At the… fact-like nature of them. That wasn’t very nice for him to assume. That wasn’t very nice to assume at all, and it bothered me… even if it was true that Mr. Cooper was my favorite person at the shop. And I was his. And Miguel’s—
Crap.
“I’m sure—“ I started before getting cut off.
“I’m not,” he told me, tapping his short fingernails against the glass. Rip tipped his chin up a millimeter, giving me a slightly better view of the shading tucked up against his jawline. He swallowed, everything about his body language saying that he was telling me these words in this way because it wasn’t a big deal to him. He didn’t care. Why should he? His body said.
His next words confirmed it. “I’m not around to be anybody’s friend.”
All righty then.
I wanted to tell him something that would make it seem that it wasn’t like anyone hated him or disliked him.
Most of the guys were just… wary.
Even I was wary, and he didn’t scare or intimidate me… unless I screwed up.
But I didn’t know what to say to that comment. I hated liars as much as I hated aggressive drunk people and cooked carrots. So I did the only thing I could think of: I smiled at him and shrugged. He didn’t look even a little put out or hurt by what he’d been saying. Who was I to make it a big deal if he claimed he didn’t care? “Did you like your cake?
”
”
Mariana Zapata (Luna and the Lie)
“
Don't look at me like that."
"Like what?" I arch an eyebrow.
His gaze flashes to mine. "Like you're thinking about the sparring gym last night."
"Well, now that you mention it." My tongue flicks over my lower lip, remembering how his hips pinned mine to the mat after everyone had left for the night. How close we both came to giving in to the pulsing need between us.
His jaw flexes, and his grip tightens on his fork. "Seriously. I can't think when you look at me like that."
"You're the one with the ridiculous rule about not falling for each other," I remind him.
"You're still looking." He forces his attention back to his plate.
"You make it hard to look away." I miss his mouth on my skin, the feel of his body pressed against mine. I miss the look on his face when he watched me come undone. But I miss the feeling of him curled around me in sleep more.
"I'm over here keeping my hands and memories to myself because you asked me to, and you're fucking me with your eyes. That's not playing fair."
"Told you to stop staring." There's laughter in his voice, but his face is as expressionless as ever.
I tap my fork on my plate in pure frustration. You know what. Fuck this. Two can play at this game.
"If you'd just man up and admit there's something between us, I would strip down to my skin so you could see every single inch of me. And once I had you begging, I'd drop down to my knees, undo those flight leathers you're wearing, and wrap my lips around—"
Xaden chokes.
Every head in the dining hall turns his way, and Garrick pounds on his back until Xaden waves him off, taking a drink of his water.
I grin, which earns me about six looks of confusion from our table and one set of rolled eyes from Liam.
"You're going to be the death of me
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
Imagine you're in a rowing boat on a lake.
It's summer, early morning. That time when the sun hasn't quite broken free of the landscape and long, projected shadows tigerstripe the light. The rays are warm on your skin as you drift through them, but in the shadows the air is still cold, greyness holding onto undersides and edges wherever it can.
A low clinging breeze comes and goes, racing ripples across the water and gently rocking you and your boat as you float in yin-yang slices of morning. Birds are singing. It's a sharp, clear sound, clean without the humming backing track of a day well underway. There's the occasional sound of wind in leaves and the occasional slap-splash of a larger wavelet breaking on the side of your boat, but nothing else.
You reach over the side and feel the shock of the water, the steady bob of the lake's movement playing up and down your knuckles in a rhythm of cold. You pull your arm back; you enjoy the after-ache in your fingers. Holding out your hand, you close your eyes and feel the tiny physics of gravity and resistance as the liquid finds routes across your skin, builds itself into droplets of the required weight, then falls, each drop ending with an audible tap.
Now, right on that tap - stop. Stop imagining. Here's the real game. Here's
what's obvious and wonderful and terrible all at the same time: the lake in my head, the lake I was imagining, has just become the lake in your head. It doesn't matter if you never know me, or never know anything about me. I could be dead, I could have been dead a hundred years before you were even born and still - think about this carefully, think past the obvious sense of it to the huge and amazing miracle hiding inside - the lake in my head has become the lake in your head.
”
”
Steven Hall (The Raw Shark Texts)
“
The Party's all-around intrusion into people's lives was the very point of the process known as 'thought reform." Mao wanted not only external discipline, but the total subjection of all thoughts, large or small. Every week a meeting for 'thought examination' was held for those 'in the revolution." Everyone had both to criticize themselves for incorrect thoughts and be subjected to the criticism of others.The meetings tended to be dominated by self-righteous and petty-minded people, who used them to vent their envy and frustration; people of peasant origin used them to attack those from 'bourgeois' backgrounds. The idea was that people should be reformed to be more like peasants, because the Communist revolution was in essence a peasant revolution. This process appealed to the guilt feelings of the educated; they had been living better than the peasants, and self-criticism tapped into this.Meetings were an important means of Communist control. They left people no free time, and eliminated the private sphere. The pettiness which dominated them was justified on the grounds that prying into personal details was a way of ensuring thorough soul-cleansing. In fact, pettiness was a fundamental characteristic of a revolution in which intrusiveness and ignorance were celebrated, and envy was incorporated into the system of control. My mother's cell grilled her week after week, month after month, forcing her to produce endless self-criticisms.She had to consent to this agonizing process. Life for a revolutionary was meaningless if they were rejected by the Party. It was like excommunication for a Catholic. Besides, it was standard procedure. My father had gone through it and had accepted it as part of 'joining the revolution." In fact, he was still going through it. The Party had never hidden the fact that it was a painful process. He told my mother her anguish was normal.At the end of all this, my mother's two comrades voted against full Party membership for her. She fell into a deep depression. She had been devoted to the revolution, and could not accept the idea that it did not want her; it was particularly galling to think she might not get in for completely petty and irrelevant reasons, decided by two people whose way of thinking seemed light years away from what she had conceived the Party's ideology to be. She was being kept out of a progressive organization by backward people, and yet the revolution seemed to be telling her that it was she who was in the wrong. At the back of her mind was another, more practical point which she did not even spell out to herself: it was vital to get into the Party, because if she failed she would be stigmatized and ostracized.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
ON THE A TRAIN
There were no seats to be had on the A train last night, but I had a good grip on the pole at the end of one of the seats and I was reading the beauty column of the Journal-American, which the man next to me was holding up in front of him. All of a sudden I felt a tap on my arm, and I looked down and there was a man beginning to stand up from the seat where he was sitting. "Would you like to sit down?" he said. Well, I said the first thing that came into my head, I was so surprised and pleased to be offered a seat in the subway. "Oh, thank you very much," I said, "but I am getting out at the next station." He sat back and that was that, but I felt all set up and I thought what a nice man he must be and I wondered what his wife was like and I thought how lucky she was to have such a polite husband, and then all of a sudden I realized that I wasn't getting out at the next station at all but the one after that, and I felt perfectly terrible. I decided to get out at the next station anyway, but then I thought, If I get out at the next station and wait around for the next train I'll miss my bus and they only go every hour and that will be silly. So I decided to brazen it out as best I could, and when the train was slowing up at the next station I stared at the man until I caught his eye and then I said, "I just remembered this isn't my station after all." Then I thought he would think I was asking him to stand up and give me his seat, so I said, "But I still don't want to sit down, because I'm getting off at the next station." I showed him by my expression that I thought it was all rather funny, and he smiled, more or less, and nodded, and lifted his hat and put it back on his head again and looked away. He was one of those small, rather glum or sad men who always look off into the distance after they have finished what they are saying, when they speak. I felt quite proud of my strong-mindedness at not getting off the train and missing my bus simply because of the fear of a little embarrassment, but just as the train was shutting its doors I peered out and there it was, 168th Street. "Oh dear!" I said. "That was my station and now I have missed the bus!" I was fit to be fled, and I had spoken quite loudly, and I felt extremely foolish, and I looked down, and the man who had offered me his seat was partly looking at me, and I said, "Now, isn't that silly? That was my station. A Hundred and Sixty-eighth Street is where I'm supposed to get off." I couldn't help laughing, it was all so awful, and he looked away, and the train fidgeted along to the next station, and I got off as quickly as I possibly could and tore over to the downtown platform and got a local to 168th, but of course I had missed my bus by a minute, or maybe two minutes. I felt very much at a loose end wandering around 168th Street, and I finally went into a rudely appointed but friendly bar and had a martini, warm but very soothing, which cost me only fifty cents. While I was sipping it, trying to make it last to exactly the moment that would get me a good place in the bus queue without having to stand too long in the cold, I wondered what I should have done about that man in the subway. After all, if I had taken his seat I probably would have got out at 168th Street, which would have meant that I would hardly have been sitting down before I would have been getting up again, and that would have seemed odd. And rather grasping of me. And he wouldn't have got his seat back, because some other grasping person would have slipped into it ahead of him when I got up. He seemed a retiring sort of man, not pushy at all. I hesitate to think of how he must have regretted offering me his seat. Sometimes it is very hard to know the right thing to do.
”
”
Maeve Brennan
“
He works fast," Alan commented as he lifted his wine.
"David?" Shelby sent him a puzzled look. "Actually his fastest sped is crawl unless he's got a guitar in his hands."
"Really?" Alan's eyes met hers as he sipped, but she didn't understand the amusement in them. "You only stood him up tonight, and already he's planning his wedding to someone else."
"Stood him-" she began on a laugh, then remembered. "Oh." Torn between annoyance and her own sense of te ridiculous, Shelby toyed with the stem of her glass. "Men are fickle creatures," she decided.
"Apparently." Reaching over, he lifted her chin with a fingertip. "You're holding up well."
"I don't like to wear my heart on my sleeve" Exasperated, amused, she muffled a laugh. "Dammit, he would have to pick tonight to show up here."
"Of all the gin joints in all the towns..."
This time the laugh escaped fully. "Well done," Shelby told him. "I should've thought of that line myself; I heard the movie not long ago."
"Heard it?"
"Mmm-hmmm. Well..." She lifted her glass in a toast. "To broken hearts?"
"Or foolish lies?" Alan countered.
Shelby wrinkled her nose as she tapped her glass against his. "I usually tell very good ones. Besides, I did date David.Once.Tree years ago." She finished off her wine. "Maybe four.You can stop grinning in that smug, masculine way any time, Senator."
"Was I?" Rising, he offered Shelby her damp jacket. "How rude of me."
"It would've been more polite not to acknowledge that you'd caught me in a lie," she commented as they worked their way through the crowd and back into the rain. "Which you wouldn't have done if you hadn't made me so mad that I couldn't think of a handier name to give you in the first place."
"If I work my way through the morass of that sentence it seems to be my fault." Alan slipped an arm around her shoulders in so casually friendly a manner she didn't protest. "Suppose I apologize for not giving you time to think of a lie that would hold up?"
"It seems fair.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
A moment later, as he pulls away from the curb, I’m assuming the ride to school will be awkward with my sister in the back. It’s confirmed when she asks, “So what’s the deal with you and my sister?”
He laughs shortly and rubs the back of his neck like something is there, tickling, tapping.
“Tamra.” Clutching the dashboard, I turn and glare at her. “There is no deal.”
She snorts. “Well, we wouldn’t be sitting here if that was the case now, would we?”
I open my mouth to demand she end the interrogation when Will’s voice stops me.
“I like your sister. A lot.”
I look at him dumbly.
He looks at me, lowers his voice to say, “I like you.”
I know that, I guess, but heat still crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can’t stop shivering. Can’t speak. My throat hurts too much.
“Jacinda,” he says.
“I think you’ve shocked her,” Tamra offers, then sighs. “Look, if you like her, you have to make it legit. I don’t want everyone at school whispering about her like she’s some toy you get your kicks with in a stairwell.”
Now I really can’t speak. My blood burns. I already have one mother doing her best to control my life. I don’t need my sister stepping in as mother number two.
I know,” he says. “That’s what I’m trying to do now—if she’ll let me.”
I feel his gaze on the side of my face. Anxious. Waiting. I look at him. A breath shudders from me at the intensity in his eyes.
He’s serious. But then he would have to be. If he’s willing to break free of his self-imposed solitude for me, especially when he suspects there’s more to me than I’m telling him . . . he means what he’s saying.
His thumb beats a staccato rhythm on the steering wheel as he drives. “I want to be with you, Jacinda.” He shakes his head. “I’m dong fighting it.”
“Jeez,” Tamra mutters.
And I know what she means. It seems too much. The declaration extreme. Fast. After all, we’re only sixteen . . .
I start, jerk a little.
I think he’s sixteen.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
You’re a werewolf,” said Nemane. “Samuel Cornick.” There was a pause. “The Marrok is Bran Cornick.” I kept my gaze on Samuel. “I was just explaining to Dr. Altman why it would be inadvisable for them to eliminate me even though I’m sticking my nose in their business.” Comprehension lit his eyes, which he narrowed at the fae. “Killing Mercy would be a mistake,” he growled. “My da had Mercy raised in our pack and he couldn’t love Mercy more if she were his daughter. For her he would declare open war with the fae and damned be the consequences. You can call him and ask, if you doubt my word.” I’d expected Samuel to defend me—and the fae could not afford to hurt the son of the Marrok, not unless the stakes were a lot higher. I’d counted on that to keep Samuel safe or I’d have found some way to keep him out of it. But the Marrok… I’d always thought I was an annoyance, the only one Bran couldn’t count on for instant obedience. He’d been protective, still was—but his protective instinct was one of the things that made him dominant. I’d thought I was just one more person he had to take care of. But it was as impossible to doubt the truth in Samuel’s voice as it was to believe that he’d be mistaken about Bran. I was glad that Samuel was focused on Nemane, who had risen to her feet when Samuel began speaking. While I blinked back stupid tears, she leaned on the walking stick and said, “Is that so?” “Adam Hauptman, the Columbia Basin Pack’s Alpha, has named Mercy his mate,” continued Samuel grimly. Nemane smiled suddenly, the expression flowing across her face, giving it a delicate beauty I hadn’t noticed before. “I like you,” she said to me. “You play an underhanded and subtle game—and like Coyote, you shake up the order of the world.” She laughed. “Coyote indeed. Good for you. Good for you. I don’t know what else you’ll run into—but I’ll let the Others know what they are dealing with.” She tapped the walking stick on the floor twice. Then, almost to herself, she murmured, “Perhaps…perhaps this won’t be a disaster after all.
”
”
Patricia Briggs (Iron Kissed (Mercy Thompson, #3))
“
I once read the most widely understood word in the whole world is ‘OK’, followed by ‘Coke’, as in cola. I think they should do the survey again, this time checking for ‘Game Over’.
Game Over is my favorite thing about playing video games. Actually, I should qualify that. It’s the split second before Game Over that’s my favorite thing.
Streetfighter II - an oldie but goldie - with Leo controlling Ryu. Ryu’s his best character because he’s a good all-rounder - great defensive moves, pretty quick, and once he’s on an offensive roll, he’s unstoppable. Theo’s controlling Blanka. Blanka’s faster than Ryu, but he’s really only good on attack. The way to win with Blanka is to get in the other player’s face and just never let up. Flying kick, leg-sweep, spin attack, head-bite. Daze them into submission.
Both players are down to the end of their energy bars. One more hit and they’re down, so they’re both being cagey. They’re hanging back at opposite ends of the screen, waiting for the other guy to make the first move. Leo takes the initiative. He sends off a fireball to force Theo into blocking, then jumps in with a flying kick to knock Blanka’s green head off. But as he’s moving through the air he hears a soft tapping. Theo’s tapping the punch button on his control pad. He’s charging up an electricity defense so when Ryu’s foot makes contact with Blanka’s head it’s going to be Ryu who gets KO’d with 10,000 volts charging through his system.
This is the split second before Game Over.
Leo’s heard the noise. He knows he’s fucked. He has time to blurt ‘I’m toast’ before Ryu is lit up and thrown backwards across the screen, flashing like a Christmas tree, a charred skeleton. Toast.
The split second is the moment you comprehend you’re just about to die. Different people react to it in different ways. Some swear and rage. Some sigh or gasp. Some scream. I’ve heard a lot of screams over the twelve years I’ve been addicted to video games.
I’m sure that this moment provides a rare insight into the way people react just before they really do die. The game taps into something pure and beyond affectations. As Leo hears the tapping he blurts, ‘I’m toast.’ He says it quickly, with resignation and understanding. If he were driving down the M1 and saw a car spinning into his path I think he’d in react the same way.
Personally, I’m a rager. I fling my joypad across the floor, eyes clenched shut, head thrown back, a torrent of abuse pouring from my lips.
A couple of years ago I had a game called Alien 3. It had a great feature. When you ran out of lives you’d get a photo-realistic picture of the Alien with saliva dripping from its jaws, and a digitized voice would bleat, ‘Game over, man!’
I really used to love that.
”
”
Alex Garland
“
What the hell is all this I read in the papers?"
"Narrow it down for me," Alan suggested.
"I suppose it might have been a misprint," Daniel considered, frowning at the tip of his cigar before he tapped it in the ashtray he kept secreted in the bottom drawer of his desk. "I think I know my own flesh and blood well enough."
"Narrow it just a bit further," Alan requested, though he'd already gotten the drift.It was simply too good to end it too soon.
"When I read that my own son-my heir, as things are-is spending time fraternizing with a Campbell, I know it's a simple matter of misspelling. What's the girl's name?"
Along with a surge of affection, Alan felt a tug of pure and simple mischief. "Which girl is that?"
"Dammit,boy! The girl you're seeing who looks like a pixie.Fetching young thing from the picture I saw.Good bones; holds herself well."
"Shelby," Alan said, then waited a beat. "Shelby Campbell."
Dead silence.Leaning back in his chair, Alan wondered how long it would be before his father remembered to take a breath. It was a pity, he mused, a real pity that he couldn't see the old pirate's face.
"Campbell!" The word erupted. "A thieving, murdering Campbell!"
"Yes,she's fond of MacGregor's as well."
"No son of mine gives the time of day to one of the clan Campbell!" Daniel bellowed. "I'll take a strap to you, Alan Duncan MacGregor!" The threat was as empty now as it had been when Alan had been eight, but delivered in the same full-pitched roar. "I'll wear the hide off you."
"You'll have the chance to try this weekend when you meet Shelby."
"A Campbell in my house! Hah!"
"A Campbell in your house," Alan repeated mildly. "And a Campbell in your family before the end of the year if I have my way."
"You-" Emotions warred in him. A Campbell versus his firmest aspiration: to see each of his children married and settled, and himself laden with grandchildren. "You're thinking of marriage to a Campbell?"
"I've already asked her.She won't have me...yet," he added.
"Won't have you!" Paternal pride dominated all else. "What kind of a nitwit is she? Typical Campbell," he muttered. "Mindless pagans." Daniel suspected they'd had some sorcerers sprinkled among them. "Probably bewitched the boy," he mumbled, scowling into space. "Always had good sense before this.Aye, you bring your Campbell to me," he ordered roundly. "I'll get to the bottom of it."
Alan smothered a laugh, forgetting the poor mood that had plagued him only minutes earlier. "I'll ask her."
"Ask? Hah! You bring the girl, that daughter of a Campbell, here."
Picturing Shelby, Alan decided he wouldn't iss the meeting for two-thirds the popular vote. "I'll see you Friday, Dad.Give Mom my love."
"Friday," Daniel muttered, puffing avidly on his cigar. "Aye,aye, Friday."
As he hung up Alan could all but see his father rubbing his huge hands togther in anticipation. It should be an interesting weekened.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
I went up the stairs of the little hotel, that time in Bystřice by Benešov, and at the turn of the stairs there was a bricklayer at work, in white clothes; he was chiselling channels in the wall to cement in two hooks, on which in a little while he was going to hang a Minimax fire-extinguisher; and this bricklayer was already and old man, but he had such an enormous back that he had to turn round to let me pass by, and then I heard him whistling the waltz from The Count of Luxembourg as I went into my little room. It was afternoon. I took out two razors, and one of them I scored blade-up into the top of the bathroom stool, and the other I laid beside it, and I, too, began to whistle the waltz from The Count of Luxembourg while I undressed and turned on the hot-water tap, and then I reflected, and very quietly I opened the door a crack. And the bricklayer was standing there in the corridor on the other side of the door, and it was as if he also had opened the door a crack to have a look at me and see what I was doing, just as I had wanted to have a look at him.
And I slammed the door shut and crept into the bath, I had to let myself down into it gradually, the water was so hot; I gasped with the sting of it as carefully and painfully I sat down. And then I stretched out my wrist, and with my right hand I slashed my left wrist ... and then with all my strength I brought down the wrist of my right hand on the upturned blade I'd grooved into the stool for that purpose. And I plunged both hands into the hot water, and watched the blood flow slowly ouf of me, and the water grew rosy, and yet al the time the pattern of the red blood flowing remained so clearly perceptible, as though someone was drawing out from my wrists a long, feathery red bandage, a film, dancing veil ... and presently I thickened there in the bath, as that red paint thickened when we were painting the fence all round the state workshops, until we had to thin it with turpentine - and my head sagged, and into my mouth flowed pink raspberryade, except that it tasted slightly salty .. and then those concentric circles in blue and violet, trailing feathery fronds like coloured spirals in motion ... and then there was a shadow stooping over me, and my face was brushed lightly by a chin overgrown with stubble. It was that bricklayer in the white clothes. He hoisted me out and landed me like a red fish with delicate red fins sprouting from its wrists. I laid my head on his smock, and I heard the hissing of lime as my wet face slaked it, and that smell was the last thing of which I was conscious.
”
”
Bohumil Hrabal (Closely Observed Trains)
“
Yeah, Jules!" Chelsea said in a voice thick with envy. "Go away, you're making the rest of us look bad." She winked at Jule's date wickedly. "I bet you just want to eat her up, don't ya?"
He stared at Chelsea with bewilderment and glanced back at Jules for help.
"Just ignore her," Jules explained over the noise from the sound system. "She doesn't get out much."
Chelsea tried to look hurt by Jule's words, but she couldn't quite pull it off. "I'm just sayin', Jules, he'd better watch his back tonight, or I might be trying to take you away from him." Chelsea loved to play the potentially bi-curious card, even though everyone knew she liked boys far too much to go to bat for the other team.
"Gross!" cried Claire, who wasn't pretending at all. Claire hated it when the conversation deviated too far off her straight and narrow path. The operative word being straight.
"Don't worry, Claire-bear," Chelsea soothed condescendingly. "I'm not going to hook up with Jules." She wrapped her arm around Claire's waist and then said suggestively in he ear, "I'm much more likely to make a move on you."
"Eww!" Claire shrieked, shoving Chelsea away. "Get away from me!"
"Leave her alone, Chels," Jules interrupted. "Or you're gonna make her start her 'It's Adam and Eve not Adam and Steve' speech. And sorry, Claire, but none of us really want to hear that."
Jay pulled Violet close to him as they listened to the familiar, playful bantering. He slid his arm around her waist from behind, and let his lips gently tease her earlobe while no one was paying attention to the two of them. Violet wanted to turn around right there, in his arms, and forget this whole dance thing altogether.
"Hey!" Chelsea's voice interrupted them, and Violet jumped a little, realizing that everyone was staring at them. "Did you hear me?"
Violet leaned forward on her crutches and away from Jay, still feeling bemused by the close and intimate contact. "What?" she asked, trying to focus on what had been said.
"I said, 'I gotta pee.' Let's go to the bathroom," Chelsea repeated as if Violet were some sort of imbecile, incapable of understanding normal human speech.
"Keep it up, Chels, and none of us is gonna want to hook up with you tonight," Violet promised jokingly.
Chelsea grinned at Violet. "I like the way you think, Violet Ambrose. Maybe you'll be the lucky girl I choose.' And then she turned to Jay. "Don't worry, I've got her from here," Chelsea announced. Jules and Claire followed.
Violet laughed and glanced back at him. "I'll only be a few."
Jay gave her a skeptical look that no one else would have even noticed, as he assessed the three girls who would be escorting Violet. And then he finally nodded. "Okay, I'm gonna show these guys my car." He was beaming again. "I'll be right outside, but I won't be long."
Violet did her best to keep up with the trio ahead of her, but it was hard on one high heel and two crutches. Finally she yelled at them exasperatedly, "If you guys don't wait, I'm not going!"
They all three stopped and turned around.
Chelsea tapped her lovely silver shoe impatiently. "Hurry up, Violet, or I swear I'll take you off my list.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
But you must admit,it's taking up an inordinate amount of your time. Why it's taken us six months to have dinner together."
"Is that all?"
He misinterpreted the quiet response, and the gleam in her eyes.And leaned toward her.
She slapped a hand on his chest. "Don't even think about it.Let me tell you something,pal.I do more in one day with my school than you do in a week of pushing papers in that office your grandfather gave you between your manicures and amaretto lattes and soirees. Men like you hold no interest for me whatsoever,which is why it's taken six months for this tedious little date.And the next time I have dinner with you,we'll be slurping Popsicles in hell.So take your French tie and your Italian shoes and stuff them."
Utter shock had him speechless as she shoved open her door.As insult trickled in,his lips thinned. "Obviously spending so much time in the stables has eroded your manners, and your outlook."
"That's right, Chad." She leaned back in the door. "You're too good for me. I'm about to go up and weep into my pillow over it."
"Rumor is you're cold," he said in a quiet, stabbing voice. "But I had to find out for myself."
It stung,but she wasn't about to let it show. "Rumor is you're a moron. Now we've both confirmed the local gossip."
He gunned the engine once,and she would have sworn she saw him vibrate. "And it's a British tie."
She slammed the car door, then watched narrow-eyed as he drove away. "A British tie." A laugh gurgled up,deep from the belly and up into the throat so she had to stand, hugging herself, all but howling at the moon. "That sure told me."
Indulging herself in a long sigh, she tipped her head back,looked up at the sweep of stars. "Moron," she murmured. "And that goes for both of us."
She heard a faint click, spun around and saw Brian lighting up a slim cigar. "Lover's spat?"
"Why yes." The temper Chad had roused stirred again. "He wants to take me to Antigua and I simply have my heart set on Mozambique.Antigua's been done to death."
Brian took a contemplative puff of his cigar.She looked so damn beautiful standing there in the moonlight in that little excuse of a black dress, her hair spilling down her back like fire on silk.Hearing her long, gorgeous roll of laughter had been like discovering a treasure.Now the temper was back in her eyes,and spitting at him.
It was almost as good.
He took another lazy puff, blew out a cloud of smoke. "You're winding me up, Keeley."
"I'd like to wind you up, then twist you into small pieces and ship them all back to Ireland."
"I figured as much." He disposed of the cigar and walked to her. Unlike Chad, he didn't misinterpret the glint in her eyes. "You want to have a pop at someone." He closed his hand over the one she'd balled into a fist, lifted it to tap on his own chin. "Go ahead."
"As delightful as I find that invitation, I don't solve my disputes that way." When she started to walk away, he tightened his grip. "But," she said slowly, "I could make an exception."
"I don't like apologizing, and I wouldn't have to-again-of you'd set me straight right off."
She lifted an eyebrow.Trying to free herself from that big, hard hand would only be undignified.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))