Tapestry Of Childhood Quotes

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In the tapestry of childhood, what stands out is not the splashy, blow-out trips to Disneyland but the common threads that run throughout and repeat: the family dinners, nature walks, reading together at bedtime, Saturday morning pancakes.
Kim John Payne
Suddenly, from all the green around you, something-you don't know what-has disappeared; you feel it creeping closer to the window, in total silence. From the nearby wood you hear the urgent whistling of a plover, reminding you of someone's Saint Jerome: so much solitude and passion come from that one voice, whose fierce request the downpour will grant. The walls, with their ancient portraits, glide away from us, cautiously, as though they weren't supposed to hear what we are saying. And reflected on the faded tapestries now; the chill, uncertain sunlight of those long childhood hours when you were so afraid. - Before Summer Rain
Rainer Maria Rilke
Meaning hides in repetition: We do this every day or every week because it matters. We are connected by this thing we do together. We matter to one another. In the tapestry of childhood, what stands out is not the splashy, blow-out trip to Disneyland but the common threads that run throughout and repeat: the family dinners, nature walks, reading together at bedtime (with a hot water bottle at our feet on winter evenings), Saturday morning pancakes.
Lisa M. Ross (Simplicity Parenting: Using the Extraordinary Power of Less to Raise Calmer, Happier, and More Secure Kids)
Sifting through long forgotten stories of my childhood and writing on a daily basis, I became obsessed with following the threads of my memories, one leading to another. I start pulling on a single, seemingly trivial strand, only to discover it is attached to a longer strand; that one in turn is attached to an even bigger one. Sometimes, I find have tugged a whole, hidden tapestry of my past into view, one thread at a time.
Alice Bag
Oh scattered band, once my playmates, you few Who were amidst the gardens here and there in the city, How hesitantly we located one another, took fancies and Like the tapestry lamb whose mute words are on a scroll, Spoke through silence. Our little joys were Never communicated, - Whose indeed were they? And among all the passers-by, those hurriers, how it all Evanesced quite away, weighed down by the torment of the endless year. Past us were drawn the carriages, wholly indifferent, Round us the houses stood strong but not real, - and none Of these were aware of us. What was truly real in it all? Nothing. Only the balls we tossed, their magnificent arcs, But certainly not the children. ... Though sometimes one would step - Alas, one who would soon be lost, - beneath a falling ball.
Rainer Maria Rilke (Sonnets to Orpheus)
There is a third premise of the recovery movement that I do endorse enthusiastically: The patterns of problems in childhood that recur into adulthood are significant. They can be found by exploring your past, by looking into the corners of your childhood. Coming to grips with your childhood will not yield insight into how you became the adult you are: The causal links between childhood events and what you have now become are simply too weak. Coming to grips with your childhood will not make your adult problems go away: Working through the past does not seem to be any sort of cure for troubles. Coming to grips with your childhood will not make you feel any better for long, nor will it raise your self-esteem. Coming to grips with childhood is a different and special voyage. The sages urged us to know ourselves, and Plato warned us that the unexamined life is not worth living. Knowledge acquired on this voyage is about patterns, about the tapestry that we have woven. It is not knowledge about causes. Are there consistent mistakes we have made and still make? In the flush of victory, do I forget my friends—in the Little League and when I got that last big raise? (People have always told me I'm a good loser but a bad winner.) Do I usually succeed in one domain but fail in another? (I wish I could get along with the people I really love as well as I do with my employers.) Does a surprising emotion arise again and again? (I always pick fights with people I love right before they have to go away.) Does my body often betray me? (I get a lot of colds when big projects are due.) You probably want to know why you are a bad winner, why you get colds when others expect a lot of you, and why you react to abandonment with anger. You will not find out. As important and magnetic as the “why” questions are, they are questions that psychology cannot now answer. One of the two clearest findings of one hundred years of therapy is that satisfactory answers to the great “why” questions are not easily found; maybe in fifty years things will be different; maybe never. When purveyors of the evils of “toxic shame” tell you that they know it comes from parental abuse, don't believe them. No one knows any such thing. Be skeptical even of your own “Aha!” experiences: When you unearth the fury you felt that first kindergarten day, do not assume that you have found the source of your lifelong terror of abandonment. The causal links may be illusions, and humility is in order here. The other clearest finding of the whole therapeutic endeavor, however, is that change is within our grasp, almost routine, throughout adult life. So even if why we are what we are is a mystery, how to change ourselves is not. Mind the pattern. A pattern of mistakes is a call to change your life. The rest of the tapestry is not determined by what has been woven before. The weaver herself, blessed with knowledge and with freedom, can change—if not the material she must work with—the design of what comes next.
Martin E.P. Seligman (What You Can Change and What You Can't: The Complete Guide to Successful Self-Improvement)
I often think of life as a great darkened room with a mammoth-sized tapestry fastened to a stone wall. I believe true peace can be achieved not in viewing the whole tapestry, but in accepting without bitterness those portions we have been afforded the luxury to see.
Chip St. Clair (The Butterfly Garden: Surviving Childhood on the Run with One of America's Most Wanted)
No, mon ami, I am not in my second childhood! I steady my nerves, that is all.’ The Mysterious Affair at Styles - Agatha Christie
Isabella Muir (The Tapestry Bag: Sleuthing amid the highs and lows of 1960s England... (A Janie Juke Mystery Book 1))
Needles—sharps, betweens, milliner’s, darners, tapestry, embroidery, beading, for all that must be pierced and adorned and joined together Pin cushion, apple-shaped, with a felt stem, to keep pins from getting lost Thimble, your mother’s, gold, on a chain, a tiny loop soldered to the top; wear it on your index finger so you won’t prick yourself, or around your neck, to remember Measuring tape, for determining shape and size, yards, inches, centimeters, the distance from here to there Thread—mercerized, nylon silk, textured, floss Fabric, swatches and yards and bolts, wool, silk, linen, net, whatever will come next, whatever will be made The pattern? Will it come from a drawer at the fabric store—McCall’s, Butterick, Simplicity, names from your childhood, the instructions in an envelope, the outcome preordained? Or will you make it up as you
Heather Barbieri (The Lace Makers of Glenmara)
The tune of truth resounded in the hinterland of my mind, crooning to me that the tapestry of the past had long since been unraveled, that the threads of childhood bliss had been reassembled into quilts of angst and stress. Clinging to the past was like trying to hold on to water. But it was comforting to know that at one point in time, all of us had welcomed each day with cheers. All of us had loved life more than we craved death.
Phoenix Ning (Scarlet Butterfly)