Taper Quotes

The taste for books was an early one. As a child he was sometimes found at midnight by a page still reading. They took his taper away, and he bred glow-worms to serve his purpose. They took the glow-worms away and he almost burnt the house down with a tinder.

If we just see life as we think it is and we perceive things only from our own tapered point of view and don't learn the idioms of the others, life is doomed to remain a misconstruction. ("Waiting for the smoke signals")

In Blackwater Woods Look, the trees are turning their own bodies into pillars of light, are giving off the rich fragrance of cinnamon and fulfillment, the long tapers of cattails are bursting and floating away over the blue shoulders of the ponds, and every pond, no matter what its name is, is nameless now. Every year everything I have ever learned in my lifetime leads back to this: the fires and the black river of loss whose other side is salvation, whose meaning none of us will ever know. To live in this world you must be able to do three things: to love what is mortal; to hold it against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go.

Glass shattered, vampires roared, humans screamed. The noise battered at me, just as the tidal wave of scores of brains at high gear washed over me. When it began to taper off, I looked up into Eric's eyes. Incredibly, he was excited. He smiled at me. "I knew I'd get on top of you somehow," he said. Are you trying to make me mad so I'll forget how scared I am?" No, I'm just opportunistic." I wiggled, trying to get out from under him, and he said, "Oh, do that again. It felt great.

He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me.

She had a bracelet on one taper arm, which would fall down over her round wrist. Mr. Thornton watched the replacing of this troublesome ornament with far more attention than he listened to her father. It seemed as if it fascinated him to see her push it up impatiently, until it tightened her soft flesh; and then to mark the loosening—the fall. He could almost have exclaimed—'There it goes, again!

Starlight and comet tails burned the tips of endless grass below into hammered silver. Like thousands of tapers in the chapel, just blown out but still glowing. If one could drown in the grass...it might be the best way to die.

He lifted his head, the sight of his dark, disheveled hair, eyes glinting with longing in the lamp light, the gorgeous spread of his shoulders, tapering down to the narrow thrust of his hips, made my ovaries ache deep in my belly.

Sweet baby Jesus, Blue Eyes was… He was gorgeous in all the ways that made girls do stupid things. He was tall, a good head or two taller than me and broad at the shoulders, but tapered at the waist. An athlete’s body—like a swimmer’s. Wavy black hair toppled over his forehead, brushing matching eyebrows. Broad cheekbones and wide, expressive lips completed the package created for girls to drool over. And with those sapphire-colored eyes, holy moley…

There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain.

Look, the trees are turning their own bodies into pillars of light, are giving off the rich fragrance of cinnamon and fulfillment, the long tapers of cattails are bursting and floating away over the blue shoulders of the ponds, and every pond, no matter what its name is, is nameless now. Every year everything I have ever learned in my lifetime leads back to this: the fires and the black river of loss whose other side is salvation, whose meaning none of us will ever know. To live in this world you must be able to do three things: to love what is mortal; to hold it against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go.

A truly good book is something as natural, and as unexpectedly and unaccountably fair and perfect, as a wild flower discovered on the prairies of the West or in the jungles of the East. Genius is a light which makes the darkness visible, like the lightning’s flash, which perchance shatters the temple of knowledge itself,--and not a taper lighted at the hearth-stone of the race, which pales before the light of common day.

bullshit job into five categories. I will call these: flunkies, goons, duct tapers, box tickers, and taskmasters.

A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister. Jules, Helen had called him. Her little brother. The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids. The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart. “Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.” Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd. “Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?

Softly the breezes from the forest came, Softly they blew aside the taper's flame; Clear was the song from Philomel's far bower; Grateful the incense from the lime-tree flower; Mysterious, wild, the far-heard trumpet's tone; Lovely the moon in ether, all alone: Sweet too, the converse of these happy mortals, As that of busy spirits when the portals Are closing in the west; or that soft humming We hear around when Hesperus is coming. Sweet be their sleep.

The jack-o-lantern follows me with tapered, glowing eyes. His yellow teeth grin evily. His cackle I despise. But I shall have the final laugh when Halloween is through. This pumpkin king I’ll split in half to make a pie for two.

In one of his darker moments, the irony started him laughing and he couldn't stop, and the sounds that came from him, before finally tapering into sobs, were so far from mirth they might have been the forced inversion of laughter-like a soul pulled inside out to reveal its rawest meats.

She’d never seen a boy with hands like that, with long, delicate fingers, beautiful but still masculine. His fingernails were long too, almost crystalline, tapered to points. They were the kind of hands you’d expect to see under lace cuffs, like Mozart or something.

How is it that everything must begin and end with you? There you are, before sunrise, perfuming the world with your scent. Have you made a deal with the moon so that you can linger even when she tapers off? And what about the wind? Even when he has been scolded and is sitting in a corner, there you are, my calm before the storm. Despite the inevitable destruction and my ruin, there you are again, my calm after the storm. I must, I really must know: 'How is it that there was never you until there was and then all was you?

Didn’t I stand there once, white-knuckled, gripping the just-lit taper, swearing I’d never go back? And hadn’t you kissed the rain from my mouth? And weren’t we gentle and awed and afraid, knowing we’d stepped from the room of desire into the further room of love? And wasn’t it sacred, the sweetness we licked from each other’s hands? And were we not lovely, then, were we not as lovely as thunder, and damp grass, and flame?

The glorious transmutation of autumn had come on: all the vast Canadian shores were clothed with a splendour never seen in France; to which all the pageants of all the kings were as a taper to the sun.

Anyone who takes opioids on a regular basis will become dependent upon them, meaning they will have to taper off gradually to avoid withdrawal symptoms. But very few chronic pain patients exhibit the compulsive drug-seeking behaviors of someone who is addicted.

«He grins and straightens, wings high and regal behind him. I glare at his costume. It’s so typical him. A mix of medieval and rock star: brown leather forearm guards with studs over a ruffle-cuffed white shirt, and a cavalier doublet in burgundy with a gold lace overlay. The hem hits above his muscled thighs, so the skintight burgundy hose taper smoothly into knee-high brown boots, leaving nothing to the imagination. Worst of all, he has a crown. He dressed as a fairy king. The irony doesn’t escape me. I scowl. “Problem, luv?” He looks down on me from behind a gold lace half mask while adjusting the ruby-jeweled crown over his blue hair with velvet-clad hands. Tiny moth corpses are suspended in the rubies, like stained-glass fossils. I shake my head. “I’m pretty sure you’ll be the only one wearing anything tight enough to need a codpiece. Always have to be the showstopper, don’t you?” “Oh, I assure you, what I chose to show is only the start.»

For 3 days after death hair and fingernails continue to grow but the phone calls taper off.

It was dusk, on a Friday. The battered skeletons of trees tapered against the fresh starlight in No Man's Land. The sky offered curious glimpses of beauty, from time to time. The men wrote about it in their letters, describing sunsets in painstaking detail to their families, as if there was nothing to see at the front but crimson clouds and dusted rays of golden light.

The Earl and Countess of Langford!" That announcement caused an immediate reaction among the inhabitants of the ballroom, who began looking at one another in surprise and then turned to the balcony, but it was nothing compared to the reaction among the small group of seven people who'd been keeping a vigil of hope. A jolt went through the entire group; hands reached out blindly and were clasped tightly by other hands; faces lifted to the balcony, while joyous smiles dawned brightly and eyes misted with tears. Attired in formal black evening clothes with white waistcoat and frilled white shirt, Stephen Westmoreland, Earl of Langford, was walking across the balcony. On his arm was a medieval princess clad in a pearl-encrusted ivory satin gown with a low, square bodice that tapered to a deep V at the waist. A gold chain with clusters of diamonds and pearls in each link rode low on her hips, sawying with each step, and her hair tumbled in flaming waves and heavy curls over her shoulders and back.

Carter Reed was their obsession. He was gorgeous with wolf-like blue eyes, chiseled cheekbones, and broad shoulders that tapered to a thin waist.

There was something about the smell of books, the ink-and-paper-and-leather scent, the way dust in a library seemed to behave differently from the dust in any other room -- it was golden in the light of the witchlight tapers, setting like pollen across the polished surfaces of long tables.

I have journeyed back in thought --with thought hopelessly tapering off as I went-- to remote regions where I groped for some secret outlet only to discover that the prison of time is spherical and without exits. Short of suicide I have tried everything.

For three days after death hair and fingernails continue to grow but phone calls taper off.

Thus we see how that the spine of even the hugest of living things tapers off at last into simple child's play.

A bright light is not necessary, a taper is all one needs to live in strangeness, if it faithfully burns.

Haris...as a naive migrant who just moved here, relying on you tapered worries.

On older trees still than these huge lobes of fungi grew like lungs. Here, as everywhere, the Unfulfilled Intention, which makes life what it is, was as obvious as it could be among the depraved crowds of a city slum. The leaf was deformed....the taper was interrupted..and the ivy slowly strangled to death the promising sapling.

I'd urge you to try German Riesling because it's delicious, but I fear you'll be more impressed if I tell you it's cutting-edge. That, after all, is what we want to know-- what's now and happening. (Do you really think clunky square-toed shoes make your feet look better than those with slimming, tapered toes? You just wear them because that's what fashion dictates, you slut.)

Thomas Jefferson explained the power of language with the help of an analogy: “He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me.”30

There is absolutely no such thing as reading but by a candle. We have tried the affectation of a book at noon-day in gardens, and in sultry arbours, but it was labor thrown away. Those gay motes in the beam come about you, hovering and teasing, like so many coquets, that will have you all to their self, and are jealous of your abstractions. By the midnight taper, the writers digests his meditations. By the same light we must approach to their perusal, if we would catch the flame, the odour.

From the first smouldering taper to the elegant lanterns whose light reverberated around eighteenth-century courtyards and from the mild radiance of those lanterns to the unearthly glow of the sodium lamps that line the Belgian motorways, it has all been combustion. Combustion is the hidden principle behind every artefact we create. The making of a fish-hook, manufacture of a china cup, or production of a television programme, all depend on the same process of combustion. Like our bodies and like our desires, the machines we have devised are possessed of a heart which is slowly reduced to embers.

Like all the other arrivals to the tournament, Hank had erected a banner in front. It was a long, tapering pennant with a blue and red circular design in the center and the words GO CUBS! on both sides. Interesting," said Hugo. "What does it mean?" It was a gift from Sam," Hank explained as they entered the tent. "He said it used to represent Triumph over Adversity, but now better represents Impossible Quests and Lost Causes." I think I preferred not knowing that," said Hugo. Hank grinned. "You're a Sox fan too, hey?

In all my wanderings through this world of care, In all my griefs -- and God has given my share -- I still had hopes, my latest hours to crown, Amidst these humble bowers to lay me down; To husband out life's taper at the close, And keep the flame from wasting, by repose: I still had hopes, for pride attends us still, Amidst the swains to show my book-learn'd skill, Around my fire an evening group to draw, And tell of all I felt, and all I saw; And, as a hare, whom hounds and horns pursue, Pants to the place from whence at first she flew, I still had hopes, my long vexations past, Here to return -- and die at home at last.

Every time he studied this instrument, with its slender, gleaming steel rod that tapered down to such needle-like sharpness, he wondered why it was necessary to have things like this in the world. If it were truly only for chopping ice, you'd think a completely different design might do. The people who produce and sell things like this don't understand, he thought. They don't realize that some of us break out in a cold sweat at just a glimpse of that shiny, pointed tip.

At the top of the cellar steps Broadman knelt down and fumbled in his tinderbox. It turned out to be damp. 'I'll kill that bloody cat,' he muttered, and groped for the spare box that was normally on the ledge by the door. It was missing. Broadman said a bad word. A lighted taper appeared in mid-air, right beside him. HERE, TAKE THIS. 'Thanks,' said Broadman. DON'T MENTION IT. Broadman went to throw the taper down the steps. His hand paused in mid-air. He looked at the taper, his brow furrowing. Then he turned around and held the taper up to illuminate the scene. It didn't shed much light, but it did give the darkness a shape . . . 'Oh, no—' he breathed. BUT YES, said Death.

Sometimes he woke with a brain like lead; at others it was as if a thousand wax tapers were alight and people were throwing fireworks inside him.

Strike on the tinder, ho! Give me a taper! Call up all my people! This accident is not unlike my dream: Belief of it oppresses me already. Light, I say, light!

Start slow, then taper off

Religion does not help me. The faith that others give to what is unseen, I give to what one can touch, and look at. My gods dwell in temples made with hands; and within the circle of actual experience is my creed made perfect and complete: too complete, it may be, for like many or all of those who have placed their heaven in this earth, I have found in it not merely the beauty of heaven, but the horror of hell also. When I think about religion at all, I feel as if I would like to found an order for those who cannot believe: the Confraternity of the Faithless, one might call it, where on an altar, on which no taper burned, a priest, in whose heart peace had no dwelling, might celebrate with unblessed bread and a chalice empty of wine. Every thing to be true must become a religion. And agnosticism should have its ritual no less than faith. It has sown its martyrs, it should reap its saints, and praise God daily for having hidden Himself from man. But whether it be faith or agnosticism, it must be nothing external to me. Its symbols must be of my own creating. Only that is spiritual which makes its own form. If I may not find its secret within myself, I shall never find it: if I have not got it already, it will never come to me.

If only we could all escape from this house of incest, where we only love ourselves in the other, if only I could save you all from yourselves, said the modern Christ. But none of us could bear to pass through the tunnel which led from the house into the world on the other side of the walls, where there were leaves on the trees, where water ran beside the paths, where there was daylight and joy. We could not believe that the tunnel would open on daylight: we feared to be trapped into darkness again; we feared to return whence we had come, from darkness and night. The tunnel would narrow and taper down as we walked; it would close around us, and close tighter and tighter around us and stifle us. It would grow heavy and narrow and suffocate us as we walked.

Ruxandra pulled the blanket down just far enough to see the two girls shut the door behind them, stuff something under it to block any light, and throw a blanket over the shutters. A flint sparked one, twice, and a taper flared to life, lighting the faces of her friends. Adela was a short blonde whose breasts pushed against her nightdress and were the despair of the nuns’ attempts to instill modesty. Her parents had sent her to the convent in desperate hopes to keep her from scandal. And between her sweet, round face and her ability to lie shamelessly, she almost managed to make the nuns believe they were being successful. Valeria was slim and dark, a mischief-maker whose pranks had gotten her in trouble more than once. They were both her lovers. Adela called it practice for when they had husbands. Valeria called it wonderful. The nuns declared it a sin in no uncertain terms. And while Ruxandra did her best to obey the nuns in most matters, and to turn her thoughts to God and do his good work, she could not stop loving the girls. From the moment she’d first held Adela’s hand, she’d known that, whatever else their feelings were for each other, they were too sweet to be sinful.

What is the end of Fame? 't is but to fill A certain portion of uncertain paper: Some liken it to climbing up a hill, Whose summit, like all hills, is lost in vapour; For this men write, speak, preach, and heroes kill, And bards burn what they call their 'midnight taper,' To have, when the original is dust, A name, a wretched picture, and worse bust.

Again, after a blank moment, there would be a flickering taper-gleam in his eyeballs. It betokened that his spiritual part had returned, and was doing its best to kindle the heart's household fire, and light up intellectual lamps in the dark and ruinous mansion, where it was doomed to be a forlorn inhabitant.

I looked down at my body, bare in the fire’s light, and tried to imagine it written over with its history: my palm with its lightning streak, my hand missing its fingers, the thousand cuts from my witch-work, the gristled furrows of my father’s fire, the skin of my face like some half-melted taper. And those were only the things that had left marks. […] I was a golden witch, who had no past at all. 

Glowing taper in hand, she could almost imagine she was a star. Isolated. Insignificant amid the multitudes. Yet every bit as afire with heat and heart. Strange, how contemplating the vastness made her feel a little less alone. From far enough away, on some other world, perhaps she would appear to be part of a constellation.

… I do not feel that life is a downhill run. Nor do I think of it as an arc that rises steadily until it reaches its apogee, tapers, and arches back to earth. The fate we choose is inscribed in multiple flights. Some follow the gravity of rise and fall, while others - those of the spirit for example - may never head downward, but climb steadily to the end, where they just drop cliff-like into the dark. Consequently, there is no right time for last words, no point of demarcation for our adieux. There is no designated moment to set down the summary thoughts of a mind still counting. Whether you begin to die at the beginning … or whether you burn brightly to the end, you can’t wait forever to pass to others what you have learned…

Wait." He paused, and she held out a hand to him. His thick fingers engulfed her tapering ones; his skin was warm and dry, and scorched her. "Before we go pick up poor Lieutenant Illyan again..." He took her in his arms, and they kissed, for the first time, for a long time. "Oh," she muttered after. "Perhaps that was a mistake. It hurts so much when you stop." "Well, let me..." his hand stroked her hair, gently, then desperately wrapped itself in a shimmering coil; they kissed again.

But before I go, I have just one more thing to tell you: Something has spoken to me in the night, burning the tapers of the waning year; something has spoken in the night, and told me I shall die, I know not where. Saying: "To lose the earth you know, for greater knowing; to lose the life you have, for greater life; to leave the friends you loved, for greater loving; to find a land more kind than home, more large than earth---- "--Whereon the pillars of this earth are founded, towards which the conscience of the world is tending--a wind is rising, and the rivers flow.

On hurricane days, when most women are filling their grocery carts with bread and milk, Miss Lana loads ours with candy, cakes, and tapered candles. If I die in the storm, I'll drift away in the arms of a sugar coma and candlelight, she always says.

The taste for books was an early one. As a child he was sometimes found at midnight by a page still reading. They took his taper away, and he bred glow-worms to serve his purpose. They took the glow-worms away, and he almost burnt the house down with a tinder. To put it in a nutshell, leaving the novelist to smooth out the crumpled silk and all its implications, he was a nobleman afflicted with a love of literature.

He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me. That ideas should freely spread from one to another over the globe, for the moral and mutual instruction of man, and improvement of his condition, seems to have been peculiarly and benevolently designed by nature, when she made them, like fire, expansible over all space, without lessening their density in any point, and like the air in which we breathe, move, and have our physical being, incapable of confinement or exclusive appropriation.

When he turns inland he sees two moving white columns in the sky. At first glance he thinks they are emissions of smoke. The two encroaching formations ripple into funnels and then spread out beneath the labyrinthine coral of clouds into fans. His vision blurs for a moment. Then he realises he is witnessing two perfectly synchronised flocks of birds. The abstract shapes they form are flawless. He stands with his hands in his pockets as the birds taper into a long undulating line, which gently vanishes behind the surface of things. The same thing has happened to his father. He has vanished behind the surface of things.

IT IS THE colour of a bleached skull, his flesh; and the long hair which flows below his shoulders is milk-white. From the tapering, beautiful head stare two slanting eyes, crimson and moody, and from the loose sleeves of his yellow gown emerge two slender hands, also the colour of bone, resting on each arm of a seat which has been carved from a single, massive ruby.

Astrid Dane. . . Her long colorless hair was woven back into a braid, and her porcelain skin bled straight into the edges of her tunic. Her entire outfit was fitted to her like armor; the collar of her shirt was high and rigid, guarding her throat, and the tunic itself ran from chin to wrist to waist, less out of a sense of modesty, Kell was sure, than protection. Below a gleaming silver belt, she wore fitted pants that tapered into tall boots (rumor had it that a man once spat at her for refusing to wear a dress; she’d cut off his lips). The only bits of color were the pale blue of her eyes and the greens and reds of the talismans that hung from her neck and wrists and were threaded through her hair. . . “I smell something sweet,” she said. She’d been gazing up at the ceiling. Now her eyes wandered down and landed on Kell. “Hello, flower boy.

It is not quite as dark here as we thought. On the contrary, the interior is pulsating with light. It is, of course, the internal light of roots, a wandering phosphorescence, tiny veins of a light marbling the darkness, an evanescent shimmer of nightmarish substances. Likewise, when we sleep, severed from the world, straying into deep introversion, on a return journey into ourselves, we can see clearly through our closed eyelids, because thoughts are kindled in us by internal tapers and smolder erratically. This is how total regressions occur, retreats into self, journeys to the roots. This is how we branch out into anamnesis and are shaken by underground subcutaneous shivers. For it is only above ground, in the light of day, that we are a trembling, articulate bundle of tunes; in the depth we disintegrate again into black murmurs, confused purring, a multitude of unfinished stories.

He became, in that instant, pure topography: his belly a highland, tapering down to a head-hamlet, with two hard-blinking eye-ponds. Four servants rushed to his aid. He waved them off with a smile. Made

Bunny Sue was nineteen. She had honey-bobbed hair and candid, near-insolent green eyes. She had a snub, delightful nose, a cool, regal, and tapering neck, a fine, intelligent mouth that covered teeth so startling they might have been cleansed by sun gods. Without any makeup save lipstick, her complexion was as milk flecked with butter, the odor she cast as wholesome as bread. On my first breathless vision of her, I wanted to bury my teeth, Dracula-like, into her flanks, knowing that she would bleed pure butterscotch.

Smoking torches, lamps, and tapers   Dimly light the boisterous fest;   Among these many lying faces   Here am I, alas, chained fast.   Giggling fools, out of my sight! 5580 Untrustworthy, grinning lot!   All my enemies tonight   Hound me with their secret hate.   There’s a friend turned enemy,   I can see through his pretense!   Another means to murder me,   Ha, found out, away he slinks.   Oh how I long to take flight,   Run away, here, there, wherever!   Menaced on all sides, I halt 5590 Between uncertainty and terror.

The longest day of sunlight...comes at the beginning of Summer rather than in its midst. In consequence, all Summer long we are inclining towards Summer's end instead of building to a climax and then tapering off.

He stopped smoking at least once a month. He went through with it like the solid citizen he was: admitted the evils of tobacco, courageously made resolves, laid out plans to check the vice, tapered off his allowance of cigars, and expounded the pleasures of virtuousness to every one he met. He did everything, in fact, except stop smoking.

Thomas Jefferson explained the power of language with the help of an analogy: “He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me.

A heavenly female with long, russet tresses that drifted over her right shoulder in undulating waves stepped toward him. A bright blue ribbon held her unruly mass of hair. She wore a light blue, snugly fitted shirt that matched the ribbon. It clung to full breasts tapering to a narrow waist. Skin like polished stone with a light kiss from the sun gleamed in the gathering light. Large, round, azure eyes the shade of sea shoals under a noonday summer sun and blanketed with thick lashes assessed him and left him speechless.

No one had ever told her this basic fact: not everyone got to be loved. It was like those stupid bell curves they'd had to study in math class. There was the big, swollen, happy middle, a whale lump full of blissful couples and families eating around a big dining room table and laughing. And then, at the tapered ends, there were the abnormal people, the weirdos and freaks, and zeros like her.

Anachronism is not the inconsequential juxtaposition of epochs, but rather their inter-penetration, like the telescoping legs of a tripod, a series of tapering structures. Since it's quite far from one end to the other they can be opened out like an accordion; but they can also be stacked inside one another like Russian dolls, where the walls around time periods are extremely close to one another. The people of other centuries hear our phonographs blaring, and through the walls of time we see them raising their hands towards the deliciously prepared meal.

Nowadays, in Japan, when mother, or baby, or mother and baby die in childbirth, people say, ‘Ah…they die because gods decide so.’ Or, ‘They die because bad karma.’ Or, ‘They die because o-mamori—magic from temple—too cheap.’ Mr. de Zoet understand, it is same as bridge. True reason of many,. Many death of ignoration. I wish to build bridge from ignoration,” her tapering hands form a bridge, “to knowledge. This,” she lifts, with reverence, Dr. Smellie’s text, “is piece of bridge. One day, I teach this knowledge…make school…students who teach other students…and in future, in Japan, many less mothers die of ignoration.” She surveys her daydream for just a moment before lowering her eyes. “A foolish plan.

Approaching the Williamsburg Bridge - not really certain of how he had managed to find himself there - he experienced an extraordinary moment of buoyancy, of grace. There was a lot more traffic now, but his shifting was smooth and the sturdy little car was adroit at changing lanes. He launched himself out over the East River. He could feel the bridge humming underneath his wheels and all around him could sense the engineering of it, the forces and tensions and rivets that were all conspiring to keep him aloft. To the south, he glimpsed the Manhattan Bridge, with its Parisian air, refined, elegant, its skirts hiked to reveal tapered steel legs, and, beyond, the Brooklyn Bridge, like a great ropy strand of muscle. In the other direction lay the Queensboro Bridge, like two great iron tsarinas linking hands to dance. And before him, the city that had sheltered him and swallowed him and made him a modest fortune loomed, gray and brown, festooned with swags and boas of some misty gray stuff, a compound of harbor fog and spring dew and its own steamy exhalations. Hope had been his enemy, a frailty that he must at all costs master, for so long now that it was a moment before he was willing to concede that he had let it back into his heart.

My gods dwell in temples made with hands; and within the circle of actual experience is my creed made perfect and complete: too complete, it may be, for like many or all of those who have placed their heaven in this earth, I have found in it not merely the beauty of heaven, but the horror of hell also. When I think about religion at all, I feel as if I would like to found an order for those who CANNOT believe: the Confraternity of the Faithless, one might call it, where on an altar, on which no taper burned, a priest, in whose heart peace had no dwelling, might celebrate with unblessed bread and a chalice empty of wine. Every thing to be true must become a religion. And agnosticism should have its ritual no less than faith. It has sown its martyrs, it should reap its saints, and praise God daily for having hidden Himself from man.

Thrice, to the mighty heave-ho of his invisible tossers, he would fly up in this fashion, and the second time he would go higher than the first and then there he would be, on his last and loftiest flight, reclining, as if for good, against the cobalt blue of the summer noon, like one of those paradisiac personages who comfortably soar, with such a wealth of folds in their garments, on the vaulted ceiling of a church while below, one by one, the wax tapers in mortal hands light up to make a swarm of minute flames in the mist of incense, and the priest chants of eternal repose, and funeral lilies conceal the face of whoever lies there, among the swimming lights, in the open coffin.

In every drop of water, gust of air, speck of earth, and crackle of lightning, she hears the same thing: This world is alive. And it loves her. A little while later, the storm notices that Jael has fallen asleep. The rain tapers off. The clouds sneak away like they're trying not to wake her. The wind caresses her cheek one last time, then disperses in all directions. It carries with it the memory of this funny girl with the sad green eyes. And it carries with it a little bit of hope that things might change. That the world might become what it was supposed to be.

Savannah's fear was being pushed aside by the heated tenderness of Gregori's mouth, by the gentleness in his caressing hands. He carelessly shoved the sheet down, exposing her bare breasts to his hungry gaze. Hot. He was so hot. Savannah could not stand the feel of the thin sheet of her heated hips, twisting around her legs. Her hands were tangled in Gregori's thick hair, crushing it in her fingers like so much silk.His shirt was open to his tapered waist, his hard muscles pressing against her soft breasts. The rough,dark hair on his chest rasped erotically over nipples. A wave of heat heralded a storm of fire, through him, through her. Savannah's hands, of their own accord, pushed his shirt from his wide shoulders. She watched with enormous eyes as he slowly shrugged out of it, his silver gaze holding her blue one captive. She was drowning in those pale, mesmerizing eyes. Eyes filled with such intensity, with so much hunger for one woman. Her. Only her.

What nobody tells you about getting engaged is he asks you and you're delirious for about 2 days and then it tapers. He asks you and you're running around telling grocery clerks and ordering subscriptions to bride magazines and discussing prong settings, and then after 2 days this ebullience passes. And instead of looking ahead you are suddenly struck by everything you are leaving behind.

Is that a no?" I said. "No. I mean.." He struggled for the smile again. "I'm just waiting for the punch line. Something about making it date so I need to pay. Or you expecting flowers. Or.." He trailed off. "There isn't a punch line," I said. I rose onto my knees and inched over, in front of him. Then I stopped about a foot away. "No punch line, Daniel," I said. "I'm asking if you'll go out with me." He didn't answer. Just reched out, his hand sliding between my hair and face, pulling me toward him and.. And he kissed me. His lips touched mine, tentatively, still unsure, and I eased closer, my arms going around his neck. He kissed me for real then, a long kiss that I felt in the bottom of my soul, a click, some deep part of me saying, "Yes, this is it." Even when the kiss broke off, it didn't end. It was like coming to the surface for a quick gasp of air, then plunging back down again, finding that sweet spot again, and holding onto it for as long as we could. Finally it tapered off, and we were lying on the picnic blanket, side by side, his hand on my hip, kissing slower now, with more breaks for air. until I said, "We should have done that sooner." He smiled, a lazy half smile, and he just looked at me for a moment, our gazes locked, lying there in drowsy happiness, before he said, "I think now's just fine." And he kissed me again, slower and softer now, as we rested there, eyes half closed. "So, about Saturday, did you ask me?" he said after a minute, "Because I'm pretty sure that means yo're paying." "Nope. You were imaging it. Considering how you eat, the meal bill is all yours. But I will spring for the movie. And bring you flowers." He chuckled. "Will you?" "Yep, a dozen pink roses, which you'll have to carry all night or risk offending me." "And what happens if I offend you?" "You don't get any more of this." I leaned in and kissed him again. And we stayed out there, on the blanket, as the sun fell, talking and kissing mostly, just being together. We had a long road ahead of us, and I knew it wasn't going to be easy. But I had everything I wanted-everything I needed-and I'd get through it just fine. We all would.

His gaze slid toward the back of the sanctuary and collided with Joanna, standing silently in the doorway. You...Crockett's voice tapered off. For a moment, all he could do was stare. Her rapt attention, the tiny smile that brought into relief the freckles dusting her cheekbones, the way the light passed through the doorway behind her to see her hair ablaze beneath the prim straw bonnet she wore. Yet it was her inner light that captured him the most. The serenity of her features. The glow in her blue eyes. This was a woman of authentic spirituality. No wonder the Master Weaver had chosen her to be the central thread to anchor his new tapestry.

— Parfait. Si Pekka Rollins nous tue tous, je vais demander au fantôme de Wylan d'apprendre à mon fantôme à jouer de la flûte pour pouvoir taper sur les nerfs de ton fantôme. Les lèvres de Brekker se tordirent en un rictus amusé. — Je vais engager le fantôme de Matthias pour qu'il botte les fesses à ton fantôme. — Mon fantôme ne se liguera jamais à ton fantôme, rétorqua Matthias avant de se demander si l'air de la mer ne lui grillait pas les neurones.

At his leisure, the lieutenant allowed the unforgettable spectacle to engrave itself upon his mind. With one hand he fondled the hair, with the other he softly stroked the magnificent face, implanting kisses here and there where his eyes lingered. The quiet coldness of the high, tapering forehead, the closed eyes with their long lashes beneath faintly etched brows, the set of the finely shaped nose, the gleam of teeth glimpsed between full, regular lips, the soft cheeks and the small, wise chin… Wherever the lieutenant's eyes moved his lips faithfully followed. The high, swelling breasts, surmounted by nipples like the buds of a wild cherry, hardened as the lieutenant's lips closed about them. The arms flowed smoothly downward from each side of the breast, tapering toward the wrists, yet losing nothing of their roundness or symmetry…The natural hollow curving between the bosom and the stomach carried in its lines a suggestion not only of softness but of resilient strength, and while it gave forewarning to the rich curves spreading outward from here to the hips it had, in itself, an appearance only of restraint and proper discipline. The whiteness and richness of the stomach and hips was like milk brimming in a great bowl, and the sharply shadowed dip of the navel could have been the fresh impress of a raindrop, fallen there that very moment. Where the shadows gathered more thickly, hair clustered, gentle and sensitive, and as the agitation mounted in the now no longer passive body there hung over this region a scent like the smoldering of fragrant blossoms, growing steadily more pervasive… Passionately they held their faces close, rubbing cheek against cheek…Their breasts, moist with sweat, were tightly joined, and every inch of the young and beautiful bodies had become so much one with the other that it seemed impossible there should ever again be a separation…From the heights they plunged into the abyss, and from the abyss they took wing and soared once more to dizzying heights…As one cycle ended, almost immediately a new wave of passion would be generated, and together -with no trace of fatigue- they would climb again in a single breathless movement to the very summit.

In children's drawings, all houses have chimneys, all monkeys eat bananas, and every rocket is a V-2. Even after decades of stepped-back multistage behemoths, chunky orbiters, and space planes, the midcentury-modern Enterprise, the polyhedral bulk of Imperial star destroyers and Borg cubes, the Ortho-Cyclen disk of Millennium Falcon - in our deepest imaginations the surest way to the nearest planet remains a trim cigar tapering to a pointed nose cone, poised on the tips of four swept-back axial fins.

It is curious how, at every crisis, some phrase which does not fit insists upon coming to the rescue--the penalty of living in an old civilisation with a notebook. This drop falling has nothing to do with my youth. This drop falling is time tapering to a point. Time, which is a sunny pasture covered with a dancing light, time, which is widespread as a field at midday, becomes pendent. Time tapers to a point. As a drop falls from a glass heavy with some sediment, time falls. These are the true cycles, these are the true events.

Mr. Kadam bowed and said, “Miss Kelsey, I will leave you to your dining companion. Enjoy your dinner.” Then he walked out of the restaurant. “Mr. Kadam, wait. I don’t understand.” Dining companion? What is he talking about? Maybe he’s confused. Just then, a deep, all-too-familiar voice behind me said, “Hello, Kells.” I froze, and my heart dropped into my stomach, stirring up about a billion butterflies. A few seconds passed. Or was it a few minutes? I couldn’t tell. I heard a sigh of frustration. “Are you still not talking to me? Turn around, please.” A warm hand slid under my elbow and gently turned me around. I raised my eyes and gasped softly. He was breathtaking! So handsome, I wanted to cry. “Ren.” He smiled. “Who else?” He was dressed in an elegant black suit and he’d had his hair cut. Glossy black hair was swept back away from his face in tousled layers that tapered to a slight curl at the nape of his neck. The white shirt he wore was unbuttoned at the collar. It set off his golden-bronze skin and his brilliant white smile, making him positively lethal to any woman who might cross his path. I groaned inwardly. He’s like…like James Bond, Antonio Banderas, and Brad Pitt all rolled into one. I decided the safest thing to do would be to look at his shoes. Shoes were boring, right? Not attractive at all. Ah. Much better. His shoes were nice, of course-polished and black, just like I would expect. I smiled wryly when I realized that this was the first time I’d ever seen Ren in shoes. He cupped my chin and made me look at his face. The jerk. Then it was his turn to appraise me. He looked me up and down. And not a quick look. He took it all in slowly. The kind of slow that made a girl’s face feel hot. I got mad at myself for blushing and glared at him. Nervous and impatient, I asked, “Are you finished?” “Almost.” He was now staring at my strappy shoes. “Well, hurry up!” His eyes drifted leisurely back up to my face and he smiled at me appreciatively, “Kelsey, when a man spends time with a beautiful woman, he needs to pace himself.” I quirked an eyebrow at him and laughed. “Yeah, I’m a regular marathon alright.” He kissed my fingers. “Exactly. A wise man never sprints…in a marathon.” “I was being sarcastic, Ren.” He ignored me and tucked my hand under his arm then led me over to a beautifully lit table. Pulling the chair out for me, he invited me to sit. I stood there wondering if I could sprint for the nearest exit. Stupid strappy shoes, I’d never make it. He leaned in close and whispered in my ear. “I know what you’re thinking, and I’m not going to let you escape again. You can either take a seat and have dinner with me like a normal date,” he grinned at his word choice, “or,” he paused thoughtfully then threatened, “you can sit on my lap while I force-feed you.” I hissed, “You wouldn’t dare. You’re too much of a gentleman to force me to do anything. It’s an empty bluff, Mr. Asks-For-Permission.” “Even a gentleman has his limits. One way or another, we’re going to have a civil conversation. I’m hoping I get to feed you from my lap, but it’s your choice.” He straightened up again and waited. I unceremoniously plunked down in my chair and scooted in noisily to the table. He laughed softly and took the chair across from me. I felt guilty because of the dress and readjusted my skirt so it wouldn’t wrinkle.

Despite his new fame and fortune, he still fancied himself a child of the counterculture. On a visit to a Stanford class, he took off his Wilkes Bashford blazer and his shoes, perched on top of a table, and crossed his legs into a lotus position. The students asked questions, such as when Apple’s stock price would rise, which Jobs brushed off. Instead he spoke of his passion for future products, such as someday making a computer as small as a book. When the business questions tapered off, Jobs turned the tables on the well-groomed students. “How many of you are virgins?” he asked. There were nervous giggles. “How many of you have taken LSD?” More nervous laughter, and only one or two hands went up. Later Jobs would complain about the new generation of kids, who seemed to him more materialistic and careerist than his own. “When I went to school, it was right after the sixties and before this general wave of practical purposefulness had set in,” he said. “Now students aren’t even thinking in idealistic terms, or at least nowhere near as much.” His generation, he said, was different. “The idealistic wind of the sixties is still at our backs, though, and most of the people I know who are my age have that ingrained in them forever.

The Canonization" For God's sake hold your tongue, and let me love, Or chide my palsy, or my gout, My five gray hairs, or ruined fortune flout, With wealth your state, your mind with arts improve, Take you a course, get you a place, Observe his honor, or his grace, Or the king's real, or his stampèd face Contemplate; what you will, approve, So you will let me love. Alas, alas, who's injured by my love? What merchant's ships have my sighs drowned? Who says my tears have overflowed his ground? When did my colds a forward spring remove? When did the heats which my veins fill Add one more to the plaguy bill? Soldiers find wars, and lawyers find out still Litigious men, which quarrels move, Though she and I do love. Call us what you will, we are made such by love; Call her one, me another fly, We're tapers too, and at our own cost die, And we in us find the eagle and the dove. The phœnix riddle hath more wit By us; we two being one, are it. So, to one neutral thing both sexes fit. We die and rise the same, and prove Mysterious by this love. We can die by it, if not live by love, And if unfit for tombs and hearse Our legend be, it will be fit for verse; And if no piece of chronicle we prove, We'll build in sonnets pretty rooms; As well a well-wrought urn becomes The greatest ashes, as half-acre tombs, And by these hymns, all shall approve Us canonized for Love. And thus invoke us: "You, whom reverend love Made one another's hermitage; You, to whom love was peace, that now is rage; Who did the whole world's soul contract, and drove Into the glasses of your eyes (So made such mirrors, and such spies, That they did all to you epitomize) Countries, towns, courts: beg from above A pattern of your love!

Las Vegas is the most extreme and allegorical of American settlements, bizarre and beautiful in its venality and in its devotion to immediate gratification, a place the tone of which is set by mobsters and call girls and ladies’ room attendants with amyl nitrite poppers in their uniform pockets. Almost everyone notes that there is no “time” in Las Vegas, no night and no day and no past and no future (no Las Vegas casino, however, has taken the obliteration of the ordinary time sense quite so far as Harold’s Club in Reno, which for a while issued, at odd intervals in the day and night, mimeographed “bulletins” carrying news from the world outside); neither is there any logical sense of where one is. One is standing on a highway in the middle of a vast hostile desert looking at an eighty-foot sign which blinks ”stardust” or “caesar’s palace.” Yes, but what does that explain? This geographical implausibility reinforces the sense that what happens there has no connection with “real” life; Nevada cities like Reno and Carson are ranch towns, Western towns, places behind which there is some historical imperative. But Las Vegas seems to exist only in the eye of the beholder. All of which makes it an extraordinarily stimulating and interesting place, but an odd one in which to want to wear a candlelight satin Priscilla of Boston wedding dress with Chantilly lace insets, tapered sleeves and a detachable modified train.

Men may sail the seas for a lifetime and seldom, if ever, come in contact with the nightmare monsters that inhabit the caves and cliffs of the ocean floor. Gazing down at the slightly muddy water, the men of The Unicorn saw a squirming mass of interwoven tentacles resembling enormous snakes, immensely thick and long and tapering at their free ends to the size of a man's thumb. It was a foul sight, an obscene growth from the dark places of the world, where incessant hunger is the driving force. At one place, down near the bulge of the hull, appeared a staring gorgon face with great lidless eyes and a huge parrot beak that moved slightly, opening and shutting as though it had just crunched and swallowed a meal of warm flesh. ("Fire In The Galley Stove")

The taste for books was an early one. As a child he was sometimes found at midnight by a page still reading. They took his taper away, and he bred glow-worms to serve his purpose. They took the glow-worms away, and he almost burnt the house down with a tinder. To put it in a nutshell, leaving the novelist to smooth out the crumpled silk and all its implications, he was a nobleman afflicted with a love of literature. Many people of his time, still more of his rank, escaped the infection and were thus free to run or ride or make love at their own sweet will. But some were early infected by a germ said to be bred of the pollen of the asphodel and to be blown out of Greece and Italy, which was of so deadly a nature that it would shake the hand as it was raised to strike, and cloud the eye as it sought its prey, and make the tongue stammer as it declared its love. It was the fatal nature of this disease to substitute a phantom for reality, so that Orlando, to whom fortune had given every gift--plate, linen, houses, men-servants, carpets, beds in profusion--had only to open a book for the whole vast accumulation to turn to mist. The nine acres of stone which were his house vanished; one hundred and fifty indoor servants disappeared; his eighty riding horses became invisible; it would take too long to count the carpets, sofas, trappings, china, plate, cruets, chafing dishes and other movables often of beaten gold, which evaporated like so much sea mist under the miasma. So it was, and Orlando would sit by himself, reading, a naked man.

Snuggle up with a hot fireman! Meet Tanner West. Sharon looked up into the most gorgeous face she had ever seen. Eyes like dark chocolate, deep and warm, stared out at her from a face that looked like it could have been chiseled in stone. Skin the color of burnished copper, high cheekbones, a sharp nose, full lips, and a cleft chin. How the hell had she failed to notice him before? Her heart skipped a beat and she ran her gaze down the rest of his body. He was tall, well over six feet, she would guess, with broad shoulders that tapered into a trim waist. His thighs, encased in worn denim, fit like a second skin against legs the size of tree trunks, and oh my, what lay between those thighs… Her attention snapped back to his face and she could feel the heat of a blush suffuse her skin.

Dark gray, flexible, and infinitely tough. Seven-foot membranous wings of same color, found folded, spread out of furrows between ridges. Wing framework tubular or glandular, of lighter gray, with orifices at wing tips. Spread wings have serrated edge. Around equator, one at central apex of each of the five vertical, stave-like ridges are five systems of light gray flexible arms or tentacles found tightly folded to torso but expansible to maximum length of over three feet. Like arms of primitive crinoid. Single stalks three inches diameter branch after six inches into five substalks, each of which branches after eight inches into small, tapering tentacles or tendrils, giving each stalk a total of twenty-five tentacles. At top of torso blunt, bulbous neck of lighter gray, with gill-like suggestions, holds yellowish five-pointed starfish-shaped apparent head covered with three-inch wiry cilia of various prismatic colors. Head thick and puffy, about two feet point to point, with three-inch flexible yellowish tubes projecting from each point. Slit in exact center of top probably breathing aperture. At end of each tube is spherical expansion where yellowish membrane rolls back on handling to reveal glassy, red-irised globe, evidently an eye. Five slightly longer reddish tubes start from inner angles of starfish-shaped head and end in saclike swellings of same color which, upon pressure, open to bell-shaped orifices two inches maximum diameter and lined with sharp, white tooth like projections - probably mouths. All these tubes, cilia, and points of starfish head, found folded tightly down; tubes and points clinging to bulbous neck and torso. Flexibility surprising despite vast toughness. At bottom of torso, rough but dissimilarly functioning counterparts of head arrangements exist. Bulbous light-gray pseudo-neck, without gill suggestions, holds greenish five-pointed starfish arrangement. Tough, muscular arms four feet long and tapering from seven inches diameter at base to about two and five-tenths at point. To each point is attached small end of a greenish five-veined membranous triangle eight inches long and six wide at farther end. This is the paddle, fin, or pseudofoot which has made prints in rocks from a thousand million to fifty or sixty million years old. From inner angles of starfish-arrangement project two-foot reddish tubes tapering from three inches diameter at base to one at tip. Orifices at tips. All these parts infinitely tough and leathery, but extremely flexible. Four-foot arms with paddles undoubtedly used for locomotion of some sort, marine or otherwise. When moved, display suggestions of exaggerated muscularity. As found, all these projections tightly folded over pseudoneck and end of torso, corresponding to projections at other end.

I was still walking behind Mrs. Haze through the dining room when, beyond it, there came a sudden burst of greenery – “the piazza," sang out my leader, and then, without the least warning, a blue sea-wave swelled under my heart and, from a mat in a pool of sun, half-naked, kneeling, turning about on her knees, there was my Riviera love peering at me over dark glasses. It was the same child-the same frail, honey-hued shoulders, the same silky supple bare back, the same chestnut head of hair. A polka-dotted black kerchief tied around her chest hid from my aging ape eyes, but not from the gaze of young memory, the juvenile breasts I had fondled one immortal day. And, as if I were the fairy-tale nurse of some little princess (lost, kidnapped, discovered in gypsy rags through which her nakedness smiled at the king and his hounds), I recognized the tiny dark-brown mole on her side. With awe and delight (the king crying for joy, the trumpets blaring, the nurse drunk) I saw again her lovely indrawn abdomen where my southbound mouth had briefly paused; and those puerile hips on which I had kissed the crenulated imprint left by the band of her shorts – that last mad immortal day behind the "Roches Roses." The twenty-five years I had lived since then, tapered to a palpitating point, and vanished.

The glare of human joy hides from our sight ten thousand blessings which we cannot see until it grows dark about us. And it would be a dire loss to live through all our days and never see these blessings. There are hundreds of Bible words which seem pale and without meaning in the time of earthly gladness, but which come out bright and shining like stars when the darkness comes on. You have no need for divine comfort when you had no sorrow; and a great part of the Bible was as yet an unopened book to you, for a large portion of it consists of comfort for those in trouble. But when the sorrow came, the words flashed out like stars at night, unseen by day. Thus we learn the meaning of the beatitude, “Blessed are they that mourn, for they shall be comforted.” We lose some joys, but we find others that were hidden in the light of those we lost. Where earth’s tapers burned with only flickering light, heaven’s lamps now shine. Where the human face shone in its gentle grace, the face of Christ now looks upon us in its divine yearning. Where we leaned upon a human arm, often trembling, at last broken, we find now, instead, the everlasting arm. Thus when we abide in Christ the light of his love is revealed as human joys pale. The deeper the earthly darkness, the richer are the divine comforts which are given to us, enabling us to be of good cheer whatever the tribulation.

She has seen neighbouring women do it, has heard their cries rise into screams, smelt the rusty coin scent of new birth. She has seen the pig, the cow, the ewes birth their young; she has been the one called on by her father, by Bartholomew, when lambs were stuck. Her female fingers, slender, tapered, were required to enter that narrow, heated, slick canal, and hook out the soft hoofs, the gluey nose, the plastered-back ears. And she knows, in the way she always does, that she will reach the other side of birth, that she and this baby will live. Nothing, however, could have prepared her for the relentlessness of it. It is like trying to stand in a gale, like trying to swim against the current of a flooded river, like trying to lift a fallen tree. Never has she been more sensible of her weakness, of her inadequacy. She has always felt herself to be a strong person: she can push a cow into milking position, she can douse and stir a load of laundry, she can lift and carry her small siblings, a bale of skins, a bucket of water, an armful of firewood. Her body is one of resilience, of power: she is all muscle beneath smooth skin. But this is something else. Something other. It laughs at her attempts to master it, to subdue it, to rise above it. It will, Agnes fears, overtake her. It will seize her by the scruff of her neck and plunge her down, under the surface of the water.

It was a long head. It was a wedge, a sliver, a grotesque slice in which it seemed the features had been forced to stake their claims, and it appeared that they had done so in a great hurry and with no attempt to form any kind of symmetrical pattern for their mutual advantage. The nose had evidently been first upon the scene and had spread itself down the entire length of the wedge, beginning among the grey stubble of the hair and ending among the grey stubble of the beard, and spreading on both sides with a ruthless disregard for the eyes and mouth which found precarious purchase. The mouth was forced by the lie of the terrain left to it, to slant at an angle which gave to its right-hand side an expression of grim amusement and to its left, which dipped downwards across the chin, a remorseless twist. It was forced by not only the unfriendly monopoly of the nose, but also by the tapering character of the head to be a short mouth; but it obvious by its very nature that, under normal conditions, it would have covered twice the area. The eyes in whose expression might be read the unending grudge they bore against the nose were as small as marbles and peered out between the grey grass of the hair. This head, set at a long incline upon a neck as wry as a turtle's cut across the narrow vertical black strip of the window. Steerpike watched it turn upon the neck slowly. It would not have surprised him if it had dropped off, so toylike was its angle. As he watched, fascinated, the mouth opened and a voice as strange and deep as the echo of a lugubrious ocean stole out into the morning. Never was a face so belied by its voice. The accent was of so weird a lilt that at first Steerpike could not recognize more than one sentence in three, but he had quickly attuned himself to the original cadence and as the words fell into place Steerpike realised he was staring at a poet.

If you were to look on him fleetingly, to spare him only a passing glance, you would see only a man. If you looked a moment longer, you might get the feeling that there was something about him, something distinctly different. You might notice something peculiar about his eyes, might spot something strange about the tattoos running the length of his arms. Something out of place, something you cannot quite put your finger on….But to you, he still would be just a man. But a clever eye…a clever eye could see him for what he truly is. A clever eye would notice how his pupils taper at their tops and bottoms. A clever eye would see that his irises are no natural color. A clever eye would see that the patterns coiled on his arms, like blackened tongues of roiling flame, are not sunken into his skin like a tattoo’s Ink, but gently beveled at their edges — a part of his flesh. A clever eye could tell that, no, he is not just a man. Not just a Human. He is a Majiski — one of my people. -The Penitent God

Are you adopted?” Jason asked. “No,” Neil said. “Your parents are elves?” “Of course they are,” Neil said. “What are you getting at?” “Is your milkman a human?” “What in the world are you talking about?” Neil asked. “I’m just wondering why you aren’t an elf,” Jason said. “I am an elf.” “You’re an elf?” Annoyed, Neil brushed back his hair to reveal a tapered ear. “Wow,” Jason said, not hiding his surprise. “Why would you think I’m a human?” Neil asked. “Well, it’s just… look. Elves are a slender bunch. Except for Lucian Lamprey, who is probably on some kind of magical roids, but that’s beside the point. For a human, your proportions are completely healthy. For an elf, though, you’re bit of a chunker.” “Excuse me?” “You know, an extra bit of heft. Too much time at the sandwich shop. An overenthusiastic between-meal-snacker.” “Are you saying I’m fat?” “I’m not saying you’re fat,” Jason assured him. “I don’t think that’s even possible for essence users. I’m saying you look fat. For an elf.” “This is how you try and recruit someone?” Neil asked incredulously.

Only last Sunday, when poor wretches were gay—within the walls playing with children among the clipped trees and the statues in the Palace Garden; walking, a score abreast, in the Elysian Fields, made more Elysian by performing dogs and wooden horses; between whiles filtering (a few) through the gloomy Cathedral of Our Lady to say a word or two at the base of a pillar within flare of a rusty little gridiron-full of gusty little tapers; without the walls encompassing Paris with dancing, love-making, wine-drinking, tobacco-smoking, tomb-visiting, billiard card and domino playing, quack-doctoring, and much murderous refuse, animate and inanimate—only last Sunday, my Lady, in the desolation of Boredom and the clutch of Giant Despair, almost hated her own maid for being in spirits. She cannot, therefore, go too fast from Paris. Weariness of soul lies before her, as it lies behind—her Ariel has put a girdle of it round the whole earth, and it cannot be unclasped—but the imperfect remedy is always to fly from the last place where it has been experienced. Fling Paris back into the distance, then, exchanging it for endless avenues and cross-avenues of wintry trees! And, when next beheld, let it be some leagues away, with the Gate of the Star a white speck glittering in the sun, and the city a mere mound in a plain—two dark square towers rising out of it, and light and shadow descending on it aslant, like the angels in Jacob's dream!

Jay's downstairs waiting." With her father on one side, and the handrail on the other, Violet descended the stairs as if she were floating. Jay stood at the bottom, watching her, frozen in place like a statue. His black suit looked as if it had been tailored just for him. His jacket fell across his strong shoulders in a perfect line, tapering at his narrow waist. The crisp white linen shirt beneath stood out in contrast against the dark, finely woven wool. He smiled appreciatively as he watched her approach, and Violet felt her breath catch in her throat at the striking image of flawlessness that he presented. "You...are so beautiful," he whispered fervently as he strode toward her, taking her dad's place at her arm. She smiled sheepishly up at him. "So are you." Her mom insisted on taking no fewer than a hundred pictures of the two of them, both alone and together, until Violet felt like her eyes had been permanently damaged by the blinding flash. Finally her father called off her mom, dragging her away into the kitchen so that Violet and Jay could have a moment alone together. "I meant it," he said. "You look amazing." She shook her head, not sure what to say, a little embarrassed by the compliment. "I got you something," he said to her as he reached inside his jacket. "I hope you don't mind, it's not a corsage." Violet couldn't have cared less about having flowers to pin on her dress, but she was curious about what he had brought for her. She watched as he dragged out the moment longer than he needed to, taking his time to reveal his surprise. "I got you this instead." He pulled out a black velvet box, the kind that holds fine jewelry. It was long and narrow. She gasped as she watched him lift the lid. Inside was a delicate silver chain, and on it was the polished outline of a floating silver heart that drifted over the chain that held it. Violet reached out to touch it with her fingertip. "It's beautiful," she sighed. He lifted the necklace from the box and held it out to her. "May I?" he asked. She nodded, her eyes bright with excitement as he clasped the silver chain around her bare throat. "Thank you," she breathed, interlacing her hand into his and squeezing it meaningfully. She reluctantly used the crutches to get out to the car, since there were no handrails for her to hold on to. She left like they ruined the overall effect she was going for. Jay's car was as nice on the inside as it was outside. The interior was rich, smoky gray leather that felt like soft butter as he helped her inside. Aside from a few minor flaws, it could have passed for brand-new. The engine purred to life when he turned the key in the ignition, something that her car had never done. Roar, maybe-purr, never. She was relieved that her uncle hadn't ordered a police escort for the two of them to the dance. She had half expected to see a procession of marked police cars, lights swirling and sirens blaring, in the wake of Jay's sleek black Acura. Despite sitting behind the wheel of his shiny new car, Jay could scarcely take his eyes off her. His admiring gaze found her over and over again, while he barely concentrated on the road ahead of him. Fortunately they didn't have far to go.