Tap Your Shoulder Quotes

We've searched our database for all the quotes and captions related to Tap Your Shoulder. Here they are! All 100 of them:

Vhat ozzer abilities do you haf?" ter Borcht snapped, which his assistant waited, pen in hand. Gazzy thought. "I have X-ray vision," he said. He peered at ter Borcht's chest, then blinked and looked alarmed. Ter Borcht was startled for a second, but then he frowned. "Don't write dat down," he told his assistant in irritation. The assistant froze in midsentence. "You. Do you haf any qualities dat distinguish you in any way?" Nudge chewed on a fingernail. "You mean, like, besides the WINGS?" She shook her shoulders gently, and her beautiful fawn-colored wings unfolded a bit. His face flushed, and I felt like cheering. "Yes," he said stiffly. "Besides de vings." "Hmm. Besides de vings." Nudge tapped one finger against her chin. "Um..." Her face brightened. "I once ate nine Snickers bars in one sitting. Without barfing. That was a record!" "Hardly a special talent," ter Borcht said witheringly. Nudge was offended. "Yeah? Let's see YOU do it." ... "I vill now eat nine Snickers bars," Gazzy said in a perfect, creepy imitation of ter Borcht's voice, "visout bahfing." Iggy rubbed his forehead with one hand. "Well, I have a highly developed sense of irony." Ter Borcht tsked. "You are a liability to your group. I assume you alvays hold on to someone's shirt, yes? Following dem closely?" "Only when I'm trying to steal their dessert" ...Fang pretended to think, gazing up at the ceiling. "Besides my fashion sense? I play a mean harmonica." "I vill now destroy de Snickuhs bahrs!" Gazzy barked.
James Patterson
Who taught you to write in blood on my back? Who taught you to use your hands as branding irons? You have scored your name into my shoulders, referenced me with your mark. The pads of your fingers have become printing blocks, you tap a message on to my skin, tap meaning into my body.
Jeanette Winterson (Written on the Body)
Will bit at his lip. This was the last time Jem, as Jem, might ever touch him. The sharp memory went through him like a knife—of years of Jem’s light tap on his shoulder, his hand reaching to help Will up when he fell, Jem holding him back when he was furious, Will’s own hands on Jem’s thin shoulders as Jem coughed blood into his shirt. “Listen to me. I am leaving, but I am living. I will not be gone from you entirely, Will. When you fight now, I will be still by you. When you walk in the world, I will be the light at your side, the ground steady under your feet, the force that drives the sword in your hand. We are bound, beyond the oath. The Marks did not change that. The oath did not change that. It merely gave words to something that existed already.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Too often, we miss out on opportunities in this life because we were too busy waiting for them to fall into our lap that we missed them tapping on our shoulder.
Daniel Willey
I am not exuding anything," said Holly through gritted teeth. Orion tapped her shoulder. "I beg to differ. You're exuding right now, a wonderful aura. It's pastel blue with little dolphins.
Eoin Colfer (The Atlantis Complex (Artemis Fowl, #7))
With a chaste heart With pure eyes I celebrate your beauty Holding the leash of blood So that it might leap out and trace your outline Where you lie down in my Ode As in a land of forests or in surf In aromatic loam, or in sea music Beautiful nude Equally beautiful your feet Arched by primeval tap of wind or sound Your ears, small shells Of the splendid American sea Your breasts of level plentitude Fulfilled by living light Your flying eyelids of wheat Revealing or enclosing The two deep countries of your eyes The line your shoulders have divided into pale regions Loses itself and blends into the compact halves of an apple Continues separating your beauty down into two columns of Burnished gold Fine alabaster To sink into the two grapes of your feet Where your twin symmetrical tree burns again and rises Flowering fire Open chandelier A swelling fruit Over the pact of sea and earth From what materials Agate? Quartz? Wheat? Did your body come together? Swelling like baking bread to signal silvered hills The cleavage of one petal Sweet fruits of a deep velvet Until alone remained Astonished The fine and firm feminine form It is not only light that falls over the world spreading inside your body Yet suffocate itself So much is clarity Taking its leave of you As if you were on fire within The moon lives in the lining of your skin.
Pablo Neruda
How do I love thee? wondered Orion. "Let me see. I love thee passionately and eternally...obviously eternally-that goes without saying." Holly blinked sweat from her eyes. "Is he serious?" she called over her shoulder to Foaly. "Oh, absolutely," said the centaur "If he asks you to look for birthmarks, say no immediately." "Oh, I would never." Orion assured her. "Ladies don't look for birthmarks; that is work for jolly fellows like the Goodly Beast and myself. Ladies, like Miss Short, do enough by simply existing. They exude beauty, and that is enough." "I am not exuding anything." said Holly, through gritted teeth. Orion tapped her shoulder. "I beg to differ. You're exuding right now, a wonderful aura. It's pastel blue with little dolphins." Holly gripped the wheel tightly. "I'm going to be sick. Did he just say pastel blue?" "And dolphins, little ones," said Foaly.
Eoin Colfer (The Atlantis Complex (Artemis Fowl, #7))
Lamb said, ‘If you had issues with him, I could have spoken to HR. Arranged an intervention.’ He tapped Moody’s shoulder with his foot. ‘Breaking his neck without going through your line manager, that shit stays on your record.
Mick Herron (Slow Horses (Slough House, #1))
Jill told me that when you're really in love, you know right away. I'm not exactly sure how this happens. Is it like a flash of lightning? Like an angel tapping you on the shoulder? Or is it similar to choosing a puppy? You think you're picking the cutest one, but really you wind up going home with the one who keeps insisting on climbing into your lap.
Alice Hoffman (Local Girls)
Should we start making preparations here? (Tory) Punk-ass won’t come to my island! He knows better. You don’t tap on the Devil’s shoulder unless you’re willing to dance to his tune. (Savitar)
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
Come with me to the Pacific Design Center.” “Why?” “Because I need help picking out a new couch,” he said, peering up at her uncertainly. “Isn’t that what friends do?” “Okay.” “Okay.” “Should we go?” Taylor went back inside her apartment and grabbed her keys. As she followed Jason out to his car, she tapped him on the shoulder. “Hey—can I drive the Aston Martin?” “No.” “But isn’t that what friends do?” “No.” “My, my, you’re awfully grumpy today . . . Is something wrong?” “Buckle up, sweetheart,” he told her. “This ain’t no PT Cruiser.
Julie James (Just the Sexiest Man Alive)
You don’t tap on the Devil’s shoulder unless you’re willing to dance to his tune.
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
Good morning,” he drawled. She straightened her shoulders with the silent reminder that she had to be as distant as he was. “My lord.” He gave her an indulgent smirk. “As much as I like to be referred to as your lord, I think we’ve gone far beyond those empty platitudes. You have called me Ethan several times.” He hesitated and tapped his chin. “Actually you moaned it once. I prefer you call me that while we are alone together.
Jess Michaels (Everything Forbidden (Albright Sisters, #1))
Do you see now why I believe in miracles? I used to imagine time folding over, the shades of our future selves slipping back to the crucial moments to tap each of us on the shoulder and whisper: Look, there, look! That man, that woman: they're for you; that's your life, your future, fidgeting in the line, dripping on the carpet, shuffling in that doorway. Don't miss it.
Tana French (The Likeness (Dublin Murder Squad, #2))
Jesus tapped me on the shoulder and said, 'Bob, why are you resisting me?' I said, 'I'm not resisting You!' He said, 'You gonna follow Me?' I said, 'I've never thought about that before!' He said, 'When you're not following Me. you're resisiting Me.
Bob Dylan
Your death taps you on the shoulder, or takes your hand, and says, ‘Come along o’ me, it’s time.
Philip Pullman (His Dark Materials)
You cunts done yet?" Preppy called out with a sigh, letting his shoulders fall. "Ya'll fight like bitches. When one of you taps out I bet it's because you gotta go change your fucking tampon." He shook his head and rolled his eyes.
T.M. Frazier (Lawless (King, #3))
Luke and his timing tapped me on the shoulder. What was I going to say to the best friend I ever had? Too bad you're an idiot and broke up with her, it's my turn. No, that wouldn't go over well.
Shannon Dermott (Waiting for Mercy (Cambion, #2))
It's a strange feeling to like someone so much and yet be terrified to have them in your space, touching you. It isn't that I don't like it when we touch- when we brush arms or when he taps me on the shoulder or when I pick a piece of lint off his shirt. I like it too much. My body gets excited without my permission, and it's not okay. It's out of control.
Francesca Zappia (Eliza and Her Monsters)
Eventually, I developed my own image of teh "befriending" impulse behind my depression. Imagine that from early in my life, a friendly figure, standing a block away, was trying to get my attention by shouting my name, wanting to teach me some hard but healing truths about myself. But I-- fearful of what I might hear or arrogantly trying to live wihtout help or simply too busy with my ideas and ego and ethics to bother-- ignored teh shouts and walked away. So this figure, still with friendly intent, came closer and shouted more loudly, but AI kept walking. Ever closer it came, close enough to tap me on the shoulder, but I walked on. Frustrated by my unresponsiveness, the figure threw stones at my back, then struck me with a stick, still wanting simply to get my attention. But despite teh pain, I kept walking away. Over teh years, teh befriending intent of this figure never disapppeared but became obscured by the frustration cuased by my refusal to turn around. Since shouts and taps, stones and sticks had failed to do the trick, there was only one thing left: drop the nuclear bomb called depression on me, not with the intent to kill but as a last-ditch effort to get me to turn and ask the simple question, "What do you want?" When I was finally able to make the turn-- and start to absorb and act on the self-knowledge that then became available to me-- I began to get well. The figure calling to me all those years was, I believe, what Thomas Merton calls "true self." This is not the ego self that wants to inflate us (or deflate us, another from of self-distortion), not the intellectual self that wants to hover above the mess of life in clear but ungrounded ideas, not the ethical self that wants to live by some abstract moral code. It is the self-planted in us by the God who made us in God's own image-- the self that wants nothing more, or less, than for us to be who we were created to be. True self is true friend. One ignores or rejects such friendship only at one's peril.
Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
One day, after practice, he came up behind me, tapped me on the shoulder, and as I turned around, he sucker-punched me and relocated my nose to the other side of my face. What up, Mr. Drum Captain? How's your drumming going, bro? Played any arenas lately?
Tommy Lee (Tommyland)
Church isn’t some community you join or some place you arrive. Church is what happens when someone taps you on the shoulder and whispers in your ear, Pay attention, this is holy ground; God is here.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
Someone is getting excited. Somebody somewhere is shaking with excitement because something tremendous is about to happen to this person. This person has dressed for the occasion. This person has hoped and dreamed and now it is really happening and this person can hardly believe it. But believing is not an issue here, the time for faith and fantasy is over, it is really really happening. It involves stepping forward and bowing. Possibly there is some kneeling, such as when one is knighted. One is almost never knighted. But this person may kneel and receive a tap on each shoulder with a sword. Or, more likely, this person will be in a car or a store or under a vinyl canopy when it happens. Or online or on the phone. It could be an e-mail re: your knighthood. Or a long, laughing, rambling phone message in which every person this person has ever known is talking on a speakerphone and they are all saying, You have passed the test, it was all just a test, we were only kidding, real life is so much better than that. This person is laughing out loud with relief and playing the message back to get the address of the place where every person this person has ever known is waiting to hug this person and bring her into the fold of life. It is really exciting, and it’s not just a dream, it’s real.
Miranda July
It always took my breath away,’ he said, ‘that the five of us could have found one another–against such odds, through all the layers of armored fortifications each of us had set up… Do you see now why I believe in miracles? I used to imagine time folding over, the shades of our future selves slipping back to the crucial moments to tap each of us on the shoulder and whisper: Look, there, look! That man, that woman: they’re for you; that’s your life, your future, fidgeting in that line, dripping on the carpet, shuffling in that doorway. Don’t miss it.
Tana French (The Likeness (Dublin Murder Squad, #2))
There are no accidents of fate. Every act has a reaction through lives, through time. Déjà vu and coincidence are God tapping you on the shoulder, telling you to pay attention, showing you that you are walking in the footprint of your own reincarnation.
M.J. Rose (The Memorist (Reincarnationist, #2))
Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive insect of glitter, a chandelier shining at the end of a long tunnel. Thirteen years ago, you hid the hurt in your voice under a blanket and said there’s two kinds of women—those you write poems about and those you don’t. It’s true. I never brought you a bouquet of sonnets, or served you haiku in bed. My idea of courtship was tapping Jane’s Addiction lyrics in Morse code on your window at three A.M., whiskey doing push-ups on my breath. But I worked within the confines of my character, cast as the bad boy in your life, the Magellan of your dark side. We don’t have a past so much as a bunch of electricity and liquor, power never put to good use. What we had together makes it sound like a virus, as if we caught one another like colds, and desire was merely a symptom that could be treated with soup and lots of sex. Gliding beside you now, I feel like the Benjamin Franklin of monogamy, as if I invented it, but I’m still not immune to your waterfall scent, still haven’t developed antibodies for your smile. I don’t know how long regret existed before humans stuck a word on it. I don’t know how many paper towels it would take to wipe up the Pacific Ocean, or why the light of a candle being blown out travels faster than the luminescence of one that’s just been lit, but I do know that all our huffing and puffing into each other’s ears—as if the brain was a trick birthday candle—didn’t make the silence any easier to navigate. I’m sorry all the kisses I scrawled on your neck were written in disappearing ink. Sometimes I thought of you so hard one of your legs would pop out of my ear hole, and when I was sleeping, you’d press your face against the porthole of my submarine. I’m sorry this poem has taken thirteen years to reach you. I wish that just once, instead of skidding off the shoulder blade’s precipice and joyriding over flesh, we’d put our hands away like chocolate to be saved for later, and deciphered the calligraphy of each other’s eyelashes, translated a paragraph from the volumes of what couldn’t be said.
Jeffrey McDaniel
Every day, Helen thought, so many people tap the bull on the shoulder and say, "Excuse me. I'm just going to grab your horns.
Elizabeth Berg (Home Safe)
What did you do to Eduardo?” “I don’t know any Eduardo!” Mac wheezed. I twisted his arm a fraction more. He cried out. “I know your name is Mac. I know that’s your redneck cousin Leroy. I know you’re in Eduardo’s territory, muscling in on his gig, and I know that you stole the FJ Cruiser from his fiancée. Look at me. Look at my eyes.” Mac looked up at me. His face went white. My voice was barely above a whisper, but I sank a lot of rage into it. “Eduardo is my friend. His fiancée is my friend. She is his sister.” I pointed at Curran. “Tell me everything you know or I’ll break your arm right here.” I tapped his shoulder. “Then I’ll keep breaking it here and here and here. No amount of medmagic and steel pins will fix it. It’ll never work right again and it will always hurt.
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
Cork your pistol, city boy,” she murmured. “Ice cream is for hangovers. If you drug me, I’ll also cut your man bits off. I need to be consoled, not tapped on the shoulder as if you were tapping me into a WWE fight.
Kirsty Dallas (Decker's Wood (Kink Harder Presents #1))
Gabe taps Michi on the shoulder. “I can understand any hesitation on your part, Michika. If you wish, you can stay behind with your family …” “Nuh-uh, not a chance!” She brushes Gabe’s hand off of her shoulder. “If my best friend’s gonna be risking her life to kick New Empire ass, then I wanna be right there with her in my asskickin’ boots.
Don A. Martinez (The Insurgent's Journal (Phantom Squadron #3))
Memories are weird. They never really leave you alone, no matter how much you try, and the funny part is--the more you try, the more they haunt you. The more you want to run away, the faster they seem to catch up, and then there comes a time when you are convinced that you have finally managed to leave them behind and move on. You rejoice. You celebrate. You have exorcised the ghosts of the past--you feel liberated, UNTIL one fine day, some old memory creeps up slowly from behind and taps you on your shoulder just to say "Hi. How’s it going so far?". That is when everything comes rushing in, and you realize that maybe, just maybe, it had never really gone away.
Priyanka Naik (Twists Of Fate)
Well, fuck a duck,” comes Morris’s delighted voice. I jerk in surprise, then spin around to glare at him for sneaking up on me from behind. Judging by the amusement dancing in his eyes, it’s obvious he peeked over my shoulder and caught a glimpse of the photo I’d been drooling over. “I was wondering how he’d pull that one off,” Morris remarks, still grinning like a fool. “Shouldn’t have doubted him, though. That dude is an unstoppable force of nature.” I narrow my eyes. “He told you about the picture?” “About the whole list, actually. We hung out last night—Lorris is close to taking over Brooklyn, by the way—and he was moaning and groaning about not being able to track down a red velvet couch.” Morris shrugs. “I offered to throw a red blanket on the sofa in my common room and take some pictures, but he said you’d consider that cheating and deprive him of your love.” Stifling a sigh, I shove the phone in my purse, then walk over to the mini-fridge across the room and grab a bottle of water. I twist off the cap, doing my best to ignore the sheer enjoyment Morris is getting out of this. “I wish I was gay,” he says ruefully. A snicker pops out. “Uh-huh. Go on. I’m willing to follow you down this rabbit hole and see where it leads.” “Seriously, Gretch, I love him. I have a boner for him.” Morris sighs. “If I’d known he existed, I wouldn’t have asked you out in the first place.” “Gee, thanks.” “Oh, shut up. You’re awesome, and I’d tap that in a second. But I can’t compete with this guy. He’s operating on a whole other level when it comes to you.
Elle Kennedy (The Mistake (Off-Campus, #2))
Get on, beauty queen.” We pulled out from the bar and down the road to the motel. When we parked up, Tank looked back at me and sighed. “Why do I get the feeling you’re trouble?” I smiled and winked. Because I fucking was. I slid from the motorcycle and tapped Tank’s shoulder. “Come on, big boy.
Tillie Cole (Beauty Found (Hades Hangmen, #6.5))
Watching him, his hands buried in his pockets—to keep from circling her neck she supposed—she couldn't help but marvel at the curious mix of Southern courtesy and male arrogance, the natural assumption he shouldered of being lawfully in control. "Engaging in a moral battle isn't always hazardous to one's health, you know." "Doesn't look like it's doing wonders for yours." "Saints be praised, it can actually be rewarding." Looking over his shoulder, he halted in the middle of the room. "Irish." "I beg your pardon?" "You. Irish. The green eyes, the tiny bit of red in your hair. Is Connor your real name?" "Yes, why..." she said, stammering. Bloody hell. "Of course." "Liar." She felt the slow, hot roll of color cross her cheeks. "What could that possibly have to do with anything?" "I don't know, but I have a feeling it means something. It's the first I've heard come out of that sassy mouth of yours that didn't sound like some damned speech." He tapped his head, starting to pace again. "What I wonder is, where are you in there?
Tracy Sumner (Tides of Passion (Garrett Brothers, #2))
There is a great Hindu story about a lady who wanted to meet the god Krishna. So she went into the forest, closed her eyes, and prayed and meditated on making the god appear and lo and behold, Krishna tapped the lady on the shoulder, she, without opening her eyes, told him to get lost because she was busy meditating on a very important goal. When we get so wrapped up in our heads, we miss out on what's available to us right now in the moment.
Jen Sincero (You Are a Badass: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
There was a muffled tap again, and I heard a familiar voice whisper faintly, “Kelsey, it’s me.” I unlocked the door and peeked out. Ren was standing there dressed in his white clothes, barefoot, with a triumphant grin on his face. I pulled him inside and hissed out thickly, “What are you doing here? It’s dangerous coming into town! You could have been seen, and they’d send hunters out after you!” He shrugged his shoulders and grinned. “I missed you.” My mouth quirked up in a half smile. “I missed you too.” He leaned a shoulder nonchalantly against the doorframe. “Does that mean you’ll let me stay here? I’ll sleep on the floor and leave before daylight. No one will see me. I promise.” I let out a deep breath. “Okay, but promise you’ll leave early. I don’t like you risking yourself like this.” “I promise.” He sat down on the bed, took my hand, and pulled me down to sit beside him. “I don’t like sleeping in the dark jungle by myself.” “I wouldn’t either.” He looked down at our entwined hands. “When I’m with you, I feel like a man again. When I’m out there all alone, I feel like a beast, an animal.” His eyes darted up to mine. I squeezed his hand. “I understand. It’s fine. Really.” He grinned. “You were hard to track, you know. Lucky for me you two decided to walk to dinner, so I could follow your scent right to your door.” Something on the nightstand caught his attention. Leaning around me, he reached over and picked up my open journal. I had drawn a new picture of a tiger-my tiger. My circus drawings were okay, but this latest one was more personal and full of life. Ren stared at it for a moment while a bright crimson flush colored my cheeks. He traced the tiger with his finger, and then whispered gently, "Someday, I'll give you a portrait of the real me." Setting the journal down carefully, he took both of my hands in his, turned to me with an intense expression, and said, "I don't want you to see only a tiger when you look at me. I want you to see me. The man." Reaching out, he almost touched my cheek but he stopped and withdrew his hand. "I've worn the tiger's face for far too many years. He's stolen my humanity." I nodded while he squeezed my hands and whispered quietly, "Kells, I don't want to be him anymore. I want to be me. I want to have a life." "I know," I said softly. I reached up to stroke his cheek. "Ren, I-" I froze in place as he pulled my hand slowly down to his lips and kissed my palm. My hand tingled. His blue eyes searched my face desperately, wanting, needing something from me. I wanted to say something to reassure him. I wanted to offer him comfort. I just couldn't frame the words. His supplication stirred me. I felt a deep bond with him, a strong connection. I wanted to help him, I wanted to be his friend, and I wanted...maybe something more. I tried to identify and categorize my reactions to him. What I felt for him seemed too complicated to define, but it soon became obvious to me that the strongest emotion I felt, the one that was stirring my heart, was...love.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Dad, I need to talk to you about something." He peeked over his shoulder. "I thought you'd already googled all that period and birds-and-bees stuff." "Dad..." He turned around, suddenly concerned. "Are you pregnant? Are you gay? I'd rather you were gay than pregnant. Unless you're pregnant. Then we'll deal. Whatever it is, we'll deal. Are you pregnant?" "No," Cath said. "Okay..." He leaned back against the sink and began tapping wet fingers against the counter. "I'm not gay either." "What does that leave?" "Um...school, I guess." "You're having problems in school? I don't believe that. Are you sure you're not pregnant?
Rainbow Rowell (Fangirl)
Sometimes family hurts you more than they could ever love you. That’s a truth a lot of people don’t want to hear, but sometimes people get the opposite. They get the families that love you more than they could ever hurt you. Those people are the luckiest in the world. You know what pisses me off? Is that they probably don’t even know it. They don’t know how lucky they are, but, Sam, you’re one of them.” I sucked in a breath. That ache was a stabbing pain now. She leaned forward. Some of her long hair fell forward, but she ignored it as she grasped my shoulders. Malinda moved so we were eye-level. “Forget the people who’ve hurt you. You don’t have them anymore, but you have two others that’ll do anything for you. Mason and Logan would move mountains for you. I see how you are with them. You love them, but you’re scared to let yourself be happy. Why? Because that’s when they’ll leave? Is that what you think? You’ve got it all wrong. Those two will never leave you.” She tapped my chest. Once. Twice. “You. You’re the one that’s going to hurt them. You have that power, and you don’t know it. You could rip those two apart in a second, and they’re the ones who are scared of you. Not the other way around. You need to recognize the real situation.
Tijan (The Fallen Crest Series (Fallen Crest High, #0.5-3))
You may have found your tribe or you may still be searching, but either way Divine Will is going to tap you on the shoulder. And when you turn around to see what’s going on, it will be abundantly clear to you which direction your life should take. If you appreciate your talent and above all else have a longing to live unshackled, if you’re bold and have the gallantry of true Wrong Planet people ….. even though from time to time you may tend to howl at the moon ….. you’ll take it.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
You are aware that what they do, they do for the world, and the results are, of course, magnificent. But when you . . . read Douglas Adams. . . you feel you are, perhaps, the only person in the world who really gets them. Just about everybody else admires them, of course, but no one really connects with them in the way you do . . . It’s like falling in love. When an especially peachy Adams’ turn of phrase or epithet enters the eye and penetrates the brain, you want to tap the shoulder of the nearest stranger and share it. The stranger might laugh and seem to enjoy the writing, but you hug to yourself the thought that they didn’t quite understand its force and quality the way you do, just as your friends, thank heavens, don’t also fall in love with the person you are going on and on about to them.
Stephen Fry
Someone shouted her name, making her startle and pull her horse to a quick stop. She turned to find Nicolae riding toward her, his familiar grin quick and easy despite the large gash that ran from the center of his forehead to the bridge of his nose and onto his left cheek. "Lada! Did you miss me?" She frowned, tapping her chin. "Have you been gone? I had not noticed." "You cried yourself to sleep every day." " I luxuriated in the blessed quiet that you left in your wake." He clapped a hand on her shoulder, still beaming, and she finally allowed herself a smile in return. In truth, she was overjoyed. "Tell me everything. Including how that happened." She nodded toward his scar. "This? Alas, my beautiful face. Is it not tragic?" "You should be grateful. For the first time in your life you have to eyebrows instead of one." Nicolae threw his head back, laughter roaring through the square. "My little dragon, always finding the bright side of life. Come. We drink.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
This person has hoped and dreamed and now it is really happening and this person can hardly believe it. But believing is not an issue here, the time for faith and fantasy is over, it is really really happening. It involves stepping forward and bowing. Possibly there is some kneeling, such as when one is knighted. One is almost never knighted. But this person may kneel and receive a tap on each shoulder with a sword. Or, more likely, this person will be in a car or a store or under a vinyl canopy when it happens. Or online or on the phone. It could be an e-mail re: your knighthood. Or a long, laughing, rambling phone message in which every person this person has ever known is talking on a speakerphone and they are all saying, You have passed the test, it was all just a test, we were only kidding, real life is so much better than that.
Miranda July (No One Belongs Here More Than You)
It happens. Life (or death) taps you on the shoulder, interrupts what you’re doing, and suddenly you find that nobody has been bothering you but yourself.
William Souder (Mad at the World: A Life of John Steinbeck)
I was making dinner and I got a message. Go look outside, she said, go look at the sunset. My apartment is small, with four rooms and two windows that don’t see much light so I had no idea. I pulled my coat on and hurried out. I was running to this sunset, suddenly the only thing that mattered. I hurried past the taller buildings to the park and the sky was leaking shades of pink and purple. It was beautiful and fleeting, there one minute and gone the next. I would’ve missed it; I almost kissed it. And so I started thinking, how great it would be to get a nudge, a tap on your shoulder, a moment or two before your life changes. Stop what you’re doing and look around, you’ll want to remember this later. In a minute, you’re going to fall in love.
Kelsey Danielle
He thought here you are Joe Bonham lying like a side of beef all the rest of your life and for what? Somebody tapped you on the shoulder and said come along son we’re going to war. So you went. But why? In any other deal even like buying a car or running an errand you had the right to say what’s there in it for me? Otherwise you’d be buying bad cars for too much money or running errands for fools and starving to death. It was a kind of duty you owed yourself that when anybody said come on son do this or do that you should stand up and say look mister why should I do this for who am I doing it and what am I going to get out of it in the end? But when a guy comes along and says here come with me and risk your life and maybe die or be crippled why then you’ve got no rights. You haven’t even the right to say yes or no or I’ll think it over. There are plenty of laws to protect guys’ money even in war time but there’s nothing on the books says a man’s life’s his own. Of
Dalton Trumbo (Johnny Got His Gun)
Death doesn’t care about anything.  It just comes and takes you…indiscriminately.    Just taps you on the shoulder, like a cold dagger down your spine.  Reminding you that all of this is temporary.
Michael C. Grumley (Mosaic (Breakthrough, #5))
I haven't waited to be summoned for my big moment by a tap on the shoulder from a mysterious, benevolent stranger. It doesn't work that way where I'm from. You make your own opportunities where I'm from.
Kwame Onwuachi
Stop fussing,” Legna admonished her, tapping her finger against Isabella’s absently energetic hand. “I’m getting married in a few minutes, Legna, I think I’ve a right to fuss.” Isabella felt her heart turn over as she spoke aloud, listening to herself talk about her impending marriage. “Well, brides are supposed to be blushing, as I understand it. At the moment you are no less than five shades of gray.” Legna continued with her interrupted weaving of more ribbons in Isabella’s hair. “And as much as it matches the silver of your dress, I think you would look better with a little natural color.” Legna reached to smooth down a portion of the shimmering silver fabric that draped off of the bride’s shoulders in a Grecian fashion. “You know,” she pressed, “there are only two nights in a year when Demons perform a joining ceremony. Samhain and Beltane. If you pass out tonight, you will have to wait until next spring.” “Thanks for the bulletin. You’re too kind,” Isabella retorted dryly. “Actually, purely out of kindness, I will tell you that your future husband is just shy of tossing his cookies himself, so you can take comfort in knowing he is just as nervous as you are.” “Legna!” Bella laughed. “You’re a wretch!” She turned to look at the female Demon, briefly admiring how pretty she looked in her soft white chiffon gown. “And how would you know? You’re standing too close to me to be able to sense his emotions.” “Because when I went to fetch the ribbons, he was seated next to Noah with his head between his knees.” Legna giggled. “I have never seen anything rattle Jacob before. I cannot help but find it amusing.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
In Warsaw, you also remember that you are in a Communist-controlled country, though by all accounts the control is now humane and lenient, judged by what it was and what it is in other satellite countries. Still you do hear the incompetent echo in the tapped hotel telephone, you do notice that people look over their shoulders when talking in restaurants - the secret police are dormant but not forgotten; you feel in your bones, as you would a threatening change in the weather, every change in Russian mood or action. This is not and air we have ever breathed; I doubt if we would be strong enough to resist such a climate and stay as healthy in spirit as the Poles.
Martha Gellhorn (The View from the Ground)
Can you even cry, anyway? With your eyes and all." Josh asks, fingers tapping a rhythm on the cushion behind Caid's right shoulder. Caid swats his arm away. Says, "How is someone paying you to teach children? Of course I can fucking cry; it's not my tear ducts that are broken." "I teach history, not the anatomy of eyeballs, shithead." "How old are you?" Caid scoffs, feeling frustrated and exposed. He hates talking about his blindness. Hates it almost more than actually being blind.
seventhswan (The Sudden Visibility of Sound)
Scythe Anastasia was equally dumbfounded. "You?" she said. "No," Morrison blurted, "not me! I mean, yes, it's me, but I'm not the Toll, I mean." Any hope of strong, silent intimidation was gone. Now he was little more than a stammering imbecile, which is how he always felt around Scythe Anastasia. "What are you even doing here?" she asked. He started to explain, but realized it was way too long a story for the moment. And besides, he was sure her story was a better one. The other scythe in her entourage—Amazonian by the look of his robe—chimed in, several beats behind the curve. "You mean to say you two know each other?" But before either of them could answer, Mendoza came up behind Morrison, tapping him on the shoulder. "As usual, you're in the way, Morrison," he grumbled, having completely missed the conversation. Morrison stepped aside and allowed the curate to exit. And the moment Mendoza saw Anastasia, he became just as befuddled as Morrison. Although his eyes darted wildly, he managed to hold his silence. Now they stood on either side of the entrance to the cave in their usual formation. Then the Toll emerged from the cave between them. He paused short, just as Morrison and Mendoza had, gaping in a way that a holy man probably never should. "Okay," said Scythe Anastasia. "Now I know I've lost my mind.
Neal Shusterman (The Toll (Arc of a Scythe, #3))
Your thigh? Your shoulder? Is there any part of you that hasn't been hurt yet?" He seemed to be contemplating my question for a moment and then he nodded. He tapped his chest. "Yeah, my heart." He looked over at me. "But its feeling mighty vulnerable these days, so who knows.
Tess Oliver (Distraction (Years from Home, #1))
Kyle tapped Caeden’s shoulder. “Isn’t your little brother the one who sang the Fergie song at the top of his lungs during that assembly last year.” Caeden buried his face in his hands. “That’s the one.” Shane snickered. “I watched that on youtube.” “He did a dance too,” Tyler said, and began to, I guess, mimic it. The other guys joined in and they began to sing the lyrics to Glamorous. “Oh God,” Caeden croaked. “Youtube?” They finished mimicking and Shane said, “Yeah, it’s on youtube. It’s got like a million hits or something.” “A million?” Caeden squeaked.
Micalea Smeltzer
So,” Ben says, tapping his fingers against his thighs, “Ryder’s going to watch out for you during the storm, I guess. Keep an eye on your place and everything?” “I promised her dad I would,” Ryder says. Because God knows that’s the only reason he’d do something nice for me. I can’t help but roll my eyes. “Well, it’s not like I’m right down the road like Ryder is, but if you need anything, just let me know, okay? I don’t mind coming out there.” “Thanks, Ben,” I say, patting his shoulder. “That’s sweet.” And then Ryder leans over and turns on the radio, blasting a country music station loud enough to make conversation impossible. I guess that means we’re done talking, which is fine by me.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Dreams suck. You think you’ve conquered something, you work on it over and over and tell yourself you’re getting better, you will yourself to get better, you congratulate yourself on getting better. And then you close your eyes at night, you drift off into another world, and suddenly your own brain is tapping you on the shoulder and saying, Guess what? You’re NOT better!
James Patterson (Invisible)
Tradition now dictated that anyone could try and pull the couple apart. Whoever succeeded in separating them at their ribbons would be able to sit beside the couple as they feasted in celebration. The field became a tumble of laughing mates and contestants as males tried to remove males and females tried to remove females. Jacob grabbed his newly healed bride and floated out of the reach of the would-be renders, a cry of protest rising from below them. Gideon and Legna were left unmolested, Gideon’s imposing reputation having a quelling effect on the nerves of any who might have approached. He was kissing his bride when he felt a tap on his shoulder. He turned and saw Damien arching a challenging brow at him. Legna laughed, delighted as Gideon gave the Prince a dirty look. Her humor lasted about two seconds. That was when Damien’s partner in crime tapped Legna’s shoulder. Siena gave the bride a feline grin. “Oh, you bitch,” Legna choked out, laughing in her shock at the excellent maneuver on the Queen’s part. “Uh-uh,” the Queen scolded, her collar winking in the firelight. “That’s not very diplomatic of you, Ambassador.” “You realize this means war,” Legna said archly. “As if I would settle for anything less,” Siena returned. Legna and Gideon sighed, looking at each other and rolling their eyes. Husband grabbed hold of wife by their joined arms and then they braced their feet. Legna felt slim, strong arms around her waist and shoulders, and Gideon was seized in a similar hold by the determined Damien. “Darling?” Legna said. “Yes, love.” “Yes?” “Definitely yes.” The Vampire and Lycanthrope pulled, and immediately found themselves holding nothing but air. They both fell over hard into the dirt, dazedly watching a pair of ribbons floating down to the ground. “Oh look, they won,” Legna remarked from her and Gideon’s new position a few feet away. “How about that,” Gideon mused. “See you both at dinner. Congratulations on your victory.” The couple popped off to who knows where, leaving indignant but dubiously victorious royalty behind.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
The problem with good things that happen is that very often they disguise themselves as awful things. It would be lovely, wouldn’t it, whenever you’re going through something difficult, if someone could just tap you on the shoulder and say, “Don’t worry, it’s completely worth it. It seems like absolutely horrible crap now, but I promise it will all come good in the end,” and you could say, “Thank you, Fairy Godmother.
Jenny Colgan (The Bookshop on the Corner)
I leaned against the SUV he was working on. “So….” “So?” he asked, looking back down at the tablet. “How rich are we?” He snorted. “Get back to work.” And I was going to do just that, except that Kelly Bennett decided to appear right at that moment. Wearing a deputy’s uniform. Tight green pants with a tan button-up shirt that pulled against his torso. He had a mic clipped near his shoulder and a black utility belt around his waist. He wasn’t carrying a gun, but I barely noticed because at that exact moment, I discovered my legs decided to quit working and I tripped and fell into the side of the SUV. Everyone stopped what they were doing to look at me. “Sorry,” I said quickly, using the SUV to pull myself back up. And immediately hit the top of my head on the open hood. “Son of a bitch.” “What are you doing?” Gordo asked slowly. I laughed wildly. “Nothing! It’s nothing. Just… don’t even worry about it.” He turned toward the front of the garage. “Oh no,” he said when he saw who was standing there. “Not this again.” He pointed the tablet at Kelly. “I swear to god, if I find an animal carcass brought here at any point, I will make both your lives a living hell. Do you understand me? I’m getting too old for this shit.” “I can’t believe we have to watch this all over again,” Chris said to Tanner. “It was bad enough the first time. Remember when Robbie figured out that he wanted to put himself all over Kelly?” “Yeah,” Tanner said. “How could I forget? We had to tell Ms. Martin that her side mirror was broken by accident instead of telling her the truth, that Robbie got a weird wolf boner and forgot his own strength.” “Maybe it’ll be like it was with Ox and Joe,” Rico said, tapping a socket wrench against his hand. “Mini muffins, you know? I ate, like, ten of them.” Chris looked scandalized. “You did what? That was one of their mystical moon magic presents! You don’t touch another man’s mystical moon magic present, Rico. They could have killed you, or worse, gotten confused and made you their mate.” He frowned. “Are there werewolf threesomes? That sounds complicated. Too many limbs. I don’t know anything about being a wolf.
T.J. Klune (Heartsong (Green Creek, #3))
Your death taps you on the shoulder, or takes your hand, and says, come along o' me, it's time. It might happen when you're sick with a fever, or when you choke on a piece of dry bread, or when you fall off a high building; in the middle of your pain and travail, your death comes to you kindly and says easy now, easy, child, you come along o' me, and you go with them in a boat out across the lake into the mist. What happens there, no one knows. No one's ever come back.
Philip Pullman (His Dark Materials)
By December 1975, a year had passed since Mr. Harvey had packed his bags, but there was still no sign of him. For a while, until the tape dirtied or the paper tore, store owners kept a scratchy sketch of him taped to their windows. Lindsey and Samuel walked in the neighboorhood or hung out at Hal's bike shop. She wouldn't go to the diner where the other kids went. The owner of the diner was a law and order man. He had blown up the sketch of George Harvey to twice its size and taped it to the front door. He willingly gave the grisly details to any customer who asked- young girl, cornfield, found only an elbow. Finallly Lindsey asked Hal to give her a ride to the police station. She wanted to know what exactly they were doing. They bid farewell to Samuel at the bike shop and Hal gave Lindsey a ride through a wet December snow. From the start, Lindsey's youth and purpose had caught the police off guard. As more and more of them realized who she was, they gave her a wider and wider berth. Here was this girl, focused, mad, fifteen... When Lindsey and Hal waited outside the captain's office on a wooden bench, she thought she saw something across the room that she recognized. It was on Detective Fenerman's desk and it stood out in the room because of its color. What her mother had always distinguished as Chinese red, a harsher red than rose red, it was the red of classic red lipsticks, rarely found in nature. Our mother was proud of her ability fo wear Chinese red, noting each time she tied a particular scarf around her neck that it was a color even Grandma Lynn dared not wear. Hal,' she said, every muscle tense as she stared at the increasingly familiar object on Fenerman's desk. Yes.' Do you see that red cloth?' Yes.' Can you go and get it for me?' When Hal looked at her, she said: 'I think it's my mother's.' As Hal stood to retrieve it, Len entered the squad room from behind where Lindsey sat. He tapped her on the shoulder just as he realized what Hal was doing. Lindsey and Detective Ferman stared at each other. Why do you have my mother's scarf?' He stumbled. 'She might have left it in my car one day.' Lindsey stood and faced him. She was clear-eyed and driving fast towards the worst news yet. 'What was she doing in your car?' Hello, Hal,' Len said. Hal held the scarf in his head. Lindsey grabbed it away, her voice growing angry. 'Why do you have m mother's scarf?' And though Len was the detective, Hal saw it first- it arched over her like a rainbow- Prismacolor understanding. The way it happened in algebra class or English when my sister was the first person to figure out the sum of x or point out the double entendres to her peers. Hal put his hand on Lindsey's shoulder to guide her. 'We should go,' he said. And later she cried out her disbelief to Samuel in the backroom of the bike shop.
Alice Sebold
There was a gentle tap on the door. “Enter!” Gwendafyn shouted without getting out of bed. The handmaidens tip-toed into the room, bearing trays of food: quail eggs, bacon, breakfast bread, and more. They studiously stared at the trays as they meekly set them on Gwendafyn’s mattress. “If you need anything else, Your Highness,” they murmured as they curtsied together. “We’re fine. Thank you,” Gwendafyn said. The handmaidens nodded, then hurried out of the room. “Fyn,” Benjimir said, practically purring as he leaned into her shoulder. “I believe you have ruined my reputation. No one will think me an innocent flower any longer.” Gwendafyn laughed. “Because surely I’m the swashbuckler out of the two of us.” “We are in your bed,” Benjimir pointed out as he offered Gwendafyn his plate of bacon. “And here my father kicked up a fuss, thinking I would corrupt you. Behold, how the tides have changed.” Gwendafyn swiped a piece of Benjimir’s bacon. “I have no regrets,” she announced.
K.M. Shea (Royal Magic (The Elves of Lessa, #2))
I’m crossing our backyard to the Pearces’, trying to juggle the bag and the portable speakers and my phone, when I see John Ambrose McClaren standing in front of the tree house, staring up at it with his arms crossed. I’d know the back of his blond head anywhere. I freeze, suddenly nervous and unsure. I’d thought Peter or Chris would be here with me when he arrived, and that would smooth out any awkwardness. But no such luck. I put down all my stuff and move forward to tap him on the shoulder, but he turns around before I can. I take a step back. “Hi! Hey!” I say. “Hey!” He takes a long look at me. “Is it really you?” “It’s me.” “My pen pal the elusive Lara Jean Covey who shows up at Model UN and runs off without so much as a hello?” I bite the inside of my cheek. “I’m pretty sure I at least said hello.” Teasingly he says, “No, I’m pretty sure you didn’t.” He’s right: I didn’t. I was too flustered. Kind of like right now. It must be that distance between knowing someone when you were a kid and seeing them now that you’re both more grown-up, but still not all the way grown-up, and there are all these years and letters in between you, and you don’t know how to act. “Well--anyway. You look…taller.” He looks more than just taller. Now that I can take the time to really look at him, I notice more. With his fair hair and milky skin and rosy cheeks, he looks like he could be an English farmer’s son. But he’s slim, so maybe the sensitive farmer’s son who steals away to the barn to read. The thought makes me smile, and John gives me a curious look but doesn’t ask why. With a nod, he says, “You look…exactly the same.” Gulp. Is that a good thing or a bad thing? “I do?” I get up on my tiptoes. “I think I’ve grown at least an inch since eighth grade.” And my boobs are at least a little bigger. Not much. Not that I want John to notice--I’m just saying.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
In that moment, I understand the way that the noblest yearning for duty and sacrifice can be mixed up with all that is savage and shameful, like in the Bible, where a just and merciful God tells you to kill everyone, kill the children, kill the livestock, kill John Polling, leave nothing alive to sully this pure and just world. Except when it's all done you find out that wasn't really God after all, just some politician, or maybe it was God, but he taps you on the shoulder and says, 'No, dude, that isn't what I meant,' and leaves you sitting in a Dairy Queen in Bothell with blood on your hands and no further orders...
Stuart Archer Cohen (The Army of the Republic)
Suppose a researcher were to tap you on the shoulder and ask you to write down what, according to cultural lore, males and females are like. Would you stare at the researcher blankly and exclaim ‘But what can you mean? Every person is a unique, multifaceted, sometimes even contradictory individual, and with such an astonishing range of personality traits within each sex, and across contexts, social class, age, experience, educational level, sexuality and ethnicity, it would be pointless and meaningless to attempt to pigeonhole such rich complexity and variability into two crude stereotypes’? No. You’d pick up your pencil and start writing.
Jacky Kilvington, Ali Wood
Carey recalled Tillman turning to him and tapping him on the shoulder. "Look who's coming up the road!" he said incredulously. In a scene straight from a movie, General Douglas MacArthur confidently walked straight up the center of the road, "bullets flying around him." Carey was dumbfounded. As MacArthur walked up to his position, Carey pulled him behind the building. "The general fell over" and stared at the lieutenant, quickly snapping, "What the hell do you think you're doing, Lieutenant?" "I'm just trying to keep you from getting killed," Carey snapped back. MacArthur glared at Carey with icy presence and said, "There isn't a bullet made that can kill me.
Patrick O'Donnell (Give Me Tomorrow: The Korean War's Greatest Untold Story-- The Epic Stand of the Marines of George Company)
As survivors and procreators, we unravel stories that at their root are not dissimilar from the habitual behaviors seen in nature. But as beings who know they will die we digress into episodes and epics that are altogether dissociated from the natural world. We may isolate this awareness, distract ourselves from it, anchor our minds far from its shores, and sublimate it as a motif in our sagas. Yet at no time and in no place are we protected from being tapped on the shoulder and reminded, “You’re going to die, you know.” However much we try to ignore it, our consciousness haunts us with this knowledge. Our heads were baptized in the font of death; they are doused with the horror of moribundity.
Thomas Ligotti (The Conspiracy Against the Human Race)
What the—” This time when I snapped away from him, he let me go. I stared down at his dick, at his torn jeans, and managed to put two and two together. “Oh…” Riley groaned and glanced away from me. “Sorry,” he mumbled, covering his eyes with his hand. “Usually good at controlling myself, but not with you.” His shoulders hunched as the blush all over his body deepened. “I don't have any control when it comes to you.” Not shyness—embarrassment. His other hand began to tap a familiar rhythm against the couch as he kept his gaze averted from me. “Superstrength is such a drag, ya know? Had to replace half my furniture. Just fucked up your wall. And…this. Comic books never talked about how those guys handled hard-ons.
Rowan McBride (One Shot)
I didn’t answer, occupied in dissolving the penicillin tablets in the vial of sterile water. I selected a glass barrel, fitted a needle, and pressed the tip through the rubber covering the mouth of the bottle. Holding it up to the light, I pulled back slowly on the plunger, watching the thick white liquid fill the barrel, checking for bubbles. Then pulling the needle free, I depressed the plunger slightly until a drop of liquid pearled from the point and rolled slowly down the length of the spike. “Roll onto your good side,” I said, turning to Jamie, “and pull up your shirt.” He eyed the needle in my hand with keen suspicion, but reluctantly obeyed. I surveyed the terrain with approval. “Your bottom hasn’t changed a bit in twenty years,” I remarked, admiring the muscular curves. “Neither has yours,” he replied courteously, “but I’m no insisting you expose it. Are ye suffering a sudden attack of lustfulness?” “Not just at present,” I said evenly, swabbing a patch of skin with a cloth soaked in brandy. “That’s a verra nice make of brandy,” he said, peering back over his shoulder, “but I’m more accustomed to apply it at the other end.” “It’s also the best source of alcohol available. Hold still now, and relax.” I jabbed deftly and pressed the plunger slowly in. “Ouch!” Jamie rubbed his posterior resentfully. “It’ll stop stinging in a minute.” I poured an inch of brandy into the cup. “Now you can have a bit to drink—a very little bit.” He drained the cup without comment, watching me roll up the collection of syringes. Finally he said, “I thought ye stuck pins in ill-wish dolls when ye meant to witch someone; not in the people themselves.” “It’s not a pin, it’s a hypodermic syringe.” “I dinna care what ye call it; it felt like a bloody horseshoe nail. Would ye care to tell me why jabbing pins in my arse is going to help my arm?” I took a deep breath. “Well, do you remember my once telling you about germs?” He looked quite blank. “Little beasts too small to see,” I elaborated. “They can get into your body through bad food or water, or through open wounds, and if they do, they can make you ill.” He stared at his arm with interest. “I’ve germs in my arm, have I?” “You very definitely have.” I tapped a finger on the small flat box. “The medicine I just shot into your backside kills germs, though. You get another shot every four hours ’til this time tomorrow, and then we’ll see how you’re doing.” I paused. Jamie was staring at me, shaking his head. “Do you understand?” I asked. He nodded slowly. “Aye, I do. I should ha’ let them burn ye, twenty years ago.
Diana Gabaldon (Voyager (Outlander, #3))
Prince Arctic?” A silvery white dragon poked her head around the door, tapping three times lightly on the ice wall. Arctic couldn’t remember her name, which was the kind of faux pas his mother was always yelling at him about. He was a prince; it was his duty to have all the noble dragons memorized along with their ranks so he could treat them according to exactly where they fit in the hierarchy. It was stupid and frustrating and if his mother yelled at him about it one more time, he would seriously enchant something to freeze her mouth shut forever. Oooo. What a beautiful image. Queen Diamond with a chain of silver circles wound around her snout and frozen to her scales. He closed his eyes and imagined the blissful quiet. The dragon at his door shifted slightly, her claws making little scraping sounds to remind him she was there. What was she waiting for? Permission to give him a message? Or was she waiting for him to say her name — and if he didn’t, would she go scurrying back to the queen to report that he had failed again? Perhaps he should enchant a talisman to whisper in his ear whenever he needed to know something. Another tempting idea, but strictly against the rules of IceWing animus magic. Animus dragons are so rare; appreciate your gift and respect the limits the tribe has set. Never use your power frivolously. Never use it for yourself. This power is extremely dangerous. The tribe’s rules are there to protect you. Only the IceWings have figured out how to use animus magic safely. Save it all for your gifting ceremony. Use it only once in your life, to create a glorious gift to benefit the whole tribe, and then never again; that is the only way to be safe. Arctic shifted his shoulders, feeling stuck inside his scales. Rules, rules, and more rules: that was the IceWing way of life. Every direction he turned, every thought he had, was restricted by rules and limits and judgmental faces, particularly his mother’s. The rules about animus magic were just one more way to keep him trapped under her claws. “What is it?” he barked at the strange dragon. Annoyed face, try that. As if he were very busy and she’d interrupted him and that was why he was skipping the usual politic rituals. He was very busy, actually. The gifting ceremony was only three weeks away. It was bad enough that his mother had dragged him here, to their southernmost palace, near the ocean and the border with the Kingdom of Sand. She’d promised to leave him alone to work while she conducted whatever vital royal business required her presence. Everyone should know better than to disturb him right now. The messenger looked disappointed. Maybe he really was supposed to know who she was. “Your mother sent me to tell you that the NightWing delegation has arrived.” Aaarrrrgh. Not another boring diplomatic meeting.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
I whirled on him. He was spattered with blood, breathing hard, head down, eyes narrowed, and fury was rolling off him in thick, dangerous waves. How dare he be furious with me? I was the wronged party! My battle was interrupted, bloodlust was bottled up inside me, a turbo engine revved to redline. “The vamp was mine< Barrons.” “Inspect his teeth, Ms. Lane,” he said tightly. “They were cosmetic enhancements. He was no vampire.” I punched him lightly in the shoulder. “I don’t care what he was! It was my fight, you bastard!” He punched me back with the same light, warning force. “You were taking too long to finish it up.” “Who are you to decide how long is too long?” I gave him another tap in the shoulder. He returned the blow with equal force. “You were enjoying it!” “I was not!” “You were smiling, bouncing on the balls of your feet, egging him on.” “I was trying to end the fight!” I punched his shoulder, hard this time. “You were way past trying to end it,” he snapped, punching me back. I nearly fell over. “You were prolonging it. You were glorying in it.” “You don’t know what the feck you’re talking about!” I shouted. “I couldn’t tell the difference between the two of you anymore!” he roared. I smashed my fist into his face. Lies roll off us. It’s the truths we work hardest to silence. “Then you weren’t looking hard enough! I’m the one with boobs!” “I know you’re the one with boobs! They’re in my fucking face every fucking time I turn around!” “Maybe you need to get a grip on your libido, Barrons!” “Fuck you, Ms. Lane!” “You just try. I’ll kick the shit out of you!” “You think you could?” “Bring it on.” He grabbed a fistful of my T-shirt, and dragged me up against him until our noses touched. “I’ll bring it on, Ms. Lane. But remember you asked for it. So don’t even think about trying to tap out on the mat and quit the fight.” “You hear anybody crying ‘Uncle’ here, Barrons? I don’t.” “Fine.” “Fine.
Karen Marie Moning (Bloodfever (Fever, #2))
When the sun was low in the sky, he retreated back into the cave and tapped her on the shoulder. “Wake up, sleepyhead.” She bounced upright, and her head caught him on the chin, knocking his teeth together and catching his lip between them. “Ouch!” he yelped. “I’m sorry. I get called so often in the middle of the night for emergencies that I’m used to popping out of bed.” He massaged his chin and worked his jaw and dabbed at his split lip. “I’ll remember that.” She leaned toward him and moved his hand out of the way. “You’re bleeding.” She unwounded the handkerchief from her hand and used it to dab at his lip. She moved the cloth away and used a finger to plump his lip where his teeth had left a tiny cut. “Speaking as a physician, I’d say you’ll recover.” “Not if you keep that up for long,” he murmured, looking into her eyes. She seemed startled, then looked back at him. Their eyes caught and held. “We really shouldn’t do this,” she murmured. “I know,” he said, as he lowered his mouth to hers. “Be gentle with me. I’m wounded.
Joan Johnston (The Texan (Bitter Creek, #2))
I suggest you stand slowly and walk out with my men,” Zrakovi said, tapping a napkin against his lying, two-faced mouth and putting a twenty on the table to cover the drinks. “If you make a scene, innocent humans will be injured. I have a Blue Congress cleanup team in place, however, so if you want to fight in public and damage a few humans, knock yourself out. It will only add to your list of crimes.” I stood slowly, gritting my teeth when Squirrel Chin patted me down while feeling me up and making it look like a romantic moment. He’d been so busy feeling the naughty bits that he missed both Charlie, sitting in my bag next to my foot, and the dagger attached to my inner forearm. Idiot. Alex would never have been so sloppy. If Alex had patted me down, he’d have found not only the weapons but also the portable magic kit. From the corner of my eye, I saw a tourist taking mobile phone shots of us. He’d no doubt email them to all his friends back home with stories of those crazy New Orleanians and their public displays of affection. I considered pretending to faint, but I was too badly outnumbered for it to work. Like my friend Jean Lafitte, whose help I could use about now, I didn’t want to try something unless it had a reasonable chance at succeeding. I also didn’t want to pull Charlie out and risk humans getting hurt. “Walk out the door onto Chartres and turn straight toward the cathedral.” Zrakovi pulled his jacket aside enough for me to see a shoulder holster. I hadn’t even known the man could hold a gun, although for all I knew about guns it could be a water pistol. The walk to the cathedral transport was three very long city blocks. My best escape opportunity would be near Jackson Square. When the muscular goons tried to turn me left toward the cathedral, I’d try to break and run right toward the river, where I could get lost among the wharves and docks long enough to draw and power a transport. Of course in order to run, I’d have to get away from the clinch of Dreadlocks and Squirrel Chin. Charlie could take care of that. I slipped the messenger bag over my head slowly, and not even Zrakovi noticed the stick of wood protruding from the top by a couple of inches. Not to be redundant, but . . . idiots. None of us spoke as we proceeded down Chartres Street, where, to our south, the clouds continued to build. The wind had grown stronger and drier. The hurricane was sucking all the humidity out of the air, all the better to gain intensity. I hoped Zrakovi, a Bostonian, would enjoy his first storm. I hoped a live oak landed on his head.
Suzanne Johnson (Belle Chasse (Sentinels of New Orleans #5))
Arms still crossed, Lindsay's clogs tapped on the sidewalk. “So Sam didn’t tell you I was a desperate orphan child with no life outside of work? This isn’t some kind of intervention, some kind of lame attempt to cheer me up?” He grinned.“Why would she do that?” “Because that’s how it sounded.” Nudging her shoulder, he grinning down at her. “You don’t look desperate, Dr. Lindsay, not by a long shot." “That’s because you don’t know me.” Lindsay bit her lower lip, arms still crossed, clogs still tap-tap-tapping. Her chest heaved. “My parent’s died in a car accident almost two years ago. It’s a difficult thing to get over. I’m still not exactly right. I guess she worries about me.” Ty sucked in his breath, thinking fast. “I’m really sorry about your parents, Linds.” As he put an arm around her shoulder, she broke into a self-conscious smile and shook her head. “Spend any time with me at all and you’ll find that Sam’s right. I’m a desperate orphan child, completely paranoid and irrepressibly horny.” “Whoa!” She looked so cute, but vulnerable, too. He closed the arm around her shoulder, squeezing her sideways to his chest. Embarrassed, she smiled as she elbowed his rib. Then she dropped her arms and stayed put, tucked close against him. It felt right, having her there.
Lilly Christine (Right Kinda Bull (McGreers, #3))
Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
Kyoko M. (The Holy Dark (The Black Parade, #3))
It’s one thing to have a hunch that there’s a crisis. It’s another thing to hear one of the leading neuroscientists in the world tell you we are living in a “perfect storm” that’s degrading your capacity to think. “The best we can do now,” Earl told me, is “try to get rid of the distractions as much as possible.” At one point in our conversation, he sounded quite optimistic, suggesting that we can all achieve progress on this, starting today. He said: “The brain is like a muscle. The more you use certain things, the stronger the connection’s getting, and the better things work.” If you are struggling to focus, he said, just try monotasking for ten minutes, and then allow yourself to be distracted for a minute, then monotask for another ten minutes, and so on. “As you do it, it becomes more familiar, your brain gets better and better at it, because you’re strengthening the [neural] connections involved in that behavior. And pretty soon you can do it for fifteen minutes, twenty minutes, half an hour, you know?…Just do it. Practice at it…. Start slow, but practice, and you’ll get there.” To achieve this, he said you have to separate yourself—for increasing periods of time—from the sources of your distraction. It’s a mistake, he said, to “try to monotask by force of will—because it’s too hard to resist that informational tap on the shoulder.
Johann Hari (Stolen Focus: Why You Can't Pay Attention - and How to Think Deeply Again)
What the hell is that?' Cassian was grinning that next evening as he waved a hand toward the pile of pine boughs dumped on the ornate red rug in the centre of the foyer. 'Solstice decorations. Straight from the market.' Snow clung to his broad shoulders and dark hair, and his tan cheeks were flushed with cold. 'You call that a decoration? He smirked. 'A heap of pine in the middle of the floor is Night Court tradition.' I crossed my arms. 'Funny.' 'I'm serious.' I glared, and he laughed. 'It's for the mantels, the banister, and whatever else, smartass. Want to help?' He shrugged off his heavy coat, revealing a black jacket and shirt beneath, and hung it in the hall closet. I remained where I was and tapped my foot. 'What?' he said, brows rising. It was rare to see Cassian in anything but his Illyrian leathers, but the clothes, while not as fine as anything Rhys or Mor usually favoured, suited him. 'Dumping a bunch of trees at my feet is really how you say hello these days? A little time in that Illyrian camp and you forget all your manners.' Cassian was on me in a second, hoisting me off the ground to twirl me until I was going to be sick. I beat at his chest, cursing at him. Cassian set me down at last. 'What did you get me for Solstice?' I smacked his arm. 'A heaping pile of shut the hell up.' He laughed again, and I winked at him. 'Hot cocoa or wine?' Cassian curved a wing around me, turning us toward the cellar door. 'How many good bottles does little Rhysie have left?
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Without warning, he fingered the small, black tattoo on her lower back. “What does this script mean?” She did gasp then, as much from the shock of his touch as from her visceral reaction to it. She wanted to arch up to his hand and couldn’t understand why. She snapped, “Are you done groping me?” “Canna say. Tell me what the marking means.” Mari had no idea. She’d had it ever since she could remember. All she knew was that her mother used to write out that mysterious lettering in all of her correspondence. Or, at least her mother had before she’d abandoned Mari in New Orleans to go on her two-hundred-year-long druid sabbatical— He tapped her there, impatiently awaiting an answer. “It means ‘drunk and lost a bet.’ Now keep your hands to yourself unless you want to be an amphibian.” When the opening emerged ahead, she crawled heedlessly for it and scrambled out with her lantern swinging wildly. She’d taken only three steps into the new chamber before he’d caught her wrist, spinning her around. As his gaze raked over her, he reached forward and pulled a lock of her long hair over her shoulder. He seemed unaware that he was languidly rubbing his thumb over the curl. “Why hide this face behind a cloak?” he murmured, cocking his head to the side as he studied her. “No’ a damn thing’s wrong with you that I can tell. But you look fey. Explains the name.” “How can I resist these suave compliments?” He was right about the name though. Many of the fey had names beginning in Mari or Kari. She gave his light hold on her hair a pointed look, and he dropped it like it was hot, then scowled at her as if she were to blame.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
He’s a murdering chud,” Zil was yelling. “What do you want to do? Lynch him?” Astrid demanded. That stopped the flow for a second as kids tried to figure out what “lynch” meant. But Zil quickly recovered. “I saw him do it. He used his powers to kill Harry.” “I was trying to stop you from smashing my head in!” Hunter shouted. “You’re a lying mutant freak!” “They think they can do anything they want,” another voice shouted. Astrid said, as calmly as she could while still pitching her voice to be heard, “We are not going down that path, people, dividing up between freaks and normals.” “They already did it!” Zil cried. “It’s the freaks acting all special and like their farts don’t stink.” That earned a laugh. “And now they’re starting to kill us,” Zil cried. Angry cheers. Edilio squared his shoulders and stepped into the crowd. He went first to Hank, the kid with the shotgun. He tapped him on the shoulder and said, “Give me that thing.” “No way,” Hank said. But he didn’t seem too certain. “You want to have that thing fire by accident and blow someone’s face off?” Edilio held his hand out. “Give it to me, man.” Zil rounded on Edilio. “You going to make Hunter give up his weapon? Huh? He’s got powers, man, and that’s okay, but the normals can’t have any weapon? How are we supposed to defend ourselves from the freaks?” “Man, give it a rest, huh?” Edilio said. He was doing his best to sound more weary than angry or scared. Things were already bad enough. “Zil, you want to be responsible if that gauge goes off and kills Astrid? You want to maybe give that some thought?” Zil blinked. But he said, “Dude, I’m not scared of Sam.” “Sam won’t be your problem, I will be,” Edilio snapped, losing patience. “Anything happens to her, I’ll take you down before Sam ever gets the chance.” Zil snorted derisively. “Ah, good little boy, Edilio, kissing up to the chuds. I got news for you, dilly dilly, you’re a lowly normal, just like me and the rest of us." “I’m going to let that go,” Edilio said evenly, striving to regain his cool, trying to sound calm and in control, even though he could hardly take his eyes off the twin barrels of the shotgun. “But now I’m taking that shotgun.” “No way!” Hank cried, and the next thing was an explosion so loud, Edilio thought a bomb had gone off. The muzzle flash blinded him, like camera flash going off in his face. Someone yelled in pain. Edilio staggered back, squeezed his eyes shut, trying to adjust. When he opened them again the shotgun was on the ground and the boy who’d accidentally fired it was holding his bruised hand, obviously shocked. Zil bent to grab the gun. Edilio took two steps forward and kicked Zil in the face. As Zil fell back Edilio made a grab for the shotgun. He never saw the blow that turned his knees to water and filled his head with stars. He fell like a sack of bricks, but even as he fell he lurched forward to cover the shotgun. Astrid screamed and launched herself down the stairs to protect Edilio. Antoine, the one who had hit Edilio, was raising his bat to hit Edilio again, but on the back swing he caught Astrid in the face. Antoine cursed, suddenly fearful. Zil yelled, “No, no, no!” There was a sudden rush of running feet. Down the walkway, into the street, echoing down the block.
Michael Grant (Hunger (Gone, #2))
Christina walks out, bumping me with her shoulder as she leaves. Tris lifts her eyes to mine. “We should talk,” I say. “Fine,” she says, and I follow her into the hallway. We stand next to the door until everyone else leaves. Her shoulders are drawn in like she’s trying to make herself even smaller, trying to evaporate on the spot, and we stand too far apart, the entire width of the hallway between us. I try to remember the last time I kissed her and I can’t. Finally we’re alone, and the hallway is quiet. My hands start to tingle and go numb, the way they always do when I panic. “Do you think you’ll ever forgive me?” I say. She shakes her head, but says, “I don’t know. I think that’s what I need to figure out.” “You know…you know I never wanted Uriah to get hurt, right?” I look at the stitches crossing her forehead and I add, “Or you. I never wanted you to get hurt either.” She’s tapping her foot, her body shifting with the movement. She nods. “I know that.” “I had to do something,” I say. “I had to.” “A lot of people got hurt,” she says. “All because you dismissed what I said, because--and this is the worst part, Tobias--because you thought I was being petty and jealous. Just some silly sixteen-year-old girl, right?” She shakes her head. “I would never call you silly or petty,” I say sternly. “I thought your judgment was clouded, yes. But that’s all.” “That’s enough.” Her fingers slide through her hair and wrap around it. “It’s just the same thing all over again, isn’t it? You don’t respect me as much as you say you do. When it comes down to it, you still believe I can’t think rationally--” “That is not what’s happening!” I say hotly. “I respect you more than anyone. But right now I’m wondering what bothers you more, that I made a stupid decision or that I didn’t make your decision.” “What’s that supposed to mean?” “It means,” I say, “that you may have said you just wanted us to be honest with each other, but I think you really wanted me to always agree with you.” “I can’t believe you would say that! You were wrong--” “Yeah, I was wrong!” I’m shouting now, and I don’t know where the anger came from, except that I can feel it swirling around inside me, violent and vicious and the strongest I have felt in days. “I was wrong, I made a huge mistake! My best friend’s brother is as good as dead! And now you’re acting like a parent, punishing me for it because I didn’t do as I was told. Well, you are not my parent, Tris, and you don’t get to tell me what to do, what to choose--!” “Stop yelling at me,” she says quietly, and she finally looks at me. I used to see all kinds of things in her eyes, love and longing and curiosity, but now all I see is anger. “Just stop.” Her quiet voice stalls the anger inside me, and I relax into the wall behind me, shoving my hands into my pockets. I didn’t mean to yell at her. I didn’t mean to get angry at all. I stare, shocked, as tears touch her cheeks. I haven’t seen her cry in a long time. She sniffs, and gulps, and tries to sound normal, but she doesn’t. “I just need some time,” she says, choking on each word. “Okay?” “Okay,” I say. She wipes her cheeks with her palms and walks down the hallway. I watch her blond head until it disappears around the bend, and I feel bare, like there’s nothing left to protect me against pain. Her absence stings worst of all.
Veronica Roth (Allegiant (Divergent, #3))
He opened the door after letting me pound on it for almost five minutes. His truck was in the carport. I knew he was here. He pulled the door open and walked back inside without looking at me or saying a word. I followed him in, and he dropped onto a sofa I’d never seen before. His face was scruffy. I’d never seen him anything but clean-shaven. Not even in pictures. He had bags under his eyes. He’d aged ten years in three days. The apartment was a mess. The boxes were gone. It looked like he had finally unpacked. But laundry was piled up in a basket so full it spilled out onto the floor. Empty food containers littered the kitchen countertops. The coffee table was full of empty beer bottles. His bed was unmade. The place smelled stagnant and dank. A vicious urge to take care of him took hold. The velociraptor tapped its talon on the floor. Josh wasn’t okay. Nobody was okay. And that was what made me not okay. “Hey,” I said, standing in front of him. He didn’t look at me. “Oh, so you’re talking to me now,” he said bitterly, taking a long pull on a beer. “Great. What do you want?” The coldness of his tone took me aback, but I kept my face still. “You haven’t been to the hospital.” His bloodshot eyes dragged up to mine. “Why would I? He’s not there. He’s fucking gone.” I stared at him. He shook his head and looked away from me. “So what do you want? You wanted to see if I’m okay? I’m not fucking okay. My best friend is brain-dead. The woman I love won’t even fucking speak to me.” He picked up a beer cap from the coffee table and threw it hard across the room. My OCD winced. “I’m doing this for you,” I whispered. “Well, don’t,” he snapped. “None of this is for me. Not any of it. I need you, and you abandoned me. Just go. Get out.” I wanted to climb into his lap. Tell him how much I missed him and that I wouldn’t leave him again. I wanted to make love to him and never be away from him ever again in my life—and clean his fucking apartment. But instead, I just stood there. “No. I’m not leaving. We need to talk about what’s happening at the hospital.” He glared up at me. “There’s only one thing I want to talk about. I want to talk about how you and I can be in love with each other and you won’t be with me. Or how you can stand not seeing me or speaking to me for weeks. That’s what I want to talk about, Kristen.” My chin quivered. I turned and went to the kitchen and grabbed a trash bag from under the sink. I started tossing take-out containers and beer bottles. I spoke over my shoulder. “Get up. Go take a shower. Shave. Or don’t if that’s the look you’re going for. But I need you to get your shit together.” My hands were shaking. I wasn’t feeling well. I’d been light-headed and slightly overheated since I went to Josh’s fire station looking for him. But I focused on my task, shoving trash into my bag. “If Brandon is going to be able to donate his organs, he needs to come off life support within the next few days. His parents won’t do it, and Sloan doesn’t get a say. You need to go talk to them.” Hands came up under my elbows, and his touch radiated through me. “Kristen, stop.” I spun on him. “Fuck you, Josh! You need help, and I need to help you!” And then as fast as the anger surged, the sorrow took over. The chains on my mood swing snapped, and feelings broke through my walls like water breaching a crevice in a dam. I began to cry. I didn’t know what was wrong with me. The strength that drove me through my days just wasn’t available to me when it came to Josh. I dropped the trash bag at his feet and put my hands over my face and sobbed. He wrapped his arms around me, and I completely lost it.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
How’d you get the job?” says Lynn. “You’re not that special.” “It was more because of where I was after the simulation attack. Smack-dab in a pack of Dauntless traitors. I decided to go with it,” he says. “Not sure about Tori, though.” “She transferred from Erudite,” I say. What I don’t say, because I’m sure she wouldn’t want everyone to know, is that Tori probably seemed explosive in Erudite headquarters because they murdered her brother for being Divergent. She told me once that she was waiting for an opportunity to get revenge. “Oh,” says Zeke. “How do you know that?” “Well, all the faction transfers have a secret club,” I say, leaning back in my chair. “We meet every third Thursday.” Zeke snorts. “Where’s Four?” says Uriah, checking his watch. “Should we start without him?” “We can’t,” says Zeke. “He’s getting The Info.” Uriah nods like that means something. Then he pauses and says, “What info, again?” “The info about Kang’s little peacemaking meeting with Jeanine,” says Zeke. “Obviously.” Across the room, I see Christina sitting at a table with her sister. They are both reading something. My entire body tenses. Cara, Will’s older sister, is walking across the room toward Christina’s table. I duck my head. “What?” Uriah says, looking over his shoulder. I want to punch him. “Stop it!” I say. “Could you be any more obvious?” I lean forward, holding my arms on the table. “Will’s sister is over there.” “Yeah, I talked to her about getting out of Erudite once, while I was there,” says Zeke. “Said she saw an Abnegation woman get killed while she was on a mission for Jeanine and couldn’t stomach it anymore.” “Are we sure she’s not just an Erudite spy?” Lynn says. “Lynn, she saved half our faction from this stuff,” says Marlene, tapping the bandage on her arm from where the Dauntless traitors shot her. “Well, half of half of our faction.” “In some circles they call that a quarter, Mar,” Lynn says.
Veronica Roth (Insurgent (Divergent, #2))
Billy pulled her snug against his body, forgetting his arousal in the urgent need to give her comfort. He felt her stiffen, sought the reason, and realized she must have felt his erection. She shoved him away with the flat of her palms and stared up at him, her eyes wide with surprise. Or maybe shock was a better word. Billy knew instantly what he’d lost. The wariness in her gaze spoke for itself. She’d always trusted him implicitly. Like a brother. But it was a lover’s body she’d felt. He could see she was astonished that he’d become aroused by touching her. He let his hands drop to his sides. He didn’t think excuses would work, but he was willing to give them a try. His mouth curled up on one side in a cock-eyed grin. “Sorry about that. The feel of a female body does that to a man, whether he wants it to happen or not.” “It shouldn’t happen between us,” she said with certainty. “We’re friends.” He shrugged. “You’re female. I’m male. Sometimes it happens.” “Not to us,” she insisted. She stared into his face suspiciously. “Or has it?” “It might have happened once or twice. No big deal.” She stared at the visible bulge in his jeans, then glanced up at him, her face flushed and said, “It looks pretty big to me.” Billy couldn’t help grinning. “Summer, you can’t be this naïve. This is how a man reacts when he’s around an attractive woman.” “You find me attractive?” He saw the startled interest in her eyes and realized he’d opened another can of worms. He didn’t want her judging him as a prospective suitor. There was no way he could match up to the men her father presented to her on a silver platter. “Any man would find a pretty girl like you attractive,” he said, backpedaling as fast as he could. He flipped one of her golden curls back from her shoulder and said, “Curls this bouncy, and eyes like topaz jewels, and a nose this nosy.” He tapped her playfully on the nose. “What man wouldn’t react like I did?
Joan Johnston (The Texan (Bitter Creek, #2))
Yes, he was down at the edge of the garden on this side, standing by the fence. I thought”—he hesitated, looking down into his glass—“I rather thought he was looking up at your window.” “My window? How extraordinary!” I couldn’t repress a mild shiver, and went across to fasten the shutters, though it seemed a bit late for that. Frank followed me across the room, still talking. “Yes, I could see you myself from below. You were brushing your hair and cursing a bit because it was standing on end.” “In that case, the fellow was probably enjoying a good laugh,” I said tartly. Frank shook his head, though he smiled and smoothed his hands over my hair. “No, he wasn’t laughing. In fact, he seemed terribly unhappy about something. Not that I could see his face well; just something about the way he stood. I came up behind him, and when he didn’t move, I asked politely if I could help him with something. He acted at first as though he didn’t hear me, and I thought perhaps he didn’t, over the noise of the wind, so I repeated myself, and I reached out to tap his shoulder, to get his attention, you know. But before I could touch him, he whirled suddenly round and pushed past me and walked off down the road.” “Sounds a bit rude, but not very ghostly,” I observed, draining my glass. “What did he look like?” “Big chap,” said Frank, frowning in recollection. “And a Scot, in complete Highland rig-out, complete to sporran and the most beautiful running-stag brooch on his plaid. I wanted to ask where he’d got it from, but he was off before I could.” I went to the bureau and poured another drink. “Well, not so unusual an appearance for these parts, surely? I’ve seen men dressed like that in the village now and then.” “Nooo …” Frank sounded doubtful. “No, it wasn’t his dress that was odd. But when he pushed past me, I could swear he was close enough that I should have felt him brush my sleeve—but I didn’t. And I was intrigued enough to turn round and watch him as he walked away. He walked down the Gereside Road, but when he’d almost reached the corner, he … disappeared. That’s when I began to feel a bit cold down the backbone.
Diana Gabaldon (Outlander (Outlander, #1))
You’re the first people we ever saw without a death,” said the man, whose name, they’d learned, was Peter. “Since we come here, that is. We’re like you, we come here before we was dead, by some chance or accident. We got to wait till our death tells us it’s time.” “Your death tells you?” said Lyra. “Yes. What we found out when we come here, oh, long ago for most of us, we found we all brought our deaths with us. This is where we found out. We had ’em all the time, and we never knew. See, everyone has a death. It goes everywhere with ’em, all their life long, right close by. Our deaths, they’re outside, taking the air; they’ll come in by and by. Granny’s death, he’s there with her, he’s close to her, very close.” “Doesn’t it scare you, having your death close by all the time?” said Lyra. “Why ever would it? If he’s there, you can keep an eye on him. I’d be a lot more nervous not knowing where he was.” “And everyone has their own death?” said Will, marveling. “Why, yes, the moment you’re born, your death comes into the world with you, and it’s your death that takes you out.” “Ah,” said Lyra, “that’s what we need to know, because we’re trying to find the land of the dead, and we don’t know how to get there. Where do we go then, when we die?” “Your death taps you on the shoulder, or takes your hand, and says, ‘Come along o’ me, it’s time.’ It might happen when you’re sick with a fever, or when you choke on a piece of dry bread, or when you fall off a high building; in the middle of your pain and travail, your death comes to you kindly and says, ‘Easy now, easy, child, you come along o’ me,’ and you go with them in a boat out across the lake into the mist. What happens there, no one knows. No one’s ever come back.” The woman told a child to call the deaths in, and he scampered to the door and spoke to them. Will and Lyra watched in wonder, and the Gallivespians drew closer together, as the deaths—one for each of the family—came in through the door: pale, unremarkable figures in shabby clothes, just drab and quiet and dull. “These are your deaths?” said Tialys. “Indeed, sir,” said Peter. “Do you know when they’ll tell you it’s time to go?” “No. But you know they’re close by, and that’s a comfort.
Philip Pullman (The Amber Spyglass (His Dark Materials #3))
It was a charming and delightful day at Lord's as Ford and Arthur tumbled haphazardly out of a space-time anomaly and hit the immaculate turf rather hard. The applause of the crowd was tremendous. It wasn't for them, but instinctively they bowed anyway, which was fortunate because the small red heavy ball which the crowd actually had been applauding whistled mere millimetres over Arthur's head. In the crowd a man collapsed. They threw themselves back to the ground which seemed to spin hideously around them. "What was that?" hissed Arthur. "Something red," hissed Ford back at him. "Where are we?" "Er, somewhere green." "Shapes," muttered Arthur. "I need shapes." The applause of the crowd had been rapidly succeeded by gasps of astonishment, and the awkward titters of hundreds of people who could not yet make up their minds about whether to believe what they had just seen or not. "This your sofa?" said a voice. "What was that?" whispered Ford. Arthur looked up. "Something blue," he said. "Shape?" said Ford. Arthur looked again. "It is shaped," he hissed at Ford, with his brow savagely furrowing, "like a policeman." They remained crouched there for a few moments, frowning deeply. The blue thing shaped like a policeman tapped them both on the shoulders. "Come on, you two," the shape said, "let's be having you." These words had an electrifying effect on Arthur. He leapt to his feet like an author hearing the phone ring and shot a series of startled glanced at the panorama around him which had suddenly settled down into something of quite terrifying ordinariness. "Where did you get this from?" he yelled at the policeman shape. "What did you say?" said the startled shape. "This is Lord's Cricket Ground, isn't it?" snapped Arthur. "Where did you find it, how did you get it here? I think," he added, clasping his hand to his brow, "that I had better calm down." He squatted down abruptly in front of Ford. "It is a policeman," he said, "What do we do?" Ford shrugged. "What do you want to do?" he said. "I want you," said Arthur, "to tell me that I have been dreaming for the last five years." Ford shrugged again, and obliged. "You've been dreaming for the last five years," he said. Arthur got to his feet. "It's all right, officer," he said. "I've been dreaming for the last five years. Ask him," he added, pointing at Ford, "he was in it.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
Come on, show me what you got” Shelby said throwing a set of gear to wing before pulling on a pair of gloves herself “I'll try not to hurt you too badly” “how reassuring” Wing said pulling on his gloves he had been giving Shelby hand-to-hand combat training for some time back at H.I.V.E And what she lacked in technique she made up for in speed and cunning. “Bring it” Shelby said with a grin raising both gloves in a defensive stance and beckoning him towards her “It will be brought” Wing replied. He feinted to her left and she went to block as he simultaneously swung a low blow into her other side, carefully pulling his punch so that he just tapped her. “Two perhaps three broken ribs” Wing said matter of factly “maintain your guard” Shelby nodded and took a quick jab at his jaw which wing blocked effortlessly “Try not to look where you are striking you betray your intentions” They went on like that for a couple more minutes just as in their previous sparring sessions Wing noticed that once they began Shelby became totally focused. There were none of this smart comments or sarcasm that she'd normally used - she was suddenly deadly serious. “Broken job possible unconsciousness” Wing said calmly as he struck her passed her guard stopping his fist millimetres from her chin. “Oh my God” Shelby gasped suddenly, staring in shock at something over wings shoulder. He spun around, his guard raised. Shelby dropped low swinging her leg out, sweeping Wing's feet out from under him and sending him crashing to the floor. “Wounded pride, possible humiliation” Shelby said with a grin offering her hand to Wing and pulling him up off the floor. “and so ends today's lesson” she said pulling off her head guard. “an unconventional tactic” Wing said with a nod, taking off his own helmet. “but a successful one none the less” “ I kinda like unconventional tactics” Shelby said stepping towards him. “never underestimate the power of surprise” She grabbed the back of his neck and kissed him for a few long seconds. “what was that about maintaining your guard?” she said with a smile as she pulled away from him. “sometimes one should let ones guard down” Wing said staring at her for a moment before drawing her towards him and kissed her back. “Er...guys?” a familiar voice said causing Wing and Shelby to spring apart. “Dr Nero wants you to report to the briefing room” Wing winced slightly as he saw Nigel and Franz standing in the doorway. Nigel was looking pointedly at the floor and Franz was staring at him and Shelby, his mouth hanging open in surprise. “come on big guy - no rest for the wicked” Shelby said to Wing with a grin, taking his hand and dragging him out of the room past Nigel and the stunned looking Franz.
Mark Walden (Zero Hour (H.I.V.E, #6))
Marriage meant jointures and pin money and siring an heir to continue the dynasty. A cottage meant just him and Maria. What a fool he was. Even a woman with Maria’s low connections wanted more. And he couldn’t give it. The very thought of attempting it made him ill, because he could never make her happy. He would muck it up, and the legacy of misery would go on. But he’d be damned if he’d watch her throw herself away on that fool Hyatt. She deserved better than an indifferent fiancé who had no clue how to make her eyes darken in passion as she shuddered and trembled and gave her mouth so sweetly… He groaned. He shouldn’t have gone so far with her. It had frightened her. Worse yet, his reaction to it bloody well terrified him-because he’d give a great deal to be able to do it again. He’d never felt that way for any other woman. Freddy was still blathering on, and suddenly a word arrested him. “What was that you said?” Oliver asked. “The beefsteak needed a bit more salt-“ “Before that,” he ground out. “Oh. Right. There was a chap in that club claiming he was your cousin. Mr. Desmond Plumtree, I think.” His stomach sank. When had Desmond gained membership at such a selective club? Did it mean the bastard was finally becoming accepted in society? “Though if you ask me,” Freddy went on, “with family like him, who needs enemies? Insulting fellow. Told me a bunch of nonsense about how you’d killed your father and everybody knew it.” Freddy sniffed. “I told him he was a scurrilous lout, and if he couldn’t see that you were a good sort of chap, then he was as blind as a town crier with a broken lantern. And he didn’t belong in the Blue Swan with all those amiable gents, neither.” For a moment, speech utterly failed Oliver. He could only imagine Desmond’s reaction to that little lecture. “And…er…what did he say?” “He looked surprised, then muttered something about playing cards and trotted off to a card room. Good riddance, too-he was eating up all the macaroons.” Oliver gaped at him, then began to laugh. “What’s so funny?” “You and Maria-don’t you Americans ever pay attention to gossip?” “Well, sure, if it makes sense. But that didn’t make sense. If everybody knew you’d killed your father, you’d have been hanged by now. Since you’re sitting right here, you can’t have done it.” Freddy tapped his forehead. “Simple logic is all.” “Right,” Oliver said. “Simple logic.” A lump caught in his throat. Maria’s defending him was one thing; she was a woman and softhearted, though that had certainly never kept any other woman from gossiping about him. But to have an impressionable pup like Freddy defend him…he didn’t know whether to scoff at the fellow’s naivete or clap him on the shoulder and pronounce him a “good sort of chap” as well.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Did you just take something off?” I ask the darkness. “Sam,” she scolds. I roll onto my side to face her. “What was it?” I whisper. “Nothing,” she hisses back. But I can hear laughter in her voice and I love it. “You took your shorts off, didn’t you?” I say quietly. “Maybe.” “You did.” I wait a beat. Just long enough for silence to settle around the room. “Do you know what that means?” “It means you should shut up and go to sleep.” She giggles. God, that’s a pretty sound. She’s quiet for a second. “What does it mean?” she suddenly asks. “It means your naked thighs are pressed against my sheets.” I groan. I’m turning myself on. Or she’s turning me on. “Sam,” she warns. But she’s laughing, too. She’s so far away from me that I imagine she’s going to roll right off the bed. “You’re awfully far away.” “There’s a reason for that,” she whispers. “What is it?” I whisper back. “Because I have this awful feeling that you’re going to break my heart,” she says. No stutter, so she must have found something to tap on. But I kind of would prefer to think she didn’t. “I don’t plan to hurt you.” God, she might as well have stabbed me in the gut. “No one plans to hurt anyone else. It just happens. Even to good people. So I’m trying not to let myself like you.” “You like me?” “I like you a lot. Too much.” “You like me,” I sing-song in a playful voice. “Sam,” she says on a heavy breath. “What?” “Don’t hurt me, okay?” I can hear the quiver in her voice and tension radiates off of her even from across the bed. It’s like a wire pulled taut. I reach out a hand and feel for her stomach. When I find it, I lift the edge of her shirt and lay my palm on her hip. She squeals when I roll her over and pull her to me. “Sam!” she cries. I adjust her until her bottom is cradled by my thighs. The scent of her hair tickles my nose, so I brush it out of my face, pushing it down between us. It’s silky smooth and she smells so damn good. “Um, Sam…” I nuzzle my face into the nape of her neck and press a kiss to her shoulder. “What?” “You promised to stay on your side of the bed.” “I am on my side of the bed.” She chuckles. “Go to sleep.” She wiggles her bottom in my lap, and I have to pull back a little and adjust my junk. “Um…” “That’s just my dick. I told you he likes you. He’ll give up in a minute. Go to sleep.” My head is lying on my bicep and I feel her turn her head ever so slightly and press a kiss against the tender skin of my inner arm. Damn, that feels good. My hand creeps up a little. This is the first time I’ve touched her naked stomach, and my fingertips are a little greedy. Her hand covers mine and holds it flat against her belly. “Sorry,” I whisper. She doesn’t say anything. She just holds my hand there against her skin, wrapped in hers. After a couple of minutes, she goes soft in my arms. I realize in that moment that I am in serious trouble. Like the awful, terrible, no good, very bad kind. Because I think I’m in love with her. No. I don’t think it. I know it. What I don’t know is whether or not she’s capable of loving me back.
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
Come on, lovey, open up. These buckets is heavy.” The plea accompanied another tapping. “Patience, Molly.” Christopher paused for a brief moment, gathering the towel about him again. Then his muscles flexed, and if she had found the breath, Erienne would have shrieked as he lifted her and dumped her onto the bed. She half raised with her mouth open to hotly voice her objection to whatever he had in mind, but he flung the bedcovers over her head, squelching comment. “Lie still.” His whisper bore a tone of command that could prompt immediate obedience from even the most reluctant. Erienne froze, and with a smile Christopher reached across to turn down the other side of the bed to make it seem as if he had just left it. Frantic visions involving her possible fate flew through Erienne’s mind. She considered the horrible humiliation she would suffer if she were discovered in the man’s bed. Her fears burgeoned, her rage peaked, and she threw back the covers, intending to escape the trap he laid for her. In the next brief second she caught her breath sharply and snatched the covers back over her head again, for the sight of him standing stark naked beside the chair where his clothes were draped was too much for her virgin eyes to bear. It had been no more than a glimpse, but the vision of his tall, tanned, wide-shouldered form bathed in the pinkish light of the rising sun was forever branded in her brain. Christopher chuckled softly as Erienne curled into the bed and finally obeyed his warning. He slipped on his breeches, secured them, and moved across the room to unlock the door. Molly knew her trade and her competition, and the village of Mawbry suited her well, since there was an absolute lack of the latter. When Christopher opened the portal, she was through it in a trice and shrugging out of the yoke that bore the pails. Pressing herself tightly against the male form, she rubbed her fingers through the hair on his chest and fluttered her lashes. “Oh, lovey, ye are a wondrous sight for any girl to behold.” “I’ve already told you, Molly. I have no need of yer services,” Christopher stated bluntly. “I only want the water.” “Ah, come now, lovey,” she crooned. “I knows ye’ve been away ter sea and needs a li’l tussle in bed. Why, with such a man as yerself, I’d be more’n willin’ ter give ye all ye need without a hint o’ a coin.” Christopher swept his hand toward the mentioned furnishing, drawing the maid’s eyes to it. “I already have all I desire. Now be along with you.” Molly’s dark eyes widened in surprise as she turned to stare at the bed. Unable to mistake the curvaceous form hidden beneath the quilt, she straightened indignantly and with a swish of her skirts was gone from the room, slamming the door behind her. Erienne waited, not daring to come out from beneath the covering until Christopher tapped her on the shoulder. “ ’Tis safe now. You can come out.” “Are you dressed?” she asked cautiously, her voice muffled beneath the covers. Christopher chuckled. “I’ve got my breeches on, if that’s what you’re worried about." -Molly, Christopher, & Erienne
Kathleen E. Woodiwiss (A Rose in Winter)
Archer arrived early the next morning. Grey was still asleep on the sofa in his study when he heard tapping on the window. He opened his eyes and immediately regretted it as the sharp light of day pierced his brain. Squinting, he tried to focus on his brother, since he already knew who his visitor was. Only one person ever announced himself so annoyingly. “Open the bloody window, Grey!” Grumbling, Grey slowly rose into a full sitting position. His back and neck were stiff and his head felt as though someone had kicked it repeatedly from all sides. And his mouth! Christ, he didn’t want to even think about what might have died inside it. He staggered to the window, unlatched it and swung it open. “What the hell do you want?” Wide-eyed, Archer made a tsking noise. “Is that any way to greet your favorite brother?” “You’re not my favorite,” Grey scowled. Unaffected, Archer easily adapted. “Is that any way to greet your second-favorite brother?” Grey grinned, he couldn’t help it. Archer had always had a knack for making him smile, just as he had a knack for pissing him off as well. “I’m hung over and feel like shite. What do you want?” “You look like shite. What’s this I hear about you making an appearance at Saint’s Row last night?” “Rose tell you that?” “She did. I’m surprised you took such a risk just to see her.” Grey thought of her in that teal gown, the lights illuminating the luster of her skin. “It was worth it.” “Worth it, eh? So worth it you immediately came home and got sloshed.” “Something like that. And then Rose came home and I got even more sloshed.” Archer’s expression turned to concern as he leaned against the window frame. “What happened?” Grey shrugged. He’d already revealed more than he’d wanted. “Suffice it to say she now knows what kind of man I am.” His brother snorted. “That girl has always known exactly what kind of man you are.” The words were plain enough, but there was a cryptic edge to them that had Grey puzzled. “What the hell does that mean?” Arch shook his head. “Come to the stables with me. I want to show you something.” He looked down at himself. He was wearing the same clothes he’d worn last night and he was wrinkled beyond hope. Not to mention that he smelled like a distillery-an unwashed one at that. And his mask was up in his room. What if someone happened by and saw him… He wasn’t a coward. He just didn’t wish to be seen looking less than his best. An oath punctuated the early morning air. Grey was grabbed by the front of the shirt and yanked-hard. His only course of action was to brace one booted foot on the bottom sill to keep from falling. Of course, that action only succeeded in making it easier for Archer to haul him completely out onto the lawn. He landed hard on both feet, the impact going straight to his ready-to-implode skull. “What the hell?” Fist cocked, Grey punched his brother in the shoulder. “Jesus, man! What are you about?” Archer punched him back. It hurt, and oddly enough it seemed to wake him up-clear the fog and some of the pressure surrounding his brain. “I’m trying to help you, you bugger.” “To do what?” Grey demanded. “Die?
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
I rail a lot against passion, because I feel like passion can be very exclusionary, and very elitist, and it can leave a lot of people feeling like they don't belong... I'm much more interested in allowing people to follow curiosity, which is a much more gentle impulse that doesn't require that you sacrifice your entire life for something. It's more of kind of a scavenger hunt, where you're allowed to pick up these tiny beautiful little clues along the pathway. It's more of a tap on the shoulder that asks you to turn your attention one inch to the left. Oh that's a little bit mildly interesting - what is that? Okay now I'm going to take that clue... I'm going to take it another inch, and I'm going to take it another inch. Rather than this idea that the symphony is born whole, because you sit down and you're struck by lightening and then you start to create. Curiosity I think, is a far more friendly way to do creativity than passion." ...this is why I say the path of curiosity is the scavenger hunt, because it took my probably three years between "gee it would be nice to put some plants in my backyard" to here I am in the South Pacific exploring the history of moss and inventing this giant novel. You know I think everybody thinks that creativity comes in lightening strikes, but I think it comes with whispers. And then the whispers can grow thunderous over time if you are patient enough to explore it, almost in the way that a scientist would. Be open to - you don't need to know why you are interested in this, it will be revealed if you continue to investigate. That's all that curiosity asks of you. Passion asks you to throw it all in the bonfire. And curiosity is way more generous in that it just says - give me a little bit of your time and let's see what we can do. Fear is part of our make-up, it's something that's inherent in us, it's a protective device. My experience with fear is to permit it to exist and then to figure out how to work with it. And to me working with fear is what courage is. I've never started any project that I wasn't afraid... during the entire thing.And the conversation that I have with fear is not to say you are the death of creativity and I can't be creative because you exist, but rather to say: "You are part of the family of my consciousness. You are one of the emotions that I possess and I hear your complaint. I see your anxiety and I see everything you are putting before me about how this is going to be a disaster, and how I'm going to die and how everyone's going to mock me and how I'm going to fail... and I thank you so much for your contribution, but your sister creativity and I are going to go off on this journey now and do this thing but you are allowed to be in the car. We're going on a road trip, but I don't expect you to not come." And once you allow fear to just be present it seems to quiet down and go to sleep and then you can go about your work. But it's never out of the picture and I don't waste my energy trying to kick it out of the picture because that feels to me just like a colossal exhausting waste of energy. Whereas a radical kind of inclusive self acceptance seems to be a way to create a lot more.
Elizabeth Gilbert
An upbeat song played over the loudspeaker, and everyone's attention focused on the Jumbotron above the basketball court. "It's time for the Bulls' Kiss Cam. So, pucker up for your sweetie and kiss them." The camera found an older couple in their fifties. The man pulled his wife, I assumed, in for a quick peck on the lips. "Aww. That is so sweet," Trina said. She proceeded to yank poor Owen to his seat in case the spotlight landed on them. She'd do just about anything to get on television, even if it meant not kissing Owen tonight to do so. "That is so staged," I said and sneaked a quick peek at my phone, seeing if he messaged me back. He didn’t. "Really?" she countered and slapped my arm. Once I glanced her way, she pointed towards the large screen looming above. On the screen was Sebastian and me as the camera had just so happened to find us. It stayed there zooming closer. And closer. And closer. "Come on," the announcer called out, prodding us. "Just one kiss won't hurt." He had no idea what he was asking. A kiss would initiate feelings I couldn't avoid any longer. I momentarily forgot how to breathe as the song, “Kiss the Girl” from the Little Mermaid hummed at my lips. Not the best choice, but still. Everything became much worse once my giant moved into view, smiling my favorite smile. Sebastian inched closer; eyebrow cocked to dare me."No pressure or anything." I was quiet for a moment before whispering, "Game on, buddy." My eyes closed a few heartbeats shy of Sebastian's lips meeting mine. His hands rose, cupping my cheeks to keep me from pulling away. Like that was going to happen. Sebastian’s mouth moved against mine, and I conceded, kissing him in return. He tasted sweet and minty, like the home I’d been missing. The kiss turned from soft and tame to fierce and wantingas if neither of us could get enough. And already, I considered myself a goner. Everything became a haze. My heart thumped so wildly against my chest, I swore Sebastian could hear. The crowd surrounding us was whistling and cheering us on, and it only kept gaining momentum as the moments passed. The noise quickly faded until it was as if we were the only two people in the room. We could have been the only two people on earth. "Okay, guys." Trina tapped my shoulder, garnering my attention. "Camera has moved on now." That was our cue to separate, and I slowly drew away from Sebastian. He, in turn, slipped his hand to the back of my neck, holding me here. "Don't," he sighed against my lips. I didn't budge another inch. I didn't want to. Sebastian rewarded me by deepening the kiss. Dear God. There were sparks. My stomach flipped. My toes curled. My body warmed. Every single inch of me only wanted one thing and one thing only. If this continued for too much longer, it was easy to guess my new favorite hobby: Kissing Sebastian Freaking Birch. Needing some air, I pressed my palm flat against his chest. This time he released me as we both were breathless. Sebastian's eyes carefully studied me. He kept staring as if he could read my heart, my mind. And for those brief few seconds, I honestly didn't believe there were any secrets between us. His gaze shifted as he gauged what to do next, and I had no freaking idea where we went from here. We'd done it now. We crossed that line, and there was no way of ever going back.
Patty Carothers and Amy Brewer (Texting Prince Charming)
Should I be scared?” “I think you should get ready for quite an inquiry, but they’re necessary questions that must be answered if I want to ask you out on a second date.” “What if I don’t want to go on a second date?” “Hmm.” He taps his chin with his fork, ready to dig in the minute the plate arrives at our table. “That’s a good point. All right. If the question arose, would you go on a second date with me?” “Well, now I feel pressured to say yes just so I can hear the inquiry.” “You’re going to have to deal with the pressure, sweet cheeks.” “Fine. Hypothetically, if you were to ask me out on a second date, I would hypothetically, possibly say yes.” “Great.” He bops his own nose with his fork and then sets it down on the table. “Here goes.” He looks serious; both his hands rest palm down on the table and his shoulders stiffen. Looking me dead in the eyes, he asks, “Bobbies and Rebels are in the World Series, what shirt do you wear?” “Bobbies obviously.” He blinks. Sits back. “What?” “Bobbies for life.” “But I’m on the Rebels.” “Yes, but are we dating, are we married? Are we just fooling around? There’s going to have to be a huge commitment on my part in order to put a Rebels shirt on. Sorry.” “We’re dating.” “Eh.” I wave my hand. “Fine. We’re living together.” “Hmm, I don’t know.” I twist a strand of hair in my finger. “Christ, we’re married.” “Ugh.” I wince. “I’m sorry, I just don’t think it will ever happen.” “Not even if we’re married, for fuck’s sake?” he asks, dumbfounded. It’s endearing, especially since he’s pushing his hand through his hair in distress, tousling it. “Do we have kids?” I ask. “Six.” “Six?” Now it’s time for my eyes to pop out of their sockets. “Do you really think I want to birth six children?” “Hell, no.” He shakes his head. “We adopted six kids from all around the world. We’re going to have the most diverse and loving family you’ll ever see.” Adopting six kids, now that’s incredibly sweet. Or mad? No, it’s sweet. In fact, it’s extremely rare to meet a man who not only knows he wants to adopt kids, but is willing to look outside of the US, knowing how much he could offer that child. Good God, this man is a unicorn. “We have the means for it, after all,” he says, continuing. “You’re taking over the city of Chicago, and I’ll be raining home runs on every opposing team. We would be the power couple, the new king and queen of the city. Excuse me, Oprah and Steadman, a new, hip couple is in town. People would wear our faces on their shirts like the royals in England. We’re the next Kate and William, the next Meghan and Harry. People will scream our name and then faint, only for us to give them mouth-to-mouth because even though we’re super famous, we are also humanitarians.” “Wow.” I sit back in my chair. “That’s quite the picture you paint.” I know what my mom will say about him already. Don’t lose him, Dorothy. He’s gold. Gorgeous and selfless. “So . . . with all that said, our six children at your side, would you wear a Rebels shirt?” I take some time to think about it, mulling over the idea of switching to black and red as my team colors. Could I do it? With the way Jason is smiling at me, hope in his eyes, how could I ever deny him that joy—and I say that as if we’ve been married for ten years. “I would wear halfsies. Half Bobbies, half Rebels, and that’s the best I can do.” He lifts his finger to the sky. “I’ll take it.
Meghan Quinn (The Lineup)
Bailey,” I say, my voice carrying easily across the marble floor. “Wait.” She turns back and rolls her eyes, clearly annoyed to see me coming her way. She quickly wipes at her cheeks then holds up her hand to wave me off. “I’m off the clock. I don’t want to talk to you right now. If you want to chew me out for what happened back there, you’ll have to do it on Monday. I’m going home.” “How?” Her pretty brown eyes, full of tears, narrow up at me in confusion. “How what?” “How are you getting home? Did you park on the street or something?” Her brows relax as she realizes I’m not about to scold her. “Oh.” She turns to the window. “I’m going to catch the bus.” The bus? “The stop is just down the street a little bit.” “Don’t you have a car?” She steels her spine. “No. I don’t.” I’ll have to look into what we’re paying her—surely she should have no problem affording a car to get her to and from work. “Okay, well then what about an Uber or something?” Her tone doesn’t lighten as she replies, “I usually take the bus. It’s fine.” I look for an umbrella and frown when I see her hands are empty. “You’re going to get drenched and it’s freezing out there.” She laughs and starts to step back. “It’s not your concern. Don’t worry about me.” Yes, well unfortunately, I do worry about her. For the last three weeks, all I’ve done is worry about her. Cooper is to blame. He fuels my annoyance on a daily basis, updating me about their texts and bragging to me about how their relationship is developing. Relationship—I find that laughable. They haven’t gone on a date. They haven’t even spoken on the phone. If the metric for a “relationship” lies solely in the number of text messages exchanged then as of this week, I’m in a relationship with my tailor, my UberEats delivery guy, and my housekeeper. I’ve got my hands fucking full. “Well I’m not going to let you wait out at the bus stop in this weather. C’mon, I’ll drive you.” Her soft feminine laugh echoes around the lobby. “Thank you, but I’d rather walk.” What she really means is, Thank you, but I’d rather die. “It’s really not a request. You’re no good to me if you have to call in sick on Monday because you caught pneumonia.” Her gaze sheens with a new layer of hatred. “You of all people know you don’t catch pneumonia just from being cold and wet.” She tries to step around me, but I catch her backpack and tug it off her shoulder. I can’t put it on because she has the shoulder straps set to fit a toddler, so I hold it in my hand and start walking. She can either follow me or not. I tell myself I don’t care either way. “Dr. Russell—” she says behind me, her feet lightly tap-tap-tapping on the marble as she hurries to keep up. “You’re clocked out, aren’t you? Call me Matt.” “Doctor,” she says pointedly. “Please give me my backpack before I call security.” I laugh because really, she’s hilarious. No one has ever threatened to call security on me before. “It’s Matt, and if you’re going to call security, make sure you ask for Tommy. He’s younger and stands a decent chance of catching me before I hightail it out of here with your pink JanSport backpack. What do you have in here anyway?” It weighs nothing. “My lunchbox. A water bottle. Some empty Tupperware.” Tupperware. I glance behind me to check on her. She’s fast-walking as she trails behind me. Am I really that much taller than her? “Did you bring more banana bread?” She nods and nearly breaks out in a jog. “Patricia didn’t get any last time and I felt bad.” “I didn’t get any last time either,” I point out. She snorts. “Yeah well, I don’t feel bad about that.” I face forward again so she can’t see my smile.
R.S. Grey (Hotshot Doc)
Celeste was practically talking to herself now because Stamford and the baby were in a world of their own. The baby's hands had reached the man's face and he was tapping every feature of it, doing everything that was necessary for the man to say the words the baby had come to expect in their brief history together. Stamford's mouth opened more and more. 'You here early this mornin,' Stamford Crow Blueberry would say to Ellwood Freemen that day some twenty years later in Richmond. Ellwood would be walking up the street with the reins of his horse in his hand, and Stamford would be walking with a baby resting on his shoulder, the newest member of the Richmond Home for Colored Orphans. Mother and father killed in a fire. Walking and singing to the baby in the morning seemed to calm the infant for the rest of the day. Ellwood Freemen would say, 'I have come to fulfill my duty, just as I promised, Mr. Blueberry. Is that to be one of my pupils?' Stamford would shake his hand, nodding. Ellwood said, 'You look as if you didn't believe I would keep my word.' 'Oh,' Stamford said, 'I whatn't worried. I know where your mama and papa live. I know where I could find them to tell em that their boy didn't keep his word.' Ellwood told him he had to tend to some business elsewhere in Richmond and would return shortly to settle in at the home for orphans. He got on his horse and rode slowly out to the main street, the street that would be named for Stamford Blueberry and his wife Delphie. Blueberry, with the new orphan on his shoulder, followed. He watched Ellwood take his time going off and Stamford that day would realize for the first time just how far they had come. He would have cried as he had that day after the ground opened up and took the dead crows, but he had in his arms a baby new to being an orphan. Stamford, it don't matter now, he told himself, watching Ellwood and the horse saunter away. It don't matter now. The day and the sun all about him told that was true. It mattered not how long he had wandered in the wilderness, how long they had kept him in chains, how long he had helped them and kept himself in his own chains; none of that mattered now. He patted the baby's back, turned around and went back to the Richmond Home for Colored Orphans. No, it did not matter. It mattered only that those kind of chains were gone and that he had crawled out into the clearing and was able to stand up on his hind legs and look around and appreciate the differences between then and now, even on the awful Richmond days when the now came dressed as the then. Behind him, as he walked back, was the very corner where more than a hundred years later they would put that first street sign - Stamford and Delphie Crow Blueberry Street.
Edward P. Jones (The Known World)
Eli: You know what's the good thing about no soap, you can smell a hijacker from a mile away Hijack Leader: The hijackers come out of hiding "I am impressed, this man can smell us from thirty feet away, now what's that say about our hygiene! To Eli " What's in the bag? Eli: What bag? Hijack Leader: You got a gun, he's got a gun, tip it on the ground Eli: I can't do that Hijack Leader: This guy's a fucking genius, drop the fucking bag on the ground!Are you listening to me? "He taps Eli on the side of the shoulder" Eli: Yeah, are you listening to me, touch me with that hand again and you're not getting it back Hijack Leader: He laughs and goes to touch Eli again, Eli cuts off his hand "He cut off my hand, what are you standing around for kiss him! Hijacker: Why'd he say? Eli: He's in shock, I think he meant kill him.
Book of Eli Movie
Arms still crossed, Lindsay's clogs tapped on the sidewalk. “So Sam didn’t tell you I was a desperate orphan child with no life outside of work? This isn’t some kind of intervention, some lame attempt to cheer me up?” He grinned.“Why would she do that?” “Because that’s how it sounded.” Nudging her shoulder, he grinning down at her. “You don’t look desperate, Dr. Lindsay, not by a long shot. “That’s because you don’t know me.” Lindsay bit her lower lip, arms still crossed, clogs still tap-tap-tapping. Her chest heaved. “My parent’s died in a car accident almost two years ago. It’s a difficult thing to get over. I’m still not exactly right. I guess she worries about me.” Ty sucked in his breath, thinking fast. “I’m really sorry about your parents, Linds.” As he put an arm around her shoulder, she broke into a self-conscious smile, and shook her head. “Spend any time with me at all and you’ll find that Sam’s right. I’m a desperate orphan child, completely paranoid and irrepressibly horny.” “Whoa!” She looked so cute, but vulnerable, too, against him. He closed the arm around her shoulder, squeezing her sideways to his chest. Embarrassed, she smiled as she elbowed his rib. Then she dropped her arms and stayed put, tucked close against him. It felt right, having her there.
Lilly Christine
Courage will find you at unexpected moments. It taps on your shoulder and jumpstarts your conscience to stand its ground and right a wrong in this world.
Krys L Graf
Come on, tough guy.” “You can get fresh with me in the snow and threaten me with a gun all you want. But if you really want my help, you’ll put your weight on me and move your feet.” “In about two minutes, my extremities are going to be so numb I won’t be able to do anything for either of us—even if you do shoot. So move.” He couldn’t have been rescued by some meek, mousy thing who’d do what he said without the attitude? He tapped the butt of the gun against her shoulder. “That’s pretty bold talk for a woman who’s got no advantage.” “Uh-huh. I’m not the one bleeding to death.
Julie Miller (Crossfire Christmas (The Precinct #24))
One sunny day in Ireland, two men were sitting in a pub, drinking some Guinness, when one turns to the other and says "You see that man over there? He looks just like me! I think I'm gonna go over there and talk to him." So, he goes over to the man and taps him on the shoulder. "Excuse me sir," he starts, "but I noticed you look just like me!" The second man turns around and says "Yeah, I noticed the same thing, where you from?", "I'm from Dublin", second man stunned says, "Me too! What street do you live on?", "McCarthy street", second man replies, "Me too! What number is it?", the first man announces, "162", second man shocked says, "Me too! What are your parents’ names?", first man replies, "Connor and Shannon", second man awestruck says, "Mine too! This is unbelievable!"   So, they buy some more Guinness and they're talking some more when the bartenders change shifts. The new bartender comes in and goes up to the other bartender and asks "What's new today?" "Oh, the Murphy twins are drunk again.
Johnson C. Philip (Philip's Hilarious Jokes (Philip's Jokes Book 1))