Tap Shoes Quotes

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Welcome to Fight Club. The first rule of Fight Club is: you do not talk about Fight Club. The second rule of Fight Club is: you DO NOT talk about Fight Club! Third rule of Fight Club: if someone yells “stop!”, goes limp, or taps out, the fight is over. Fourth rule: only two guys to a fight. Fifth rule: one fight at a time, fellas. Sixth rule: the fights are bare knuckle. No shirt, no shoes, no weapons. Seventh rule: fights will go on as long as they have to. And the eighth and final rule: if this is your first time at Fight Club, you have to fight.
Chuck Palahniuk (Fight Club)
All the things I thought I was - simple and plain and sometime funny - are very small words. They do not begin to describe me. They do not begin to express what is inside of me. I have value, and I have worth. I cannot be replaced like old shoes or taken for granted like tap water.
Adriana Trigiani (Big Cherry Holler (Big Stone Gap, #2))
Sometimes in life confusion tends to arise and only dialogue of dance seems to make sense.
Shah Asad Rizvi
Caution not spirit, let it roam wild; for in that natural state dance embraces divine frequency.
Shah Asad Rizvi
If movements were a spark every dancer would desire to light up in flames.
Shah Asad Rizvi
Did you know, God damn it, that Les was all for bringing a tangerine in to you last night before he went to bed? My God. Even Bessie can't stand stories with tangerines in them. And God knows I can't. If you're going to go on with this breakdown business, I wish to hell you'd go back to college to have it. Where you're not the baby of the family. And where, God knows, nobody'll have any urges to bring you any tangerines. And where you don't keep your goddam tap shoes in the closet.
J.D. Salinger (Franny and Zooey)
Dance as the narration of a magical story; that recites on lips, illuminates imaginations and embraces the most sacred depths of souls.
Shah Asad Rizvi
Show me a person who found love in his life and did not celebrate it with a dance.
Shah Asad Rizvi
Dance is the timeless interpretation of life.
Shah Asad Rizvi
If spirit is the seed, dance is the water of its evolution.
Shah Asad Rizvi
Life is an affair of mystery; shared with companions of music, dance and poetry.
Shah Asad Rizvi
Everyone I know is either more successful or more interesting than me. This realization is nothing new. In fact, it used to feel like everyone I didn’t know was more successful and interesting than me too. I still remember the sensation of watching a talent show on TV as a child and realizing that the girl dancing was a whole year younger than me. She was wearing a red sequin dress and patent tap shoes. She looked like a ruby, a human jewel spinning across the stage. I was in my pajamas from T.J. Maxx eating cereal for dinner, already destined for a life of mediocrity. Why didn’t I just pull myself together back then? I was five! I could have turned it around!
Coco Mellors (Cleopatra and Frankenstein)
If you opened the dictionary and searched for the meaning of a Goddess, you would find the reflection of a dancing lady.
Shah Asad Rizvi
Don't breathe to survive; dance and feel alive.
Shah Asad Rizvi
Dance to inspire, dance to freedom, life is about experiences so dance and let yourself become free.
Shah Asad Rizvi
Through synergy of intellect, artistry and grace came into existence the blessing of a dancer.
Shah Asad Rizvi
DANCE – Defeat All Negativity (via) Creative Expression.
Shah Asad Rizvi
She who is a dancer can only sway the silk of her hair like the summer breeze.
Shah Asad Rizvi
All of them had been give a makeover. Leo was wearing pinstriped pants, black leather shoes, a white collarless shirt with suspenders, and his tool belt, Ray-Ban sunglasses, and a porkpie hat. “God, Leo.” Piper tried not to laugh. “I think my dad wore that to his last premiere, minus the tool belt.” “Hey, shut up!” “I think he looks good,” said Coach Hedge. “’Course, I look better.” The satyr was a pastel nightmare. Aphrodite had given him a baggy canary yellow zoot suit with two-tone shoes that fit over his hooves. He had a matching yellow broad-brimmed hat, a rose-colored shirt, a baby blue tie, and a blue carnation in his lapel, which Hedge sniffed and then ate. “Well,” Jason said, “at least your mom overlooked me.” Piper knew that wasn’t exactly true. Looking at him, her heart did a little tap dance. Jason was dressed simply in jeans and a clean purple T-shirt, like he’d worn at the Grand Canyon. He had new track shoes on, and his hair was newly trimmed. His eyes were the same color as the sky. Aphrodite’s message was clear: This one needs no improvement. And Piper agreed.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Dance is the ritual of immortality.
Shah Asad Rizvi
One step, two steps, three steps; like winds of time experience joy of centuries, when movements become revelations of the dance of destinies.
Shah Asad Rizvi
There you go again, tangoing in tap shoes...
Donna Fasano (The Merry-Go-Round)
Next, the secretary advised me to take a seat while she notified the headmaster of my arrival. During those dreadful moments I did everything I could to remain calm. Nervously, I kept patting my foot to the floor and heard each and every tap. Suddenly, shouts of extreme havoc rung out just like the other times! “Oh God no! Jesus, please help me Lawd! I got you, Sir, I got you,” were screams filling the airwaves. The door opened and a battered female raced rightpast me with her hands covering her face. She kept mumbling phrases that shouldn’t be repeated by innocent lips. I couldn’t believe those disgusting words coming out of her baby-sized mouth. Then damn, another nightmare was possibly moments away. I needed an out and fast. Fearing for my life, I formulated my plan of action. Right before Principal Shellshock steadies his paddle, I was going to blow out all the gas I reserved in my little butt. I was never a fan of the fart game, but I was scheming like a veteran. That’s all I had, and it was my “A game.” My intentions were to rip a good hard one that opens my belt, ruffles my pants, and sends my new shoes flyingacross the room. Then all options would be left to the principal. He could chance tearing into me and losing a lung or take cover and let me go. Punishing me will become a hazard to his health. For the moment, I felt really good about that notion. I didn’t have much else to cling to, but I was dangerously packing breakfast from Aunt Kathy. Yes, I was sure my stink bomb defense would win that day. According to past reports, I would be the first and only kid at Mitchell Memorial to get on the scoreboard against the headmaster. Make that, Hal “1” and Principal Shell Shock “0.
Author Harold Phifer (My Bully, My Aunt, & Her Final Gift)
Dance is that delicacy of life radiating every particle of our existence with happiness.
Shah Asad Rizvi
Burdened no more is soul for whom life flows through dance and not breath.
Shah Asad Rizvi
Physics says: go to sleep. Of course you’re tired. Every atom in you has been dancing the shimmy in silver shoes nonstop from mitosis to now. Quit tapping your feet. They’ll dance inside themselves without you. Go to sleep. Geology says: it will be all right. Slow inch by inch America is giving itself to the ocean. Go to sleep. Let darkness lap at your sides. Give darkness an inch. You aren’t alone. All of the continents used to be one body. You aren’t alone. Go to sleep. Astronomy says: the sun will rise tomorrow, Zoology says: on rainbow-fish and lithe gazelle, Psychology says: but first it has to be night, so Biology says: the body-clocks are stopped all over town and History says: here are the blankets, layer on layer, down and down.
Albert Goldbarth
Transcend the terrestrial; surpass the celestial, from nature’s hands when you receive the sublime pleasures of dance.
Shah Asad Rizvi
I didn't just wake up one morning and think, "I'm a boy!" It sort of crept up on me and tapped me on the shoulder a few times before I started to pay attention I began to think that the word "girl" didn't quite fit me. It was like a shoe that was too small -- it pinched me.
Cat Clarke (The Pants Project)
When a dancer performs, melody transforms into a carriage, expressions turn into fuel and spirit experiences a journey to a world where passion attains fulfillment.
Shah Asad Rizvi
Sean stood there with a mischievous grin, hand still forming a claw. He’d tapped on the door with his fingernails to fool me. I slammed the door in his face. Before the latch caught, the door bounced open again. Cameron stood just behind Sean with the rubber toe of his shoe blocking the door from shutting. “You look like hell,” Cameron said. “I look like Sean.” is was a joke from my darkest memory. If Sean told me I was ugly, I could deflect the insult easily, because he was calling himself the same name. If Cameron told me I was ugly, he was also insulting Sean, and Sean would get revenge on him without me having to do a thing.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Spirit is a child, the tune of dancing feet its lullaby.
Shah Asad Rizvi
Burdened no more is soul for whom life flows through dance like breath.
Shah Asad Rizvi
Make dance the mission every moment seeks to accomplish.
Shah Asad Rizvi
Placidity and order and everything in its place, with a decorous and sanctioned violence going on underneath everything, like a heavy, brutal shoe tapping out the rhythm on a carpeted floor.
Margaret Atwood (The Blind Assassin)
look back. She's crossed her arms and is tapping her ugly shoe on the carpet. “You're doing it again,” she says. “What?” “You're turning all pasty and greenish. And you're muttering to yourself again. Can't you at least hide your complete aversion to me? A few more minutes in your company and I might as well go tie myself to a train track.
Anne Eliot (Almost)
I run to the water's edge and the cold ocean licks my toes. Without touching my face I can feel that it's wet with fog and tears and sweat. I stand there, on the cusp of the ocean and listen to its loud inhale. And then it recedes and takes everything from my childhood with it the porcelain dolls, the tap-dancing shoes, the concert ticket stubs, the tiny trophies, and the long, long swing.
Vendela Vida (We Run the Tides)
Every morning, when people are getting up in the tent, the babies are crying, people are pushing each other at the taps outside and some children are already pulling the crusts of porridge off the pots we ate from last night, my first-born brother and I clean our shoes. Our grandmother makes us sit on our mats with our legs straight out so she can look carefully at our shoes to make sure we have done it properly. No other children in the tent have real school shoes. When we three look at them it’s as if we are in a real house again, with no war, no away.
Nadine Gordimer (The Ultimate Safari)
Again I waited - oh, but for a brief interval: I presently distinguished an extraordinary shuffling and stamping of feet on the staircase, on the floors, on the carpets; a sound not only of boots and' human shoes, but tapping of crutches, of crutches of wood, and knocking of iron crutches which clanged like cymbals. And behold, I perceived, all at once, on the door sill, an armchair, my large reading chair, which came waddling out. Right into the garden it went, followed by others, the chairs of my drawing room, then the comfortable settee, crawling like crocodiles on their short legs; next, all my chairs bounding like goats,and the small footstools which followed like rabbits. Oh, what a hideous surprise! I stepped back behind the shrubs, where I stayed, crouched and watching this procession of my furniture; for out they all came, one behind the other, quickly or slowly according to their form and weight. My piano - my large grand piano - passed at a canter like a horse, with a faint murmur of music from within; the smallest objects crawled on the gravel like ants - brushes, glasses and cups glistening in the rays of the moon with phosphorescence like glowworms. The curtains, tablecloths and, draperies wriggled along, with their feelers in the puddles like the cuttle-fish in the sea. Suddenly I beheld my pet bureau, a rare specimen of the last century, and which contained all my correspondence, all my love letters, the whole history of my heart, an old history of how much I have suffered! And within, besides, were, above all, certain photographs! ("Who Knows?")
Guy de Maupassant (Ghostly By Gaslight)
- The first rule of Fight Club is: you don't talk about Fight Club. - The second rule of Fight Club is you don't talk about Fight Club - Third rule of Fight Club, if someone yells “stop!”, goes limp, or taps out, the fight is over - Fourth rule: only two guys to a fight - Fifth rule: one fight at a time - Sixth rule: the fights are bare knuckle. No shirt, no shoes, no weapons - Seventh rule: fights will go on as long as they have to - The eighth : if this is your first time at Fight Club, you have to fight
Chuck Palahniuk (Fight Club)
Don't apologise. Your shoes are excellent; you sound like a tap dancer.
Katherine Rundell (Rooftoppers)
Limit not to only five, when the divine gifts the supreme sixth; the sense of dance
Shah Asad Rizvi
Audience of angels descend in the ambiance reciting praises in your glory, when you wear your dance shoes, when you arrive at the stage and with every step you take beneath your feet heaven moves. That is the power of dance.
Shah Asad Rizvi
He laid his white right hand tidily atop his white left hand, on the tabletop. Smith smiled appreciatively, but still declined to come out to play. Septimus tapped the toe of his shoe on the floor. Tap-tap-tap: a foot tutting.
Francis Spufford (Golden Hill)
The answer to that question is…I won’t. You belong with me. Which leads me to the discussion I wanted to have with you.” “Where I belong is for me to decide, and though I may listen to what you have to say, that doesn’t mean I will agree with you.” “Fair enough.” Ren pushed his empty plate to the side. “We have some unfinished business to take care of.” “If you mean the other tasks we have to do, I’m already aware of that.” “I’m not talking about that. I’m talking about us.” “What about us?” I put my hands under the table and wiped my clammy palms on my napkin. “I think there are a few things we’ve left unsaid, and I think it’s time we said them.” “I’m not withholding anything from you, if that’s what you mean.” “You are.” “No. I’m not.” “Are you refusing to acknowledge what has happened between us?” “I’m not refusing anything. Don’t try to put words in my mouth.” “I’m not. I’m simply trying to convince a stubborn woman to admit that she has feelings for me.” “If I did have feelings for you, you’d be the first one to know.” “Are you saying that you don’t feel anything for me?” “That’s not what I’m saying.” “Then what are you saying?” “I’m saying…nothing!” I spluttered. Ren smiled and narrowed his eyes at me. If he kept up this line of questioning, he was bound to catch me in a lie. I’m not a very good liar. He sat back in his chair. “Fine. I’ll let you off the hook for now, but we will talk about this later. Tigers are relentless once they set their minds to something. You don’t be able to evade me forever.” Casually, I replied, “Don’t get your hopes up, Mr. Wonderful. Every hero has his Kryptonite, and you don’t intimidate me.” I twisted my napkin in my lap while he tracked my every move with his probing eyes. I felt stripped down, as if he could see into the very heart of me. When the waitress came back, Ren smiled at her as she offered a smaller menu, probably featuring desserts. She leaned over him while I tapped my strappy shoe in frustration. He listened attentively to her. Then, the two of them laughed again. He spoke quietly, gesturing to me, and she looked my way, giggled, and then cleared all the plates quickly. He pulled out a wallet and handed her a credit card. She put her hand on his arm to ask him another question, and I couldn’t help myself. I kicked him under the table. He didn’t even blink or look at me. He just reached his arm across the table, took my hand in his, and rubbed the back of it absentmindedly with his thumb as he answered her question. It was like my kick was a love tap to him. It only made him happier. When she left, I narrowed my eyes at him and asked, “How did you get that card, and what were you saying to her about me?” “Mr. Kadam gave me the card, and I told her that we would be having our dessert…later.” I laughed facetiously. “You mean you will be having dessert later by yourself this evening because I am done eating with you.” He leaned across the candlelit table and said, “Who said anything about eating, Kelsey?” He must be joking! But he looked completely serious. Great! There go the nervous butterflies again. “Stop looking at me like that.” “Like what?” “Like you’re hunting me. I’m not an antelope.” He laughed. “Ah, but the chase would be exquisite, and you would be a most succulent catch.” “Stop it.” “Am I making you nervous?” “You could say that.” I stood up abruptly as he was signing the receipt and made my way toward the door. He was next to me in an instant. He leaned over. “I’m not letting you escape, remember? Now, behave like a good date and let me walk you home. It’s the least you could do since you wouldn’t talk with me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
This young woman,” said Diana, “was responsible for the destruction of the Triumvirate’s fleet.” “Well, I had a lot of help,” Lavinia said. “I don’t understand,” I said, turning to Lavinia. “You made all those mortars malfunction?” Lavinia looked offended. “Well, yeah. Somebody had to stop the fleet. I did pay attention during siege-weapon class and ship-boarding class. It wasn’t that hard. All it took was a little fancy footwork.” Hazel finally managed to pick her jaw off the pavement. “Wasn’t that hard?” “We were motivated! The fauns and dryads did great.” She paused, her expression momentarily clouding, as if she remembered something unpleasant. “Um…besides, the Nereids helped a lot. There was only a skeleton crew aboard each yacht. Not, like, actual skeletons, but—you know what I mean. Also, look!” She pointed proudly at her feet, which were now adorned with the shoes of Terpsichore from Caligula’s private collection. “You mounted an amphibious assault on an enemy fleet,” I said, “for a pair of shoes.” Lavinia huffed. “Not just for the shoes, obviously.” She tap-danced a routine that would’ve made Savion Glover proud. “Also to save the camp, and the nature spirits, and Michael Kahale’s commandos.” Hazel held up her hands to stop the overflow of information. “Wait. Not to be a killjoy—I mean, you did an amazing thing!—but you still deserted your post, Lavinia. I certainly didn’t give you permission —” “I was acting on praetor’s orders,” Lavinia said haughtily. “In fact, Reyna helped. She was knocked out for a while, healing, but she woke up in time to instill us with the power of Bellona, right before we boarded those ships. Made us all strong and stealthy and stuff.” Hazel asked, “Is it true about Lavinia acting on your orders?” Reyna glanced at our pink-haired friend. The praetor’s pained expression said something like, I respect you a lot, but I also hate you for being right. “Yes,” Reyna managed to say. “Plan L was my idea. Lavinia and her friends acted on my orders. They performed heroically.” Lavinia beamed. “See? I told you.” The assembled crowd murmured in amazement, as if, after a day full of wonders, they had finally witnessed something that could not be explained.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
If you aren’t paranoid before you arrive in this city, give it a few weeks and you will soon notice it creeping in, dripping into your subconscious like a leaky tap. The trick is not to give a flying fuck what anyone thinks about you, and if you are in the right frame of mind this can be an easy trick to perform but if not you’ll soon notice that for a city full of people who do a great Stevie Wonder impersonation when it comes to the homeless and beggars and casual violence towards others, wearing the wrong kind of shoes or a cheap suit brings out a sneering, hateful attitude that can have weaker minded individuals locked in their houses for weeks before harassing their doctors for prescriptions of Prozac and Beta blockers just to make it out the front door.
Garry Crystal (Leaving London)
Peter smiled as Concheetah sashayed across the ballroom floor Concheetah sashayed towards him, wriggling her hips, full lips in a pout, followed obediently by the tentative, Tapping Ted dressed in tight shorts and singlet. Tapping? Tapping because he always wore conspicuous, tap-dancing shoes in the club. Was Ted going to rip up the stage as a mincing Irish dancer or maybe perform a Gene Kelly routine or the Swan Lake ballet in taps? It was terrible to imagine. Peter bit his lip at that thought, hoping he wouldn’t burst into howls of laughter. He had noted after coming to several shows, that Ted usually stood at the side of the stage ready with a drink of champagne and an encouraging word and a dry towel to mop Her Highness’s face. And he always cried during the show’s finale, Abba’s Dancing Queen. Poor Tapping Ted.
T.W. Lawless (Thornydevils (Peter Clancy #2))
Like our other needs, meaning is an inherent expectation. Its denial has dire consequences. Far from a purely psychological need, our hormonees and nervous systems clock its presence or absence. As a medical study in 2020 found, the "presence [of] and search for meaning in life are important for health and well-being." Simply put, the more meaningful you find your life, the better your measures of mental and physical health are likely to be. It is itself a sign of the times that we even need such studies to confirm what our experience of life teaches. When do you feel happier, more fulfilled, more viscerally at ease: when you extend yourself to help and connect with others, or when you are focused on burnishing the importance of your little egoic self? We all know the answer, and yet somehow what we know doesn't always carry the day. Corporations are ingenious at exploiting people's needs without actually meeting them. Naomi Klein, in her book No Logo, made vividly clear how big business began in the 1980s to home in on people's natural desire to belong to something larger than themselves. Brand-aware companies such as Nike, Lululemon, and the Body Shop are marketing much more than products: they sell meaning, identification, and an almost religious sense of belonging through association with their brand. "That pressuposes a kind of emptiness and yearning in people," I suggested when I interviewed the prolific author and activist. "Yes," Klein replied. "They tap into a longing and a need for belonging, and they do it by exploiting the insight that just selling running shoes isn't enough. We humans want to be part of a transcendent project.
Gabor Maté (The Myth of Normal: Trauma, Illness, and Healing in a Toxic Culture)
Night had fallen on Manta by the time we awoke and a cooling breeze was rustling the palm fronds of the tree outside our window. We could hear laughter below as the nightlife of Manta got underway. Girls dressed for clubbing were leaving the hotel hoping to have their world rocked after a night of dancing and wake up to discover he really was Prince Charming in disguise. In truth he would be the tatted-up, dumbed-down, self-involved bad-boy they’d been drawn to like a moth to a flame after several drinks, because he was the male mirror-image of them. The tap-tap of high-heeled shoes designed to accentuate the girls’ derrieres sounded like an ancient tribal mating song being drummed out on concrete.
Bobby Underwood (The Long Gray Goodbye (Seth Halliday #2))
The defecatory posture is an accepting posture, it occurs to him. Head down, elbows on knees, the fingers laced together between the knees. Some hunched timeless millennial type of waiting, almost religious. Luther’s shoes on the floor beneath the chamber pot, placid, possibly made of wood, Luther’s 16th-century shoes, awaiting epiphany. The mute quiescent suffering of generations of salesmen in the stalls of train-station johns, heads down, fingers laced, shined shoes inert, awaiting the acid gush. Women’s slippers, centurions’ dusty sandals, dock-workers’ hobnailed boots, Popes’ slippers. All waiting, pointing straight ahead, slightly tapping. Huge shaggy-browed men in skins hunched just past the firelight’s circle with wadded leaves in one hand, waiting.
David Foster Wallace (Infinite Jest)
Back at the office, Lou’s not in yet. He rarely shows up before eleven. As if each morning, fresh mediocrity slides out of the ocean, slimes its way over mossy rocks and sand, then sprouts skittering appendages that stretch and morph and twist into limbs as it forges on inland until finally, fully formed, Lou! Strolls into the lobby on two flat feet in shined shoes. Shining, tapping, waiting for the lift to our floor.
Natasha Brown (Assembly)
The camera pulls back to include Peeta, off to one side in front of a projected map of Panem. He’s sitting in an elevated chair, his shoes supported by a metal rung. The foot of his prosthetic leg taps out a strange irregular beat. Beads of sweat have broken through the layer of powder on his upper lip and forehead. But it’s the look in his eyes — angry yet unfocused — that frightens me the most. “He’s worse,” I whisper.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
lobby of the Santa Louisa courthouse drinking a cup of black tea from a paper cup. She pushed her long, dark hair behind her ears and tapped her pointed shoes in time with the Muzak undulating over the marble floors. A Helen Reddy song, she thought. Maybe Cher? She smelled of White Shoulders perfume and spearmint gum. When Hannah walked by, the woman smiled and raised a hand as if to wave. But the friendliness of the gesture was not returned.
Gregg Olsen (A Wicked Snow)
Excuse me, Mr. Kleinman,” Stein says. “I used to live around the corner, and forty years ago I left a pair of shoes with you for repair. Is it possible you still have them?” Kleinman looks at Stein and says, “Vas dey black ving tips?” Stein remembers and says, “Yes. They were!” “And you vanted a half sole mit rubber heels?” “Yes,” says Stein. “That is exactly what I wanted.” “And you vanted taps on the heels only?” “Yes!” says Stein. “Do you still have them?” Mr. Kleinman looks up at him, squints, and says, “Dey be ready Vendsday.
Michael Krasny (Let There Be Laughter: A Treasury of Great Jewish Humor and What It All Means)
Anger flashed through me, hot and wild. I gasped in surprise at the unexpected reaction. I’d heard of the emotional instability of these human bodies, but this was beyond my ability to anticipate. In eight full lives, I’d never had an emotion touch me with such force. I felt the blood pulse through my neck, pounding behind my ears. My hands tightened into fists. The machines beside me reported the acceleration of my heartbeats. There was a reaction in the room: the sharp tap of the Seeker’s shoes approached me, mingled with a quieter shuffle that must have been the Healer. “Welcome to Earth, Wanderer,” the female voice said.
Stephenie Meyer (The Host (The Host, #1))
He left his shoes on the mat, mounted the stair unshod. Caroline stole after, with noiseless step. There was a gallery, and there was a passage; at the end of that passage Martin paused before a door and tapped. He had to tap twice—thrice. A voice, known to one listener, at last said, "Come in." The boy entered briskly. "Mr. Moore, a lady called to inquire after you. None of the women were about. It is washing-day, and the maids are over the crown of the head in soap-suds in the back kitchen, so I asked her to step up." "Up here, sir?" "Up here, sir; but if you object, she shall go down again." "Is this a place or am I a person to bring a lady to, you absurd lad?" "No; so I'll take her off." "Martin, you will stay here. Who is she?" "Your grandmother from that château on the Scheldt Miss Moore talks about." "Martin," said the softest whisper at the door, "don't be foolish." 508"Is she there?" inquired Moore hastily. He had caught an imperfect sound. "She is there, fit to faint. She is standing on the mat, shocked at your want of filial affection." "Martin, you are an evil cross between an imp and a page. What is she like?" "More like me than you; for she is young and beautiful." "You are to show her forward. Do you hear?" "Come, Miss Caroline." "Miss Caroline!" repeated Moore.
Charlotte Brontë (Shirley)
This is just one version of how the world of successful people actually works. But social capital is all around us. Those who tap into it and use it prosper. Those who don’t are running life’s race with a major handicap. This is a serious problem for kids like me. Here’s a non-exhaustive list of things I didn’t know when I got to Yale Law School: That you needed to wear a suit to a job interview. That wearing a suit large enough to fit a silverback gorilla was inappropriate. That a butter knife wasn’t just decorative (after all, anything that requires a butter knife can be done better with a spoon or an index finger). That pleather and leather were different substances. That your shoes and belt should match. That certain cities and states had better job prospects. That going to a nicer college brought benefits outside of bragging rights. That finance was an industry that people worked in. Mamaw always resented the hillbilly stereotype—the idea that our people were a bunch of slobbering morons. But the fact is that I was remarkably ignorant of how to get ahead. Not knowing things that many others do often has serious economic consequences. It cost me a job in college (apparently Marine Corps combat boots and khaki pants aren’t proper interview attire) and could have cost me a lot more in law school if I hadn’t had a few people helping me every step of the way.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Yeah, Jules!" Chelsea said in a voice thick with envy. "Go away, you're making the rest of us look bad." She winked at Jule's date wickedly. "I bet you just want to eat her up, don't ya?" He stared at Chelsea with bewilderment and glanced back at Jules for help. "Just ignore her," Jules explained over the noise from the sound system. "She doesn't get out much." Chelsea tried to look hurt by Jule's words, but she couldn't quite pull it off. "I'm just sayin', Jules, he'd better watch his back tonight, or I might be trying to take you away from him." Chelsea loved to play the potentially bi-curious card, even though everyone knew she liked boys far too much to go to bat for the other team. "Gross!" cried Claire, who wasn't pretending at all. Claire hated it when the conversation deviated too far off her straight and narrow path. The operative word being straight. "Don't worry, Claire-bear," Chelsea soothed condescendingly. "I'm not going to hook up with Jules." She wrapped her arm around Claire's waist and then said suggestively in he ear, "I'm much more likely to make a move on you." "Eww!" Claire shrieked, shoving Chelsea away. "Get away from me!" "Leave her alone, Chels," Jules interrupted. "Or you're gonna make her start her 'It's Adam and Eve not Adam and Steve' speech. And sorry, Claire, but none of us really want to hear that." Jay pulled Violet close to him as they listened to the familiar, playful bantering. He slid his arm around her waist from behind, and let his lips gently tease her earlobe while no one was paying attention to the two of them. Violet wanted to turn around right there, in his arms, and forget this whole dance thing altogether. "Hey!" Chelsea's voice interrupted them, and Violet jumped a little, realizing that everyone was staring at them. "Did you hear me?" Violet leaned forward on her crutches and away from Jay, still feeling bemused by the close and intimate contact. "What?" she asked, trying to focus on what had been said. "I said, 'I gotta pee.' Let's go to the bathroom," Chelsea repeated as if Violet were some sort of imbecile, incapable of understanding normal human speech. "Keep it up, Chels, and none of us is gonna want to hook up with you tonight," Violet promised jokingly. Chelsea grinned at Violet. "I like the way you think, Violet Ambrose. Maybe you'll be the lucky girl I choose.' And then she turned to Jay. "Don't worry, I've got her from here," Chelsea announced. Jules and Claire followed. Violet laughed and glanced back at him. "I'll only be a few." Jay gave her a skeptical look that no one else would have even noticed, as he assessed the three girls who would be escorting Violet. And then he finally nodded. "Okay, I'm gonna show these guys my car." He was beaming again. "I'll be right outside, but I won't be long." Violet did her best to keep up with the trio ahead of her, but it was hard on one high heel and two crutches. Finally she yelled at them exasperatedly, "If you guys don't wait, I'm not going!" They all three stopped and turned around. Chelsea tapped her lovely silver shoe impatiently. "Hurry up, Violet, or I swear I'll take you off my list.
Kimberly Derting (The Body Finder (The Body Finder, #1))
But you must admit,it's taking up an inordinate amount of your time. Why it's taken us six months to have dinner together." "Is that all?" He misinterpreted the quiet response, and the gleam in her eyes.And leaned toward her. She slapped a hand on his chest. "Don't even think about it.Let me tell you something,pal.I do more in one day with my school than you do in a week of pushing papers in that office your grandfather gave you between your manicures and amaretto lattes and soirees. Men like you hold no interest for me whatsoever,which is why it's taken six months for this tedious little date.And the next time I have dinner with you,we'll be slurping Popsicles in hell.So take your French tie and your Italian shoes and stuff them." Utter shock had him speechless as she shoved open her door.As insult trickled in,his lips thinned. "Obviously spending so much time in the stables has eroded your manners, and your outlook." "That's right, Chad." She leaned back in the door. "You're too good for me. I'm about to go up and weep into my pillow over it." "Rumor is you're cold," he said in a quiet, stabbing voice. "But I had to find out for myself." It stung,but she wasn't about to let it show. "Rumor is you're a moron. Now we've both confirmed the local gossip." He gunned the engine once,and she would have sworn she saw him vibrate. "And it's a British tie." She slammed the car door, then watched narrow-eyed as he drove away. "A British tie." A laugh gurgled up,deep from the belly and up into the throat so she had to stand, hugging herself, all but howling at the moon. "That sure told me." Indulging herself in a long sigh, she tipped her head back,looked up at the sweep of stars. "Moron," she murmured. "And that goes for both of us." She heard a faint click, spun around and saw Brian lighting up a slim cigar. "Lover's spat?" "Why yes." The temper Chad had roused stirred again. "He wants to take me to Antigua and I simply have my heart set on Mozambique.Antigua's been done to death." Brian took a contemplative puff of his cigar.She looked so damn beautiful standing there in the moonlight in that little excuse of a black dress, her hair spilling down her back like fire on silk.Hearing her long, gorgeous roll of laughter had been like discovering a treasure.Now the temper was back in her eyes,and spitting at him. It was almost as good. He took another lazy puff, blew out a cloud of smoke. "You're winding me up, Keeley." "I'd like to wind you up, then twist you into small pieces and ship them all back to Ireland." "I figured as much." He disposed of the cigar and walked to her. Unlike Chad, he didn't misinterpret the glint in her eyes. "You want to have a pop at someone." He closed his hand over the one she'd balled into a fist, lifted it to tap on his own chin. "Go ahead." "As delightful as I find that invitation, I don't solve my disputes that way." When she started to walk away, he tightened his grip. "But," she said slowly, "I could make an exception." "I don't like apologizing, and I wouldn't have to-again-of you'd set me straight right off." She lifted an eyebrow.Trying to free herself from that big, hard hand would only be undignified.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
One day I dreamed I was the light falling off the edge of a leaf, nice and straight, but for the lacy diffraction at the edge. At night I flew into the clouds, to the well of stars, and became a piece of the void, a bit of dark velvet stitched on to the sky. In the afternoon I am just an old woman dozing in the sun with a yellow dog sitting beside her, wondering about stars, worried about the universes. If I could be the tap of your shoe, the glance out of the corner of your eye when you see that man or this woman, if I could be the curled lip of the snarling arboril, or a mote in the eye of a dog. What would I be, if I were to be any of this? I am myself and yet not so. I contain multitudes and am a part of something larger; I am a cell the size of a planet, swimming in the void of the night.
Vandana Singh (Ambiguity Machines and Other Stories)
Something humble, placid even, about inert feet under stall doors. The defecatory posture is an accepting posture, it occurs to him. Head down, elbows on knees, the fingers laced together between the knees. Some hunched timeless millennial type of waiting, almost religious. Luther's shoes on the floor beneath the chamber pot, placid, possibly made of wood, Luther's 16th-century shoes, awaiting epiphany. The mute quiescent suffering of generations of salesmen in the stalls of train-station johns, heads down, fingers laced, shined shoes inert, awaiting the acid gush. Women's slippers, centurions' dusty sandals, dock-workers' hobnailed boots, Popes' slippers. All waiting, pointing straight ahead, slightly tapping. Huge shaggy-browed men in skins hunched just past the firelight's circle with wadded leaves in one hand, waiting.
David Foster Wallace (Infinite Jest)
If only I could coexist as peacefully with you as I do with my wolf,” Jaime said as they walked back to pack territory hand in hand. Dante frowned at her. “We coexist peacefully…when you’re not making a mess of our room and ignoring what I say.” “Maybe you could stop being a neat freak and ease off with barking orders at me.” “I resent the neat-freak statement. And I do not bark.” She snickered. “Sure you don’t, Popeye.” “And it wouldn’t kill you to use the shoe rack. I mean, it’s right by the door.” “Stop putting my CDs in chronological order, and I’ll work on the shoe rack thing.” A short pause. “How about alphabetical order?” “How about you go to therapy?” A frustrated growl escaped him. “How about I just shove my cock in your mouth? That should shut you up. Hey!” he whined when she drummed her fingers against his temple. “What’re you doing?” She shrugged. “I just felt like tapping some ass.” His mouth dropped open. Her smirk had him growling again. “Bitch.” “Jerk.” “Love you, baby.” “Love you, Popeye.
Suzanne Wright (Wicked Cravings (The Phoenix Pack, #2))
It is quiet in the clearing, though gradually Lillian's ears attune to the soft rustling of insects and birds moving through the undergrowth, the faraway tapping of a woodpecker high in a tree. Down on the ground, a bronze-colored beetle tries to scale the side of her shoe. It slips on the smooth leather and tumbles back into the dry leaves, waggling its legs in the air. She shifts slightly on the tree trunk then watches as Jack pulls a strand of grass from a clump growing nearby and sucks on one end, looking about at the canopy overhead. "Wonderful light," he murmurs. "I wish I hadn't left my sketchbook at the house." She knows she must say something. But the moment stretches and she can't find the words so instead she looks about, trying to see the clearing as he might, trying to view the world through an artist's eyes. What details would he pull from this scene, what elements would he commit to memory to reproduce on paper? A cathedral, he'd said; and she supposes there is something rather celestial and awe-inspiring about the tall, arched trees and the light streaming in golden shafts through the soft green branches, filtered as though through stained glass.
Hannah Richell (The Peacock Summer)
The area around the fifty-yard line had been set up with a stage and seating. The kids held my hands as we went to the elevator, ready to go out. "Can you believe we're in Cowboys Stadium for Daddy?" I asked them, trying to rally my spirits as well as theirs. "He would be so blown away." I think they nodded. The elevator opened. We got in. The car went down, and suddenly we were walking onto the runway that led to the field. Pay attention to what’s around you. This is unbelievable! The bagpipers began to move, the tap of their shoes on the concrete apron echoing loudly. The cadence centered me. The pipes began to mourn and my spirit swelled, the music propelling me forward. The casket was marched out and placed front and center. The pallbearers and Navy honor guard stood at attention. I was moving in a cocoon of numbing grief and overwhelming awe. There was a prayer, speeches--each moment moved me in a different way. The easy jokes, the devotional hymns, each had its own effect. I began to float. When I’d asked people to talk about Chris at the ceremony, I’d made a point of reminding them of his humor and asking if possible to add some lighter touches to their speeches, roasting him, even; it was all so Chris. But now some of the light jokes tripped a wire: Don’t talk bad about him! Don’t you dare! Then in the next moment I’d realize he would have been leading the laughs, and it was all good again. I couldn’t force a smile, though.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
I had always been a very physically active person. And I loved my job. I got into the military because of September 11, but I stumbled into a career that I absolutely loved. I was meant to be an infantry soldier. I thought, I will never be physical again and my career in the military is over. One tiny trip wire had taken everything away from me in one explosive moment. I sank into a very dark place. I wallowed in both my physical pain and my mental anguish. One day my parents were sitting by my side in the hospital room--as they did every day--and I turned to my mom and blurted out, “How am I ever gonna be able to tie my shoes again?” Mom rebutted my pity party with, “Well, your father can tie his shoes with one hand. Andy! Show Noah how you can tie your shoes with one hand.” And as I started to protest, Dad cut my whining off at the pass. “Oh my gosh, Noah, I can tie my shoes with one hand.” And he did, as I had seen him do so many times growing up. “I just need a little sympathy,” I said. To which Mom replied, “Well, you’re not getting it today.” A few days after I’d had my shoelace meltdown, after many tears, I found myself drained of emotion, a hollowed-out shell. My mother saw the blank expression on my face and she saw an opportunity to drag me out of the fog. She took it. She came up to my bed, leaned in close--but not so close that the other people in the room couldn’t hear her, and said, “You just had to outdo your dad and lose your arm and your leg.” She smiled, waiting for my reply, but all I could do was laugh. It was funny but it was also at that moment that I think I felt a little spark of excitement and anticipation again. It would take a while to fully ignite the flame but what she said definitely tapped into some important part of me. I have a very competitive side and Mom knew that. She knew just what to say to shake me up, so I could realize, Okay, life will go on from here. I thought to myself, My dad could do a whole lot with just one hand. Imagine how much more impressive it’ll look with two missing limbs. And I smiled the best I could through a wired jaw.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
So,” I cleared my throat, unable to tolerate his moans of pleasure and praise any longer, “uh, what are your plans for the weekend?” “The weekend?” He sounded a bit dazed. “Yes. This weekend. What do you have planned? Planning on busting up any parties?” I asked lightly, not wanting him to know that I was unaccountably breathless. I moved to his other knee and discarded the towel. “Ha. No. Not unless those wankers down the hall give me a reason to.” Removing his arms from his face, Bryan’s voice was thick, gravelly as he responded, “I, uh, have some furniture to assemble.” “Really?” Surprised, I stilled and stared at the line of his jaw. The creases around his mouth—when he held perfectly still—made him look mature and distinguished. Actually, they made him even more classically handsome, if that was even possible. “Yes. Really. Two IKEA bookshelves.” I slid my hands lower, behind his ankle, waiting for him to continue. When he didn’t, I prompted, “That’s it?” “No.” He sighed, hesitated, then added, “I need to stop by the hardware store. The tap in my bathroom is leaking and one of the drawer handles in the kitchen is missing a screw. I just repainted the guest room, so I have to take the excess paint cans to the chemical disposal place; it’s only open on Saturdays before noon. And then I promised my mam I’d take her to dinner.” My mouth parted slightly because the oddest thing happened as he rattled off his list of chores. It turned me on. Even more so than running my palms over his luscious legs. That’s right. His list of adult tasks made my heart flutter. I rolled my lips between my teeth, not wanting to blurt that I also needed to go to the hardware store over the weekend. As a treat to myself, I was planning to organize Patrick’s closet and wanted to install shelves above the clothes rack. Truly, Sean’s penchant for buying my son designer suits and ties was completely out of hand. Without some reorganization, I would run out of space. That’s right. Organizing closets was something I loved to do. I couldn’t get enough of those home and garden shows, especially Tiny Houses, because I adored clever uses for small spaces. I was just freaky enough to admit my passion for storage and organization. But back to Bryan and his moans of pleasure, adult chores, and luscious legs. I would not think about Bryan Leech adulting. I would not think about him walking into the hardware store in his sensible shoes and plain gray T-shirt—that would of course pull tightly over his impressive pectoral muscles—and then peruse the aisles for . . . a screw. I. Would. Not. Ignoring the spark of kinship, I set to work on his knee, again counting to distract myself. It worked until he volunteered, “I’d like to install some shelves in my closet, but that’ll have to wait until next weekend. Honestly, I’ve been putting it off. I’d do just about anything to get someone to help me organize my closet.” He chuckled. I’d like to organize your closet. I fought a groan, biting my lip as I removed my hands, turned from his body, and rinsed them under the faucet. “We’re, uh, finished for today.
L.H. Cosway (The Cad and the Co-Ed (Rugby, #3))
Develop a rapid cadence. Ideal running requires a cadence that may be much quicker than you’re used to. Shoot for 180 footfalls per minute. Developing the proper cadence will help you achieve more speed because it increases the number of push-offs per minute. It will also help prevent injury, as you avoid overstriding and placing impact force on your heel. To practice, get an electronic metronome (or download an app for this), set it for 90+ beats per minute, and time the pull of your left foot to the chirp of the metronome. Develop a proper forward lean. With core muscles slightly engaged to generate a bracing effect, the runner leans forward—from the ankles, not from the waist. Land underneath your center of gravity. MacKenzie drills his athletes to make contact with the ground as their midfoot or forefoot passes directly under their center of gravity, rather than having their heels strike out in front of the body. When runners become proficient at this, the pounding stops, and the movement of their legs begins to more closely resemble that of a spinning wheel. Keep contact time brief. “The runner skims over the ground with a slithering motion that does not make the pounding noise heard by the plodder who runs at one speed,” the legendary coach Percy Cerutty once said.7 MacKenzie drills runners to practice a foot pull that spends as little time as possible on the ground. His runners aim to touch down with a light sort of tap that creates little or no sound. The theory is that with less time spent on the ground, the foot has less time to get into the kind of trouble caused by the sheering forces of excessive inward foot rolling, known as “overpronation.” Pull with the hamstring. To create a rapid, piston-like running form, the CFE runner, after the light, quick impact of the foot, pulls the ankle and foot up with the hamstring. Imagine that you had to confine your running stride to the space of a phone booth—you would naturally develop an extremely quick, compact form to gain optimal efficiency. Practice this skill by standing barefoot and raising one leg by sliding your ankle up along the opposite leg. Perform up to 20 repetitions on each leg. Maintain proper posture and position. Proper posture, MacKenzie says, shifts the impact stress of running from the knees to larger muscles in the trunk, namely, the hips and hamstrings. The runner’s head remains up and the eyes focused down the road. With the core muscles engaged, power flows from the larger muscles through to the extremities. Practice proper position by standing with your body weight balanced on the ball of one foot. Keep the knee of your planted leg slightly bent and your lifted foot relaxed as you hold your ankle directly below your hip. In this position, your body is in proper alignment. Practice holding this position for up to 1 minute on each leg. Be patient. Choose one day a week for practicing form drills and technique. MacKenzie recommends wearing minimalist shoes to encourage proper form, but not without taking care of the other necessary work. A quick changeover from motion-control shoes to minimalist shoes is a recipe for tendon problems. Instead of making a rapid transition, ease into minimalist shoes by wearing them just one day per week, during skill work. Then slowly integrate them into your training runs as your feet and legs adapt. Your patience will pay off.
T.J. Murphy (Unbreakable Runner: Unleash the Power of Strength & Conditioning for a Lifetime of Running Strong)
kid you not, every single person in that room stopped what they were doing to see what the most annoying sound in the world was. “Stop that!” I hissed, tightening my lips. “You’re embarrassing me!” The clown tap-danced his oversized shoes toward me, which was frightening by itself, but tap dancing apparently wasn’t enough. No, this clown also wanted to start blowing up one of those long balloons they make balloon animals out of. So yeah, this monster was staring into my soul while twisting a long balloon into an animal and also tap dancing straight at me, and in a roomful of hundreds of spectators. The silence only made the squeaking balloons and metal taps that much worse. I’m not gonna lie. I feared for my life. “Okay. I was wrong before,” I whispered. “This is how I actually die…” The clown finally stopped tapping in front of me with a finale that extended an open palm out. “The name’s Miko! My friends call me Miko, but you can call me Miko!” At that point, everyone in the room returned to what they were doing before the clown started acting out. I slouched in my seat. “My name’s Chase,” I said. “You can call me Chase.” “Pleasure to make your acquaintance, Chase!” Miko said gleefully with his hand still outstretched toward me.
Marcus Emerson (Buchanan Bandits! (Diary of a 6th Grade Ninja, #6))
Stupid dog, do you realize you have actually LITERALLY bitten the hand that feeds you?" Schatzi looks at me with a withering stare, arching her bushy eyebrows haughtily, and then turns her back to me. I stick out my tongue at her back, and go to the kitchen to freshen her water bowl. Damnable creature requires fresh water a zillion times a day. God forbid a fleck of dust is dancing on the surface, or it has gone two degrees beyond cool, I get the laser look of death. Once there was a dead fly in it, and she looked in the bowl, crossed the room, looked me dead in the eye, and squatted and peed on my shoes. I usually call her Shitzi or Nazi. I suppose I'm lucky she deigns to drink tap water. Our bare tolerance of each other is mutual, and affection between us is nil. The haughty little hellbeast was my sole inheritance from my grandmother who passed away two years ago. A cold, exacting woman who raised me in my mother's near-complete absence, Annelyn Stroudt insisted on my calling her Grand-mère, despite the fact that she put the manic in Germanic, ancestry-wise. But apparently when her grandparents schlepped here mother from Berlin to Chicago, they took a year in Paris first, and adopted many things Française. So Grand-mère it was. Grand-mère Annelyn also insisted on dressing for dinner, formal manners in every situation, letterpress stationary, and physical affection saved for the endless string of purebred miniature schnauzers she bought one after the other, and never offered to the granddaughter who also lived under her roof. Her clear disappointment in me must have rubbed off on Schatzi, who, despite having lived with me since Grand-mère died neatly and quietly in her sleep at the respectable age of eighty-nine, has never seen me as anything but a source of food, and a firm hand at the end of the leash. She dotes on Grant, but he sneaks her nibbles when he cooks, and coos to her in flawless French. Sometimes I wonder if the spirit of Grand-mère transferred into the dog upon death, and if the chilly indifference to me is just a manifestation of my grandmother's continued disapproval from beyond the grave. Schatzi wanders over to her bowl, sniffs it, sneers at me one last time for good measure, shakes her head to ensure her ears are in place, like a society matron checking her coif, and settles down to drink.
Stacey Ballis (Recipe for Disaster)
His polished shoes have a peculiar rhythm on the floor, highlighting how empty the corridor is. There’s a distinct difference between the light tap of his shoes and the soft squelch of the soldiers’ boots.
Peter Cawdron (Reentry (Mars Endeavour, #2))
stand there, on the cusp of the ocean and listen to its loud inhale. And then it recedes and takes everything from my childhood with it—the porcelain dolls, the tap-dancing shoes, the concert ticket stubs, the tiny trophies, and the long, long swing.
Vendela Vida (We Run the Tides)
Everyone I know is either more successful or more interesting than me. This realization is nothing new. In fact, it used to feel like everyone I didn't know was more successful and interesting than me too. I still remember the sensation of watching a talent show on TV as a child and realizing that the girl dancing was a whole year younger than me. She was wearing a red sequin dress and patent tap shoes. She looked like a ruby, a human jewel spinning across the stage. I was in my pajamas from T.J. Maxx eating cereal for dinner, already destined for a life of mediocrity. Why didn't I just pull myself together back then? I was five!I could have turned it around!
Coco Mellors (Cleopatra and Frankenstein)
May I offer another scenario?” “Shoot.” “Terese Collins murdered her ex-husband,” Berleand said. “She needed a way to dispose of the body—someone she could trust to help clean up the mess. She called you.” I frowned. “And when I answered, she said, ‘I just killed my ex-husband in Paris, please help me’? ” “Well, she might have just told you to fly here. She might have told you the purpose after you arrived.” I smiled. This had gone on long enough. “You know she didn’t tell me that.” “How would I know that?” “You were listening in,” I said. Berleand didn’t face me then. He just kept smoking the cigarette and looked out at the view. “When you stopped me at the airport,” I continued, “you put a bug on me somewhere. My shoes maybe. Probably my cell phone.” It was the only thing that made sense. They found the body, maybe checked Rick Collins’s cell phone or whatever, found out his ex-wife was in town, put a tap on her phone, saw that she called me, held me up at the airport long enough to put on a bug and start surveillance. That was why I had been so forthcoming with Berleand—he already knew all these answers. I’d been hoping to win his trust. “Your cell phone,” he answered. “We replaced the battery with a listening device that holds the same charge. It’s very new technology, quite cutting edge.” “So you know Terese thought her ex was missing.” He tilted his head back and forth. “We know that’s what she told you.” “Come on, Berleand. You heard her tone. She was genuinely distraught.” “She seemed to be,” he agreed.
Harlan Coben (Long Lost (Myron Bolitar, #9))
Thomas glanced back at the stairs, excited nerves leaping in his stomach. “Is Eliza coming?” After the words escaped his mouth he realized how comical he sounded. Of course she was coming. “I mean to say, is Eliza ready?” A wide grin washed over Kitty’s face, as if she were hiding something. “She’ll be down shortly.” Thomas nodded and rested his fidgety hands on the back of the embroidered chair. Nathaniel led Kitty to the other seat and helped her to sit. At that moment, the dainty tap of Eliza’s shoes on the stairs forced Thomas to whirl around. Nathaniel came up behind him. “Steady, boy.” Thomas clenched his jaw to keep it from gaping and dropped his hands to his sides. His eyes traced Eliza’s dainty form. She was even more radiant in that gown than he’d imagined and her face glittered with the most magnificent smile he’d ever seen. The fitted gown accentuated her perfect curves and impossibly tiny waist. The white lace around the neckline tickled her creamy skin, while the dusty-pink color drew out the rosy nature of her cheeks and lips. He tried, but he couldn’t stop staring. Her hair was curled like Kitty’s and wrapped with a delicate ribbon that matched the color of her gown. Her creamy complexion and the velvety look of her long neck were so enticing he had to fight the sudden urge to taste it. Eliza curtsied low and dipped her head. Upon rising she lifted her lashes and spoke to him in a tantalizing timbre. “Good evening, Thomas.” Thomas’s heart beat with such profound strength, it ripped every word from his mind. He wanted to say how beautiful she was. He wanted to tell her he was sorry for keeping his distance when she needed him. Even more than that, he wanted to move his face near hers, and inhale her graceful rose scent deep into his lungs before tasting her lips once again. Every appropriate response fled his mind as his blood raced around his body. He bowed. “Good evening, Eliza.” “Do my eyes deceive me?” Nathaniel, back to his charismatic self, pushed Thomas aside and kissed Eliza’s hand as he bowed with dramatic flare. “You are even more alluring than Aphrodite herself, my dear.” Eliza smiled again and giggled low in her throat. “You are too generous, Doctor.” “I am too enamored. You and your sister shine like the stars themselves.” A hearty grin flashed across his proud face. “Shall we go in to dinner?” He took his place beside Kitty and sent a flashing glance to Thomas, no doubt intended to instruct him to make the most of the moment. Thomas could kill himself. Good evening? That’s all he could say? Eliza’s body faced away from him, but she turned in his direction and the rest of her followed, her gown sweeping across the floor. Thomas closed the space between them, offering his arm. “Shall we go in?” Her slender hand grasped his arm. “You look very nice this evening, Thomas.” Thomas’s tongue dried up in his mouth, shriveling his ability to speak. He could never compete with Nathaniel’s theatrical praises. He’d have to just say what he thought. “You’re a vision, Eliza.” Her
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
fact, if there was a fire in their house, and Mum could only save either a sparkly gold tap-shoe once worn by Flavio Flavioli (the shiny, tanned dancer and heartbreaker from Italy who appeared on every series of the hit TV show) or her only child, Ben thought she would probably go for the shoe.
David Walliams (Gangsta Granny)
Some businesses take a unique approach to this. Footwear brand Toms, already beloved thanks to its renowned blend of “social purpose” and product, forgoes splashy celebrity marketing campaigns. Instead, they engage and elevate real customers. During the summer of 2016, Toms engaged more than 3.5 million people in a single day using what they call tribe power. The company tapped into its army of social media followers for its annual One Day Without Shoes initiative to gather millions of Love Notes on social media. However, Toms U.K. marketing manager Sheela Thandasseri explained that their tribe’s Love Notes are not relegated to one day. “Our customers create social content all the time showing them gifting Toms or wearing them on their wedding day, and they tag us because they want us to be part of it.”2 Toms uses customer experience management platform Sprinklr to aggregate interactions on Facebook, Instagram, and Twitter. Toms then engages in a deep analysis of the data generated by its tribe, learning what customers relish and dislike about its products, stores, and salespeople so they can optimize their Complete Product Experience (CPE). That is an aggressive, all-in approach that extracts as much data as possible from every customer interaction in order to see patterns and craft experiences. Your approach might differ based on factors ranging from budget limitations to privacy concerns. But I can attest that earning love does not necessarily require cutting-edge technology or huge expenditures. What it does require is a commitment to delivering the building blocks of lovability that I reviewed in the previous chapter. Lovability begins with a mindset that makes it a priority. The building blocks are feelings — hope, confidence, fun. If you stack them up over and over again, eventually you will turn those feelings into a tower of meaningful benefits for everyone with a stake in your business, including owners, investors, employees, and customers. Now let’s look more closely at those benefits and the groups they affect.
Brian de Haaff (Lovability: How to Build a Business That People Love and Be Happy Doing It)
I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.
Anne Sexton
Stepmother taps her chin and frowns at Moody’s dress. “She needs some pin tucks in the skirt to give it more lift. And put some padding into the bodice to fill out her bosom-” “Motherrr!” Moody whines. “What? It’s no secret you’re flat as a floor.” Loony cackles while Moody throws a murderous look. “At least my chest doesn’t fall on my lap when I sit down.” Loony frowns. “Are you calling me fat?” “Well, if the shoe fits-” “Come, come, girls,” Stepmother says. I’m glad she stopped them. I’ve seen my stepsisters fight before and it’s like cats, all clawing and hissing. I don’t care if they go to the ball with red scratches on their faces but they could ruin Moody’s gown. “You
Anita Valle (Sinful Cinderella (Dark Fairy Tale Queen, #1))
They’d done a good job with the head, the great drooping lips and meaty cheeks. The soprano sang to the head for close to half an hour. I looked over at Boris. He was tapping on the floor with his foot. His pants had ridden up and the sock on his right foot—a thin black nylon sock—had slid into his shoe. There was about a two-inch space of exposed fleshy ankle. I reached down, carefully, slowly, and pulled up Boris’s sock. Boris looked over at me but didn’t care, and soon—without much explanation—the opera ended.
Sabina Murray (A Carnivore's Inquiry)
O wayfarer! Yearn finds quench, not in meadows, seashores or altitude of mountain peaks; but when being becomes dance.
Shah Asad Rizvi
If a flock of chickens is without water on a hot day, and all you have to do to prevent them from dying slowly and painfully is turn on a tap, you ought to turn it on. If to do so you have to walk a few extra steps in shoes that pinch your little toe, you ought to walk those few extra steps.
Peter Singer (The Most Good You Can Do: How Effective Altruism Is Changing Ideas About Living Ethically)
O wayfarer! Yearn finds quench, not in meadows, seashores or altitude of mountain peaks; but when being and dance are one.
Shah Asad Rizvi
For the next two hours, he would toy with her, giving her a chance to repent. Whether she did or not made no difference. He fingered the knife in his pocket. The blade was sharp and tonight she would feel it. Her time would run out an hour before sunrise. As with the others, he would weigh down her body with a cement block. Barely alive, she would struggle against death as they all had. The water would fill her lungs. The last thing she would see on this earth would be his eyes, the eyes of her murderer. How long would it take before her family, her friends reported her missing? A day, possibly two? Surely no longer. Then the search would begin. He would watch the news reports, recording them all on his DVR. In a week or two, some tourist or jogger would spot a floater in the Potomac. All evidence washed away, she would be just another woman executed by the D.C. Killer. He would add her disc to his collection. He whiled away the time thinking about his first kill. She had lounged in her bath, thinking she was alone. When he entered the bathroom, she smiled. The expression on his face made her smile falter. He came at her, grasping her by the shoulders. He pushed her down, holding her struggling body under. Her eyes wide with terror, she tried to plead with her murderer, to ask her husband “Why?” He sank her body in the Potomac, the first victim of the D.C. Killer. The door opened. Shannon Miller stood in the breach, surveying the parking lot. Nervous, she started to go back inside, then changed her mind. She peered toward him, her eyes straining to penetrate the mist and gloom. He was a shadow, invisible to her. Seeing no threat, she stepped out, locked the door and hurried across the deserted lot to her car, a red Toyota with more rust than red. The tap-tap of her high heels pulsated on the cracked asphalt. The beat of her shoes matched the throb of his heart. He could hear her heavy, fearful breathing. He smiled. The moon scurried behind the clouds as if hiding its face in horror. He was an avenger, a messenger of God. His mission was to rid the nation's capital of immoral women. Fearing him, prostitutes now walked the streets in pairs. Even in their terror, they still pursued their wicked trade. At times he saw them huddled in groups of three or four. They reminded him of children in a thunderstorm. Like a spirit, he crept in her direction. The only light was cast by the Miller Lite sign and a distant street lamp. The light in the parking lot had burned out weeks ago, throwing it into darkness. He stalked her as a lion does its prey. He moved slowly, silently, low to the ground, keeping the car between them. His dark running suit blended with the night. He was the Dark Angel, the Angel of Death. In another life, he had passed over Egypt, killing the firstborn of those condemned by God. Her eyes darted in every direction, still she didn't see him. He was invisible. Her hands shook as she tried to get the key in the door. The 11 o'clock news reported that another one had been found. If he stuck with his pattern, the D.C. Killer would strike again tonight. By morning a woman would be dead. She prayed it wouldn’t be her. She fumbled, dropping the key ring. She stooped to pick it up, her head turning in every direction, her ears alert to every sound. Now, without seeing him, she sensed him. She lowered her eyes, trying again, successfully this time. She turned the key. There was a click. She sighed, unaware that she had been holding her breath. The dome light flashed as she opened the door. He was on her in an instant. Their bodies slammed against the door. The light blinked out. He held her in an iron grip with one hand over her mouth and the blade poking into her
Darrell Case
About as subtle as a hippopotamus wearing tap shoes.
Elle Gray (The Hit List (Blake Wilder #16))
Guy walks up to a girl at a bar...asks to buy her a drink...ok...are you ready to do whatever it takes? I laughed during the movie Buffalo66...Tap Dancing with a pair of shiny shoes in Bowling all spares will never get you a hole in one at Golf.
Jonathan Roy Mckinney Gero EagleO2
That was one of the hardest things about breaking up. It's not a pair of bookends, the beginning and the end. It's the unravelling of the future. The flat we would never move into together, the cat we would never pick up from the shelter. It was all the times I wouldn't hear her go on and on about some boring film I couldn't sit through, or the way I wouldn't see her do that silly tap dance she does when she's trying on new shoes. It's all the things we used to do that we'd never do again and all the things we'd never do for the first time together.
Ciara Smyth (The Falling in Love Montage)
Zen is Buddhism made simple again. The robes worn by Zen priests are plain black affairs (unlike the colorful getups favored by the Tibetans and their other Buddhist cousins), and even after receiving Transmission, the Zen master's daily dress is a dull brown robe. You can sit anywhere; Dogen Zenji said that the heart is the real zendo. This informs temple architecture. Plainness here is neither false humility nor a facade. It is true to the bone. Skeletal beams and rafters are seamlessly joined; they are not nailed or screwed into place; they are made to fit together. Inside a zendo, there is mostly open space, dimly lit, with a small central altar and a tan, a two-foot-high wooden platform built around the perimeter, where meditators sit on plain black cushions, facing the wall. There are few ceremonial objects—the teacher's staff, a stick of incense burning in a bowl—and it is rare to run into more than one or two bronze or wooden Buddhas. Zen rituals are spare, too. Music is reduced to an isolated ding or bong of a bell, the flat report of a mallet tapped against a slab of wood, and a thrumming bang from a giant bass drum. Even the chanting is monochromatic; students pitch their voices toward the deep, dark end of the register and grumble in unison.
Michael Downing (Shoes Outside the Door: Desire, Devotion, and Excess at San Francisco Zen Center)
That was one f the hardest things about breaking up. It's not a pair of bookends, the beginning and the end. It's the unravelling of the future. The flat we would never move into together, the cat we would never pick up from the shelter. It was all the times I wouldn't hear her go on about some boring film I couldn't sit through, or the way I wouldn't see her do that silly tap dance she does when she is trying on new shoes. It's all the things we used to do we'd never do again and all the things we'd never do for the first time together.
Ciara Smyth (The Falling in Love Montage)
They walked up the path through the woods, their soft shoes tapping against the stones. They could hear birds fluttering in the air and the wind rustling through the trees around them. Josh hadn’t realized how much he had missed nature until now.
Sam Sisavath (The Gates of Byzantium (Purge of Babylon, #2))
At the entrance to the park stands a painted sign depicting two women. The one on the left wears a long black manteau and wimple, dark trousers and shoes; the figure on the right wears all of this plus a chaador overtop. Both figures are faceless. The rest of the sign is in writing. I ask Hamid what it means. "Our sign tell that this one-" Hamid points to the woman on the left "-is good, it is cloth Islamic. But our sign tells that this-" he taps his finger against the chaadored figure on the right "-is very much good dressing, most beautiful, way of God." "At the bottom of the sign there is, inexplicably, and English translation: Veil is ornament of women modesty. The smelling flower of chastity bush.
Alison Wearing (Honeymoon in Purdah: An Iranian Journey)
I may be an elf,” I said with a smile that never failed to charm people, “but I'm not a stupid elf. I've got a college degree and everything.” “In what?” the little girl asked. “Dumb elfery?” I tried not to snort, but even I admit that was funny. “No, actually the courses in dumb elfery were full so I had to take the ones in cute elfery instead.” I pulled back and did a little spin, making sure the bells on my hat and shoes jingled. “So, did I deserve that degree or what? I graduated with honors and everything.” Emma did a circle with her finger, motioning for me to turn around again. I did and when I turned back, she was tapping her chin. “I think you should probably ask for your money back.
Candi Kay (Kane the Fake Elf & His Sexy Mall Santa)