Talk Like A Pirate Quotes

We've searched our database for all the quotes and captions related to Talk Like A Pirate. Here they are! All 43 of them:

Aaarrggg, ahoy me matey, thars a great grand vagina over yonder." Penises talk like pirates when I'm drunk.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
So, do you, like, talk pirate?” GG raises his brows. “No, love.” “Well that’s no fun. I think I need to introduce that to ye scallywags.” They all burst out laughing. … I turn and grin up at Hendrix. “Aye cap’n, I took ye advice and joined in this party.” He raises his brows. “Seriously?
Bella Jewel (Enslaved by the Ocean (Criminals of the Ocean, #1))
You`re a woman. Act like it. You shouldn`t be saying such foul-' 'I`ll say whatever I please. I'm not a lady, I`m a pirate!' 'Well, you shouldn`t be!' 'And why`s that? I`m plenty good at it.' 'Because pirates aren`t supposed to look like you and talk like you talk and do what you do. You`re confusing, and it`s messing with my head.
Tricia Levenseller (Daughter of the Pirate King (Daughter of the Pirate King, #1))
Because pirates aren't supposed to look like you look and talk like you talk an do what you do. You're confusing and it's messing with my head.
Tricia Levenseller (Daughter of the Pirate King (Daughter of the Pirate King, #1))
I don’t know how you’ve managed a tan,” Daydra said, “but you’ll have to keep it up, and talk like a pirate. If you want to work for Momma K, you’re going to be the Sethi pirate girl. You have a husband or a lover?” Kaldrosa hesitated. “Husband,” she admitted. “The last beating nearly killed him.” “If you do this, you’ll never get him back. A man can forgive a woman who leaves whoring for him, but he’ll never forgive one who goes whoring for him.” “It’s worth it,” Kaldrosa said. “To save his life, it’s worth it.
Brent Weeks (Shadow's Edge (Night Angel, #2))
When the web started, I used to get really grumpy with people because they put my poems up. They put my stories up. They put my stuff up on the web. I had this belief, which was completely erroneous, that if people put your stuff up on the web and you didn’t tell them to take it down, you would lose your copyright, which actually, is simply not true. And I also got very grumpy because I felt like they were pirating my stuff, that it was bad. And then I started to notice that two things seemed much more significant. One of which was… places where I was being pirated, particularly Russia where people were translating my stuff into Russian and spreading around into the world, I was selling more and more books. People were discovering me through being pirated. Then they were going out and buying the real books, and when a new book would come out in Russia, it would sell more and more copies. I thought this was fascinating, and I tried a few experiments. Some of them are quite hard, you know, persuading my publisher for example to take one of my books and put it out for free. We took “American Gods,” a book that was still selling and selling very well, and for a month they put it up completely free on their website. You could read it and you could download it. What happened was sales of my books, through independent bookstores, because that’s all we were measuring it through, went up the following month three hundred percent. I started to realize that actually, you’re not losing books. You’re not losing sales by having stuff out there. When I give a big talk now on these kinds of subjects and people say, “Well, what about the sales that I’m losing through having stuff copied, through having stuff floating out there?” I started asking audiences to just raise their hands for one question. Which is, I’d say, “Okay, do you have a favorite author?” They’d say, “Yes.” and I’d say, “Good. What I want is for everybody who discovered their favorite author by being lent a book, put up your hands.” And then, “Anybody who discovered your favorite author by walking into a bookstore and buying a book raise your hands.” And it’s probably about five, ten percent of the people who actually discovered an author who’s their favorite author, who is the person who they buy everything of. They buy the hardbacks and they treasure the fact that they got this author. Very few of them bought the book. They were lent it. They were given it. They did not pay for it, and that’s how they found their favorite author. And I thought, “You know, that’s really all this is. It’s people lending books. And you can’t look on that as a loss of sale. It’s not a lost sale, nobody who would have bought your book is not buying it because they can find it for free.” What you’re actually doing is advertising. You’re reaching more people, you’re raising awareness. Understanding that gave me a whole new idea of the shape of copyright and of what the web was doing. Because the biggest thing the web is doing is allowing people to hear things. Allowing people to read things. Allowing people to see things that they would never have otherwise seen. And I think, basically, that’s an incredibly good thing.
Neil Gaiman
‎"Repeat that?" "It's National Talk Like a Pirate Day. Didn't you know?" "Somehow I missed the memo." "You mean, 'Somehow I missed the memo, arrr!'" "Precisely. Arr. So, Mrs. Jack... Er, is that still your name? Or, I tremble to ask, have you adopted a pirate identity?" "Arr, matey, of course I have! It's..." She pulled an eggplant from the grocery bag. "Captain Eggplantier." She needed to stop speaking the first words that popped into her mind. "Captain Eggplanteir." He sounded very doubtful. "That's right. A family name. It's Belgian.
Shannon Hale (The Actor and the Housewife)
Checking the address, he knocked on the door. The door opened a crack. “We’re closed.” He recognized those violet eyes. His throat went dry. “Oh. You again.” Her eyes narrowed as she chuckled. “You must have women throwing themselves at you with lines like that. What are you doing here?” “I came to see if Flynn Enterprises has made an offer to buy your property.” His gaze wandered against his better judgement. On his ship, she’d been wearing jeans and a t-shirt. Now her curves were covered by a quality replica of a pirate’s frock coat, complete with deck boots, a bandana covering her hair, and a single hoop earring. “Didn’t take you for a pirate earlier today.” “You seriously came over here to talk to a stranger about private financial information, and then you have the balls to comment on her work attire?” She raised a brow. “We’re hardly strangers.” He struggled to hold back a smile and offered his hand. “I don’t think I introduced myself earlier. I’m Colton. Colton Hayes.” She looked at his hand and finally opened the door. “Skye Olson. And apparently I’m a glutton for punishment.
Lisa Kessler (Magnolia Mystic (Sentinels of Savannah, #1))
New Rule: Now that liberals have taken back the word "liberal," they also have to take back the word "elite." By now you've heard the constant right-wing attacks on the "elite media," and the "liberal elite." Who may or may not be part of the "Washington elite." A subset of the "East Coast elite." Which is overly influenced by the "Hollywood elite." So basically, unless you're a shit-kicker from Kansas, you're with the terrorists. If you played a drinking game where you did a shot every time Rush Limbaugh attacked someone for being "elite," you'd be almost as wasted as Rush Limbaugh. I don't get it: In other fields--outside of government--elite is a good thing, like an elite fighting force. Tiger Woods is an elite golfer. If I need brain surgery, I'd like an elite doctor. But in politics, elite is bad--the elite aren't down-to-earth and accessible like you and me and President Shit-for-Brains. Which is fine, except that whenever there's a Bush administration scandal, it always traces back to some incompetent political hack appointment, and you think to yourself, "Where are they getting these screwups from?" Well, now we know: from Pat Robertson. I'm not kidding. Take Monica Goodling, who before she resigned last week because she's smack in the middle of the U.S. attorneys scandal, was the third-ranking official in the Justice Department of the United States. She's thirty-three, and though she never even worked as a prosecutor, was tasked with overseeing the job performance of all ninety-three U.S. attorneys. How do you get to the top that fast? Harvard? Princeton? No, Goodling did her undergraduate work at Messiah College--you know, home of the "Fighting Christies"--and then went on to attend Pat Robertson's law school. Yes, Pat Robertson, the man who said the presence of gay people at Disney World would cause "earthquakes, tornadoes, and possibly a meteor," has a law school. And what kid wouldn't want to attend? It's three years, and you have to read only one book. U.S. News & World Report, which does the definitive ranking of colleges, lists Regent as a tier-four school, which is the lowest score it gives. It's not a hard school to get into. You have to renounce Satan and draw a pirate on a matchbook. This is for the people who couldn't get into the University of Phoenix. Now, would you care to guess how many graduates of this televangelist diploma mill work in the Bush administration? On hundred fifty. And you wonder why things are so messed up? We're talking about a top Justice Department official who went to a college founded by a TV host. Would you send your daughter to Maury Povich U? And if you did, would you expect her to get a job at the White House? In two hundred years, we've gone from "we the people" to "up with people." From the best and brightest to dumb and dumber. And where better to find people dumb enough to believe in George Bush than Pat Robertson's law school? The problem here in America isn't that the country is being run by elites. It's that it's being run by a bunch of hayseeds. And by the way, the lawyer Monica Goodling hired to keep her ass out of jail went to a real law school.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Are you hurt? He didn’t hurt you, did he?” “No, miss, just my pride.” He cast her a rueful smile. “Don’t fret yourself over it. I’m fine.” It was only when he caught Captain Horn’s assessing glance that he realized he was behaving more like a servant than a fiancé. As he slid his hand around Miss Willis’s waist, ignoring her startled expression, he noticed that the pirate watched them with interest. “Such a touching scene.” Captain Horn’s face wore a look of suspicion and muted anger. “And to think I never guessed until now the grand passion going on beneath my very nose.” “Like Miss Willis said, she chose me.” Peter thrust out his chest, affecting a protective stance . . . a little too late unfortunately. “She probably told you that she and I became friendly on the Chastity” It was the story both he and Miss Willis had agreed upon last night, though they knew some would find it less than convincing. Apparently the captain was one of them. “She did claim something like that.” Claim. Clearly the man didn’t believe either one of them. Then the scourge of the seas cast a low, lascivious, glance over Miss Willis, making her tremble beneath Petey’s arm. “She and I have also become quite ‘friendly’ in the past two days. Haven’t we, Sara?” Petey turned to her, surprised to find her blushing furiously. She cast a guilty look, then lowered her gaze to her hands. “I-I don’t know what you’re t-talking about.” “Of course not,” the captain ground out. “I should’ve expected a two-faced English lady like you to deny the truth about our ‘friendship.’ Well, you may deny it to me, and you may even deny it to this sailor of yours.” He lowered his voice to a threatening hum. “But you’ll have a hell of a hard time denying it to yourself.
Sabrina Jeffries (The Pirate Lord)
The Isle of Pines was Circe's isle, with white marble columns here and there in the dark, green, and pirates would be dueling with a flash of clashing swords and a flash of recklessly smiling white teeth. The Gulf, like the Caribbean, is haunted by the ghosts of the old buccaneers. Tampico, to Pete, wasn't the industrial shipping port his father knew. It had palaces and parrots of many colors, and winding white roads. It was an Arabian Nights city, with robed magicians wandering the streets, benign most of the time, but with gnarled hands like tree-roots that could weave spells. Manoel, his father, could have told him a different story, for Manoel had shipped once under sail, in the old days, before he settled down to a fisherman's life in Cabrillo. But Manoel didn't talk a great deal. Men talk to men, not to boys, and that was why Pete didn't learn as much as he might have from the sun-browned Portuguese who went out with the fishing fleets. He got his knowledge out of books, and strange books they were, and strange knowledge. ("Before I Wake...")
Henry Kuttner (Masters of Horror)
 I find myself humming as I reach the top of the steps, but then I halt. “Really now, Kearan,” I say. He’s facedown on the ground. Likely passed out in his own vomit, yet again. This can’t continue. I’ll have to think of some fitting punishment for him. I couldn’t care less what he does in his free time, but when he’s on duty, he’d better be ready to perform at his best. Suddenly his whole body jerks upward, and I take a step back in case he’s having some sort of sleeping fit. “Three,” he says on a raspy breath before leaning down to the ground again. Is he sleep talking? He’s been known to do that even with his eyes open. No, wait—“Are you doing push-ups?” I ask. “F-f-four,” he says as he rises again. “Sweet stars, you are. What’s gotten into you?” After five, he lies on the ground and rolls onto his back, breathing heavily. “Just passing the time, is all. We’ve a long journey ahead of us.” Yes, but he usually passes the time with drink. He reaches into one of his pockets. Ah, there he is. But what he pulls out isn’t a flask. It’s a canteen. The kind we use on the ship for storing water. He sits up and takes a few sips. “What’s in that?” He holds the canteen out to me, and I take a sniff. It’s water. “She dumped all of my flasks into the sea while I slept,” Kearan says. “Didn’t realize she cared so much.” He searches across the ship for Sorinda, but she must be belowdecks because he focuses on me once more. “Any more questions, Captain?” His tone sounds bored. “Are we headed in the right direction?” “Course, I’m keeping her steady.” “Good,” I say before moving on quickly. Lest Kearan break into song or sprout wings.
Tricia Levenseller (Daughter of the Siren Queen (Daughter of the Pirate King, #2))
When the war ended in 1945, Robert Newton’s film career took off. And then he landed the part of Disney’s Long John Silver. “What accent do you want me to put on?” he asked Walt, in his natural thick West-country, ‘Cornwall/Devon/Dorset’ burr. Pointing at his face excitedly, “Why, that one.” Disney replied. And THE OFFICIAL PIRATE ACCENT was born. Newton went on to do another Long John Silver film, then a 26 part television series. He died early, aged 50, from chronic alcoholism, just the way a pirate would want to go. But he left the legacy of ‘the’ pirate accent ‘til the end of time. Every pirate ‘R’ or ‘Arrrgh’ joke you ever heard, owes its very life to the combination of Robert Newton, R. L. Stevenson, and Walt Disney. -- Renaissance Festival Survival Guide
Ian Hall
I took my solo and beat hell out of the skins. Then Spoof swiped at his mouth and let go with a blast and moved it up into that squeal and stopped and started playing. It was all headwork. All new to us. New to anybody. I saw Sonny get a look on his face, and we sat still and listened while Spoof made love to that horn. Now like a scream, now like a laugh - now we're swinging in the trees, now the white men are coming, now we're in the boat and chains are hanging from our ankles and we're rowing, rowing - Spoof, what is it? - now we're sawing wood and picking cotton and serving up those cool cool drinks to the Colonel in his chair - Well, blow, man! - now we're free, and we're struttin' down Lenox Avenue and State & Madison and Pirate's Alley, laughing, crying - Who said free? - and we want to go back and we don't want to go back - Play it, Spoof! God, God, tell us all about it! Talk to us! - and we're sitting in a cellar with a comb wrapped up in paper, with a skin-barrel and a tinklebox - Don't stop, Spoof! Oh Lord, please don't stop! - and we're making something, something, what is it? Is it jazz? Why, yes, Lord, it's jazz. Thank you, sir, and thank you, sir, we finally got it, something that is ours, something great that belongs to us and to us alone, that we made, and that's why it's important and that's what it's all about and - Spoof! Spoof, you can;t stop now -- But it was over, middle of the trip. And there was Spoof standing there facing us and tears streaming out of those eyes and down over that coaldust face, and his body shaking and shaking. It's the first we ever saw that. It's the first we ever heard him cough, too - like a shotgun going off every two seconds, big raking sounds that tore up from the bottom of his belly and spilled out wet and loud. ("Black Country")
Charles Beaumont (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
confused look. “A dragon?” Alex asked. “But they’ve been extinct for hundreds of years. Our grandmother and her friends were the ones who fought them off during the Dragon Age.” “Apparently the Masked Man knows where to find one,” Gretel said. “And I wouldn’t be surprised if he did. He’s a very unusual man. He’s been in that cell for almost a decade now. He likes to talk to himself at night – sometimes I swear I heard someone else in there with him, but that would be impossible.” Conner walked to the cell of the Masked Man and peeked inside. “Hey, Alex, this guy has a lot of stuff in here.” Alex joined him at the cell. The door was still open and they walked inside together. Just being in it gave them the creeps. The walls were covered in bizarre carved illustrations of winged creatures, pirate ships, and animals with big ears and feet. There was a pile of coal and he had carved the pieces into the shapes of hooks, hearts, and swords.
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
You’re worried about Anna?” “Anna and the baby, who, I can assure you, are not worried about me.” “Westhaven, are you pouting?” Westhaven glanced over to see his brother smiling, but it was a commiserating sort of smile. “Yes. Care to join me?” The commiserating smile became the signature St. Just Black Irish piratical grin. “Only until Valentine joins us. He’s so eager to get under way, we’ll let him break the trail when we depart in the morning.” “Where is he? I thought you were just going out to the stables to check on your babies.” “They’re horses, Westhaven. I do know the difference.” “You know it much differently than you knew it a year ago. Anna reports you sing your daughter to sleep more nights than not.” Two very large booted feet thunked onto the coffee table. “Do I take it your wife has been corresponding with my wife?” “And your daughter with my wife, and on and on.” Westhaven did not glance at his brother but, rather, kept his gaze trained on St. Just’s feet. Devlin could exude great good cheer among his familiars, but he was at heart a very private man. “The Royal Mail would go bankrupt if women were forbidden to correspond with each other.” St. Just’s tone was grumpy. “Does your wife let you read her mail in order that my personal marital business may now be known to all and sundry?” “I am not all and sundry,” Westhaven said. “I am your brother, and no, I do not read Anna’s mail. It will astound you to know this, but on occasion, say on days ending in y, I am known to talk with my very own wife. Not at all fashionable, but one must occasionally buck trends. I daresay you and Emmie indulge in the same eccentricity.” St. Just was silent for a moment while the fire hissed and popped in the hearth. “So I like to sing to my daughters. Emmie bears so much of the burden, it’s little enough I can do to look after my own children.” “You love them all more than you ever thought possible, and you’re scared witless,” Westhaven said, feeling a pang of gratitude to be able to offer the simple comfort of a shared truth. “I believe we’re just getting started on that part. With every child, we’ll fret more for our ladies, more for the children, for the ones we have, the one to come.” “You’re such a wonderful help to a man, Westhaven. Perhaps I’ll lock you in that nice cozy privy next time nature calls.” Which
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
The visitor had a brown, weatherbeaten face, like a friendly pirate, and piercing eyes twinkling with humour. Over tea, the talk turned at once to distant places, Arabia and Kanchenjunga; atlases were dragged from their shelves and laid open on the floor, and it was as if the world had suddenly opened wide its doors. Later, Daphne explained that Clara Vyvyan had indeed travelled all over the world, mostly alone, with her few worldly possessions in a pack on her back. She had explored the Greek islands, had met with bandits in Montenegro, had crossed Canada to camp out with trappers in Alaska ... but she always came home again to Trelowarren, a beautiful eighteenth-century Gothic-style house close to the River Helford, where her roots lay. These were embedded as deeply in the garden as in the house, for Clara was a passionate gardener, and was often rewarded by the discovery of some particularly rare plant in one of the unlikely places to which her pioneering spirit led her. She wrote excellent books about her travels, which won her a small but faithful public, and which were published by Peter Owen; but, like so many good things, are probably now out of print.
Daphne du Maurier (Letters from Menabilly: Portrait of a Friendship)
to be open and straightforward about their needs for attention in a social setting. It is equally rare for members of a group in American culture to honestly and openly express needs that might be in conflict with that individual’s needs. This value of not just honestly but also openly fully revealing the true feelings and needs present in the group is vital for it’s members to feel emotional safe. It is also vital to keeping the group energy up and for giving the feedback that allows it’s members to know themselves, where they stand in relation to others and for spiritual/psychological growth. Usually group members will simply not object to an individual’s request to take the floor—but then act out in a passive-aggressive manner, by making noise or jokes, or looking at their watches. Sometimes they will take the even more violent and insidious action of going brain-dead while pasting a jack-o’-lantern smile on their faces. Often when someone asks to read something or play a song in a social setting, the response is a polite, lifeless “That would be nice.” In this case, N.I.C.E. means “No Integrity or Congruence Expressed” or “Not Into Communicating Emotion.” So while the sharer is exposing his or her vulnerable creation, others are talking, whispering to each other, or sitting looking like they are waiting for the dental assistant to tell them to come on back. No wonder it’s so scary to ask for people’s attention. In “nice” cultures, you are probably not going to get a straight, open answer. People let themselves be oppressed by someone’s request—and then blame that someone for not being psychic enough to know that “Yes” meant “No.” When were we ever taught to negotiate our needs in relation to a group of people? In a classroom? Never! The teacher is expected to take all the responsibility for controlling who gets heard, about what, and for how long. There is no real opportunity to learn how to nonviolently negotiate for the floor. The only way I was able to pirate away a little of the group’s attention in the school I attended was through adolescent antics like making myself fart to get a few giggles, or asking the teacher questions like, “Why do they call them hemorrhoids and not asteroids?” or “If a number two pencil is so popular, why is it still number two,” or “What is another word for thesaurus?” Some educational psychologists say that western culture schools are designed to socialize children into what is really a caste system disguised as a democracy. And in once sense it is probably good preparation for the lack of true democratic dynamics in our culture’s daily living. I can remember several bosses in my past reminding me “This is not a democracy, this is a job.” I remember many experiences in social groups, church groups, and volunteer organizations in which the person with the loudest voice, most shaming language, or outstanding skills for guilting others, controlled the direction of the group. Other times the pain and chaos of the group discussion becomes so great that people start begging for a tyrant to take charge. Many times people become so frustrated, confused and anxious that they would prefer the order that oppression brings to the struggle that goes on in groups without “democracy skills.” I have much different experiences in groups I work with in Europe and in certain intentional communities such as the Lost Valley Educational Center in Eugene, Oregon, where the majority of people have learned “democracy skills.” I can not remember one job, school, church group, volunteer organization or town meeting in mainstream America where “democracy skills” were taught or practiced.
Kelly Bryson (Don't Be Nice, Be Real)
Such a touching scene.” Captain Horn’s face wore a look of suspicion and muted anger. “And to think I never guessed until now the grand passion going on beneath my very nose.” “Like Miss Willis said, she chose me.” Peter thrust out his chest, affecting a protective stance…a little too late, unfortunately. “She probably told you that she and I became friendly on the Chastity.” It was the story both he and Miss Willis had agreed upon last night, though they’d known some would find it less than convincing. Apparently the captain was one of them. “She did claim something like that.” Claim. Clearly the man didn’t believe either of them. Then the scourge of the seas cast a slow, lascivious glance over Miss Willis, making her tremble beneath Petey’s arm. “She and I have also become quite ‘friendly’ in the past two days. Haven’t we, Sara?” Petey turned to her, surprised to find her blushing furiously. She cast him a guilty look, then lowered her gaze to her hands. “I-I don’t know what you’re t-talking about.” “Of course not,” the captain ground out. “I should’ve expected a two-faced English lady like you to deny the truth about our ‘friendship.’ Well, you may deny it to me, and you may even deny it to this sailor of yours.” He lowered his voice to a threatening hum. “But you’ll have a hell of a hard time denying it to yourself.
Sabrina Jeffries (The Pirate Lord (Lord Trilogy, #1))
The wooden ship objected with loud creaks as the heavy wind strained its sails to the limits, pushing it forwards through the waves. A rather petite vessel, it was the smallest she’d sailed. It was old and worn, too. Nora looked up at the yellowed sails fondly. It was a miracle that they’d lasted this long, cooperating with the buffeting winds without rest for many seasons now. And Nora and the ship had been through some strong gales together. Excellent craftsmanship, Nora thought and, as she often did, pondered the ship’s origins: who’d made it and what waters it’d sailed before she stole it. She’d been certain that the ship wouldn’t last long on the high seas, and that she’d soon have to find a replacement, but she’d been pleasantly surprised. Her ship might not cover vast distances in as short a time as the bigger, heavier sailing ships she was used to, but Nora could turn Naureen around or change direction in a matter of minutes. She could swiftly put distance between her and the ships she plundered. Sometimes, it seemed as if the ship responded to her thoughts, as if there was a weird invisible bond between the two of them. ‘Naureen. Us sailor gals must stick together,’ she said aloud, as if the ship could hear her. Nora always talked to her ship. Clearly a sign she’d been on the sea for too long, she mused. Naureen. Nora didn’t know who’d named the ship or what the name meant, but she thought it strangely fitting. It graced the bow of the ship, painted in beautiful calligraphy. Nora saw it whenever she was aboard another vessel, rummaging for furs or bones of extinct animals she could sell, or food. The sight of her ship always made her heart flutter with happiness. There was a time when Nora would steal the ships she plundered, if she liked them and was in the mood for a change. But not after she stole Naureen. Well, not stole, she corrected herself. When she’d come across the tiny ship, she’d found the salt-rimed corpse of the hollow-cheeked owner sprawled face down on the deck. He’d probably starved to death. His body had not been the first one Nora’d found drifting at sea, nor the last.
Margrét Helgadóttir (The Stars Seem so Far Away)
LXXII In sooth, it was no vulgar sight to see Their barbarous, yet their not indecent, glee, And as the flames along their faces gleam’d, Their gestures nimble, dark eyes flashing free, The long wild locks that to their girdles stream’d, While thus in concert they this lay half sang, half scream’d: Tambourgi! Tambourgi! thy ’larum afar Gives hope to the valiant, and promise of war; All the sons of the mountains arise at the note, Chimariot, Illyrian, and dark Suliote! Oh! who is more brave than a dark Suliote, To his snowy camese and his shaggy capote? To the wolf and the vulture he leaves his wild flock, And descends to the plain like the stream from the rock. Shall the sons of Chimari, who never forgive The fault of a friend, bid an enemy live? Let those guns so unerring such vengeance forego? What mark is so fair as the breast of a foe? Macedonia sends forth her invincible race; For a time they abandon the cave and the chase: But those scarves of blood-red shall be redder, before The sabre is sheathed and the battle is o’er. Then the pirates of Parga that dwell by the waves, And teach the pale Franks what it is to be slaves, Shall leave on the beach the long galley and oar, And track to his covert the captive on shore. I ask not the pleasure that riches supply, My sabre shall win what the feeble must buy; Shall win the young bride with her long flowing hair, And many a maid from her mother shall tear. I love the fair face of the maid in her youth, Her caresses shall lull me, her music shall soothe; Let her bring from her chamber the many-toned lyre, And sing us a song on the fall of her sire. Remember the moment when Previsa fell, The shrieks of the conquer’d, the conquerors’ yell; The roofs that we fired, and the plunder we shared, The wealthy we slaughter’d, the lovely we spared. I talk not of mercy, I talk not of fear; He neither must know who would serve the Vizier: Since the days of our prophet, the Crescent ne’er saw A chief ever glorious like Ali Pasha. Dark Muchtar his son to the Danube is sped, Let the yellow-haired Giaours view his horsetail with dread; When his Delhis come dashing in blood o’er the banks, How few shall escape from the Muscovite ranks! Selictar, unsheath then our chief’s scimitar: Tambourgi! thy ’larum gives promise of war; Ye mountains, that see us descend to the shore, Shall view us as victors, or view us no more!
Lord Byron (Childe Harold's Pilgrimage)
Are you Hilary Westfield?” She sounded like she hoped it wasn’t the case. Hilary nodded. “Oh. Well, I’m Philomena. I have to show you to your room.” Hilary looked wildly at Miss Greyson. “I’m Miss Westfield’s governess,” Miss Greyson said, to Hilary’s relief. Maybe talking politely to people like Philomena was something you learned at Miss Pimm’s, or maybe getting past Philomena was a sort of entrance exam. “Is there any chance we could see Miss Pimm? We’re old acquaintances. I used to go to school here, you see.” Miss Greyson smiled for the second time that day—the world was getting stranger and stranger by the minute—but Philomena didn’t smile back. “I’m terribly sorry,” said Philomena, “but Miss Pimm doesn’t receive visitors. You can leave Miss Westfield with me, and the porter will collect Miss Westfield’s bags.” She raised her eyebrows as the carriage driver deposited the golden traveling trunk on the doorstep. “I hope you have another pair of stockings in there.” “I do.” Hilary met Philomena’s stare. “I have nineteen pairs, in fact. And a sword.” Miss Greyson groaned and put her hand to her forehead. “Excuse me?” said Philomena. “I’m afraid Miss Westfield is prone to fits of imagination,” Miss Greyson said quickly. Philomena’s eyebrows retreated. “I understand completely,” she said. “Well, you have nothing to worry about. Miss Pimm’s will cure her of that nasty habit soon enough. Now, Miss Westfield, please come along with me.” Hilary and Miss Greyson started to follow Philomena inside. “Only students and instructors are permitted inside the school building,” said Philomena to Miss Greyson. “With all the thefts breaking out in the kingdom these days, one really can’t be too careful. But you’re perfectly welcome to say your good-byes outside.” Miss Greyson agreed and knelt down in front of Hilary. “A sword?” she whispered. “I’m sorry, Miss Greyson.” “All I ask is that you take care not to carve up your classmates. If I were not a governess, however, I might mention that the lovely Philomena is in need of a haircut.” Hilary nearly laughed, but she suspected it might be against the rules to laugh on the grounds of Miss Pimm’s, so she gave Miss Greyson her most solemn nod instead. “Now,” said Miss Greyson, “you must promise to write. You must keep up with the news of the day and tell me all about it in your letters. And you’ll come and visit me in my bookshop at the end of the term, won’t you?” “Of course.” Hilary’s stomach was starting to feel very strange, and she didn’t trust herself to say more than a few words at a time. This couldn’t be right; pirates were hardly ever sentimental. Then again, neither was Miss Greyson. Yet here she was, leaning forward to hug Hilary, and Hilary found herself hugging Miss Greyson back. “Please don’t tell me to be a good little girl,” she said. Miss Greyson sniffed and stood up. “My dear,” she said, “I would never dream of it.” She gave Hilary’s canvas bag an affectionate pat, nodded politely to Philomena, and walked down the steps and through the gate, back to the waiting carriage. “Come along,” said Philomena, picking up the lightest of Hilary’s bags. “And please don’t dawdle. I have lessons to finish.” HILARY FOLLOWED PHILOMENA through a maze of dark stone walls and high archways. From the inside, the building seemed more like a fortress
Caroline Carlson (Magic Marks the Spot (The Very Nearly Honorable League of Pirates, #1))
Look at that ship. That clipper cost me a queen’s ransom, even with the Kestrel thrown in the bargain. But it was the fastest ship to be had.” He took her hands in his. “Forget money. Forget society. Forget expectations. We’ve no talent for following rules, remember? We have to follow our hearts. You taught me that.” He gathered her to him, drawing her hands to his chest. “God, sweet, don’t you know? You’ve had my heart in your pocket since the day we met. Following my heart means following you. I’ll follow you to the ends of the earth if I have to.” He shot an amused glance at the captain. “Though I’d expect your good captain would prefer I didn’t. In fact, I think he’d gladly marry us today, just to be rid of me.” “Today? But we couldn’t.” His eyebrows lifted. “Oh, but we could.” He pulled her to the other side of the ship, slightly away from the gaping crowd. Wrapping his arms around her, he leaned close to whisper in her ear, “Happy birthday, love.” Sophia melted in his embrace. It was her birthday, wasn’t it? The day she’d been anticipating for months, and here she’d forgotten it completely. Until Gray had appeared on the horizon, she hadn’t been looking forward to anything. But now she did. She looked forward to marriage, and children, and love and grand adventure. Real life and true passion. All of it with this man. “Oh, Gray.” “Please say yes,” he whispered. “Sophia.” The name was a caress against her ear. “I love you.” He kissed her cheek and pulled away. “I’ve been remiss in not telling you. You can’t know how I’ve regretted it. But I love you, Sophia Jane Hathaway. I love you as no man ever loved a woman. I love you so much, I fear I’ll burst with it. In fact, I think I shall burst if I go another minute without kissing you, so if you’ve any mind to say yes, I’d thank you to-“ Sophia flung her arms around his neck and kissed him. Hard at first, to quiet the fool man; then gently, to savor him. oh, how she loved the taste of him, like freshly baked bread and rum. Warm and wholesome and comforting, with just a hint of spice and danger. “Yes,” she sighed against his lips. She pulled back and looked into his eyes. “Yes, I will marry you.” His arms tightened about her waist. “Today?” “Today. But you must let me change my gown first.” Smiling, she stroked his smooth cheek. “You even shaved.” “Every day since we left Tortola.” He gave her a rueful smile. “I’ve a few new scars to show for it.” “Good.” She kissed him. “I’m glad. And I don’t care if society casts us out for the pirates we are, just as long as I’m with you.” “Oh, I don’t know that we’ll be cast out, exactly. We’re definitely not pirates. After your stirring testimony”-he chucked her under the chin-“Fitzhugh decided to make the best of an untenable situation. Or an unhangable pirate, as it were. If he couldn’t advance on his career by convicting me, he figured he’d advance it by commending me. Awarded me the Kestrel as salvage and recommended me to the governor for a special citation of valor. There’s talk of knighthood.” He grinned. “Can you believe it? Me, a hero.” “Of course I believe it.” She laced her fingers at the back of his neck. “I’ve always known it, although I should curse that judge and his ‘citation of valor.’ As if you needed a fresh supply of arrogance. Just remember, whatever they deem you-gentleman or scoundrel, hero or pirate-you are mine.” “So I am.” He kissed her soundly, passionately. “And which would you prefer tonight?” At the seductive grown in his voice, shivers of arousal swept down to her toes. “Your gentleman? Your scoundrel? Your hero or your pirate?” She laughed. “I imagine I’ll enjoy all four on occasion. But tonight, I believe I shall find tremendous joy in simply calling you my husband.” He rested his forehead against hers. “My love.” “That, too.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
I talked to Zrakovi this afternoon,” Alex said, giving me an undecipherable look. “He’s putting me back on sentinel duty for the next few weeks while you handle a special assignment.” Special assignment had an ominous ring to it. “What kind of special assignment? And why am I hearing it from you instead of Zrakovi?” Elder Z was my boss, not Alex, however Mr. Bossy liked to think otherwise. “You’re going to be babysitting Jean Lafitte and making sure he doesn’t try to take revenge on anyone for what happened last month.” At my horrified, speechless gape, Alex gave me a grim smile and held his glass of port up in salute as my dessert congealed into a lump in my stomach. “Good luck with that, Jolie.
Suzanne Johnson (Pirate's Alley (Sentinels of New Orleans, #4))
Eugenie looked great, her short spiky auburn hair edged with conservative blond tips and her face wearing a minimum of makeup. Must be Mr. Natural’s influence. I gave her a hug and turned to meet Quince, who was sitting across from her. Okay, I could see the attraction. He had thick, honey-blond hair pulled back in a ponytail not unlike my own, and a green gemstone stud in one ear. He reached out a grasped my hand, shaking it firmly. “It’s great to meet you. Eugenie talks about you all the time.” “She talks a lot about you too, Quince.” The man had no idea. He smiled and his blue-green eyes were almost enthralling. “Most people call me Rand, but Eugenie likes my real name better than my nickname.” After a half hour of small talk, I wasn’t sure I liked Quince Randolph. He was drop-dead gorgeous, no question about that. But there was something off about him I couldn’t quite pinpoint. He stared too hard when he talked to you, made my eye contact than a normal person. I tried to dig into his head a little but came up blank, which was weird, except I’d done a heavy grounding ritual this morning. “You know, I just noticed something.” Eugenie had a funny look on her face. “You guys have the same hair and eye colo. I’d never realized it till I saw you sitting there across from each other.” “Maybe we’re very distantly related.” Rand smiled. “I doubt it,” I said, frowning. “I don’t have much family. And if we were related, I’d be pissed off that you have better cheekbones.
Suzanne Johnson (River Road (Sentinels of New Orleans, #2))
Marina leaned her head against him and sniffled. It was common in this day and age, when waiting someplace, to look around at your involuntary companions and imagine you were trapped with them someplace more dire: a hostage situation or a building on fire, something requiring teamwork and survival. Could you build the camaraderie promised in movies about such times, or would you fall apart? Phil Needle looked around and realized, quietly but sharply, that he and his wife would not survive this. Gwen's disappearance would slaughter them. YOU WANT IT WHEN? was the caption on the poster. It was talking about office work, and the sad fact, true at the time, that people want things right away and that other people don't care about that. The poster reminded people that it didn't matter what you wanted. Where was she? Where did somebody put her? Where were those ragged thumbs of hers, and her odd, tiny earlobes? Was he about to become one of those guys, clutching a photograph of Gwen, on the news every year in support of an extreme new crime law? Were they becoming one of those families used as a murmured example of the wickedness of the world, as a worst-case scenario to comfort those whose daughter was merely pregnant or paralyzed? Would there be a funeral, everyone sweating in black clothes in the summer and squinting in sunglasses? Oh God, would there be a hasty peer-group shrine, wherever she was found, with cheap flowers and crappy poetry melting in the rain? Would her college fund sit forgotten for a while in the bank, like a tumor thought benign, and then be emptied impulsively on some toy to cheer himself up? He had seen in a magazine a handsome automobile some months ago, shiny as clean water.
Daniel Handler (We Are Pirates)
I can't believe Scoobie talked me into a Talk Like a Pirate Day fundraiser for the food pantry. I have a sense of humor. It's just been a crazy year, and I'm up to my eyeballs in work and chairing the Harvest for All Food Pantry Committee at First Prez.
Elaine Orr (Jolie Gentil Translates to Trouble (A Jolie Gentil Cozy Mystery, #4-6))
I wonder what the future has in store for the two of them.” Lucetta’s mention of the future had Bram pausing for a moment, realizing that with all the insanity of the past week or so, they’d not had much time to talk about anything, let alone what either of them wanted for the future. “Even though I was disappointed with the explanation behind the supposed ghosts at Ravenwood, you have to admit that some of what Mrs. Macmillan told you would make good fodder for a new book,” Lucetta continued, pulling him from his thoughts. “Readers would especially like the part about a hidden treasure, although, in my humble opinion, the hero should get caught trying to find it and . . .” As Lucetta continued musing about different plot points, it suddenly hit him how absolutely wonderful life would be if he could spend it with the amazing lady standing right next to him. That she was beautiful, there could be no doubt, but her true beauty wasn’t physical in nature, it was soul-deep—seen in the way she treated her friends, animals, and even a mother who’d brushed her aside for a man who was less than worthy. She’d been through so much, and yet, here she was, contemplating his work and what could help him, and . . . he wanted to give her a spectacular gesture, something that would show her exactly how special he found her. She’d been on her own for far too long, and during that time, she’d decided she didn’t need anyone else, or rather, she wouldn’t need anyone because that could cause her pain—pain she’d experienced when her father had left her, and then when her mother had done the same thing by choosing Nigel. “. . . and I know that you seem to be keen on the whole pirate idea, but really, Bram, if you’d create a hero who is more on the intelligent side, less on the race to the rescue of the damsel in distress side, well, I mean, I’m no author, but . . .” As she stopped for just a second to gulp in a breath of air, and then immediately launched back into a conversation she didn’t seem to realize he wasn’t participating in, Bram got the most intriguing and romantic idea he’d ever imagined. Taking a single step closer to Lucetta, he leaned down and kissed her still-moving lips. When she finally stopped talking and let out the smallest of sighs, he deepened the kiss, reluctantly pulling away from her a moment later. “I know this is going to seem rather peculiar,” he began. “But I need to go to work right this very minute.” “Work?” she repeated faintly. “Indeed, and I do hope you won’t get too annoyed by this, but I need to get started straightaway, which means you might want to go back to the theater so that you don’t get bored.” “You want me gone from Ravenwood?” she asked in a voice that had gone from faint to irritated in less than a second. “I don’t know if I’d put it quite like that, but I might be able to work faster without you around.” He sent her a smile, kissed her again, but when he started getting too distracted with the softness of her lips, pulled back, kissed the tip of her nose, and then . . . after telling her he’d see her before too long, headed straight back into his dungeon.
Jen Turano (Playing the Part (A Class of Their Own, #3))
Dear Alexis, Last week at our debate, I talked about the essential unfairness that my friend and colleague Levon Helm had to continue to tour at the age of 70 with throat cancer in order to pay his medical bills. On Thursday, Levon died and I am filled with unbelievable sadness. I am sad not just for Levon’s wife and daughter, but sad that you could be so condescending to offer “to make right what the music industry did to the members of The Band.” It wasn’t the music industry that created Levon’s plight; it was people like you celebrating Pirate Bay and Kim Dotcom—bloodsuckers who made millions off the hard work of musicians and filmmakers. You were so proud during the debate to raise your hand as one of those who had downloaded “free music and free movies.” But it’s just your selfish decision that those tunes were free. It wasn’t Levon’s decision. In fact, for many years after The Band stopped recording, Levon made a good living off of the record royalties of The Band’s catalog. But no more. So what is your solution—charity. You want to give every great artist a virtual begging bowl with Kickstarter. But Levon never wanted the charity of the Reddit community or the Kickstarter community. He just wanted to earn an honest living off the great work of a lifetime. You are so clueless as to offer to get The Band back together for a charity concert, unaware that three of the five members are dead. Take your charity and shove it. Just let us get paid for our work and stop deciding that you can unilaterally make it free.
Jonathan Taplin (Move Fast and Break Things: How Facebook, Google, and Amazon Cornered Culture and Undermined Democracy)
A great story about a big company’s ability to do this comes from one of the world’s biggest businesses, General Electric. I learned about Doug Dietz a few years ago when I saw him speak to a group of executives. Doug leads the design and development of award-winning medical imaging systems at GE Healthcare. He was at a hospital one day when he witnessed a little girl crying and shaking from fear as she was preparing to have an MRI — in a big, noisy, hot machine that Dietz had designed. Deeply shaken, he started asking the nurses if her reaction was common. He learned that 80 percent of pediatric patients had to be sedated during MRIs because they were too scared to lie still. He immediately decided he needed to change how the machines were designed. He flew to California for a weeklong design course at Stanford’s d.school. There he learned about a human-centric approach to design, collaborated with other designers, talked to healthcare professionals, and finally observed and talked to children in hospitals. The results were stunning. His humandriven redesigns wrapped MRI machines in fanciful themes like pirate ships and space adventures and included technicians who role-play. When Dietz’s redesigns hit children’s hospitals, patient satisfaction scores soared and the number of kids who needed sedation plummeted. Doug was teary-eyed as he told the story, and so were many of the senior executives in the audience. Products should be designed for people. Businesses should be run in a responsive, human-centric way. It is time to return to those basics. Let TRM be your roadmap and turn back to putting people first. It worked for our grandparents. It can work for you.
Brian de Haaff (Lovability: How to Build a Business That People Love and Be Happy Doing It)
When you put down boundaries for those who have been allowed to take up space in your brain and heart, they don’t like it. There’s going to be a period of adjustment and settling into a new normal – for all of you.” She sat agape. “If they decide they don’t like your boundaries and don’t want to talk to you, that doesn’t mean you’re wrong. That’s the lesson. That’s the most important part. Don’t compromise yourself because they make you feel like you’re somehow at fault for having healthy boundaries.
Lasairiona E. McMaster (Two for Holding (Snow Pirates, #2))
As excruciating as my first meeting with Monty was, my fumbling introduction to my supposedly dead pirate doctor sister is worse. She isn’t hostile to me like he was—instead, she’s entirely disinterested. Her focus is so elsewhere, I have a sense that, when I told her who I was, she chose to put that information in a box and store it on the highest shelf of her mind until she has time to properly take it out and look at it. If ever. I try to talk to her several times as we make our way back down the hillside, but unless the subject is details of Monty’s condition, she simply shakes her head, an unspoken Not now.
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
Tell me honestly’ he says. ‘Do I look my age?’ Frankly Scobie looks anybody’s age; older than the birth of tragedy, younger than the Athenian death. Spawned in the Ark by a chance meeting and mating of the bear and the ostrich; delivered before term by the sickening grunt of the keel on Ararat. Scobie came forth from the womb in a wheel chair with rubber tyres, dressed in a deer-stalker and a red flannel binder. On his prehensile toes the glossiest pair of elastic-sided boots. In his hand a ravaged family Bible whose fly-leaf bore the words ‘Joshua Samuel Scobie 1870. Honour thy father and thy mother’. To these possessions were added eyes like dead moons, a distinct curvature of the pirate’s spinal column, and a taste for quinqueremes. It was not blood which flowed in Scobie’s veins but green salt water, deep-sea stuff. His walk is the slow rolling grinding trudge of a saint walking on Galilee. His talk is a green-water jargon swept up in five oceans — an antique shop of polite fable bristling with sextants, astrolabes, porpentines and isobars. When he sings, which he so often does, it is in the very accents of the Old Man of the Sea. Like a patron saint he has left little pieces of his flesh all over the world, in Zanzibar, Colombo, Togoland, Wu Fu: the little deciduous morsels which he has been shedding for so long now, old antlers, cuff-links, teeth, hair…. Now the retreating tide has left him high and dry above the speeding currents of time, Joshua the insolvent weather-man, the islander, the anchorite.
LAWRENCE DURELL (The Alexandria Quartet (The Alexandria Quartet, #1-4))
Seal hunters from all over the big island were swarming all over the big island were swarming into town to join their ships. They swaggered like pirates in their high boots, with sculping knives hanging from the belts that cinched their waists. They gathered in groups on the sidewalk, these rugged men in canvas jackets and slouched caps. The strange nasal dialect of men from the norther outports filled the frosty air. They talked of noggheads and ballycatters, bedlamers and jinkers – words alien to Tom’s ears.
George Loh (Sailor's Choice)
But a few minutes later, talking to me, he repeated his original point: the important thing was that it had not felt like a skua. “When there’s a skua in the neighbor hood,” said Rich, “you know there’s something happening. It’s a big, tough bird, it’s a pirate . . . you can feel the excitement pouring out from it. You’ll know it, for sure, when we see one.
Kenn Kaufman (Kingbird Highway: The Biggest Year in the Life of an Extreme Birder)
Dear friends and enemies, Season’s greetings! It’s me, Serge! Don’t you just hate these form letters people stuff in Christmas cards? Nothing screams “you’re close to my heart” like a once-a-year Xerox. Plus, all the lame jazz that’s going on in their lives. “Had a great time in Memphis.” “Bobby lost his retainer down a storm drain.” “I think the neighbors are dealing drugs.” But this letter is different. You are special to me. I’m just forced to use a copy machine and gloves because of advancements in forensics. I love those TV shows! Has a whole year already flown by? Much to report! Let’s get to it! Number one: I ended a war. You guessed correct, the War on Christmas! When I first heard about it, I said to Coleman, “That’s just not right! We must enlist!” I rushed to the front lines, running downtown yelling “Merry Christmas” at everyone I saw. And they’re all saying “Merry Christmas” back. Hmmm. That’s odd: Nobody’s stopping us from saying “Merry Christmas.” Then I did some research, and it turns out the real war is against people saying “Happy holidays.” The nerve: trying to be inclusive. So, everyone … Merry Christmas! Happy Hannukah! Good times! Soul Train! Purple mountain majesties! The Pompatus of Love! There. War over. And just before it became a quagmire. Next: Decline of Florida Roundup. —They tore down the Big Bamboo Lounge near Orlando. Where was everybody on that one? —Remember the old “Big Daddy’s” lounges around Florida with the logo of that bearded guy? They’re now Flannery’s or something. —They closed 20,000 Leagues. And opened Buzz Lightyear. I offered to bring my own submarine. Okay, actually threatened, but they only wanted to discuss it in the security office. I’ve been doing a lot of running lately at theme parks. —Here’s a warm-and-fuzzy. Anyone who grew up down here knows this one, and everyone else won’t have any idea what I’m talking about: that schoolyard rumor of the girl bitten by a rattlesnake on the Steeplechase at Pirate’s World (now condos). I’ve started dropping it into all conversations with mixed results. —In John Mellencamp’s megahit “Pink Houses,” the guy compliments his wife’s beauty by saying her face could “stop a clock.” Doesn’t that mean she was butt ugly? Nothing to do with Florida. Just been bugging me. Good news alert! I’ve decided to become a children’s author! Instilling state pride in the youngest residents may be the only way to save the future. The book’s almost finished. I’ve only completed the first page, but the rest just flows after that. It’s called Shrimp Boat Surprise. Coleman asked what the title meant, and I said life is like sailing on one big, happy shrimp boat. He asked what the surprise was, and I said you grow up and learn that life bones you up the ass ten ways to Tuesday. He started reading and asked if a children’s book should have the word “motherfucker” eight times on the first page. I say, absolutely. They’re little kids, after all. If you want a lesson to stick, you have to hammer it home through repetition…In advance: Happy New Year! (Unlike 2008—ouch!)
Tim Dorsey (Gator A-Go-Go (Serge Storms Mystery, #12))
Here is the secret: We are not passionate about everything we teach. It’s OK! Let the freedom wash over you. Now that the secret’s out in the open, let’s talk about it.
Dave Burgess (Teach Like a PIRATE: Increase Student Engagement, Boost Your Creativity, and Transform Your Life as an Educator)
The words looped in my head. Download it for free. Cheerful, triumphant. Download it for free! What a freaking bargain. “I’m sorry,” I said. “She found what?” "That website. Meems, what was the name again? Bongo or something?” Mimi looked up from her iPad. “What are you talking about?” “That website where you found Sarah’s book.” "Oh,” she said. “Bingo. Haven’t you heard of it? It’s like an online library. You can download almost anything for free. It’s amazing.” My hands were shaking. I set down Jen’s phone, and then I set down the wineglass next to it. Without a coaster. "You mean a pirate site,” I said. “Oh God, no! I would never. It’s an online library.” "That’s what they call it. But they’re just stealing. They’re fencing stolen goods. Easy to do with electronic copies.” "No. That’s not true.” Mimi’s voice rose a little. Sharpened a little. “Libraries lend out e-books.” “Real libraries do. They buy them from the publisher. Sites like Bingo just upload unauthorized copies to sell advertising or put cookies on your phone or whatever else. They’re pirates.” There was a small, shrill silence. I lifted my wineglass and took a long drink, even though my fingers were trembling so badly, I knew everyone could see the vibration. "Well,” said Mimi. “It’s not like it matters. I mean, the book’s been out for years and everything, it’s like public domain.” I put down the wineglass and picked up my tote bag. “So I don’t have time to lecture you about copyright law or anything. Basically, if publishers don’t get paid, authors don’t get paid. That’s kind of how it works.” "Oh, come on,” said Mimi. “You got paid for this book.” "Not as much as you think. Definitely not as much as your husband gets paid to short derivatives or whatever he does that buys all this stuff.” I waved my hand at the walls. “And you know, fine, maybe it’s not the big sellers who suffer. It’s the midlist authors, the great names you never hear of, where every sale counts … What am I saying? You don’t care. None of you actually cares. Sitting here in your palaces in the sky. You never had to earn a penny of your own. Why the hell should you care about royalties?” I climbed out of my silver chair and hoisted my tote bag over my shoulder. “It’s about a dollar a book, by the way. Paid out every six months. So I walked all the way over here, gave up an evening of my life, and even if every single one of you had actually bought a legitimate copy, I would have earned about a dozen bucks for my trouble. Twelve dollars and a glass of cheap wine. I’ll see myself out.
Lauren Willig
Someone—Tony or Warner Bros.?—had decided that the grueling schedule and the added tension in the band might be alleviated somewhat by the relative comfort of bus touring versus Old Blue. It was a nice idea. It might have even been a gambit to see if the camaraderie of sharing a luxurious living situation might heal the band’s broken bonds. So we loaded all of our gear into the parking lot behind our apartment and waited for our new accommodations to arrive. Everyone, I think even Jay, was excited about the prospect of spending at least some small part of our lives seeing what it was like to tour in style. That was until he laid eyes on the Ghost Rider. What we were picturing was sleek and non-ostentatious like the buses we had seen parked in front of theaters at sold-out shows by the likes of R.E.M. or the Replacements. Instead, what we got was one of Kiss’s old touring coaches—a seventies-era Silver Eagle decked out with an airbrushed mural in a style I can only describe as “black-light poster–esque,” depicting a pirate ship buffeted by a stormy sea with a screaming skeleton standing in the crow’s nest holding a Gibson Les Paul aloft and being struck by lightning. The look on Jay’s face was tragic. I felt bad for him. This was not a serious vehicle. I’m not sure how we talked him into climbing aboard, and once we did, I have no idea how we got him to stay, because the interior was even worse. White leather, mirrored ceilings, and a purple neon sign in the back lounge informing everyone, in cursive, that they were aboard the “Ghost Rider” lest they forget. So we embarked upon Uncle Tupelo’s last tour learning how to sleep while being shot at eighty miles per hour down the highway inside a metal box that looked like the VIP room at a strip club and made us all feel like we were living inside a cocaine straw. Ghost Rider indeed.
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
Before you take anyone's advice, check the sales rank of their own books. If their Amazon sales rank is somewhere around 700,000 or worse, they're barely selling one book per month, if even that. Why would you follow their advice? They have no idea what they're talking about. They're rookies pretending to be experts. It's almost like they're role playing. They're make-believe writers, the way kids are make-believe astronauts or pirates.
Oliver Markus Malloy (The Ugly Truth About Self-Publishing: Not another cookie-cutter contemporary romance (On Writing and Self-Publishing a Book, #2))
Grandpa,” he said, and Podo fixed him with a blazing eye. Janner resisted the urge to cower and apologize. He had to say something. He stood up straight and clenched his fists. “Grandpa, the dragon spoke to me.” Podo’s face was hard. “Aye?” he rumbled after a moment. “And what did the dragon say, boy?” “It said that Gnag the Nameless was near. It said he had sailed across the sea and they could smell him. It said, ‘Beware.’” “Gnag the Nameless.” Podo snorted. “A sea dragon said Gnag himself was close by. Is that what you’re tellin’ me?” The old pirate crossed his arms and raised an eyebrow. Janner pointed at Tink and Leeli. “Ask them! They heard it too! Or—they didn’t exactly hear it, but—but they saw things and felt things. Didn’t you?” “Yes sir,” Tink said. “I saw them. Up close.” “And I felt them, Grandpa,” Leeli said. Podo and Nia exchanged a glance, and Podo waved a hand in the air. “Well, did the sea dragon also tell ye that his whole race is a bunch of scaly liars? Did he tell ye that they manipulate and confuse for the thrill of it? Sea dragons watch the doings of men with a wicked eye and would just as soon see you run off the cliff as run from Gnag the Nameless.” What? Janner thought about the rush of emotions he always felt on Dragon Day. The sea dragons were frightening, fascinating, even haunting—but not evil. It was Leeli’s song that had beckoned them, and Leeli certainly wasn’t evil. And then there was Nugget’s body. The dragons had carried him away with such care—there was nothing evil about that. But how could Janner argue with a pirate? Podo knew more about everything than Janner, especially the sea. “That’s what it said. I just—I just thought you should know,” Janner said quietly, unable to meet Podo’s eyes. If he had looked up, he would’ve seen that Podo wasn’t able to meet his eyes either. “Boys, see to setting up the tent like your grandfather told you,” Nia said after a moment. “We can talk about the sea dragons in a little while. Gnag the Nameless or not, we all need a meal and a rest. Maker only knows when we’ll have another.” “Food?” Tink asked. Nia nodded. “We’ll eat the dried diggle that Artham made us.” “Food,” Tink repeated. 17
Andrew Peterson (North! or Be Eaten)
Because pirates aren't supposed to look like you look and talk like you talk and do what you do. You're confusing, and it's messing with my head." "How is that my fault? I'm sure your head was plenty messed up before I came along.
Tricia Levenseller (Daughter of the Pirate King (Daughter of the Pirate King, #1))
Because pirates aren't supposed to look like you look and talk like you talk and do what you do. You're confusing, and it's messing with my head." "How is that my fault? I'm sure your head was plenty messed up before I came along.
Tricia Levensellerevenseller