“
Remember if people talk behind your back, it only means you are two steps ahead.
”
”
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
“
You should date a girl who reads.
Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve.
Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn.
She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book.
Buy her another cup of coffee.
Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice.
It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does.
She has to give it a shot somehow.
Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world.
Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two.
Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series.
If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are.
You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype.
You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots.
Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads.
Or better yet, date a girl who writes.
”
”
Rosemarie Urquico
“
It's so dark," she said lamely.
"You want me to hold your hand?"
Clary put both her hands behind her back like a small child.
"Don't talk down to me."
"Well, I could hardly talk up to you. You're too short.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
If people talk behind your back, it's because you're ahead of them.
”
”
Zayn Malik
“
His heart's occupied elsewhere," said Ben from behind me. "And even if it weren't he's not interested in your kind. But, I'm available and ready."
"You don't have a heart," I told him. "Just a gaping hole where it should have been."
"All the more reason for you to give me yours."
I pounded my forehead against Warren 's back. "Tell me Ben's not flirting with me."
"Hey," said Ben sounding hurt. "I was talking cannibalism, not romance.
”
”
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
“
I watched him pitch the ball at a table neatly lined with six bowling pins, my stomach giving a little flutter when his T-shirt crept up in the back, revealing a stripe of skin. I knew from experience that every inch of him was hard, defined muscle. His back was smooth and perfect too, the scars from when he’d fallen once again replaced with wings—wings I, and every other human, couldn’t see.
“Five dollars says you can’t do it again,” I said, coming up behind him.
Patch looked back and grinned. “I don’t want your money, Angel.”
“Hey now, kids, let’s keep this discussion PG-rated,” Rixon said.
“All three remaining pins,” I challenged Patch.
“What kind of prize are we talking about?” he asked.
“Bloody hell,” Rixon said. “Can’t this wait until you’re alone?”
Patch gave me a secret smile, then shifted his weight back, cradling the ball into his chest. He dropped his right shoulder, brought his arm around, and sent the ball flying forward as hard as he could. There was a loud crack! and the remaining three pins scattered off the table.
“Aye, now you’re in trouble, lass,” Rixon shouted at me over the commotion caused by a pocket of onlookers, who were clapping and whistling for Patch. Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up.
“You got lucky,” I said.
“I’m about to get lucky.
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
I was raised right — I talk about people behind their backs. It's called manners.
”
”
Kathy Griffin
“
I believe in talking behind peoples' backs. That way, they hear it more than once.
”
”
Fran Lebowitz
“
Hey,” Shane said from the other side of the bars. “Trade you cigarettes for a chocolate bar.”
Funny,” Eve said. She was almost back to her old unGothed self again, though there were still red splotches on her cheeks and around her eyes. “How come you’re always behind bars, troublemaker?”
Look who’s talking. I didn’t try to outrun the cops in a hearse.”
That hearse had horsepower.” Eve got that moony look in her eyes again. “I love that hearse.
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
His breath caught, harsh enough that she looked over her shoulder.
But his eyes weren't on her face. Or the water. They were on her bare back.
Curled as she was against her knees, he could see the whole expanse of ruined flesh, each scar from the lashing. "Who did that to you?"
It would have been easy to lie, but she was so tired, and he had saved her useless hide. So she said, "A lot of people. I spent some time in the Salt Mines of Endovier."
He was so still that she wondered if he'd stopped breathing. "How long?" he asked after a moment. She braced herself for the pity, but his face was so carefully blank-no, not blank. Calm with lethal rage.
"A year. I was there a year before... it's a long story." She was too exhausted, her throat too raw, to say the rest of it. She noticed then his arms were bandaged, and more bandages across his broad chest peeked up from beneath his shirt. She'd burned him again. And yet he had held her- had run all the way here and not let go once.
"You were a slave."
She gave him a slow nod. He opened his mouth, but shut it and swallowed, that lethal rage winking out. As if he remembered who he was talking to and that it was the least punishment she deserved.
He turned on his heel and shut the door behind him. She wished he'd slammed it-wished he'd shattered it. But he closed it with barely more than a click and did not return.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Girls can be so petty and jealous. I swear they're worse than guys sometimes. Except they're all quiet about it. They sugarcoat it or else they talk behind each other's backs. It's seriously twisted.
”
”
Melody Carlson (The Jerk Magnet (Life at Kingston High, #1))
“
Time talks behind our back. To our face it's friendly and logical, never hesitating to give more of itself. But when we're not looking, it steals our lives and says bad things about us to the parts of us it's stolen
”
”
Jonathan Carroll (A Child Across the Sky (Answered Prayers, #3))
“
So here's the truth - I love you. I love everything about you – the way you stick up for people even when it costs you. The way you keep trying to do the right thing even when you're not exactly sure what the right thing is. I love how you put words together. You're as skilled with words as any knife fighter with a blade. You can put an enemy down on his back, or you can raise people up so they find what's best in themselves. You've changed my life. You've given me the words I need to become whatever I want.
I love how you talk to lytlings. You don't talk down to them. You respect them, and anybody can tell you're actually interested in what they have to say.
I love the way you ride a horse – how you stick there like an upland thistle, whooping like a Demonai. I love the way you throw back your head and stomp your feet when you dance. I love how you go after what you want – whether it's kisses or a queendom.
I love your skin, like copper dusted over with gold. And your eyes – they're the color of a forest lake shaded by evergreens. One of the secret places that only the Demonai know about.
I love the scent of you – when you've been out in the fresh air, and that perfume you put behind your ears sometimes.
Believe it or not, I even love your road smell – of sweat and horses and leather and wool.
I want to breathe you in for the rest of my life.
”
”
Cinda Williams Chima (The Crimson Crown (Seven Realms, #4))
“
Independence is the luxury of all those people who are too confident, and busy, and popular, and attractive to be just plain old lonely. And make no mistake, lonely is absolutely the worst thing to be. Tell someone that you've got a drink problem, or an eating disorder, or your dad died when you were a kid even, and you can almost see their eyes light up with the sheer fascinating drama and pathos of it all, because you've got an issue, something for them to get involved in, to talk about and analyse and discuss and maybe even cure. But tell someone you’re lonely and of course they’ll seem sympathetic, but look very carefully and you'll see one hand snaking behind their back, groping for the door handle, ready to make a run for it, as if loneliness itself were contagious. Because being lonely is just so banal, so shaming, so plain and dull and ugly.
”
”
David Nicholls (Starter for Ten)
“
I mean, all this stuff you're involved in, it's all gossip. It's people talking about each other behind their backs. That's the vast majority of this social media, all these reviews, all these comments. Your tools have elevated gossip, hearsay and conjecture to the level of valid, mainstream communication. And besides that, it's fucking dorky.
”
”
Dave Eggers (The Circle (The Circle, #1))
“
I just want you to know that we didn't do anything but talk and sleep - sleep sleep," he quickly adds. "Like with eyes closed and hands to oneself and dreaming. Innocent dreams. I would never do anything behind your back. I mean, never anything dishonorable. I mean-
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.”
“Yeah?” I leaned my forehead against his chest. “What about you?”
“Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her.
“Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.”
“Ouch,” I said with a light laugh. “Sounds painful.”
“Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—”
“—and Chubs makes fun of you for it,” I added.
“Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—”
“—but who’s the coolest little girl on the planet,” I manage to squeeze out.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
If you want to know how to make people shun you and laugh at you behind your back and even despise you, here is the recipe: Never listen to anyone for long. Talk incessantly about yourself. If you have an idea while the other person is talking, don’t wait for him or her to finish: bust right in and interrupt in the middle of a sentence.
”
”
Dale Carnegie (How To Win Friends and Influence People)
“
To the most inconsiderate asshole of a friend,
I’m writing you this letter because I know that if I say what I have to say
to your face I will probably punch you.
I don’t know you anymore.
I don’t see you anymore.
All I get is a quick text or a rushed e-mail from you every few days. I
know you are busy and I know you have Bethany, but hello? I’m supposed to
be your best friend.
You have no idea what this summer has been like. Ever since we were
kids we pushed away every single person that could possibly have been our
friend. We blocked people until there was only me and you. You probably
haven’t noticed, because you have never been in the position I am in now.
You have always had someone. You always had me. I always had you. Now
you have Bethany and I have no one.
Now I feel like those other people that used to try to become our friend,
that tried to push their way into our circle but were met by turned backs. I
know you’re probably not doing it deliberately just as we never did it deliberately.
It’s not that we didn’t want anyone else, it’s just that we didn’t need
them. Sadly now it looks like you don’t need me anymore.
Anyway I’m not moaning on about how much I hate her, I’m just trying
to tell you that I miss you. And that well . . . I’m lonely.
Whenever you cancel nights out I end up staying home with Mum and
Dad watching TV. It’s so depressing. This was supposed to be our summer
of fun. What happened? Can’t you be friends with two people at once?
I know you have found someone who is extra special, and I know you
both have a special “bond,” or whatever, that you and I will never have. But
we have another bond, we’re best friends. Or does the best friend bond disappear
as soon as you meet somebody else? Maybe it does, maybe I just
don’t understand that because I haven’t met that “somebody special.” I’m
not in any hurry to, either. I liked things the way they were.
So maybe Bethany is now your best friend and I have been relegated to
just being your “friend.” At least be that to me, Alex. In a few years time if
my name ever comes up you will probably say, “Rosie, now there’s a name I
haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum
and dad when they have dinner parties with friends and talk about old times.
They always mention people I’ve never even heard of when they’re talking
about some of the most important days of their lives. Yet where are those
people now? How could someone who was your bridesmaid 20 years ago not
even be someone who you are on talking terms with now? Or in Dad’s case,
how could he not know where his own best friend from college lives? He
studied with the man for five years!
Anyway, my point is (I know, I know, there is one), I don’t want to be
one of those easily forgotten people, so important at the time, so special, so
influential, and so treasured, yet years later just a vague face and a distant
memory. I want us to be best friends forever, Alex.
I’m happy you’re happy, really I am, but I feel like I’ve been left behind.
Maybe our time has come and gone. Maybe your time is now meant to be
spent with Bethany. And if that’s the case I won’t bother sending you this letter.
And if I’m not sending this letter then what am I doing still writing it?
OK I’m going now and I’m ripping these muddled thoughts up.
Your friend,
Rosie
”
”
Cecelia Ahern (Love, Rosie)
“
A wave of blood goes up to my head, my stomach shrinks together, as if something dangerous has just missed hitting me. It's as if I've been caught stealing, or telling a lie; or as if I've heard other people talking about me, saying bad things about me, behind my back. There's the same flush of shame, of guilt and terror, and of cold disgust with myself. But I don't know where these feelings have come from, what I've done.
”
”
Margaret Atwood (Cat’s Eye)
“
Emilio appeared with wine before Cal could say anything, and Min beamed at him, grateful for the rescue. "Emilio, my darling. I forgot to mention cake boxes. Two hundred cake boxes."
"Already on it," Emilio said. "Nonna said you'd need them. She said to get four-inch-square boxes for three-inch-square cakes."
"I'm getting the boxes," Min said, nodding. "Sure. Great. Fine. Your grandmother is an angel and you are my hero. And of course, a genius with food."
"And you are my favorite customer." Emilio kissed her cheek and disappeared back into the kitchen.
"I love him," she told Cal.
"I noticed," Cal said. "Been seeing him behind my back, have you?"
"Yes," Min said. "We've been having conversations about cake."
"Whoa," Cal said. "For you, that's talking dirty.
”
”
Jennifer Crusie (Bet Me)
“
The people who talk behind your back are destined to stay there.
”
”
Elizabeth Rudnick (Beauty and the Beast Novelization (Disney))
“
In middle school, my friends decided I was weird, and they didn’t like my hair. They ditched me and talked behind my back, which is cool — I’m over it. [laughs] One time I called them and said, “Hey, do you want to go to the Berkshire Mall?” They all gave me excuses and said no. So I go to the mall with my mom, and don’t you know, we run into all of them. Together. Shopping. My mom could see I was about to cry, so she said, “You know what? We’re going to the King of Prussia mall,” which was the mecca.
”
”
Taylor Swift
“
The opportunity was too perfect to miss. Harry crept silently around behind Malfoy, Crabbe, and Goyle, bent down, and scooped a large handful of mud out of the path.
'We were just talking about your friend Hagrid,'
Malfoy said to Ron. 'Just trying to imagine what he's saying to the Committee for the Disposal of Dangerous Creatures. D'you think he'll cry when they cut off his hippogriff's—'
SPLAT.
Malfoy's head jerked back as the mud hit him; his silverblond hair was suddenly dripping in muck.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
Lovers do things together! They rent videos, they ride Ferris wheels, they go out for pizza, they play Scrabble. They . . . they talk!'
'Talk?' He lifted his head and frowned, his eyes puzzled. 'We talk all the time, Raine. I've never had such talkative sex.'
'That's just it!' She wiggled, flailed, but couldn't budge him. 'Two minutes alone with you, and I'm flat on my back. Every single time!'
A slow, knowing grin spread over his face. 'Is this your way of telling me you want to be on top?
”
”
Shannon McKenna (Behind Closed Doors (McClouds & Friends #1))
“
Lost"
they say that hell is crowded, yet,
when you’re in hell,
you always seem to be alone.
& you can’t tell anyone when you’re in hell
or they’ll think you’re crazy
& being crazy is being in hell
& being sane is hellish too.
those who escape hell, however,
never talk about it
& nothing much bothers them after that.
I mean, things like missing a meal,
going to jail, wrecking your car,
or even the idea of death itself.
when you ask them,
“how are things?”
they’ll always answer, “fine, just fine…”
once you’ve been to hell and back,
that’s enough
it’s the greatest satisfaction known to man.
once you’ve been to hell and back,
you don’t look behind you when the floor creaks
and the sun is always up at midnight
and things like the eyes of mice
or an abandoned tire in a vacant lot
can make you smile
once you’ve been to hell and back.
”
”
Charles Bukowski (Burning in Water, Drowning in Flame)
“
Remember, if people talk about you behind your back, it only means you are two steps ahead of them.
”
”
Fannie Flagg (Daisy Fay and the Miracle Man)
“
Beati bellicosi. Blessed are the warriors.”
“Good organization,” said Magnus. “I knew the man who founded it, back in the 1800s. Woolsey Scott. Respectable old werewolf family.”
Alec made an ugly sound in the back of his throat. “Did you sleep with him, too?”
Magnus’s cat eyes widened. “Alexander!”
“Well, I don’t know anything about your past, do I?” Alec demanded. “You won’t tell me anything; you just say it doesn’t matter.”
Magnus’s face was expressionless, but there was a dark tinge of anger to his voice. “Does this mean every time I mention anyone I’ve ever met, you’re going to ask me if I had an affair with them?”
Alec’s expression was stubborn, but Simon couldn’t help having a flash of sympathy; the hurt behind his blue eyes was clear. “Maybe.”
“I met Napoleon once,” said Magnus. “We didn’t have an affair, though. He was shockingly prudish for a Frenchman.”
“You met Napoleon?” Jordan, who appeared to be missing most of the conversation, looked impressed. “So it’s true what they said about warlocks, then?”
Alec gave him a very unpleasant look. “What’s true?”
“Alexander,” said Magnus coldly, and Clary met Simon’s eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. “You can’t be rude to everyone who talks to me.”
Alec made a wide, sweeping gesture. “And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He’s pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good looks type.”
“Hey, now,” said Jordan mildly.
Magnus put his head in his hands.
“Or there are plenty of pretty girls here, since apparently your taste goes both ways. Is there anything you aren’t into?”
“Mermaids,” said Magnus into his fingers. “They always smell like seaweed.”
“It’s not funny,” Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
Dear Max -
You looked so beautiful today. I'm going to remember what you looked like forever.
...
And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy.
But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right.
Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it.
The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray.
I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while.
...
You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet.
...
At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you.
But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock.
Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again.
Please make us only go through this once.
...
I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
...
You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without.
...
Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it.
Good-bye, my love.
Fang
P.S. Tell everyone I sure will miss them
”
”
James Patterson
“
They can talk shit about each other behind the others' backs, but when it comes down to it, money is the one true race and everyone down here is the color of greenbacks and as tall as mountains.
”
”
Richard Kadrey (Kill the Dead (Sandman Slim, #2))
“
Somewhere in the Andes, they believe to this very day that the future is behind you. It comes up from behind your back, surprising and unforeseeable, while the past is always before your eyes, that which has already happened. When they talk about the past, the people of the Aymara tribe point in front of them. You walk forward facing the past and you turn back toward the future.
”
”
Georgi Gospodinov (Time Shelter)
“
We don’t know what you mean, my dear,” Lydia says sweetly, sitting right next to him.
Atom puts his book down and looks at Steven. “It’s the unsolved blind spot. Nothing is ever ‘in the bag.’ Look, the problem of Pre-Collapse science was that it insisted on patch jobs, like Husserl’s critique of the Surreptitious Substitution and its god-like conceit, while ignoring the absurdity of measurement bias. All scientific inquiry requires an expulsive approach in order to maintain the involvement variable. This is basic stuff.” He then leans back in his comfortable chair and continues hiding behind his book.
“The Riddler has spoken,” Hannah says, moving a bishop forward three squares.
”
”
Joseph A. Anderson (Eden 2:b (The Star Dreamers #1))
“
Don’t destroy yourself over somebody else’s foolishness. I know they betrayed you. I know they lied on you. I know they talked behind your back and told all of your business. I know they hurt you to the core. I know they turned their back on you. I know they cheated on you. I know they mislead you. I know, I KNOW. In spite of it all, you have to know that you are worth more than what they dished out to you. You will survive! You will make it through! Remember who YOU are and know YOUR self-worth!
”
”
Stephanie Lahart
“
Did I ever tell you about the man
who taught his asshole to talk?
His whole abdomen would move up and down,
you dig, farting out the words.
It was unlike anything I ever heard.
Bubbly, thick, stagnant sound.
A sound you could smell.
This man worked for the carnival,you dig?
And to start with it was
like a novelty ventriloquist act.
After a while,
the ass started talking on its own.
He would go in
without anything prepared...
and his ass would ad-lib
and toss the gags back at him every time.
Then it developed sort of teethlike...
little raspy incurving hooks
and started eating.
He thought this was cute at first
and built an act around it...
but the asshole would eat its way through
his pants and start talking on the street...
shouting out it wanted equal rights.
It would get drunk, too, and have crying jags.
Nobody loved it.
And it wanted to be kissed,
same as any other mouth.
Finally, it talked all the time,
day and night.
You could hear him for blocks,
screaming at it to shut up...
beating at it with his fists...
and sticking candles up it, but...
nothing did any good,
and the asshole said to him...
"It is you who will shut up
in the end, not me...
"because we don't need you
around here anymore.
I can talk and eat and shit."
After that, he began waking up
in the morning with transparentjelly...
like a tadpole's tail
all over his mouth.
He would tear it off his mouth
and the pieces would stick to his hands...
like burning gasoline jelly
and grow there.
So, finally, his mouth sealed over...
and the whole head...
would have amputated spontaneously
except for the eyes, you dig?
That's the one thing
that the asshole couldn't do was see.
It needed the eyes.
Nerve connections were blocked...
and infiltrated and atrophied.
So, the brain couldn't
give orders anymore.
It was trapped inside the skull...
sealed off.
For a while, you could see...
the silent, helpless suffering
of the brain behind the eyes.
And then finally
the brain must have died...
because the eyes went out...
and there was no more feeling in them
than a crab's eye at the end of a stalk.
”
”
William S. Burroughs (Naked Lunch: The Restored Text)
“
God! You'll do anything to avoid it.'
Avoid what?' my mother said.
The past,' Caroline said. 'Our past. I'm tired of acting like nothing ever happened, of pretending he was never here, of not seeing his pictures in the house, or his things Just because you're not able to let yourself grieve.'
Don't,' my mother said, her voice low, 'talk to me about grief. You have no idea.'
I do, though.' Caroline's voice caught, and she swallowed. 'I'm not trying to hide that I'm sad. I'm not trying to forget. You hide here behind all these plans for houses and townhouses because they're new and perfect and don't remind you of anything.'
Stop it,' my mother said.
And look at Macy,' Caroline continued, ignoring this.' Do you even know what you're doing to her?'
My mother looked at me, and I shrank back, trying to stay out of this. 'Macy is fine,' my mother said.
No, she's not. God you always say that, but she's not.' Caroline looked at me, as if she wanted me to jump in, but I just sat there. 'Have you even been paying the least bit of attention to what's going on with her? She's been miserable since Dad died, pushing herself so hard to please you. And then, this summer, she finally finds some friends and something she likes to do. But then one tiny slipup, and you take it all away from her.'
That has nothing to do with what we're talking about,' my mother said.
It has everything to do with it,' Caroline shot back. 'She was finally getting over what happened. Couldn't you see the change in her? I could, and I was berely here. She was different.'
Exactly,' my mother said. 'She was-'
Happy,' Caroline finished for her. 'She was starting to live her life again, and it scared you. Just like me redoing the beach house scares you. You think you're so strong becasue you never talk about Dad. Anyone can hide. Facing up to things, working through them, that's what makes you strong.
”
”
Sarah Dessen (The Truth About Forever)
“
This was it. And it was right. Perfect without the dinner, movies, and flowers, because how could you really plan something like this?
You couldn't
Daemon sat back-
A fist pounded on the door, and Andrew's voice intruded.
"Daemon, are you awake?"
We stared at each other in disbelief. "If I ignore him," he whispered, "do you think he'll go away?"
My hands dropped to my sides. "Maybe"
The pounding came again. "Daemon, I really need you downstairs. Dawson is ready to go back to Mount Weather. Nothing Dee or I are saying to him is making a bit of difference. He's like a suicidal Energizer bunny."
Daemon squeezed his eyes shut. "Son of a bitch..."
"It's okay." I started to sit up. "He needs you."
He let out a ragged sigh. "Stay here and get some rest. I'll talk-or beat some sense into him." He kissed me briefly and then gently pushed me back down. "I'll be back."
Settling in, I smiled. "Try not to kill him."
"No promises." He stood, pulled on his pajama bottoms, and headed for the door. Stopping short, he looked over his shoulder,his intense gaze melting my bones. "Dammit."
A few seconds after he stepped out into the hallway and closed the door behind him, there was a fleshly smack and then Andrew yelling. "Ouch. What in the hell was that for?"
"Your timing sucks on an epic level," Daemon shot back.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
You can be hurt, not by what others think of you, but by what you think of what they think or you think they think of you.
”
”
Mokokoma Mokhonoana
“
Where were you? What happened?” I carved a chunk out of another lizard’s face.
“I just took the kids to fight some ghouls,” Curran said.
Oh, so it was fine, then . . . Wait. “You did what?”
He kicked a lizard. It flew into the others like a cannonball. “I called Jim before we left the house to talk about ghouls, and he said they found some in the MARTA tunnels. So I grabbed the kids and did a little hunting.”
I would kill him. “Just so I get it right, Jim calls you and says, ‘Hey, we found a horde of ghouls in the MARTA tunnels,’ and your first thought was, ‘Great, I’ll take the kids’?”
“They had fun.” A careful note crept into his voice. Curran saw the shark fin in the water but wasn’t sure where the bite would be coming from.
“You even took the dog.”
Grendel chose that moment to try to shove past me. I shoved him back into the Guild and he began running back and forth behind us, growling.
“He had fun, too. Look at him. He’s still excited.
”
”
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
“
You think it hurts your feelings that girls talk about you behind your back, until they tell you to your face. And they each wanted a turn. Every time, it started with 'girlfriend' and ended with 'bitch.
”
”
Jennifer Echols (Major Crush)
“
I don't mind people talking about me behind my back. It means they know me, and I'm out in front.
”
”
David Lucero (Who's Minding the Store?)
“
Noel chuckles. “I don’t remember you being this fun back in high school.”
“Yeah, well, I don’t remember you being this much of a dick.” I duck behind the menu and bit the inside of my cheek and curse myself for talking to him this way. I’m going to lose this job before dinner is even over.
He clears his throat. “You know, Lane. If you keep talking to me like that, I might have to show you just how nice I can be.
”
”
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
“
You need to come with us right now," one of the queen's guards said. "If you resist, we'll take you by force."
"Leave him alone!" I yelled, looking from face to face. That angry darkness exploded within me. How could they still not believe? Why were they still coming after him? "He hasn't done anything! Why can't you guys accept that he's really a dhampir now?"
The man who'd spoken arched an eyebrow. "I wasn't talking to him."
"You're...you're here for me?" I asked. I tried to think of any new spectacles I might have caused recently. I considered the crazy idea that the queen had found out I'd spent the night with Adrian and was pissed off about it. That was hardly enough to send the palace guard for me, though...or was it? Had I really gone too far with my antics?
"What for?" demanded Dimitri. That tall, wonderful bod of his—the one that could be so sensual sometimes—was filled with tension and menace now.
The man kept his gaze on me, ignoring Dimitri. "Don't make me repeat myself: Come with us quietly, or we will make you." The glimmer of handcuffs showed in his hands.
My eyes went wide. "That's crazy! I'm not going anywhere until you tel me how the hell this—"
That was the point at which they apparently decided I wasn't coming quietly. Two of the royal guardians lunged for me, and even though we technically worked for the same side, my instincts kicked in. I didn't understand anything here except that I would not be dragged away like some kind of master criminal. I shoved the chair I'd been sitting in earlier at the one of the guardians and aimed a punch at the other. It was a sloppy throw, made worse because he was taller than me. That height difference allowed me to dodge his next grab, and when I kicked hard at his legs, a grunt told me I'd hit home.
[...]
Meanwhile, other guardians were joining the fray. Although I got a couple of good punches in, I knew the numbers were too overwhelming. One guardian caught hold of my arm and began trying to put the cuffs on me. He stopped when another set of hands grabbed me from the other side and jerked me away.
Dimitri.
"Don't touch her," he growled.
There was a note in his voice that would have scared me if it had been directed toward me. He shoved me behind him, putting his body protectively in front of mine with my back to the table. Guardians came at us from all directions, and Dimitri began dispatching them with the same deadly grace that had once made people call him a god. [...] The queen's guards might have been the best of the best, but Dimitri...well, my former lover and instructor was in a category all his own. His fighting skills were beyond anyone else's, and he was using them all in defense me.
"Stay back," he ordered me. "They aren't laying a hand on you.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...
”
”
Paulo Coelho (Adultery)
“
Words are small things. No one means any harm by them, they keep saying that. Everyone is just doing their job. The police say it all the time. 'I'm just doing my job here.' That's why no one asks what the boy did; as soon as the girl starts to talk they interrupt her instead with questions about what she did. Did she go up the stairs ahead of him or behind him? Did she lie down on the bed voluntarily or was she forced? Did she unbutton her own blouse? Did she kiss him? No? Did she kiss him back, then? Had she been drinking alcohol? Had she smoked marijuana? Did she say no? Was she clear about that? Did she scream loudly enough? Did she struggle hard enough? Why didn't she take photographs of her bruises right away? Why did she run from the party instead of saying anything to the other guests? They have to gather all the information, they say, when they ask the same question ten times in different ways in order to see if she changes her answer. This is a serious allegation, they remind her, as if it's the allegation that's the problem. She is told all the things she shouldn't have done: She shouldn't have waited so long before going to the police. She shouldn't have gotten rid of the clothes she was wearing. Shouldn't have showered. Shouldn't have drunk alcohol. Shouldn't have put herself in that situation. Shouldn't have gone into the room, up the stairs, given him the impression. If only she hadn't existed, then none of this would have happened, why didn't she think of that? She's fifteen, above the age of consent, and he's seventeen, but he's still 'the boy' in every conversation. She's 'the young woman.' Words are not small things.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
If people talk behind your back, its because your ahead of them.
”
”
Zayn Malik
“
She was extending a hand that I didn't know how to take, so I broke its fingers with my silence, she said, "You don't want to talk to me, do you?" I took my daybook out of my knapsack and found the next blank page, the second to last. "I don't speak," I wrote. "I'm sorry." She looked at the piece of paper, then at me, then back at the piece of paper, she covered her eyes with her hands and cried, tears seeped between her fingers, she cried and cried and cried, there weren't any napkins nearby, so I ripped the page from the book - "I don't speak. I'm sorry" - and used it to dry her cheeks, my explanation and apology ran down her face like mascara, she took my pen from me and wrote on the next blank page of my daybook, the final one:
Please marry me
I flipped back and pointed at: "Ha ha ha!" She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "Thank you, but I'm about to burst." She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "I'm not sure, but it's late." She flipped forward and pointed at: "Please marry me", and this time put her finger on "Please", as if to hold down the page and end the conversation, or as if she were trying to push through the word, and into what she was trying to say. I thought about life, about my life, the embarrassments, the little coincidences, the shadows of alarm clocks on bedside tables, I thought about my small victories and everything I'd seen destroyed. I'd swum through mink coats on my parents' bed while they hosted downstairs, I'd lost the only person with whom I could have spent my only life, I'd left behind a thousand tonnes of marble from which I could have released sculptures, I could have released myself from the marble of myself, I'd experienced joy, but not nearly enough, could there be enough? The end of suffering does not justify the suffering, and so there is no end to suffering, what a mess I am, I thought, what a fool, how foolish and narrow, how worthless, how pinched and pathetic, how helpless in the universe. None of my pets knows their own name. What kind of person am I? I flipped back, one page at a time:
Help
”
”
Jonathan Safran Foer
“
You are the last Five left in the competition, yes? Do you think that hurts your chances of becoming the princess?"
The word sprang from my lips without thought. "No!"
"Oh, my! You do have a spirit there!" Gavril seemed pleased to have gotten such an enthusiastic response. "So you think you'll beat out all the others, then? Make it to the end?"
I thought better of myself. "No, no. It's not like that. I don't think I'm better than any of the other girls; they're all amazing. It's just...I don't think Maxon would do that, just discount someone because of their caste."
I heard a collective gasp. I ran over the sentence in my head. It took me a minute to catch my mistake: I'd called him Maxon. Saying that to another girl behind closed doors was one thing, but to say his name without the word "Prince" in front of it was incredibly informal in public.
And I'd said it on live television.
I looked to see if Maxon was angry. He had a calm smile on his face. So he wasn't mad...but I was embarrassed. I blushed fiercely.
"Ah, so it seems you really have gotten to know our prince. Tell me, what do you think of Maxon?"
I ahd thought of several answers while I was waiting for my turn. I was going to make fun of his laugh or talk about the pet name he wanted his wife to call him. It seemed like the only way to save the situation was to get back the comedy. But as I lifted my eyes to make one of my comments, I saw Maxon's face.
He really wanted to know.
And I couldn't poke fun at him, not when I had a chance to say what I'd really started to think now that he was my friend. I couldn't joke about the person who'd saved me from facing absolute heartbreak at home, who fed my family boxes of sweets, who ran to me worried that I was hurt if I asked for him.
A month ago, I had looked at the TV and seen a stiff, distant, boring person-someone I couldn't imagine anyone loving. And while he wasn't anything close to the person I did love, he was worthy of having someone to love in his life.
"Maxon Schreave is the epitome of all things good. He is going to be a phenomenal king. He lets girls who are supposed to be wearing dresses wear jeans and doesn't get mad when someone who doesn't know him clearly mislabels him." I gave Gavril a keen look, and he smiled. And behind him, Maxon looked intrigued. "Whoever he marries will be a lucky girl. And whatever happens to me, I will be honored to be his subject."
I saw Maxon swallow, and I lowered my eyes.
"America Singer, thank you so much." Gavril went to shake my hand. "Up next is Miss Tallulah Bell."
I didn't hear what any of the girls said after me, though I stared at the two seats. That interview had become way more personal than I'd intended it to be. I couldn't bring myself to look at Maxon. Instead I sat there replaying my words again and again in my head.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Thomas was still outside, so I knocked once and opened the door without waiting for a response. Loki was in the middle of changing clothes as I came in. He'd already traded his worn slacks for a pair of pajama pants, and he was holding a white T-shirt, preparing to put it on.
He had his back to me, and it was even worse than I'd thought.
"Oh, my god, Loki," I gasped.
"I didn't know you were coming." He turned around to face me, smirking. "Shall I leave the shirt off, then?"
"No, put the shirt on," I said, and I closed the door behind me so nobody could see or overhear us talking.
"You're no fun." He wrinkled his nose and pulled the shirt over his head.
"Your back is horrific."
"And I was just going to tell you how beautiful you look today, but I'm not going to bother now if you're going to talk that way." Loki sat back down on his bed, more lying than sitting.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
Once upon a time, there was a boy. He lived in a village that no longer exists, on the edge of a field that no longer exists, where everything was discovered and everything was possible. A stick could be a sword. A pebble could be a diamond. A tree was a castle.
Once upon a time, there was a boy who lived in a house across the field from a girl who no longer exists. They made up a thousand games. She was the Queen and he was the King. In the autumn light, her hair shone like a crown. They collected the world in small handfuls. When the sky grew dark, they parted with leaves in their hair.
Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering. When they were ten he asked her to marry him. When they were eleven he kissed her for the first time. When they were thirteen they got into a fight and for three weeks they didn't talk. When they were fifteen she showed him the scar on her left breast. Their love was a secret they told no one. He promised her he would never love another girl as long as he lived. "What if I die?" she asked. "Even then," he said. For her sixteenth birthday, he gave her an English dictionary and together they learned the words. "What's this?" he'd ask, tracing his index finger around her ankle and she'd look it up. "And this?" he'd ask, kissing her elbow. "Elbow! What kind of word is that?" and then he'd lick it, making her giggle. "What about this," he asked, touching the soft skin behind her ear. "I don't know," she said, turning off the flashlight and rolling over, with a sigh, onto her back. When they were seventeen they made love for the first time, on a bed of straw in a shed. Later-when things happened that they could never have imagined-she wrote him a letter that said: When will you learn that there isn't a word for everything?
”
”
Nicole Krauss (The History of Love)
“
Dear God, surely you aren't the chef Sam was talking about?"
"No," he said with a laugh, and gestured behind him with a thumb. "Cale here is."
"Kale?" Alex echoed blankly, her eyes sliding to the still half-closed door. She didn't see any evidence of a second man. Frowning, she set the phone back in its receiver and leaned to the side, trying to see out into the kitchen as she muttered, "Kale is a vegetable.
”
”
Lynsay Sands (Hungry for You (Argeneau, #14))
“
Alexandra drew her shawl closer about her and stood leaning against the frame of the mill, looking at the stars which glittered so keenly through the frosty autumn air. She always loved to watch them, to think of their vastness and distance, and of their ordered march. It fortified her to reflect upon the great operations of nature, and when she thought of the law that lay behind them, she felt a sense of personal security. That night she had a new consciousness of the country, felt almost a new relation to it. Even her talk with the boys had not taken away the feeling that had overwhelmed her when she drove back to the Divide that afternoon. She had never known before how much the country meant to her. The chirping of the insects down in the long grass had been like the sweetest music. She had felt as if her heart were hiding down there, somewhere, with the quail and the plover and all the little wild things that crooned or buzzed in the sun. Under the long shaggy ridges, she felt the future stirring.
”
”
Willa Cather (O Pioneers!)
“
Opening the door, he nearly did a double take into the mirror behind
him.
Hooch. Hooch, pushing his shades back up onto his head, and re-shouldering the bergan. Hooch, standing in the doorway.
“Been thinking.”
Two words, more than usual.
“Been around a bit.”
Six, speech worthy of a national holiday.
“Looking for a station now.”
Eleven, whole fucking fireworks.
"Central station.”
Thirteen, and the heavens came down for Matt.
“You still offering?”
Sixteen, and the world stopped spinning.
Matt stood thinking for a while, not a muscle in his face twitched. Then
stepped aside, gestured the other man to follow him. Closed the door.
“One condition.”
Hooch’s brows rose for a split second.
Matt broke into a grin at last, which threatened to split his face. “Promise
not to talk too much.
”
”
Marquesate (Special Forces)
“
At the very least, I would appreciate it if you could stop speaking badly of people behind their backs without properly talking to them first. It's highly unpleasant.
”
”
Saka Mikami (薫る花は凛と咲く 1 [Kaoru Hana wa Rin to Saku 1])
“
What about me?’ said Grantaire. ‘I’m here.’
‘You?’
‘Yes, me.’
‘You? Rally Republicans! You? In defence of principles, fire up hearts that have grown cold!’
‘Why not?’
‘Are you capable of being good for something?’
‘I have the vague ambition to be,’ said Grantaire.
‘You don’t believe in anything.’
‘I believe in you.’
‘Grantaire, will you do me a favour?’
‘Anything. Polish your boots.’
‘Well, don’t meddle in our affairs. Go and sleep off the effects of your absinthe.’
‘You’re heartless, Enjolras.’
‘As if you’d be the man to send to the Maine gate! As if you were capable of it!’
‘I’m capable of going down Rue des Grès, crossing Place St-Michel, heading off along Rue Monsieur-le-Prince, taking Rue de Vaugirard, passing the Carmelite convent, turning into Rue d’Assas, proceeding to Rue du Cherche-Midi, leaving the Military Court behind me, wending my way along Rue des Vieilles-Tuileries, striding across the boulevard, following Chaussée du Maine, walking through the toll-gate and going into Richefeu’s. I’m capable of that. My shoes are capable of that.’
‘Do you know them at all, those comrades who meet at Richefeu’s?'
‘Not very well. But we’re on friendly terms.’
‘What will you say to them?’
‘I’ll talk to them about Robespierre, of course! And about Danton. About principles.’
‘You?’
‘Yes, me. But I’m not being given the credit I deserve. When I put my mind to it, I’m terrific. I’ve read Prudhomme, I’m familiar with the Social Contract, I know by heart my constitution of the year II. “The liberty of the citizen ends where the liberty of another citizen begins.” Do you take me for a brute beast? I have in my drawer an old promissory note from the time of the Revolution. The rights of man, the sovereignty of the people, for God’s sake! I’m even a bit of an Hébertist. I can keep coming out with some wonderful things, watch in hand, for a whole six hours by the clock.’
‘Be serious,’ said Enjolras.
‘I mean it,’ replied Grantaire.
Enjolras thought for a few moments, and with the gesture of a man who had come to a decision, ‘Grantaire,’ he said gravely, ‘I agree to try you out. You’ll go to the Maine toll-gate.’
Grantaire lived in furnished lodgings very close to Café Musain. He went out, and came back five minutes later. He had gone home to put on a Robespierre-style waistcoat.
‘Red,’ he said as he came in, gazing intently at Enjolras. Then, with an energetic pat of his hand, he pressed the two scarlet lapels of the waistcoat to his chest.
And stepping close to Enjolras he said in his ear, ‘Don’t worry.’
He resolutely jammed on his hat, and off he went.
”
”
Victor Hugo (Les Misérables)
“
I smelled smoke right before hearing the "pop" like a firecracker had gone off. Splatters of something thick coated my back even as a thud reverberated behind me. I whirled around to gape at what was left of the ghoul. His body pitched forward on the drive-way, nothing but a smoldering mess left where his head had been.
Much slower, I turned around to see Vlad examining his fingernails, as if his hands weren't still ablaze in the flames that had blasted the ghoul's head off moments before.
"What the hell was that?" I gasped.
"Premature inflamation," he replied. "Happens sometimes. Very embarrassing. I don't like to talk about it.
”
”
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
“
Do you see that man in the black Porsche?" I asked the women.
They squinted out at Ranger. "Yes," they said."Your partner."
"He's homeless. He's looking for a place to stay and he might be interested in renting Singh's room."
Mrs.Apusenja's eyes widened. "We could use the income."She looked at Nonnie and then back at Ranger. "Is he married?"
"Nope. He's single. He's a real catch."
Connie did something between a gasp and a snort and buried her head back behind the computer. "Thank you for everything." Mrs.Apusenja said. "I suppose you are not such a bad slut. I will go talk to your partner.:
"Omigod," Connie said, when the door closed behind the Apusenja's. "Ranger's going to kill you." The Apusenjas stood beside the Porsche, talkig to Ranger for a few long minutes, giving him the big sales pitch. The pitch wound down, Ranger responded, and Mrs. Apusenja looked disappointed. The two women crossed the road and got into the burgundy Escort and quickly drove away. Ranger turned his head in my direction and our eyes met. His expression was still bemused, but this time it was the sort of bemused expression a kid has when he's pulling the wings off a fly.
"Uh-Oh,"Connie said. I whipped around and faced Connie. "Quick, give me an FTA. You're backed up, right? For God's sake, give me something fast. I need a reason to stand here until he calms down!" Connie shoved a pile of folders at me. "Pick one. Any one! Oh shit, he's getting out of his car."....
He leaned into me and his lips brushed the shell of my ear. "Feeling playful?"
"I don't know what you're talking about."
"Watch your back babe. I will get even."
-Ranger and Stephanie
”
”
Janet Evanovich (To the Nines (Stephanie Plum, #9))
“
Duchess was barking her head off as she raced after a snarling, hissing, yowling white ball of Maleficent. Aphrodite was chasing after the dog, screaming for her to ''Come! Stay. Be good, damnit!'' Damien was close behind her, flailing his arms and yelling ''Duchess! Come!'' All of a sudden the Twins' cat, the huge and very stuck-up Beelzebub joined in the chase, only he was tearing around after Duchess.
''Ohmygod! Beelzebub! Honey!'' Shaunee ran into my view, yelling at the top of her very healthy lungs.
''Beelzebub! Duchess! Stop!'' Erin wailed, right behind her twin.
Darius suddenly burst out into the hallway, and I stepped back behind the curtains, not sure is my shrouding could be detected by him. Apparently he didn't notice me, or anything else, because he ran into the Council Room. I peeked through the drapes and could hear him telling Neferet that she was needed on the school grounds-that there was an 'altercation.' Then Neferet was hurrying out of the room and down the hall, following Darius into the dog-barking, cat-yowling, kid-screaming craziness.
I noticed that through all of it I hadn't seen hide nor hair of Jack.
Talk about an excellent diversion!
”
”
Kristin Cast (Untamed (House of Night, #4))
“
Tim, I’d chew you up and spit you out.” She slants forward, yanks the straps of her bikini behind her neck, ties them, and settles back. God. I almost can’t breathe.
But I can talk.
I can always talk.
“We could progress to that, Alice. But maybe we start with some gentle nibbling?”
Alice shuts her eyes, opens them again, and gives me an indecipherable look.
“Why don’t I scare you?” she asks.
“You do. You’re scary as hell,” I assure her. “But that works for me. Completely.
”
”
Huntley Fitzpatrick (The Boy Most Likely To)
“
A lot of people think if they’re shouting the loudest, they’ll be heard, but most people lose respect for you when you lose your cool. You have to maintain everyone’s respect, especially as a woman in a position of power. It’s terrible to be at that kind of disadvantage, where if you yell, people will talk about you behind your back more than if you were a man. Because of those social injustices we face as women, you have to make sure that no one can call you a crazy bitch.
”
”
Taylor Swift
“
At last, Sturmhond straightened the lapels of his teal frock coat and said, “Well, Brekker, it’s obvious you only deal in half-truths and outright lies, so you’re clearly the man for the job.”
“There’s just one thing,” said Kaz, studying the privateer’s broken nose and ruddy hair. “Before we join hands and jump off a cliff together, I want to know exactly who I’m running with.”
Sturmhond lifted a brow. “We haven’t been on a road trip or exchanged clothes, but I think our introductions were civilized enough.”
“Who are you really, privateer?”
“Is this an existential question?”
“No proper thief talks the way you do.”
“How narrow-minded of you.”
“I know the look of a rich man’s son, and I don’t believe a king would send an ordinary privateer to handle business this sensitive.”
“Ordinary,” scoffed Sturmhond. “Are you so schooled in politics?”
“I know my way around a deal. Who are you? We get the truth or my crew walks.”
“Are you so sure that would be possible, Brekker? I know your plans now. I’m accompanied by two of the world’s most legendary Grisha, and I’m not too bad in a fight either.”
“And I’m the canal rat who brought Kuwei Yul-Bo out of the Ice Court alive. Let me know how you like your chances.” His crew didn’t have clothes or titles to rival the Ravkans, but Kaz knew where he’d put his money if he had any left.
Sturmhond clasped his hands behind his back, and Kaz saw the barest shift in his demeanor. His eyes lost their bemused gleam and took on a surprising weight. No ordinary privateer at all.
“Let us say,” said Sturmhond, gaze trained on the Ketterdam street below, “hypothetically, of course, that the Ravkan king has intelligence networks that reach deep within Kerch, Fjerda, and the Shu Han, and that he knows exactly how important Kuwei Yul-Bo could be to the future of his country. Let us say that king would trust no one to negotiate such matters but himself, but that he also knows just how dangerous it is to travel under his own name when his country is in turmoil, when he has no heir and the Lantsov succession is in no way secured.”
“So hypothetically,” Kaz said, “you might be addressed as Your Highness.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
How monotonous our speaking becomes when we speak only to ourselves! And how insulting to the other beings – to foraging black bears and twisted old cypresses – that no longer sense us talking to them, but only about them, as though they were not present in our world…Small wonder that rivers and forests no longer compel our focus or our fierce devotion. For we walk about such entities only behind their backs, as though they were not participant in our lives. Yet if we no longer call out to the moon slipping between the clouds, or whisper to the spider setting the silken struts of her web, well, then the numerous powers of this world will no longer address us – and if they still try, we will not likely hear them.
”
”
David Abram (Becoming Animal: An Earthly Cosmology)
“
Their faces were the way women's faces are when they've been talking about you behind your back and they think you've heard: embarrassed, but also a little defiant, as if it were their right.
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
She stared at me curiously. Her voice dropped to a whisper. "Sometimes, when I walk along the corridor here, I fancy I hear her just behind me. That quick, light footstep. I could not mistake it anywhere. And in the minstrels' gallery above the hall. I've seen her leaning there, in the evenings in the old days, looking down at the hall below and calling to the dogs. I can fancy her there now from time to time. It's almost as though I catch the sound of her dress sweeping the stairs as she comes down to dinner." She paused. She went on looking at me, watching my eyes. "Do you think she can see us, talking to one another now?" she said slowly. "Do you think the dead come back and watch the living?
”
”
Daphne du Maurier (Rebecca)
“
When you can’t provide for them anymore, their true character comes out. They treat you like pure shit. To make matters worse, they talk trash behind your back, as if what you’ve done for them was useless. That’s how some people are—they will use you up and break you down until you have nothing left to give them or yourself. People who do not have anything to lose will make sure you lose everything you’ve work so hard for.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
Let me know when you're ready to talk." She stopped and glanced at them both over her shoulder. "Maybe then I'd be ready to discuss your sexual twists and my own little abnormal desires. You never know what we all might learn that we haven't already."
With that, she turned and moved back into the house, closing the door behind her and disappearing out of sight. And Cam found his back slammed against the side of Ian's Hummer, his brother in his face.
Lust and irritation flared in his brother's eyes. "You better start talking," he grated. "Because you know what she just did?"
"She just dared us, Cam. And I don't know about you, but the thought of 'abnormal desires' dancing through her mind is going to drive me fucking crazy. Now, fix it.
”
”
Lora Leigh (Wicked Pleasure (Bound Hearts, #9))
“
While walking back to the highway I stop, choke back a sob, my throat tightens. "I just want to..." Facing the skyline, through all the baby talk, I murmur, "keep the game going." As I stand, frozen in position, an old woman emerges behind a Threepenny Opera poster at a deserted bus stop and she's homeless and begging, hobbling over, her face covered with sores that look like bugs, holding out a shaking red hand. "Oh will you please go away?" I sigh. She tells me to get a haircut.
”
”
Bret Easton Ellis (American Psycho)
“
Honey, don’t worry about people who talk behind your back. They’re behind you for a reason.
”
”
Darynda Jones (A Good Day for Chardonnay (Sunshine Vicram, #2))
“
You rarely see people talk behind anybody’s back in Israeli companies. You always know where you stand with everyone. It does cut back on the time wasted on bullshit.
”
”
Dan Senor (Start-up Nation: The Story of Israel's Economic Miracle)
“
Those times when someone you thought was your friend talks about you behind your back really hurt. Even if you act like you don't care, deep inside, you care.
”
”
Zoey-Rose Hawthorne
“
When people talk about you behind your back, they're not just behind you, they're beneath you.
”
”
Donald L. Hicks (Look into the stillness)
“
You could fill three lifetimes with the things people say about you when you're not there.
”
”
Stewart Stafford
“
there is a list of questions
i want to ask but never will
there is a list of questions
i go through in my head
every time i'm alone
and my mind can't stop itself from searching for you
there is a list of questions i want to ask
so if you're listening somewhere
here i am asking them
what do you think happens
to the love that's left behind
when two lovers leave
how blue do you think it gets
before it passes away
does it pass away
or does it still exist somewhere
waiting for us to come back
when we lied to ourselves by
calling this unconditional and left
which one of us hurt more
i shattered into a million little pieces
and those pieces shattered into a million more
crumbled into dust till
there was nothing left of me but the silence
tell me how love
how did the grieving feel for you
how did the mourning hurt
how did you peel your eyes open after every blink
knowing i'd never be there staring back
it must be hard to live with what ifs
there must always be this constant dull aching
in the pit of your stomach
trust me
i feel it too
how in the world did we get here
how did we live through it
and how are we still living
how many months did it take
before you stopped thinking of me
or are you still thinking of me
cause if you are
then maybe i am too
thinking of you
thinking of me
with me
in me
around me
everywhere
you and me and us
do you still touch yourself to the thoughts of me
do you still imagine my naked naked tiny tiny body
pressed into yours
do you still imagine the curve of my spine and
how you wanted to rip it out of me
cause the way it dipped into my
perfectly rounded bottom
drove you crazy
baby
sugar baby
sweet baby
ever since we left
how many times did you pretend
it was my hand stroking you
how many times did you search for me in your fantasies
and end up crying instead of coming
don't you lie to me
i can tell when you're lying
cause there's always that little bit of
arrogance in your response
are you angry with me
are you okay
and would you tell me if you're not
and if we ever see each other again
do you think you'd reach out and hold me
like you said you would
the last time we spoke and
you talked of the next time we would
or do you think we'd just look
shake in our skin as we pine to
absorb as much as we can of each other
cause by this time we've probably got
someone else waiting at home
we were good together weren't we
and is it wrong that i'm asking you these questions
tell me love
that you have been
looking for these answers too
”
”
Rupi Kaur (The Sun and Her Flowers)
“
Maybe you shouldn’t talk about anal sex behind our backs,” I retort, able to deduce the subject of their conversations.
“Fine, I’ll talk about it to your face,” Lo challenges. “I hear you like it in the ass.” He raises his can of Fizz Life to me. “Cheers.
”
”
Krista Ritchie (Fuel the Fire (Calloway Sisters, #3))
“
I know why you said you don't see a future for us.' My heart races like it's trying to take flight as I blurt out the words.
'Do you?' Of course he isn't going to make this easy. I'm not sure the man even knows what easy is.
'You want me,' I say, looking him in the eyes. 'And no, I'm not just talking about in bed. You. Want. Me, Xaden Riorson. You might not say it, but you do one better and show it. You show it every time you choose to trust me, every time your eyes linger on mine. You show it with every sparring lesson you don't have time for and every flight lesson that pulls you away from your own studies. You show it when you refuse to touch me because you're worried I don't really want you, then show it again when you take the time to hunt down violets before a leadership meeting so I don't wake up feeling alone. You show it in a million different ways. Please don't deny it.'
His jaw flexes, but he doesn't deny it.
'You think we don't have a future because you're scared that I won't like who you really are behind all those walls you keep. And I@m scared, too. I can admit it. You're graduating. I'm not. You'll be gone in a matter of weeks, and we're probably setting ourselves up for heartbreak. But if we let fear kill whatever this is between us, then we don't deserve it.' I lift one hand to the back of his neck. 'I told you that I was the one who would decide when I'm ready to risk my heart, and I'm saying it.'
The way he looks at me, with the same mix of hope and apprehension currently flooding my system, gives me absolute life.
'You don't mean that,' he says, shaking his head.
And there he goes, sucking the life right out again.
'I mean it.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
We got hungry around three in the morning, and ordered a ton of pizza from an all-night pizza place. Afterward, Blake talked a guy into letting him borrow his skateboard, and he once again entertained all of us. If it had wheels, Blake could work it.
“Is he your boyfriend?” a girl behind me asked.
I turned to the group of girls watching Blake. They were all coifed and beautiful in their bikinis, not having gone in the water. My wet hair was pulled back in a ponytail by this point and I was wrapped in a towel. “No, he’s my boyfriend’s best friend. We’re watching his place while he’s . . . out of town.”
A pang of fear jabbed me when I thought about Kai.
“What’s your name?” asked a brunette with glossy lips.
“Anna.” I smiled.
“Hey. I’m Jenny,” she said. “This is Daniela and Tara.”
“Hey,” I said to them.
“So, your boyfriend lives here?” asked the blonde, Daniela. She had a cool accent—something European.
“Yes,” I answered, pointing up to his apartment.
The girls all shared looks, raising their sculpted eyebrows.
“Wait,” said Jenny. “Is he that guy in the band?”
The third girl, named Tara, gasped. “The drummer?” When I nodded, they shared awed looks.
“Oh my gawd, don’t get mad at me for saying this,” said Jenny, “but he’s a total piece of eye candy.” Her friends all laughed.
“Yum drum,” whispered Tara, and Daniela playfully shoved her.
Jenny got serious. “But don’t worry. He, like, never comes out or talks to anyone. Now we know why.” She winked at me. “You are so adorable. Where are you from?”
“Georgia.”
This was met with a round of awwws. “Hey, you’re a Southern girl,” said Tara. “You should like this.”
She held out a bottle of bourbon and I felt a tug toward it. My fingers reached out.
“Maybe just one drink,” I said.
Daniela grinned and turned up the music.
Fifteen minutes and three shots later I’d dropped my towel and was dancing with the girls and telling them how much I loved them, while they drunkenly swore to sabotage the efforts of any girl who tried to talk to my man.
”
”
Wendy Higgins (Sweet Peril (Sweet, #2))
“
John Hay, in The Immortal Wilderness, has written: 'There are occasions when you can hear the mysterious language of the Earth, in water, or coming through the trees, emanating from the mosses, seeping through the undercurrents of the soil, but you have to be willing to wait and receive.' Sometimes I hear it talking. The light of the sunflower was one language, but there are others more audible. Once, in the redwood forest, I heard a beat, something like a drum or a heart coming from the ground and trees and wind. That underground current stirred a kind of knowing inside me, a kinship and longing, a dream barely remembered that disappeared back to the body....
Tonight, I walk. I am watching the sky. I think of the people who came before me and how they knew the placement of the stars in the sky, watching the moving sun long and hard enough to witness how a certain angle of light touched a stone only once a year. Without written records, they knew the gods of every night, the small, fine details of the world around them and the immensity above them.
Walking, I can almost hear the redwoods beating....It is a world of elemental attention, of all things working together, listening to what speaks in the blood. Whichever road I follow, I walk in the land of many gods, and they love and eat one another. Walking, I am listening to a deeper way. Suddenly all my ancestors are behind me. Be still, they say. Watch and listen. You are the result of the love of thousands.
”
”
Linda Hogan (Dwellings: A Spiritual History of the Living World)
“
A true friend is the one who treats you and gives you advices, exactly as if he is treating himself and giving advices to himself, so if you are a true friend never ever talk about your friends behind their backs, cause you must be sure that you are talking about yourself :)
”
”
Mona Hanie
“
John and I have made this stuff our hobby, in the way that an especially attractive prisoner makes a hobby out of not getting raped. Jesus, that’s a terrible analogy. I apologize. What I’m saying is that it’s self-preservation. We didn’t choose this, we just have talents that makes us the equivalent of that new guy in the cell block who has a slim, hairless body and kind of looks like a woman from behind, and has an incredibly realistic tattoo of boobs on his back. He may have no desire at all to ever even touch a penis, but it’s going to happen, even if it’s just in the process of frantically slapping them away. Jesus, am I still talking about this? [John—please delete the above paragraph before it goes off to the publisher].
”
”
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
“
Bragging actually dilutes the positive feelings you receive from an accomplishment or something you are proud of. To make matters worse, the more you try to prove yourself, the more others will avoid you, talk behind your back about your insecure need to brag, and perhaps even resent you.
”
”
Richard Carlson (Don't Sweat the Small Stuff ... and it's all small stuff: Simple Ways to Keep the Little Things from Taking Over Your Life)
“
And then I picked up the nearest object-a shoe-and threw it at Jack's head.
"What are you doing in here, you little weasle?"
He picked up my shoe from where it had clattered to the floor after hitting the door behind him. "How do you walk in these heels?" He sat and removed his own shoe,trying to jam his foot into my purple sling-back.
I stalked over and yanked it awway. "What are you, five? Answer my question."
He looked up at me, impossibly big blue eyes wide with innocence. "I thought we were friends, after you made me strip and all."
"I'm calling Raquel."
"Fine,fine. I was just doing some reconnaissance?"
"Reconnaissance?"
"Oh,sorry,that's a big word,isn't it? It means I was scoping the scene, getting the-"
"I know what it means! What,is IPCA investigating me now? Screw them, they can forget about any help from-"
"Do you ever let anyone else finish a sentence?" He smiled at my glare, flashing his dimples. "That's more like it. You're much prettier when you aren't talking. True of most people, I've found. Anyhow, I needed to see the address Raquel gave me so that I could find it again.
”
”
Kiersten White (Supernaturally (Paranormalcy, #2))
“
Sometimes you look at yourself in the mirror, any mirror, and you wonder why that nose looks as it does, or those eyes--what is behind them, what depths can they reach. Your flesh, your skin, your lips--you know that that face which you behold is not yours alone but is already something which belongs to those who love it, to your family and all those who esteem you. But a person is more than a face or a bundle of nerves and a spigot of blood; a person is more than talking and feeling and being sensitive to the changes in the weather, to the opinions of people. A person is part of a clan, a race. And knowing this, you wonder where you came from and who preceded you; you wonder if you are strong, as you know those who lived before you were strong, and then you realize that there is a durable thread which ties you to a past you did not create but which created you. Then you know that you have to be sure about who you are and if you are not sure or if you do not know, you have to go back, trace those who hold the secret to your past. The search may not be fruitful; from this moment of awareness, there is nothing more frustrating than the belief that you have been meaningless. A man who knows himself can live with his imperfections; he knows instinctively that he is part of a wave that started from great, unnavigable expanses.
”
”
F. Sionil José
“
Would you prefer to wait?”
In answer, he kissed me—much more slowly than the kiss I had given him, and more skillfully too, I’m afraid. Afterwards he didn’t lean back as I expected, but trailed his lips down my neck, sending a shiver skittering through me.
“You can begin by removing your clothes,” I said. “If you would like to. To clarify, this is a suggestion, not a demand.”
“Oh, Em,” he said, laughing softly against my neck. I had my hands in his hair, which was now quite mussed, something that made me absurdly happy.
“I’m sorry,” I said, self-conscious now. “Perhaps I shouldn’t talk.”
“Whyever not?” He drew back, examining me with a perplexed smile. “I like the way you talk. And everything else about you, in fact. Is that not clear by now?”
I felt laughter bubble up inside me, but I hid it behind a mock-serious expression. “I’m not sure.”
His smile changed, and he trailed his hand down the side of my neck. “Let me show you.
”
”
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
“
Tamina serves coffee and calvados to the customers (there aren't all that many, the room being always half empty) and then goes back behind the bar. Almost always there is someone sitting on a barstool, trying to talk to her. Everyone likes Tamina. Because she knows how to listen to people.
But is she really listening? Or is she merely looking at them so attentively, so silently? I don't know, and it's not very important. What matters is that she doesn't interrupt anyone. You know what happens when two people talk. One of them speaks and the other breaks in: "It's absolutely the same with me, I..." and starts talking about himself until the first one manages to slip back in with his own "It's absolutely the same with me, I..."
The phrase "It's absolutely the same with me, I..." seems to be an approving echo, a way of continuing the other's thought, but that is an illusion: in reality it is a brute revolt against a brutal violence, an effort to free our own ear from bondage and to occupy the enemy's ear by force. Because all of man's life among his kind is nothing other than a battle to seize the ear of others. The whole secret of Tamina's popularity is that she has no desire to talk about herself. She submits to the forces occupying her ear, never saying: "It's absolutely the same with me, I...
”
”
Milan Kundera (The Book of Laughter and Forgetting)
“
Forget about lien about you behind your back and talking nonsense, some people can lie to you looking in your eyes...
”
”
honeya
“
Ty tapped Nick's knee. "Do you really want him left behind knowing you did this? It can wait until we get back."
"Just stop talking, Beaumont," Nick grunted. "You're like the Bermuda Triangle of morals."
Zane snorted and covered it with a cough.
”
”
Abigail Roux (Touch & Geaux (Cut & Run, #7))
“
Yes, I'm sorry you won't be coming with us," Chloe said to Alex. "But please don't worry. I'm certain The Lord has another plan for you." She glanced at me. "For both of you."
"Oh, I can assure you,"said a new, deeply masculine voice from behind me. I turned to see John sitting, tall and dark and disapproving, on the back of his horse, Alastor. "He does."
"Chloe wasn't talking about you," I said to John, leaning my elbows against the rough wood of the dock railing. "She meant the other lord."
John raised a dark eyebrow. "Oh, that one," he said. "My mistake.
”
”
Meg Cabot (Awaken (Abandon, #3))
“
Deception, flattering, lying, deluding, talking behind the back, putting up a false front, living in borrowed splendor, wearing a mask, hiding behind convention, playing a role for others and for oneself – in short, a continuous fluttering around the solitary flame of vanity – is so much the rule and the law among men that there is almost nothing which is less comprehensible than how an honest and pure drive for truth could have arisen among them.
”
”
Friedrich Nietzsche (On Truth and Lies in a Nonmoral Sense)
“
They tried to stop her, but they failed miserably. They overlooked her, tried to discourage her, and sabotage her, but she persevered through it all with her head held high. They talked behind her back and plotted against her, but they didn’t realize that they were messing with an unstoppable, resilient Black Queen. She’s ambitious, intelligent, self-confident, and bold. She’s a Phenomenal Black Queen that didn’t have to compromise her integrity to get ahead. She’s genuinely happy, successful, and free to be herself. She can, she does, she wins!
”
”
Stephanie Lahart
“
He put the fork, knife, and spoon back in his pocket and tucked the flower behind his ear, then walked to the door, reaching it right before that butler did. He gave the man a glare—it was only a matter of time before he cracked and tried to kill them all—then pulled open the door.
(...)
“Nice flower,” the kandra said. “Can I have your skeleton when you’re dead?”
“My…” Wayne felt at his head.
“You’re a Bloodmaker, correct? Can heal yourself? Bloodmaker bones tend to be particularly interesting, as your time spent weak and sickly creates oddities in your joints and bones that can be quite distinctive. I’d love to have your skeleton. If you don’t mind.”
Taken aback by this request, Wayne stopped in place. Then he ran past him, pushing into the room where Wax and Steris were talking. “Wax,” he complained, pointing, “the immortal bloke is being creepy again.
”
”
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
“
It is lonely behind these boundaries. Some people-particularly those whom psychiatrists call schizoid-because of unpleasant, traumatizing experiences in childhood, perceive the world outside of themselves as unredeemably dangerous, hostile, confusing and unnurturing. Such people feel their boundaries to be protecting and comforting and find a sense of safety in their loneliness. But most of us feel our loneliness to be painful and yearn to escape from behind the walls of our individual identities to a condition in which we can be more unified with the world outside of ourselves. The experience of falling in love allows us this escapetemporarily. The essence of the phenomenon of falling in love is a sudden collapse of a section of an individual's ego boundaries, permitting one to merge his or her identity with that of another person. The sudden release of oneself from oneself, the explosive pouring out of oneself into the beloved, and the dramatic surcease of loneliness accompanying this collapse of ego boundaries is experienced by most of us as ecstatic. We and our beloved are one! Loneliness is no more!
In some respects (but certainly not in all) the act of falling in love is an act of regression. The experience of merging with the loved one has in it echoes from the time when we were merged with our mothers in infancy. Along with the merging we also reexperience the sense of omnipotence which we had to give up in our journey out of childhood. All things seem possible! United with our beloved we feel we can conquer all obstacles. We believe that the strength of our love will cause the forces of opposition to bow down in submission and melt away into the darkness. All problems will be overcome. The future will be all light. The unreality of these feelings when we have fallen in love is essentially the same as the unreality of the two-year-old who feels itself to be king of the family and the world with power unlimited.
Just as reality intrudes upon the two-year-old's fantasy of omnipotence so does reality intrude upon the fantastic unity of the couple who have fallen in love. Sooner or later, in response to the problems of daily living, individual will reasserts itself. He wants to have sex; she doesn't. She wants to go to the movies; he doesn't. He wants to put money in the bank; she wants a dishwasher. She wants to talk about her job; he wants to talk about his. She doesn't like his friends; he doesn't like hers. So both of them, in the privacy of their hearts, begin to come to the sickening realization that they are not one with the beloved, that the beloved has and will continue to have his or her own desires, tastes, prejudices and timing different from the other's. One by one, gradually or suddenly, the ego boundaries snap back into place; gradually or suddenly, they fall out of love. Once again they are two separate individuals. At this point they begin either to dissolve the ties of their relationship or to initiate the work of real loving.
”
”
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
“
When she woke up crying for one of her nightmares, the Kolker would stay with her, brush her hair with his hands, collect her tears in thimbles for her to drink the next morning (The only way to overcome sadness is to consume it, he said), and more than that: once her eyes closed and she fell back asleep, he was left to bear the insomnia. There was a complete transfer, like a speeding billiard ball colliding with a resting one. Should Brod feel depressed - she was always depressed - the Kolker would sit with her until he could convince her that it’s OK. It is. Really. And when she would move on with her day, he would stay behind, paralysed with a grief he couldn’t name and that wasn’t his. Should Brod become sick, it was the Kolker that would be bedridden by week’s end. Should Brod feel bored, knowing too many languages, too many facts, with too much knowledge to be happy, the Kolker would stay up all night studying her books, studying the pictures, so the next day he could try to make the kind of small talk that would please his young wife.
”
”
Jonathan Safran Foer
“
'How long do you want me to stay in there so you can talk about me behind my back?' Zak called.
'A couple of hours. I could write a book about you,' Logan shot back.
'Make sure you make it clear my dick's bigger than yours.'
”
”
Barbara Elsborg (Every Move He Makes)
“
Talking with friends about books harks back to the original impulse behind storytelling, the forging of human bonds. We have told ourselves stories not just, in Joan Didion's phrase, in order to live, but in order to live with one another.
”
”
Brian Hall
“
The boldest of the three (thieves) moved suddenly, grabbed Angua and pulled her upright. "We walk out of here unharmed or the girl gets it, all right?" he snarled. Someone sniggered.
"I hope you're not going to kill anyone," said Carrot.
"That's up to us!"
"Sorry, was I talking to you?" said Carrot.
"Don't worry, I'll be fine," said Angua. She looked around to make sure Cheery wasn't there and then sighed.
"Come on, gentlemen, let's get this over with."
"Don't play with your food!" said a voice from the crowd.
There were one or two giggles until Carrot turned in his seat, whereupon everyone was suddenly intensely interested in their drinks.
"It's OK," said Angua quietly.
Aware that something was off kilter, but not quite sure what it was, the thieves edged back to the door. No one moved as they unbolted it and, still holding Angua, stepped out into the fog, shutting the door behind them.
"Hadn't we better help," said a constable who was new to the Watch.
"They don't deserve help," said Vimes. there was a clank of armor and then a long, deep growl, right outside in the street. And a scream and then another scream. and a third scream modulated with "NONONOnonononononoNO!...aarghaarghaargh!" Something heavy hit the door.
”
”
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
“
People were always saying how ugly Southern California was, especially when they came back from their summer vacations. They said it looked plastic or fake or whatever, and talked about all the cool things they saw in Ohio, where their grandparents lived. Or in Pennsylvania. The wall behind the arcade was made of giant sparkling white bricks, just like all the other buildings connected to it. There was graffiti on it, indecipherable gang writing. It was dark now and getting a little cold and then the super-bright lights they have behind stores to keep bums from sleeping by the dumpsters came on, and I thought, people who don’t think Southern California is the most beautiful place in the world are idiots and I hope they choke on their tongues.
”
”
John Darnielle (Wolf in White Van)
“
The place is deserted except for my classmate Asterid March, who’s arranging tiny bottles on a shelf behind the counter. A long blond braid falls down her back, but the damp heat has brought out tendrils of hair that frame her perfect face. Asterid’s the town beauty and rich by District 12 standards. I used to hold that against her, but she showed up one night in the Seam, alone, to treat a neighbor woman who’d been whipped for back-talking a Peacekeeper. She brought some ointment she’d concocted herself, then slipped away, never mentioning payment. Since then, she’s who people turn to for help when a loved one goes under the lash. I guess Asterid has more substance than her pack of snooty town friends suggests. Besides, Burdock’s nuts about her, so I try to be nice even though he’s got about as much chance with her as a mockingjay with a swan. Town girls don’t marry Seam boys, not unless something really goes haywire.
”
”
Suzanne Collins (Sunrise on the Reaping (The Hunger Games))
“
This is what I get very upset at...' Temple, who was driving suddenly faltered and wept. 'I've read that libraries are where immortality lies... I don't want my thoughts to die with me... I want to have done something... I'm not interested in power, or piles of money. I want to leave something behind. I want to make a positive contribution—know that my life has meaning, Right now, I'm talking about things at the very core of my experience.' I was stunned. As I stepped out of the car to say goodbye, I said, 'I'm going to hug you. I hope you don't mind.' I hugged her—and (I think) she hugged me back.
”
”
Oliver Sacks (An Anthropologist on Mars: Seven Paradoxical Tales)
“
Here the train was halted. The Scotch half-breed slowly retraced his steps to the camp they had left. The men ceased talking. A revolver-shot rang out. The man came back hurriedly. The whips snapped, the bells tinkled merrily, the sleds churned along the trail; but Buck knew, and every dog knew, what had taken place behind the belt of river trees.
”
”
Jack London (The Call of the Wild)
“
How about you get on my back? So in a way you’re not being carried – you’re riding me.” I paused and then winked.
Kat stared.
“What?” I laughed, and her eyes immediately narrowed.
“You should see yourself right now. Like a kitten – that’s what I keep telling you. Your hackles are raised.”
Her eyes rolled as she shuffled behind me. “You should conserve your energy and stop talking.”
“Ouch.”
“You’ll get over it.” She placed her hands on my shoulders. “Besides, you could be knocked down a peg or two.”
...
“Baby, I’m so far up the ladder there aren’t any pegs under me to be knocked down.”
“Wow”, she said. “That’s a new one.”
“You loved it.” .. “Hold on, Kitten. I’m going to start to glow just a little, and we’re going to go fast.”
“I like when you glow. It’s like having my own personal flashlight.”
I grinned. “Glad I can be of assistance.”
She patted my chest. “Giddy up.
”
”
Jennifer L. Armentrout (Origin (Lux, #4))
“
NINA
Your life is beautiful.
TRIGORIN
I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!
”
”
Anton Chekhov (The Seagull)
“
I got myself to the middle and sort of groped along there with one hand out in front.
And something groped back at me.
It sort of dabbed at me, whatever it was, wet and cold and desperate. It groped at my hand and then at my face. I went backward with a shriek and sat down in a puddle. It had felt like a snake. But the thing shrieked and went backward too. The ground shook under my behind. I sat staring, shaking all over. There was just enough gray light for me to pick out what seemed to be a couple of small trees, with the snake coiling this way and that down from them. I thought I must have walked into a forest.
"Oh, please!" said the forest--unless it was the snake. "Help me! I'm lost! I'm stuck!"
"What kind of a snake are you?" I said.
"I'm not a snake! I'm an elephant!" it said despairingly.
Elephants that talked now! I thought. But I'd already met a panther that I could understand, so, why not? It was all one long, mad dream.
"It's more like a nightmare, I think," the elephant objected. "And I"m not exactly talking. You must be good at picking up four-legged thoughts. Please help me!
”
”
Diana Wynne Jones (The Merlin Conspiracy (Magids, #2))
“
His feet started in her direction, his body following rather as a dog would its master, with no thought of deviating from the path chosen by her for him—
iAm grabbed his arm and yanked him back. “Don’t even fucking think about it.”
Trez’s first impulse was to rip himself free, even if he left his own limb behind in his brother’s grip. “I don’t know what you’re talking about—”
“Do not make me grab your hard-on to prove my point,” iAm hissed.
Numbly, Trez looked down at the front of himself. Well. What do you know. “I’m not going to…” Fuck her came to mind, but God, he couldn’t use the f-word around that female, even in the hypothetical. “You know, do anything.”
“You actually expect me to believe that.”
Trez’s eyes flipped over to the doorway she’d disappeared through. Shit. Talk about having no credibility on the subject of abstinence
”
”
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
“
Somehow it felt familiar, an old story retold, the claws in my shoulder, my arms twisted behind my back, the drag down the street, Will assisting my father and thinking how much fun it was to hunt someone down. I knew it all. Each snarled command was a line from an old but faithless song. “Pipe down! I’m not going to hurt you! I just want to talk to you! This is for your own good!
”
”
Kaimana Wolff (La Chiripa (The Widening Gyre #2))
“
....the Crocodiles say they can't even begin to say how many new guys they've seen Come In and then get sucked back Out There, Come In to AA for a while and Hang In and put together a little sober time and have things start to get better, head-wise and life-quality-wise, and after a while the new guys get cocky, they decide they've gotten `Well,' and they get really busy at the new job sobriety's allowed them to get, or maybe they buy season Celtics tickets, or they rediscover pussy and start chasing pussy (these withered gnarled toothless totally post-sexual old fuckers actually say pussy), but one way or another these poor cocky clueless new bastards start gradually drifting away from rabid Activity In The Group, and then away from their Group itself, and then little by little gradually drift away from any AA meetings at all, and then, without the protection of meetings or a Group, in time--oh there's always plenty of time, the Disease is fiendishly patient--how in time they forget what it was like, the ones that've cockily drifted, they forget who and what they are, they forget about the Disease, until like one day they're at like maybe a Celtics-Sixers game, and the good old Fleet/First Interstate Center's hot, and they think what could just one cold foamer hurt, after all this sober time, now that they've gotten `Well.' Just one cold one. What could it hurt. And after that one it's like they'd never stopped, if they've got the Disease. And how in a month or six months or a year they have to Come Back In, back to the Boston AA halls and their old Group, tottering, D.T.ing, with their faces hanging down around their knees all over again, or maybe it's five or ten years before they can get it up to get back In, beaten to shit again, or else their system isn't ready for the recurred abuse again after some sober time and they die Out There--the Crocodiles are always talking in hushed, 'Nam-like tones about Out There--or else, worse, maybe they kill somebody in a blackout and spend the rest of their lives in MCI-Walpole drinking raisin jack fermented in the seatless toilet and trying to recall what they did to get in there, Out There; or else, worst of all, these cocky new guys drift back Out There and have nothing sufficiently horrible to Finish them happen at all, just go back to drinking 24/7/365, to not-living, behind bars, undead, back in the Disease's cage all over again. The Crocodiles talk about how they can't count the number of guys that've Come In for a while and drifted away and gone back Out There and died, or not gotten to die.
”
”
David Foster Wallace (Infinite Jest)
“
You expect me to marry him."
"Yes,of course," Finn said, almost wearily.
"You're not even gonna try to..." I swallowed back tears and looked away from him. "When Elora told me, I fought with her. I fought for you."
"I am sorry,Wendy." His voice had gotten low and thick. He stepped closer and raised his hand as if he meant to touch me,but dropped it instead. "But you will be happy with Tove. He can protect you."
"I wish everyone would stop talking about him that way!" I sat back on the bed, exasperated. "Tove is a person! This is his life! Doesn't he deserve better than being somebody's watchdog?"
"I can imagine worse things in life than being married to you," Finn said quietly.
"Don't." I shook my head. "Don't joke. Don't be nice." I glared up at him. "You kept this from me. But worse still, you didn't fight for me."
"You know why I can't,Wendy." His dark eyes smoldered, and his fists clenched at his side. "Now you know who you are and what you mean to the kingdom. I can't fight for something that isn't mine. Especially not when you mean so much to our people."
"You're right,Finn,I'm not yours." I nodded, looking down at the floor. "I'm not anybody's. I have a choice in all of this, and so do you.But you have no right to take my choice away from me,to tell me who I should marry."
"I didn't arrange this marriage," Finn said incredulously.
"But you think I should marry him, and you've done nothing to stop it." I shrugged. "You might as well have arranged it yourself."
I wiped at my eyes, and he didn't say anything. I lay down on my bed and rolled over so my back was to him. After a few mintues, I heard him walk away and the door shut behind him.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
I realized in the silence that followed that I hadn't spoken a single word -- and even though I laughed with them, it felt like I was watching a movie about my life instead of living it. And then they went back to talking, everyone telling stories, laughing, I tried to smile and shake my head at the right times, but I was always a moment behind the rest of them. They laughed because something was funny. I laughed because they had.
”
”
John Green (Turtles All the Way Down)
“
In the end, that’s what Kevin has never forgiven us. He may not resent that we tried to impose a curtain between himself and the adult terrors lurking behind it. But he does powerfully resent that we led him down the garden path—that we enticed him with the prospect of the exotic. (Hadn’t I myself nourished the fantasy that I would eventually land in a country that was somewhere else?) When we shrouded our grown-up mysteries for which Kevin was too young, we implicitly promised him that when the time came, the curtain would pull back to reveal—what? Like the ambiguous emotional universe that I imagined awaited me on the other side of childbirth, it’s doubtful that Kevin had formed a vivid picture of whatever we had withheld from him. But the one thing he could not have imagined is that we were withholding nothing. That there was nothing on the other side of our silly rules, nothing.
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
As for us,Etienne was right.Our schools are only a twenty-minute transit ride away.He'll stay with me on the weekends, and we'll visit each other as often as possible during the week. We'll be together.We both got our Point Zero wishes-each other.He said he wished for me every time.He was wishing for me when I entered the tower.
"Mmm," I say.He's kissing my neck.
"That's it," Rashmi says. "I'm outta here.Enjoy your hormones."
Josh and Mer follow her exit,and we're alone.Just the way I like it.
"Ha!" Ettiene says. "Just the way I like it."
He pulls me onto his lap,and I wrap my legs around his waist.His lips are velvet soft,and we kiss until the streetlamps flicker on outside. Until the opera singer begins her evening routine. "I'm going to miss her," I say.
"I'll sing to you." He tucks my stripe behind my ear. "Or I'll take you to the opera.Or I'll fly you back here to visit. Whatever you want.Anything you want."
I lace my fingers through his. "I want to stay right here,in this moment."
"Isn't that the name of the latest James Ashley bestseller? In This Moment?"
"Careful.Someday you'll meet him, and he won't be nearly as amusing in person."
Etienne grins. "Oh,so he'll only be mildly amusing? I suppose I can handle mildly amusing."
"I'm serious! You have to promise me right now,this instant,that you won't leave me once you meet him.Most people would run."
"I'm not most people."
I smile. "I know.But you still have to promise."
His eyes lock on mine. "Anna,I promise that I will never leave you."
My heart pounds in response.And Etienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding, too. "And now for yours," he says.
I'm still dazed. "My what?"
He laughs. "Promise you won't flee once I introduce you to my father.Or, worse, leave me for him."
I pause. "Do you think he'll object to me?"
"Oh,I'm sure he will."
Okay.Not the answer I was looking for.
Etienne sees my alarm. "Anna.You know my father dislikes anything that makes me happy.And you make me happier than anyone ever has." He smiles. "Oh,yes. He'll hate you."
"So....that's a good thing?"
"I don't care what he thinks.Only what you think." He holds me tighter. "Like if you think I need to stop biting my nails."
"You've worn your pinkies to nubs," I say cheerfully.
"Or if I need to start ironing my bedspread."
"I DO NOT IRON MY BEDSPREAD."
"You do.And I love it." I blush,and Etienne kisses my warm cheeks. "You know,my mum loves you."
"She goes?"
"You're the only thing I've talked about all year.She's ecstatic we're together."
I'm smiling inside and out. "I can't wait to meet her.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
He slouches,' DeeDee contributes.
'True--he needs to work on his posture,' Thelma says.
'You guys,' I say.
'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?'
'You guys. We are not getting married!'
'I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?'
'The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?'
I swat her. "I'm not having Mitchell's children!'
'I'm sorry--what?' Thelma says.
Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl!
But I don't care. If they're going to embarrass me, then I'll embarrass them right back.
'I said'--I raise my voice--'I am not having Mitchell Truman's children!'
Jolene turns beet red, and she and DeeDee dissolve into mad giggles.
'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous.
'Okaaay, I think maybe I won't turn around,' I announce.
A person of the male persuasion clears his throat.
'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me.
'If you change your mind, we might be able to work something out,' the person of the male persuasion says.
'About the children?' DeeDee asks. 'Or the turning around?'
'DeeDee!' Jolene says.
'Both,' says the male-persuasion person.
I shrink in my chair, but I raise my hand over my head and wave.
'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.'
Warm fingers clasp my own.
'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.'
'Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!'
I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants.
Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter.
He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line.
Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder.
'Did you see!' Thelma gasps. 'Did you see how proud he was?'
'You improve his posture!' Jolene says.
'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.'
'I can't believe you waved at him,' DeeDee says.
'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.'
'It was a surrender flag. I was surrendering myself to abject humiliation.'
'Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him.
”
”
Lauren Myracle (Bliss (Crestview Academy, #1))
“
Curiosity broke her earlier resolve. "Have you ever been tested?"
"No." He stood behind Sara, holding the camera in front so she could see. "Zoom here," he said, flicking the toggle.
"You could probably-"
"This is macro."
"Will-"
"Super macro." He kept talking over her until she gave up. "Here's where you adjust for color. This is light. Anti-shake. Red-eye." He clicked through the features like a photography instructor.
Sara Finally relented. "Why don't I point and you shoot?"
"All right." His back was stiff, and she could tell that he was irritated.
"I'm sorry I-"
"Please don't apologize."
Sara held his gaze for a few moments longer, wishing she could fix this. There was nothing to say if he wouldn't even let her apologize.
”
”
Karin Slaughter (Broken (Will Trent, #4))
“
Wymack dragged his thumb along the back of his hand, tracing the path of Kevin's injury.
"Kevin doesn't talk about his time at Evermore, but I could tell it wasn't the first time Riko or Moriyama laid a hand on him. It was just the first time Kevin was smart enough to pack his bags and walk away. So much for family, hm?"
"I don't believe in family."
"Neither do I."
He meant it.
Neil finally understood that look Wymack sent him in Millport, that perfect understanding that undid Neil's defenses. Neil searched his face, looking for the story behind that exhaustion. Whatever broke Wymack happened so long ago he wasn't even bitter over it anymore, but he was definitely still cracked if he poured so much time into the Foxhole Court.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
For a moment, I was perfectly relaxed, and I began enjoying the sight of this beautifully candlelit room full of well-dressed people. Then Mr. Merchant made a grab for my décolletage from behind, and I almost spilled the punch.
“One of those dear, pretty little roses slipped out of place,” he claimed, with an insinuating grin. I stared at him, baffled. Giordano hadn’t prepared me for a situation like this, so I didn’t know the proper etiquette for dealing with Rococo gropers. I looked at Gideon for help, but he was so deep in conversation with the young widow that he didn’t even notice. If we’d been in my own century, I’d have told Mr. Merchant to keep his dirty paws to himself or I’d hit back, whether or not any little roses had really slipped. But in the circumstances, I felt that his reaction was rather—discourteous. So I smiled at him and said, “Oh, thank you, how kind. I never noticed.”
Mr. Merchant bowed. “Always glad to be of service, ma’am.” The barefaced cheek of it! But in times when woman had no vote, I suppose it wasn’t surprising if they didn’t get any other kind of respect either.
The talking and laughter gradually died away as Miss Fairfax, a thin-nosed lady wearing a reed-green dress, went over to the pianoforte, arranged her skirts, and placed her hands on the keys. In fact, she didn’t play badly. It was her singing that was rather disturbing. It was incredibly . . . well, high-pitched. A tiny bit higher, and you’d have thought she was a dog whistle.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
When I woke, I was nestled on top of Ren’s chest. His arms were wrapped around me, and my legs were entwined with his. I was surprised I could breathe all night since my nose was smashed against his muscular torso. It had gotten cold, but my quilt covered both of us and his body, which maintained a warmer-than-average temperature, had kept me toasty all night.
Ren was still asleep, so I took the rare opportunity to study him. His powerful frame was relaxed and his face was softened by sleep. His lips were full, smooth, and utterly kissable, and for the first time, I noticed how long his sooty lashes were. His glossy dark hair fell softly over his brow and was mussed in a way that made him look even more irresistible.
So this is the real Ren. He doesn’t seem real. He looked like an archangel who fell to the earth. I’d been with Ren night and day for the past four weeks, but the time he was a man was such a small fraction of each day that he seemed almost like a dream guy, a real life Prince Charming.
I traced a black eyebrow, following its arch with my finger, and lightly brushed the silky dark hair away from his face. Hoping not to disturb him, I sighed, shifted slowly, and tried to move away, but his arms tensed, restraining me.
He sleepily mumbled, “Don’t even think about moving” and pulled me back to snuggle me close again. I rested my cheek against his chest, felt his heartbeat, and contented myself with listening to its rhythm.
After a few minutes, he stretched and rolled to his side, pulling me with him. He kissed my forehead, blinked open his eyes, and smiled at me. It was like watching the sun come up. The handsome, sleeping man was potent enough, but when he turned his dazzling white smile on me and blinked open his cobalt blue eyes, I was dumbstruck.
I bit my lip. Alarm bells started going off in my head.
Ren’s eyes fluttered open, and he tucked some loose hair behind my ear. “Good morning, rajkumari. Sleep well?”
I stammered, “I…you…I…slept just fine, thank you.”
I closed my eyes, rolled away from him, and stood up. I could deal with him a lot better if I didn’t think about him much, or look at him, or talk to him, or hear him.
He wrapped his arms around me from behind, and I felt his smile as he pressed his lips to the soft spot behind my ear. “Best night of sleep I’ve had in about three hundred and fifty years.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
By the time we reached the front door of the party house—a total mansion, like Harrison had said—Nathan was far behind us. Well, he’d promised to stay out of our hair.
“Wow,” I heard Bailey gasp as the front door swung open for us, though I wasn’t sure if that was her reaction to the freakishly large house or to the drop-dead-gorgeous guy standing in front of us.
“Good evening, ladies,” he said, stepping aside to let us enter.
Automatically, I found myself standing up taller and sliding my shoulder blades back for optimum cleavage exposure. It was like a flirting reflex. I just wished I wasn’t all sunburned. “Hello to you.”
He grinned at me. A cocky, sexy grin. “I don’t believe we’ve met,” he said. He glanced at Bailey then. “Any of us. I’m sure I’d remember those pretty faces.”
I swear, Bailey was blushing so hard I could feel the heat radiating from her body.
“Oh, you’d remember,” I agreed, tossing back my hair and putting a hand on my hip. “I’m Whi—”
“Whitley!”
I jumped and spun around involuntarily. Harrison was standing beside me, looking thoroughly delighted. “Hello again, darling. You look gorgeous—and the lack of flip-flops is making my day. Those slingbacks are perfect!”
I nodded, glancing over my shoulder at the hot guy, but he’d already moved on and was chatting with a group of kids a few feet away. Goddamn it.
“Wesley is just so busy,” Harrison said, following my gaze. “You have to give him credit for being a great host. He talks to everyone. Seems like way too much work to me.
”
”
Kody Keplinger (A Midsummer's Nightmare (Hamilton High, #3))
“
Sir Bird preens next to me, tucking feathers into place with a low noise in his throat almost like he’s talking to himself. A slow smile spreads across Finn’s face as he rubs his knuckles—black and blue with several bruises from Sir Bird’s beak.
“Let’s see,” he says, flipping through his father’s book. “Here! I’ll need some water in a shallow bowl . . . ink . . . yes, I think this is everything.” He gathers the items, then reads over the entry several times, eyebrows knit in concentration. Dipping his pen in the ink, he whispers strange words while writing on the surface of the water. The ink drips down, elongating the form of the symbols that still hover where he wrote them. I recognize one—change. But the rest I haven’t learned yet.
Then, without warning, he lifts up the bowl and dumps the whole thing onto Sir Bird.
Only instead of getting wet, as the water washes over his body, Sir Bird’s feathers turn . . . blue.
Bright, brilliant, shimmering blue.
Squawking in outrage, Sir Bird hops and flies around the room, frantically shaking his feathers. He lands on the desk with a scrabble of clawed feet, then begins trying to bite off the color.
“Ha!” Finn says, pointing at his knuckles. “Now you’re black and blue, too!”
I can’t help but laugh at my poor, panicking bird. Not to mention the ridiculous pettiness of Finn’s magic show. Picking up Sir Bird, I stroke his feathers and speak softly to him. “Hush now. I’ll make him fix you. You’re still very handsome, but blue isn’t your color, is it?”
He caws mournfully, still pulling at his own feathers.
“Finn.”
He puts his hands behind his back, trying to look innocent. “What? He deserved it.”
“He’s a bird. You can’t really find this much satisfaction in revenge against a bird, can you?”
His voice comes out just a tad petulant. “He started it.
”
”
Kiersten White (Illusions of Fate)
“
Aldrik laughed darkly. “What did you think I was?” he snarled. “Did you think I went to war and read books?” Vhalla took another step back. “You ran head-first into my daily hell. Would it not be more convenient if weapons of death and torture could not talk back?” Vhalla forced herself not to tremble as she looked at him. He glared at her; the orange of the fire reflecting in the black mirrors of his eyes.
With all the bravery she possessed, Vhalla crossed the distance between them; he straightened and looked down at her, imposing. Vhalla swallowed hard and tried to muster her last scrap of confidence. There would be time later to ask him about the real reasons behind the war. For now, they needed to go home.
She grabbed his hand, praying it didn’t burst into flames at her touch. It didn’t.
“Quit being stupid, Aldrik. Let’s go.” His features barely softened, but it was more than enough to know she had made herself clear. Whatever this man was, he wasn’t a monster.
”
”
Elise Kova (Air Awakens (Air Awakens, #1))
“
If one knows what is good for another person who in turn is blind to it, then one must try to open his eyes. One has to leave him the last word, but one must talk to him, to him and not to someone else behind his back.
لو يعرف الواحد ما هو الجيد لشخصٍ آخر هو في المقابل أعمى عن ذلك ، فلابدّ إذن من محاولة أن يفتح له عينيّه ، ثم يترك له الكلمة الأخيرة، لكن على الواحد أن يتحدث إليه ، إليه فقط ، وليس إلى شخصٍ آخرٍ من وراء ظهره.
”
”
Bernhard Schlink
“
People hate these shows, but their hatred smacks of denial. It's all there, all the old American grotesques, the test-tube babies of Whitman and Poe, a great gauntlet of doubtless eyes, big mouths spewing fantastic catchphrase fountains of impenetrable self-justification, muttering dark prayers, calling on God to strike down those who would fuck with their money, their cash, and always knowing, always preaching. Using weird phrases that nobody uses, except everybody uses them now. Constantly talking about 'goals.' Throwing carbonic acid on our castmates because they used our special cup annd then calling our mom to say, in a baby voice, 'People don't get me here.' Walking around half-naked with a butcher knife behind our backs. Telling it like it is, y'all (what-what). And never passive-aggressive, no. Saying it straight to your face. But crying...My God, there have been more tears shed on reality TV than by all the war widows of the world. Are we so raw? It must be so. There are simply too many of them-too many shows and too many people on the shows-for them not to be revealing something endemic. This is us, a people of savage sentimentality, weeping and lifting weights.
”
”
John Jeremiah Sullivan (Pulphead)
“
I was asked to talk to a roomful of undergraduates in a university in a beautiful coastal valley. I talked about place, about the way we often talk about love of place, but seldom how places love us back, of what they give us. They give us continuity, something to return to, and offer familiarity that allows some portion of our lives to remain collected and coherent.
They give us an expansive scale in which our troubles are set into context, in which the largeness of the world is a balm to loss, trouble, and ugliness.
And distant places give us refuge in territories where our own histories aren't so deeply entrenched and we can imagine other stories, other selves, or just drink up quiet and respite.
The bigness of the world is redemption.
Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest.
Being able to travel in both ways matters, and sometimes the way back into the heart of the question begins by going outward and beyond. This is the expansiveness that comes literally in a landscape or that tugs you out of yourself in a story.....
I told the student that they were at an age when they might begin to choose the places that would sustain them the rest of their lives, that places were much more reliable than human beings, and often much longer-lasting, and I asked each of them where they felt at home. They answered, each of them, down the rows, for an hour, the immigrants who had never stayed anywhere long or left a familiar world behind, the teenagers who'd left the home they'd spent their whole lives in for the first time, the ones who loved or missed familiar landscapes and the ones who had not yet noticed them.
I found books and places before I found friends and mentors, and they gave me a lot, if not quite what a human being would. As a child, I spun outward in trouble, for in that inside-out world [of my family], everywhere but home was safe. Happily, the oaks were there, the hills, the creeks, the groves, the birds, the old dairy and horse ranches, the rock outcroppings, the open space inviting me to leap out of the personal into the embrace of the nonhuman world.
”
”
Rebecca Solnit (The Faraway Nearby)
“
But what I would like to know," says Albert, "is whether there would not have
been a war if the Kaiser had said No."
"I'm sure there would," I interject, "he was against it from the first."
"Well, if not him alone, then perhaps if twenty or thirty people in the world had
said No."
"That's probable," I agree, "but they damned well said Yes."
"It's queer, when one thinks about it," goes on Kropp, "we are here to protect
our fatherland. And the French are over there to protect their fatherland. Now who's in the right?"
"Perhaps both," say I without believing it.
"Yes, well now," pursues Albert, and I see that he means to drive me into a
corner, "but our professors and parsons and newspapers say that we are the only
ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?"
"That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in."
Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started.
"Mostly by one country badly offending another," answers Albert with a slight
air of superiority.
Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in
Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat."
"Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other--"
"Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended."
"Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you."
"Then I can be going home right away," retorts Tjaden, and we all laugh, "Ach,
man! he means the people as a whole, the State--" exclaims Mller.
"State, State"--Tjaden snaps his fingers contemptuously, "Gendarmes, police,
taxes, that's your State;--if that's what you are talking about, no, thank you."
"That's right," says Kat, "you've said something for once, Tjaden. State and
home-country, there's a big difference."
"But they go together," insists Kropp, "without the State there wouldn't be any
home-country."
"True, but just you consider, almost all of us are simple folk. And in France,
too, the majority of men are labourers, workmen, or poor clerks. Now just why
would a French blacksmith or a French shoemaker want to attack us? No, it is
merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were."
"Then what exactly is the war for?" asks Tjaden.
Kat shrugs his shoulders. "There must be some people to whom the war is useful."
"Well, I'm not one of them," grins Tjaden.
"Not you, nor anybody else here."
"Who are they then?" persists Tjaden.
"It isn't any use to the Kaiser either. He has everything he can want already."
"I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he would not become famous. You look in your school books."
"And generals too," adds Detering, "they become famous through war."
"Even more famous than emperors," adds Kat.
"There are other people back behind there who profit by the war, that's
certain," growls Detering.
"I think it is more of a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same.
”
”
Erich Maria Remarque (All Quiet on the Western Front)
“
What do I say to a whale, Galen?" I hiss.
"Tell him to come closer."
"No way."
"Fine. Tell him to back up."
I nod. "Right. Okay." I lace my fingers together to keep from wringing my hands raw. Even more than terror, I feel the insanity of the situation. I'm about to ask a fish the size of my house to make a U-turn. Because Galen, the man-fish behind me, doesn't speak humpback. "Uh, can you please back away from me?" I say. I sound polite, like I'm asking him to buy some Girl Scout cookies.
I feel better in the few moments afterward because Goliath doesn't move. It proves Galen doesn't know what he's talking about. It proves this whale can't understand me, that I'm not some Snow White of the ocean. Except that, Goliath does start to turn away.
I look back at Galen. "That's just a coincidence."
Galen sighs. "You're right. He probably mistook us for a relative or something. Tell him to do something else, Emma.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
When they were out of earshot, Ivo announced, "I like her."
Seraphina grinned at her younger brother. "Last week you said you were finished with girls."
"Pandora's a different kind of girl. Not like the ones who are afraid to touch frogs and are always talking about their hair."
Gabriel barely listened to the exchange, his gaze fastened on Pandora's retreating form. She went to the verge of the high water mark where the sand was glossy, and stopped to pick up an interesting shell. Glimpsing another one behind her, she retrieved that as well, and another. She would have continued if Justin hadn't seized her hand and tugged her back on course.
Good God, she really did walk in circles. A pang of tenderness centered in Gabriel's chest like an ache.
He wanted all her circles to lead back to him.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
After dinner, I went upstairs and found Ren standing on the veranda again, looking at the sunset. I approached him shyly and stood behind him. “Hello, Ren.”
He turned and openly studied my appearance. His gaze drifted ever so slowly down my body. The longer he looked, the wider his smile got. Eventually, his eyes worked their way back up to my bright red face.
He sighed and bowed deeply. “Sundari. I was standing here thinking nothing could be more beautiful than this sunset tonight, but I was mistaken. You standing here in the setting sun with your hair and skin aglow is almost more than a man can…fully appreciate.”
I tried to change the subject. “What does sundari mean?”
“It means ‘most beautiful.’”
I blushed again, which made him laugh. He took my hand, tucked it under his arm, and led me to the patio chairs. Just then, the sun dipped below the trees leaving its tangerine glow in the sky for just a few more moments.
We sat again, but this time he sat next to me on the swinging patio seat and kept my hand in his.
I ventured shyly, “I hope you don’t mind, but I explored your house today, including your room.”
“I don’t mind. I’m sure you found my room the least interesting.”
“Actually, I was curious about the note I found. Did you write it?”
“A note? Ah, yes. I just scribbled a few notes to help me remember what Phet had said. It just says seek Durga’s prophecy, the Cave of Kanheri, Kelsey is Durga’s favored one, that sort of thing.”
“Oh. I…also noticed a ribbon. Is it mine?”
“Yes. If you’d like it back, you can take it.”
“Why would you want it?”
He shrugged, looking embarrassed. “I wanted a memento, a token from the girl who saved my life.”
“A token? Like a fair maiden giving her handkerchief to a knight in shining armor?”
He grinned. “Exactly.”
I jested wryly, “Too bad you didn’t wait for Cathleen to get a little older. She’s going to be very pretty.”
He frowned. “Cathleen from the circus?” He shook his head. “You were the chosen one, Kelsey. And if I had the option of choosing the girl to save me, I still would have picked you.”
“Why?”
“A number of reasons. I liked you. You are interesting. I enjoyed listening to your voice. I felt like you saw through the tiger skin to the person underneath. When you spoke, it felt like you were saying exactly the things I needed to hear. You’re smart. You like poetry, and you’re very pretty.”
I laughed at his statement. Me, pretty? He can’t be serious. I was average in so many ways. I didn’t really concern myself with current makeup, hairstyles, or fashionable, but uncomfortable, clothes like other teenagers. My complexion was pale, and my eyes were so brown that they were almost black. By far, my best feature was my smile, which my parents paid dearly for and so did I-with three years of metal braces.
Still, I was flattered. “Okay, Prince Charming, you can keep your memento.” I hesitated, and then said softly, “I wear those ribbons in memory of my mom. She used to brush out my hair and braid ribbons through it while we talked.”
Ren smiled understandingly. “Then it means even more to me.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
After a long and happy life, I find myself at the pearly gates (a sight of great joy; the word for “pearl” in Greek is, by the way, margarita). Standing there is St. Peter. This truly is heaven, for finally my academic questions will receive answers. I immediately begin the questions that have been plaguing me for half a century: “Can you speak Greek? Where did you go when you wandered off in the middle of Acts? How was the incident between you and Paul in Antioch resolved? What happened to your wife?”
Peter looks at me with some bemusement and states, “Look, lady, I’ve got a whole line of saved people to process. Pick up your harp and slippers here, and get the wings and halo at the next table. We’ll talk after dinner.”
As I float off, I hear, behind me, a man trying to gain Peter’s attention. He has located a “red letter Bible,” which is a text in which the words of Jesus are printed in red letters. This is heaven, and all sorts of sacred art and Scriptures, from the Bhagavad Gita to the Qur’an, are easily available (missing, however, was the Reader’s Digest Condensed Version). The fellow has his Bible open to John 14, and he is frenetically pointing at v. 6: “Jesus says here, in red letters, that he is the way. I’ve seen this woman on television (actually, she’s thinner in person). She’s not Christian; she’s not baptized - she shouldn’t be here!”
“Oy,” says Peter, “another one - wait here.”
He returns a few minutes later with a man about five foot three with dark hair and eyes. I notice immediately that he has holes in his wrists, for when the empire executes an individual, the circumstances of that death cannot be forgotten.
“What is it, my son?” he asks.
The man, obviously nonplussed, sputters, “I don’t mean to be rude, but didn’t you say that no one comes to the Father except through you?”
“Well,” responds Jesus, “John does have me saying this.” (Waiting in line, a few other biblical scholars who overhear this conversation sigh at Jesus’s phrasing; a number of them remain convinced that Jesus said no such thing. They’ll have to make the inquiry on their own time.) “But if you flip back to the Gospel of Matthew, which does come first in the canon, you’ll notice in chapter 25, at the judgment of the sheep and the goats, that I am not interested in those who say ‘Lord, Lord,’ but in those who do their best to live a righteous life: feeding the hungry, visiting people in prison . . . ”
Becoming almost apoplectic, the man interrupts, “But, but, that’s works righteousness. You’re saying she’s earned her way into heaven?”
“No,” replies Jesus, “I am not saying that at all. I am saying that I am the way, not you, not your church, not your reading of John’s Gospel, and not the claim of any individual Christian or any particular congregation. I am making the determination, and it is by my grace that anyone gets in, including you. Do you want to argue?”
The last thing I recall seeing, before picking up my heavenly accessories, is Jesus handing the poor man a Kleenex to help get the log out of his eye.
”
”
Amy-Jill Levine (The Misunderstood Jew: The Church and the Scandal of the Jewish Jesus)
“
An artist must regulate his life.
Here is a time-table of my daily acts. I rise at 7.18; am inspired from 10.23 to 11.47. I lunch at 12.11 and leave the table at 12.14. A healthy ride on horse-back round my domain follows from 1.19 pm to 2.53 pm. Another bout of inspiration from 3.12 to 4.7 pm. From 5 to 6.47 pm various occupations (fencing, reflection, immobility, visits, contemplation, dexterity, natation, etc.)
Dinner is served at 7.16 and finished at 7.20 pm. From 8.9 to 9.59 pm symphonic readings (out loud). I go to bed regularly at 10.37 pm. Once a week (on Tuesdays) I awake with a start at 3.14 am.
My only nourishment consists of food that is white: eggs, sugar, shredded bones, the fat of dead animals, veal, salt, coco-nuts, chicken cooked in white water, mouldy fruit, rice, turnips, sausages in camphor, pastry, cheese (white varieties), cotton salad, and certain kinds of fish (without their skin). I boil my wine and drink it cold mixed with the juice of the Fuschia. I have a good appetite but never talk when eating for fear of strangling myself.
I breathe carefully (a little at a time) and dance very rarely. When walking I hold my ribs and look steadily behind me.
My expression is very serious; when I laugh it is unintentional, and I always apologise very politely.
I sleep with only one eye closed, very profoundly. My bed is round with a hole in it for my head to go through. Every hour a servant takes my temperature and gives me another.
”
”
Erik Satie
“
*One clue that there’s something not quite real about sequential time the way you experience it is the various paradoxes of time supposedly passing and of a so-called ‘present’ that’s always unrolling into the future and creating more and more past behind it. As if the present were this car—nice car by the way—and the past is the road we’ve just gone over, and the future is the headlit road up ahead we haven’t yet gotten to, and time is the car’s forward movement, and the precise present is the car’s front bumper as it cuts through the fog of the future, so that it’s now and then a tiny bit later a whole different now, etc. Except if time is really passing, how fast does it go? At what rate does the present change? See? Meaning if we use time to measure motion or rate—which we do, it’s the only way you can—95 miles per hour, 70 heartbeats a minute, etc.—how are you supposed to measure the rate at which time moves? One second per second? It makes no sense. You can’t even talk about time flowing or moving without hitting up against paradox right away. So think for a second: What if there’s really no movement at all? What if this is all unfolding in the one flash you call
the present, this first, infinitely tiny split-second of impact when the speeding car’s front bumper’s just starting to touch the abutment, just before the bumper crumples and displaces the front end and you go violently forward and the steering column comes back at your chest as if shot out of something enormous? Meaning that what if in fact this now is infinite and never really passes in the way your mind is supposedly wired to understand pass, so that not only your whole life but every single humanly conceivable way to describe and account for that life has time to flash like neon shaped into those connected cursive letters that businesses’ signs and windows love so much to use through your mind all at once in the literally immeasurable instant between impact and death, just as you start forward to meet the wheel at a rate no belt ever made could restrain—THE END."
footnote ("Good Old Neon")
”
”
David Foster Wallace (Oblivion)
“
The New York power failure was not the first time the Hell's Angels have confounded the forces of decency and got off scot-free. They are incredibly devious. Law enforcement officials have compared their guile to that of the snipe, a wily beast that many have seen but few have ever trapped. This is because the snipe has the ability to transform himself, when facing capture, into something entirely different. The only other animals capable of this are the werewolf and the Hell's Angel, which have many traits in common. The physical resemblance is obvious, but far more important is the transmogrification factor, the strange ability to alter their own physical structure, and hence "disappear." The Hell's Angels are very close-mouthed about this, but it is a well-known fact among public officials. ... About halfway through our talk I got a strong whiff of the transmogrification factor, but I was hardly prepared for the mayor's special fillip on it. There were plenty of Hell's Angels at the riot, "but they escaped, " he explained, "behind a wall of fire." While he elaborated on this I checked my calendar to make sure I hadn't lost track of the days. If it was Sunday, perhaps he had just come back from church in a high, biblical state of mind. At any moment I expected to hear that the Angels had driven their motorcycles straight into the sea, which had rolled back to let them pass. But no, it wasn't like that. The mayor was not loath to give details of the escape; he wanted law enforcement agencies everywhere to be warned of the Angels' methods. Knowledge is power, he opined.
”
”
Hunter S. Thompson (Hell's Angels)
“
Fine. I understand,” she said with a little shrug, turning her head slightly so he couldn’t see her eyes. “If it’s really that important to you, I’ll go have sex with a human male first. Then I’ll know what I’m talking about before I broach the matter with you again.”
Jacob felt the statement the same way he had felt the blast of Elijah’s intervention the first night he had touched her. It slammed into him with breathtaking brutality, destroying his sense of direction and balance. Rage surged through him, turning his eyes into glistening black voids. The idea of another man touching that precious skin, kissing her sweet, delicious mouth, was more than he could stand. What she was suggesting this time was too much. Beyond too much.
“Over my dead body . . . over my obliterated soul will I ever allow such a thing.” The declaration was a cross between a growl and a soft roar. Bella could see him shaking from head to toe, could feel it vibrating through the door behind her. In all of an instant, the cool, sophisticated Jacob disappeared and a possessive beast reared its head in his place.
Now that’s more like it, Isabella mused, with a mental smile.
“But”—she blinked her wide eyes up at him in all innocence—“you just said—“
“I said forget it, Isabella!” the Enforcer exploded, the pressure of his hands on the door at her back making the wood pop and creak ominously. “No one is going to touch you, do you understand?
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
There’s nothing about me on the jacket because I have no credentials. I majored in English at school, but I only took one creative writing class. I think I got a B. And I never really thought about getting an MFA. I’m too spiteful to take criticism constructively and I’m only comfortable being honest about people behind their backs, so workshops or group critiques were never what I was looking for. For years I just wrote in journals and didn’t really worry about turning any of it into stories or stuff for other people to read, so I guess I developed my writing style by talking to myself, like some homeless people do. Only I used a pen and paper instead of just freaking out on the street. If they switched to a different medium they might be better off. It would probably help if they had someplace to live too.
”
”
Paul Neilan
“
Witcher,’ Three Jackdaws suddenly said, ‘I want to ask you a question.’
‘Ask it.’
‘Why don’t you turn back?’
The Witcher looked at him in silence for a moment. ‘Do you really want to know?’
‘Yes, I do,’ Three Jackdaws said, turning his face towards Geralt.
‘I’m riding with them because I’m a servile golem. Because I’m a wisp of oakum blown by the wind along the highway. Tell me, where should I go? And for what? At least here some people have gathered with whom I have something to talk about. People who don’t break off their conversations when I approach. People who, though they may not like me, say it to my face, and don’t throw stones from behind a fence. I’m riding with them for the same reason I rode with you to the log drivers’ inn. Because it’s all the same to me. I don’t have a goal to head towards. I don’t have a destination at the end of the road.’
Three Jackdaws cleared his throat. ‘There’s a destination at the end of every road. Everybody has one. Even you, although you like to think you’re somehow different.’
‘Now I’ll ask you a question.’
‘Ask it.’
‘Do you have a destination at the end of the road?’
‘I do.’
‘Lucky for you.’
‘It is not a matter of luck, Geralt. It is a matter of what you believe in and what you serve. No one ought to know that better than… than a witcher.’
‘I keep hearing about goals today,’ Geralt sighed. ‘Niedamir’s aim is to seize Malleore. Eyck of Denesle’s calling is to protect people from dragons. Dorregaray feels obligated to something quite the opposite. Yennefer, by virtue of certain changes which her body was subjected to, cannot fulfil her wishes and is terribly undecided. Dammit, only the Reavers and the dwarves don’t feel a calling, and simply want to line their pockets. Perhaps that’s why I’m so drawn to them?’
‘You aren’t drawn to them, Geralt of Rivia. I’m neither blind nor deaf. It wasn’t at the sound of their name you pulled out that pouch. But I surmise…’
‘There’s no need to surmise,’ the Witcher said, without anger.
‘I apologise.’
‘There’s no need to apologise.
”
”
Andrzej Sapkowski (Miecz przeznaczenia (Saga o Wiedźminie, #0.7))
“
What's the story behind the song?
Jane texts back a minute later. She addresses and signs it the ways she usually does. august is so used to it that her eyes have started skipping right over the introduction and sign off.
I don't remember much. I listened to it in an apartment I had when I was 20. I used to think it was one of the most romantic songs I ever heard.
Really? The lyrics are kind of depressing.
No, you gotta listen to the bridge. It's all about loving someone so much you can't stand the idea of losing them, even if it hurts, that all the hard stuff is worth it if you can get through together.
August pulls it up, lets it spin past the first two verses, into the line: You will remember, when this is blown over . . .
Okay, she types, thinking of Wes and how determined he is not to let Isaiah hand him his heart, of Myla holding Niko's hand as he talks to things she can't see, of her mom and a whole life spent searching, of herself, of Jane, of hours on the train - all the things they put themselves through for love. Okay, I get it.
”
”
Casey McQuiston (One Last Stop)
“
I wiped my eyes on my sleeve and jumped when I turned and found Ren’s brother standing behind me as a man.
Ren got up, alert, and watched him carefully, suspicious of Kishan’s every move. Ren’s tail twitched back and forth, and a deep grumble issued from his chest.
Kishan look down at Ren, who had crept even closer to keep an eye on him, and then looked back at me. He reached out his hand, and when I placed mine in it, he lifted it to his lips and kissed it, then bowed deeply with great aplomb. “May I ask your name?”
“My name is Kelsey. Kelsey hayes.”
“Kelsey. Well, I, for one, appreciate all the efforts you have made on our behalf. I apologize if I frightened you earlier. I am,” he smiled, “out of practice in conversing with young ladies. These gifts you will be offering to Durga. Would you kindly tell me more about them?”
Ren growled unhappily.
I nodded. “Is Kishan your given name?”
“My full name is actually Sohan Kishan Rajaram, but you can call me Kishan if you like.” He smiled a dazzling white smile, which was even more brilliant due to the contrast with his dark skin. He offered an arm. “Would you please sit and talk with me, Kelsey?”
There was something very charming about Kishan. I surprised myself by finding I immediately trusted and liked him. He had a quality similar to his brother. Like Ren, he had the ability to set a person completely at ease. Maybe it was their diplomatic training. Maybe it was how their mother raised them. Whatever it was made me respond positively. I smiled at him.
“I’d love to.”
He tucked my arm under his and walked with me over to the fire. Ren growled again, and Kishan shot a smirk in his direction. I noticed him wince when he sat, so I offered him some aspirin.
“Shouldn’t we be getting you two to a doctor? I really think you might need stitches and Ren-“
“Thank you, but no. You don’t need to worry about our minor pains.”
“I wouldn’t exactly call your wounds minor, Kishan.”
“The curse helps us to heal quickly. You’ll see. We’ll both recover swiftly enough on our own. Still, it was nice to have such a lovely young woman tending to my injuries.”
Ren stood in front of us and looked like he was a tiger suffering from apoplexy.
I admonished, “Ren, be civil.”
Kishan smiled widely and waited for me to get comfortable. Then he scooted closer to me and rested his arm on the log behind my shoulders. Ren stepped right between us, nudged his brother roughly aside with his furry head, creating a wider space, and maneuvered his body into the middle. He dropped heavily to the ground and rested his head in my lap.
Kishan frowned, but I started talking, sharing the story of what Ren and I had been through. I told him about meeting Ren at the circus and about how he tricked me to get me to India. I talked about Phet, the Cave of Kanheri, and finding the prophecy, and I told him that we were on our way to Hampi.
As I lost myself in our story, I stroked Ren’s head. He shut his eyes and purred, and then he fell asleep. I talked for almost an hour, barely registering Kishan’s raised eyebrow and thoughtful expression as he watched the two of us together. I didn’t even notice when he’d changed back into a tiger.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Wipe that smarmy, lying smile off your face.” His voice was as dead as his eyes, but it had a razor-sharp bite behind it. She kept her smarmy, lying smile. “I don’t know what you’re talking about.” He stepped toward her, the canines coming out this time. “Here’s your first lesson, girl: cut the horseshit. I don’t feel like dealing with it, and I’m probably the only one who doesn’t give a damn about how angry and vicious and awful you are underneath.” “I don’t think you particularly want to see how angry and vicious and awful I am underneath.” “Go ahead and be as nasty as you want, Princess, because I’ve been ten times as nasty, for ten times longer than you’ve been alive.” She didn’t let it out—no, because he didn’t truly understand a thing about what lurked under her skin and ran claws down her insides—but she stopped any attempt to control her features. Her lips pulled back from her teeth. “Better. Now shift.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
After that, Lily was recuperating and then
dealing with significant financial hardships. The
birth was described to me by Lily and also by
her obstetrician, who I spoke to myself yesterday.
The doctor, in his own words, remembers what
he describes as that ‘hideous day’ like it was yesterday.
The labour, intense and excruciating, lasted
for days. In the end, in extreme distress at
the length of the labour, the baby nearly died.
Lily did die. She was flatline for two minutes and
thirty-eight –”
Alistair didn’t get the opportunity to finish his
grand statement because Nate surged out of his
chair so fast, it flew on its wheels and shot across
the room, slamming into the wall.
“Mr. McAllister…” Alistair said warningly
but Nate was coming swiftly around the table,
coming at her.
At this sight, Lily, too, jumped out of her chair
in a panic, her numbness not that complete, and
backed away in self-defence as Nate came at her,
came at her with purposeful, long strides. She
backed up jerkily, one hand behind her, one hand
in front, retreating until she hit the wall. Before
she knew what he was about, his hard chest came
up against her hand, pushing it back and his body
pressed against hers.
Terrified and confused at this sudden change,
she looked to the right and to the left, anywhere
for escape, anywhere but at Nate.
And to her shock, his hands caught her face,
resting one on either side, gently trying to force
her to look into his impossibly dark eyes.
“I didn’t know,” he whispered and the absolute
ache dripping from his first words said to her
since she found out he was alive cut through her
thin shield of numbness like a razor.
She attempted to pull her face free but his
hands tightened.
“Lily, I didn’t know,” he repeated, and she
caught his eyes and they were glittering dark with
something that she couldn’t read, something
hideously painful and she had to get away from
it. Was desperate to get away from it. She needed
to flee.
She tried to look over his shoulder but he was
too tall, too close. Things were happening in the
room, there was urgent talk, maybe even a tussle.
But all she could see was Nate.
”
”
Kristen Ashley (Three Wishes)
“
Kristin comes down the stairs, and the pressure on my chest snaps. I take a moment to turn away, inhaling deeply, blinking away tears. She sets the plate on a table behind the couch, and half tiptoes back up the stairs.
Thank god. I don’t think I could have handled maternal attention right this second. My body feels like it’s on a hair trigger.
I need to get it together. This is why people avoid me. Someone asks if I want a drink and I have a panic attack.
“You’re okay.” Declan is beside me, and his voice is low and soft, the way it was in the foyer. He’s so hard all the time, and that softness takes me by surprise. I blink up at him.
“You’re okay,” he says again.
I like that, how he’s so sure. Not Are you okay? No question about it.
You’re okay.
He lifts one shoulder in a half shrug. “But if you’re going to lose it, this is a pretty safe place to fall apart.” He takes two cookies from the plate, then holds one out to me. “Here. Eat your feelings.”
I’m about to turn him down, but then I look at the cookie. I was expecting something basic, like sugar or chocolate chip. This looks like a miniature pie, and sugar glistens across the top. “What . . . is that?”
“Pecan pie cookies,” says Rev. He’s taken about five of them, and I think he might have shoved two in his mouth at once. “I could live on them for days.”
I take the one Declan offered and nibble a bit from the side. It is awesome.
I peer up at him sideways. “How did you know?”
He hesitates, but he doesn’t ask me what I mean. “I know the signs.”
“I’m going to get some sodas,” Rev says slowly, deliberately. “I’m going to bring you one. Blink once if that’s okay.”
I smile, but it feels watery around the edges. He’s teasing me, but it’s gentle teasing. Friendly. I blink once.
This is okay. I’m okay. Declan was right.
“Take it out on the punching bag,” calls Rev. “That’s what I do.”
My eyes go wide. “Really?”
“Do whatever you want,” says Declan. “As soon as we do anything meaningful, the baby will wake up.”
Rev returns with three sodas. “We’re doing something meaningful right now.”
“We are?” I say.
He meets my eyes. “Every moment is meaningful.”
The words could be cheesy—should be cheesy, in fact—but he says them with enough weight that I know he means them. I think of The Dark and all our talk of paths and loss and guilt.
Declan sighs and pops the cap on his soda. “This is where Rev starts to freak people out.”
“No,” I say, feeling like this afternoon could not be more surreal. Something about Rev’s statement steals some of my earlier guilt, to think that being here could carry as much weight as paying respects to my mother. I wish I knew how to tell whether this is a path I’m supposed to be on. “No, I like it. Can I really punch the bag?”
Rev shrugs and takes a sip of his soda. “It’s either that or we can break out the Play-Doh
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
Will you look after my family?" I attempted a smile. "Tommy's going to need a...big brother. Someone to fish with." It seemed stupid to be talking about this stuff,but there weren't any words for the bigger stuff anymore. "He makes his own flies." Jack already knew this.
"Becks-"
"And make sure he doesn't play football." Jack tilted his head at this. "I mean,football's fine, bit it's dangerous.I don't want him concussed-"
"Becks,stop."
"Just tell me you'll do it." I closed my eyes. "Tell me."
There was a long pause,and I wasn't sure there'd be time for him to answer anymore.But after a few moments,he did. "No."
My eyes shot open. "What?"
His eyes were tight,his expression on fire with blazing determination. "You watch over Will."
"What are you...?" My voice trailed off as it dawned on me what was going on. "No!" I tried to wiggle my hands free from his grip. "Don't you dare, Jack Caputo!"
But I couldn't break from his strong grasp. I twisted and thrashed but that only made Jack hold on tighter. He closed his eyes and said, "Stay with me,Becks.Dream of me. I am ever yours."
"No! I will forgive you!" I tried to pull back.Tried to get close enough for the Tunnels to suck me away instantaneously.But Jack had to be about twice my weight and pure muscle. "Let me go!"
He ignored me.In the quickest, strongest move I would ever know,Jack yanked me toward him and threw me to the ground behind him.Away from the Tunnels.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
I used to have a pretty dim view of humanity,” Tony said. “But since I started traveling—particularly to places where I anticipated being treated badly—I am on balance pretty convinced that generally speaking the human race are doing the best they can to be as good as they can, under the circumstances, whatever they may be. I guess my hope is the more people see of the world, in person hopefully, or even on television, they see ordinary people doing ordinary things, so when news happens at least they have a better idea of who we’re talking about. Put a face to some empathy, to some kinship, to some understanding. This surely is a good thing. I hope it’s a useful thing.” “And this is why a show like yours is terrific,” the president said. “Because it reminds people that actually there’s a whole bunch of the world that on a daily basis is going about its business, eating at restaurants, taking their kids to school, trying to make ends meet, playing games. The same way we are back home.
”
”
Tom Vitale (In the Weeds: Around the World and Behind the Scenes with Anthony Bourdain)
“
I’m surprised to see you here.”
“You shouldn’t be,” Neal said. He lifted his chin and looked directly in her eyes. For the second time in five minutes. For the second time ever. “I’m here because I knew you’d be here. Because I hoped you would be.”
Georgie felt like a snake was unwinding itself in the back of her neck and along her shoulders. She swayed a little, and her mouth clicked open. “Oh.”
Neal looked away, and Georgie took in three gallons of air.
He was shaking his head. “I’m... sorry,” he said. “I wanted to see you. But then I got angry. I didn’t know what to – you’ve been ignoring me.”
“I haven’t been ignoring you,” she said.
“You stopped coming back to talk to me.”
“I thought I was bothering you.”
“You weren’t bothering me,” he said, facing her again. “Why would you think that?”
“Because you never come talk to me.”
“I never had to come talk to you.” Neal looked bewildered. “You always came to me.”
“I...” Georgie finished her drink so she could put down the cup.
Neal took it from her. He set the cup and his bottle on a desk behind him.
“I thought I was bothering you,” she said. “I thought you were just humoring me.”
“I thought you got tired of me,” he said.
She brought her hands up to her forehead. “Maybe we should stop thinking.
”
”
Rainbow Rowell (Landline)
“
Desperately trying to remember her manners, she curtseyed and murmured, "Your Grace."
The smile lines at his eyes deepened subtly. "You appear to be in need of rescue. Why don't you come inside with me, away from this riffraff? The duchess is eager to meet you." As Pandora hesitated, thoroughly intimidated, he assured her. "I'm quite trustworthy. In fact, I'm very nearly an angel. You'll come to love me in no time."
"Take heed," Lord St. Vincent advised Pandora sardonically, fastening the loose sides of his vest. "My father is the pied piper of gullible women."
"That's not true," the duke said, "The non-gullible ones follow me as well."
Pandora couldn't help chuckling. She looked up into silvery-blue eyes lit with sparks of humor and playfulness. There was something reassuring about his presence, the sense of a man who truly liked women.
When she and Cassandra were children, they had fantasized about a handsome father who would lavish them with affection and advice, and spoil them just a little, but not too much. A father who might have let them stand on his feet to dance. This man looked very much like the one Pandora had imagined.
She moved forward and took his arm.
"How was your journey, my dear?" the duke asked as he escorted her into the house.
Before Pandora could reply, Lord St. Vincent spoke from behind them. "Lady Pandora doesn't like small talk, Father. She would prefer to discuss topics such as Darwin, or women's suffrage."
"Naturally an intelligent young woman would wish to skip over mundane chitchat," the duke said, giving Pandora such an approving glance that she fairly glowed. "However," he continued thoughtfully, "most people need to be guided into a feeling of safety before they dare reveal their opinions to someone they've only just met. There's a beginning to everything, after all. Every opera has its prelude, every sonnet its opening quatrain. Small talk is merely a way of helping a stranger to trust you, by first finding something you can both agree on."
"No one's ever explained it that way before," Pandora said with a touch of wonder. "It actually makes sense. But why must it be so often about weather? Isn't there something else we all agree on? Runcible spoons- everyone likes those, don't they? And teatime, and feeding ducks."
"Blue ink," the duke added. "And a cat's purr. And summer storms- although I suppose that brings us back to weather."
"I wouldn't mind talking about weather with you, Your Grace," Pandora said ingenuously.
The duke laughed gently. "What a delightful girl.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
lower her to my side and pull her against me so that her head is resting on my jacket. Her breath tastes like starburst and it makes me want to keep kissing her until I can identify every single flavor. Her hand touches my arm and she gives it a tight squeeze just as my tongue slips inside her mouth. That would be strawberry on the tip of her tongue. She keeps her hand on my arm, periodically moving it to the back of my head, then returning it to my arm. I keep my hand on her waist, never once moving it to touch any other part of her. The only thing we explore is each other’s mouths. We kiss without making another sound. We kiss until the alarm sounds off on my phone. Despite the noise, neither of us stops kissing. We don’t even hesitate. We kiss for another solid minute until the bell rings in the hallway outside and suddenly lockers are slamming shut and people are talking and everything about our moment is stolen from us by all the inconvenient external factors of school. I still my lips against hers, then slowly pull back. “I have to get to class,” she whispers. I nod, even though she can’t see me. “Me, too,” I reply. She begins to scoot out from beneath me. When I roll onto my back, I feel her move closer to me. Her mouth briefly meets mine one more time, then she pulls away and stands up. The second she opens the door, the light from the hallway pours in and I squeeze my eyes shut, throwing my arm over my face. I hear the door shut behind her and by the time I adjust to the brightness, the light is gone again. I sigh heavily. I also remain on the floor until my physical reaction to her subsides. I don’t know who the hell she was or why the hell she ended up here, but I hope to God she comes back. I need a whole hell of a lot more of that. • • • She didn’t come back the next day. Or the day after that. In fact, today marks exactly a week since she literally fell into my arms, and I’ve convinced myself that maybe that whole day was a dream. I did stay up most of the night before watching zombie movies with Chunk, but even though I was going on two hours of sleep, I don’t know that I would have been able to imagine that. My fantasies aren’t that fun. Whether she comes back or not, I still don’t have a fifth period and until someone calls me out on it, I’ll keep hiding out in here. I actually slept way too much last night, so I’m not tired. I pull my phone out to text Holder when the door to the closet begins to open. “Are you in here, kid?” I hear her whisper. My heart immediately picks up pace and I can’t tell if it’s that she came back or if it’s because the
”
”
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
“
STARS
Here in my head, language
keeps making its tiny noises.
How can I hope to be friends
with the hard white stars
whose flaring ad hissing are not speech
but a pure radiance?
How can I hope to be friends
with the yawning spaces between them
where nothing, ever, is spoken?
Tonight, at the edge of the field,
I stood up very still, and looked up,
and tried to be empty of words.
What joy was it, that almost found me?
What amiable peace?
Then it was over, the wind
roused up in the oak trees behind me
and I fell back, easily.
Earth has a hundred thousand pure contraltos-
even the distant night bird
as it talks threat, as it talks love
over the cold, black fields.
Once, deep in the woods,
I found the skull of a bear
and it was utterly silent-
and once a river otter, in a steel trap,
and it too was utterly silent.
What can we do
but keep breathing in and out,
modest and willing, and in our places?
Listen, listen, I’m forever saying,
Listen to the river, to the hawk, to the hoof,
to the mockingbird, to the jack-in-the-pulpit-
then I come up with a few words, like a gift.
Even as now.
Even as the darkness has remained the pure, deep darkness.
Even as the stars have twirled a little, while I stood here,
looking up,
one hot sentence after another.
”
”
Mary Oliver
“
My bad mood returns like an unwanted rash. “I got in a fight with Logan. And that’s all I’m saying on the subject, because if I talk about it right now, it’ll just piss me off again and then I’ll be too distracted to produce Dumb and Dumber’s show.”
We both glance at the main booth, where Evelyn is using the reflection on her water glass to check her makeup, dabbing delicately at her eye shadow. Pace is engrossed with his phone, his chair tipped back so far that I predict a very loud disaster in the near future.
“God, I love them,” Daisy says with a snicker. “I don’t think I’ve ever met two more self-absorbed people.”
Morris saunters out of the booth and wanders over to us. He notices Daisy’s shirt and says, “Sweetheart, we’re at work. Show some decorum.”
“Says the guy who ripped this shirt off me in the supply closet.” Rolling her eyes, she takes a step away. “I’m going to make myself presentable in the bathroom. I’d do it out here, but I’m scared Dumber might take a picture and post it on a porn site.”
“Wait, the names Dumb and Dumber actually correspond to each of them?” Morris says in surprise. “I thought it was more of a general thing. Which one is Dumber?”
The second the question leaves his mouth, a muffled crash reverberates from the booth, and we all turn to see Pace tangled up on the floor. Yup, the guy who spent an hour regaling me about his cow-tipping days back in Iowa? Tipped himself right over.
From behind the glass, Pace bounces to his feet, notices us staring, and mouths the words, “I’m okay!”
Morris sighs. “I withdraw the question
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
The bus stops right in front of our house and takes me day to day, week to week, and month to month of the same girls saying the same things. But at the end of March, as I stand on the stage, accepting my award for receiving 100 percent in every class for the whole month, I catch a glimpse of myself in the certificate's shiny gold stamp and finger my baby hair back away from my face. I know I'm not going to get stuck on the bus with those girls. I'm going to travel places too far for them to see, miles and miles outside of being black, past the snap of their fingers with the complementary 'Baby, boom,' 'Baby, pop,' or 'Baby, please,' past anything they say about me until I can feel them so far behind that I can look back and see stupid little girls, still occasionally talking their smack, pushing me on.
”
”
Liara Tamani (Calling My Name)
“
I really like you, Evelyn.” I looked at her sideways. She laughed at me. “I know that’s probably not something most actresses mean in this town, but I don’t want to be like most actresses. I really like you. I like watching you on-screen. I like how the moment you show up in a scene, I can’t look at anything else. I like the way your skin is too dark for your blond hair, the way the two shouldn’t go together and yet seem so natural on you. And to be honest, I like how calculating and awful you kind of are.” “I am not awful!” Celia laughed. “Oh, you definitely are. Getting me fired because you think I’ll show you up? Awful. That’s just awful, Evelyn. And walking around bragging about how you use people? Just terrible. But I really like it when you talk about it. I like how honest you are, how unashamed. So many women around here are full of crap with everything they say and do. I like that you’re full of crap only when it gets you something.” “This laundry list of compliments seems to have a lot of insults in it,” I said. Celia nodded, hearing me. “You know what you want, and you go after it. I don’t think there is anyone in this town doubting that Evelyn Hugo is going to be the biggest star in Hollywood one of these days. And that’s not just because you’re something to look at. It’s because you decided you wanted to be huge, and now you’re going to be. I want to be friends with a woman like that. That’s what I’m saying. Real friends. None of this Ruby Reilly, backstabbing, talking-about-each-other-behind-our-backs crap. Friendship. Where each of us gets better, lives better, because we know the other.” I
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
I think I'll say goodnight here," Jack said.
"My dad's not so bad."
"Oh yeah,he was great...right up until the time I started dating his daughter."
I'd seen how my dad had become considerably colder toward Jack. There were little clues,like the other evening when out of nowhere he told Jack about how every football player he went to high school with had gotten fat after graduation.We'd been talking about what to make for dinner.
"Okay," I said. "Maybe next time." I leaned over to peck him on the cheek, but he grabbed my face in both of his hands and kissed me. His breath tasted like the mints the chaperones had passed out when the dance was over, and when he parted his lips against mine, I shivered, but not because of the cold. I pressed against him even more and hoped the dark inside the car obscured my dad's view.
But I knew better than to push it.As I was about to break away,Jack put his hands behind my waist and pulled me even closer,practically lifting me over the center console,so I was sitting in his lap.
I pulled back. "My dad's going to love that-"
He put his finger over my lips, cutting me off. "Please don't talk about your dad when I'm kissing you. Besides, unless he's enacted a law against it-"
"Which he may well do after tonight," I interrupted.
He smiled and then brought my face to his again for a few moments before finally releasing me.
"After that kiss,we'd better dream of the same thing tonight," he said with a smirk.
My face got even warmer,but I tried to speak in a calm voice. "I'll probably dream my usual dream,where I show up to school without any clothes on."
"Me too." Jack chuckled.I gave his shoulder a playful shove.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
Can I cuddle up with you when you sleep?”
Sma stopped, detached the creature from her shoulder with one hand and stared it in the face. “What?”
“Just for chumminess’ sake,” the little thing said, yawning wide and blinking. “I’m not being rude; it’s a good bonding procedure.”
Sma was aware of Skaffen-Amtiskaw glowing red just behind her. She brought the yellow and brown device closer to her face. “Listen, Xenophobe—”
“Xeny.”
“Xeny. You are a million-ton starship. A Torturer class Rapid Offensive Unit. Even—”
“But I’m demilitarized!”
“Even without your principle armament, I bet you could waste planets if you wanted to—”
“Aw, come on; any silly GCU can do that!”
“So what’s all this shit for?” She shook the furry little remote drone, quite hard. Its teeth chattered.
“It’s for a laugh!” it cried. “Sma, don’t you appreciate a joke?”
“I don’t know. Do you appreciate being drop-kicked back to the accommodation area?”
“Ooh! What’s your problem, lady? Have you got something against small furry animals, or what?” Look Ms. Sma, I know very well I’m a ship, and I do everything I’m asked to do—including taking you to this frankly rather fuzzily specified destination—and do it very efficiently, too. If there was the slightest sniff of any real action, and I had to start acting like a warship, this construct in your hands would go lifeless and limp immediately, and I’d battle as ferociously and decisively as I’ve been trained to. Meanwhile, like my human colleagues, I amuse myself harmlessly. If you really hate my current appearance, all right; I’ll change it; I’ll be an ordinary drone, or just a disembodied voice, or talk to you through Skaffen-Amtiskaw here, or through your personal terminal. The last thing I want is to offend a guest.”
Sma pursed her lips. She patted the thing on its head and sighed. “Fair enough.”
“I can keep this shape?”
“By all means.”
“Oh goody!” It squirmed with pleasure, then opened its big eyes wide and looked hopefully at her. “Cuddle?”
“Cuddle.” Sma cuddled it, patted its back.
She turned to see Skaffen-Amtiskaw lying dramatically on its back in midair, its aura field flashing the lurid orange that was used to signal Sick Drone in Extreme Distress.
”
”
Iain M. Banks (Use of Weapons (Culture, #3))
“
Mr. Kadam bowed and said, “Miss Kelsey, I will leave you to your dining companion. Enjoy your dinner.” Then he walked out of the restaurant.
“Mr. Kadam, wait. I don’t understand.”
Dining companion? What is he talking about? Maybe he’s confused.
Just then, a deep, all-too-familiar voice behind me said, “Hello, Kells.”
I froze, and my heart dropped into my stomach, stirring up about a billion butterflies. A few seconds passed. Or was it a few minutes? I couldn’t tell.
I heard a sigh of frustration. “Are you still not talking to me? Turn around, please.”
A warm hand slid under my elbow and gently turned me around. I raised my eyes and gasped softly. He was breathtaking! So handsome, I wanted to cry.
“Ren.”
He smiled. “Who else?”
He was dressed in an elegant black suit and he’d had his hair cut. Glossy black hair was swept back away from his face in tousled layers that tapered to a slight curl at the nape of his neck. The white shirt he wore was unbuttoned at the collar. It set off his golden-bronze skin and his brilliant white smile, making him positively lethal to any woman who might cross his path. I groaned inwardly.
He’s like…like James Bond, Antonio Banderas, and Brad Pitt all rolled into one.
I decided the safest thing to do would be to look at his shoes. Shoes were boring, right? Not attractive at all. Ah. Much better. His shoes were nice, of course-polished and black, just like I would expect. I smiled wryly when I realized that this was the first time I’d ever seen Ren in shoes.
He cupped my chin and made me look at his face. The jerk. Then it was his turn to appraise me. He looked me up and down. And not a quick look. He took it all in slowly. The kind of slow that made a girl’s face feel hot. I got mad at myself for blushing and glared at him.
Nervous and impatient, I asked, “Are you finished?”
“Almost.” He was now staring at my strappy shoes.
“Well, hurry up!”
His eyes drifted leisurely back up to my face and he smiled at me appreciatively, “Kelsey, when a man spends time with a beautiful woman, he needs to pace himself.”
I quirked an eyebrow at him and laughed. “Yeah, I’m a regular marathon alright.”
He kissed my fingers. “Exactly. A wise man never sprints…in a marathon.”
“I was being sarcastic, Ren.”
He ignored me and tucked my hand under his arm then led me over to a beautifully lit table. Pulling the chair out for me, he invited me to sit.
I stood there wondering if I could sprint for the nearest exit. Stupid strappy shoes, I’d never make it.
He leaned in close and whispered in my ear. “I know what you’re thinking, and I’m not going to let you escape again. You can either take a seat and have dinner with me like a normal date,” he grinned at his word choice, “or,” he paused thoughtfully then threatened, “you can sit on my lap while I force-feed you.”
I hissed, “You wouldn’t dare. You’re too much of a gentleman to force me to do anything. It’s an empty bluff, Mr. Asks-For-Permission.”
“Even a gentleman has his limits. One way or another, we’re going to have a civil conversation. I’m hoping I get to feed you from my lap, but it’s your choice.”
He straightened up again and waited. I unceremoniously plunked down in my chair and scooted in noisily to the table. He laughed softly and took the chair across from me. I felt guilty because of the dress and readjusted my skirt so it wouldn’t wrinkle.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
I love you.” She was almost angry. “Do you get it? You. These kids. This life. It is my world.”
He nodded. She knew he felt the same way, but this Blake didn’t talk, he proved. He found the spot on her body that made her see white and held her until she was desperate for more. Then he reached behind her and turned on the washer.
Dirty. Filthy for her. He kissed her and added tongue, bit her neck gently while the vibrations from the machine increased.
She would come for him like this. He pushed up her shirt and pulled down her panties so he could be inside her when she was lost in the ecstasy of it, of him.
He came right after she did, and she locked him close with her legs, dragging her nails down his back as he bit his lip to stay quiet.
He kissed the top of her head in between gasps for air. He looked in her eyes before responding, “I get it.
”
”
Debra Anastasia (Saving Poughkeepsie (Poughkeepsie Brotherhood, #3))
“
She heard him close the door. “I was going to impress you with my romantic eloquence, of course. I’d thought to wax philosophical about the beauty of your brow.”
Lucy blinked. “My brow?”
“Mmm. Have I told you that your brow intimidates me?” She felt his warmth at her back as he moved behind her, but he didn’t touch her. “It’s so smooth and white and broad, and ends with your straight, knowing eyebrows, like a statue of Athena pronouncing judgment. If the warrior goddess had a brow like yours, it is no wonder the ancients worshiped and feared her.”
“Blather,” she murmured.
“Blather, indeed. Blather is all I am, after all.”
She frowned and turned to contradict him, but he moved with her so that she couldn’t quite catch sight of his face.
“I am the duke of nonsense,” he whispered in her ear. “The king of farce, the emperor of emptiness.”
Did he really see himself so? “But—”
“Blathering is what I do best,” he said, still unseen. “I’d like to blather about your golden eyes and ruby lips.”
“Simon—”
“The perfect curve of your cheek,” he murmured close.
She gasped as his breath stirred the hair at her neck. He was distracting her with lovemaking. And it was working. “What a lot of talk.”
“I do talk too much. It’s a weakness you’ll have to bear in your husband.” His voice was next to her ear. “But I’d have to spend quite a bit of time outlining the shape of your mouth, its
softness and the warmth within.
-Simon to Lucy on their wedding night.
”
”
Elizabeth Hoyt (The Serpent Prince (Princes Trilogy, #3))
“
A rain of pebbles from overhead makes me glance up in time to see Ruthann step onto the lip of the cliff, another fifteen feet above me. Her body is wrapped tight in a pure white robe.
"Ruthann!" I shout, my voice caroming off the rock walls, an obscenity.
She looks down at me. Across the distance our eyes meet.
"Ruthann, don't," I whisper, but she shakes her head.
I'm sorry.
In that half-second, I think about Wilma and Derek and me, all the people who do not want to beleft behind, who think we know what is best for her. I think about the doctors and the medicines Ruthann lied about taking. I think about how I could talk her down from that ledge like I have talked down a dozen potential suicide victims. Yet the right thing to do, here, is subjective. Ruthann's family, who wants her alive, will not be the one to lose hair from drugs, to have surgery to remove her breast, to die by degrees. It is easy to say that Ruthann should come down from that cliff, unless you are Ruthann.
I know better than anyone what it feels like to have someone else make choices for you, when you deserve to be making them yourself.
I look at Ruthann, and very slowly, I not.
She smiles at me, and so I am her witness -- as she unwraps the wedding robe from her narrow shoulders and holds is across her back like the wide wings of a hawk. As she steps off the edge of the cliff and rises to the Spirit World. As the owls bear her body to the broken ground.
”
”
Jodi Picoult (Vanishing Acts)
“
I prayed to a mystery.
Sometimes I was simply aware of the mystery. I saw a flash of it during a trip to New York that David and I took before we were married. We were walking on a busy sidewalk in Manhattan. I don't remember if it was day or night. A man with a wound on his forehead came toward us. His damp, ragged hair might have been clotted with blood, or maybe it was only dirt. He wore deeply dirty clothes. His red, swollen hands, cupped in half-fists, swung loosely at his sides. His eyes were focused somewhere past my right shoulder. He staggered while he walked. The sidewalk traffic flowed around him and with him. He was strange and frightening, and at the same time he belonged on the Manhattan sidewalk as much as any of us. It was that paradox -- that he could be both alien and resident, both brutalized and human, that he could stand out in the moving mass of people like a sea monster in a school of tuna and at the same time be as much at home as any of us -- that stayed with me. I never saw him again, but I remember him often, and when I do, I am aware of the mystery.
Years later, I was out on our property on the Olympic Peninsula, cutting a path through the woods. This was before our house was built. After chopping through dense salal and hacking off ironwood bushes for an hour or so, I stopped, exhausted. I found myself standing motionless, intensely aware of all of the life around me, the breathing moss, the chattering birds, the living earth. I was as much a part of the woods as any millipede or cedar tree. At that moment, too, I was aware of the mystery.
Sometimes I wanted to speak to this mystery directly. Out of habit, I began with "Dear God" and ended with "Amen". But I thought to myself, I'm not praying to that old man in the sky. Rather, I'm praying to this thing I can't define. It was sort of like talking into a foggy valley.
Praying into a bank of fog requires alot of effort. I wanted an image to focus on when I prayed. I wanted something to pray *to*. but I couldn't go back to that old man. He was too closely associated with all I'd left behind.
”
”
Margaret D. McGee
“
The desert frightens me, I think. It looks too much like the seventh circle of hell. I'm afraid of damnation."
"Why?"
"Why?" Evelyn repeated, peering at Ann from behind her hand. She lay back again and closed her eyes. "I don't know. I've always supposed everyone is."
"Well, they're not. I, for instance, am a hell of a lot more frightened of being saved." Evelyn chuckled.
"I'm serious," Ann protested. "Virtue smells to me of rotting vegetation. Here you burn or freeze. Either way it's clean."
"Sterile," Evelyn said and felt the word a laceration of her own flesh. "I wonder. It's fertility that's a dirty word for me."
"Is it?"
"Yes, I'm terrified of giving in, of justifying my own existence by means of simple reproduction. So many people do or try to. And there are the children, so unfulfilling after all. And they grow up to do nothing but reproduce children who will reproduce, everyone so busy reproducing that there's no time to produce anything. But it's such a temptation. It seems so natural — another dirty word for me. What's the point?"
"You'd have the human race die out?"
"No. We'll multiply in spite of ourselves always. We'll populate the desert. One day there will be little houses and docks all along this shore, signs of our salvation."
"What would you have us do instead?" Evelyn asked.
"Accept damnation," Ann said. "It has its power and its charm. And it's real."
"So we should all get jobs in gambling casinos."
"We all do," Ann said, her voice amused. "What do you think the University of California is? It's just a minor branch of the Establishment. The only difference is that it has to be subsidized."
"Are you talking nonsense on purpose?"
"No, I'm serious."
"You think nothing has any value?"
"No, I think everything has value, absolute value, a child, a house, a day's work, the sky. But nothing will save us. We were never meant to be saved."
"What were we meant for then?"
"To love the whole damned world," Ann said…
"I live in the desert of the heart," Evelyn said quietly, "I can't love the whole damned world." 'Love me, Evelyn.' 'I do.
”
”
Jane Rule (Desert of the Heart)
“
As I lay there, trying to swallow a loud, obnoxious yawn, I remembered something he’d said when we first met, about life being too short. I imagined he had firsthand experience with shortened lives while he was serving. That mentality came from experience. I got that now. Could even understand it, but there was something I didn’t understand.
“Why?” I asked.
There was a beat. “Why what?”
Jax sounded tired, and I should shut up or point out that I was now tired and could sleep, so he could leave. But I didn’t. “Why are you here? You don’t know me and . . .” I trailed off, because there really wasn’t anything left to say.
A minute went by, and he hadn’t answered my question, and then I think another minute ticked on, and I was okay with him not answering because maybe he didn’t even know. Or maybe he was just bored and that was why he was here.
But then he moved.
Jax pressed against my back, and the next breath I took got stuck in my throat. My eyes shot open. The sheet and blanket were between us, but they felt like nothing.
“What are you doing?” I asked.
“Getting comfortable.” He dropped an arm over my waist, and my entire body jerked against his. “It’s time to sleep I think.”
“But—”
“You can’t sleep when you talk,” he remarked.
“You don’t need to be all up on me,” I pointed out.
His answering chuckle stirred the hair along the back of my neck. “Honey, I’m not all up on you.”
I freaking begged to differ on that point. I started to wiggle away, but the arm around my waist tightened, holding me in place.
“You’re not going anywhere,” he announced casually, as if he wasn’t holding me prisoner in the bed.
Okay. The whole prisoner thing might be melodramatic, but he wasn’t letting me up. Not when he was getting all kinds of comfy behind me.
Oh my God, this was spooning. Total spooning. I was spooning with an honorary member of the Hot Guy Brigade. Did I wake up in a parallel universe?
“Sleep,” he demanded, as if the one word carried that much power. “Go to sleep, Calla.” This time his voice was softer, quieter.
“Yeah, it doesn’t work that way, Jax. You have a nice voice, but it doesn’t hold the power to make me sleep on your command.”
He chuckled.
I rolled my eyes, but the most ridiculous thing ever was the fact that after a couple of minutes, my eyes stayed shut. I . . . I actually settled in against him. With his front pressed to my back, his long legs cradling mine, and his arm snug around my waist, I actually did feel safe. More than that, I felt something else—something I hadn’t felt in years.
I felt cared for . . . cherished.
Which was the epitome of dumb, because I barely knew him, but feeling that, recognizing what the warm, buzzing feeling was, I fell right asleep.
”
”
J. Lynn (Stay with Me (Wait for You, #3))
“
She ran into Dmitri during her search. Dressed in a slick black-on-black suit, his hair brushed perfectly, he just raised an eyebrow when he saw her. Elena pointed the half-eaten chocolate bar at him. “Mess with me and I will shoot you through the heart, I swear to God. I am so far past hangry, I’m homicidal.” A twitch of his lips. “Have you tried drinking blood?” Elena nearly pulled out her crossbow and carried through on her threat—the asshole was powerful, would survive it—then she realized he was serious. “Blood?” “Archangelic blood in particular. Violent amount of energy in it.” Finishing off the chocolate bar, Elena considered it. “I’m not a vampire. Would it even work?” Forget about the actual drinking blood part of it; if it would stop the hunger gnawing at her from the inside out, she’d pinch her nose closed and throw it back like medicine. Dmitri shrugged. “What have you got to lose?” “I’ll talk to Raphael.” Walking past, she said, “Sometimes, I can almost believe you might once have been human.” “Clearly, I need to up my game.” A hint of fur and champagne wrapped around her, sensual and caressing and mocking. “Argh!” Swiveling, she had the crossbow in her hand and was shooting the bolt before she could think about it. Dmitri moved . . . and the crossbow bolt thudded home in the wall behind him. “Destroying Tower property again.” A headshake followed those censorious words. “‘Don’t get involved with the white-haired accident-on-legs,’ I said to Raphael, but did he listen?” “Give me back my bolt you scent-infested-excuse-for-a-vampire.
”
”
Nalini Singh (Archangel's Prophecy (Guild Hunter, #11))
“
That night, after the lates had been cleared, Robb carried Bran up to bed himself. Grey Wind led the way, and Summer came close behind. His brother was strong for his age, and Bran was as light as a bundle of rags, but the stairs were steep and dark, and Robb was breathing hard by the time they reached the top.
He put Bran into bed, covered him with blankets, and blew out the candle. For a time Robb sat beside him in the dark. Bran wanted to talk to him, but he did not know what to say. "We'll find a horse for you, I promise," Robb whispered at last.
"Are they ever coming back?" Bran asked him.
"Yes," Robb said with such hope in his voice that Bran knew he was hearing his brother and not just Robb the Lord. "Mother will be home soon. Maybe we can ride out to meet her when she comes. Wouldn't that surprise her, to see you ahorse?" Even in the dark room, Bran could feel his brother's smile. "And afterward, we'll ride north to see the Wall. We won't even tell Jon we're coming, we'll just be there one day, you and me. It will be an adventure."
"An adventure," Bran repeated wistfully. He heard his brother sob. The room was so dark he could not see the tears on Robb's face, so he reached out and found his hand. Their fingers twined together.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
What were you doing with her?” The words burst from my lips. Before I can take them back, he stares at me.
I stare back at him as the silence stretches onwards.
We’re both stiff. He says nothing.
“Maybe I should ask you the same thing.”
I shake my head, my nails digging into my palms.
Then before I can react, he has pushed me roughly up the wall, his eyes now dark and fiery, like a storm ready to unleash itself. Good. He’s mad too. His hands force me to the wall as he presses his body against mine. The intensity of the move, the feel of him makes my breath hitch.
“Get off me,” I seethe, pounding my fists into his chest but Adrian keeps me locked in place, so that his breath caresses my ear.
“Were you guys too rushed?’ He mocks. “Too desperate to book a hotel room?”
I can barely stifle a disgusted snort. “What are you talking about?” Fury pumps through my head. “A hotel room? What kind of girl do you think I am—mmf?”
He moves against me, moving to kiss me. The moment where his lips meet mine hard and unyielding. He tastes of smoke and lipgloss—and I’m reminded of the scene earlier where he and Lauren got out of the closet together. Disgust fills me as I squirm in his arms.
He groans, fire burning in his voice. “You want me, you’re trying to hide from it.”
“No,” I try to bite the words at him but it comes out strangled.
I try to push him away but before I have to, he releases me.
I try to put as much distance between him and myself, shaking.
Loathing is my voice. "Get away from me. I hate you."
He swallows and looks away, his breathing slowing. He pushes himself from the wall, still very pale.
Then closing his eyes and turning, he starts walking away, heading towards the parking lot.
"I hate you!" I scream again behind him.
Adrian stops for a moment, his back to me. “I’ve told you from the very beginning. You should.”
He keeps on walking, never glancing back.
”
”
L. Jayne (Chasing After Infinity)
“
The cultural Left has contributed to the formation of this politically useless unconscious not only by adopting “power” as the name of an invisible, ubiquitous, and malevolent presence, but by adopting ideals which nobody is yet able to imagine being actualized.
Among these ideals are participatory democracy and the end of capitalism. Power will pass to the people, the Sixties Left believed only when decisions are made by all those who may be affected by the results. This means, for example, that economic decisions will be made by stakeholders rather than by shareholders, and that entrepreneurship and markets will cease to play their present role. When they do, capitalism as we know it will have ended, and something new will have taken its place.
[…] Sixties leftists skipped lightly over all the questions which had been raised by the experience of non market economies in the so-called socialist countries. They seemed to be suggesting that once we were rid of both bureaucrats and entrepreneurs, “the people” would know how to handle competition from steel mills or textile factories in the developing world, price hikes on imported oil, and so on. But they never told us how “the people” would learn how to do this.
The cultural Left still skips over such questions. Doing so is a consequence of its preference for talking about “the system” rather than about specific social practices and specific changes in those practices. The rhetoric of this Left remains revolutionary rather than reformist and pragmatic. Its insouciant use of terms like “late capitalism” suggests that we can just wait for capitalism to collapse, rather than figuring out what, in the absence of markets, will set prices and regulate distribution. The voting public, the public which must be won over if the Left is to emerge from the academy into the public square, sensibly wants to be told the details. It wants to know how things are going to work after markets are put behind us. It wants to know how participatory democracy is supposed to function.
The cultural Left offers no answers to such demands for further information, but until it confronts them it will not be able to be a political Left. The public, sensibly, has no interest in getting rid of capitalism until it is offered details about the alternatives. Nor should it be interested in participatory democracy –– the liberation of the people from the power of technocrats –– until it is told how deliberative assemblies will acquire the same know-how which only the technocrats presently possess. […]
The cultural Left has a vision of an America in which the white patriarchs have stopped voting and have left all the voting to be done by members of previously victimized groups, people who have somehow come into possession of more foresight and imagination than the selfish suburbanites. These formerly oppressed and newly powerful people are expected to be as angelic as the straight white males were diabolical. If I shared this expectation, I too would want to live under this new dispensation. Since I see no reason to share it, I think that the left should get back into the business of piecemeal reform within the framework of a market economy. This was the business the American Left was in during the first two-thirds of the century.
Someday, perhaps, cumulative piecemeal reforms will be found to have brought about revolutionary change. Such reforms might someday produce a presently unimaginable non market economy, and much more widely distributed powers of decision making. […] But in the meantime, we should not let the abstractly described best be the enemy of the better. We should not let speculation about a totally changed system, and a totally different way of thinking about human life and affairs, replace step-by-step reform of the system we presently have.
”
”
Richard Rorty (Achieving Our Country: Leftist Thought in Twentieth-Century America)
“
SELF-HELP FOR FELLOW REFUGEES
If your name suggests a country where bells
might have been used for entertainment,
or to announce the entrances and exits of the seasons
and the birthdays of gods and demons,
it's probably best to dress in plain clothes
when you arrive in the United States.
And try not to talk too loud.
If you happen to have watched armed men
beat and drag your father
out the front door of your house
and into the back of an idling truck,
before your mother jerked you from the threshold
and buried your face in her skirt folds,
try not to judge your mother too harshly.
Don't ask her what she thought she was doing,
turning a child's eyes
away from history
and toward that place all human aching starts.
And if you meet someone
in your adopted country
and think you see in the other's face
an open sky, some promise of a new beginning,
it probably means you're standing too far.
Or if you think you read in the other, as in a book
whose first and last pages are missing,
the story of your own birthplace,
a country twice erased,
once by fire, once by forgetfulness,
it probably means you're standing too close.
In any case, try not to let another carry
the burden of your own nostalgia or hope.
And if you're one of those
whose left side of the face doesn't match
the right, it might be a clue
looking the other way was a habit
your predecessors found useful for survival.
Don't lament not being beautiful.
Get used to seeing while not seeing.
Get busy remembering while forgetting.
Dying to live while not wanting to go on.
Very likely, your ancestors decorated
their bells of every shape and size
with elaborate calendars
and diagrams of distant star systems,
but with no maps for scattered descendants.
And I bet you can't say what language
your father spoke when he shouted to your mother
from the back of the truck, "Let the boy see!"
Maybe it wasn't the language you used at home.
Maybe it was a forbidden language.
Or maybe there was too much screaming
and weeping and the noise of guns in the streets.
It doesn't matter. What matters is this:
The kingdom of heaven is good.
But heaven on earth is better.
Thinking is good.
But living is better.
Alone in your favorite chair
with a book you enjoy
is fine. But spooning
is even better.
”
”
Li-Young Lee (Behind My Eyes: Poems)
“
By the time the human stuck his key in the lock of his third-floor apartment door and pushed it open, Dante was shoving him into the dark, tossing the guy across the spartan living room.
“Motherfu—” Sullivan came up out of his crash on one knee, then froze, his face caught in a wedge of light from the bare bulb glowing in the hall outside.
Something flashed in the human’s eyes, something beneath his immediate fear. Recognition, Dante thought, figuring he probably remembered them from the club the other night. But there was anger there too. Pure male animosity. Dante could smell it seeping out of the human’s pores.
He slowly got to his feet. “What the fuck’s going on?”
“How about you tell us,” Dante said, willing a lamp to come on as he strode farther into the place. Behind him, Chase closed and locked the door. “I’m pretty sure you can guess this isn’t a social call.”
“What do you want?”
“We’ll start with information. It’ll be up to you how we go about getting it.”
“What kind of information?” His gaze swung anxiously between Dante and Chase. “I don’t know who you guys are, and I don’t have any idea what you’re talking abou—”
“Now, see,” Dante said, cutting him off with a chuckle, “that kind of bullshit answer puts us off to a real bad start.” As the human’s right hand slid into the deep pocket of his down-filled vest, Dante smirked. “You wanna convince me you’re an idiot, go ahead and pull that gun out. Just so we’re clear, I really hope you do.”
Ben Sullivan’s face blanched as white as his apartment’s unpainted walls. He pulled his hand back out, nice and slow. “How did you—”
“You expecting somebody besides us tonight?
”
”
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
“
Dear Jessa, I’ve started this letter so many times and I’ve never been able to finish it. So here goes again . . . I’m sorry. I’m sorry that Riley is dead. I’m sorry for ignoring your emails and for not being there for you. I’m sorry I’ve hurt you. There isn’t a day that goes by that I don’t wish it had been me that died and not Riley. If I could go back in time and change everything I would. I’m sorry I left without a word. There’s no excuse for my behaviour but please know that it had nothing to do with you. I was a mess. I haven’t been able to talk to anyone for months. And I felt too guilty and didn’t know how to tell you the truth about what happened. I couldn’t bear the thought of you knowing. I got all your emails but I didn’t read them until last week. I couldn’t face it and I guess that makes me the biggest coward you’ll ever meet. I’m sorry. I’m sorry I never replied. You needed me and I wasn’t there for you. I don’t even know how to ask your forgiveness because I don’t deserve it. I’m just glad you’re doing better. I’m better too. I’ve started seeing a therapist – twice a week – you’d like her. She reminds me of Didi. I never thought I’d be the kind of guy who needed therapy, but they made it a condition of me keeping my job. She’s helped me a lot with getting the panic attacks under control. Working in a room the size of a janitor’s closet helps too – there aren’t too many surprises, only the occasional rogue paperclip. I asked for the posting. I have to thank your dad ironically. The demotion worked out. Kind of funny that I totally get where your father was coming from all those years. Looks like I’ll be spending the remainder of my marine career behind a desk, but I’m OK with that. I don’t know what else to say, Jessa. My therapist says I should just write down whatever comes into my head. So here goes. Here’s what’s in my head . . . I miss you. I love you. Even though I long ago gave up the right to any sort of claim over you, I can’t stop loving you. I won’t ever stop. You’re in my blood. You’re the only thing that got me through this, Jessa. Because even during the bad times, the worst times, the times I’d wake up in a cold sweat, my heart thumping, the times I’d think the only way out was by killing myself and just having it all go away, I’d think of you and it would pull me back out of whatever dark place I’d fallen into. You’re my light, Jessa. My north star. You asked me once to come back to you and I told you I always would. I’m working on it. It might take me a little while, and I know I have no right to ask you to wait for me after everything I’ve done, but I’m going to anyway because the truth is I don’t know how to live without you. I’ve tried and I can’t do it. So please, I’m asking you to wait for me. I’m going to come back to you. I promise. And I’m going to make things right. I’ll do whatever it takes. I’ll never stop trying for the rest of my life to make things right between us. I love you. Always. Kit
”
”
Mila Gray (Come Back to Me (Come Back to Me, #1))
“
As ingenious as this explanation is, it seems to me to miss entirely the emotional significance of the text- its beautiful and beautifully economical evocation of certain difficult feelings that most ordinary people, at least, are all too familiar with: searing regret for the past we must abandon, tragic longing for what must be left behind. (...) Still, perhaps that's the pagan, the Hellenist in me talking. (Rabbi Friedman, by contrast, cannot bring himself even to contemplate that what the people of Sodom intend to do to the two male angels, as they crowd around Lot's house at the beginning of the narrative, is to rape them, and interpretation blandly accepted by Rashi, who blithely points out thta if the Sodomites hadn't wanted sexual pleasure from the angels, Lot wouldn't have suggested, as he rather startingly does, that the Sodomites take his two daughter as subsitutes. But then, Rashi was French.)
It is this temperamental failure to understand Sodom in its own context, as an ancient metropolis of the Near East, as a site of sophisticated, even decadent delights and hyper-civilized beauties, that results in the commentator's inability to see the true meaning of the two crucial elements of this story: the angel's command to Lot's family not to turn and look back at the city they are fleeing, and the transformation of Lot's wife into a pillar of salt. For if you see Sodom as beautiful -which it will seem to be all the more so, no doubt, for having to be abandoned and lost forever, precisely the way in which, say, relatives who are dead are always somehow more beautiful and good than those who still live- then it seems clear that Lot and his family are commanded not to look back at it not as a punishment, but for a practical reason: because regret for what we have lost, for the pasts we have to abandon, often poisons any attempts to make a new life, which is what Lot and his family now must do, as Noah and his family once had to do, as indeed all those who survive awful annihilations must somehow do. This explanation, in turn, helps explain the form that the punishment of Lot's wife took- if indeed it was a punishment to begin with, which I personally do not believe it was, since to me it seems far more like a natural process, the inevitable outcome of her character. For those who are compelled by their natures always to be looking back at what has been, rather than forward into the future, the great danger is tears, the unstoppable weeping that the Greeks, if not the author of Genesis, knew was not only a pain but a narcotic pleasure, too: a mournful contemplation so flawless, so crystalline, that it can, in the end, immobilize you.
”
”
Daniel Mendelsohn (The Lost: A Search for Six of Six Million)
“
Mama,” the child exclaimed, breathless and agitated.
Phoebe looked down at him in concern. “Justin, what is it?”
“Galoshes brought me a dead mouse. She dropped it on the floor right in front of me!”
“Oh, dear.” Tenderly Phoebe smoothed his dark, ruffled hair. “I’m afraid that’s what cats do. She thought it was a fine gift.”
“Nanny won’t touch it, and the housemaid screamed, and I had a fight with Ivo.”
Although Phoebe’s younger brother Ivo was technically Justin’s uncle, the boys were close enough in age to play together and quarrel.
“About the mouse?” Phoebe asked sympathetically.
“No, before the mouse. Ivo said there’s going to be a honeymoon and I can’t go because it’s for grownups.” The boy tilted his head back to look up at her, his lower lip quivering. “You wouldn’t go to the honeymoon without me, would you, Mama?”
“Darling, we’ve made no plans to travel yet. There’s too much to be done here, and we all need time to settle in. Perhaps in the spring—”
“Dad wouldn’t want to leave me behind. I know he wouldn’t!”
In the electrified silence that followed, Tom shot a glance at West, who looked blank and startled.
Slowly Phoebe lowered to the ground until her face was level with her son’s. “Do you mean Uncle West?” she asked gently. “Is that what you’re calling him now?”
Justin nodded. “I don’t want him to be my uncle—I already have too many of those. And if I don’t have a dad, I’ll never learn how to tie my shoes.”
Phoebe began to smile. “Why not call him Papa?” she suggested.
“If I did, you’d never know which one I was talking about,” Justin said reasonably, “the one in heaven or the one down here.”
Phoebe let out a breath of amusement. “You’re right, my clever boy.”
Justin looked up at the tall man beside him with a flicker of uncertainty. “I can call you Dad … can’t I? Do you like that name?”
A change came over West’s face, his color deepening, small muscles contorting with some powerful emotion. He snatched Justin up, one of his large hands clasping the small head as he kissed his cheek. “I love that name,” West said unsteadily. “I love it.” The boy’s arms went around his neck.
“Can we go to Africa for our honeymoon, Dad?” he heard Justin ask.
“Yes,” came West’s muffled voice.
“Can I have a pet crocodile, Dad?”
“Yes.”
Phoebe produced a handkerchief from seemingly out of nowhere and tucked it discreetly into one of West’s hands.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly.
The blond Red Sox girl looked me up and down. “Hello,” she said.
Conrad said, “With who?”
I pointed at Cam. “Him.”
“You’re not riding with someone you don’t even know,” he said flatly.
“I do so know him. He’s Sextus.”
He narrowed his eyes. “Sex what?”
“Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow.
“I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.”
I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go.
“I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before.
I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!”
He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!”
“I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.”
I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said.
He looked me dead in the eyes and said, “And you’re a four-year-old.”
As I walked away, I heard the girl ask, “Is she your girlfriend?”
I whirled around, and we both said “No!” at the same time.
Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in.
“No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse.
Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter?
I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers.
“Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it.
Red Sox girl frowned. “What is she talking about, Conrad?”
To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?”
Her pretty face twisted. “You little skank,” she hissed.
I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter.
Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly.
That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way.
“Your brother is a jerk,” I said. “That’s what’s going on.”
Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?”
I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.”
“Wait, are you guys brother and sister too?” the girl asked.
Conrad said, “Don’t even think about leaving with that guy.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
You might want to pop your collar."
"Hey if the biker doesn't pop his, I'm not popping mine. Also? We're thirty years past that fashion faux pas."
"Yeah, but it still comes in handy when you're sporting a hickey."
"What?" My hands flew to my neck, and I found the tender spot. "Shit. No, that's not-- I burned it. My hair wasn't cooperating, so I dragged out the curling iron."
"Gabriel has a curling iron?"
"No, I meant--Damn it." I rooted through my bag for concealer. "I'm sorry. If I'd noticed, I'd have hidden it."
"I know." His lips twitched. "It is kinda funny, though, watching you guys scramble with excuses. Gabriel told me you weren't answering my calls because you forgot your phone in the car. Which is about as likely as you leaving your arm behind. He dried his hair so fast the back was sticking up. And then he scarfed down half the food I brought for lunch. I've never seen him eat like that." He smiled. "But I do appreciate he's being circumspect."
"He's not going to wave it in your face."
"No, but we are talking about Gabriel, who never goes out of his way to cushion anyone's feelings but yours. He's being very thoughtful. It's sweet. Just don't tell him I said that."
"I won't." I finished applying the concealer. "Better?"
"Yep." He leaned over for a better look and then stopped. "Is that a bite on your collarbone?"
"Shit! No. Damn it.
Ricky laughed as I frantically applied more makeup.
”
”
Kelley Armstrong (Rituals (Cainsville, #5))
“
Shelton pushed Ben lightly. “Remember when you couldn’t flare without losing your temper? So Hi kicked you from behind to get you mad, and you threw him in the ocean?”
Ben snorted. “He deserved it.”
“I was providing a service,” Hi protested. “I recall Tory once trying to eat a mouse.”
I pinched my nose. “Ugh, don’t remind me.”
Ella giggled. “One time Cole lost his flare while carrying a boulder. It pinned his leg for an hour.”
Then everyone had a story. Our funeral became a wake.
The mood lifted as we swapped flare stories. It was cathartic. A way to say good-bye.
I caught Ben smiling at me. “I remember when Tory sniffed that mound of bird crap in the old lighthouse. I thought she’d vomit on the spot.”
Chance laughed. “I knew she was too clever. Always with a trick up her sleeve.”
The boys glanced at each other. Their smiles faded.
Something passed between them.
Abruptly, both looked at me.
I could see a question in their eyes. A resolve to see something through.
They talked. Oh God, they talked about me.
They’re going to make me choose.
In a flash of dread, I realized I could delay this no longer.
With another jolt, I realized I didn’t need to.
There was no point putting it off.
There was also no decision to make.
My eyes met a dark, intense pair staring back earnestly. Longingly. Fearfully.
I smiled. Even as my heart pounded.
Before anyone spoke, I stepped forward, legs shaking so badly I worried I might fall.
But my second foot successfully followed the first.
I walked over to Ben’s side.
Slipped my hand inside his.
Squeezed for dear life.
Ben’s eyes widened. He gasped quietly, his chest rising and falling.
I met his startled gaze. Smiled through my blushes.
A goofy smile split Ben’s face, one I’d never seen before. His fingers crushed mine.
No decision to make.
Tearing my eyes from Ben, I looked at Chance, found him watching me with a glum expression. Then he sighed, a wry smile twisting his lips.
Chance nodded slightly.
Not one word spoken. Volumes exchanged.
The silence stretched, like a living breathing force.
Finally, Hi cleared his throat. “Um.”
My face burned scarlet as I remembered our audience. Ella was gaping at me, a delighted grin on her face. Shelton looked like he might turn and run. Hi was rubbing the back of his neck, his face twisted in an uncomfortable grimace.
Still no one said a word.
This was the most painful moment of my life.
“So . . .” Hi drummed his thighs, eyes fixed to the pavement. “Right. A lot just happened there. Weirdly without anyone talking, but, um, yeah.
”
”
Kathy Reichs (Terminal (Virals, #5))
“
You carried your infant daughter in one arm, and walked with me, a child six years of age, tired, trudging beside you. You left that nightmare behind. And you left behind other things, too. The elm trees that lined your street. The familiar scent of autumn. The baker's smile when he handed you the fresh bread, the song of the peddlers in the street, the sound of strangers around you talking, haggling, buying, singing, speaking, fighting in a language you understood. Your friends. Your career. Your home. Your dreams. Your family. Your memories. Pots, pans, the fine silver spoons and forks. Photographs. Heirlooms. Your favorite dresses. Your father's grave. The colorful wares of the markets at the new year. Streets you knew by name. Cab drivers who recited poetry. The halls of your old university. You left whatever you couldn't fit into a single suitcase behind you and closed the door of your home for the last time, the dishes washed, the beds made, the curtains drawn, thinking, "Perhaps, perhaps we will come back," and you shut the door, and left, without knowing if you'd ever find home again.
”
”
Parnaz Foroutan (Radical Hope: Letters of Love and Dissent in Dangerous Times)
“
It’s no one’s fault really,” he continued. “A big city cannot afford to have its attention distracted from the important job of being a big city by such a tiny, unimportant item as your happiness or mine.”
This came out of him easily, assuredly, and I was suddenly interested. On closer inspection there was something aesthetic and scholarly about him, something faintly professorial. He knew I was with him, listening, and his grey eyes were kind with offered friendliness. He continued:
“Those tall buildings there are more than monuments to the industry, thought and effort which have made this a great city; they also occasionally serve as springboards to eternity for misfits who cannot cope with the city and their own loneliness in it.” He paused and said something about one of the ducks which was quite unintelligible to me.
“A great city is a battlefield,” he continued. “You need to be a fighter to live in it, not exist, mark you, live. Anybody can exist, dragging his soul around behind him like a worn-out coat; but living is different. It can be hard, but it can also be fun; there’s so much going on all the time that’s new and exciting.”
I could not, nor wished to, ignore his pleasant voice, but I was in no mood for his philosophising.
“If you were a negro you’d find that even existing would provide more excitement than you’d care for.”
He looked at me and suddenly laughed; a laugh abandoned and gay, a laugh rich and young and indescribably infectious. I laughed with him, although I failed to see anything funny in my remark.
“I wondered how long it would be before you broke down and talked to me,” he said, when his amusement had quietened down. “Talking helps, you know; if you can talk with someone you’re not lonely any more, don’t you think?”
As simple as that. Soon we were chatting away unreservedly, like old friends, and I had told him everything.
“Teaching,” he said presently. “That’s the thing. Why not get a job as a teacher?”
“That’s rather unlikely,” I replied. “I have had no training as a teacher.”
“Oh, that’s not absolutely necessary. Your degrees would be considered in lieu of training, and I feel sure that with your experience and obvious ability you could do well.”
“Look here, Sir, if these people would not let me near ordinary inanimate equipment about which I understand quite a bit, is it reasonable to expect them to entrust the education of their children to me?”
“Why not? They need teachers desperately.”
“It is said that they also need technicians desperately.”
“Ah, but that’s different. I don’t suppose educational authorities can be bothered about the colour of people’s skins, and I do believe that in that respect the London County Council is rather outstanding. Anyway, there would be no need to mention it; let it wait until they see you at the interview.”
“I’ve tried that method before. It didn’t work.”
“Try it again, you’ve nothing to lose. I know for a fact that there are many vacancies for teachers in the East End of London.”
“Why especially the East End of London?”
“From all accounts it is rather a tough area, and most teachers prefer to seek jobs elsewhere.”
“And you think it would be just right for a negro, I suppose.” The vicious bitterness was creeping back; the suspicion was not so easily forgotten.
“Now, just a moment, young man.” He was wonderfully patient with me, much more so than I deserved. “Don’t ever underrate the people of the East End; from those very slums and alleyways are emerging many of the new breed of professional and scientific men and quite a few of our politicians. Be careful lest you be a worse snob than the rest of us. Was this the kind of spirit in which you sought the other jobs?
”
”
E.R. Braithwaite (To Sir, With Love)
“
One day there came from the South a stranger who was unlike any man that Shasta had seen before. He rode upon a strong dappled horse with flowing mane and tail, and his stirrups and bridle were inlaid with silver. The spike of a helmet projected from the middle of his silken turban and he wore a shirt of chain mail. By his side hung a curving scimitar; a round shield studded with bosses of brass hung at his back, and his right hand grasped a lance. His face was dark, but this did not surprise Shasta because all the people of Calormen are like that; what did surprise him was the man’s beard which was dyed crimson, and curled and gleaming with scented oil. But Arsheesh knew by the gold on the stranger’s bare arm that he was a Tarkaan or great lord, and he bowed kneeling before him till his beard touched the earth, and made signs to Shasta to kneel also. The stranger demanded hospitality for the night which of course the fisherman dared not refuse. All the best they had was set before the Tarkaan for supper (and he didn’t think much of it) and Shasta, as always happened when the fisherman had company, was given a hunk of bread and turned out of the cottage. On these occasions he usually slept with the donkey in its little thatched stable. But it was much too early to go to sleep yet, and Shasta, who had never learned that it is wrong to listen behind doors, sat down with his ear to a crack in the wooden wall of the cottage to hear what the grown-ups were talking about.
”
”
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #3))
“
Composers do not remember this lost fatherland, but each of them remains all his life unconsciously attuned to it; he is delirious with joy when he sings in harmony with his native land, betrays it at times with his thirst for fame, but then, in seeking fame, turns his back on it, and it is only by scorning fame that he finds it when he breaks out into that distinctive strain the sameness of which—for whatever its subject it remains identical with itself—proves the permanence of the elements that compose his soul. But in that case is it not true that those elements—all the residuum of reality which we are obliged to keep to ourselves, which cannot be transmitted in talk, even from friend to friend, from master to disciple, from lover to mistress, that ineffable something which differentiates qualitatively what each of us has felt and what he is obliged to leave behind at the threshold of the phrases in which he can communicate with others only by limiting himself to externals, common to all and of no interest—are brought out by art, the art of a Vinteuil like that of an Elstir, which exteriorises in the colours of the spectrum the intimate composition of those worlds which we call individuals and which, but for art, we should never know? A pair of wings, a different respiratory system, which enabled us to travel through space, would in no way help us, for if we visited Mars or Venus while keeping the same senses, they would clothe everything we could see in the same aspect as the things of Earth. The only true voyage, the only bath in the Fountain of Youth, would be not to visit strange lands but to possess other eyes, to see the universe through the eyes of another, of a hundred others, to see the hundred universes that each of them sees, that each of them is; and this we can do with an Elstir, with a Vinteuil; with men like these we do really fly from star to star.
”
”
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
“
The "Avenue," so called by the Newbridge people, was a stretch of road four or five hundred yards long, completely arched over with huge, wide-spreading apple-trees, planted years ago by an eccentric old farmer. Overhead was one long canopy of snowy fragrant bloom. Below the boughs the air was full of a purple twilight and far ahead a glimpse of painted sunset sky shone like a great rose window at the end of a cathedral aisle.
Its beauty seemed to strike the child dumb. She leaned back in the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. Even when they had passed out and were driving down the long slope to Newbridge she never moved or spoke. Still with rapt face she gazed afar into the sunset west, with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where dogs barked at them and small boys hooted and curious faces peered from the windows, they drove, still in silence. When three more miles had dropped away behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk.
”
”
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
“
The thigh pressing his legs apart rubbed side to side, massaging the growing bulge in his jeans. James groaned and bit down on one corner of his lower lip to hold back a startled yelp when the pressure increased to the point of near pain.
"Does that feel good to you, baby? Like that? Like it slow and gentle?" He lessened the pressure and slipped a hand between them, thumbing open the buttons of James’ jeans as he talked. Finding nothing under them except heated flesh, he shoved his hand inside and grabbed James’ cock, dragging calluses and fingernails lightly over the sensitive organ. James squirmed and made a strangled, animal sound in the back of his throat.
"No, you wouldn’t be on this side of town, in this bar, if gentle was what you were looking for. Maybe you want it a little rougher." He shoved his fingers down farther and captured the tight sac beneath. "A little harder." He massaged James, grinning at the increased squirming and guttural whimpers his heavy caress produced. "A little deeper."
Kicking James’ legs farther apart, he slid two fingers behind the sac, tracing the thin ridge of sensitive flesh that led up to his opening. Without hesitation, he shoved both fingers into James’ body, twisting and stroking the hot, slippery walls of muscle within. A guttural gasp rewarded his efforts.
He chuckled low and throaty, nudging James’ cheek with his nose, silently commanding him to look up until their eyes met. "You got yourself all ready for me, baby. All nice," the long agile fingers twisted roughly, "and slick," plunged deeper, "and tight.
”
”
Laura Baumbach
“
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
When I took it off, I glanced in the mirror behind the dresser, and I nearly screamed when I saw the reflection. Finn was sitting behind me on the bed. His eyes, dark as night, met mine in the mirror, and I could hardly breathe.
"Finn!" I gasped and whirled around to look at him. "What are you doing here?"
"I missed your birthday," he said, as if that answered my question. He lowered his eyes, looking at a small box he had in his hands. "I got you something."
"You got me something?" I leaned back on the dresser behind me, gripping it.
"Yeah." He nodded, still staring down at the box. "I picked it up outside of Portland two weeks ago. I meant to get back in time to give it to you on your birthday." He chewed the inside of his cheek. "But now that I'm here, I'm not sure I should give it to you at all."
"What are you talking about?" I asked.
"It doesn't feel right." Finn rubbed his face. "I don't even know what I'm doing here."
"Neither do I," I said. "Don't get me wrong. I'm happy to see you. I just...I don't understand."
"I know." He sighed. "It's a ring. What I got you." His gaze moved from me to the engagement ring sitting on the dresser beside me. "And you already have one."
"Why did you get me a ring?" I asked tentatively, and my heart beat erratically in my chest. I didn't know what Finn was saying or doing.
"I'm not proposing to you, if that's what you're asking." He shook his head. "I saw it and thought of you. But now it seems like poor taste. And here I am, the night before your wedding sneaking in to give you a ring."
"Why did you sneak in?" I asked.
"I don't know." He looked away and laughed darkly. "That's a lie. I know exactly what I'm doing, but I have no idea why I'm doing it."
"What are you doing?" I asked quietly.
"I..." Finn stared off for a moment, then turned back to me and stood up.
"Finn, I-" I began, but he held up his hand, stopping me.
"No, I know you're marrying Tove," he said. "You need to do this. We both know that. It's what's best for you, and it's what I want for you." He paused. "But I want you for myself too."
All I'd ever wanted from Finn was for him to admit how he felt about me, and he'd waited until the day before my wedding. It was too late to change anything, to take anything back. Not that I could have, even if I wanted to.
"Why are you telling me this?" I asked with tears swimming in my eyes.
"Because." Finn stepped toward me, stopping right in front of me.
He looked down at me, his eyes mesmerizing me the way they always did. He reached up, brushing back a tear from my cheek.
"Why?" I asked, my voice trembling.
"I needed you to know," he said, as if he didn't truly understand it himself.
He set the box on the dresser beside me, and his hand went to my waist, pulling me to him. I let go of the dresser and let him. My breath came out shallow as I stared up at him.
"Tomorrow you will belong to someone else," Finn said. "But tonight, you're with me.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
About five miles back I had a brush with the CHP. Not stopped or pulled over: nothing routine. I always drive properly. A bit fast, perhaps, but always with consummate skill and a natural feel for the road that even cops recognize. No cop was ever born who isn't a sucker for a finely-executed hi-speed Controlled Drift all the way around one of those cloverleaf freeway interchanges.
Few people understand the psychology of dealing with a highway traffic cop. Your normal speeder will panic and immediately pull over to the side when he sees the big red light behind him ... and then he will start apologizing, begging for mercy.
This is wrong. It arouses contempt in the cop-heart. The thing to do – when you're running along about 100 or so and you suddenly find a red-flashing CHP-tracker on your tail – what you want to do then is accelerate. Never pull over with the first siren-howl. Mash it down and make the bastard chase you at speeds up to 120 all the way to the next exit. He will follow. But he won't know what to make of your blinker-signal that says you're about to turn right.
This is to let him know you're looking for a proper place to pull off and talk ... keep signaling and hope for an off-ramp, one of those uphill side-loops with a sign saying "Max Speed 25" ... and the trick, at this point, is to suddenly leave the freeway and take him into the chute at no less than 100 miles an hour.
He will lock his brakes about the same time you lock yours, but it will take him a moment to realize that he's about to make a 180-degree turn at this speed ... but you will be ready for it, braced for the Gs and the fast heel-toe work, and with any luck at all you will have come to a complete stop off the road at the top of the turn and be standing beside your automobile by the time he catches up.
He will not be reasonable at first ... but no matter. Let him calm down. He will want the first word. Let him have it. His brain will be in a turmoil: he may begin jabbering, or even pull his gun. Let him unwind; keep smiling. The idea is to show him that you were always in total control of yourself and your vehicle – while he lost control of everything.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
“
Did you forgive her?"
I looked at her with a start.
Jack dropped his salad back in the bucket. "What?"
"Did you forgive Nikki?"
"Umm,Mary,I don't think you-" I started, but Jack interrupted me.
"No,it's okay.What do you mean, Mary?" He spoke slowly. "Did I forgive Nikki for what?"
Mary frowned and reached under the separation glass and touched Jack's gloved hand. "Did you forgive her for leaving you?"
Jack's lower lip sank,and his eyebrows lifted.He looked like he was about to speak,but no words came out of his open mouth.
Mary leaned even closer and whispered, "I have a theory. A theory about anchors."
"Oh," Jack finally said,his forehead now creased with confusion. "Anchors."
The people in line behind Mary shifted impatiently.
"Um,Mary,you're holding up the line," I said. Mary looked at me as I continued. "Why don't you go grab a table,and I'll eat with you."
The tension slipped from her face. "Okay. But hurry. My tee time's at one."
She started down the line again.Jack's hand still rested in the lettuce, so I nudged him with my elbow, and he seemed to restart. "Don't worry about her," I said. "She gets confused easily."
"That wasn't confusion." Jack kept his eyes on my face as he served the salad. "It was like she knew me. Knew us.Did you talk to her about us?"
"Of course not.She also knows about anchors,apparently.And she's late for her tee time.None of it makes sense.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
Be angry with me if you wish. I suppose I deserve it. Be whatever you have to be with me. But stop this charade and be yourself. That’s all I ask.”
He stood silent for a moment, looking at me with haughty disapproval. And then he came to take the other chair. He poured himself more brandy without offering me any. I could smell that it was the apricot one we had shared in my cabin less than a year ago. He sipped it and then observed, “Be myself. And who would that be?” He set down the glass, leaned back in the chair, and then crossed his arms on his chest.
“I don’t know. I wish you were the Fool,” I said quietly. “But I think we have come too far to go back to that pretense. Yet if we could, I would. Willingly.” I looked away from him. I kicked at the end of a hearth log, pushing it farther into the fire and waking new flames in a gust of sparks. “When I think of you now, I do not even know how to name you to myself. You are not Lord Golden to me. You never truly were. Yet you are not the Fool anymore, either.” I steeled myself as the words came to me, unplanned but obvious. How can the truth be so difficult to say?
For a teetering instant, I feared he would misunderstand my words. Then I knew that he would know exactly what I meant by them. For years, he had understood my feelings, in the silences he kept. Before we parted company, I had to repair, somehow, the rift between us. The words were the only tool I had. They echoed of the old magic, of the power one gained when one knew someone’s true name. I was determined. And yet, the utterance still came awkward to my tongue.
“You said once that I might call you ‘Beloved,’ if I no longer wished to call you ‘Fool.’” I took a breath. “Beloved, I have missed your company.”
He lifted a hand and covered his mouth. Then he disguised the gesture by rubbing his chin as if he thought something through carefully. I do not know what expression he hid behind his palm. When he dropped his hand from his face, he was smiling wryly. “Don’t you think that might cause some talk about the keep?”
I let his comment pass for I had no answer to it. He had spoken to me in the Fool’s mocking voice. Even as it soothes my heart, I had to wonder if it was a sham for my benefit. Did he show me what I wished to see, or what he was?
“Well.” He sighed. “I suppose that if you were going to have an appropriate name for me, it would still be Fool. So let us leave it at that, Fitzy. To you, I am the Fool.” He looked into the fire and laughed softly. “It balances, I suppose. Whatever is to come for us, I will always have these words to recall now.” He looked at me and nodded gravely, as if thanking me for returning something precious to him.
There were so many things I wanted to discuss with him. I wanted to review the Prince’s mission and talk about Web and ask him why he now gambled so much and what his wild extravagances meant. But I suddenly wanted to add no more words to what we had said tonight. As he had said, it balanced now. It was a hovering scale between us; I would chance no word that might tip it awry again. I nodded to him and rose slowly. When I reached the door, I said quietly, “Then, good night, Fool.” I opened the door and went out into the corridor.
“Good night, beloved,” he said from his fireside chair. I shut the door softly behind myself.
”
”
Robin Hobb (Golden Fool (Tawny Man, #2))
“
They know we're here." He turns to Galen. "What do you think?"
Galen scratches the back of his neck. "It's a trap."
Toraf rolls his eyes. "Oh, you think so?" He shakes his head. "I'm asking if you think Musa is in on it."
Galen is not very familiar with Musa. He's only talked to her a handful of times, and that was when he was very young. Still, out of all the Archives who seemed to support Jagen and his monumental act of treason, Musa's face does not come to mind. "Would she be?"
Toraf shrugs. Woden scowls. “With much respect, Highness, Musa is an Archive. She will not forsake her vows to remain neutral.”
It takes all of Galen’s willpower to bite his tongue. Woden is still naïve enough to believe that all the Archives are of a pure and unbiased mind. That they do not get tangled up in emotions such as greed, ambition, and envy. Did Woden attend the same tribunal I did?
Toraf slaps Woden on the back. “Then you don’t mind going first?”
The Poseidon Tracker visibly swallows. “Oh. Of course not. I’m happy to-“
“Oh, let’s get on with this,” Galen says, snatching the spear from Woden’s unsuspecting grasp. This seems to embarrass the young Tracker. Galen doesn’t have time for embarrassment.
“Yes, let’s,” Toraf says. “Before the humans get those disgusting wrinkles on their skin.” He nudges Woden. “It’s probably the most horrific thing I’ve ever seen. And I’ve seen lots of things.”
It’s the first time Galen realizes that Woden’s nervous demeanor and over-respectful attitude is not out of reverence for his own Royal status, but out of reverence for Toraf. It seems Toraf has a fan. And why wouldn’t he? He’s the best Tracker in the history of both territories. Any Tracker should feel humbled in his presence.
Galen is not any Tracker. He grunts. “Shut up, idiot. Get behind me.”
Toraf speeds ahead. “No, you get behind me, minnow.”
Despite their grand words, they creep to the door together.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
The Sinsar Dubh popped up on my radar, and it was moving straight toward us.
At an extremely high rate of speed.
I whipped the Viper around, tires smoking on the pavement. There was nothing else I could do.
Barrons looked at me sharply. “What? Do you sense it?”
Oh, how ironic, he thought I’d turned us toward it. “No,” I lied, “I just realized I forgot my spear tonight. I left it back at the bookstore. Can you believe it? I never forget my spear. I can’t imagine what I was thinking. I guess I wasn’t. I was talking to my dad while I was getting dressed and I totally spaced it.” I worked the pedals, ripping through the gears.
He didn’t even try to pat me down. He just said, “Liar.”
I sped up, pasting a blushing, uncomfortable look on my face. “All right, Barrons. You got me. But I do need to go back to the bookstore. It’s . . . well . . . it’s personal.” The bloody, stupid Sinsar Dubh was gaining on me. I was being chased by the thing I was supposed to be chasing. There was something very wrong with that. “It’s . . . a woman thing . . . you know.”
“No, I don’t know, Ms. Lane. Why don’t you enlighten me?”
A stream of pubs whizzed by. I was grateful it was too cold for much pedestrian traffic. If I had to slow down, the Book would gain on me, and I already had a headache the size of Texas that was threatening to absorb New Mexico and Oklahoma. “It’s that time. You know. Of the month.” I swallowed a moan of pain.
“That time?” he echoed softly. “You mean time to stop at one of the multiple convenience stores we just whizzed past so you can buy tampons? Is that what you’re telling me?”
I was going to throw up. It was too close. Saliva was pooling in my mouth. How far behind me was it? Two blocks? Less? “Yes,” I cried. “That’s it! But I use a special kind and they don’t carry it.”
“I can smell you, Ms. Lane,” he said, even more softly. “The only blood on you is from your veins, not your womb.”
My head whipped to the left and I stared at him. Okay, that was one of the more disturbing things he’d ever said to me. “Ahhh!” I cried, letting go of both the wheel and the gearshift to clutch my head. The Viper ran up on the sidewalk and took out two newspaper stands and a streetlamp before crashing to a stop against a fire hydrant.
And the blasted, idiotic Book was still coming. I began foaming at the mouth, wondering what would happen if it passed within a few feet of me. Would I die? Would my head really explode?
”
”
Karen Marie Moning (Faefever (Fever, #3))
“
I said, "I want to wear something funny and cool. Marjorie, could I wear your sparkly baseball hat?"
The three of us looked at Marjorie.
Now I remember thinking that her answer could change everything back to the way it was; Dad could find a job and stop praying all the time and Mom could be happy and call Marjorie shellfish again and show us funny videos she found on YouTube, and we all could eat more than just spaghetti at dinner and, most important, Marjorie could be normal again. Everything would be okay if Marjorie would only say yes to me wearing the sparkly sequined baseball hat, the one she'd made in art class a few years ago.
The longer we watched Marjorie and waited for her response, the more the temperature in the room dropped and I knew that nothing would ever be the same again.
She stopped twisting her spaghetti around her fingers. She opened her mouth, and vomit slowly oozed out onto her spaghetti plate.
Dad: "Jesus!"
Mom: "Honey, are you okay?" She jumped out of her seat and went over to Marjorie, stood behind her, and held her hair up.
Marjorie didn't react to either parent, and she didn't make any sounds. She wasn't retching or convulsing involuntarily like one normally does when throwing up. It just poured out of her as though her mouth was an opened faucet. The vomit was as green as spring grass, and the masticated pasta looked weirdly dry, with a consistency of mashed-up dog food.
She watched Dad the whole time as the vomit filled her plate, some of it slopping over the edges and onto the table. When she finished she wiped her mouth on her sleeve. "No, Merry. You can't wear my hat." She didn't sound like herself. Her voice was lower, adult, and growly. "You might get something on it. I don't want you to mess it up." She laughed.
Dad: "Marjorie..."
Marjorie coughed and vomited more onto her too-full plate. "You can't wear the hat because you're going to die someday." She found a new voice, this one treacly baby-talk. "I don't want dead things wearing my very special hat.
”
”
Paul Tremblay (A Head Full of Ghosts)
“
He reached out and took her hand, wrapping it tightly in both of his. “Look, Vi, I don’t know exactly how to say this, but I don’t want anything bad to happen to you. I don’t think I could handle it if something, or someone, hurt you.” The tone of his voice was still immovable and stubborn, despite the sweet sentiment lurking behind it. He squeezed her hand, though . . . firmly, as if emphasizing his point. “I know it’s selfish, and I don’t really care if it is, but I’m not gonna stand by and let you put yourself in danger, even if it is to catch a killer.” He eased up on her throbbing fingers, and his voice got all husky and rough again. “I can’t lose you,” he explained, shrugging as if those weren’t the most wonderful words she’d ever heard before. “Not now that I finally have you.”
She felt years pricking in her eyes, and she blinked hard to try to stop them from coming. She was completely overwhelmed by what she’d just figured out . . . she’d realized it even before he finished talked. She knew what it was that he wasn’t saying while he lectured her about safety.
He loved her.
Jay Heaton, her best friend since childhood, was in love with her. He didn’t say it, but she knew that it was true.
And the part that really freaked her out, the part of it that caught her completely off guard, was that he wasn’t in it alone. Because even though she’d been denying it for a long, long time, it had always been there . . . waiting just beneath the surface of their friendship. And now that it was out, there was no going back.
And it was so weird to even be thinking it, but . . .
. . . she was in love with him too.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Diana” was the first thing out of her mouth. “I’m dying,” the too familiar voice on the other end moaned.
I snorted, locking the front door behind me as I held the phone up to my face with my shoulder. “You’re pregnant. You’re not dying.”
“But it feels like I am,” the person who rarely ever complained whined. We’d been best friends our entire lives, and I could only count on one hand the number of times I’d heard her grumble about something that wasn’t her family. I’d had the title of being the whiner in our epic love affair that had survived more shit than I was willing to remember right then.
I held up a finger when Louie tipped his head toward the kitchen as if asking if I was going to get started on dinner or not. “Well, nobody told you to get pregnant with the Hulk’s baby. What did you expect? He’s probably going to come out the size of a toddler.”
The laugh that burst out of her made me laugh too. This fierce feeling of missing her reminded me it had been months since we’d last seen each other. “Shut up.”
“You can’t avoid the truth forever.” Her husband was huge. I didn’t understand why she wouldn’t expect her unborn baby to be a giant too.
“Ugh.” A long sigh came through the receiver in resignation. “I don’t know what I was thinking—”
“You weren’t thinking.”
She ignored me. “We’re never having another one. I can’t sleep. I have to pee every two minutes. I’m the size of Mars—”
“The last time I saw you”—which had been two months ago—“you were the size of Mars. The baby is probably the size of Mars now. I’d probably say you’re about the size of Uranus.”
She ignored me again. “Everything makes me cry and I itch. I itch so bad.”
“Do I… want to know where you’re itching?”
“Nasty. My stomach. Aiden’s been rubbing coconut oil on me every hour he’s here.”
I tried to imagine her six-foot-five-inch, Hercules-sized husband doing that to Van, but my imagination wasn’t that great. “Is he doing okay?” I asked, knowing off our past conversations that while he’d been over the moon with her pregnancy, he’d also turned into mother hen supreme. It made me feel better knowing that she wasn’t living in a different state all by herself with no one else for support. Some people in life got lucky and found someone great, the rest of us either took a long time… or not ever.
“He’s worried I’m going to fall down the stairs when he isn’t around, and he’s talking about getting a one-story house so that I can put him out of his misery.”
“You know you can come stay with us if you want.”
She made a noise.
“I’m just offering, bitch. If you don’t want to be alone when he starts traveling more for games, you can stay here as long as you need. Louie doesn’t sleep in his room half the time anyway, and we have a one-story house. You could sleep with me if you really wanted to. It’ll be like we’re fourteen all over again.”
She sighed. “I would. I really would, but I couldn’t leave Aiden.”
And I couldn’t leave the boys for longer than a couple of weeks, but she knew that. Well, she also knew I couldn’t not work for that long, too.
“Maybe you can get one of those I’ve-fallen-and-I-can’t-get-up—”
Vanessa let out another loud laugh. “You jerk.”
“What? You could.”
There was a pause. “I don’t even know why I bother with you half the time.”
“Because you love me?”
“I don’t know why.”
“Tia,” Louie hissed, rubbing his belly like he was seriously starving.
“Hey, Lou and Josh are making it seem like they haven’t eaten all day. I’m scared they might start nibbling on my hand soon. Let me feed them, and I’ll call you back, okay?”
Van didn’t miss a beat. “Sure, Di. Give them a hug from me and call me back whenever. I’m on the couch, and I’m not going anywhere except the bathroom.”
“Okay. I won’t call Parks and Wildlife to let them know there’s a beached whale—”
“Goddammit, Diana—”
I laughed. “Love you. I’ll call you back. Bye!”
“Vanny has a whale?” Lou asked.
”
”
Mariana Zapata (Wait for It)
“
She had three days to ponder what that truth might be.Three days during which Dragon scarcely let her out of his sight. He went so far as to try to accompany her to the queen's solar, only to be shooed away by Ealhswith even as she smiled and took pains to reassure him.
"I promise you, my lord,the Lady Rycca will be as safe here as a babe in arms. Believe me, the quarters of the queen are not entered into by miscreants."
"That is all well and fine, majesty, but-"
"Should you not be aware,my lord, we had an incident here last year when the Lady Krysta was taken from Winchester by stealth. Since then, my lord husband has spared no effort to assure nothing of the sort can ever happen again." She gestured toward the grim-faced guards on watch in the corridor. "You will find the same beneath my windows, Lord of Landsende,and even above us on the roof. Not even an errant bird can enter here."
Even as she spoke, through the open door where she stood Dragon saw a raven alight on the sill of one of the solar's windows. Rather oddly, he thought, Krysta walked over and began talking to it.
"There are four new books in the scriptorium, my lord," the queen said, unaware of what was going on behind her, "and a young priest-a friend of Father Desmond, who is now at Hawkforte-who is responsible for one of them. By the way,he has a yen to travel."
That said,she shut the door not quite in his face but as close to it as that gently lady could ever come. Dragon hesitated. He eyed the guards,who eyed him back,reminded himself that he was in the house of the king,and finally decided to go look at the new books. While he was at it,he just might have a word with the priest.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
She was suddenly self-conscious of the fact that she and Jay were on the bed together, even though they'd been there, together like that, hundreds, maybe even thousands, of times before. And it had never bothered her then, when they were still just friends; but somehow with her father just a few feet away, especially right after they'd been making out, she felt like they were doing something wrong.
"We're fine, Dad!" she called back, trying to sound cool and composed. And then she glared at Jay for his part in making her shout to begin with.
They listened to the sound of her father walking away, and Violet noticed that even his footsteps were soft and unobtrusive.
There was a long silence once they were alone again. Words that needed to be said, and maybe some that didn't, were like invisible fireworks exploding in the empty space between them.
Jay was the first to give in.
He reached out and took her hand, wrapping it tightly in both of his. "Look, Vi, I don't know exactly how to say this, but I don't want anything bad to happen to you. I don't think I could handle it if something, or someone, hurt you." The tone of his voice was still immovable and stubborn, despite the sweet sentiment lurking behind it. He squeezed her hand, though...firmly, as if emphasizing his point. "I know it's selfish, and I don't really care if it is, but I'm not gonna stand by and let you put yourself in danger, even if it is to catch a killer." He eased up on her throbbing fingers, and his voice got all husky and rough again. "I can't lose you," he explained, shrugging as if those weren't the most wonderful words she'd ever heard before. "Not now that I finally have you."
She felt tears prickling in her eyes, and she blinked hard to try to stop them from coming. She was completely overwhelmed by what she'd just figured out...she'd realized it even before he'd finished talking. She knew what it was that he wasn't saying while he lectured her about safety.
He loved her.
Jay Heaton, her best friend since childhood, was in love with her. He didn't say it, but she knew that it was true.
And the part that really freaked her out, the part of it that caught her completely off guard, was that he wasn't in it alone. Because even though she'd been denying it for a long long time, it had always been there...waiting just beneath the surface of their friendship. And now that it was out, there was no going back.
And it was so weird to even be thinking it, but...
...she was in love with him too.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
You say respect my elders, but what you mean is respecting my betters, is that not right? Are you so full of your own arrogance that you need me to bow and kowtow to you like some throwback fledgling? Or perhaps we should reinstate the role of concubines in our society. Then you may have the pleasure of claiming me and forcing me to fall to my knees, bowing low in respect of your masculine eminence!”
Gideon watched as she did just that, her gown billowing around her as she gracefully kneeled before him, so close to him that her knees touched the tips of his boots. She swept her hands to her sides, bowing her head until her forehead brushed the leather, her hair spilling like reams of heavy silk around his ankles.
The Ancient found himself unusually speechless, the strangest sensation creeping through him as he looked down at the exposed nape of her neck, the elegant line of her back. Unable to curb the impulse, Gideon lowered himself into a crouch, reaching beneath the cloak of coffee-colored hair to touch her flushed cheek. The heat of her anger radiated against his touch and he recognized it long before she turned her face up to him.
“Does this satisfy you, my lord Gideon?” she whispered fiercely, her eyes flashing like flinted steel and hard jade.
Gideon found himself searching her face intently, his eyes roaming over the high, aristocratic curves of her cheekbones, the amazingly full sculpture of her lips, the wide, accusing eyes that lay behind extraordinarily thick lashes. He cupped her chin between the thumb and forefinger of his left hand, his fingertips fanning softly over her angrily flushed cheek.
“You do enjoy mocking me,” he murmured softly to her, the breath of his words close enough to skim across her face.
“No more than you seem to enjoy condescending to me,” she replied, her clipped words coming out on quick, heated breaths.
Gideon absorbed this latest venom with a blink of lengthy lashes. They kept their gazes locked, each seemingly waiting for the other to look away.
“You have never forgiven me,” he said suddenly, softly.
“Forgiven you?” She laughed bitterly. “Gideon, you are not important enough to earn my forgiveness.”
“Is your ego so fragile, Legna, that a small slight to it is irreparable?”
“Stop talking to me as if I were a temperamental child!” Legna hissed, moving to jerk her head back but finding his grip quite secure. “There was nothing slight about the way you treated me. I will never forget it, and I most certainly will never forget it!
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
Girls, I was dead and down
in the Underworld, a shade,
a shadow of my former self, nowhen.
It was a place where language stopped,
a black full stop, a black hole
Where the words had to come to an end.
And end they did there,
last words,
famous or not.
It suited me down to the ground.
So imagine me there,
unavailable,
out of this world,
then picture my face in that place
of Eternal Repose,
in the one place you’d think a girl would be safe
from the kind of a man
who follows her round
writing poems,
hovers about
while she reads them,
calls her His Muse,
and once sulked for a night and a day
because she remarked on his weakness for abstract nouns.
Just picture my face
when I heard -
Ye Gods -
a familiar knock-knock at Death’s door.
Him.
Big O.
Larger than life.
With his lyre
and a poem to pitch, with me as the prize.
Things were different back then.
For the men, verse-wise,
Big O was the boy. Legendary.
The blurb on the back of his books claimed
that animals,
aardvark to zebra,
flocked to his side when he sang,
fish leapt in their shoals
at the sound of his voice,
even the mute, sullen stones at his feet
wept wee, silver tears.
Bollocks. (I’d done all the typing myself,
I should know.)
And given my time all over again,
rest assured that I’d rather speak for myself
than be Dearest, Beloved, Dark Lady, White Goddess etc., etc.
In fact girls, I’d rather be dead.
But the Gods are like publishers,
usually male,
and what you doubtless know of my tale
is the deal.
Orpheus strutted his stuff.
The bloodless ghosts were in tears.
Sisyphus sat on his rock for the first time in years.
Tantalus was permitted a couple of beers.
The woman in question could scarcely believe her ears.
Like it or not,
I must follow him back to our life -
Eurydice, Orpheus’ wife -
to be trapped in his images, metaphors, similes,
octaves and sextets, quatrains and couplets,
elegies, limericks, villanelles,
histories, myths…
He’d been told that he mustn’t look back
or turn round,
but walk steadily upwards,
myself right behind him,
out of the Underworld
into the upper air that for me was the past.
He’d been warned
that one look would lose me
for ever and ever.
So we walked, we walked.
Nobody talked.
Girls, forget what you’ve read.
It happened like this -
I did everything in my power
to make him look back.
What did I have to do, I said,
to make him see we were through?
I was dead. Deceased.
I was Resting in Peace. Passé. Late.
Past my sell-by date…
I stretched out my hand
to touch him once
on the back of the neck.
Please let me stay.
But already the light had saddened from purple to grey.
It was an uphill schlep
from death to life
and with every step
I willed him to turn.
I was thinking of filching the poem
out of his cloak,
when inspiration finally struck.
I stopped, thrilled.
He was a yard in front.
My voice shook when I spoke -
Orpheus, your poem’s a masterpiece.
I’d love to hear it again…
He was smiling modestly,
when he turned,
when he turned and he looked at me.
What else?
I noticed he hadn’t shaved.
I waved once and was gone.
The dead are so talented.
The living walk by the edge of a vast lake
near, the wise, drowned silence of the dead.
”
”
Carol Ann Duffy (The World's Wife)
“
A Puritan twist in our nature makes us think that anything good for us must be twice as good if it's hard to swallow. Learning Greek and Latin used to play the role of character builder, since they were considered to be as exhausting and unrewarding as digging a trench in the morning and filling it up in the afternoon. It was what made a man, or a woman -- or more likely a robot -- of you. Now math serves that purpose in many schools: your task is to try to follow rules that make sense, perhaps, to some higher beings; and in the end to accept your failure with humbled pride. As you limp off with your aching mind and bruised soul, you know that nothing in later life will ever be as difficult.
What a perverse fate for one of our kind's greatest triumphs! Think how absurd it would be were music treated this way (for math and music are both excursions into sensuous structure): suffer through playing your scales, and when you're an adult you'll never have to listen to music again. And this is mathematics we're talking about, the language in which, Galileo said, the Book of the World is written. This is mathematics, which reaches down into our deepest intuitions and outward toward the nature of the universe -- mathematics, which explains the atoms as well as the stars in their courses, and lets us see into the ways that rivers and arteries branch. For mathematics itself is the study of connections: how things ideally must and, in fact, do sort together -- beyond, around, and within us. It doesn't just help us to balance our checkbooks; it leads us to see the balances hidden in the tumble of events, and the shapes of those quiet symmetries behind the random clatter of things. At the same time, we come to savor it, like music, wholly for itself. Applied or pure, mathematics gives whoever enjoys it a matchless self-confidence, along with a sense of partaking in truths that follow neither from persuasion nor faith but stand foursquare on their own. This is why it appeals to what we will come back to again and again: our **architectural instinct** -- as deep in us as any of our urges.
”
”
Ellen Kaplan (Out of the Labyrinth: Setting Mathematics Free)
“
One night, when Violet’s parents had gone out, he teased her about it, whispering against her throat, “I should probably be dating girls my own age now that you’ll be over-the-hill.” Jay was stretched out on Violet’s bed as she curled against him.
Violet laughed, rising to the bait. “Fine,” she challenged, pulling away and leaning up on her elbow. “I’m sure there are plenty of men my own age who would be willing to finish what you’ve started.”
Jay stiffened, and Violet realized that she’d struck a nerve. “What is it?”
He shook his head, and Violet thought he might say, “Nothing,” so when he answered, his words caught her off guard. “Is there someone else, Vi?”
Violet frowned, baffled by the unfamiliar jealousy she saw on his face. She wondered what in the world he meant as she reached down and smoothed a strand of hair from his forehead. “What are you talking about, Jay?”
His eyes met hers. “I saw you with that guy at the movies, Vi. Who was he?”
Violet closed her eyes. She wasn’t ready yet. She didn’t want to tell him about the FBI, about Sara and Rafe or what she’d learned about Mike’s mother. She wondered briefly if he knew about Mike’s mom-if his friend had ever confided in him. But somehow she doubted it. Jay wasn’t like her; he didn’t keep secrets.
“It’s not like that,” she explained, hoping that would be enough.
Jay got up and went to the window, pushing the curtain aside. Every muscle in his body was rigid. “Like what, Vi? What’s going on? Something’s been bothering you lately. Why can’t you tell me?”
He was right. She owed it to him to at least try. “I don’t know how to explain, but I just feel like everything’s changed between us-“
“Of course it’s changed, Violet, what’d you expect?”
Violet tried to ignore the bitterness in his voice, telling herself she had no right to be hurt. “It used to be that I would never keep secrets from you. You were my best friend. But now that we’re dating, it’s just…different. I feel like I have to watc what I say, or you get all worried. Sometimes I just want you to be the old Jay again, so I can talk to you.” Violet crept up behind him, wrapping her arms around his waist and resting her cheek against his back.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
But Eugene was untroubled by thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of name, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking—full of opulent cities, golden vintages, glorious triumphs, lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die. He went back to Pulpit Hill for two or three days of delightful loneliness in the deserted college. He prowled through the empty campus at midnight under the great moons of the late rich Spring; he breathed the thousand rich odours of tree and grass and flower, of the opulent and seductive South; and he felt a delicious sadness when he thought of his departure, and saw there in the moon the thousand phantom shapes of the boys he had known who would come no more. He still loitered, although his baggage had been packed for days. With a desperate pain, he faced departure from that Arcadian wilderness where he had known so much joy. At night he roamed the deserted campus, talking quietly until morning with a handful of students who lingered strangely, as he did, among the ghostly buildings, among the phantoms of lost boys. He could not face a final departure. He said he would return early in autumn for a few days, and at least once a year thereafter. Then one hot morning, on sudden impulse, he left. As the car that was taking him to Exeter roared down the winding street, under the hot green leafiness of June, he heard, as from the sea-depth of a dream, far-faint, the mellow booming of the campus bell. And suddenly it seemed to him that all the beaten walks were thudding with the footfalls of lost boys, himself among them, running for their class. Then, as he listened, the far bell died away, and the phantom runners thudded into oblivion. The car roared up across the lip of the hill, and drove steeply down into the hot parched countryside below. As the lost world faded from his sight, Eugene gave a great cry of pain and sadness, for he knew that the elfin door had closed behind him, and that he would never come back again. He saw the vast rich body of the hills, lush with billowing greenery, ripe-bosomed, dappled by far-floating cloudshadows. But it was, he knew, the end.
Far-forested, the horn-note wound. He was wild with the hunger for release: the vast champaign of earth stretched out for him its limitless seduction.
It was the end, the end. It was the beginning of the voyage, the quest of new lands. Gant was dead. Gant was living, death-in-life. In
”
”
Thomas Wolfe (Look Homeward, Angel)
“
Once again this unspeakable man had caused her to make a complete fool of herself, and the realization made her eyes blaze with renewed fury as she turned her head and looked at him.
Despite Ian’s apparent nonchalance he had been watching her closely, and he stiffened, sensing instinctively that she was suddenly and inexplicably angrier than before. He nodded to the gun, and when he spoke there was no more mockery in his voice; instead it was carefully neutral. “I think there are a few things you ought to consider before you use that.”
Though she had no intention of using it, Elizabeth listened attentively as he continued in that same helpful voice. “First of all, you’ll have to be very fast and very calm if you intend to shoot me and reload before Jake there gets to you. Second, I think it’s only fair to warn you that there’s going to be a great deal of blood all over the place. I’m not complaining, you understand, but I think it’s only right to warn you that you’re never again going to be able to wear that charming gown you have on.” Elizabeth felt her stomach lurch. “You’ll hang, of course,” he continued conversationally, “but that won’t be nearly as distressing as the scandal you’ll have to face first.”
Too disgusted with herself and with him to react to that last mocking remark, Elizabeth put her chin up and managed to say with great dignity, “I’ve had enough of this, Mr. Thornton. I did not think anything could equal your swinish behavior at our prior meetings, but you’ve managed to do it. Unfortunately, I am not so ill-bred as you and therefore have scruples against assaulting someone who is weaker than I, which is what I would be doing if I were to shoot an unarmed man. Lucinda, we are leaving,” she said, then she glanced back at her silent adversary, who’d taken a threatening step, and she shook her head, saying with extreme, mocking civility, “No, please-do not bother to see us out, sir, there’s no need. Besides, I wish to remember you just as you are at this moment-helpless and thwarted.” It was odd, but now, at the low point of her life, Elizabeth felt almost exhilarated because she was finally doing something to avenge her pride instead of meekly accepting her fate.
Lucinda had marched out onto the porch already, and Elizabeth tried to think of something to dissuade him from retrieving his gun when she threw it away outside. She decided to repeat his own advice, which she began to do as she backed away toward the door. “I know you’re loath to see us leave like this,” she said, her voice and her hand betraying a slight, fearful tremor. “However, before you consider coming after us, I beg you will take your own excellent advice and pause to consider if killing me is worth hanging for.”
Whirling on her heel, Elizabeth took one running step, then cried out in pained surprise as she was jerked off her feet and a hard blow to her forearm sent the gun flying to the floor at the same time her arm was yanked up and twisted behind her back. “Yes,” he said in an awful voice near her ear, “I actually think it would be worth it.”
Just when she thought her arm would surely snap, her captor gave her a hard shove that sent her stumbling headlong out into the yard, and the door slammed shut behind her.
“Well! I never,” Lucinda said, her bosom heaving with rage as she glowered at the closed door.
“Neither have I,” said Elizabeth, shaking dirt off her hem and deciding to retreat with as much dignity as possible. “We can talk about what a madman he is once we’re down the path, out of sight of the house. So if you’ll please take that end of the trunk?”
With a black look Lucinda complied, and they marched down the path, both of them concentrating on keeping their backs as straight as possible.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Galen doesn’t get truly nervous until he senses the size of the Syrena mass coming toward them. Up until this point, he’d been worried about Emma. What she thought about all this. Her mother’s reunion with Grom. What she planned to do while they were gone. Whether or not she was going to keep her promise and stay out of the water.
And…his thoughts keep wandering back to their kiss between the sand dunes. It was an exquisite torture, the way she tasted like a mixture of salt water and herself. A combination of two things he’s come to cherish. Water and land. Syrena world and human world. Love for his kind and love for Emma.
Only now, as the party of Syrena approaches, its presence seems to encroach on Galen’s options. For some reason, it feels like a choice between water or land, Syrena world or human world, love for his kind or love for Emma. According to the law, there never was a choice. But that was before Emma.
And Galen has the feeling that the time for truly deciding between the two is closing in on him. But haven’t I already made that decision?
He steals a glance at Toraf, who’s been wearing the same grim expression since they left Emma’s house. Toraf is never grim. Since they were fingerlings, he’s always had a special talent for finding the positive in a situation, and if not the positive, then he can certainly find mischief in a situation.
But not now. Now he’s keeping to himself. Toraf never keeps to himself. Even Grom, the usual sealed-up clam, has become boisterous and enlivened while he and Nalia chatter to each other, laughing and whispering and holding hands, all the while speculating over the events that separated them so long ago.
But Toraf seems oblivious to the chatter and to Galen’s internal war of emotions and to the swarm of jellyfish he just narrowly avoided. Galen had thought Toraf might have been anxious about leaving Rayna behind. Usually, though, he comforts himself by talking about her until Galen wishes he’d had a twin brother instead of a twin sister.
No, what’s troubling Toraf has nothing to do with leaving Rayna behind. He even persuaded her to stay. Which means he thinks it’s safer for her on land right now. Toraf’s motives are always simple: do what’s best for Rayna, in spite of Rayna.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Shockers take six months of training and still occasionally kill their users. Why did you implant them in the first place?”
“Because you kidnapped me.”
“That’s the stupidest thing I’ve ever heard.”
“Mr. Rogan.” My voice frosted over. “What I put into my body is my business.”
Okay, that didn’t sound right. I gave up and marched out the doors into the sunlight. That was so dumb. Sure, try your magic sex touch on me, what could happen? My whole body was still keyed up, wrapped up in want and anticipation. I had completely embarrassed myself. If I could fall through the floor, I would.
“Nevada,” he said behind me. His voice rolled over me, tinted with command and enticing, promising things I really wanted.
You’re a professional. Act like one. I gathered all of my will and made myself sound calm. “Yes?”
He caught up with me. “We need to talk about this.”
“There is nothing to discuss,” I told him. “My body had an involuntary response to your magic.” I nodded at the poster for Crash and Burn II on the wall of the mall, with Leif Magnusson flexing with two guns while wrapped in flames. “If Leif showed up in the middle of this parking lot, my body would have an involuntary response to his presence as well. It doesn’t mean I would act on it.”
Mad Rogan gave Leif a dismissive glance and turned back to me. “They say admitting that you have a problem is the first step toward recovery.”
He was changing his tactics. Not going to work. “You know what my problem is? My problem is a homicidal pyrokinetic Prime whom I have to bring back to his narcissistic family.”
We crossed the road to the long parking lot. Grassy dividers punctuated by small trees sectioned the lot into lanes, and Mad Rogan had parked toward the end of the lane, by the exit ramp.
“One school of thought says the best way to handle an issue like this is exposure therapy,” Mad Rogan said. “For example, if you’re terrified of snakes, repeated handling of them will cure it.”
Aha. “I’m not handling your snake.”
He grinned. “Baby, you couldn’t handle my snake.”
It finally sank in. Mad Rogan, the Huracan, had just made a pass at me. After he casually almost strangled a woman in public. I texted to Bern, “Need pickup at Galeria IV.” Getting into Rogan’s car was out of the question.
”
”
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
“
Matt’s housekeeper let him in with a grimace.
“I’m harmless today,” Tate assured the woman as she led the way to where Matt Holden was standing just outside the study door.
“Right. You and two odd species of cobra,” Matt murmured sarcastically, glaring at his son from a tanned face. “What do you want, a bruise to match the other one?”
Tate held up both hands. “Don’t start,” he said.
Matt moved out of the way with reluctance and closed the study door behind them. “Your mother’s gone shopping,” he said.
“Good. I don’t want to talk to her just yet.”
Matt’s eyebrows levered up. “Oh?”
Tate dropped into the wing chair across from the senator’s bulky armchair. “I need some advice.”
Matt felt his forehead. “I didn’t think a single malt whiskey was enough to make me hallucinate,” he said to himself.
Tate glowered at him. “You’re not one of my favorite people, but you know Cecily a little better than I seem to lately.”
“Cecily loves you,” Matt said shortly, dropping into his chair.
“That’s not the problem,” Tate said. He leaned forward, his hands clasped loosely between his splayed knees. “Although I seem to have done everything in my power to make her stop.”
The older man didn’t speak for a minute or two. “Love doesn’t die that easily,” he said. “Your mother and I are a case in point. We hadn’t seen each other for thirty-six years, but the instant we met again, the years fell away. We were young again, in love again.”
“I can’t wait thirty-six years,” Tate stated. He stared at his hands, then he drew in a long breath. “Cecily’s pregnant.”
The other man was quiet for so long that Tate lifted his eyes, only to be met with barely contained rage in the older man’s face.
“Is it yours?” Matt asked curtly.
Tate glowered at him. “What kind of woman do you think Cecily is? Of course it’s mine!”
Matt chuckled. He leaned back in the easy chair and indulged the need to look at his son, to find all the differences and all the similarities in that younger version of his face. It pleased him to find so many familiar things.
“We look alike,” Tate said, reading the intent scrutiny he was getting. “Funny that I never noticed that before.”
Matt smiled. “We didn’t get along very well.”
“Both too stubborn and inflexible,” Tate pointed out.
“And arrogant.”
Tate chuckled dryly. “Maybe.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
They got to the classroom she and Jay shared this period, but it wasn’t Grady’s class. Instead of walking on, Grady paused.
“Violet, can I talk to you for a minute?” His deep voice surprised her again.
“Yeah, okay,” Violet agreed, curious about what he might have to say to her.
Jay stopped and waited too, but when Grady didn’t say anything, it became clear that he’d meant he wanted to talk to her . . . alone.
Jay suddenly seemed uncomfortable and tried to excuse himself as casually as he could. “I’ll see you inside,” he finally said to Violet.
She nodded to him as he left.
Violet was a little worried that the bell was going to ring and she’d be tardy again, but her curiosity had kicked up a notch when she realized that Grady didn’t want Jay to hear what he had to say, and that far outweighed her concern for late slips.
When they were alone, and Grady didn’t start talking right away, Violet prompted him. “What’s going on?”
She watched him swallow, and his Adam’s apple bobbed up and down along the length of his throat. It was strange to see her old guy friends in this new light. He’d always been a good-looking kid, but now he looked like a man . . . even though he still acted like a boy. He shifted back and forth, and if she had taken the time to think about it, she would have realized that he was nervous.
But she misread his discomfort altogether. She thought that, like her, he was worried about being late. “Do you want to talk after school? I could meet you in the parking lot.”
“No. No. Now’s good.” He ran his hand through his hair in a discouraged gesture. He took a deep breath, but his voice was still shaking when he spoke. “I . . . I was wondering . . .” He looked Violet right in the eye now, and suddenly she felt very nervous about where this might be going. She was desperately wishing she hadn’t let Jay leave her here alone. “I was wondering if you’re planning to go to Homecoming,” Grady finally blurted out.
She stood there, looking at him, feeling trapped by the question and not sure what she was going to say.
The bell rang, and both of them jumped.
Violet was grateful for the excuse, and she clung to it like a life preserver. Her eyes were wide, and she pointed to the door behind her. “I gotta . . . can we . . .” She pointed again, and she knew she looked and sounded like an idiot, incapable of coherent speech. “Can we talk after school?”
Grady seemed relieved to have been let off the hook for the moment. “Sure. Yeah. I’ll talk to you after school.”
He left without saying good-bye, and Violet, thankful herself, tried to slip into her classroom unnoticed.
But she had no such luck. The teacher marked her tardy, and everyone in class watched as she made her way to her seat beside Jay’s. Her face felt flushed and hot.
“What was that all about?” Jay asked in a loud whisper.
She still felt like her head was reeling. She had no idea what she was going to say to Grady when school was out. “I think Grady just asked me to Homecoming,” she announced to Jay.
He looked at her suspiciously. “The game?”
Violet cocked her head to the side and gave him a look that told him to be serious.
“No, I’m pretty sure he meant the dance,” Violet clarified, exasperated by the obtuse question.
Jay frowned at her. “What did you say?”
“I didn’t say anything. The bell rang and I told him we’d have to talk later.”
The teacher glanced their way, and they pretended not to be talking to each other.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Neliss, why is this rug wet?”
Legna peeked around the corner to glance at the rug in question, looking as if she had never seen it before.
“We have a rug there?”
“Did you or did you not promise me you were not going to practice extending how long you can hold your invisible bowls of water in the house? And what on earth is that noise?”
“Okay, I confess to the water thing, which was an honest mistake, I swear it. But as for a noise, I have no idea what you are talking about.”
“You cannot hear that? It has been driving me crazy for days now. It just repeats over and over again, a sort of clicking sound.”
“Well, it took a millennium, but you have finally gone completely senile. Listen, this is a house built by Lycanthropes. It is more a cave than a house, to be honest. I have yet to decorate to my satisfaction. There is probably some gizmo of some kind lying around, and I will come across it eventually or it will quit working the longer it is exposed to our influence. Even though I do not hear anything, I will start looking for it. Is this satisfactory?”
“I swear, Magdelegna, I am never letting you visit that Druid ever again.”
“Oh, stop it. You do not intimidate me, as much as you would love to think you do. Now, I will come over there if you promise not to yell at me anymore. You have been quite moody lately.”
“I would be a hell of a lot less moody if I could figure out what that damn noise is.”
Legna came around the corner, moving into his embrace with her hands behind her back. He immediately tried to see what she had in them.
“What is that?”
“Remember when you asked me why I cut my hair?”
“Ah yes, the surprise. Took you long enough to get to it.”
“If you do not stop, I am not going to give it to you.”
“Okay. I am stopping. What is it?”
She held out the box tied with a ribbon to him and he accepted it with a lopsided smile.
“I do not think I even remember the last time I received a gift,” he said, leaning to kiss her cheek warmly. He changed his mind, though, and opted to go for her mouth next. She smiled beneath the cling of their lips and pushed away.
“Open it.”
He reached for the ribbon and soon was pulling the top off the box.
“What is this?”
“Gideon, what does it look like?”
He picked up the woven circlet with a finger and inspected it closely. It was an intricately and meticulously fashioned necklace, clearly made strand by strand from the coffee-colored locks of his mate’s hair. In the center of the choker was a silver oval with the smallest writing he had ever seen filling it from top to bottom.
“What does it say?”
“It is the medics’ code of ethics,” she said softly, taking it from him and slipping behind him to link the piece around his neck beneath his hair. “And it fits perfectly.” She came around to look at it, smiling. “I knew it would look handsome on you.”
“I do not usually wear jewelry or ornamentation, but . . . it feels nice. How on earth did they make this?”
“Well, it took forever, if you want to know why it took so long for me to make good on the surprise. But I wanted you to have something that was a little bit of me and a little bit of you.”
“I already have something like that. It is you. And . . . and me, I guess,” he laughed. “We are a little bit of each other for the rest of our lives.”
“See, that makes this a perfect symbol of our love,” she said smartly, reaching up on her toes to kiss him.
“Well, thank you, sweet. It is a great present and an excellent surprise. Now, if you really want to surprise me, help me find out what that noise is.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?”
Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously.
Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.”
Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.”
It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.”
“Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.”
“No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!”
Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?”
Elizabeth nodded.
“There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?”
“Yes,” Elizabeth said. “I give you my word.”
She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder.
Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.”
“He ought to be shot!” Bentner said with blazing contempt.
Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Did I ever tell you about the man who taught his asshole to talk? His whole abdomen would move up and down you dig farting out the words. It was unlike anything I ever heard.
This ass talk had sort of a gut frequency. It hit you right down there like you gotta go. You know when the old colon gives you the elbow and it feels sorta cold inside, and you know all you have to do is turn loose? Well this talking hit you right down there, a bubbly, thick stagnant sound, a sound you could smell.
This man worked for a carnival you dig, and to start with it was like a novelty ventriliquist act. Real funny, too, at first. He had a number he called “The Better ‘Ole” that was a scream, I tell you. I forget most of it but it was clever. Like, “Oh I say, are you still down there, old thing?”
“Nah I had to go relieve myself.”
After a while the ass start talking on its own. He would go in without anything prepared and his ass would ad-lib and toss the gags back at him every time.
Then it developed sort of teeth-like little raspy in-curving hooks and started eating. He thought this was cute at first and built an act around it, but the asshole would eat its way through his pants and start talking on the street, shouting out it wanted equal rights. It would get drunk, too, and have crying jags nobody loved it and it wanted to be kissed same as any other mouth. Finally it talked all the time day and night, you could hear him for blocks screaming at it to shut up, and beating it with his fist, and sticking candles up it, but nothing did any good and the asshole said to him: “It’s you who will shut up in the end. Not me. Because we dont need you around here any more. I can talk and eat and shit.”
After that he began waking up in the morning with a transparent jelly like a tadpole’s tail all over his mouth. This jelly was what the scientists call un-D.T., Undifferentiated Tissue, which can grow into any kind of flesh on the human body. He would tear it off his mouth and the pieces would stick to his hands like burning gasoline jelly and grow there, grow anywhere on him a glob of it fell. So finally his mouth sealed over, and the whole head would have have amputated spontaneous — (did you know there is a condition occurs in parts of Africa and only among Negroes where the little toe amputates spontaneously?) — except for the eyes you dig. Thats one thing the asshole couldn’t do was see. It needed the eyes. But nerve connections were blocked and infiltrated and atrophied so the brain couldn’t give orders any more. It was trapped in the skull, sealed off. For a while you could see the silent, helpless suffering of the brain behind the eyes, then finally the brain must have died, because the eyes went out, and there was no more feeling in them than a crab’s eyes on the end of a stalk.
”
”
William S. Burroughs
“
Hullo,” he said sleepily, rubbing a hand along his jaw.
He’s here in my room, right in the middle of the afternoon. Great God, there’s a boy in my bed in my room-
I came to life. “Get out!”
He yawned, a lazy yawn, a yawn that clearly indicated he had no intention of leaving. In the moody gray light his body seemed a mere suggestion against the covers, his hair a shaded smudge against the paler lines of his collar and face.
“But I’ve been waiting for you for over an hour up here, and bloody boring it’s been, too. I’ve never known a girl who didn’t keep even mildly wicked reading material hidden somewhere in her bedchamber. I’ve had to pass the time watching the spiders crawl across your ceiling.”
Voices floated up from downstairs, a maids’ conversation about rags and soapy water sounding horribly loud, and horribly close.
I shut the door as gently as I could and pressed my back against it, my mind racing. No lock, no bolt, no key, no way to keep them out if they decided to come up…
Armand shifted a bit, rearranging the pillows behind his shoulders.
I wet my lips. “If this is about the kiss-“
“No.” He gave a slight shrug. “I mean, it wasn’t meant to be. But if you’d like-“
“You can’t be in here!”
“And yet, Eleanor, here I am. You know, I remember this room from when I used to live in the castle as a boy. It was a storage chamber, I believe. All the shabby, cast-off things tossed up here where no one had to look at them.” He stretched out long and lazy again, arms overhead, his shirt pulling tight across his chest. “This mattress really isn’t very comfortable, is it? Hark as a rock. No wonder you’re so ill-tempered.”
Dark power. Compel him to leave.
I was desperate enough to try.
“You must go,” I said. Miraculously, I felt it working. I willed it and it happened, the magic threading through my tone as sly as silk, deceptively subtle. “Now. If anyone sees you, were never here. You never saw me. Go downstairs, and do not mention my name.”
Armand sat up, his gaze abruptly intent. One of the pillows plopped on the floor.
“That was interesting, how your voice just changed. Got all smooth and eerie. I think I have goose bumps. Was that some sort of technique they taught you at the orphanage? Is it useful for begging?”
Blast. I tipped my head back against the wood of the door and clenched my teeth.
“Do you have any idea the trouble I’ll be in if they should find you here? What people will think?”
“Oh, yes. It rather gives me the advantage, doesn’t it?”
“Mrs. Westcliffe will expel me!”
“Nonsense.” He smiled. “All right, probably she will.”
“Just tell me that you want, then!”
His lashes dropped; his smile grew more dry. He ran a hand slowly along a crease of quilt by his thigh.
“All I want,” he said quietly, “is to talk.
“Then pay a call on me later this afternoon,” I hissed.
“No.”
“What, you don’t have the time to tear yourself away from your precious Chloe?”
I hadn’t meant to say that, and, believe me, as soon as the words left my lips I regretted them. They made me sound petty and jealous, and I was certain I was neither.
Reasonably certain.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
Marilee lay perfectly still,waiting for her world to settle.She had to fight the unreasonable urge to weep.
Wyatt's face was pressed to the hollow of her throat,his breathing rough, his damp body plastered to hers.
He nuzzled her neck. "Am I too heavy?"
"Umm." It was all she could manage.
"You all right?"
"Umm."
"Did anybody ever tell you that you talk too much?"
"Umm."
He brushed his mouth over hers. "If you hum a bit more,I might be able to name that tune."
That broke the spell of tears that had been threatening and caused her to laugh.
She wrapped her arms around his neck and kissed him back. "Have I told you how much I like your silly sense of humor?"
"No,you haven't." He rolled to his side and gathered her into his arms,nuzzling her cheek,while his big hands moved over her hip,her back,her waist, as though measuring every inch of her. "What else do you like about me?"
"You fishing for compliments?"
"Of course I am."
"Glutton. Your sense of humor isn't enough?"
"Not nearly enough.How about my looks?"
"They're okay,for a footloose rebel."
"Stop.All these mushy remarks will inflate my ego." He gave a mock frown. "How about the way I kiss?"
"You're not bad."
"Not bad?" His hands stopped their movement. He drew a little away. "That's all you can say?"
"If you recall,tonight was the first time we've kissed.I haven't had nearly enough practice to be a really good judge of your talent."
"Then we'd better take care of that right now." He framed her face. With his eyes steady on hers, he lowered his mouth to claim her lips.
Marilee's eyelids fluttered and she felt an explosion of color behind them. As though the moon and stars had collided while she rocketed through space. It was the most amazing sensation, and, as his lips continued moving over hers,she found herself wishing it could go on forever.
When at last they came up for air, she took in a long,deep breath before opening her eyes. "Oh,yes,rebel.I have to say,I do like the way you kiss."
"That's good,because I intend to do a whole lot more of it." He lay back in the grass,one hand beneath his head. "Now it's my turn.Want to know all the things I like about you?"
"I'm afraid to hear it." Marilee lay on her side,her hand splayed across his chest.
"Besides your freckles,which I've already mentioned,the thing about you I like best is your take-charge attitude."
She chuckled. "A lot of guys feel intimidated by that."
"They're idiots.Don't they know there's something sexy about a woman who knows what to do and how to do it? I've watched you as a medic and as a pilot, and I haven't decided which one turns me on more."
"Really?" She sat up. "Want me to fetch my first-aid kit from the plane? I could always splint your arm or leg and really turn you on."
He dragged her down into his arms and growled against her mouth, "You don't need to do a single thing to turn me on. All I need to do is look at you and I want you."
"You mean now? Again? So soon?"
"Oh,yeah."
"Liar.I don't believe it's possible."
"You ought to know by now that I never say anything I can't back up with action."
"Prove it,rebel."
"My pleasure."
There was a wicked smile on his lips as he rolled over her and began to kiss her breathless,all the while taking her on a slow,delicious ride to paradise.
”
”
R.C. Ryan (Montana Destiny (McCords, 2))
“
We have snacks, everybody!”
“Where’d you get them from, Delaware?” Ben asked. He was glaring behind me, where Sage leaned casually against the wall.
“Practically,” I said. “My fault-I was dying for Red Hots. Pretty much impossible to find. So what movie are we watching?”
Back in the cave, Sage had told me I wasn’t much of an actress, and apparently he was right. I thought I put on a brilliant show, but Ben’s eyes were filled with suspicion, Rayna looked like she was ready to pounce, and Sage seemed to be working very hard to stifle his laughter.
Rayna yawned. “Can’t do it. I’m so tired. I’m sorry, but I have to kick you guys out and get some sleep.”
She wasn’t much better at acting than I was. I knew she wanted to talk, but the idea of being away from Sage killed me.
“No worries,” I said. “I can bring he snacks to the guys’ room. We can watch there and let you sleep.”
“Great!” Ben said.
Rayna gaped, and in the space of ten seconds, she and I had a full conversation with only our eyes.
Rayna: “What the hell?”
Me: “I know! But I want to hang out with Sage.”
Rayna: “Are you insane?! You’ll be with him for the rest of your life. I’m only with you until morning!”
I couldn’t fight that one. She was right.
“Actually, I’m pretty tired too,” I said. I even forced a yawn, though judging from Sage’s smirk, it wasn’t terribly convincing.
“You sure?” Ben asked. He was staring at me in a way that made me feel X-rayed.
“Positive. Take some snacks, though. I got dark chocolate M&Ms and Fritos.”
“Sounds like a slumber party!” Rayna said.
“Absolutely,” Sage deadpanned. “Look out, Ben-I do a mean French braid.”
Ben paid no attention. He had moved closer and was looking at me suspiciously, like a dog whose owner comes from after playing with someone else’s pet. I almost thought he was going to smell me.
“G’night,” he said. He had to brush past Sage to get to the door, but he didn’t say a word to him. Sage raised an amused eyebrow to me.
“Good night, ladies,” he said, then turned and followed Ben out. It hurt to see him go, like someone had run an ice cream scoop through my core, but I knew that was melodramatic. I’d see him in the morning. We had our whole lives to be together. Tonight he could spend with Ben.
I laughed out loud, imagining the two of them actually cheating, snacking, and French braiding each other’s hair as they sat cross-legged on the bed.
Then a pillow smacked me in the side of the head.
“’We can watch there and let you sleep’?” Rayna wailed. “Are you crazy?”
“I know! I’m sorry. I took it back, though, right?”
“You have two seconds to start talking, or I reload.”
Before now, if anyone had told me that I could have a night like tonight and not want to tell Rayna everything, I’d have thought they were crazy. But being with Sage was different. It felt perfectly round and complete. If I said anything about it, I felt like I’d be giving away a giant scoop of it that I couldn’t ever get back.
“It was really nice,” I said. “Thanks.”
Rayna picked up another pillow, then let it drop. She wasn’t happy, but she understood. She also knew I wasn’t thanking her just for asking, but for everything.
“Ready for bed?” she asked. “We have to eat the guys to breakfast so they don’t steal all the cinnamon rolls.”
I loved her like crazy.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
Maybe that’s his game, though,” I said. “The hunt for one soul, again and again.”
“Then why are you still here?”
“The other women lived with him for a long time too. Maybe he wants to wait until my defenses are down, and then-“
“Wow, Clea, you are so jaded. You found your soulmate. People wait their whole lives for this. It’s the most amazing thing in the world, and it’s happened to you. Can’t you just accept it and be happy?”
What she said made sense, but…
I flopped back on the bed and stared at the ceiling. Without looking at Rayna, I said, “He doesn’t act like he’s my soulmate. Sometimes I think maybe he liked the other women more. I think maybe he wishes I was one of them.”
Rayna was silent. This was something I’d never heard. “This is seriously, deep,” she finally said. “You’re feeling insecure because you’re jealous…of yourself.”
“I didn’t say I was jealous…”
“You’d rather think he’s a serial killer than risk being with him and finding out he doesn’t like you as much as he liked…you?” She scrunched her brow and thought, then tried again. “Yous? Anyway, you know what I mean-the other yous.”
“Forget the jealousy thing, okay? There are other reasons to doubt him too. Ben doesn’t trust him at all. He thinks Sage is some kind of demon. He said there’s a spirit called an incubus that comes to women in their sleep, and-“
“Of course Ben said that.” Rayna shrugged. “He’s jealous.”
“Of what?”
“Ben’s crazy in love with you, Clea. I’ve been saying that forever!”
“And I’ve been ignoring you forever, because it’s not true. You just want it to be true because it’s romantic.”
“Did you not see the pictures of you from Rio?”
I narrowed my eyes. “What are you talking about?”
Rayna pulled out her phone. “Honestly, I don’t know how you survive without Google Alerts on yourself. The paparazzi were out in full force for Carnival.”
She played with the phone for a minute, then handed it to me. It showed a close-up of Ben and me at the Sambadrome that could only have been taken with a serious zoom. I felt violated.
“I hate this,” I muttered.
“Why? You look cute!”
“I hate that people are sneaking around taking pictures of me!”
“I know you do. Ignore that for the moment. Just scroll through.”
There were five pictures of Ben and me. Four of them were moments I vividly remembered, pictures of the two of us facing each other, laughing as we did our best to imitate the dancers shimmying and strutting down the parade route.
The fifth one I didn’t remember. I wouldn’t have; in it I had my camera up to my face and was concentrating on lining up the perfect shot. Ben stood behind me, but he wasn’t wearing the goofy smile he’d had in the other pictures. He was staring right at me with those big puppydog eyes, and his smile wasn’t goofy at all, but…
“Uh-huh,” Rayna said triumphantly. She had climbed into my bed was looking at the picture over my shoulder. “Knew that one would stop you. There is only one word for the look on that boy’s face, Clea: love-struck. Which is probably why a bunch of websites are reporting he’s about to propose.”
“What?”
“Messenger. Don’t kill the messenger.”
I looked back at the picture. Ben did look love-struck. Very love-struck.
“It could just be the picture,” I said. “They caught him at a weird moment.”
“Yeah, a weird moment when he thought no one was looking so he showed how he really felt.”
I gave Rayna back the phone and shook my head. “Ben and I are like brother and sister. That’s gross.”
“Hey, I read Flowers in the Attic. It was kind of hot.”
“Shut up!” I laughed.
“I’m just saying, think about it. Really think about it. Is it that hard to believe that Ben’s in love with you?
”
”
Hilary Duff (Elixir (Elixir, #1))