Tales From The Loop Quotes

We've searched our database for all the quotes and captions related to Tales From The Loop. Here they are! All 12 of them:

She raised her eyebrows, looping her hands around his neck and wriggling provocatively. 'Looks like I've just been promoted to Alpha then, huh?' Lucien made a face. 'Well the job is yours if you want it, but I should warn you that the contract is bull crap. I've received none of the perks that were promised.' 'Perks?' 'Oh, you know... a lifetime supply of beer and foot massages, a harem of women to bathe and clothe me etcetera...' She snorted and pulled back from him. 'Harem of women?' He grinned unrepentantly. 'Did I mention my sense of humour is greatly underappreciated?
Samantha Young (Blood Solstice (The Tale of Lunarmorte, #3))
In the beginning, God created the neuron, and when electricity flowed through the three-dimensional nerve cell matrix in the brain, there was consciousness.
Simon Stålenhag (The Electric State (Tales from the Loop, #3))
He woke from a dream in which Edith raised her arms to him, the liquid gold of her hair tumbling almost to her waist. 'Ah, darling,' he had been telling her, 'I am looped in the loops of your hair.' Had he said that aloud? He would never do something so imbecilic. He really had lost his mind.
Eloisa James (Once Upon a Tower (Fairy Tales, #5))
Do you know how the brain works? Do you have any idea of what we know about how the brain and consciousness work? Us humans, I mean. And I'm not talking about some new-age hocus-pocus, I'm talking about the sum of the knowledge compiled by disciplined scientists over three hundred years through arduous experiments and skeptic vetting of theories. I'm talking about the insights you gain by actually poking around inside people's heads, studying human behavior, and conducting experiments to figure out the truth, and separating that from all the bullshit about the brain and consciousness that has no basis in reality whatsoever. I'm talking about the understanding of the brain that has resulted in things like neuronic warfare, the neurographic network, and Sentre Stimulus TLEs. How much do you really know about that? I suppose you still have the typical twentieth-century view of the whole thing. The self is situated in the brain somehow, like a small pilot in a cockpit behind your eyes. You believe that it is a mix of memories and emotions and things that make you cry, and all that is probably also inside your brain, because it would be strange if that were inside your heart, which you've been taught is a muscle. But at the same time you're having trouble reconciling with the fact that all that is you, all your thoughts and experiences and knowledge and taste and opinions, should exist inside your cranium. So you tend not to dwell on such questions, thinking “There's probably more to it” and being satisfied with a fuzzy image of a gaseous, transparent Something floating around in an undefined void. Maybe you don't even put it into words, but we both know that you're thinking about an archetypical soul. You believe in an invisible ghost.
Simon Stålenhag (The Electric State (Tales from the Loop, #3))
Comus. The Star that bids the Shepherd fold, Now the top of Heav'n doth hold, And the gilded Car of Day, [ 95 ] His glowing Axle doth allay In the steep Atlantick stream, And the slope Sun his upward beam Shoots against the dusky Pole, Pacing toward the other gole [ 100 ] Of his Chamber in the East. Mean while welcom Joy, and Feast, Midnight shout, and revelry, Tipsie dance and Jollity. Braid your Locks with rosie Twine [ 105 ] Dropping odours, dropping Wine. Rigor now is gone to bed, And Advice with scrupulous head, Strict Age, and sowre Severity, With their grave Saws in slumber ly. [ 110 ] We that are of purer fire Imitate the Starry Quire, Who in their nightly watchfull Sphears, Lead in swift round the Months and Years. The Sounds, and Seas with all their finny drove [ 115 ] Now to the Moon in wavering Morrice move, And on the Tawny Sands and Shelves, Trip the pert Fairies and the dapper Elves; By dimpled Brook, and Fountain brim, The Wood-Nymphs deckt with Daisies trim, [ 120 ] Their merry wakes and pastimes keep: What hath night to do with sleep? Night hath better sweets to prove, Venus now wakes, and wak'ns Love. Com let us our rights begin, [ 125 ] Tis onely day-light that makes Sin, Which these dun shades will ne're report. Hail Goddesse of Nocturnal sport Dark vaild Cotytto, t' whom the secret flame Of mid-night Torches burns; mysterious Dame [ 130 ] That ne're art call'd, but when the Dragon woom Of Stygian darknes spets her thickest gloom, And makes one blot of all the ayr, Stay thy cloudy Ebon chair, Wherin thou rid'st with Hecat', and befriend [ 135 ] Us thy vow'd Priests, till utmost end Of all thy dues be done, and none left out, Ere the blabbing Eastern scout, The nice Morn on th' Indian steep From her cabin'd loop hole peep, [ 140 ] And to the tel-tale Sun discry Our conceal'd Solemnity. Com, knit hands, and beat the ground, In a light fantastick round.
John Milton (Comus and Some Shorter Poems of Milton: Harrap's English Classics)
Jak’ri nodded toward the cliff’s edge. “Shall we?” “Not if you give me time to think about it.” He flashed his teeth in a boyish grin. “One-two-three, jump!” he called and took off running, pulling her after him. Ava’s eyes widened and her heart thudded hard in her chest as she ran alongside him. Their feet hit the edge at the same time, and together they leapt off. Jak’ri whooped as they plummeted toward the ocean, the sound so wonderfully carefree and appealing that Ava found herself grinning big even as she shrieked and squeezed the hell out of his hand. He hit the water a split second before her. Cool liquid closed over their heads. Bubbles surrounded them as if they’d just jumped into a vat of club soda. Then he looped an arm around her waist and propelled them both to the surface. “That was crazy!” she blurted, unable to stop smiling as she swiped water from her face. “Crazy but fun?” he quipped, eyes sparkling with amusement. “Maybe,” she hedged. “But not as fun at this.” Propelling her upper body out of the water, she planted her hands atop his head and dunked him. As soon as she released him, she began a lazy backstroke. Jak’ri surfaced with a sputter and a laugh. When his silver eyes found her a few yards away, they acquired a devilish glint. “Oh, you’re going to regret that, little Earthling.” Ava shrieked when he dove for her. Rolling onto her stomach, she took off, swimming in earnest. Jak’ri’s fingers closed around one of her ankles. “Caught you!” She swam harder, getting absolutely nowhere, breaking into giggles as he issued dire threats in a villainous voice. When was the last time she had honest-to-goodness giggled? She yelped when he gave her ankle a yank. Then she was in his arms and he was grinning wickedly at her. “Think you can get the best of me, do you?” he taunted. Tucking his hands under her arms, he kicked his feet. Ava laughed as he tossed her up out of the water. Through the air she flew, landing on her back several yards away. The water again closed over her head. When she surfaced, she quickly bent her head to hide her smile and rubbed her eyes. “Hang on a sec,” she mumbled. Jak’ri immediately stopped laughing and swam toward her. “I’m sorry. Did you get something in your eye?” “No.” She grinned at him. “I just needed to lure you closer.” Then she swept her arm through the water in front of him, sending a cascade over his head. Sputtering, Jak’ri dove for her. Laughter abounded as they played, even more so when he started sharing tales of his exploits with his brother. Clunk. Ava jerked awake. Damn it! She really hated to wake up. She and Jak’ri had been romping and playing like children. Having to come back to the reality of this cell and the assholes who’d put her in it sucked.
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
One word was floating around in stories about hackings of one sort or another: “cyber.” The word had its roots in “cybernetics,” a term dating back to the mid-nineteenth century, describing the closed loops of information systems. But in its present-day context of computer networks, the term stemmed from William Gibson’s 1984 science-fiction novel, Neuromancer, a wild and eerily prescient tale of murder and mayhem in the virtual world of “cyberspace.
Fred Kaplan (Dark Territory: The Secret History of Cyber War)
Amid great anticipation, Giacomo slowly lowered the electrode into the callosum. As is commonly done in neurophysiology, the recording system was hooked up to a loudspeaker so that the rat-tat-tat of the neurons firing could be heard. We were ready to hear the Morse code of the brain. Then it happened. The electrode pierced the callosum. Instead of the rat-tat-tat we expected, the loudspeaker boomed with the excruciatingly clear voice of Ringo Starr singing, “We all live in a yellow submarine, a yellow submarine, a yellow submarine.” Giacomo looked up from the cat and calmly said, “Now that is what I call high-order information.” Some kind of electronic ground loop had been closed, and we were picking up the local radio station. We all laughed, though we knew this brain code thing was going to be a long haul.
Michael S. Gazzaniga (Tales from Both Sides of the Brain: A Life in Neuroscience)
The entire life cycle of Usenet’s rise and fall serves as a cautionary tale for when networked products hit scale—they suffer from the combined anti-network effects of spam, trolling and other bad behaviors, and most important, context collapse. These provide a strong natural counterbalance to the viral growth and engagement loops that make the network stronger, ultimately canceling these positive forces out. Given enough time, and left untreated, they can collapse the network entirely.
Andrew Chen (The Cold Start Problem: How to Start and Scale Network Effects)
To, čo robíme, nie je civilizované, viem to. Ale viem i to, že aj tebe sa to muselo prihodiť - presne ako ja si sa zobudil a zrazu si si uvedomil niečo nezvratné: nežijeme už v civilizovaných časoch.
Simon Stålenhag (The Electric State (Tales from the Loop, #3))
At the residence of my first veterinary job in New England, I passed by the surgery suite just in time to see my boss pulling a long stretch of a cassette tape out of a dog’s intestine. “What in the world would entice him to eat this?” he muttered. He then rationalized a plausible explanation to himself which did not necessitate my reply. “It must be country music. Nothing else could possibly be worth the agony of all of this,” he mumbled continuing to pull loops and loops of tape from the dog’s inflamed intestines.
Laura C. Lefkowitz (Bite Me: Tell-All Tales of an Emergency Veterinarian)
Sitting on the grass by the doorway, sheltered by the breadfruit shade, yet with the hot rays of the afternoon sun just touching her naked feet, was a girl. A girl of fifteen or sixteen, naked, except for a kilt of gaily-striped material reaching from her waist to her knees. Her long black hair was drawn back from the forehead, and tied behind with a loop of the elastic vine. A scarlet blossom was stuck behind her right ear, after the fashion of a clerk’s pen. Her face was beautiful, powdered with tiny freckles; especially under the eyes, which were of a deep, tranquil blue-grey. She half sat, half lay on her left side; whilst before her, quite close, strutted up and down on the grass, a bird, with blue plumage, coral-red beak, and bright, watchful eyes. The girl was Emmeline Lestrange.
Walter Scott (The Greatest Sea Novels and Tales of All Time)