Tales From The Hood Quotes

We've searched our database for all the quotes and captions related to Tales From The Hood. Here they are! All 47 of them:

The wolf said, "You know, my dear, it isn't safe for a little girl to walk through these woods alone." Red Riding Hood said, "I find your sexist remark offensive in the extreme, but I will ignore it because of your traditional status as an outcast from society, the stress of which has caused you to develop your own, entirely valid, worldview. Now, if you'll excuse me, I must be on my way.
James Finn Garner (Politically Correct Bedtime Stories)
You never know what you're gonna find under those covers - Grandma or the wolf." Little Red, excerpt from Tales From the Hood
Betsy Schow (Spelled (The Storymakers, #1))
You can be a homicidal madman and hilarious at the same time, you know,
Michael Buckley (Tales From the Hood)
Each time she applied her lip gloss, she imagined another fleet of brain cells dying a horrible death.
Michael Buckley (Tales From the Hood (The Sisters Grimm, #6))
If he is so evil, why are we standing here watching him?" Sabrina said. "Cause I'm trying to get up the courage to go over and asking for an autograph," Puck said.
Michael Buckley (Tales From the Hood (The Sisters Grimm, #6))
Farewell” is not the word that you would like to hear from your mother as you are being led to the dungeon by 2 oversize mice in black hoods. Words that you would like to hear are “Take me instead, I will go to the dungeon in my sons place.” There is a great deal of comfort in those words.
Kate DiCamillo (The Tale of Despereaux)
Raising her hand and shaking the handcuffs, the shaking Pucks arm as well. "Unfortunately, it is necessary," Puck explained. "You don't want to work with by security staff so from now on I'm going to be your personal bodyguard. Going to be with you every second of the day.
Michael Buckley (Tales From the Hood (The Sisters Grimm, #6))
Jabberwocky, causing serious mayhem.
Michael Buckley (Tales From the Hood)
To discourage slaves from meeting or escaping, slave owners told tales of gruesome research done on black bodies, then covered themselves in white sheets and crept around at night, posing as spirits coming to infect black people with disease or steal them for research. Those sheets eventually gave rise to the white hooded cloaks of the Ku Klux Klan.
Rebecca Skloot (The Immortal Life of Henrietta Lacks)
You don't need the makeup." Sabrina felt like her face is on fire. He knew about her late-night beauty sessions. And, if she had heard him correctly, he was also admitting that he thought she was pretty. She looks over at him and found he was looking at her. "I kind of wish I hadn't said that," he said. "Me, too," she replied. "Would it help if I said you were stinky, muck-covered toad-face?" Sabrina nodded and edged as far away as she could on the trampoline. Puck did the same.
Michael Buckley (Tales From the Hood (The Sisters Grimm, #6))
Furlough?” He said. “What?” said the first hood irritably. Despereaux shuddered. His own brother was delivering him to the dungeon. His heart stopped beating and shrunk to a small, cold, disbelieving pebble.
Kate DiCamillo (The Tale of Despereaux)
Adventures of Robin Hood, The Sea Hawk,
Cary Elwes (As You Wish: Inconceivable Tales from the Making of The Princess Bride)
There’s something horrible in the toilet!” Daphne shouted. “Yeah, I think I forgot to flush,” Puck said. “Not that! A little man,” Granny Relda said. “Oh,” Puck said. “That’s just Seamus.
Michael Buckley (Tales From the Hood)
Some of the stories were conjured by white plantation owners taking advantage of the long-held African belief that ghosts caused disease and death. To discourage slaves from meeting or escaping, slave owners told tales of gruesome research done on black bodies, then covered themselves in white sheets and crept around at night, posing as spirits coming to infect black people with disease or steal them for research. Those sheets eventually gave rise to the white hooded cloaks of the Ku Klux Klan.
Rebecca Skloot (The Immortal Life of Henrietta Lacks)
Robin Hood. To a Friend. No! those days are gone away, And their hours are old and gray, And their minutes buried all Under the down-trodden pall Ofthe leaves of many years: Many times have winter's shears, Frozen North, and chilling East, Sounded tempests to the feast Of the forest's whispering fleeces, Since men knew nor rent nor leases. No, the bugle sounds no more, And the twanging bow no more; Silent is the ivory shrill Past the heath and up the hill; There is no mid-forest laugh, Where lone Echo gives the half To some wight, amaz'd to hear Jesting, deep in forest drear. On the fairest time of June You may go, with sun or moon, Or the seven stars to light you, Or the polar ray to right you; But you never may behold Little John, or Robin bold; Never one, of all the clan, Thrumming on an empty can Some old hunting ditty, while He doth his green way beguile To fair hostess Merriment, Down beside the pasture Trent; For he left the merry tale, Messenger for spicy ale. Gone, the merry morris din; Gone, the song of Gamelyn; Gone, the tough-belted outlaw Idling in the "grene shawe"; All are gone away and past! And if Robin should be cast Sudden from his turfed grave, And if Marian should have Once again her forest days, She would weep, and he would craze: He would swear, for all his oaks, Fall'n beneath the dockyard strokes, Have rotted on the briny seas; She would weep that her wild bees Sang not to her---strange! that honey Can't be got without hard money! So it is; yet let us sing Honour to the old bow-string! Honour to the bugle-horn! Honour to the woods unshorn! Honour to the Lincoln green! Honour to the archer keen! Honour to tight little John, And the horse he rode upon! Honour to bold Robin Hood, Sleeping in the underwood! Honour to maid Marian, And to all the Sherwood clan! Though their days have hurried by Let us two a burden try.
John Keats
You don’t know anything about me.” “No, I know not everything about you. But I sense enough to know you have mistaken obsession with drive, guilt with injustice. I know you want to escape what you are, cabbage fairy,” he said, reaching for his hood and gloves and tucking them into the waistband of his trousers. “Your desires are no different from my own, I simply have the courage to face them.
F. D. Lee (The Fairy's Tale (The Pathways Tree, #1))
Does the prisoner have any final words?” Canis looked out at the crowd and laughed. “What’s so funny, mongrel?” Heart shouted. “Look at all the monsters,” he said.
Michael Buckley (Tales From the Hood (The Sisters Grimm, #6))
You know, I once had a little boy in Hiddleston come up to me and ask if I conjured up the hartsstone.” “What did you tell him?” he asked. She spoke in her scratchy, witchy voice, “Why of course I do. Every full moon, my boy. And the wolves howl. And the fairies rise from their bowers, then we dance in a round, breathing in the powerful magic of the hartstone.
Juliette Cross (The Red Lily (Vampire Blood, #2))
I ask you, what is the proper etiquette? Do you tell someone their breast is rolling around on their stomach like a cantaloupe in a plastic grocery bag, or do you wait until they notice?
Skip Clark (Tales from the Trailer-hood)
The Lackses aren’t the only ones who heard from a young age that Hopkins and other hospitals abducted black people. Since at least the 1800s, black oral history has been filled with tales of “night doctors” who kidnapped black people for research. And there were disturbing truths behind those stories. Some of the stories were conjured by white plantation owners taking advantage of the long-held African belief that ghosts caused disease and death. To discourage slaves from meeting or escaping, slave owners told tales of gruesome research done on black bodies, then covered themselves in white sheets and crept around at night, posing as spirits coming to infect black people with disease or steal them for research. Those sheets eventually gave rise to the white hooded cloaks of the Ku Klux Klan.
Rebecca Skloot (The Immortal Life of Henrietta Lacks)
Since I first met her, Marian had this unhealthy and ridiculous idea that peasants should revolt, become outlaws, and steal from the rich and give to the poor. It was a noble idea, but I didn’t want her painting my face into her mental fantasy.
K.M. Shea (A Girl's Tale (Robyn Hood, #1))
The castle was as silent as some pole-axed monster. Inert, breathless, spread-eagled. It was a night that seemed to prove by the consolidation of its darkness and its silence the hopelessness of any further dawn. There was no such thing as dawn. It was an invention of the night's or of the old-wives of the night - a fable, immemorially old - recounted century after century in the eternal darkness; retold and retold to the gnomic children in the tunnels and the caves of Gormenghast - a tale of another world where such things happened, where stones and bricks and ivy stems and iron could be seen as well as touched and smelt, could be lit and coloured, and where at certain times a radiance shone like honey from the east and the blackness was scaled away, and this thing they called dawn arose above the woods as though the fable had materialized, the legend come to life. It was a night with a bull's mouth. But the mouth was bound and gagged. It was a night with enormous eyes, but they were hooded.
Mervyn Peake (Gormenghast (Gormenghast, #2))
All Summer in a Day” by Ray Bradbury Because of Winn-Dixie by Kate DiCamillo Big Nate series by Lincoln Peirce The Black Cauldron (The Chronicles of Prydain) by Lloyd Alexander The Book Thief  by Markus Zusak Brian’s Hunt by Gary Paulsen Brian’s Winter by Gary Paulsen Brown Girl Dreaming by Jacqueline Woodson Bud, Not Buddy by Christopher Paul Curtis The Call of the Wild by Jack London The Cat in the Hat by Dr. Seuss Charlotte’s Web by E. B. White The Chronicles of Narnia series by C. S. Lewis Diary of a Wimpy Kid series by Jeff Kinney Fahrenheit 451 by Ray Bradbury The Giver by Lois Lowry Goodnight Moon by Margaret Wise Brown Harry Potter series by J. K. Rowling Hatchet by Gary Paulsen The High King (The Chronicles of Prydain) by Lloyd Alexander The Hobbit by J. R. R. Tolkien Holes by Louis Sachar The Hunger Games by Suzanne Collins I Am LeBron James by Grace Norwich I Am Stephen Curry by Jon Fishman Island of the Blue Dolphins by Scott O’Dell Johnny Tremain by Esther Hoskins Forbes Julie of the Wolves by Jean Craighead George Kidnapped by Robert Louis Stevenson LeBron’s Dream Team: How Five Friends Made History by LeBron James and Buzz Bissinger The Lightning Thief  (Percy Jackson and the Olympians) by Rick Riordan A Long Walk to Water by Linda Sue Park The Merry Adventures of Robin Hood by Howard Pyle Number the Stars by Lois Lowry The Outsiders by S. E. Hinton The River by Gary Paulsen The Sailor Dog by Margaret Wise Brown Sarah, Plain and Tall by Patricia MacLachlan Shiloh by Phyllis Reynolds Naylor “A Sound of Thunder” by Ray Bradbury Star Wars Expanded Universe novels (written by many authors) Star Wars series (written by many authors) The Swiss Family Robinson by Johann D. Wyss Tales from a Not-So-Graceful Ice Princess (Dork Diaries) by Rachel Renée Russell Tales of a Fourth Grade Nothing by Judy Blume “The Tell-Tale Heart” by Edgar Allan Poe Treasure Island by Robert Louis Stevenson Tuck Everlasting by Natalie Babbitt Under the Blood-Red Sun by Graham Salisbury The Very Hungry Caterpillar by Eric Carle When You Reach Me by Rebecca Stead A Wrinkle in Time by Madeleine L’Engle
Andrew Clements (The Losers Club)
Since the beginning of storytelling, he explained, Death has called on the unwitting. In one tale or another, it arrives quietly in town and takes a room at an inn, or lurks in an alleyway, or lingers in the marketplace, surreptitiously. Then just when the hero has a moment of respite from his daily affairs, Death pays him a visit. This is all well and good, allowed the Count. But what is rarely related is the fact that Life is every bit as devious as Death. It too can wear a hooded coat. It too can slip into town, lurk in an alley, or wait in the back of a tavern. Hadn't it paid such a visit to Mishka? Hadn't it found him hiding behind his books, lured him out of the library, and taken his hand on a secluded spot overlooking the Neva?
Amor Towles (A Gentleman in Moscow)
Rio caught her in his arms and pushed her inside, closing his eyes as he pulled her body against his, her scent filling him. Her hood fell back, revealing her brilliant red hair, which glistened in the strong sunlight of Bor Narga before the door shut on them both. Rio held her close, his heart thumping with joy and excitement and relief. Nella was crying, tears streaking silently down her beautiful face from her bright green eyes. He wiped away the moisture with his thumb. “Hey, baby,” he said, his lips grazing hers. She tasted so damn good. “Miss me?
Allyson James (Rio (Tales of the Shareem, #2))
Ash watched her carefully, scrutinizing her every word and gesture. The question of her sanity came to mind. It was like the scent of something burning in the room. He swept a hand toward the book. “Are we talking about . . . reincarnation?” The word took its place in the room like a stranger come in from the cold. Arming himself with cold logic, Ash was ready to challenge any argument she might offer. “I don’t have all the answers, Ash.” Her voice was gentle and frank, her gray eyes like droplets of water flooded with light. “Hubert said that sometimes there are rare bonds between extraordinary people . . . bonds so strong they cannot be broken . . . not even by death.” She smiled and shrugged a shoulder. “That’s what he said.
Mark Warren (A Tale Twice Told)
The treetops swayed high above the mists along the edge of the forest known as Wynne Holt. Five boys, all in their twelfth year, lay on their stomachs peering through the grasses of the headland near The Point. They watched as the cloaked Creature, the Ge-sceaft, wandered through the shifting fog that intermittently smothered the field ahead of them. Its shadow faded and resurfaced as it roamed through the grasses; and at times, eerie noises-- almost like singing-- drifted to the edge of the cliff from where they watched. Angus, the oldest and brawniest of the lads, began telling tales that terrified and delighted the others. “It has horns, it does. That’s why it wears the hood so far over its face. The horns aren’t at the back; they’re near the front, and it uses them to tear up its food like an animal uses claws and fangs.” “What does it eat?” The other boys turned
Chautona Havig (Shadows & Secrets (Annals of Wynnewood, #1))
People easily understand that ‘primitives’ cement their social order by believing in ghosts and spirits, and gathering each full moon to dance together around the campfire. What we fail to appreciate is that our modern institutions function on exactly the same basis. Take for example the world of business corporations. Modern businesspeople and lawyers are, in fact, powerful sorcerers. The principal difference between them and tribal shamans is that modern lawyers tell far stranger tales. The legend of Peugeot affords us a good example. An icon that somewhat resembles the Stadel lion-man appears today on cars, trucks and motorcycles from Paris to Sydney. It’s the hood ornament that adorns vehicles made by Peugeot, one of the oldest and largest of Europe’s carmakers. Peugeot began as a small family business in the village of Valentigney, just 200 miles from the Stadel Cave. Today the company employs about 200,000 people worldwide, most of whom are complete strangers to each other. These strangers cooperate so effectively that in 2008 Peugeot produced more than 1.5 million automobiles, earning revenues of about 55 billion euros.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
we compared a sampling of successful and unsuccessful fairy tales in the famous Brothers Grimm collection. Successful (widely known) fairy tales, such as Cinderella and Little Red Riding Hood, had just two or three counterintuitive violations. Unsuccessful ones (have you heard of the Donkey Lettuce?) had none, or in other cases, quite the opposite—they had far too many violations. Successful counterintuitive representations and stories were also likely to generate emotional responses, like fear, and encouraged additional inferences.25 These kinds of memory biases play an important role in religious belief.26 The extraordinary agents endemic to religions appear to possess a particularly evocative set of abilities not shared by ordinary beings. They can be invisible; they can see things from afar; they can move through physical objects. This minimal counterintuitiveness is memorable, giving these concepts an advantage in cultural transmission. These departures from common sense are systematic but not radical enough to rupture meaning completely. As Sperber has put it, these minimal counterintuitions are relevant mysteries: they are closely connected to background knowledge, but do not admit to a final interpretation.
Ara Norenzayan (Big Gods: How Religion Transformed Cooperation and Conflict)
There is no psychology in a fairy tale. The characters have little interior life; their motives are clear and obvious. If people are good, they are good, and if bad, they’re bad. Even when the princess in ‘The Three Snake Leaves’…inexplicably and ungratefully turns against her husband, we know about it from the moment it happens. Nothing of that sort is concealed. The tremors and mysteries of human awareness, the whispers of memory, the promptings of half-understood regret or doubt or desire that are so much part of the subject matter of the modern novel are absently entirely. One might almost say that the characters in a fairy tale are not actually conscious. They seldom have names of their own. More often than not they’re known by their occupation or their social position, or by a quirk of their dress: the miller, the princess, the captain, the Bearskin, Little Red Riding Hood. When they do have a name it’s usually Hans, just as Jack is the hero of every British fairy tale. The most fitting pictorial representation of fairy-tale characters seems to me to be found not in any of the beautifully illustrated editions of Grimm that have been published over the years, but in the little cardboard cut-out figures that come with the toy theatre.
Philip Pullman (Philip Pullman's Grimm Tales)
Though Little Red Riding Hood harbored a growing disdain for anyone with a wang, she decided to give them one more shot, and signed up for OkCupid. Thousands of dateable suitors were just a click away! But all she got were these creepy messages from wolves. Well, that was disappointing, she thought, and went out and bought a vibrator.
Tim Manley (Alice in Tumblr-land: And Other Fairy Tales for a New Generation)
Since the beginning of storytelling, he explained, Death has called on the unwitting. In one tale or another, it arrives quietly in town and takes a room at an inn, or lurks in an alleyway, or lingers in the marketplace, surreptitiously. Then just when the hero has a moment of respite from his daily affairs, Death pays him a visit. This is all well and good, allowed the Count. But what is rarely related is the fact that Life is every bit as devious as Death. It too can wear a hooded coat. It too can slip into town, lurk in an alley, or wait in the back of a tavern.
Amor Towles (A Gentleman in Moscow)
I can hardly remember anything from that old, old life, except that Albert was sick. He’ll be well again once he has some wine. Where is he? He’s always slipping away from me.
Liesl Shurtliff (Red: The (Fairly) True Tale of Red Riding Hood)
Although these were easily the darkest days in Alfred’s life, they also were to become the most famous. The stories of his persevering against the Vikings transformed King Alfred into Alfred the Great. The story falls into a category that the modern ear can easily recognize and appreciate. From the legends of Robin Hood hiding out with his band of merry men in Sherwood Forest to the tales of men fighting in the underground French resistance during World War II, the modern listener has been well trained to be moved by the courageous nobility of continuing a campaign of resistance long after being driven into hiding. The seeming despair of a life of defiant resistance, while being hunted in one’s homeland, captures the imagination and takes on a romantic hue. But this was not a category of story that the Anglo-Saxon ear was accustomed to hearing. To his contemporaries, Alfred’s plight was an unqualified tragedy, utterly devoid of romanticism
Benjamin R. Merkle (The White Horse King: The Life of Alfred the Great)
So you see? The fairytale got it all wrong, it was not my grandmother who made me the cloak, but it was my mother and I’s own hands that wove together the seams that would forever erase my name from history. Instead, to be known forevermore as—Little Red Riding Hood.
Melanie Frome (Little Red & The Wolf: A Fairytale Unleashed)
The pie-splitting mentality is widespread, and doesn’t just apply to the relationship between business and society. The tale of Robin Hood, who robbed from the rich to give to the poor, is much more celebrated than the Elves and the Shoemaker, where the elves help the cobbler make shoes without taking from anyone else.
Alex Edmans (Grow the Pie: How Great Companies Deliver Both Purpose and Profit – Updated and Revised)
One more scary story, especially if you’re lucky enough to hear it on Halloween night, or late around a dying campfire, is about the innocent man who picks up a young hitchhiker who turns out to be a ghost. The man saw a thin figure hitchhiking at a dark corner near the local cemetery on his way home late one night. He stopped to give the person a ride, and the figure got in quietly beside him. It was raining hard, and despite his attempts at conversation, the hitchhiker only said, “10 Capen Street, please,” in a soft, sad voice. When the man stopped at a traffic light, he could see the soft features of a 12-year-old girl, he guessed, staring straight ahead. She might have been crying, the man thought, or her face was wet from the rain. After he dropped her off at 10 Capen Street at a house surrounded by spooky-looking pine trees that swayed in the wind, he went home, only to find that his rider had left her hooded sweatshirt in the car. The next night after work, the man swung by the unlit house at 10 Capen Street. He waited a good long while at the front door after ringing the doorbell. Finally, a frowning older woman answered, and the man offered the sweatshirt that the girl had mistakenly left in his car. The woman looked suddenly shocked, and said, “This belongs to my granddaughter who was hit by a car a year ago while walking near the cemetery!
Nathan Snyder (Scary Stories for Kids: Spine-Tingling Tales for Brave Kids Who Like Spooky Stories)
As she appears in the room, her face is still covered by the hood of her coat, but I can see the outline of her chin, and a faint glow that frightens me. She slowly pulls back the hood and her eyes bore into me. Eyes red with flame, it is though they are scanning my soul, deep within me." From 'She Blames Me' (Banfield Tales)
Michael Braccia (Banfield Tales)
Battle not with monsters, lest ye become a monster.” Friedrich Nietzsche
Skip Clark (Tales from the Trailer-hood)
I am what I eat and drink, that’s why my sweat smells like bacon and beer.
Skip Clark (Tales from the Trailer-hood)
Mr. Skip, if I knew I was going to live this long. I probably wouldn’t have lived this long.
Skip Clark (Tales from the Trailer-hood)
It is now a three-leg and one and three-quarter-eared cat. The cat still watches NASCAR, drinks beer, and is the smartest one of the three.
Skip Clark (Tales from the Trailer-hood)
Seven babies’ seven baby daddies, I don't makes the same mistake twice.
Skip Clark (Tales from the Trailer-hood)
Tolkien’s final necessary condition for a fairy tale is the joyful, consoling ending of the tale. But the “consolation” of fairy-tales has another aspect than the imaginative satisfaction of ancient desires. Far more important is the Consolation of the Happy Ending. Almost I would venture to assert that all complete fairy-stories must have it. At least I would say that Tragedy is the true form of Drama, its highest function; but the opposite is true of Fairy-story.22 The happy ending of fairy tales Tolkien christens “eucatastrophe” (or, a “good” catastrophe). This sudden “joyous turn” is what we find at the end of so many beloved fairy stories. Cinderella gets to go to the ball when the fairy godmother appears. The frog prince dies and is returned to human form. The woodcutter appears and saves Red Riding Hood. This consoling turn satisfies because it is happy, but also because it is miraculous. It is, in a sense, a “deus ex machina” ending. It provides an escape from the sadness of our own world by way of a kind of divine grace. As Tolkien writes, this happy ending is not mere optimism. It does not say that sorrow and death are unreal. Rather, as Tolkien sees it “the possibility of these [sad events] is necessary to the joy of deliverance.” What the eucatastrophe denies is that evil must prevail. In this way, again, fairy stories reflect a deeply Christian hope. Writes Tolkien, “[eucatastrophe] denies (in the face of much evidence, if you will) universal final defeat and in so far is evangelium, giving a fleeting glimpse of Joy, Joy beyond the walls of the world, poignant as grief.”23 The incarnation of Christ was, for Tolkien, the eucatastrophic turn in all of human history. And the resurrection of Christ, as written in the gospels, was the happy ending that changed the tragic meaning of the Messiah’s death into something that signified hope and consolation.
Jonathan L. Walls (The Legend of Zelda and Theology)
My husband and I have lived in Oregon for 55 years in Eugene, Portland, Neskowin and Hood River. We have explored much of Oregon and are avid readers of travel and history. We are familiar with Oregon’s bigoted history and Oregon’s positive and negative politics. From Bettie Denny’s fiction book I could picture places, people and events. The book begins and ends in the Lone Fir Cemetery founded in 1866 in southeast Portland. Murphy Gardener, a new Oregonian reporter, is assigned to cover the Halloween cemetery tales at the cemetery, meeting a black cat, and a new friend, Anji. Murphy and Anji soon meet for breakfast at the Zell Café and embark on a historical quest. Untangling a chain of events and people through maps, letters, photos and directories they sort though the detritus of lives. A photo and a dubious translation, ending at the Lone Fir Cemetery, give some probable answers to their quest. I love mysteries and Denny does an exquisite job of linking the present to the past. She visits The Oregon State Hospital Museum, Oregon Historical Society, Chinatown, Phil Knight Library, Columbia Gorge Discovery Center and Edgefield. She reads about suffrage, about the “incorrigible’” Abigail Scott Dunaway and her infamous brother Harvey Scott, publisher of the Oregonian. She uncovers past issues of sex slaves and current issues sex trafficking. She also showplaces current establishments such as the Bipartisan Café in Montavilla, The Sunshine Mills in The Dalles where she gathers with those who are aiding her in her historical quest. For those of you Oregonians who want a good mystery taking place in your own backyard, I recommend this book highly.
Bettie Denny
… This was chronicled in a harsher book and McCaslin, fourteen and fifteen and sixteen, had seen it and the boy himself had inherited it as Noah’s grandchildren had inherited the Flood although they had not been there to see the deluge: that dark corrupt and bloody time while three separate people had tried to adjust not only to one another but to the new land which they had created and inherited too and must live in for the reason that those who had lost it were no less free to quit it than those who had gained it were: – those upon whom freedom and equality had been dumped overnight and without warning or preparation or any training in how to employ it or even just endure it and who misused it not as children would nor yet because they had been so long in bondage and then so suddenly freed, but misused it as human beings always misused freedom, so that he thought Apparently there is a wisdom beyond even that learned through suffiring necessary for a man to distinguish between liberty and license; those who had fought for four years and lost to preserve a condition under which that franchisement was anomaly and paradox, for the old reasons for which man (not the generals and politicians but man) has always fought and died in wars: to preserve a status quo or to establish a better future one to endure for his children; and lastly, as if that were not enough for bitterness and hatred and fear, that third race even more alien to the people whom they resembled in pigment and in whom even the same blood ran, than to the people whom they did not, – that race threefold in one and alien even among themselves save for a single fierce aged Quartermaster lieutenants and Army sutlers and contractors in military blankets and shoes and transport mules, who followed the battles they themselves had not fought and inherited the conquest they themselves had not helped to gain, sanctioned and protected even if not blessed, and left their bones and in another generation would be engaged in a fierce economic competition of small sloven farms with the black men they were supposed to have freed and the white descendants of fathers who had owned no slaves anyway whom they were supposed to have disinherited and in the third generation would be back once more in the little lost country seats as barbers and garage mechanics and deputy sheriffs and mill- and gin-hands and power-plant firemen, leading, first in mufti then later in an actual formalized regalia of hooded sheets and passwords and fiery Christian symbols, lynching mobs against the race their ancestors had come to save: and of all that other nameless horde of speculators in human misery, manipulators of money and politics and land, who follow catastrophe and are their own protection as grasshoppers are and need no blessing and sweat no plow or axe-helve and batten and vanish and leave no bones, just as they derived apparently from no ancestry, no mortal flesh, no act even of passion or even of lust: and the Jew who came without protection too since after two thousand years he had got out of the habit of being or needing it, and solitary, without even the solidarity of the locusts and in this a sort of courage since he had come thinking not in terms of simple pillage but in terms of his great-grand-children, seeking yet some place to establish them to endure even though forever alien: and unblessed: a pariah about the face of the Western earth which twenty centuries later was still taking revenge on him for the fairy tale with which he had conquered it. …
William Faulkner (Go Down Moses)
Well, when everything is taken from you, all you can do is keep searching for new reasons to stay alive. New reasons to feel happiness. And, dare I say . . . new reasons to love again.
K.C. Kingmaker (Daughter of Sherwood (Robin Hood and Her Merciless Men #1))