Talent Related Quotes

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We can't take any credit for our talents. It's how we use them that counts.
Madeleine L'Engle (A Wrinkle in Time: With Related Readings (A Wrinkle in Time Quintet #1))
The decisive question for man is: Is he related to something infinite or not? That is the telling question of his life. Only if we know that the thing which truly matters is the infinite can we avoid fixing our interests upon futilities, and upon all kinds of goals which are not of real importance. Thus we demand that the world grant us recognition for qualities which we regard as personal possessions: our talent or our beauty. The more a man lays stress on false possessions, and the less sensitivity he has for what is essential, the less satisfying is his life. He feels limited because he has limited aims, and the result is envy and jealousy. If we understand and feel that here in this life we already have a link with the infinite, desires and attitudes change.
C.G. Jung (Memories, Dreams, Reflections)
Every human being has hundreds of separate people living under his skin. The talent of a writer is his ability to give them their separate names, identities, personalities and have them relate to other characters living with him.
Mel Brooks
But then if you lied to a man about his talent just because he was sitting across from you, that was the most unforgivable lie of them all, because that was telling him to go on, to continue which was the worst way for a man without real talent to waste his life, finally. But many people did just that, friends and relatives mostly.
Charles Bukowski (Women)
If we want to add human interaction to the panorama of our lifescape, the sustainability and the expectancy description of our emotions are momentous. Cracks in relations can be "restored," whereas breakups have to be "repaired." For 'repairs,' we need proper tools, respectively, concrete commitments, and endurance. For 'restoration,' we need exceptional talent and subtle adroitness to realize a perfect replica of the original emotional canvas. ("Life with sea view")
Erik Pevernagie
Most dancers I know, especially the talented and successful ones, seem to possess [my dog's] knack for living moment to moment. You see, their idea of time is related to those infinitely short moments when they are onstage being their superselves.
Paul Taylor (Private Domain: An Autobiography)
Now I must give one smirk, and then we may be rational again." Catherine turned away her head, not knowing whether she might venture to laugh. "I see what you think of me," said he gravely -- "I shall make but a poor figure in your journal tomorrow." My journal!" Yes, I know exactly what you will say: Friday, went to the Lower Rooms; wore my sprigged muslin robe with blue trimmings -- plain black shoes -- appeared to much advantage; but was strangely harassed by a queer, half-witted man, who would make me dance with him, and distressed me by his nonsense." Indeed I shall say no such thing." Shall I tell you what you ought to say?" If you please." I danced with a very agreeable young man, introduced by Mr. King; had a great deal of conversation with him -- seems a most extraordinary genius -- hope I may know more of him. That, madam, is what I wish you to say." But, perhaps, I keep no journal." Perhaps you are not sitting in this room, and I am not sitting by you. These are points in which a doubt is equally possible. Not keep a journal! How are your absent cousins to understand the tenour of your life in Bath without one? How are the civilities and compliments of every day to be related as they ought to be, unless noted down every evening in a journal? How are your various dresses to be remembered, and the particular state of your complexion, and curl of your hair to be described in all their diversities, without having constant recourse to a journal? My dear madam, I am not so ignorant of young ladies' ways as you wish to believe me; it is this delightful habit of journaling which largely contributes to form the easy style of writing for which ladies are so generally celebrated. Everybody allows that the talent of writing agreeable letters is peculiarly female. Nature may have done something, but I am sure it must be essentially assisted by the practice of keeping a journal.
Jane Austen (Northanger Abbey)
Some of the world’s most talented people are introverts. Without them we wouldn’t have the Apple computer, the theory of relativity or Van Gogh’s sunflowers.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
The funny thing about life is that there’s a lot you don’t get to choose. You don’t get to choose whom you’re related to. You don’t get to choose your hair color, your height, or what natural talents you are given. You don’t get to choose where you are born, or who or what the world will see when they look at you. But the best part of life is that in the end, none of that matters. You get to choose who you become. Who you love. You can change your hair color and, to an extent, you can even change your eye color and height. You can learn to be great at something.
Mariana Zapata (Luna and the Lie)
Here it is. You assume that I am rich; I am not. I shall have nothing once I have emptied my purse. You perhaps suppose that I am a man of high birth, and I am of a rank either lower than your own or equal to it. I have no talent which can earn money, no employment, no reason to be sure that I shall have anything to eat a few months hence. I have neither relatives nor friends nor rightful claims nor any settled plan. In short, all that I have is youth, health, courage, a modicum of intelligence, a sense of honor and of decency, with a little reading and the bare beginnings of a career in literature. My great treasure is that I am my own master, that I am not dependent upon anyone, and that I am not afraid of misfortunes. My nature tends toward extravagance. Such is the man I am. Now answer me, my beautiful Teresa.
Giacomo Casanova
Even if that thing makes you very uncomfortable at times. Even if that thing puts a lot of pressure on you. Even if that thing is very stressful. Sometimes it’s just nice to feel good at something.
Jennette McCurdy (I'm Glad My Mom Died)
If you’re an introvert, find your flow by using your gifts. You have the power of persistence, the tenacity to solve complex problems, and the clear-sightedness to avoid pitfalls that trip others up. You enjoy relative freedom from the temptations of superficial prizes like money and status. Indeed, your biggest challenge may be to fully harness your strengths. You may be so busy trying to appear like a zestful, reward-sensitive extrovert that you undervalue your own talents, or feel underestimated by those around you. But when you’re focused on a project that you care about, you probably find that your energy is boundless. So stay true to your own nature. If you like to do things in a slow and steady way, don’t let others make you feel as if you have to race. If you enjoy depth, don’t force yourself to seek breadth. If you prefer single-tasking to multitasking, stick to your guns. Being relatively unmoved by rewards gives you the incalculable power to go your own way. It’s up to you to use that independence to good effect.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
You only ever have three things: 1) your self, wellbeing and mindset 2) Your life network, resources and resourcefulness 3) Your reputation and goodwill. Treasure and tend the first. Value, support and build the second. And mindfully, wisely ensure that the third (your life current and savings account) is always in credit.
Rasheed Ogunlaru
Appreciate all people for their talents. Everyone has something positive to contribute. If a rainbow only had one color, it wouldn't be as beautiful or spectacular to see.
Susan Reid (The Gathering (Divinity Saga, #1))
But, perhaps, I keep no journal." Perhaps you are not sitting in this room, and I am not sitting by you. These are points in which a doubt is equally possible. Not keep a journal! How are your absent cousins to understand the tenour of your life in Bath without one? How are the civilities and compliments of every day to be related as they ought to be, unless noted down every evening in a journal? How are your various dresses to be remembered, and the particular state of your complexion, and curl of your hair to be described in all their diversities, without having constant recourse to a journal? My dear madam, I am not so ignorant of young ladies' ways as you wish to believe me; it is this delightful habit of journaling which largely contributes to form the easy style of writing for which ladies are so generally celebrated. Everybody allows that the talent of writing agreeable letters is peculiarly female. Nature may have done something, but I am sure it must be essentially assisted by the practice of keeping a journal.
Jane Austen (Northanger Abbey)
What does it avail, one will say, that this man has so much talent, that he is so active therewith, and that he exerts thereby a useful influence over the community, thus having a great worth both in relation to his own happy condition and to the benefit of others, if he does not possess a good will?
Immanuel Kant (Critique of Judgment)
Having escaped the Dark Ages in which animals were mere stimulus-response machines, we are free to contemplate their mental lives. It is a great leap forward, the one that Griffin fought for. But now that animal cognition is an increasingly popular topic, we are still facing the mindset that animal cognition can be only a poor substitute of what we humans have. It can’t be truly deep and amazing. Toward the end of a long career, many a scholar cannot resist shining a light on human talents by listing all the things we are capable of and animals not. From the human perspective, these conjectures may make a satisfactory read, but for anyone interested, as I am, in the full spectrum of cognitions on our planet, they come across as a colossal waste of time. What a bizarre animal we are that the only question we can ask in relation to our place in nature is “Mirror, mirror on the wall, who is the smartest of them all?
Frans de Waal (Are We Smart Enough to Know How Smart Animals Are?)
To realize the body’s potential for flow is relatively easy. It does not require special talents or great expenditures of money. Everyone can greatly improve the quality of life by exploring one or more previously ignored dimensions of physical abilities. Of
Mihály Csíkszentmihályi (Flow: The Psychology of Optimal Experience)
The nonessential employees, the type of workers whom remain at home when it snows, are the quickest to complain about how the talented persons of an organization behave.
Kilroy J. Oldster (Dead Toad Scrolls)
Call it Talent Development, Human Relations, People Support, or Head of People Experiences — whatever term fits your culture — choose to call this function anything but Human Resources.
Verne Harnish (Scaling Up: How a Few Companies Make It...and Why the Rest Don't (Rockefeller Habits 2.0))
There are many forms of poverty: economic poverty, physical poverty, emotional poverty, mental poverty, and spiritual poverty. As long as we relate primarily to each other's wealth, health, stability, intelligence, and soul strength, we cannot develop true community. Community is not a talent show in which we dazzle the world with our combined gifts. Community is the place where our poverty is acknowledged and accepted, not as something we have to learn to cope with as best as we can but as a true source of new life. Living community in whatever form - family, parish, twelve-step program, or intentional community - challenges us to come together at the place of our poverty, believing that there we can reveal our richness.
Henri J.M. Nouwen (Bread for the Journey)
The recipe for becoming a good novelist, for example is easy to give but to carry it out presupposes qualities one is accustomed to overlook when one says 'I do not have enough talent'. One has only to make a hundred or so sketches for novels, none longer than two pages but of such distinctness that every word in them is necessary; one should write down anecdotes each day until one has learned how to give them the most pregnant and effective form; one should be tireless in collecting and describing human types and characters; one should above all relate things to others and listen to others relate, keeping one's eyes and ears open for the effect produced on those present, one should travel like a landscape painter or costume designer; one should excerpt for oneself out of the individual sciences everything that will produce an artistic effect when it is well described, one should, finally, reflect on the motives of human actions, disdain no signpost to instruction about them and be a collector of these things by day and night. One should continue in this many-sided exercise some ten years: what is then created in the work­shop, however, will be fit to go out into the world. - What, however, do most people do? They begin, not with the parts, but with the whole. Per­haps they chance to strike a right note, excite attention and from then on strike worse and worse notes, for good, natural reasons.
Friedrich Nietzsche (Human, All Too Human: A Book for Free Spirits)
As with all catalysts, the manager's function is to speed up the reaction between two substances, thus creating the desired end product. Specifically, the manager creates performance in each employee by speeding up the reaction between the employee's talent and the company's goals, and between the employee's talent and the customer's needs.
Marcus Buckingham (First, Break All the Rules: What the World's Greatest Managers Do Differently)
A person’s selection of a vocation is a crucial step with significant ramification relating to their degree of financial success, personal happiness, and sense of contributing the best part of themselves – their unique talent – to the community.
Kilroy J. Oldster (Dead Toad Scrolls)
I think about the pepper plant, the corn, cucumbers, tomatoes, and more plants. And I've noticed that while those seeds are living within the fruit or vegetable they can not grow. It is only when those seeds have died, that they can be planted and grow. And, I can relate this same process to the human body. In order to grow and thrive in the spirit, you must die to the flesh. Meaning, You have to rid your mind and body of toxic negative worldly things in order to grow and develop more spiritually.
Amaka Imani Nkosazana (Sweet Destiny)
No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists. You cannot value him alone; you must see him, for contrast and comparison, among the dead. I mean this as a principle of aesthetic, not merely historical criticism...What happens when a new work of art is created is something that happens simultaneously to all the works of art which preceded it...The poet who is aware of this will be aware of great difficulties and responsibilities.
T.S. Eliot (Tradition and the Individual Talent: An Essay)
If you're an introvert, find your flow by using your gifts. You have the power of persistence, the tenacity to solve complex problems, and the clear-sightedness to avoid pitfalls that trip others up. You enjoy relative freedom from the temptations of superficial prizes like money and status. Indeed, your biggest challenge may be to fully harness your strengths. You may be so busy trying to appear like a zestful, reward-sensitive extrovert that you undervalue your own talents, or feel underestimated by those around you. But when you're focused on a project you care about, you probably find that your energy is boundless. So stay true to your own nature. If you like to do things in a slow, steady way, don't let others make you feel as if you have to race. If you enjoy depth, don't force yourself to seek breadth. If you prefer single-tasking to multi-tasking, stick to your guns. Being relatively unmoved by rewards gives you the incalculable power to go your own way. It's up to you to use that independence to good effect.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Shakespeare acquired more essential history from Plutarch than most men could from the whole British Museum. What is to be insisted upon is that the poet must develop or procure the consciousness of the past and that he should continue to develop this consciousness throughout his career. 8 What happens is a continual surrender of himself as he is at the moment to something which is more valuable. The progress of an artist is a continual self-sacrifice, a continual extinction of personality. 9 There remains to define this process of depersonalization and its relation to the sense of tradition. It is in this depersonalization that art may be said to approach the condition of science.
T.S. Eliot (Tradition and the Individual Talent: An Essay)
Your identity does not have to be cohesive. Your story doesn’t have to flow. You don’t have to be neatly packaged in a way that other people understand. You have to stop living for your synopsis, the summary we try to piece together in our minds when we imagine people explaining us or evaluating who we are. It doesn’t have to make sense. You’re allowed to be great at a lot of things that don’t necessarily relate to one another. You’re not limited to just one purpose, one talent, one love. You can have a variety of jobs, each of them meaningful at the time you have them. You can be good at a lot of things without lacking in others. You do not have to be a novel; you can be a book of stories.
Brianna Wiest (101 Essays That Will Change The Way You Think)
In the old days, even the most inconsequential people were impressive. You don't hear such stories these days, do you?
Sei Shōnagon (The Pillow Book)
After decades of talented race leaders, many of whom fell upon honourable swords, what we are left with now is educated liberals with dusky skin, warped notions, and limited vision
A. H. Septimius
The reason is not difficult to see: if we drop out when we hit problems, progress is scuppered, no matter how talented we are. If we interpret difficulties as indictments of who we are, rather than as pathways to progress, we will run a mile from failure. Grit, then, is strongly related to the Growth Mindset; it is about the way we conceptualise success and failure.
Matthew Syed (Black Box Thinking: The Surprising Truth About Success)
In one study, elite violinists had separated themselves from all others by each accumulating more than 10,000 hours of practice by age 20. Thus the rule. Many elite performers complete their journey in about ten years, which, if you do the math, is an average of about three hours of deliberate practice a day, every day, 365 days a year. Now, if your ONE Thing relates to work and you put in 250 workdays a year (five days a week for 50 weeks), to keep pace on your mastery journey you’ll need to average four hours a day. Sound familiar? It’s not a random number. That’s the amount of time you need to time block every day for your ONE Thing. More than anything else, expertise tracks with hours invested. Michelangelo once said, “If the people knew how hard I had to work to gain my mastery, it wouldn’t seem wonderful at all.” His point is obvious. Time on a task, over time, eventually beats talent every time. I’d say you can “book that,” but actually you should “block it.
Gary Keller (The ONE Thing: The Surprisingly Simple Truth About Extraordinary Results)
foundations have a corrosive influence on a democratic society; they represent relatively unregulated and unaccountable concentrations of power and wealth which buy talent, promote causes, and in effect, establish an agenda of what merits society’s attention. They serve as “cooling-out” agencies, delaying and preventing more radical, structural change. They help maintain an economic and political order, international in scope, which benefits the ruling-class interests of philanthropists.
Incite! Women of Color Against Violence (The Revolution Will Not Be Funded: Beyond the Non-Profit Industrial Complex)
As for my division of people into ordinary and extraordinary, I acknowledge that it’s somewhat arbitrary, but I don’t insist upon exact numbers. I only believe in my leading idea that men are in general divided by a law of nature into two categories, inferior (ordinary), that is, so to say, material that serves only to reproduce its kind, and men who have the gift or the talent to utter a new word. There are, of course, innumerable sub- divisions, but the distinguishing features of both categories are fairly well marked. The first category, generally speaking, are men conservative in temperament and law-abiding; they live under control and love to be controlled. To my thinking it is their duty to be controlled, because that’s their vocation, and there is nothing humiliating in it for them. The second category all transgress the law; they are destroyers or disposed to destruction according to their capacities. The crimes of these men are of course relative and varied; for the most part they seek in very varied ways the destruction of the present for the sake of the better. But if such a one is forced for the sake of his idea to step over a corpse or wade through blood, he can, I maintain, find within himself, in his conscience, a sanction for wading through blood—that depends on the idea and its dimensions, note that. It’s only in that sense I speak of their right to crime in my article (you remember it began with the legal question). There’s no need for such anxiety, however; the masses will scarcely ever admit this right, they punish them or hang them (more or less), and in doing so fulfil quite justly their conservative vocation. But the same masses set these criminals on a pedestal in the next generation and worship them (more or less). The first category is always the man of the present, the second the man of the future. The first preserve the world and people it, the second move the world and lead it to its goal. Each class has an equal right to exist. In fact, all have equal rights with me—and vive la guerre éternelle—till the New Jerusalem, of course!
Fyodor Dostoevsky
When you are a kid, playing with the other kids on your street, and everyone is fighting over who they are going to be, you have to call dibs early, as soon as you see one another, pretty much as soon as you step outside your house, even if you're halfway down the block. First dibs gets Hans Solo. Everyone knows that. You don't even have to say it. If you are first, you are Han Solo, period, end of story...I was never totally sure why everyone wanted to be Han Solo. Maybe it was because he wasn't born into it, like Luke, with the birthright and the natural talent for the Force and the premade story. Solo had to make his own story. He was a freelance protagonist, a relatively ordinary guy who got to the major leagues by being quick with a gun and a joke. He was, basically, a hero because he was funny.
Charles Yu (How to Live Safely in a Science Fictional Universe)
The rest of the family looked on with a bemusement that, in the case of Rafa’s mother, occasionally gave way to anger. His father, Sebastián, had his misgivings. His uncle Rafael wondered sometimes whether Toni was pushing his nephew too hard. His godfather, his mother’s brother, Juan, went so far as to say that what Toni was doing to the child amounted to “mental cruelty.” But Toni was hard on Rafa because he knew Rafa could take it and would eventually thrive. He would not have applied the same principles, he insists, with a weaker child. The sense that perhaps he might have been right was what stopped the more doubtful members of his family from outright rebellion. One who did not doubt Toni was Miguel Ángel, the professional football player. Another disciple of the endurance principle, in which he believes with almost as much reverence as Toni himself, Miguel Ángel says that success for the elite sportsman rests on the capacity “to suffer,” even to enjoy suffering. “It means learning to accept that if you have to train two hours, you train two hours; if you have to train five, you train five; if you have to repeat an exercise fifty thousand times, you do it. That’s what separates the champions from the merely talented. And it’s all directly related to the winners’ mentality; at the same time as you are demonstrating endurance, your head becomes stronger.
Rafael Nadal (Rafa)
His em-tracking machinery is driven by words more than images, but that’s only his make and model. Empathy is related to intuition, and intuition is individually customized, tuned to dominant talents. Chefs need tastes, painters images. His experience is biblical: It starts with logos.
Steven Kotler (Last Tango in Cyberspace)
Beyond the pitch, the must successful Public Relations agencies are BOSS because they know the power of strategic execution and can be trusted to get the job done. They have broad affiliations and talented staff who know their industry, and are willing to try new ways to reach a wider audience.
Germany Kent
While delivering consistently good customer service requires work and alignment across your entire organization, a good place to start is your support team. It's important to hire people who genuinely want to help your customers succeed — and to pay rates that are attractive to skilled professionals.
Oscar Auliq-Ice (Happy Customers)
If you’re an introvert, find your flow by using your gifts. You have the power of persistence, the tenacity to solve complex problems, and the clear-sightedness to avoid pitfalls that trip others up. You enjoy relative freedom from the temptations of superficial prizes like money and status. Indeed, your biggest challenge may be to fully harness your strengths. You may be so busy trying to appear like a zestful, reward-sensitive extrovert that you undervalue your own talents, or feel underestimated by those around you. But when you’re focused on a project that you care about, you probably find that your energy is boundless.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Patriotism,” said Lymond, “like honesty is a luxury with a very high face value which is quickly pricing itself out of the spiritual market altogether. [...] It is an emotion as well, and of course the emotion comes first. A child’s home and the ways of its life are sacrosanct, perfect, inviolate to the child. Add age; add security; add experience. In time we all admit our relatives and our neighbours, our fellow townsmen and even, perhaps, at last our fellow nationals to the threshold of tolerance. But the man living one inch beyond the boundary is an inveterate foe. [...] Patriotism is a fine hothouse for maggots. It breeds intolerance; it forces a spindle-legged, spurious riot of colour.… A man of only moderate powers enjoys the special sanction of purpose, the sense of ceremony; the echo of mysterious, lost and royal things; a trace of the broad, plain childish virtues of myth and legend and ballad. He wants advancement—what simpler way is there? He’s tired of the little seasons and looks for movement and change and an edge of peril and excitement; he enjoys the flowering of small talents lost in the dry courses of daily life. For all these reasons, men at least once in their lives move the finger which will take them to battle for their country.… “Patriotism,” said Lymond again. “It’s an opulent word, a mighty key to a royal Cloud-Cuckoo-Land. Patriotism; loyalty; a true conviction that of all the troubled and striving world, the soil of one’s fathers is noblest and best. A celestial competition for the best breed of man; a vehicle for shedding boredom and exercising surplus power or surplus talents or surplus money; an immature and bigoted intolerance which becomes the coin of barter in the markets of power— [...] These are not patriots but martyrs, dying in cheerful self-interest as the Christians died in the pleasant conviction of grace, leaving their example by chance to brood beneath the water and rise, miraculously, to refresh the centuries. The cry is raised: Our land is glorious under the sun. I have a need to believe it, they say. It is a virtue to believe it; and therefore I shall wring from this unassuming clod a passion and a power and a selflessness that otherwise would be laid unquickened in the grave. [...] “And who shall say they are wrong?” said Lymond. “There are those who will always cleave to the living country, and who with their uprooted imaginations might well make of it an instrument for good. Is it quite beyond us in this land? Is there no one will take up this priceless thing and say, Here is a nation, with such a soul; with such talents; with these failings and this native worth? In what fashion can this one people be brought to live in full vigour and serenity, and who, in their compassion and wisdom, will take it and lead it into the path?
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
A child who has been denied the experience of connecting with his own emotions is first consciously and then unconsciously (through the internal identification with the parent) dependent on his parents. Alice Miller writes: He cannot rely on his own emotions, has not come to experience them through trial and error, has no sense of his own real needs and is alienated from himself to the highest degree. Such a person cannot separate from his parents. He is fantasy bonded with them. He has an illusion (fantasy) of connection, i.e., he really thinks there is a love relationship between himself and his parents. Actually he is fused and enmeshed. This is an entrapment rather than a relationship. Later on this fantasy bond will be transferred to other relationships. This fantasy-bonded person is still dependent on affirmation from his partner, his children, his job. He is especially dependent on his children. A fantasy-bonded person never has a real connection or a real relationship with anyone. There is no real, authentic self there for another to relate to. The real parents, who only accepted the child when he pleased them, remain as introjected voices. The true self hides from these introjected voices just as the real child did. The “loneliness of the parental home” is replaced by “isolation within the self.” Grandiosity is often the result of all this. The grandiose person is admired everywhere and cannot live without admiration. If his talents fail him, it is catastrophic. He must be perfect, otherwise depression is near. Often the most gifted among us are driven in precisely this manner. Many of the most gifted people suffer from severe depression. It cannot be otherwise because depression is about the lost and abandoned child within. “One is free from depression,” writes Alice Miller in The Drama of the Gifted Child, “when self-esteem is based on the authenticity of one’s own feelings and not on the possession of certain qualities.” Emotional abandonment is most often multigenerational. The child of the narcissistically deprived parent becomes an adult with a narcissistically deprived child and will use his children as he was used for his narcissistic supplies. That child then becomes an adult child and the cycle is repeated.
John Bradshaw (Healing the Shame that Binds You)
Still, he was convinced that he was a clear, eloquent, logical thinker, and he patiently honed these abilities all by himself. For instance, he would propose an idea for discussion and debate it, taking both sides. He would passionately argue in support of the proposition, then argue – just as vigorously – against it. He could identify equally with either of the two positions and was completely and sincerely absorbed by whatever position he happened to be supporting at the moment. Before he had realized it, these exercises had given him the talent to be skeptical about his own self, and he had come to the recognition that most of what is generally considered the truth is entirely relative. Subject and object are not as distinct as most people think. If the boundary separating the two isn’t clear-cut to begin with, it is not such a difficult task to intentionally shift back and forth from one to the other.
Haruki Murakami (1Q84: Book 3)
What made Leonardo a genius, what set him apart from people who are merely extraordinarily smart, was creativity, the ability to apply imagination to intellect. His facility for combining observation with fantasy allowed him, like other creative geniuses, to make unexpected leaps that related things seen to things unseen. “Talent hits a target that no one else can hit,” wrote the German philosopher Arthur Schopenhauer. “Genius hits a target no one else can see.
Walter Isaacson (Leonardo da Vinci)
Du manque de religion, répondit le médecin, et de l’envahissement de la finance, qui n’est autre chose que l’égoïsme solidifié. L’argent autrefois n’était pas tout, on admettait des supériorités qui le primaient. Il y avait la noblesse, le talent, les services rendus à l’État ; mais aujourd’hui la loi fait de l’argent un étalon général, elle l’a pris pour base de la capacité politique ! Certains magistrats ne sont pas éligibles, Jean-Jacques Rousseau ne serait pas éligible
Honoré de Balzac (Poor Relations: Cousine Bette, Cousin Pons)
In Women and Madness, Phyllis Chesler writes of what she calls “psychiatric imperialism,” whereby normal responses to trauma are methodically pathologized in science and medicine. At the time of the book’s publication in 1972, few women were coming forward about gender biases in the study and practice of psychology. Chesler felt compelled to bring forward a conversation around gender, race, class, and medical ethics because “modern female psychology reflects a relatively powerless and deprived condition.” Of sensitivity she writes: “Many intrinsically valuable female traits, such as intuitiveness or compassion, have probably been developed through default or patriarchal-imposed necessity, rather than through either biological predisposition or free choice. Female emotional ‘talents’ must be viewed in terms of the overall price exacted by sexism.” Regardless of causation, of note here is that women’s internal lives were barely acknowledged or considered.
Jenara Nerenberg (Divergent Mind: Thriving in a World That Wasn't Designed for You)
Perhaps you are not sitting in this room, and I am not sitting by you. These are points in which a doubt is equally possible. Not keep a journal! How are your absent cousins to understand the tenour of your life in Bath without one? How are the civilities and compliments of every day to be related as they ought to be, unless noted down every evening in a journal? How are your various dresses to be remembered, and the particular state of your complexion, and curl of your hair to be described in all their diversities, without having constant recourse to a journal? My dear madam, I am not so ignorant of young ladies' ways as you wish to believe me; it is this delightful habit of journaling which largely contributes to form the easy style of writing for which ladies are so generally celebrated. Everybody allows that the talent of writing agreeable letters is peculiarly female. Nature may have done something, but I am sure it must be essentially assisted by the practice of keeping a journal.
Jane Austen (Northanger Abbey)
If you're looking for an Inspiration, then I think Rahul Mahajan is a perfect example for all the fainthearted people out there who fear to show their talent. Many people around us assume themselves as "not so special" person and people will laugh at them if they perform in public. I've seen Rahul Mahajan in a reality show of dancing, which is no way related to him. He is been asked to dance various dance forms, but the fact is he doesn't have the body language to perform like a dancer. His dances make people laugh, and his mistakes in the performances are taken as humor. Rahul never thinks about the results or what the audiences are thinking and keep on performing. Not only that but he is a favorite contestant of all the judges and the audiences too. The power is his honesty, hardwork, innocence, ego-less and he enjoys every bit of his performance to the core. I think that’s the reason why he's successful and lives in the heart of the Indian Audiences. Hats off to your spirit Rahul Mahajan. :)
Ritesh Rangare (The Evolution of an Inglorious Moron)
Many managers make a distinction between talent and drive. They often find themselves counseling someone by saying: “Look, you are very talented. But you need to apply yourself or that talent will go to waste.” This advice sounds helpful. More than likely it is well-intended. But fundamentally it is flawed. A person’s drive is not changeable. What drives him is decided by his mental filter, by the relative strength or weakness of the highways in his mind. His drives are, in fact, his striving talents.
Marcus Buckingham (First, Break All the Rules: What the World's Greatest Managers Do Differently)
Anarchism recognizes only the relative significance of ideas, institutions, and social forms. It is, therefore, not a fixed, self-enclosed social system, but rather a definite trend in the historic development of mankind, which, in contrast with the intellectual guardianship of all clerical and governmental institutions, strives for the free unhindered unfolding of all the individual and social forces in life. Even freedom is only a relative, not an absolute concept, since it tends constantly to become broader and to affect wider circles in more manifold ways. For the Anarchist, freedom is not an abstract philosophical concept, but the vital concrete possibility for every human being to bring to full development all the powers, capacities, and talents with which nature has endowed him, and tum them to social account. The less this natural development of man is influenced by ecclesiastical or political guardianship, the more efficient and harmonious will human personality become, the more will it become the measure of the intellectual culture of the society in which it has grown.
Rudolf Rocker (Anarcho-Syndicalism: Theory and Practice (Working Classics))
The decisive question for man is: Is he related to something infinite or not? That is the telling question of his life. Only if we know that the thing which truly matters is the infinite can we avoid fixing our interest upon futilities, and upon all kinds of goals which are not of real importance. Thus we demand that the world grant us recognition for qualities which we regard as personal possessions: our talent or our beauty. The more a man lays stress on false possessions, and the less sensitivity he has for what is essential, the less satisfying is his life. He feels limited because he has limited aims, and the result is envy and jealousy. If we understand and feel that here in this life we already have a link with the infinite, desires and attitudes change. In the final analysis, we count for something only because of the essential we embody, and if we do not embody that, life is wasted. In our relationships to other men, too, the crucial question is whether an element of boundlessness is expressed in the relationship. C.G.Jung "Memories, Dreams, Reflections" ch.XI On Life after Death
C.G. Jung
You have the power of persistence, the tenacity to solve complex problems, and the clear-sightedness to avoid pitfalls that trip others up. You enjoy relative freedom from the temptations of superficial prizes like money and status. Indeed, your biggest challenge may be to fully harness your strengths. You may be so busy trying to appear like a zestful, reward-sensitive extrovert that you undervalue your own talents, or feel underestimated by those around you. But when you’re focused on a project that you care about, you probably find that your energy is boundless.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
The anti-precog has to be present when the precog is in the process of deciding, not after. The anti-precog makes all futures seem equally real to the precog; he aborts his talent to choose at all. A precog is instantly aware when an anti-precog is nearby because his entire relation to the future is altered. In the case of telepaths a similar impairment—” “She goes back in time,” G. G. Ashwood said. Joe stared at him. “Back in time,” G.G. repeated, savoring this; his eyes shot shafts of significance to every part of Joe Chip’s kitchen. “The precog affected by her still sees one predominant future; like you said, the one luminous possibility. And he chooses it, and he’s right. But why is it right? Why is it luminous? Because this girl—” He shrugged in her direction. “Pat controls the future; that one luminous possibility is luminous because she’s gone into the past and changed it. By changing it she changes the present, which includes the precog; he’s affected without knowing it and his talent seems to work, whereas it really doesn’t. So that’s one advantage of her anti-talent over other anti-precog talents. The other—and greater—is that she can cancel out the precog’s decision after he’s made it.
Philip K. Dick (Ubik)
If you’re an introvert, find your flow by using your gifts. You have the power of persistence, the tenacity to solve complex problems, and the clear-sightedness to avoid pitfalls that trip others up. You enjoy relative freedom from the temptations of superficial prizes like money and status. Indeed, your biggest challenge may be to fully harness your strengths. You may be so busy trying to appear like a zestful, reward-sensitive extrovert that you undervalue your own talents, or feel underestimated by those around you. But when you’re focused on a project that you care about, you probably find that your energy is boundless
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
If you're an introvert, find your flow by using your gifts. You have the power of persistence, the tenacity to solve complex problems, and the clear-sightedness to avoid pitfalls that trip others up. You enjoy relative freedom from the temptations of superficial prizes like money and status. Indeed, your biggest challenge may be to fully harness your strengths. You may be so busy trying to appear like a zestful, reward-sensitive extrovert that you undervalue your own talents, or feel underestimated by those around you. But when you're focused on a project that you care about, you probably find that your energy is boundless.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
The “noble” person has a completely naïve and non-reflective awareness of his own value and of his fullness of being, an obscure conviction which enriches every conscious moment of his existence, as if he were autonomously rooted in the universe. This should not be mistaken for “pride.” Quite on the contrary, pride results from an experienced diminution of this “naive” self-confidence. It is a way of “holding on” to one’s value, of seizing and “preserving” it deliberately. The noble man’s naive self-confidence, which is as natural to him as tension is to the muscles, permits him calmly to assimilate the merits of others in all the fullness of their substance and configuration. He never “grudges” them their merits. On the contrary: he rejoices in their virtues and feels that they make the world more worthy of love. His naive self-confidence is by no means “compounded” of a series of positive valuations based on specific qualities, talents, and virtues: it is originally directed at his very essence and being. Therefore he can afford to admit that another person has certain “qualities” superior to his own or is more “gifted” in some respects—indeed in all respects. Such a conclusion does not diminish his naïve awareness of his own value, which needs no justification or proof by achievements or abilities. Achievements merely serve to confirm it. On the other hand, the “common” man (in the exact acceptation of the term) can only experience his value and that of another if he relates the two, and he clearly perceives only those qualities which constitute possible differences. The noble man experiences value prior to any comparison, the common man in and through a comparison. For the latter, the relation is the selective precondition for apprehending any value. Every value is a relative thing, “higher” or “lower,” “more” or “less” than his own. He arrives at value judgments by comparing himself to others and others to himself
Max Scheler (Ressentiment (Marquette Studies in Philosophy))
The funny thing about life is that there’s a lot you don’t get to choose. You don’t get to choose whom you’re related to. You don’t get to choose your hair color, your height, or what natural talents you are given. You don’t get to choose where you are born, or who or what the world will see when they look at you. But the best part of life is that in the end, none of that matters. You get to choose who you become. Who you love. You can change your hair color and, to an extent, you can even change your eye color and height. You can learn to be great at something. There’s a whole lot you don’t get a choice in, but there’s a whole lot more you do.
Mariana Zapata (Luna and the Lie)
The funny thing about life is that there’s a lot you don’t get to choose. You don’t get to choose whom you’re related to. You don’t get to choose your hair color, your height, or what natural talents you are given. You don’t get to choose where you are born, or who or what the world will see when they look at you. But the best part of life is that in the end, none of that matters. You get to choose who you become. Who you love. You can change your hair color and, to an extent, you can even change your eye color and height. You can learn to be great at something. There’s a whole lot you don’t get a choice in, but there’s a whole lot more you do.
Mariana Zapata (Luna and the Lie)
The funny thing about life is that there’s a lot you don’t get to choose. You don’t get to choose whom you’re related to. You don’t get to choose your hair color, your height, or what natural talents you are given. You don’t get to choose where you are born, or who or what the world will see when they look at you. But the best part of life is that in the end, none of that matters. You get to choose who you become. Who you love. You can change your hair color and, to an extent, you can even change your eye color and height. You can learn to be great at something. There’s a whole lot you don’t get a choice in, but there’s a whole lot more you do.
Mariana Zapata (Luna and the Lie)
Having a dream is like a pregnant woman waiting to have her baby delivered; everyone can see clearly that's got a baby inside of her womb;sometimes her close relations might wish to help out in carrying the pregnancy but no avail;even her husband feels to help her deliver the baby when he see's her honnie in pain the day of delivery. But after delivery everyone carries the baby for her Yeah;that's what it is peeps; someone out there is wailing to help carry out that your precious dream;but you need to deliver to them so they can see and help support. And I tell you;the world will carry what you deliver to them; cuz its called talent and its a gift from God.
Nitya Prakash
Either Western or Human (Undoing Westwash Sonnet) When the Brits invade a country, It's called the march of civilization. When refugees arrive in search of life, It's dehumanized as illegal immigration. When America recruits talents from abroad, It is proudly boasted as headhunting. When another nation does exactly the same, It is hailed as espionage and IP stealing. When America spies on everybody else, It is sugarcoated as national security. If someone so much as loses a weather balloon, It is used to gaslight a nation into a frenzy. To see the world as it is, first we gotta take off our western glasses. Look at the human world with human eyes, only then you'll fathom justice and progress.
Abhijit Naskar (Vande Vasudhaivam: 100 Sonnets for Our Planetary Pueblo)
Here are some questions that not only will elicit stories but also might yield relatively interesting answers: • “How did you spend your morning today?” • “What’s the farthest you’ve ever been from another human?” • “What’s something weird or unusual you did early on in life?” • “What’s a story one of your references might tell me when I call them?” • “If I was the perfect Netflix, what type of movies would I recommend for you and why?” • “How do you feel you are different from the people at your current company?” • “What views do you hold religiously, almost irrationally?” • “How did you prepare for this interview?” • “What subreddits, blogs, or online communities do you enjoy?” • “What is something esoteric you do?
Tyler Cowen (Talent: How to Identify Energizers, Creatives, and Winners Around the World)
Warren Weaver is not a household name, but he may be the most influential scientist you’ve never heard of, actively shaping three of the most important scientific revolutions of the last century—life sciences, information technology, and agriculture. In 1932 Weaver joined the Rockefeller Foundation to lead the division charged with supporting scientific research. Funding was scarce during the Great Depression, and the Rockefeller Foundation, with an endowment nearly twice the size of Harvard’s at the time, was one of the most important patrons of scientific research in the world. Over his three decades at the Rockefeller Foundation, Weaver acted as a banker, talent scout, and kingmaker to support the nascent field of molecular biology, a term he himself coined. Weaver had an uncanny knack for picking future all-stars. Eighteen scientists won Nobel Prizes for research related to molecular biology in the middle of the century, and Weaver had funded all but three of them.
Donald Sull (Simple Rules: How to Thrive in a Complex World)
As a conductor of orchestras, Ozawa is quite naturally in touch with a large number of people on a daily basis and has to act as the guiding member of a team. But no matter how talented he might be, people would not follow him if he were constantly moody and difficult. Interpersonal relations take on a great significance. A conductor needs like-minded musical colleagues, and he is often called upon to perform social and even entrepreneurial tasks. He has to give much thought to his audiences. And as a musician, he has to devote a good deal of energy to the guidance of the next generation. By contrast, as a novelist I am free to spend my life hardly seeing or talking to anyone for days at a time, and never appearing in the media. I rarely have to do anything that involves teamwork, and while it’s best to have some colleagues, I don’t especially need any. I just have to stay in the house and write—alone. The thought of guiding the next generation has never crossed my mind, I’m sorry to say (not that anyone has ever asked me to do such a thing).
Haruki Murakami (Absolutely on Music: Conversations with Seiji Ozawa)
the Game of games had developed into a kind of universal language through which the players could express values and set these in relation to one another. Throughout its history the Game was closely allied with music, and usually proceeded according to musical or mathematical rules. One theme, two themes, or three themes were stated, elaborated, varied, and underwent a development quite similar to that of the theme in a Bach fugue or a concerto movement. A Game, for example, might start from a given astronomical configuration, or from the actual theme of a Bach fugue, or from a sentence out of Leibniz or the Upanishads, and from this theme, depending on the intentions and talents of the player, it could either further explore and elaborate the initial motif or else enrich its expressiveness by allusions to kindred concepts. Beginners learned how to establish parallels, by means of the Game’s symbols, between a piece of classical music and the formula for some law of nature. Experts and Masters of the Game freely wove the initial theme into unlimited combinations.
Hermann Hesse (The Glass Bead Game)
ten thousand talents. It is hard to estimate exactly what that was worth, and it may in fact only mean the largest debt conceivable, “ten thousand” being one of the largest common numbers and a “talent” being the largest denomination of currency. However, if we do estimate it in dollars, we derive some interesting results. A talent was seventy-five pounds, so ten thousand talents would be 750,000 pounds. We do not know whether they were talents of gold or silver. But since Jesus is trying to exaggerate the contrast between this great debt and the relatively small debt of verse 28, we may suppose that He was thinking of the greater of the two talents, namely, gold. In troy weight there are twelve ounces to a pound. So we are now dealing with 750,000 times 12, or 9 million ounces of gold. Assuming that gold is selling at about $400 an ounce, we come to a figure of $3,600 million (three trillion six hundred million dollars). That is beyond our comprehension, which is precisely Christ’s point. It is an astronomical debt, entirely beyond this servant’s or anybody else’s capacity to pay.
James Montgomery Boice (The Parables of Jesus)
I've defined myself, privately and abstractly, by my brief, intense years as an athlete, a swimmer. I practiced five or six hours a day, six days a week, eating and sleeping as much as possible in between. Weekends were spent either training or competing. I wasn't the best; I was relatively fast. I trained, ate, traveled, and showered with the best in the country, but wasn't the best; I was pretty good. I liked how hard swimming at that level was- that I could do something difficult and unusual. Liked knowing my discipline would be recognized, respected, that I might not be able to say the right things or fit in, but I could do something well. I wanted to believe that I was talented; being fast was proof. Though I loved racing, the idea of fastest, of number one, of the Olympics, didn't motivate me. I still dream of practice, of races, coaches and blurry competitors. I'm drawn to swimming pools, all swimming pools, no matter how small or murky. When I swim now, I step into the water as though absentmindedly touching a scar. My recreational laps are phantoms of my competitive races
Leanne Shapton
Some of his authors were so mulishly stubborn about altering their own work, one would think he had suggested changing text in the Bible. Amanda was easy to work with, and she did not harbor great pretensions about herself or her writing. In fact, she was relatively modest about her talents, to the extent of appearing surprised and uncomfortable when he praised her. The plot of 'Unfinished Lady' centered on a young woman who tried to live strictly according to society's rules, yet couldn't make herself accept the rigid confinement of what was considered proper. She made fatal errors in her private life- gambling, taking a lover outside of marriage, having a child out of wedlock- all due to her desire to obtain the elusive happiness she secretly longed for. Eventually she came to a sordid end, dying of venereal disease, although it was clear that society's harsh judgements had caused her demise fully as much as disease. What fascinated Jack was that Amanda, as the author, had refused to take a position on the heroine's behavior, neither applauding nor condemning it. Clearly she had sympathy for the character, and Jack suspected that the heroine's inner rebelliousness reflected some of Amanda's own feelings.
Lisa Kleypas (Suddenly You)
Did you ever consider how ridiculous it would be to try to cram on a farm—to forget to plant in the spring, play all summer and then cram in the fall to bring in the harvest? The farm is a natural system. The price must be paid and the process followed. You always reap what you sow; there is no shortcut. This principle is also true, ultimately, in human behavior, in human relationships. They, too, are natural systems based on the law of the harvest. In the short run, in an artificial social system such as school, you may be able to get by if you learn how to manipulate the man-made rules, to “play the game.” In most one-shot or short-lived human interactions, you can use the Personality Ethic to get by and to make favorable impressions through charm and skill and pretending to be interested in other people’s hobbies. You can pick up quick, easy techniques that may work in short-term situations. But secondary traits alone have no permanent worth in long-term relationships. Eventually, if there isn’t deep integrity and fundamental character strength, the challenges of life will cause true motives to surface and human relationship failure will replace short-term success. Many people with secondary greatness—that is, social recognition for their talents—lack primary greatness or goodness in their character. Sooner or later, you’ll see this in every long-term relationship they have, whether it is with a business associate, a spouse, a friend, or a teenage child going through an identity crisis. It is character that communicates most eloquently. As Emerson once put it, “What you are shouts so loudly in my ears I cannot hear what you say.” There are, of course, situations where people have character strength but they lack communication skills, and that undoubtedly affects the quality of relationships as well. But the effects are still secondary. In the last analysis, what we are communicates far more eloquently than anything we say or do. We all know it. There are people we trust absolutely because we know their character. Whether they’re eloquent or not, whether they have the human relations techniques or not, we trust them, and we work successfully with them. In the words of William George Jordan, “Into the hands of every individual is given a marvelous power for good or evil—the silent, unconscious, unseen influence of his life. This is simply the constant radiation of what man really is, not what he pretends to be.
Stephen R. Covey (The 7 Habits of Highly Effective People)
[L]et us imagine a mirror image of what is happening today. What if millions of white Americans were pouring across the border into Mexico, taking over parts of cities, speaking English rather than Spanish, celebrating the Fourth of July rather than Cinco de Mayo, sleeping 20 to a house, demanding bilingual instruction and welfare for immigrants, opposing border control, and demanding ballots in English? What if, besides this, they had high rates of crime, poverty, and illegitimacy? Can we imagine the Mexicans rejoicing in their newfound diversity? And yet, that is what Americans are asked to do. For whites to celebrate diversity is to celebrate their own declining numbers and influence, and the transformation of their society. For every other group, to celebrate diversity is to celebrate increasing numbers and influence. Which is a real celebration and which is self-deception? Whites—but only whites—must never take pride in their own people. Only whites must pretend they do not prefer to associate with people like themselves. Only whites must pretend to be happy to give up their neighborhoods, their institutions, and their country to people unlike themselves. Only whites must always act as individuals and never as members of a group that promotes shared interests. Racial identity comes naturally to all non-white groups. It comes naturally because it is good, normal, and healthy to feel kinship for people like oneself. Despite the fashionable view that race is a socially created illusion, race is a biological reality. All people of the same race are more closely related genetically than they are to anyone of a different race, and this helps explain racial solidarity. Families are close for the same reason. Parents love their children, not because they are the smartest, best-looking, most talented children on earth. They love them because they are genetically close to them. They love them because they are a family. Most people have similar feelings about race. Their race is the largest extended family to which they feel an instinctive kinship. Like members of a family, members of a race do not need objective reasons to prefer their own group; they prefer it because it is theirs (though they may well imagine themselves as having many fine, partly imaginary qualities). These mystic preferences need not imply hostility towards others. Parents may have great affection for the children of others, but their own children come first. Likewise, affection often crosses racial lines, but the deeper loyalties of most people are to their own group—their extended family.
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)
Perhaps Einstein himself said it best when he said, “I have no special talents.… I am only passionately curious.” In fact, Einstein would confess that he had to struggle with mathematics in his youth. To one group of schoolchildren, he once confided, “No matter what difficulties you may have with mathematics, mine were greater.” So why was Einstein Einstein? First, Einstein spent most of his time thinking via “thought experiments.” He was a theoretical physicist, not an experimental one, so he was continually running sophisticated simulations of the future in his head. In other words, his laboratory was his mind. Second, he was known to spend up to ten years or more on a single thought experiment. From the age of sixteen to twenty-six, he focused on the problem of light and whether it was possible to outrace a light beam. This led to the birth of special relativity, which eventually revealed the secret of the stars and gave us the atomic bomb. From the age of twenty-six to thirty-six, he focused on a theory of gravity, which eventually gave us black holes and the big-bang theory of the universe. And then from the age of thirty-six to the end of his life, he tried to find a theory of everything to unify all of physics. Clearly, the ability to spend ten or more years on a single problem showed the tenacity with which he would simulate experiments in his head.
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
The symbol of this battle, written in a script which has remained legible through all human history up to the present, is called “Rome against Judea, Judea against Rome.” To this point there has been no greater event than this war, this posing of a question, this contradiction between deadly enemies. Rome felt that the Jew was like something contrary to nature itself, its monstrous polar opposite, as it were. In Rome the Jew was considered “convicted of hatred against the entire human race.” And that view was correct, to the extent that we are right to link the health and the future of the human race to the unconditional rule of aristocratic values, to Roman values. By contrast, how did the Jews feel about Rome? We can guess that from a thousand signs, but it is sufficient to treat ourselves again to the Apocalypse of John, that wildest of all written outbursts which vengeance has on its conscience ... The Romans were indeed strong and noble men, stronger and nobler than any people who had lived on earth up until then or even than any people who had ever been dreamed up. Everything they left as remains, every inscription, is delightful, provided that we can guess what is doing the writing there. By contrast, the Jews were par excellence that priestly people of ressentiment, who possessed an unparalleled genius for popular morality. Just compare people with related talents — say, the Chinese or the Germans — with the Jews, in order to understand which is ranked first and which is ranked fifth.
Friedrich Nietzsche (On the Genealogy of Morals)
To suggest, as Shine does, that my father was in some way mean-spirited is totally unfair. Holding back David’s career was not in the least my father’s aim. He was extremely proud of his son and nurtured his talent in every way. He was David’s strongest advocate. But allowing any boy who had just turned fourteen to live by himself so far away without proper provisions being made for him would have been irresponsible, to say the least. In David’s case, it would have been particularly inappropriate. He had never been abroad before; he was completely hopeless in practical matters; and he needed to be looked after, cooked for, and cared for. He was also by that time behaving rather erratically, although of course we did not know then that these may have been the first signs of a serious mental illness. My father’s attitude was proved correct: when David did go to London of his own volition four years later, he fell ill and ended up receiving psychiatric care. In any case there simply wasn’t enough money available to finance the trip to America. Contrary to what is related in Shine, where my father and Mr. Rosen decide that David should have a bar mitzvah as a method of raising money for this trip, David had already had his bar mitzvah almost a year earlier, when he turned thirteen, the usual age for this ceremony. His bar mitzvah had nothing to do with “digging for gold,” as Mr. Rosen puts it in Shine, in one of several offensive references in the film to Jews or Judaism. My father may not have been an Orthodox Jew himself, but he still had a strong desire to hold onto the basic tenets of Jewish tradition and to pass them on to his children.
Margaret Helfgott (Out of Tune: David Helfgott and the Myth of Shine)
Many people find it hard to understand what it is about a mountain that draws men and women to risk their lives on her freezing, icy faces--all for a chance at that single, solitary moment on the top. It can be hard to explain. But I also relate to the quote that says: “If you have to ask, you will never understand.” I just felt that maybe this was it: my first real, and possibly only, chance to follow that dream of one day standing on the summit of Mount Everest. Deep down, I knew that I should take it. Neil agreed to my joining his Everest team on the basis of how I’d perform on an expedition that October to the Himalayas. As I got off the phone from speaking to Neil, I had a sinking feeling that I had just made a commitment that was going to change my life forever--either for the better or for the worse. But I had wanted a fresh start--this was it, and I felt alive. A few days later I announced the news to my family. My parents--and especially my sister, Lara--called me selfish, unkind, and then stupid. Their eventual acceptance of the idea came with the condition that if I died then my mother would divorce my father, as he had been the man who had planted the “stupid idea” in my head in the first place, all those years earlier. Dad just smiled. Time eventually won through, even with my sister, and all their initial resistance then turned into a determination to help me--predominantly motivated by the goal of trying to keep me alive. As for me, all I had to ensure was that I kept my promise to be okay. As it happened, four people tragically died on Everest while we were there: four talented, strong climbers. It wasn’t within my capability to make these promises to my family. My father knew that.
Bear Grylls (Mud, Sweat and Tears)
Unchopping a Tree. Start with the leaves, the small twigs, and the nests that have been shaken, ripped, or broken off by the fall; these must be gathered and attached once again to their respective places. It is not arduous work, unless major limbs have been smashed or mutilated. If the fall was carefully and correctly planned, the chances of anything of the kind happening will have been reduced. Again, much depends upon the size, age, shape, and species of the tree. Still, you will be lucky if you can get through this stages without having to use machinery. Even in the best of circumstances it is a labor that will make you wish often that you had won the favor of the universe of ants, the empire of mice, or at least a local tribe of squirrels, and could enlist their labors and their talents. But no, they leave you to it. They have learned, with time. This is men's work. It goes without saying that if the tree was hollow in whole or in part, and contained old nests of bird or mammal or insect, or hoards of nuts or such structures as wasps or bees build for their survival, the contents will have to repaired where necessary, and reassembled, insofar as possible, in their original order, including the shells of nuts already opened. With spider's webs you must simply do the best you can. We do not have the spider's weaving equipment, nor any substitute for the leaf's living bond with its point of attachment and nourishment. It is even harder to simulate the latter when the leaves have once become dry — as they are bound to do, for this is not the labor of a moment. Also it hardly needs saying that this the time fro repairing any neighboring trees or bushes or other growth that might have been damaged by the fall. The same rules apply. Where neighboring trees were of the same species it is difficult not to waste time conveying a detached leaf back to the wrong tree. Practice, practice. Put your hope in that. Now the tackle must be put into place, or the scaffolding, depending on the surroundings and the dimension of the tree. It is ticklish work. Almost always it involves, in itself, further damage to the area, which will have to be corrected later. But, as you've heard, it can't be helped. And care now is likely to save you considerable trouble later. Be careful to grind nothing into the ground. At last the time comes for the erecting of the trunk. By now it will scarcely be necessary to remind you of the delicacy of this huge skeleton. Every motion of the tackle, every slightly upward heave of the trunk, the branches, their elaborately reassembled panoply of leaves (now dead) will draw from you an involuntary gasp. You will watch for a lead or a twig to be snapped off yet again. You will listen for the nuts to shift in the hollow limb and you will hear whether they are indeed falling into place or are spilling in disorder — in which case, or in the event of anything else of the kind — operations will have to cease, of course, while you correct the matter. The raising itself is no small enterprise, from the moment when the chains tighten around the old bandages until the boles hands vertical above the stump, splinter above splinter. How the final straightening of the splinters themselves can take place (the preliminary work is best done while the wood is still green and soft, but at times when the splinters are not badly twisted most of the straightening is left until now, when the torn ends are face to face with each other). When the splinters are perfectly complementary the appropriate fixative is applied. Again we have no duplicate of the original substance. Ours is extremely strong, but it is rigid. It is limited to surfaces, and there is no play in it. However the core is not the part of the trunk that conducted life from the roots up to the branches and back again. It was relatively inert. The fixative for this part is not the same as the one for the outer layers and the bark, and if either of these is involved
W.S. Merwin
A few hours later, Jane came out of her boudoir to find her husband in his dressing gown, stretched out across the bed reading the newspaper and idly petting their spaniel Little Archer, a pup from Mrs. Patch’s brood. Seizing the moment, Little Archer leapt off the bed and into her dressing room, where he could chew up slippers to his heart’s content. Dom, however, didn’t even look up as she entered. “They’re calling this the most elegant coronation in history.” He snorted. “I noticed there’s no mention of its being the most interminable.” “Dom,” she purred as she closed the dog into the dressing room for the moment. “All that pomp and circumstance is so tedious.” Still reading, he turned the page of the newspaper. “Ravenswood told me that King William is determined to make sure that parliamentary reform is enacted.” She walked languidly forward. “Dom.” He snapped the paper to straighten it. “It’s about bloody time. I should think--” “Dom!” she practically shouted. “Hmm?” He glanced up, then frowned. “Why are you wearing your coronation robe?” “I was cold,” she said with a teasing smile. She let the robe fall open. “Since I have nothing on underneath.” Dom stared, then gulped. Unsurprisingly, his staff jerked instantly to attention. “If you’re trying to torture me,” he said hoarsely, “you’re doing a good job of it.” She sashayed toward the bed, letting the velvet and ermine robe swing about her. “No torture intended.” She put one knee on the bed. “Dr. Worth said I may resume relations with my husband whenever I am ready.” He blinked, then rose to his knees and seized her about the waist. “May I assume that you’re ready?” he rasped as he brushed a kiss to her cheek. “You have no idea.” She met his mouth with hers. They kissed a long moment, a hot, heavenly kiss that reminded her of how very talented her husband was at this aspect of marriage. She untied his dressing gown and shoved it off his shoulders. He had just finished tearing off his drawers when she shoved him down onto the bed. His eyes lit up as she hovered over him. “Ah, so it’s to be like that, my wicked little seductress?” “Oh, yes.” She grinned at him. “I do so enjoy having a viscount fall before me.” She started to remove her robe, but he stayed her with his hand. “Don’t.” He raked her with a heated glance. “Next session of parliament, I’ll endure the boredom of the endless speeches by imagining you seducing me in all your pomp and circumstance.” “My pomp is nothing to yours, my love,” she murmured as she caught his rampant flesh in her hand. “Yours is quite…er…pompous.” “That’s what happens if the viscount falls.” He thrust against her hand. “His pomp always rises.” And as she laughed, they created a pomp and circumstance all their own.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
It's funny, you know. We're free. We make choices. We weigh things in our minds, consider everything carefully, use all the tools of logic and education. And in the end, what we mostly do is what we have no choice but to do. Makes you think, why bother? But you bother because you do, that's why. Because you're a DNA-brand computer running Childhood 1.0 software. They update the software but the changes are always just around the edges. You have the brain you have, the intelligence, the talents, the strengths and weaknesses you have, from the moment they take you out of the box and throw away the Styrofoam padding. But you have the fears you picked up along the way. The terrors of age four or six or eight are never suspended, just layered over. The dread I'd felt so recently, a dread that should be so much greater because the facts had been so much more horrible, still could not diminish the impact of memories that had been laid down long years before. It's that way all through life, I guess. I have a relative who says she still gets depressed every September because in the back of her mind it's time for school to start again. She's my great-aunt. The woman is sixty-seven and still bumming over the first day of school five-plus decades ago. It's sad in a way because the pleasures of life get old and dated fast. The teenage me doesn't get the jolt the six-year-old me got from a package of Pop Rocks. The me I've become doesn't rush at the memories of the day I skated down a parking ramp however many years ago. Pleasure fades, gets old, gets thrown out with last year's fad. Fear, guilt, all that stuff stays fresh. Maybe that's why people get so enraged when someone does something to a kid. Hurt a kid and he hurts forever. Maybe an adult can shake it off. Maybe. But with a kid, you hurt them and it turns them, shapes them, becomes part of the deep, underlying software of their lives. No delete. I don't know. I don't know much. I feel like I know less all the time. Rate I'm going, by the time I'm twenty-one I won't know a damned thing. But still I was me. Had no choice, I guess. I don't know, maybe that's bull and I was just feeling sorry for myself. But, bottom line, I dried my eyes, and I pushed my dirty, greasy hair back off my face, and I started off down the road again because whatever I was, whoever I was, however messed up I might be, I wasn't leaving April behind. Maybe it was all an act programmed into me from the get-go, or maybe it grew up out of some deep-buried fear, I mean maybe at some level I was really just as pathetic as Senna thought I was. Maybe I was a fake. Whatever. Didn't matter. I was going back to the damned dragon, and then I was getting April out, and everything and everyone else could go screw themselves. One good thing: For now at least, I was done being scared.
K.A. Applegate
No, she couldn’t blame this one on him. This one was entirely hers. She’d sent him running away. Everyone knew it, too, which was nowhere more apparent than in the carriage once they were all settled in and headed off. Lisette was unusually silent. The duke’s wooden expression said that he wished he could be anywhere else but here. And Tristan was studying her with a cold gaze. He did that for a mile or so before he spoke. “You’re a cruel woman, Jane Vernon.” “Tristan!” Lisette chided. “Don’t be rude.” “I’ll be as rude as I please to her,” he told his sister, with a jerk of his head toward Jane. “That man is mad for her, and she just keeps toying with him.” Guilt swamped Jane. And she’d thought that spending half a day trapped with Dom would be bad? She must have been dreaming. “It’s none of our concern,” Lisette murmured. “The hell it isn’t.” Tristan stared hard at Jane. “Is this about Nancy? About the fact that if she has a child, Dom will lose the title and the estate?” “No, of course not!” How dared he! “Tristan, please--” Lisette began. “That’s why you jilted him years ago, isn’t it?” Tristan persisted. “Because he no longer had any money, and you’d lose your fortune if you married him?” “I did not jilt him!” Jane shouted. An unnatural silence fell in the carriage, and she cursed her quick tongue. But really, this was all Dom’s fault for never telling his family the truth. She was tired of being made to look the villainess when she’d done nothing wrong. “What do you mean?” Lisette asked. Jane released an exasperated breath. “I mean, I did jilt him. But only because he tricked me into it.” When that brought a smug smile to Tristan’s face, she narrowed her eyes on him. “You knew.” “Not the details. I just knew something wasn’t right. But since it was clear that neither you nor my idiot brother were going to say anything without being prodded into it, I…er…did a bit of prodding.” He smirked at her. “You do tend to speak your mind when you get angry.” Jane scowled at him. “You’re just like him, manipulative and arrogant and--” “I beg to differ,” Tristan said jovially. “He’s just like me. I taught him everything he knows.” “Yes, indeed,” Lisette said with a snort. “You taught him to be as much an idiot as you.” She glanced from Tristan to Jane. “So, is one of you going to tell me what is going on? About the jilting, I mean?” Tristan cocked an eyebrow at Jane. “Well?” She sighed. The cat was out of the bag now. Might as well reveal the rest. So she related the whole tale, from Dom’s plotting with Nancy at the ball to George’s involvement to how she’d finally discovered the truth. When she finished, Tristan let out a low whistle. “Hell and thunder. My big brother has a better talent for deception than I realized.” “Not as good as you’d think,” Jane muttered. “If I hadn’t been so wounded and angry at the time, I would have noticed how…manufactured the whole thing felt.” Lisette patted her hand. “You were young. We were all more volatile then.” Her voice hardened. “And he hit you just where it hurt, the curst devil. No wonder you want to strangle him half the time. I would have strung him up by his toes if he’d done such a thing to me!
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
This is the trait constituting the soulful, inner, higher ideal which enters here in place of the quiet grandeur and independence of the figures of antiquity. The gods of the classical ideal too do not lack a trait of mourning, of a fateful negative, present in the cold necessity imprinted on these serene figures, but still, in their independent divinity and freedom, they retain an assurance of their simple grandeur and power. But their freedom is not the freedom of that love which is soulful and deeply felt because this depends on a relation of soul to soul, spirit to spirit. This depth of feeling kindles the ray of bliss present in the heart, that ray of a love which in sorrow and its supreme loss does not feel sang-froid or any sort of comfort, but the deeper it suffers yet in suffering still finds the sense and certainty of love and shows in grief that it has overcome itself within and by itself. It is only the religious love of romanticism which has an expression of bliss and freedom. This oneness and satisfaction is in its nature spiritually concrete because it is what is felt by the spirit which knows itself in another as at one with itself. Here therefore if the subject-matter portrayed is to be complete, it must have two aspects because love necessarily implies a double character in the spiritual personality. It rests on two independent persons who yet have a sense of their unity; but there is always linked with this unity at the same time the factor of the negative. Love is a matter of subjective feeling, but the subject which feels is this self-subsistent heart which, in order to love, must desist from itself, abandon itself, and sacrifice the inflexible focus of its own private personality. This sacrifice is what is moving in the love that lives and feels only in this self-surrender. Yet on this account a person in this sacrifice still retains his own self and in the very cancelling of his independence acquires a precisely affirmative independence. Nevertheless, in the sense of this oneness and its supreme happiness there still remains left the negative factor, the moving sense not so much of sacrifice as rather of the undeserved bliss of feeling independent and at unity with self in spite of all the self-surrender. The moving emotion is the sense of the dialectical contradiction of having sacrificed one’s personality and yet of being independent at the same time; this contradiction is ever present in love and ever resolved in it. So far as concerns the particular human individual personality in this depth of feeling, the unique love which affords bliss and an enjoyment of heaven rises above time and the particular individuality of that character which becomes a matter of indifference. in the pure ray of bliss which has just been described, particular individuality is superseded: in the sight of God all men are equal, or piety, rather, makes them all actually equal so that the only thing of importance is the expression of that concentration of love which needs neither happiness nor any particular single object. It is true that religious love too cannot exist without specific individuals who have some other sphere of existence apart from this feeling. But here the strictly ideal content is provided by the soulful depth of spiritual feeling which does not have its expression and actuality in the particular difference of a character with its talent, relationships, and fates, but is rather raised above these.
Georg Wilhelm Friedrich Hegel
1. Do not chase those who go, and do not stop those who come. -Blind- 카톡【AKR331】텔레【RDH705】라인【SPR331】위커【SPR705】 저희는 7가지 철칙을 바탕으로 거래를 합니다. 고객들과 지키지못할약속은 하지않습니다 1.정품보장 2.총알배송 3.투명한 가격 4.편한 상담 5.끝내주는 서비스 6.고객님 정보 보호 7.깔끔한 거래 제품을 구입하실때는 저희가 구매자분들께 약속지켜드리는것만큼 구매자분들도 저희와 약속 꼭 지켜주시기 바랍니다 구체적인 내용은 문의하셔셔 상담받아보세요 클릭해주셔셔 감사합니다 24시간 언제든지 문의주세요 2. Watch out for those surrounded by dark clouds. – Balthazar Graciasian 3. Rather than let me live in Paradise alone There will be no greater penalty. Goethe 4. When you associate with others, the first thing you should not forget Because the other person has their own way of life In order not to confuse them, they should not interfere with others' lives. Henry James 5. You have a bad relationship with others I hate that person being with you, If you are right and you don't agree, The person will not be reproved It is you who should be reproved. Because you have not done your heart and devotion to that person. Tolstoy 6. If you want to be liked by others, Just show that you are having a great time together. If you do that, instead of just having fun Better to hang out with the other person. And people with this temperament Even if you don't have great culture or wisdom, you have common sense. That behaviour, Who have great talent and lack this disposition I greatly move others' minds. Joseph Addis   7. Anyone who accepts others generously Always get people's hearts, Who rules with dignity and force Always buy people's anger. -King Sejong- 8. I want to interest others. Don't close your ears and eyes yourself Show interest in others. If you don't understand this, However talented and capable It is impossible to get along with others. Lawrence Gould- 9. Take care of others' interests. Undistributed profits never last long. -Voltaire- 10. It is only sin that I do not know others. What's the sin of not letting others know? Jang Young-sil 11. What comes out of you returns to you. -Blind- 12. It is never a good thing to be someone's half. We are a perfect person. Andrew Matthews 13. Treating others Cherish his body as mine. My body is not only precious. Do not forget that others' bodies are also precious. And do what you desire for others first. -Confucius-   14. Most people Neither my side nor my enemy. Also what you do or yourself There are people who do not like it. It's too much to want everyone to like you. Liz Carpenter 15. In general, introverted humans Outgoing humans get along well with outgoing humans. It is because the mind is at first comfortable and easy to understand. But the state of being at ease It is not a good condition for your own growth. Theodore Rubin   16. Stick when you're hungry, and leave when you're hungry, When it's warm, it flocks, when it's cold This is the widespread dismissal of recognition. Chae Geun-hwa 17. With people You can't share the ball together, Together with the ball envy one another. Tribulation with people, but comfort cannot come together. Comfort will be an enemy of one another. Chae Geun-hwa 18. People must change their positions and positions. -Confucius- 19. A person is originally clean, All call for sin and blessing according to ties. The paper smells close to incense, That rope is like a fishy fish. Man dyes little by little and learns it, but he does not know how to do it himself. -Law law- 20. A person's value can only be measured in relation to others. Nietzsche 21. Be strict to yourself and generous to others -Confucius- 22. Beware of your impression of the other person Worrying is why you're the main character. Usually, a person's crush is about first showing others You should know what appears as a reaction. You don't wait Give you first. Lawrence
22 kinds of relationship sayings
Understanding the taste of your visitor as well as guests is necessary to getting the right entertainment for your event. Best Corporate Events Booking Agency will provide the right entertainment that stay fit to the theme of the event. When you organize an event, mainly a business happening, you desire to ensure that you not only have the jobs connected with the business or core reason of the event placed to make sure victory, but you also desire to ensure that you have the best and most suitable entertainment that your visitor as well as guests will take pleasure in. If you are having a hard time trying to make a decision the top type of entertainment and where to safe the entertainment, you will really benefit from booking your entertainment using the services with Private Entertainment Event Planner. Booking the top entertainment agency means you will have the ability to choose the entertainment for your occasion from a diversity of different sort of entertainment. While booking Entertainment Events Booking Agency, you will be able to select from such entertainers including musical tribute entertainers, celebrity impersonators, comedians, bands and DJs among others. The top entertainment agency will surely allow a variety of entertainers of special types and will support you with selecting the best entertainment that merge well with your particular event. Booking Entertainment Agency is simple with the help of internet. When you search for a popular agency over the internet, you will be capable to browse different entertainment agencies and assessment the services and sorts of entertainers they present. You will obtain a thought of the costs and you will contain their contact details so you can call or email them about the information related to the event. They will then react and give you with more information related to the agency and services and how they can assist you. The Special Events Organizer will be simple to work with and understand your particular requirements. The team will listen to your wishes related to your event and give you with suggestions about the kind of entertainment your particular guests will enjoy. The group will also be more than eager to respond all of your questions and give you with a price quote. Moreover, one can demand references as well as find out how long they have been in the Celebrity Talent Agency .
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Every aspect of your life is directly related to how well your career fits you. People who are engaged in satisfying, challenging careers that match their talents, personalities, and goals usually achieve a higher degree of success than people who do not care passionately for what they do. They are healthier, live longer, and tend to be more satisfied with other aspects of their lives. They feel their lives are meaningful and a source of joy. An ill-fitting career contributes significantly to stress and depression, and has a profoundly negative effect on self-esteem.
Nicholas Lore (The Pathfinder: How to Choose or Change Your Career for a Lifetime of Satisfaction and Success (Touchstone Books (Paperback)))
According to accepted standards of internet marketing, an online presence is essential to the success of today's business. Unfortunately, the success of the Internet has also given the opportunity for unqualified and unprofessional Minneapolis web designers to market their services making it very difficult for clients to determine to best web designer for them. If your web site is made by a dreadful web designer, it can have a harmful effect on your business and cost you dearly! there has been a major increase in the use of Internet-related knowledge. An increase in the request of information technology in diverse fields has opened wider career opportunities. Operating a small business without a website is like trying to push an incredibly heavy rock up an impossibly steep hill. But a web presence means that your branding needs to be look at first. One part of that is finding the right branding agency Minneapolis not only has the best talent, but also professionals who understand that the heart is the target for any visual branding effort. Minneapolis web design aims at deliver the best customer solution in any . All these are obtainable with the intention of as long as you with an outstanding service so that we know about your services and the way you function.
sophiya
It made me feel low that I couldn’t praise him without reservation. But then if you lied to a man about his talent just because he was sitting across from you, that was the most unforgivable lie of them all, because that was telling him to go on, to continue which was the worst way for a man without real talent to waste his life, finally. But many people did just that, friends and relatives mostly. ========== Women (Charles Bukowski)
Anonymous
Fascinatingly, as companies begin to struggle, the third category always seems to grow much faster than the first. In addition, the sudden wave of “semi-performance-related attrition” usually happens in companies that claim to have a “super-high talent bar.” How do all these superstar employees suddenly go from great to crap?
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers)
My relative examined you, observed a few of your normal body cells, compared them with what it had learned from other humans most like you, and said that you had not only a cancer, but a talent for cancer.
Octavia E. Butler
Arts without a spiritual relative is like frying buns with water.
Michael Bassey Johnson
A few of the managers we spoke with for this book worried that the tour of duty framework might give employees "permission" to leave. But permission is not yours to give or to withhold, and believing you have that power is simply a self-deception that leads to a dishonest relationship with your employees. Employees don't need your permission to switch companies, and if you try to assert that right, they'll simply make their move behind your back.
Reid Hoffman (The Alliance: Managing Talent in the Networked Age)
Success, happiness and prosperity are blessings that come to those who: • develop the right mindset, • accept that they are full of potential, • believe they are capable of achieving great things, • and do what is necessary to achieve what they want. They are not a privilege of the “super smart” or those with more money; or everyone but you. They are a reward for those: • who use the talents and the ideas that God put in their hearts, • who strive and persist in doing things right, using imagination and common sense consistently, • who develop positive values and emotions. • who block negative emotions such as frustration, anger, stress, anxiety and remorse; • who get away from bad habits; from ideas of failure or defeat, from painful memories, and from negative relatives or friends. • who don’t sit and wait for great opportunities, but take common occasions and make them great.
Mauricio Chaves Mesén (YES! TO SUCCESS)
He knew viewers made snap judgments about likability in the first seven seconds. Plus, besides relating to the audience, newcomers and rehabilitated personalities were more likely to be loyal. From his earliest days with Mike Douglas and Nixon, Ailes excelled when he created his own talent, molding and shaping them in his image. “If I have any ability,” he later remarked, “it’s probably to find talented people and set up a structure that they can work in.
Anonymous
Wishes are seeds of hope. Some take root in the fertile soil of reality while others continue as memories of lost desires. Wishes have inspired great successes, filled fountains and lip-polished a stone in Ireland. Wishes are the visions we create in relation to our talents, needs or simple wants. We have decorated all we wish for with the spirit of mere possibility. Someone has to win the lottery, why not me? Some wishes are greater than possibility. Some defy a greater design. All are dreams of achieving something we cannot do alone, not without the luxury of chance.
David Ellsworth (CHRISTMAS STORIES NEVER TOLD)
All Western liberal democracies recognise the importance of the principle of ‘fairness’, but Australia probably emphasises it more than most. Our belief in the ‘fair go’ has evolved to become part of our national culture, even though it is not entirely clear what this term means. In the mid-nineteenth century, a ‘fair go’ seems to have referred mainly to the importance of opening up opportunities so that everyone could compete. It was consistent with what today we think of as a meritocratic ideal. In the early decades of federation, however, governments increasingly pursued a national agenda intended to blur social divisions and build a strong sense of belonging and sameness, and the ‘fair go’ ideal in this period came to be identified with the political manipulation of distributional outcomes associated with an egalitarian ethic. This national interventionist strategy has, however, been in retreat for 30 years or more (although it remains relatively strong in the area of social policy), and survey evidence demonstrates that most Australians today have a much broader understanding of ‘fairness’ than mere egalitarianism. The ‘fair go’ today still recognises the ideal of equalising outcomes, but it also encompasses the competing ideals of meritocracy (reward for effort and talent) and fair exchange (the liberal principle of the right to private property provided it has been acquired in accordance with the rule of law). The egalitarian definition of fairness, which is taken for granted by the social policy intelligentsia as the only relevant definition, does not therefore do justice to what most Australians mean by a ‘fair go’ in the contemporary period. Indeed, if our social affairs intellectuals and pressure groups ever got their way, and taxes and welfare benefits were both raised even higher than they are at present in order to narrow what they call the ‘income gap’, the result would be the very opposite of what most Australians think a ‘fair go’ entails.
John Hirst (The Australians: Insiders and Outsiders on the National Character since 1770)
I have found many organizations that develop as many as three of the dimensions—they may have good service criteria, good economic criteria, and good human relations criteria, but they are not really committed to identifying, developing, utilizing, and recognizing the talent of people. And if these psychological forces are missing, the style will be a benevolent autocracy and the resulting culture will reflect different forms of collective resistance, adversarialism, excessive turnover, and other deep, chronic, cultural problems.
Stephen R. Covey (The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change)
When people are treated as objects for long enough, they see themselves as someone else’s property. They don’t value self-stewardship because they relate to themselves the same way that significant others have related to them. Many people are told over and over again that nurturing and maintaining their souls is selfish and wrong. After a while, they develop a deep conviction that this is true. And at that point, they place little value on taking care of the feelings, talents, thoughts, attitudes, behavior, body, and resources God entrusted to them.
Henry Cloud (Boundaries: When To Say Yes, How to Say No)
as is always the case with scientific geniuses, Einstein’s theories would exist even if he had not. Special relativity, general relativity, and the photon model of light might not have been developed by the same individual, but someone would have sussed them out. Henri Poincaré, Hendrik Lorentz and others worked out much of relativity before 1905, just as Gottfried Leibniz independently worked out the calculus in parallel with Newton, and Alfred Russel Wallace developed natural selection in isolation from Charles Darwin. Historians of science once subscribed to a ‘Great Man’ theory, but we now know that transformative ideas emerge from the work of many talented individuals, instead of emerging ex nihilo from one brilliant mind.
Anonymous
The heart of software is its ability to solve domain-related problems for its user. All other features, vital though they may be, support this basic purpose. When the domain is complex, this is a difficult task, calling for the concentrated effort of talented and skilled people. Developers have to steep themselves in the domain to build up knowledge of the business. They must hone their modeling skills and master domain design. Yet these are not the priorities on most software projects. Most talented developers do not have much interest in learning about the specific domain in which they are working, much less making a major commitment to expand their domain-modeling skills. Technical people enjoy quantifiable problems that exercise their technical skills. Domain work is messy and demands a lot of complicated new knowledge that doesn’t seem to add to a computer scientist’s capabilities. Instead, the technical talent goes to work on elaborate frameworks, trying to solve domain problems with technology. Learning about and modeling the domain is left to others. Complexity in the heart of software has to be tackled head-on. To do otherwise is to risk irrelevance.
Eric Evans (Domain-Driven Design: Tackling Complexity in the Heart of Software)
Bill Gates, like other legendary figures in the information technology industry (such as Paul Allen, Steve Ballmer, Steve Jobs, Larry Page, Sergey Brin, and Jeff Bezos), had immense talent and ambition. But he ultimately responded to incentives. The schooling system in the United States enabled Gates and others like him to acquire a unique set of skills to complement their talents. The economic institutions in the United States enabled these men to start companies with ease, without facing insurmountable barriers. Those institutions also made the financing of their projects feasible. The U.S. labor markets enabled them to hire qualified personnel, and the relatively competitive market environment enabled them to expand their companies and market their products. These entrepreneurs were confident from the beginning that their dream projects could be implemented: they trusted the institutions and the rule of law that these generated and they did not worry about the security of their property rights. Finally, the political institutions ensured stability and continuity. For one thing, they made sure that there was no risk of a dictator taking power and changing the rules of the game, expropriating their wealth, imprisoning them, or threatening their lives and livelihoods. They also made sure that no particular interest in society could warp the government in an economically disastrous direction, because political power was both limited and distributed sufficiently broadly that a set of economic institutions that created the incentives for prosperity could emerge. This
Daron Acemoğlu (Why Nations Fail: The Origins of Power, Prosperity and Poverty)
To date, some 108 billion people have lived and died on Earth. Yet, we still think our individual lives are so fabulous that we celebrate them daily on social media. Socrates said the unexamined life is not worth living. Not anymore. It’s the un-promoted life that’s not worth living. Know thyself has morphed into flaunt thyself. Once upon a time, fame was tangentially related to talent, hard work, and accomplishment. Now the metric for evaluating a life is who’s got more Facebook friends, Twitter, or Instagram followers. We
Ian Gurvitz (WELCOME TO DUMBFUCKISTAN: The Dumbed-Down, Disinformed, Dysfunctional, Disunited States of America)
How to tell a scary story Even before the birth of horror movies, people already used horror stories to entertain and scare people. The ability to scare people through stories is considered a rare and special talent. Not all storytellers are able to successfully frighten their audience. ●       Voice. Your voice can be an invaluable tool in telling scary stories. The tone of your voice will make it easier for the audience to feel scared. ●       Do your homework. Search for the scariest stories you can find and make a list of them. The more realistic they are, the better. ●       Choose new if possible. The latest stories are great choices since everyone can relate to them. Urban legends can also work, but some of your audience may have already heard the story. ●       Localize it. Change the setting of the story to make it seem like the story took place where you are telling it. You can also tie the story to a local resident. Horror stories about a person’s locality can have a different impact. ●       Don’t overdramatize.  Avoid using words that you do not often use. As a general rule, you have to make it sound like the story makes you uncomfortable inside. ●       Change the setting. You can change the setting of the story to make it similar to the one you’re in. For example, if your town has a local abandoned factory, you can use that as the main setting of your story. Ideally, when your listeners see the factory, they will be reminded of your scary story.
Matt Morris (Do Talk To Strangers: A Creative, Sexy, and Fun Way To Have Emotionally Stimulating Conversations With Anyone)