Taking Credit Quotes

We can't take any credit for our talents. It's how we use them that counts.

I don’t like to celebrate my birthday, because I don’t like taking credit for others’ work—in this case, my mom and dad. Or possibly my mom and the mailman.


The belief that unhappiness is selfless and happiness is selfish is misguided. It's more selfless to act happy. It takes energy, generosity, and discipline to be unfailingly lighthearted, yet everyone takes the happy person for granted. No one is careful of his feelings or tries to keep his spirits high. He seems self-sufficient; he becomes a cushion for others. And because happiness seems unforced, that person usually gets no credit.

Do you know my biggest regret?" She asks. "That you turned into this bright, beautiful, fascinating person... and I can't take credit for any of it.

I really feel that we're not giving children enough credit for distinguishing what's right and what's wrong. I, for one, devoured fairy tales as a little girl. I certainly didn't believe that kissing frogs would lead me to a prince, or that eating a mysterious apple would poison me, or that with the magical "Bibbity-Bobbity-Boo" I would get a beautiful dress and a pumpkin carriage. I also don't believe that looking in a mirror and saying "Candyman, Candyman, Candyman" will make some awful serial killer come after me. I believe that many children recognize Harry Potter for what it is, fantasy literature. I'm sure there will always be some that take it too far, but that's the case with everything. I believe it's much better to engage in dialog with children to explain the difference between fantasy and reality. Then they are better equipped to deal with people who might have taken it too far.

[On Oscar Wilde:] "If, with the literate, I am Impelled to try an epigram, I never seek to take the credit; We all assume that Oscar said it. [Life Magazine, June 2, 1927]

Anyone who takes a hit for Adrian Ivashkov deserves some credit.

My grandfather once told me that there were two kinds of people; those who do the work and those who take the credit. He told me to try to be in the first group; there was much less competition.

I did not come into existence when he harmed me. She found her voice! I had a voice, he stripped it, left me groping around blind for a bit, but I always had it. I just used it like I never had to use it before. I do not owe him my success, becoming, he did not create me. The only credit Brock can take is for assaulting me, and he could never even admit to that.

So, your dad's hot." "Thanks. He was that way when I met him, so I can't really take credit.

I have a gift for persuasion. I once talked a tree out of its leaves.” “Nonsense.” “Well, it was autumn. I can’t take full credit.

Hard work is rewarding. Taking credit for other people's hard work is rewarding and faster.

...for when women are the advisers, the lords of creation don't take the advice till they have persuaded themselves that it is just what they intended to do. Then they act upon it, and, if it succeeds, they give the weaker vessel half the credit of it. If it fails, they generously give her the whole.

Leadership consists of nothing but taking responsibility for everything that goes wrong and giving your subordinates credit for everything that goes well.

i can’t help thinking that ‘getting a life’ is something only a complete idiot could believe. like you can just drive to a store and get a life. see it in its shiny box and look inside the plastic window and catch a glimpse of yourself in a new life and say, ‘wow, i look much happier - i think this is the life i need to get!’ take it to the counter, ring it up, put it on your credit card. if getting a life was that easy, we’d be one blissed-out race. but we’re not. so it’s like, mom, your life isn’t out there waiting, so don’t think all you have to do is find it and get it. no, your life is right here. and, yeah, it sucks. lives usually do. so if you want things to change, you don’t need to get a life. you need to get off your ass.

Business schools don't create successful people. They simply accept them, then take credit for their success.

My grandfather once told me that there were two kinds of people: those who do the work and those who take the credit. He told me to try to be in the first group; there was much less competition.

I feel a strange, fierce squeeze in my heart when I see him, like pride, although there's nothing about Sean that I can take credit for.

Rule #1: You may bring only what fits in your backpack. Don’t try to fake it with a purse or a carry-on. Rule #2: You may not bring guidebooks, phrase books, or any kind of foreign language aid. And no journals. Rule #3: You cannot bring extra money or credit/debit cards, travelers’ checks, etc. I’ll take care of all that. Rule #4: No electronic crutches. This means no laptop, no cell phone, no music, and no camera. You can’t call home or communicate with people in the U.S. by Internet or telephone. Postcards and letters are acceptable and encouraged. That’s all you need to know for now.

I have many regrets, many bad things I must take credit for, but believe me when I say that the negative impact that all of my actions have had on your life is my biggest one.

Nerrissa? You believe her? Well, you at least have to credit her with a certain instability! Remember when she told you that I was going to take over the Fount with and army of Lobsters?" said Ripred. You did try to take over the Fount with an army of Lobsters." said Vikus. Yes, yes, but it was years before she was born. My point is, she flip-flops in and out of time like a fish in shallow waters." answered Ripred.

Men can comfortably claim credit for what they do as long as they don't veer into arrogance. For women, taking credit comes at a real social and professional cost.

Went to get coffee today-opened my change purse. Sea shells fell out. Barista goes "Sorry, we only take cash or credit." So there's that.

Salt is so humble that when something goes wrong, it takes the blame, and when everything goes right, it doesn’t take credit.

In essence, the optimistic style involves taking credit for successes but little blame for failures.

We hear a lot about identity theft when someone takes your wallet and pretends to be you and uses your credit cards. But the more serious identity theft is to get swallowed up in other people's definition of you.

They’re on Lee and Indy Sex Watch.” “Come again?” “They want to know when we’ve done it.” Silence. I went on. “If we don’t do it soon, they might force us to at gunpoint.” “Christ.” “I know. No pressure though. I told them we’re taking is slow.” “You have to report in?” “I kind of feel obliged.” “How’s that?” I didn’t want to tell him I’d recruited them both for Lee Maneuvres in the past, so I said, “Never mind.” “If something doesn’t happen soon, it’s gonna be bad. I can’t keep focussed, all I can think of is what’s on your Victoria’s Secret credit statement. “You need to keep focused,” I told him, “bad guys are after me.” “Tell me about it.

Your place is with me,” Jem said. “It always will be.” “What do you mean?” He flushed, the color dark against his pale skin. “I mean,” he said, “Tessa Gray, will you do me the honor of becoming my wife?” Tessa sat bolt upright. “Jem!” They stared at each other for a moment. At last he said, trying for lightness, though his voice cracked, “That was not a no, I suppose, though neither was it a yes.” “You can’t mean it.” “I do mean it.” “You can’t—I’m not a Shadowhunter. They’ll expel you from the Clave—” He took a step closer to her, his eyes eager. “You may not be precisely a Shadowhunter. But you are not a mundane either, nor provably a Downworlder. Your situation is unique, so I do not know what the Clave will do. But they cannot forbid something that is not forbidden by the Law. They will have to take your—our—individual case into consideration, and that could take months. In the meantime they cannot prevent our engagement.” “You are serious.” Her mouth was dry. “Jem, such a kindness on your part is indeed incredible. It does you credit. But I cannot let you sacrifice yourself in that way for me.” “Sacrifice? Tessa, I love you. I want to marry you.

Shaw...has a woman ever asked you to write a poem for her?" "Good God, no," Gideon replied with a snicker. "Shaws don't write poetry. They pay others to write it for them and then take the credit for it.

There’s a huge difference for taking responsibility for one’s actions, and taking credit, and in this scenario I think we need to give credit where credit is due. I won’t take responsibility for my teacher’s drinking problem, but I will take credit for it.

I trudged back to my bedroom and pushed the door open, intending to wash my face or brush my teeth or make some stab at smoothing my hair, because I thought it might make me feel a little less trampled. Eric was sitting on my bed, his face buried in his hands. He looked up at me as I entered, and he looked shocked. Well, no wonder, what with the very thorough takeover and traumatic changing of the guard. Sitting here on your bed, smelling your scent,” he said in a voice so low I had to strain to hear it. Sookie . . . I remember everything.” Oh, hell,” I said, and went in the bathroom and shut the door. I brushed my hair and my teeth and scrubbed my face, but I had to come out. I was being as cowardly as Quinn if I didn’t face the vampire. Eric started talking the minute I emerged. “I can’t believe I—” Yeah, yeah, I know, loved a mere human, made all those promises, was as sweet as pie and wanted to stay with me forever,” I muttered. Surely there was a shortcut we could take through this scene. I can’t believe I felt something so strongly and was so happy for the first time in hundreds of years,” Eric said with some dignity. “Give me some credit for that, too.

A good leader never takes credit but always takes the blame.

I don’t know why we take our worst moods so much more seriously than our best, crediting depression with more clarity than euphoria. We dismiss peak moments and passionate love affairs as an ephemeral chemical buzz, just endorphins or hormones, but accept those 3 A.M. bouts of despair as unsentimental insights into the truth about our lives.

Understanding that you can’t truly take credit for your successes, nor truly blame others for their failures will humble you and make you more compassionate. Empathy is intuitive, but is also something you can work on, intellectually.

What did she say?” asked Matthias. Nina coughed and took his arm, leading him away. “She said you’re a very nice fellow, and a credit to the Fjerdan race. Ooh, look, blini! I haven’t had proper blini in forever.” “That word she used: babink,” he said. “You’ve called me that before. What does it mean?” Nina directed her attention to a stack of paper-thin buttered pancakes. “It means sweetie pie.” “Nina—” “Barbarian.” “I was just asking, there’s no need to name-call.” “No, babink means barbarian.” Matthias’ gaze snapped back to the old woman, his glower returning to full force. Nina grabbed his arm. It was like trying to hold on to a boulder. “She wasn’t insulting you! I swear!” “Barbarian isn’t an insult?” he asked, voice rising. “No. Well, yes. But not in this context. She wanted to know if you’d like to play Princess and Barbarian.” “It’s a game?” “Not exactly.” “Then what is it?” Nina couldn’t believe she was actually going to attempt to explain this. As they continued up the street, she said, “In Ravka, there’s a popular series of stories about, um, a brave Fjerdan warrior—” “Really?” Matthias asked. “He’s the hero?” “In a manner of speaking. He kidnaps a Ravkan princess—” “That would never happen.” “In the story it does, and”—she cleared her throat—“they spend a long time getting to know each other. In his cave.” “He lives in a cave?” “It’s a very nice cave. Furs. Jeweled cups. Mead.” “Ah,” he said approvingly. “A treasure hoard like Ansgar the Mighty. They become allies, then?” Nina picked up a pair of embroidered gloves from another stand. “Do you like these? Maybe we could get Kaz to wear something with flowers. Liven up his look.” “How does the story end? Do they fight battles?” Nina tossed the gloves back on the pile in defeat. “They get to know each other intimately.” Matthias’ jaw dropped. “In the cave?” “You see, he’s very brooding, very manly,” Nina hurried on. “But he falls in love with the Ravkan princess and that allows her to civilize him—” “To civilize him?” “Yes, but that’s not until the third book.” “There are three?” “Matthias, do you need to sit down?” “This culture is disgusting. The idea that a Ravkan could civilize a Fjerdan—” “Calm down, Matthias.” “Perhaps I’ll write a story about insatiable Ravkans who like to get drunk and take their clothes off and make unseemly advances toward hapless Fjerdans.” “Now that sounds like a party.” Matthias shook his head, but she could see a smile tugging at his lips. She decided to push the advantage. “We could play,” she murmured, quietly enough so that no one around them could hear. “We most certainly could not.” “At one point he bathes her.” Matthias’ steps faltered. “Why would he—” “She’s tied up, so he has to.” “Be silent.” “Already giving orders. That’s very barbarian of you. Or we could mix it up. I’ll be the barbarian and you can be the princess. But you’ll have to do a lot more sighing and trembling and biting your lip.” “How about I bite your lip?” “Now you’re getting the hang of it, Helvar.

It all matters. That someone turns out the lamp, picks up the windblown wrapper, says hello to the invalid, pays at the unattended lot, listens to the repeated tale, folds the abandoned laundry, plays the game fairly, tells the story honestly, acknowledges help, gives credit, says good night, resists temptation, wipes the counter, waits at the yellow, makes the bed, tips the maid, remembers the illness, congratulates the victor, accepts the consequences, takes a stand, steps up, offers a hand, goes first, goes last, chooses the small portion, teaches the child, tends to the dying, comforts the grieving, removes the splinter, wipes the tear, directs the lost, touches the lonely, is the whole thing. What is most beautiful is least acknowledged. What is worth dying for is barely noticed.

I wanted to tell them that, in Kabul, we snapped a tree branch and used it as a credit card. Hassan and I would take the wooden stick to the bread maker. He'd carve notches on our stick with his knife, one notch for each loaf of naan he'd pull for us from the tandoor's roaring flames. At the end of the month, my father paid him for the number of notches on the stick. That was it. No questions. No ID.

Amy's lecture did Laurie good, though, of course, he did not own it till long afterward; men seldom do,—for when women are the advisers, the lords of creation don't take the advice till they have persuaded themselves that it is just what they intended to do; then they act upon it, and, if it succeeds, they give the weaker vessel half the credit of it; if it fails, they generously give her the whole.

Stories are artifacts, not really made things which we create and can take credit for, but pre-existing objects which we dig up.

To the everlasting credit of the people of District 12, not one person claps. Not even the ones holding betting slips, the ones who are usually beyond caring. Possibly because they know me from the Hob, or knew my father, or have encountered Prim, who no one could help loving. So instead of acknowledging applause, I stand there unmoving while they take part in the boldest form of dissent they can manage. Silence. Which says we do not agree. We do not condone. All of this is wrong.

Bob loses saving throw vs. shiny with a penalty of -5. Bob takes 2d8 damage to the credit card.

Mom: 'I really have to stop doing this. I need to get a life.' I think she's directing this at herself, or the universe, not really at me. Still, I can't help thinking that 'getting a life' is something only a complete idiot could believe. Like you can just drive to a store and get a life. See it in its shiny box and look inside the plastic window and catch a glimpse of yourself in a new life and say, 'Wow, I look much happier - I think this is the life I need to get!" Take it to the counter, ring it up, put it on your credit card. If getting a life was that easy, we'd be one blissed-out race. But we're not. So it's like, Mom, your life isn't out there waiting, so don't think all you have to do is find it and get it. No, your life is right here. And yeah, it sucks. Lives usually do. So if you want things to change, you don't need to get a life. You need to get off your ass.

If you don't take good care of your credit, then your credit won't take good care of you.

GLINDA: Well,I'm a public figure now! People expect me to-- ELPHABA: Lie? GLINDA: (fiercely) Be encouraging! And what exactly have you been doing? Besides riding on around on that filthy thing! ELPHABA: Well, we can't all come and go by bubble. Whose invention was that, the Wizard's? Of course, even if it wasn't, I'm sure he'd still take credit for it. GLINDA: Yes, well, a lot of us are taking things that don't belong to us, aren't we? Uh oh! The two stare daggers at each other, then... ELPHABA: Now, wait just a clock-tick. I know it's difficult for that blissful blonde brain of yours to comprehend that someone like him could actually choose someone like me!But it's happened. It's real. And you can wave that ridiculous wand all you want, you can't change it! He never belonged to you -- he doesn't love you, he never did! He loves me!

Your life is a trajectory. Every choice you make alters that trajectory, in a positive or negative way. Will you categorize that dinner with friends as a business expense? Will you be honest with your daughter? Will you take more credit than you’re due? These are just the small questions that we face every day, and little by little, the answers influence the trajectory of our lives and beings.

Not selfishness, but precisely the absence of a self. Look at them. The man who cheats and lies, but preserves a respectable front. He knows himself to be dishonest, but others think he’s honest and he derives his self-respect from that, second-hand. The man who takes credit for an achievement which is not his own. He knows himself to be mediocre, but he’s great in the eyes of others.

But of course we can’t take any credit for our talents. It’s how we use them that counts.

Freuchen tells how one day, after coming home hungry from an unsuccessful walrus-hunting expedition, he found one of the successful hunters dropping off several hundred pounds of meat. He thanked him profusely. The man objected indignantly: "Up in our country we are human!" said the hunter. "And since we are human we help each other. We don't like to hear anybody say thanks for that. What I get today you may get tomorrow. Up here we say that by gifts one makes slaves and by whips one makes dogs. ... The refusal to calculate credits and debits can be found throughout the anthropological literature on egalitarian hunting societies. Rather than seeing himself as human because he could make economic calculations, the hunter insisted that being truly human meant refusing to make such calculations, refusing to measure or remember who had given what to whom, for the precise reason that doing so would inevitably create a world where we began "comparing power with power, measuring, calculating" and reducing each other to slaves or dogs through debt. It's not that he, like untold millions of similar egalitarian spirits throughout history, was unaware that humans have a propensity to calculate. If he wasn't aware of it, he could not have said what he did. Of course we have a propensity to calculate. We have all sorts of propensities. In any real-life situation, we have propensities that drive us in several different contradictory directions simultaneously. No one is more real than any other. The real question is which we take as the foundation of our humanity, and therefore, make the basis of our civilization.

William: What do you think of the fact that your home has been invaded by women? Maddox: I couldn’t be more pleased, as long as none of them does something to hurt Ashlyn. And I take full credit for starting the trend.

Some for the Glories of This World; and some Sigh for the Prophet's Paradise to come; Ah, take the Cash, and let the Credit go, Nor heed the rumble of a distant Drum!

I hate how white people always try to take credit for something after they discover it. Like it wasn't happening before they found out about it--which most times is always late, and they didn't have nothing to do with it happening.

But why must everything have a practical application? I'd been such a diligent soldier for years - working, producing, never missing a deadline, taking care of my loved ones, my gums and my credit record, voting, etc. Is this lifetime supposed to be only about duty? In this dark period of loss, did I need any justification for learning Italian other than that it was the only thing I could imagine bringing me any pleasure right now?

I wasn't a complete bastard. If she liked to think she saw good in me, if she wanted to take credit for it, I'd let her. She deserved that much.

A good leader takes a little more than his share of the blame, a little less than his share of the credit.

I’ll be back with the sandwiches,” she said. “But I had some leftover seven-layer dip.” “Yum.” Percy dug in with a tortilla chip. “She’s kinda famous for this, guys.” Sally ruffled his hair. “There’s guacamole, sour cream, refried beans, salsa—” “Seven layers?” I looked up in wonder. “You knew seven is my sacred number? You invented this for me?” Sally wiped her hands on her apron. “Well, actually, I can’t take credit—” “You are too modest!” I tried some of the dip. It tasted almost as good as ambrosia nachos. “You will have immortal fame for this, Sally Jackson!

Slow and steady wins the race." "That is almost always untrue." "Take it up with Aesop." "Aesop never existed. The stories credited to him were the work of two female slaves." "That sounds about typical. I'll ponder it on the way down.

Just as Amy took the credit for making me my best self, I had to take the blame for bringing the madness to bloom in Amy. There were a million men who would have loved, honored, and obeyed Amy and considered themselves lucky to do so. Confident, self-assured, real men who wouldn't have forced her to pretend to be anything but her own perfect, rigid, demanding, brilliant, creative, fascinating, rapacious, megalomaniac self.

And so really, you have given me no choice but to take you shopping by force.” She sighed, then reached up, dropping her sunglasses down from their perch on her head to cover her eyes. “Do you even realize how happy the average teenage girl would be in your shoes? I have a credit card. We’re at the mall. I want to buy you things. It’s like adolescent nirvana.” - Cora

You can't take credit for your talents, but it matters that you use them. You can't really be blamed for your weaknesses, but it matters that you correct them. So pride and shame don't make a lot of sense, in the final analysis, but they weren't much fun anyway.

It’s okay. Let your ego push you to be the initiator. But tell your ego that the best way to get something shipped is to let other people take the credit. The real win for you (and your ego) is seeing something get shipped, not in getting the credit when it does.

Why am I the expert all of a sudden?” “Of the two of us, you have more stalking experience.” He leaned back. “Really?” “Yes. When you let yourself into my apartment before we were dating, did you fidget while you watched me?” “Will you let it go?” he growled. “No.” “I didn’t fidget. I checked on you to make sure you hadn’t gotten yourself killed. I wanted to know that you weren’t dying slowly of your wounds, because you have no sense and half of the time you couldn’t afford a medmage. I didn’t stand there and watch you. I came in, made sure you were okay, and left. It wasn’t creepy.” “It was a little creepy.” “It worked, didn’t it?” “Worked how?” “You’re still alive.” “Yes, of course, take all the credit.

We get no credit for being sane, do we? I get no credit. Even from me. From myself. I hold it together and hold it together and I make it another day, another year, and there’s no reward. Nothing great about me being normal. About not being crazy.” He frowned. “Then you have one bad day, and you worry for yourself, you know? It only takes one.

If, by the virtue of charity or the circumstance of desperation, you ever chance to spend a little time around a Substance-recovery halfway facility like Enfield MA’s state-funded Ennet House, you will acquire many exotic new facts… That certain persons simply will not like you no matter what you do. That sleeping can be a form of emotional escape and can with sustained effort be abused. That purposeful sleep-deprivation can also be an abusable escape. That you do not have to like a person in order to learn from him/her/it. That loneliness is not a function of solitude. That logical validity is not a guarantee of truth. That it takes effort to pay attention to any one stimulus for more than a few seconds. That boring activities become, perversely, much less boring if you concentrate intently on them. That if enough people in a silent room are drinking coffee it is possible to make out the sound of steam coming off the coffee. That sometimes human beings have to just sit in one place and, like, hurt. That you will become way less concerned with what other people think of you when you realize how seldom they do. That there is such a thing as raw, unalloyed, agendaless kindness. That it is possible to fall asleep during an anxiety attack. That concentrating intently on anything is very hard work. That 99% of compulsive thinkers’ thinking is about themselves; that 99% of this self-directed thinking consists of imagining and then getting ready for things that are going to happen to them; and then, weirdly, that if they stop to think about it, that 100% of the things they spend 99% of their time and energy imagining and trying to prepare for all the contingencies and consequences of are never good. In short that 99% of the head’s thinking activity consists of trying to scare the everliving shit out of itself. That it is possible to make rather tasty poached eggs in a microwave oven. That some people’s moms never taught them to cover up or turn away when they sneeze. That the people to be the most frightened of are the people who are the most frightened. That it takes great personal courage to let yourself appear weak. That no single, individual moment is in and of itself unendurable. That other people can often see things about you that you yourself cannot see, even if those people are stupid. That having a lot of money does not immunize people from suffering or fear. That trying to dance sober is a whole different kettle of fish. That different people have radically different ideas of basic personal hygiene. That, perversely, it is often more fun to want something than to have it. That if you do something nice for somebody in secret, anonymously, without letting the person you did it for know it was you or anybody else know what it was you did or in any way or form trying to get credit for it, it’s almost its own form of intoxicating buzz. That anonymous generosity, too, can be abused. That it is permissible to want. That everybody is identical in their unspoken belief that way deep down they are different from everyone else. That this isn’t necessarily perverse. That there might not be angels, but there are people who might as well be angels.

If you take the long view, the universe is just something small and round, like those water filled balls which produce a miniature snowstorm when you shake them. * Although, unless the ineffable plan is a lot more ineffable than it's given credit for, it does not have a giant plastic snowman at the bottom.

Many people keep deploring the low level of formal education in the United states (as defined by, say, math grades). Yet these fail to realize that the new comes from here and gets imitated elsewhere. And it is not thanks to universities, which obviously claim a lot more credit than their accomplishments warrant. Like Britain in the Industrial Revolution, America's asset is, simply, risk taking and the use of optionality, this remarkable ability to engage in rational forms fo trial and error, with no comparative shame in failing again, starting again, and repeating failure.

She said, “Do you see how I’m wearing this apron? It means I’m working. For a living.” The unconcerned expression didn’t flag. He said, “I’ll take care of it.” She echoed, “Take care of it?” “Yeah. How much do you make in an hour? I’ll take care of it. And I’ll talk to your manager.” For a moment, Blue was actually lost for words. She had never believed people who claimed to be speechless, but she was. She opened her mouth, and at first, all that came out was air. Then something like the beginning of a laugh. Then finally, she managed to sputter, “I am not a prostitute.” The Aglionby boy appeared puzzled for a long moment, and then realization dawned. “Oh, that was not how I meant it. That is not what I said.” “That is what you said! You think you can just pay me to talk to your friend? Clearly you pay most of your female companions by the hour and don’t know how it works with the real world, but . . . but . . .” Blue remembered that she was working to a point, but now what that point was. Indignation had eliminated all higher functions and all that remained was the desire to slap him. The boy opened his mouth to protest, and her thought came back to her all in a rush. “Most girls, when they’re interested in a guy, will sit with them for free.” To his credit, the Aglionby boy didn’t speak right away. Instead, he thought for a moment and then he said, without heat, “You said you were working for living. I thought it’d be rude to not take that into account. I’m sorry you’re insulted. I see where you’re coming from, but I feel it’s a little unair that you’re not doing the same for me.” “I feel you’re being condescending,” Blue said. In the background, she caught a glimpse of Soldier Boy making a plane of his hand. It was crashing and weaving toward the table surface while Smudgy Boy gulped laughter down. The elegant boy held his palm over his face in exaggerated horror, fingers spread just enough that she could see him wince. “Dear God,” remarked Cell Phone boy. “I don’t know what else to say.” “Sorry,” she recommended. “I said that already.” Blue considered. “Then ‘bye.’” He made a little gesture at his chest that she thought was supposed to mean he was curtsying or bowing or something sarcastically gentleman-like.

Did you know sometimes it frightens me-- when you say my name and I can't see you? will you ever learn to materialize before you speak? impetuous boy, if that's what you really are. how many centuries since you've climbed a balcony or do you do this every night with someone else? you tell me that you'll never leave and I am almost afraid to believe it. why is it me you've chosen to follow? did you like the way I look when I am sleeping? was my hair more fun to tangle? are my dreams more entertaining? do you laugh when I'm complaining that I'm all alone? where were you when I searched the sea for a friend to talk to me? in a year where will you be? is it enough for you to steal into my mind filling up my page with music written in my hand you know I'll take the credit for I must have made you come to me somehow. but please try to close the curtains when you leave at night, or I'll have to find someone to stay and warm me. will you always attend my midnight tea parties-- as long as I set it at your place? if one day your sugar sits untouched will you have gone forever? would you miss me in a thousand years-- when you will dry another's tears? but you say you'll never leave me and I wonder if you'll have the decency to pass through my wall to the next room while I dress for dinner but when I'm stuck in conversation with stuffed shirts whose adoration hurts my ears, where are you then? can't you cut in when I dance with other men? it's too late not to interfere with my life you've already made me a most unsuitable wife for any man who wants to be the first his bride has slept with and you can't just fly into people's bedrooms then expect them to calmly wave goodbye you've changed the course of history and didn't even try where are you now-- standing behind me, taking my hand? come and remind me who you are have you traveled far are you made of stardust too are the angels after you tell me what I am to do but until then I'll save your side of the bed just come and sing me to sleep

And sometimes, just sometimes, out of every hundred; you are shinning on the inside. Sometimes sometimes, on the same day, universe decides to reflect you on the outside, it decides to shine too ,So you put a smile on your face, take a walk and watch it sharing your happiness, sharing your light ,breath it all in, take your boost and let the world lift you up till you actually believe that it has your back ,take the gift and take your credit, even if it's not your wings, cause this universe only reflects back, it gifts back, it's fair but it isn't an initiator. And maybe, just maybe if you believe in it, it will believe in you too, maybe then when it's raining on you, when it's too dark, when rock bottom gives you a concussion, you will look up with faith, and out of all the things showering on your head, you will find your favorite one, you will be gifted with stars, ones that can reflect on your inside, ones that can light you up back

I’m going to order us a drink. A bourbon sounds excellent on this crisp fall afternoon.” Ian signaled for the waiter. “Against my better judgment, I’ll order you a glass of wine. According to your credit card statement, you had a staggering amount of chardonnay delivered to your apartment last month. I think you might want to take one of those ‘Could I Be an Alcoholic’ quizzes the next time you come across one, just to see what it says.

Every day, the New York Times carries a motto in a box on its front page. "All the News That's Fit to Print," it says. It's been saying it for decades, day in and day out. I imagine most readers of the canonical sheet have long ceased to notice this bannered and flaunted symbol of its mental furniture. I myself check every day to make sure that the bright, smug, pompous, idiotic claim is still there. Then I check to make sure that it still irritates me. If I can still exclaim, under my breath, why do they insult me and what do they take me for and what the hell is it supposed to mean unless it's as obviously complacent and conceited and censorious as it seems to be, then at least I know I still have a pulse. You may wish to choose a more rigorous mental workout but I credit this daily infusion of annoyance with extending my lifespan.

It takes a thousand men to invent a telegraph, or a steam engine, or a phonograph, or a photograph, or a telephone or any other important thing—and the last man gets the credit and we forget the others. He added his little mite — that is all he did. These object lessons should teach us that ninety-nine parts of all things that proceed from the intellect are plagiarisms, pure and simple; and the lesson ought to make us modest. But nothing can do that.

It all matters. That someone turns out the lamp, picks up the windblown wrapper, says hello to the invalid, pays at the unattended lot, listens to the repeated tale, folds the abandoned laundry, plays the game fairly, tells the story honestly, acknowledges help, gives credit, says good night, resists temptation, wipes the counter, waits at the yellow, makes the bed, tips the maid, remembers the illness, congratulates the victor, accepts the consequences, takes a stand, steps up, offers a hand, goes first, goes last, chooses the small portion, teaches the child, tends to the dying, comforts the grieving, removes the splinter, wipes the tear, directs the lost, touches the lonely, is the whole thing. What is most beautiful, is least acknowledged. What is worth dying for is barely noticed.

Aelin's hand wavered slightly over his wound. "What's your shield made of, then?" Fenrys tried and failed to shrug. But Gavriel muttered from where he worked on the still-whimpering pirate, "Arrogance." Aelin snorted, but didn't dare take her eyes off Fenrys's injury as she said, "So you do have sense of humor, Gavriel." The Lion of Doranelle gave a wary smile over his shoulder. The rare-sighted, restrained twin to Aedion's own flashing grins. Aelin had called him Uncle Kitty-Cat all of one time before Aedion had snarled viciously enough to make her think carefully before using the term again. Gavriel, to his credit, had merely given Aelin a long-suffereing sigh that seemed to be used only when she or Fenrys were around. "That sense of humor only appears about once every century," Fenrys rasped, "so you'd better hope you Settle, or else that's the last time you'll see it.

She kept the wish to herself, as she should have, and simply blew out the candle.I clapped and whistled and then dove into my own cupcake, dying to know how my creations tasted. And seeing as I’d done the hard work—frosting and decorating—I felt like I could take credit and call them my creations. All Cassie had done was get the ingredients, come up with the recipe, and do all the measuring and mixing.

What about me?’ said Grantaire. ‘I’m here.’ ‘You?’ ‘Yes, me.’ ‘You? Rally Republicans! You? In defence of principles, fire up hearts that have grown cold!’ ‘Why not?’ ‘Are you capable of being good for something?’ ‘I have the vague ambition to be,’ said Grantaire. ‘You don’t believe in anything.’ ‘I believe in you.’ ‘Grantaire, will you do me a favour?’ ‘Anything. Polish your boots.’ ‘Well, don’t meddle in our affairs. Go and sleep off the effects of your absinthe.’ ‘You’re heartless, Enjolras.’ ‘As if you’d be the man to send to the Maine gate! As if you were capable of it!’ ‘I’m capable of going down Rue des Grès, crossing Place St-Michel, heading off along Rue Monsieur-le-Prince, taking Rue de Vaugirard, passing the Carmelite convent, turning into Rue d’Assas, proceeding to Rue du Cherche-Midi, leaving the Military Court behind me, wending my way along Rue des Vieilles-Tuileries, striding across the boulevard, following Chaussée du Maine, walking through the toll-gate and going into Richefeu’s. I’m capable of that. My shoes are capable of that.’ ‘Do you know them at all, those comrades who meet at Richefeu’s?' ‘Not very well. But we’re on friendly terms.’ ‘What will you say to them?’ ‘I’ll talk to them about Robespierre, of course! And about Danton. About principles.’ ‘You?’ ‘Yes, me. But I’m not being given the credit I deserve. When I put my mind to it, I’m terrific. I’ve read Prudhomme, I’m familiar with the Social Contract, I know by heart my constitution of the year II. “The liberty of the citizen ends where the liberty of another citizen begins.” Do you take me for a brute beast? I have in my drawer an old promissory note from the time of the Revolution. The rights of man, the sovereignty of the people, for God’s sake! I’m even a bit of an Hébertist. I can keep coming out with some wonderful things, watch in hand, for a whole six hours by the clock.’ ‘Be serious,’ said Enjolras. ‘I mean it,’ replied Grantaire. Enjolras thought for a few moments, and with the gesture of a man who had come to a decision, ‘Grantaire,’ he said gravely, ‘I agree to try you out. You’ll go to the Maine toll-gate.’ Grantaire lived in furnished lodgings very close to Café Musain. He went out, and came back five minutes later. He had gone home to put on a Robespierre-style waistcoat. ‘Red,’ he said as he came in, gazing intently at Enjolras. Then, with an energetic pat of his hand, he pressed the two scarlet lapels of the waistcoat to his chest. And stepping close to Enjolras he said in his ear, ‘Don’t worry.’ He resolutely jammed on his hat, and off he went.

If you happen to be white in a white country; pretty according to the dictates of fashion; rich in a country where money is adored, it’s almost impossible to grow up and to grow up honest inside. It is almost impossible. Most people don’t grow up. Most people age. They find parking spaces, honor their credit cards, get married, have children, and call that maturity. What that is, is aging. But to grow up, to take responsibility for the time you take up, and the space you occupy, to honor every living person for his or her humanity, that is to grow up.

Men credited with all kinds of ability, talent, brains and know how, including the ability to see into the future, frequently have nothing more than the courage to keep everlastingly at what they set out to do. They have that one great quality that is worth more than all the rest put together. They simply will not give up! When a man makes up his mind to do something then it's only a matter of time. Staying with time take bulldog persistence. This seems to be the entrance examination to success - lasting success -- of any kind!

Did you know you have the chance to be the first black queen in Campbell history?” I swallow. I did know that. Of course I know that. But I don’t like it being held against me. I don’t like the implication in her tone. You could make history if you just follow our rules. You could be a real credit to your people if you just straighten up and fly right. You could actually be worth something if you would shut up and take what we give you.

Getting a life’ is something only a complete idiot could believe. Like you can just drive to a store and get a life. See it in its shiny box and look inside the plastic window and catch a glimpse of yourself in a new life and say, ‘Wow, I look much happier — I think this is the life I need to get!’, take it to the counter, ring it up, put it on your credit card. If getting a life was that easy, we’d be one blissed-out race.

Whatever their conscious motives, these men cannot know why they are as they are. As sickening as I find their behavior, I have to admit that if I were to trade places with one of these men, atom for atom, I would be him: There is no extra part of me that could decide to see the world differently or to resist the impulse to victimize other people. Even if you believe that every human being harbors an immortal soul, the problem of responsibility remains: I cannot take credit for the fact that I do not have the soul of psychopath. If I had truly been in Komisarjevsky's shoes on July 23,2007 - that is, if I had his genes and life experience and identical brain (or soul) in an identical state - I would have acted exactly as he did. There is simply no intellectually respectable position from which to deny this.

I was having dinner…in London…when eventually he got, as the Europeans always do, to the part about “Your country’s never been invaded.” And so I said, “Let me tell you who those bad guys are. They’re us. WE BE BAD. We’re the baddest-assed sons of bitches that ever jogged in Reeboks. We’re three-quarters grizzly bear and two-thirds car wreck and descended from a stock market crash on our mother’s side. You take your Germany, France, and Spain, roll them all together and it wouldn’t give us room to park our cars. We’re the big boys, Jack, the original, giant, economy-sized, new and improved butt kickers of all time. When we snort coke in Houston, people lose their hats in Cap d’Antibes. And we’ve got an American Express card credit limit higher than your piss-ant metric numbers go. You say our country’s never been invaded? You’re right, little buddy. Because I’d like to see the needle-dicked foreigners who’d have the guts to try. We drink napalm to get our hearts started in the morning. A rape and a mugging is our way of saying 'Cheerio.' Hell can’t hold our sock-hops. We walk taller, talk louder, spit further, fuck longer and buy more things than you know the names of. I’d rather be a junkie in a New York City jail than king, queen, and jack of all Europeans. We eat little countries like this for breakfast and shit them out before lunch.

Pay up." Eve rolled over, rubbed her bare butt, and wondered if she'd have rug burns. Still vibrating from the last orgasm, she closed her eyes again. "Huh?" "Fifty credits." He leaned over, gently kissed the tip of her breast. "You lost, Lieutenant." "I'm naked," she pointed out. "I don't generally keep credits up my -- " "I'm happy to take your IOU." He rose, all graceful, gleaming muscles, and took a memo card from his console. "Here you are." Handed it to her. She stared down at it, knowing dignity was as lost as the fifty credits. "You're really enjoying this." "Oh, more than you can possibly imagine." Scowling at him, she engaged the memo. "I owe you, Roarke, fifty credits, Dallas, Lieutenant Eve." She shoved the memo at him. "Satisfied." "In every possible way." He thought, sentimentally, that he would tuck the memo away with the little gray suit button he'd kept from their very first meeting. "I love you, Dallas, Lieutenant Eve, in every possible way.

Tentacles is my term — the Tentacles are the evil tasks that invade my life. Like, for example, my American History class last week, which necessitated me writing a paper on the weapons of the Revolutionary war, which necessitated me traveling to the Metropolitan Museum to check out some of the old guns, which necessitated me getting the subway, which necessitated me being away from my cell phone and email for 45 minutes, which meant that I didn’t get to respond to a mass mail sent out by my teacher asking who needed extra credit, which meant other kids snapped up the extra credit, which meant I wasn’t going to get a 98 in the class, which meant I wasn’t anywhere close to a 98.6 average (body temperature, that’s what you needed to get), which meant I wasn’t going to get into a Good College, which meant I wasn’t going to have a Good Job, which meant I wasn’t going to have health insurance, which meant I’d have to pay tremendous amounts of money for the shrinks and drugs my brain needed, which meant I wasn’t going to have enough money to pay for a Good Lifestyle, which meant I’d feel ashamed, which meant I’d get depressed, and that was the big one because I knew what that did to me: it made it so I wouldn’t get out of bed, which led to the ultimate thing — homelessness. If you can’t get out of bed for long enough, people come and take your bed away.

To the everlasting credit of the people of District 12, not one person claps. Not even the ones holding betting slips, the ones who are usually beyond caring. Possibly because they know me from the Hob, or knew my father, or have encountered Prim, who no one can help loving. So instead of acknowledging applause, I stand there unmoving while they take part in the boldest from of dissent they can manage. Silence. Which says we do not agree. We do not condone. All of this is wrong. Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.

Hey, Zee,” I said. “I take it that you can fix it, but it’ll be miserable, and you’d rather haul it to the dump and start from scratch.” “Piece of junk,” groused Zee. “What’s not rusted to pieces is bent. If you took all the good parts and put them in a pile, you could carry them out in your pocket.” There was a little pause. “Even if you only had a small pocket.” I patted the car. “Don’t you listen to him,” I whispered to it. “You’ll be out of here and back on the road in no time.” Zee propelled himself all the way under the car so his head stuck out by my feet. “Don’t you promise something you can’t deliver,” he snarled. I raised my eyebrows, and said in dulcet tones, “Are you telling me you can’t fix it? I’m sorry. I distinctly remember you saying that there is nothing you can’t fix. I must have been mistaken, and it was someone else wearing your mouth.” He gave a growl that would have done Sam credit, and pushed himself back under again, muttering,“Deine Mutter war ein Cola-Automat!” “Her mama might have been a pop machine,” I said, responding to one of the remarks I understood even at full Zee-speed. “Your mama . . .” sounds the same in a number of languages. “But she was a beauty in her day.” I grinned at Gabriel. “We women have to stick together.

This has been a novel about some people who were punished entirely too much for what they did. They wanted to have a good time, but they were like children playing in the street; they could see one after another of them being killed--run over, maimed, destroyed--but they continued to play anyhow. We really all were very happy for a while, sitting around not toiling but just bullshitting and playing, but it was for such a terrible brief time, and then the punishment was beyond belief: even when we could see it, we could not believe it. For example, while I was writing this I learned that the person on whom the character Jerry Fabin is based killed himself. My friend on whom I based the character Ernie Luckman died before I began the novel. For a while I myself was one of these children playing in the street; I was, like the rest of them, trying to play instead of being grown up, and I was punished. I am on the list below, which is a list of those to whom this novel is dedicated, and what became of each. Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgment. When a bunch of people begin to do it, it is a social error,a life-style. In this particular life-style the motto is "Be happy now because tomorrow you are dying," but the dying begins almost at once, and the happiness is a memory. It is, then, only a speeding up, an intensifying, of the ordinary human existence. It is not different from your life-style, it is only faster. It all takes place in days or weeks or months instead of years. "Take the cash and let the credit go," as Villon said in 1460. But that is a mistake if the cash is a penny and the credit a whole lifetime. There is no moral in this novel; it is not bourgeois; it does not say they were wrong to play when they should have toiled;it just tells what the consequences were. In Greek drama they were beginning, as a society, to discover science, which means causal law. Here in this novel there is Nemesis: not fate, because any one of us could have chosen to stop playing in the street, but, as I narrate from the deepest part of my life and heart, a dreadful Nemesis for those who kept on playing. I myself,I am not a character in this novel; I am the novel. So, though, was our entire nation at this time. This novel is about more people than I knew personally. Some we all read about in the newspapers. It was, this sitting around with our buddies and bullshitting while making tape recordings, the bad decision of the decade, the sixties, both in and out of the establishment. And nature cracked down on us. We were forced to stop by things dreadful. If there was any "sin," it was that these people wanted to keep on having a good time forever, and were punished for that, but, as I say, I feel that, if so, the punishment was far too great, and I prefer to think of it only in a Greek or morally neutral way, as mere science, as deterministic impartial cause-and-effect. I loved them all. Here is the list, to whom I dedicate my love: To Gaylene deceased To Ray deceased To Francy permanent psychosis To Kathy permanent brain damage To Jim deceased To Val massive permanent brain damage To Nancy permanent psychosis To Joanne permanent brain damage To Maren deceased To Nick deceased To Terry deceased To Dennis deceased To Phil permanent pancreatic damage To Sue permanent vascular damage To Jerri permanent psychosis and vascular damage . . . and so forth. In Memoriam. These were comrades whom I had; there are no better. They remain in my mind, and the enemy will never be forgiven. The "enemy" was their mistake in playing. Let them all play again, in some other way, and let them be happy.

Its hurtful and wonderful how our jokes survive us. Since I left home on this journey, I've thought a lot about this-how a big part of any life is about the hows and whys of setting up machinery. it's building systems, devices, motors. Winding up the clockwork of direct debits, configuring newspaper deliveries and anniversaries and photographs and credit card repayments and anecdotes. Starting their engines, setting them in motion and sending them chugging off into the future to do their thing at a regular or irregular intervals. When a person leaves or dies or ends, they leave an afterimage; their outline in the devices they've set up around them. The image fades to the winding down of springs, the slow running out of fuel as the machines of a life lived in certain ways in certain places and from certain angles are shut down or seize up or blink off one by one. It takes time. Sometimes, you come across the dusty lights or electrical hum of someone else's machine, maybe a long time after you ever expected to, still running, lonely in the dark. Still doing its thing for the person who started it up long, long after they've gone. A man lives so many different lengths of time.

We set limits for ourselves all the time. This imaginary line that you're positive you won't ever cross. An action that you are positive you would never do, no matter what. But what we don't consider when we draw our line is a change in our situation. An action that you were sure last week you wouldn't do suddenly becomes a viable option this week because the situation has drive you to it. Then you move your limit line and talk yourself into believing this new line will never be crossed. A man will take a stand and proclaim "I would never lie to my wife." But what if he maxes out their credit card because of his internet porn addiction? The line gets moved. I'm sure if you ask any mother or father they would not hesitate in harming or even killing someone who was about to do the same to their child. The line gets moved. A girl who is so consumed by the pain and empty ache of loneliness will be drive to do anything, no matter how degrading she thinks it is, because she wants to numb the chronic pain. The line gets moved. The line keeps moving and moving until one day you realize you're limitless. If you are being completely honest with yourself, there is absolutely nothing you wouldn't do if the situation required you to cross another line.

For Marius to arrive at this flourishing condition had required years. Hard years, and difficult ones; those to get through, these to climb. Marius had never given up for a single day. He had undergone everything, in the shape of privation; he had done everything, except get into debt. He gave himself this credit, that he had never owed a sou to anybody. For him a debt was the beginning of slavery. He felt even that a creditor is worse than a master; for a master owns only your person, a creditor owns your dignity and can belabour that. Rather than borrow, he did not eat. He had had many days of fasting. Feeling that all extremes meet, and that if we do not take care, abasement of fortune may lead to baseness of soul, he watched jealously over his pride. Such a habit or such a carriage as, in any other condition, would have appeared deferential, seemed humiliating and he braced himself against it. He risked nothing, not wishing to take a backward step. He had a kind of stern blush upon his face. He was timid even to rudeness. In all his trials he felt encouraged and sometimes even upborne by a secret force within. The soul helps the body, and at certain moments uplifts it. It is the only bird which sustains its cage.

Go on, my dear," urges the snake. "Take one. Hear it? 'Pluck me,' it's saying. That big, shiny red one. 'Pluck me, pluck me now and pluck me hard.' You know you want to." "But God," quotes Eve, putting out feelers for an agent provacateur, clever girl, "expressly forbids us to eat the fruit from the Tree of Knowledge." "Ah yessssss, God ... But God gave us life, did He not? And God gave us desire, did He not? And God gave us taste, did He not? And who else but God made the damned apples in the first place? So what else is life for but to tassste the fruit we desire?" Eve folds her arms schoolgirlishly. "God expressly forbade it. Adam said." The snake grins through his fangs, admiring Eve's playacting. "God is a nice enough chap in His way. I daresay He means well. But between you and The Tree of Knowledge, He is terribly insecure." "Insecure? He made the entire bloody universe! He's omnipotent." "Exactly! Almost neurotic, isn't it? All this worshiping, morning, noon, and night. It's 'Oh Praise Him, Oh Praise Him, Oh Praise the Everlassssting Lord.' I don't call that omnipotent. I call it pathetic. Most independent authorities agree that God has never sufficiently credited the work of virtual particles in the creation of the universssse. He raises you and Adam on this diet of myths while all the really interesting information is locked up in these juicy apples. Seven days? Give me a break.

Dear Jack: I have no idea who he was. But he saved me. From you. I watched from the doorway as he smacked, punched, and threw you against the wall. You fought back hard- I'll give you that- but you were no match for him. And when it was over- when you'd finally passed out- the boy made direct eye contact with me. He removed the rag from my mouth and asked me if I was okay. 'Yes. I mean, I think so,' I told him. But it was her that he was really interested in: the girl who was lying unconscious on the floor. Her eyes were swollen, and there looked to be a trail of blood running from her nose. The boy wiped her face with a rag. And then he kissed her, and held her, and ran his hand over her cheek, finally grabbing his cell to dial 911. He was wearing gloves, which I thought was weird. Maybe he was concerned about his fingerprints, from breaking in. But once he hung up, he removed the gloves, took the girl's hand, and placed it on the front of his leg- as if it were some magical hot spot that would make her better somehow. Tears welled up in his eyes as he apologized for not getting there sooner. 'I'm so sorry,' he just kept saying. And suddenly I felt sorry too. Apparently it was the anniversary of something tragic that'd happened. I couldn't really hear him clearly, but I was pretty sure he'd mentioned visiting an old girlfriend's grave. 'You deserve someone better,' he told her. 'Someone who'll be open and honest; who won't be afraid to share everything with you.' He draped his sweatshirt over her, kissed her behind the ear, and then promised to love her forever. A couple minutes later, another boy came in, all out of breath. 'Is she alright?' he asked. The boy who saved me stood up, wiped his tearful eyes, and told the other guy to sit with her until she woke up. And then he went to find scissors for me. He cut me free and brought me out to the sofa. 'My name's Ben,' he said. 'And help is on the way.' When the girl finally did wake up, Ben allowed the other guy to take credit for saving her life. I wanted to ask him why, but I haven't been able to speak. That's what this letter is for. My therapist says that I need to tell my side of things in order to regain my voice. She suggested that addressing my thoughts directly to you might help provide some closure. So far, it hasn't done the trick. Never your Jill, Rachael

But the Greeks and the Romans both believed in the idea of an external daemon of creativity—a sort of house elf, if you will, who lived within the walls of your home and who sometimes aided you in your labors. The Romans had a specific term for that helpful house elf. They called it your genius—your guardian deity, the conduit of your inspiration. Which is to say, the Romans didn’t believe that an exceptionally gifted person was a genius; they believed that an exceptionally gifted person had a genius. It’s a subtle but important distinction (being vs. having) and, I think, it’s a wise psychological construct. The idea of an external genius helps to keep the artist’s ego in check, distancing him somewhat from the burden of taking either full credit or full blame for the outcome of his work. If your work is successful, in other words, you are obliged to thank your external genius for the help, thus holding you back from total narcissism. And if your work fails, it’s not entirely your fault. You can say, “Hey, don’t look at me—my genius didn’t show up today!” Either way, the vulnerable human ego is protected. Protected from the corrupting influence of praise. Protected from the corrosive effects of shame.

Bold prayers honor God, and God honors bold prayers. God isn’t offended by your biggest dreams or boldest prayers. He is offended by anything less. If your prayers aren’t impossible to you, they are insulting to God. Prayers are prophecies. They are the best predictors of your spiritual future. Who you become is determined by how you pray. Ultimately, the transcript of your prayers becomes the script of your life. The greatest tragedy in life is the prayers that go unanswered because they go unasked. God does not answer vague prayers. The more specific your prayers are, the more glory God receives. Most of us don’t get what we want because we quit praying. We give up too easily. We give up too soon. We quit praying right before the miracle happens. If you don’t take the risk, you forfeit the miracle. Take a step of faith when God gives you a vision because you trust that the One who gave you the vision is going to make provision. And for the record, if the vision is from God, it will most definitely be beyond your means. We shouldn’t seek answers as much as we should seek God. If you seek answers you won’t find them, but if you seek God, the answers will find you. If your plans aren’t birthed in prayer and bathed in prayer, they won’t succeed. Are your problems bigger than God, or is God bigger than your problems? Our biggest problem is our small view of God. That is the cause of all lesser evils. And it’s a high view of God that is the solution to all other problems. Because you know He can, you can pray with holy confidence. Persistence is the magic bullet. The only way you can fail is if you stop praying. 100 percent of the prayers I don’t pray won’t get answered. Where are you most proficient, most sufficient? Maybe that is precisely where God wants you to trust Him to do something beyond your ability. What we perceive as unanswered prayers are often the greatest answers. Our heavenly Father is far too wise and loves us far too much to give us everything we ask for. Someday we’ll thank God for the prayers He didn’t answer as much or more than the ones He did. You can’t pray for open doors if you aren’t willing accept closed doors, because one leads to the other. Just as our greatest successes often come on the heels of our greatest failures, our greatest answers often come on the heels of our longest and most boring prayers. The biggest difference between success and failure, both spiritually and occupationally, is your waking-up time on your alarm clock. We won’t remember the things that came easy; we’ll remember the things that came hard. It’s not just where you end up that’s important; it’s how you get there. Goal setting begins and ends with prayer. The more you have to circle something in prayer, the more satisfying it is spiritually. And, often, the more glory God gets. I don’t want easy answers or quick answers because I have a tendency to mishandle the blessings that come too easily or too quickly. I take the credit or take them for granted. So now I pray that it will take long enough and be hard enough for God to receive all of the glory. Change your prayer approach from as soon as possible to as long as it takes. Go home. Lock yourself in your room. Kneel down in the middle of the floor, and with a piece of chalk draw a circle around yourself. There, on your knees, pray fervently and brokenly that God would start a revival within that chalk circle.

Yes! And isn't that the root of every despicable action? Not selfishness, but precisely the absence of a self. Look at them. The man who cheats and lies, but preserves a respectable front. He knows himself to be dishonest, but others think he's honest and he derives his self-respect from that, second-hand. The man who takes credit for an achievement which is not his own. He knows himself to be mediocre, but he's great in the eyes of others. The frustrated wretch who professes love for the inferior and clings to those less endowed, in order to establish his own superiority by comparison. The man whose sole aim is to make money. Now I don't see anything evil in a desire to make money. But money is only a means to some end. If a man wants it for a personal purpose--to invest in his industry, to create, to study, to travel, to enjoy luxury--he's completely moral. But the men who place money first go much beyond that. Personal luxury is a limited endeavor. What they want is ostentation: to show, to stun, to entertain, to impress others. They're second-handers. Look at our so-called cultural endeavors. A lecturer who spouts some borrowed rehash of nothing at all that means nothing at all to him--and the people who listen and don't give a damn, but sit there in order to tell their friends that they have attended a lecture by a famous name. All second-handers.

Every good-to-great company had Level 5 leadership during the pivotal transition years. • “Level 5” refers to a five-level hierarchy of executive capabilities, with Level 5 at the top. Level 5 leaders embody a paradoxical mix of personal humility and professional will. They are ambitious, to be sure, but ambitious first and foremost for the company, not themselves. • Level 5 leaders set up their successors for even greater success in the next generation, whereas egocentric Level 4 leaders often set up their successors for failure. • Level 5 leaders display a compelling modesty, are self-effacing and understated. In contrast, two thirds of the comparison companies had leaders with gargantuan personal egos that contributed to the demise or continued mediocrity of the company. • Level 5 leaders are fanatically driven, infected with an incurable need to produce sustained results. They are resolved to do whatever it takes to make the company great, no matter how big or hard the decisions. • Level 5 leaders display a workmanlike diligence—more plow horse than show horse. • Level 5 leaders look out the window to attribute success to factors other than themselves. When things go poorly, however, they look in the mirror and blame themselves, taking full responsibility. The comparison CEOs often did just the opposite—they looked in the mirror to take credit for success, but out the window to assign blame for disappointing results.

The three of us exchanged glances but said nothing. After all, what was there to say? The truth was that hookers did take credit cards—or at least ours did! In fact, hookers were so much a part of the Stratton subculture that we classified them like publicly traded stocks: Blue Chips were considered the top-of-the-line hooker, zee crème de la crème. They were usually struggling young models or exceptionally beautiful college girls in desperate need of tuition or designer clothing, and for a few thousand dollars they would do almost anything imaginable, either to you or to each other. Next came the NASDAQs, who were one step down from the Blue Chips. They were priced between three and five hundred dollars and made you wear a condom unless you gave them a hefty tip, which I always did. Then came the Pink Sheet hookers, who were the lowest form of all, usually a streetwalker or the sort of low-class hooker who showed up in response to a desperate late-night phone call to a number in Screw magazine or the yellow pages. They usually cost a hundred dollars or less, and if you didn’t wear a condom, you’d get a penicillin shot the next day and then pray that your dick didn’t fall off. Anyway, the Blue Chips took credit cards, so what was wrong with writing them off on your taxes? After all, the IRS knew about this sort of stuff, didn’t they? In fact, back in the good old days, when getting blasted over lunch was considered normal corporate behavior, the IRS referred to these types of expenses as three-martini lunches! They even had an accounting term for it: It was called T and E, which stood for Travel and Entertainment. All I’d done was taken the small liberty of moving things to their logical conclusion, changing T and E to T and A: Tits and Ass!

The nice people do not come to God, because they think they are good through their own merits or bad through inherited instincts. If they do good, they believe they are to receive the credit for it; if they do evil, they deny that it is their own fault. They are good through their own goodheartedness, they say; but they are bad because they are misfortunate, either in their economic life or through an inheritance of evil genes from their grandparents. The nice people rarely come to God; they take their moral tone from the society in which they live. Like the Pharisee in front of the temple, they believe themselves to be very respectable citizens. Elegance is their test of virtue; to them, the moral is the aesthetic, the evil is the ugly. Every move they make is dictated, not by a love of goodness, but by the influence of their age. Their intellects are cultivated—in knowledge of current events; they read only the bestsellers, but their hearts are undisciplined. They say that they would go to church if the Church were only better—but they never tell you how much better the Church must be before they will join it. They sometimes condemn the gross sins of society, such as murder; they are not tempted to these because they fear the opprobrium which comes to them who commit them. By avoiding the sins which society condemns, they escape reproach, they consider themselves good par excellence.

We shouldn't let our envy of distinguished masters of the arts distract us from the wonder of how each of us gets new ideas. Perhaps we hold on to our superstitions about creativity in order to make our own deficiencies seem more excusable. For when we tell ourselves that masterful abilities are simply unexplainable, we're also comforting ourselves by saying that those superheroes come endowed with all the qualities we don't possess. Our failures are therefore no fault of our own, nor are those heroes' virtues to their credit, either. If it isn't learned, it isn't earned. When we actually meet the heroes whom our culture views as great, we don't find any singular propensities––only combinations of ingredients quite common in themselves. Most of these heroes are intensely motivated, but so are many other people. They're usually very proficient in some field--but in itself we simply call this craftmanship or expertise. They often have enough self-confidence to stand up to the scorn of peers--but in itself, we might just call that stubbornness. They surely think of things in some novel ways, but so does everyone from time to time. And as for what we call "intelligence", my view is that each person who can speak coherently already has the better part of what our heroes have. Then what makes genius appear to stand apart, if we each have most of what it takes? I suspect that genius needs one thing more: in order to accumulate outstanding qualities, one needs unusually effective ways to learn. It's not enough to learn a lot; one also has to manage what one learns. Those masters have, beneath the surface of their mastery, some special knacks of "higher-order" expertise, which help them organize and apply the things they learn. It is those hidden tricks of mental management that produce the systems that create those works of genius. Why do certain people learn so many more and better skills? These all-important differences could begin with early accidents. One child works out clever ways to arrange some blocks in rows and stacks; a second child plays at rearranging how it thinks. Everyone can praise the first child's castles and towers, but no one can see what the second child has done, and one may even get the false impression of a lack of industry. But if the second child persists in seeking better ways to learn, this can lead to silent growth in which some better ways to learn may lead to better ways to learn to learn. Then, later, we'll observe an awesome, qualitative change, with no apparent cause--and give to it some empty name like talent, aptitude, or gift.

Something creaked beneath me! A soft step on rotting wood! I jumped startled, scared, and turned, expecting to see-God knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than usual? Was it the moonlight, shining through my airy clothes? All random doubts were cleared when he said in a voice gritty and low, "You look beautiful sitting there like that." He cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through your clothes." Then, bewilderingly, he seized me by the shoulders, digging in his fingers, hard! They hurt. "Damn you, Cathy! You kissed that man! He could have awakened and seen you, and demanded to know who you were! And not thought you only a part of his dream!" Scary the way he acted, the fright I felt for no reason at all. "How do you know what I did? You weren't there; you were sick that night." He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!" "He saw me?" I cried, disbelieving. It wasn't possible . . . wasn't! "Yes!" he yelled. This was Chris, who was usually in such control of his emotions. "He thought you a part of his dream! But don't you know Momma can guess who it was, just by putting two and two together-just as I have? Damn you and your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's counting, and we don't have enough-not yet!" He yanked me down from the widow sill! He appeared wild and furious enough to slap my face-and not once in all our lives had he ever struck me, though I'd given him reason to when I was younger. But he shook me until my eyes rolled, until I was dizzy and crying out: "Stop! Momma knows we can't pass through a looked door!" This wasn't Chris . . . this was someone I'd never seen before . . . primitive, savage. He yelled out something like, "You're mine, Cathy! Mine! You'll always be mine! No matter who comes into your future, you'll always belong to me! I'll make you mine . . . tonight . . . now!" I didn't believe it, not Chris! And I did not fully understand what he had in mind, nor, if I am to give him credit, do I think he really meant what he said, but passion has a way of taking over. We fell to the floor, both of us. I tried to fight him off. We wrestled, turning over and over, writhing, silent, a frantic strug- gle of his strength against mine. It wasn't much of a battle. I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him. And I loved him. I wanted what he wanted-if he wanted it that much, right and wrong. Somehow we ended up on that old mattress-that filthy, smelly, stained mattress that must have known lovers long before this night. And that is where he took me, and forced in that swollen, rigid male sex part of him that had to be satisfied. It drove into my tight and resisting flesh which tore and bled. Now we had done what we both swore we'd never do.

The answer to that question is…I won’t. You belong with me. Which leads me to the discussion I wanted to have with you.” “Where I belong is for me to decide, and though I may listen to what you have to say, that doesn’t mean I will agree with you.” “Fair enough.” Ren pushed his empty plate to the side. “We have some unfinished business to take care of.” “If you mean the other tasks we have to do, I’m already aware of that.” “I’m not talking about that. I’m talking about us.” “What about us?” I put my hands under the table and wiped my clammy palms on my napkin. “I think there are a few things we’ve left unsaid, and I think it’s time we said them.” “I’m not withholding anything from you, if that’s what you mean.” “You are.” “No. I’m not.” “Are you refusing to acknowledge what has happened between us?” “I’m not refusing anything. Don’t try to put words in my mouth.” “I’m not. I’m simply trying to convince a stubborn woman to admit that she has feelings for me.” “If I did have feelings for you, you’d be the first one to know.” “Are you saying that you don’t feel anything for me?” “That’s not what I’m saying.” “Then what are you saying?” “I’m saying…nothing!” I spluttered. Ren smiled and narrowed his eyes at me. If he kept up this line of questioning, he was bound to catch me in a lie. I’m not a very good liar. He sat back in his chair. “Fine. I’ll let you off the hook for now, but we will talk about this later. Tigers are relentless once they set their minds to something. You don’t be able to evade me forever.” Casually, I replied, “Don’t get your hopes up, Mr. Wonderful. Every hero has his Kryptonite, and you don’t intimidate me.” I twisted my napkin in my lap while he tracked my every move with his probing eyes. I felt stripped down, as if he could see into the very heart of me. When the waitress came back, Ren smiled at her as she offered a smaller menu, probably featuring desserts. She leaned over him while I tapped my strappy shoe in frustration. He listened attentively to her. Then, the two of them laughed again. He spoke quietly, gesturing to me, and she looked my way, giggled, and then cleared all the plates quickly. He pulled out a wallet and handed her a credit card. She put her hand on his arm to ask him another question, and I couldn’t help myself. I kicked him under the table. He didn’t even blink or look at me. He just reached his arm across the table, took my hand in his, and rubbed the back of it absentmindedly with his thumb as he answered her question. It was like my kick was a love tap to him. It only made him happier. When she left, I narrowed my eyes at him and asked, “How did you get that card, and what were you saying to her about me?” “Mr. Kadam gave me the card, and I told her that we would be having our dessert…later.” I laughed facetiously. “You mean you will be having dessert later by yourself this evening because I am done eating with you.” He leaned across the candlelit table and said, “Who said anything about eating, Kelsey?” He must be joking! But he looked completely serious. Great! There go the nervous butterflies again. “Stop looking at me like that.” “Like what?” “Like you’re hunting me. I’m not an antelope.” He laughed. “Ah, but the chase would be exquisite, and you would be a most succulent catch.” “Stop it.” “Am I making you nervous?” “You could say that.” I stood up abruptly as he was signing the receipt and made my way toward the door. He was next to me in an instant. He leaned over. “I’m not letting you escape, remember? Now, behave like a good date and let me walk you home. It’s the least you could do since you wouldn’t talk with me.