Taken For A Fool Quotes

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Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove. O no, it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wand'ring barque, Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved.
William Shakespeare (Great Sonnets (Dover Thrift Editions: Poetry))
There are only three people in life you can never fool--pawnbrokers, whores, and your mother. Since your mother's dead, I've taken her place. Hence, I'm bullshit-proof.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
Love is not love which alters it when alteration finds, or bends with the remover to remove: O no! It is an ever fixed mark that looks on tempests and is never shaken; it is the star to every wandering bark whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks within his bending sickle's compass come: Love alters not with his brief hours and weeks, but bears it out, even to the edge of doom.
William Shakespeare (Shakespeare's Sonnets)
We travel, initially, to lose ourselves; and we travel, next to find ourselves. We travel to open our hearts and eyes and learn more about the world than our newspapers will accommodate. We travel to bring what little we can, in our ignorance and knowledge, to those parts of the globe whose riches are differently dispersed. And we travel, in essence, to become young fools again- to slow time down and get taken in, and fall in love once more.
Pico Iyer
You need a name.” I covered the receiver for a moment. “We need a team name.” “Hunters,” Raphael said. “Valiant Knights of the Fur,” Dali said. “Justice Group,” Jim said. “Since Justice League is taken.” “Fools.” Doolittle shook his head. “Fools,” I said into the receiver.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Those who wish to seek out the cause of miracles and to understand the things of nature as philosophers, and not to stare at them in astonishment like fools, are soon considered heretical and impious, and proclaimed as such by those whom the mob adores as the interpreters of nature and the gods. For these men know that, once ignorance is put aside, that wonderment would be taken away, which is the only means by which their authority is preserved.
Baruch Spinoza (Ethics)
To laugh is to risk appearing a fool. To weep is to risk appearing sentimental. To reach out to another is to risk involvement. To expose feelings is to risk exposing your true self. To place your ideas and dreams before a crowd is to risk their loss. To love is to risk not being loved in return. To hope is to risk pain. To try is to risk failure. But risks must be taken, because the greatest hazard in life is to risk nothing.
Leo F. Buscaglia
You don't understand, you fool' says Yegor, looking dreamily up at the sky. 'You've never understood what kind of person I am, nor will you in a million years... You just think I'm a mad person who has thrown his life away... Once the free spirit has taken hold of a man, there's no way of getting it out of him.
Anton Chekhov (About Love and Other Stories)
Here is your flaw, Shaitan, Lord of the Dark, Lord of Envy, Lord of Nothing, here is why you fail. It was not about me. It’s never been about me.” It was about a woman, torn and beaten down, cast from her throne and made a puppet. A woman who had crawled when she had to. That woman still fought. It was about a man that love repeatedly forsook. A man who found relevance in a world that others would have let pass them by. A man who remembered stories and who took fool boys under his wing when the smarter move would have been to keep on walking. That man still fought. It was about a woman with a secret, a hope for the future. A woman who had hunted the truth before others could. A woman who had given her live, then had it returned. That woman still fought. It was about a man whose family was taken from him, but who stood tall in his sorrow and protected those he could. It was about a woman who refused to believe that she could not help, could not heal those who had been harmed. It was about a hero who insisted with every breath that he was anything but a hero. It was about a woman who would not bend her back while she was beaten, and who shown with a light for all who watched, including Rand. It was about them all. ~Rand al Thor
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
Then, slowly, my feet settled to the ground. Before I had taken six steps I sagged like a sail when the wind fades. As I walked back through the town, past sleeping houses and dark inns, my mood swung from elation to doubt in the space of three brief breaths. I had ruined everything. All the things I had said, things that seemed so clever at the time, were in fact the worst things a fool could say. Even now she was inside, breathing a sigh of relief to finally be rid of me. But she had smiled. Had laughed. She hadn't remembered our first meeting on the road from Tarbean. I couldn't have made that much of an impression on her. 'Steal me,' she had said. I should have been bolder and kissed her at the end. I should have been more cautious. I had talked too much. I had said too little.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
I did not want to be taken for a fool – the typical French reason for performing the worst of deeds without remorse.
Jules Barbey d'Aurevilly (The Crimson Curtain)
It was Leslie who had taken him from the cow pasture into Terabithia and turned him into a king. He had thought that was it. Wasn't king the best you could be? Now it occurred to him that perhaps Terabithia was like a castle where you came to be knighted. After you stayed for a while and grew strong you had to move on. For hadn't Leslie, even in Terabithia, tried to push back the walls of his mind and make him see beyond to the shining world—huge and terrible and beautiful and very fragile? (Handle with care—everything—even the predators.) Now it was time for him to move out. She wasn't there, so he must go for both of them. It was up to him to pay back to the world in beauty and caring what Leslie had loaned him in vision and strength. As for the terrors ahead—for he did not fool himself that they were all behind him—well, you just have to stand up to your fear and not let it squeeze you white. Right, Leslie? Right.
Katherine Paterson (Bridge to Terabithia)
Who am I? And how I wonder, will this story end? . . . My life? It is'nt easy to explain. It has not been the rip-roaring spectacular I fancied it woulf be, but neither have I burrowed around with the gophers. i suppose it has most resembled a bluechip stock: fairly stable, more ups and downs, and gradually tending over time. A good buy, a lucky buy, and I've learned that not everyone can say this about his life. But do not be misled. I am nothing special; of this I am sure. I am common man with common thought and I've led a common life. There are no monuments dedicated to me, and my name will soon be forgotten, but I've loved another with all my heart and soul, and to me, this has always been enough. The romantics would call this a love story, the cynics would call it a tragedy. In my mind, it's a little bit of both, and no matter how you choose to view it in the end, it does not change the fact that involves a great deal of my life and the path I've chosen to follow. I have no complaints about the places it has taken me, enough complaints to fill a circus tent about other thins, maybe, but the path I've chosen has always been the right one, and I would'nt have had it any other way. Time, unfortunatley, does'nt make it easy to stay on course. The path is straight as ever, but now it is strewn with the rocks and gravel that accumulated over a lifetime . . . There is always a moment right before I begin to read the story when my mind churns, and I wonder, will it happen today? I don't know, for I never know beforehand, and deep down it really doesn't matter. It's the possibility that keeps me going, not the guarantee, a sort of wager on my part. And though you may call me a dreamer or a fool or any other thing, I believe that anything is possible. I realize that odds, and science, are againts me. But science is not the answer; this I know, this I have learned in my lifetime. And that leaves me with the belief that miracles, no matter how inexplicable or unbelievable, are real and can occur without regard to the natural order of things. So once again, just as I do ecery day, I begin to read the notebook aloud, so that she can hear it, in the hope that the miracle, that has come to dominate my life will once again prevail. And maybe, just maybe, it will.
Nicholas Sparks (The Notebook (The Notebook, #1))
The knowledge that he had left me with no intent ever to return had come over me in tiny droplets of realization spread over the years. And each droplet of comprehension brought its own small measure of hurt...He had wished me well in finding my own fate to follow, and I never doubted his sincerity. But it had taken me years to accept that his absence in my life was a deliberate finality, an act he had chosen, a thing completed even as some part of my soul still dangled, waiting for his return.
Robin Hobb (Fool's Assassin (The Fitz and the Fool, #1))
No man was ever taken to hell by a woman unless he already had a ticket in his pocket or at least had been fooling around with timetables.
Rex Stout (Some Buried Caesar (Nero Wolfe, #6))
No, Celaena Sardothien certainly did not exist anymore. That woman—the woman he had loved … Perhaps she’d drowned in the vast, ruthless sea between here and Wendlyn. Perhaps she’d died at the hands of the Valg princes. Or maybe he’d been a fool all this time, a fool to look at the lives she’d taken and blood she’d so irreverently spilled, and not be disgusted.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
she's half-insane, looking for an out; she's hard, she's scared, she's been fooled, taken, abused, used, over-used . . . but, under all that, to me she's the flower, I see her as she was before she was ruined by the lies: theirs and hers.
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
Let me list for you some of the many ways in which you might be afraid to live a more creative life: You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
One devoted to his cat would not leave it long alone. A cat’s loyalty is not a thing to be taken for granted, but courted day by day.
Robin Hobb (Fool's Errand (Tawny Man, #1))
I hadn't gotten beaten up twice, shot, and nearly strangled to get taken out by a misguided werewolf bitch.
Jim Butcher (Fool Moon (The Dresden Files, #2))
Risks To laugh is to risk appearing a fool, To weep is to risk appearing sentimental. To reach out to another is to risk involvement, To expose feelings is to risk exposing your true self. To place your ideas and dreams before a crowd is to risk their loss. To love is to risk not being loved in return, To live is to risk dying, To hope is to risk despair, To try is to risk failure. But risks must be taken because the greatest hazard in life is to risk nothing. The person who risks nothing, does nothing, has nothing, is nothing. He may avoid suffering and sorrow, But he cannot learn, feel, change, grow or live. Chained by his servitude he is a slave who has forfeited all freedom. Only a person who risks is free.
Leo F. Buscaglia
The more he talks, the more I realize that I am a maga—a fool who has been taken advantage of.
Oyinkan Braithwaite (My Sister, the Serial Killer)
I've taken lives, and I've taken my own life in my hands and trusted a friend with it. Yes, sir, I'd say that makes me a man." "Neither makes you a man. The first makes you a killer. The second makes you a fool. Either may get you killed.
Brent Weeks (The Blinding Knife (Lightbringer, #2))
The Devil answer'd: bray a fool in a morter with wheat, yet shall not his folly be beaten out of him; if Jesus Christ is the greatest man, you ought to love him in the greatest degree; now hear how he has given his sanction to the law of ten commandments: did he not mock at the sabbath, and so mock the sabbaths God? murder those who were murder'd because of him? turn away the law from the woman taken in adultery? steal the labor of others to support him? bear false witness when he omitted making a defense before Pilate? covet when he pray'd for his disciples, and when he bid them shake off the dust of their feet against such as refused to lodge them? I tell you, no virtue can exist without breaking these ten commandments; Jesus was all virtue, and acted from impulse, not from rules.
William Blake (The Marriage of Heaven and Hell)
It was one thing to be fooled, and another thing to be taken for a fool all the time.
Janvier Chouteu-Chando (Triple Agent, Double Cross)
Somewhere in the cosmos, he said, along with all the planets inhabited by humanoids, reptiloids, fishoids, walking treeoids and superintelligent shades of the color blue, there was also a planet entirely given over to ballpoint life forms. And it was to this planet that unattended ballpoints would make their way, slipping away quietly through wormholes in space to a world where they knew they could enjoy a uniquely ballpointoid lifestyle, responding to highly ballpoint-oriented stimuli, and generally leading the ballpoint equivalent of the good life. And as theories go this was all very fine and pleasant until Veet Voojagig suddenly claimed to have found this planet, and to have worked there for a while driving a limousine for a family of cheap green retractables, whereupon he was taken away, locked up, wrote a book and was finally sent into tax exile, which is the usual fate reserved for those who are determined to make fools of themselves in public.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
I've taken you for a lot of things, but a fool was never one of them.
Dana Schwartz (Anatomy (The Anatomy Duology, #1))
O no! it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come: Love alters not with his brief hours and weeks, But bears it out even to the edge of doom.
William Shakespeare (Sonnets (No Fear Shakespeare))
Every decision I have made - from changing jobs, to changing partners, to changing homes - has been taken with trepidation. I have not ceased being fearful, but I have ceased to let fear control me. I have accepted fear as a part of life, specifically the fear of change, the fear of the unknown, and I have gone ahead despite the pounding in the heart that says: turn back, turn back, you'll die if you venture too far... In the past several years I have learned, in short, to trust myself. Not to eradicate fear but to go on in spite of fear. Not to become insensitive to distinguished critics but to follow my own writer's instinct. My job is not to paralyze myself by anticipating judgment but to do the best that I can and let judgment fall where it may. The difference between the woman who is writing this essay and the college girl sitting in her creative writing class in 1961 is mostly a matter of nerve and daring - the nerve to trust my own instincts and the daring to be a fool. No one ever found wisdom without being a fool.
Erica Jong
Why we should believe in wolf children seems somehow easier to understand than the ways we distinguish between what is human and what is animal behavior. In making such distinctions we run the risk of fooling ourselves completely. We assume that the animal is entirely comprehensible and, as Henry Beston has said, has taken form on a plane beneath the one we occupy. It seems to me that this is a sure way to miss the animal and to see, instead, only another reflection of our own ideas.
Barry Lopez (Of Wolves and Men)
She had come to him the fool, thinking herself the experienced one. After all, she had nothing to give that another hadn't had, nothing so far as she knew. But he'd taken what hadn't been there; what was his; what was promised.
Shewanda Pugh (Crimson Footprints II New Beginnings)
I have taken the opportunity to update the book and include new theoretical and observational results obtained since the book was first published (on April Fools’ Day, 1988).
Stephen Hawking (A Brief History of Time)
have taken the opportunity to update the book and include new theoretical and observational results obtained since the book was first published (on April Fools’ Day, 1988). I have
Stephen Hawking (A Brief History of Time)
I was a fool!" Percy roared,so loudly that Lupin nearly dropped his photograph. "I was a pompous prat, I was a- a-" "Ministry loving, family-disowning, power-hungry moron," said Fred. Percy swallowed. "Yes, I was!" "Well, you can't say fairer than that," said Fred, holding out his hand to Percy. Mrs Weasley burst into tears. She ran forwards, pushed Fred aside and pulled Percy into a strangling hug, while he patted her on the back, his eyes on his father. "I'm sorry, Dad," Percy said. Mr Weasley blinked rather rapidly, then he, too, hurried to hug his son. "What made you see sence, Perce?" enquired George. " It's been coming on for a while," said Percy, mopping his eyes under his glasses with a corner of his travelling cloak. "But I had to find a way out and it's not so easy at the Ministry, they're imprisoning traitors all the time. I managed to make contact with Aberforth and he tipped me off ten minutes ago that Hogwarts was going to make a fight of it, so here I am." "Well, we do look to our prefects to take a lead at times such as these," said George, in a good imitation of Percy's most pompous manner. "Now let's get upstairs and fight, or all the good Death Eaters''ll be taken.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
O cousin Kate, my love was true, Your love was writ in sand: If he had fooled not me but you, If you had stood where i stand, He'd not have won me with his love, Nor bought me with his land; I would have spit into his face And not have taken his hand. Yet I have a gift you have not got, And seem not like to get: For all your clothes and wedding-ring I've little doubt you fret. My fair-haired son, my shame, my pride, Cling closer, closer yet: Your father would give lands for one to wear his coronet
Christina Rossetti
Please, boy. Let’s not start out with either of us insulting the other’s intelligence. There are only three people in life you can never fool—pawnbrokers, whores, and your mother. Since your mother’s dead, I’ve taken her place. Hence, I’m bullshit-proof.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
Recently I interviewed a psychopath. This is always a humbling experience because it teaches over and over how much of human motivation and experience is outside my narrow range. Despite the psychopath's lack of conscience and lack of empathy for others, he is inevitably better at fooling people than any other type of offender. I suppose conscience just slows you down. A child convicted molester, this particular one made friends with a correctional officer who invited him to live in his home after he was released - despite the fact the officer had a nine-year-old daughter. The officer and his wife were so taken with the offender that, after the offender lived with them for a few months, they initiated adoption proceedings- adoption for a man almost their age. Of course, he was a child molester living in the same house as a child. Not surprisingly, he molested the daughter the entire time he lived there. [...] What these experiences taught have me is that even when people are warned of a previously founded case of even a conviction, they still routinely underestimate the pathology with which they are dealing.
Anna C. Salter (Predators: Pedophiles, Rapists, and Other Sex Offenders)
He had wished me well in finding my own fate to follow, and I never doubted his sincerity. But it had taken me years to accept that his absence in my life was a deliberate finality, an act he had chosen, a thing completed even as some part of my soul still dangled, waiting for his return. That, I think, is the shock of any relationship ending. It is realizing that what is still an ongoing relationship to someone is, for the other person, something finished and done with.
Robin Hobb (Fool's Assassin (The Fitz and the Fool, #1))
All sciences have their mysteries and at certain points the apparently most obvious theory will be found in contradiction with experience. Politics, for example, offers several proofs of this truth. In theory, is anything more absurd than hereditary monarchy? We judge it by experience, but if government had never been heard of and we had to choose one, whoever would deliberate between hereditary and elective monarchy would be taken for a fool. Yet we know by experience that the first is, all things considered, the best that can be imagined, while the second is the worst. What arguments could not be amassed to establish that sovereignty comes from the people? However they all amount to nothing. Sovereignty is always taken, never given, and a second more profound theory subsequently discovers why this must be so. Who would not say the best political constitution is that which has been debated and drafted by statesmen perfectly acquainted with the national character, and who have foreseen every circumstance? Nevertheless nothing is more false. The best constituted people is the one that has the fewest written constitutional laws, and every written constitution is WORTHLESS.
Joseph de Maistre (St Petersburg Dialogues: Or Conversations on the Temporal Government of Providence)
You think there are no idiots in the intelligence business, that your superiors are all brilliant men who understand the game? [...] This business is rife with idiots. They play with lives and they play badly, and when people like you die as a result, they shrug and as 'Risks have to be taken in wartime.' You'd really march yourself into a firing squad for that kind of fool?
Kate Quinn (The Alice Network)
Let me begin with a caveat to any and all who find these pages. Do not trust large bodies of water, and do not cross them. If you, dear reader, have an African hue and find yourself led toward water with vanishing shores, seize your freedom by any means necessary. And cultivate distrust of the colour pink. Pink is taken as the colour of innocence, the colour of childhood, but as it spills across the water in the light of the dying sun, do not fall into its pretty path. There, right underneath, lies a bottomless graveyard of children, mothers and men. I shudder to imagine all the Africans rocking in the deep. Every time I have sailed the seas, I have had the sense of gliding over the unburied. Some people call the sunset a creation of extraordinary beauty, and proof of God's existence. But what benevolent force would bewitch the human spirit by choosing pink to light the path of a slave vessel? Do not be fooled by the pretty colour, and do not submit to its beckoning.
Lawrence Hill (Someone Knows My Name)
The nurse who came in to take her blood was the same one who’d taken her blood pressure earlier, and she slapped the flesh on Miss Beryl’s arm with some annoyance, as if she’d have preferred it to assume some other shape. Miss Beryl knew just how the woman felt.
Richard Russo (Nobody's Fool (Sully #1))
Upon Mrs Scorton's reappearance, she found herself confronted, not by the fool of his family, but by the Honourable Frederick Standen, a Pink of the Pinks, who knew to a nicety how to blend courtesy with hauteur, and who informed her, with exquisite politeness, that he rather fancied his cousin was tired, and would like to be taken home. One of the uninvited guests, entering the box in Eliza's wake, ventured on a warm sally, found himself being inspected from head to foot through a quizzing-glass, and stammered an apology.
Georgette Heyer (Cotillion)
My dragons!' she insisted. 'She has finally found a flock to join,' he observed to me. 'Her own kind always pecked her. But the dragons have taken her in.' ...'If a flock of crows is a murder, what should we call a group of dragons?' ... 'A catastrophe of dragons.
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
If we are to succeed, we must maintain our anonymity, mask our identities. Even if it means suffering the mockery of others. Being taken for fools, fops, nitwits, even cowards.
Emmuska Orczy (La pimpinela escarlata)
considering that alternative outcomes could have taken place, that the world could have been different, is the core of probabilistic thinking.
Nassim Nicholas Taleb (Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets (Incerto Book 1))
Polly was a writer of many deadlines. There were the ignorable deadlines, the not-to-be-taken-too-seriously deadlines: the deadlines-before-the-deadlines deadlines, and finally, the no-kidding-around deadlines. She set these various dates, she'd told him, to fool herself.
Martha Grimes (Rainbow's End (Richard Jury, #13))
If there be any among those common objects of hatred which I can safely say I doe contemn and laugh at, it is that great enemy of reason, vertue and religion, the multitude, that numerous piece of monstrosity, which taken asunder seeme men, and the reasonable creatures of God; but confused together, make but one great beast, & a monstrosity more prodigious than Hydra; it is no breach of Charity to call these fooles; it is the stile all holy Writers have afforded them, set down by Solomon in canonicall Scripture, and a point of our faith to beleeve so.
Thomas Browne (Religio Medici / Urne-Buriall)
The position of women, over the years, has definitely changed for the worse. we women have behaved like mugs, We have clamoured to be allowed to work as men work. Men, not being fools, have taken kindly to the idea. Why supoort a wife? What's wrong with a wife supporting herself? She wants to do it. By golly, she can go on doing it! it seems sad that having established ourselves so cleverly as the "weaker sex" we should now be broadly on a par with the women of primitive tribes who toil in the fields all day, walk miles to gather camelthorn for fuel, and on trek carry all the pots, pans, and household equipment on their heads, while the gorgeous, ornamental male sweeps on ahead, unburdened save for one lethal weapon with which to defend his women.
Agatha Christie (Agatha Christie: An Autobiography)
The Dream by Mark Baker A man lay on his bed at the end of his life waiting to die. His dream came to pay his last respects and bid farewell to the man who had never used it. As it entered the room the man looked down in shame. "Why did you not realize me?" the dream asked. "Because I was afraid," the man said. "Afraid of what," said the dream. "I was afraid I would fail." "But haven't you failed by not attempting to use me?". "Yes I did, but I always thought there would be tomorrow." "You Fool!" said the dream" Did it never occur to you that there was only ever today? the moment that you are in right now? Do you think that now that death is here that you can put it off until tomorrow?". "No", said the man, a tear gently rolling down his cheek. The dream was softer now, because it knew that there were two types of pain, the pain of discipline and the pain of regret, and while discipline weighs ounces, regret weighs pounds. Then the dream leant forward to gently wipe away the tear and said, " You need only have taken the first step and I would have taken one to meet you, for the only thing that ever separated us was the belief in your mind that you couldn't have me". Then they said goodbye and they both died.
Mark Baker
Here’s what I like about God: Trees are crooked, mountains are lumpy, a lot of his creatures are funny-looking, and he made it all anyway. He didn’t let the aardvark convince him he had no business designing creatures. He didn’t make a puffer fish and get discouraged. No, the maker made things—and still does. European film directors often enjoy creative careers, during which their films mature from the manifestos of angry young men to the rueful wisdom of great works by creative masters. Is an afternoon siesta the secret? Is their vita just a little more dolce? We’ve taken espresso to our American hearts, but we haven’t quite taken to the “break” in our coffee breaks. Worried about playing the fool, we forget how to simply play. We try to make our creativity linear and goal oriented. We want our “work” to lead somewhere. We forget that diversions do more than merely divert us.
Julia Cameron (Walking in This World (Artist's Way))
Each had taken up the truths they had trained themselves to see, drinking anger and hate or loneliness and despair as eagerly as the summer-parched prairie drank the rain. I ain’t fool enough to think I’m wise, exactly, but I have learned one scrap of wisdom, at least: whatever a body expects their life to be, that’s what they’ll make of it in the end.
Olivia Hawker (One for the Blackbird, One for the Crow)
It was you,' I said, my words as new and uncertain as a baby's. I was sixteen and in my bedroom, and I shook my head in an attempt to unscramble my thoughts. 'Not the tongue. The fire.' I shut my eyes, then opened them to make sure I hadn't made this thing up. [...] But Christian hadn't taken his eyes off me, and in his expression I saw a slew of emotions: shame, defiance, fury. Fear, but not for himself. For me. I saw my big brother, who carried me off the ledge at Suicide Rock when I froze up. [...] Who thought I was a fool and had no problem telling me so, but who stuck up for me anyway.
Lauren Myracle (Shine)
He’d taken pride in making Ketterdam his. He’d laid the traps, set the fires, put his boot to the necks of all those who’d challenged him, and reaped the rewards of his boldness. Most of the opposition had fallen, easy pickings, the occasional challenge almost welcome for the excitement it brought. He’d broken the Barrel to his whim, written the rules of the game to his liking, rewritten them at will. The problem was that the creatures who had managed to survive the city he’d made were a new kind of misery entirely—Brekker, his Wraith queen, his rotten little court of thugs. A fearless breed, hard-eyed and feral, hungrier for vengeance than gold. Do you like life, Rollins? Yes, he did, very much indeed, and he intended to go on living for a good long time. Pekka would count his money. He would raise his son. He’d find himself a good woman or two or ten. And maybe, in the quiet hours, he’d raise a glass to men like him, to his fellow architects of misfortune who had helped raise Brekker and his crew. He’d drink to the whole sorry lot of them, but mostly to the poor fools who didn’t know what trouble was coming.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Prison left me with some strange little tics.' She has taken all the door off their hinges in all the apartments she has lived in since. It's not that she has anxiety attacks about small spaces, she says, it's just that she starts to sweat and go cold. 'This apartment is perfect for me,' she says, looking around the open space. 'How about elevators?' I ask, recalling the schlepp up the stairs. 'Exactly,' she replies, 'I don't like them much either.' One day, years later, her husband Charlie was fooling around at home, playing the guitar. Miriam said something provocative and he stood up suddenly, lifting his arm to take off the guitar strap. He was probably just going to say 'That's outrageous', or tickle her or tackle her. But she was gone. She was already down in the courtyard of the building. She does not remember getting down the stairs-it was an automatic flight reaction.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
It’s a sad and terrible thing that high-born folk really have thought that the servants would be totally fooled if spirits were put into decanters that were cunningly labelled backwards. And also throughout history the more politically conscious butler has taken it on trust, and with rather more justification, that his employers will not notice if the whisky is topped up with eniru.
Terry Pratchett (Hogfather (Discworld, #20))
So you’re a man now?” “I’ve taken lives, and I’ve taken my own life in my hands and trusted a friend with it. Yes, sir, I’d say that makes me a man.” “Neither makes you a man. The first makes you a killer. The second makes you a fool. Either may get you killed.
Brent Weeks (The Blinding Knife (Lightbringer, #2))
For to maintain a critical stance toward the world at large meant that she was not a fool, had not been duped, that she would not be taken in by the accepted thinking of the day simply because that was how things were or because of fun or simplicity or being a good sport. No. To be Nightbitch meant always to be on guard, to doubt and confront, to critique and question, her husband, her motherhood, her career, these women, capitalism, careerism, politics and religion, all of it, especially her-marketing plans. But- and she truly couldn’t believe she now felt this way- she needed this, needed other women, other mothers, and even if these weren’t the exact right ones, they were a start. The cold terror of the cat murder left her desperate for some kind of equilibrium, to return to her self, or at least to a transformed self that owned her dreams and desires, but wielded her power with even determination.
Rachel Yoder (Nightbitch)
To laugh is to risk appearing a fool, To weep is to risk appearing sentimental To reach out to another is to risk involvement, To expose feelings is to risk exposing your true self To place your ideas and dreams before a crowd is to risk their loss To love is to risk not being loved in return, To hope is to risk despair, To try is to risk failure. But risks must be taken because the greatest hazard in life is to risk nothing. The person who risks nothing, does nothing, has nothing, is nothing. He may avoid suffering and sorrow, But he cannot learn, feel, change, grow or live. Chained by his servitude he is a slave who has forfeited all freedom. Only a person who risks is free.
William Arthur Ward
A man leads a dree life who's not i' th' Union. But once i' the' Union, his interests are taken care on better nor he could do it for himsel', or by himsel', for that matter. It's the only way working men can get their rights, by all joining together. More the members, more chance for each one separate man having justice done him. Government takes care o' fools and madmen; and if any man is inclined to do himsel' or his neighbour a hurt, it puts a bit of a check on him, whether he likes it or no. That's all we do i' th' Union. We can't clap folk into prison; but we can make a man's life so heavy to be borne, that he's obliged to come in, and be wise and helpful in spite of himself.
Elizabeth Gaskell (North and South)
This is reality, this is pure fact - this forest, this moss, your hand, the ladybird on my leg, this cannot be taken away, can it? (it will, it was). This has all come together here, no matter how the paths twisted, and fooled each other, and got fouled up, they inevitably met here!
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
Best Of You I've got another confession to make I'm your fool Everyone's got their chains to break Holdin' you Were you born to resist or be abused Is someone getting the best, the best, the best, the best of you Is someone getting the best, the best, the best, the best of you Or are you gone and onto someone new I needed somewhere to hang my head Without your noose You gave me something that I didn't have But had no use I was too weak to give in Too strong to lose My heart is under arrest again But I'll break loose My head is giving me life or death But I can't choose I swear I'll never give in I refuse Is someone getting the best, the best, the best, the best of you Is someone getting the best, the best, the best, the best of you Has someone taken your faith Its real, the pain you feel Your trust, you must Confess Is someone getting the best, the best, the best, the best of you Oh... Oh...Oh...Oh... Oh...Oh...Oh... Oh...Oh...Oh... Oh... Has someone taken your faith It's real, the pain you feel The life, the love You'd die to heal The hope that starts The broken hearts Your trust, you must Confess Is someone getting the best, the best, the best, the best of you Is someone getting the best, the best, the best, the best of you I've got another confession my friend I'm no fool I'm getting tired of starting again Somewhere new Were you born to resist or be abused I swear I'll never give in I refuse Is someone getting the best, the best, the best, the best of you Is someone getting the best, the best, the best, the best of you Has someone taken your faith It's real, the pain you feel Your trust, you must Confess Is someone getting the best, the best, the best, the best of you Oh...
Foo Fighters
I didn't choose to be the Angel of Death, blast it!" He practically spat the words. When she blinked, taken aback by his vehemence, he added, "That was some fool's idea of a joke" She kept staring at him, speechless. A joke? Her brother's death was a joke to someone? Seeing her reaction, he went on in a low, tortured voice, "After Roger's accident, I wore black to mourn him. Since Roger wasn't my family, Chetwin commented on it, saying that I dressed in black because Death was my constant companion. He pointed out that everyone I touched died--my parents, my best friend...everyone." He began to pace the clearing, pain etched in his features. "Chetwin was right, of course. Death was my constant companion. So it was no great surprise when other people started calling me the Angel of Death." His voice grew choked. "I fit the part, after all." -Gabriel to Virginia
Sabrina Jeffries (To Wed a Wild Lord (Hellions of Halstead Hall, #4))
He had murdered any illlusion of Alex Remington. The golden pendant had been replaced by a spiked dog collar, and he was wearing a black T-shirt that hugged his form and showed off the many designs on his arms: Fenris on the right wrist, and Echidna, the greek mother of monsters, high on his left arm. The norse world serpent was wrapped around his left wrist, and a new design had recently been added: Cerberus, the three-headed dog who guarded the gates of Hades. The world serpent was partially obscurred by a black leather knife sheath, which held a silver knife Aubrey had taken from a vampire hunter a few thousand years earlier. His hair was slightly touseled, as if he'd been running, and a few strands fell across his face. Looking at him now, Jessica couldn't imagine how she had ever mistaken him for a human. But illusion was Aubrey's art. And it was simple to fool people who expected nothing else. For the moment, Aubrey appeared to be exactly what he was: stunning, michievous, and completely deadly all at once
Amelia Atwater-Rhodes (Demon in My View (Den of Shadows, #2))
To laugh is to risk appearing a fool. To weep is to risk being called sentimental. To place your ideas and dreams before a crowd is to risk their loss…To love is to risk not being loved in return... To try is to risk failure. But risks must be taken. Because the greatest hazard in life is to risk nothing.
William Ward
He was changed as completely as Amory Blaine could ever be changed. Amory plus Beatrice plus two years in Minneapolis - these had been his ingredients when he entered St. Regis'. But the Minneapolis years were not a thick enough overlay to conceal the "Amory plus Beatrice" from the ferreting eyes of a boarding school, so St. Regis' had very painfully drilled Beatrice out of him and begun to lay down new and more conventional planking on the fundamental Amory. But both St. Regis' and Amory were unconscious of the fact that this fundamental Amory had not in himself changed. Those qualities for which he had suffered: his moodiness, his tendency to pose, his laziness, and his love of playing the fool, were now taken as a matter of course, recognized eccentricities in a star quarter-back, a clever actor, and the editor of the "St. Regis' Tattler"; it puzzled him to see impressionable small boys imitating the very vanities that had not long ago been contemptible weaknesses.
F. Scott Fitzgerald (This Side of Paradise)
I shall expect you and the Slytherins in the Great Hall in twenty minutes, also,” said Professor McGonagall. “If you wish to leave with your students, we shall not stop you. But if any of you attempt to sabotage our resistance or take up arms against us within this castle, then, Horace, we duel to kill.” “Minerva!” he said, aghast. “The time has come for Slytherin House to decide upon its loyalties,” interrupted Professor McGonagall. “Go and wake your students, Horace.” Harry did not stay to watch Slughorn splutter: He and Luna ran after Professor McGonagall, who had taken up a position in the middle of the corridor and raised her wand. “Piertotum--oh, for heaven’s sake, Filch, not now--” The aged caretaker had just come hobbling into view, shouting, “Students out of bed! Students in the corridors!” “They’re supposed to be, you blithering idiot!” shouted McGonagall. “Now go and do something constructive! Find Peeves!” “P-Peeves?” stammered Filch as though he had never heard the name before. “Yes, Peeves, you fool, Peeves! Haven’t you been complaining about him for a quarter of a century? Go and fetch him, at once!” Filch evidently thought Professor McGonagall had taken leave of her senses, but hobbled away, hunch-shouldered, muttering under his breath. “And now--Piertotum Locomotor!” cried Professor McGonagall. And all along the corridor the statues and suits of armor jumped down from their plinths, and from the echoing crashes from the floors above and below, Harry knew that their fellows throughout the castle had done the same. “Hogwarts is threatened!” shouted Professor McGonagall. “Man the boundaries, protect us, do your duty to our school!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Piertotum – oh, for heaven’s sake, Filch, not now –’ The aged caretaker had just come hobbling into view, shouting, ‘Students out of bed! Students in the corridors!’ ‘They’re supposed to be, you blithering idiot!’ shouted McGonagall. ‘Now go and do something constructive! Find Peeves!’ ‘P – Peeves?’ stammered Filch, as though he had never heard the name before. ‘Yes, Peeves, you fool, Peeves! Haven’t you been complaining about him for a quarter of a century? Go and fetch him, at once!’ Filch evidently thought Professor McGonagall had taken leave of her senses, but hobbled away, hunch-shouldered, muttering under his breath.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
1. a.Never throw shit at an armed man. b.Never stand next to someone who is throwing shit at an armed man. 2.Never fire a laser at a mirror. 3.Mother Nature doesn't care if you're having fun. 4.F × S = k. The product of Freedom and Security is a constant. To gain more freedom of thought and/or action, you must give up some security, and vice versa. 5.Psi and/or magical powers, if real, are nearly useless. 6.It is easier to destroy than create. 7.Any damn fool can predict the past. 8.History never repeats itself. 9.Ethics change with technology. 10.There Ain't No Justice. (often abbreviated to TANJ) 11.Anarchy is the least stable of social structures. It falls apart at a touch. 12.There is a time and place for tact. And there are times when tact is entirely misplaced. 13.The ways of being human are bounded but infinite. 14.The world's dullest subjects, in order: a.Somebody else's diet. b.How to make money for a worthy cause. c.The Kardashians. 15.The only universal message in science fiction: There exist minds that think as well as you do, but differently. Niven's corollary: The gene-tampered turkey you're talking to isn't necessarily one of them. 16.Fuzzy Pink Niven's Law: Never waste calories. 17.There is no cause so right that one cannot find a fool following it. in variant form in Fallen Angels as "Niven's Law: No cause is so noble that it won't attract fuggheads." 18.No technique works if it isn't used. 19.Not responsible for advice not taken. 20.Old age is not for sissies.
Larry Niven
In my travels on the surface, I once met a man who wore his religious beliefs like a badge of honor upon the sleeves of his tunic. "I am a Gondsman!" he proudly told me as we sat beside eachother at a tavern bar, I sipping my wind, and he, I fear, partaking a bit too much of his more potent drink. He went on to explain the premise of his religion, his very reason for being, that all things were based in science, in mechanics and in discovery. He even asked if he could take a piece of my flesh, that he might study it to determine why the skin of the drow elf is black. "What element is missing," he wondered, "that makes your race different from your surface kin?" I think that the Gondsman honestly believed his claim that if he could merely find the various elements that comprised the drow skin, he might affect a change in that pigmentation to make the dark elves more akin to their surface relatives. And, given his devotion, almost fanaticism, it seemed to me as if he felt he could affect a change in more than physical appearance. Because, in his view of the world, all things could be so explained and corrected. How could i even begin to enlighten him to the complexity? How could i show him the variations between drow and surface elf in the very view of the world resulting from eons of walking widely disparate roads? To a Gondsman fanatic, everything can be broken down, taken apart and put back together. Even a wizard's magic might be no more than a way of conveying universal energies - and that, too, might one day be replicated. My Gondsman companion promised me that he and his fellow inventor priests would one day replicate every spell in any wizard's repertoire, using natural elements in the proper combinations. But there was no mention of the discipline any wizard must attain as he perfects his craft. There was no mention of the fact that powerful wizardly magic is not given to anyone, but rather, is earned, day by day, year by year and decade by decade. It is a lifelong pursuit with gradual increase in power, as mystical as it is secular. So it is with the warrior. The Gondsman spoke of some weapon called an arquebus, a tubular missile thrower with many times the power of the strongest crossbow. Such a weapon strikes terror into the heart of the true warrior, and not because he fears that he will fall victim to it, or even that he fears it will one day replace him. Such weapons offend because the true warrior understands that while one is learning how to use a sword, one should also be learning why and when to use a sword. To grant the power of a weapon master to anyone at all, without effort, without training and proof that the lessons have taken hold, is to deny the responsibility that comes with such power. Of course, there are wizards and warriors who perfect their craft without learning the level of emotional discipline to accompany it, and certainly there are those who attain great prowess in either profession to the detriment of all the world - Artemis Entreri seems a perfect example - but these individuals are, thankfully, rare, and mostly because their emotional lacking will be revealed early in their careers, and it often brings about a fairly abrupt downfall. But if the Gondsman has his way, if his errant view of paradise should come to fruition, then all the years of training will mean little. Any fool could pick up an arquebus or some other powerful weapon and summarily destroy a skilled warrior. Or any child could utilize a Gondsman's magic machine and replicate a firebal, perhaps, and burn down half a city. When I pointed out some of my fears to the Gondsman, he seemed shocked - not at the devastating possibilities, but rather, at my, as he put it, arrogance. "The inventions of the priests of Gond will make all equal!" he declared. "We will lift up the lowly peasant
R.A. Salvatore (Streams of Silver (Forgotten Realms: Icewind Dale, #2; Legend of Drizzt, #5))
In the midst of this utopia, which only your fellow lone voyagers would perceive, you used to transgress society’s rules unknowingly, and no one would hold you accountable for it. You would mistakenly enter private residences, go to concerts to which you had not been invited, eat at community banquets where you could only guess the community’s identity when they started giving speeches. Had you behaved like this in your own country, you would have been taken for a liar or a fool. But the improbable ways of a foreigner are accepted. Far from your home, you used to taste the pleasure of being mad without being alienated, of being an imbecile without renouncing your intelligence, of being an impostor without culpability.
Édouard Levé (Suicide)
Poirot looked at me meditatively. “You have an extraordinary effect on me, Hastings. You have so strongly the flair in the wrong direction that I am almost tempted to go by it! You are that wholly admirable type of man, honest, credulous, honourable, who is invariably taken in by any scoundrel. You are the type of man who invests in doubtful oil fields, and non-existent gold mines. From hundreds like you, the swindler makes his daily bread. Ah, well—I shall study this Commander Challenger. You have awakened my doubts.” “My dear Poirot,” I cried, angrily. “You are perfectly absurd. A man who has knocked about the world like I have—” “Never learns,” said Poirot, sadly. “It is amazing—but there it is.” “Do you suppose I’d have made a success of my ranch out in the Argentine if I were the kind of credulous fool you make out?” “Do not enrage yourself, mon ami. You have made a great success of it—you and your wife.” “Bella,” I said, “always goes by my judgement.” “She is as wise as she is charming,” said Poirot. “Let us not quarrel my friend. See, there ahead of us, it says Mott’s Garage. That, I think, is the garage mentioned by Mademoiselle Buckley. A few inquiries will soon give us the truth of that little matter.
Agatha Christie (Peril at End House (Hercule Poirot, #8))
Do you hear me? Is it ever time for you to understand. I meant I meant that for I never thought you could think you were low. Were lost at the moment when they cut you off. Cut your head out heart brain. It is not I know was not that but to me it was to me. Like I could have seen you in the bright of day. Like the light could have come up from the sea and take you over. Me over. Is there. Forgive that. Forgive that me that I was fallen down. That I was under the weather under the same sky and did not. Not yet. If I took. If I had taken your good right hand I might have pulled you. Up. Pulled the black sea out of us. Saw you. Left you. Is there some truth in that? I went out to the cold. Thought I'd know what to do. Bring you with me. Bring you with. Sad and sad and sad fool me slipping down. Slope hill mountainside. Muck and stones on me. On my feet and rain in my hair. I thought about it but I could not stop. Pushed it further in. Needle and syringe. This will take me out of that. Like it could. As though it might do in any way. Forgive me. Forgive me that that I didn't see. Look out my eyes. That I didn't know what I was doing though I did though I did. Oh do you love me. Can you love me. Do you love me still. My sins. My grievous. Woe my wrong. I went out to him and said do what you will if you want. If you're able will you save me from that. I put a pillow on my face on your face and I said suffocate. It could have been. It could have been that. If I chose if I didn't. If I knew what to do. I don't so by the way I'm telling you. I'm warning now what a monster I have become. Soap in my mouth my eyes my hair turning bitter at the smallest drop. Of the rain give me the rain and all that. Wash oh yes wash that's it wash away. My. Sin.
Eimear McBride (A Girl Is a Half-formed Thing)
We may observe that the teaching of Our Lord Himself, in which there is no imperfection, is not given us in that cut-and-dried, fool-proof, systematic fashion we might have expected or desired. He wrote no book. We have only reported sayings, most of them uttered in answer to questions, shaped in some degree by their context. And when we have collected them all we cannot reduce them to a system. He preaches but He does not lecture. He uses paradox, proverb, exaggeration, parable, irony; even (I mean no irreverence) the 'wisecrack'. He utters maxims which, like popular proverbs, if rigorously taken, may seem to contradict one another. His teaching therefore cannot be grasped by the intellect alone, cannot be 'got up' as if it were a 'subject'. If we try to do that with it, we shall find Him the most elusive of teachers. He hardly ever gave a straight answer to a straight question. He will not be, in the way we want, 'pinned down'. The attempt is (again, I mean no irreverence) like trying to bottle a sunbeam.
C.S. Lewis (Reflections on the Psalms)
What do they think has happened, the old fools, To make them like this ? Do they somehow suppose It's more grown-up when your mouth hangs open and drools And you keep on pissing yourself, and can't remember Who called this morning ? Or that, if they only chose, They could alter things back to when they danced all night, Or went to their wedding, or sloped arms some September ? Or do they fancy there's really been no change, And they've always behaved as if they were crippled or tight, Or sat through days of thin continuous dreaming Watching light move ? If they don't (and they can't), it's strange: Why aren't they screaming ? At death, you break up: the bits that were you Start speeding away from each other for ever With no one to see. It's only oblivion, true: We had it before, but then it was going to end, And was all the time merging with a unique endeavour To bring to bloom the million-petalled flower Of being here. Next time you can't pretend There'll be anything else. And these are the first signs: Not knowing how, not hearing who, the power Of choosing gone. Their looks show that they're for it: Ash hair, toad hands, prune face dried into lines- How can they ignore it ? Perhaps being old is having lighted rooms Inside your head, and people in them, acting. People you know, yet can't quite name; each looms Like a deep loss restored, from known doors turning, Setting down a Iamp, smiling from a stair, extracting A known book from the shelves; or sometimes only The rooms themselves, chairs and a fire burning, The blown bush at the window, or the sun' s Faint friendliness on the wall some lonely Rain-ceased midsummer evening. That is where they live: Not here and now, but where all happened once. This is why they give An air of baffled absence, trying to be there Yet being here. For the rooms grow farther, leaving Incompetent cold, the constant wear and tear Of taken breath, and them crouching below Extinction' s alp, the old fools, never perceiving How near it is. This must be what keeps them quiet. The peak that stays in view wherever we go For them is rising ground. Can they never tell What is dragging them back, and how it will end ? Not at night? Not when the strangers come ? Never, throughout The whole hideous inverted childhood? Well, We shall find out. - The Old Fools
Philip Larkin
Everything belonged to him--but that was a trifle. The thing was to know what he belonged to, how many powers of darkness claimed him for their own. That was the reflection that made you creepy all over. It was impossible--it was not good for one either--trying to imagine. He had taken a high seat amongst the devils of the land--I mean literally. You can't understand. How could you?--with solid pavement under your feet, surrounded by kind neighbors ready to cheer you or to fall on you, stepping delicately between the butcher and the policeman, in the holy terror of scandal and gallows and lunatic asylums--how can you imagine what particular region of the first ages a man's untrammeled feet may take him into by the way of solitude--utter solitude without a policeman--by the way of silence, utter silence, where no warning voice of a kind neighbor can be heard whispering of public opinion? These little things make all the great difference. When they are gone you must fall back upon your own innate strength, upon your own capacity for faithfulness. Of course you may be too much of a fool to go wrong--too dull even to know you are being assaulted by the powers of darkness. I take it, no fool ever made a bargain for his soul with the devil: the fool is too much of a fool, or the devil too much of a devil--I don't know which. Or you may be such a thunderingly exalted creature as to be altogether deaf and blind to anything but heavenly sights and sounds. Then the earth for you is only a standing place -- and whether to be like this is your loss or your gain I won't pretend to say. But most of us are neither one nor the other. The earth for us is a place to live in, where we must put up with sights, with sounds, with smells too, by Jove!-- breathe dead hippo, so to speak, and not be contaminated. And there, don't you see? Your strength comes in, the faith in your ability for the digging of unostentatious holes to bury the stuff in--your power of devotion, not to yourself, but to an obscure, back-breaking business. And that's difficult enough. Mind, I am not trying to excuse or even explain--I am trying to account to myself for--for--Mr. Kurtz--for the shade of Mr. Kurtz. This initiated wraith from the back of Nowhere honored me with its amazing confidence before it vanished altogether. This was because it could speak English to me. The original Kurtz had been educated partly in England, and--as he was good enough to say himself--his sympathies were in the right place. His mother was half-English, his father was half-French. All Europe contributed to the making of Kurtz.
Joseph Conrad (Heart of Darkness)
Dear Forrest, I am sorry there was no time for us to speech other before I left. The doctors made their decision quickly, and before I knew it, I was being taken away, but I asked if I could stop long enough to write you this note, because you have been so kind to me whileI was here. I sense, Forrest, that you are on the verge of something very significant in your life, some change, or event that will move you in a different direction, and you must seize the moment, and not let it pass. When I think back on it now, there is something in your eyes, some tiny flash of fire that comes now and then, mostly when you smile, and , on those infrequent occasions, I believe what I saw was almost a Genesis of our ability as humans to think, to create, to be. This war is to for you, old pal - nor me - and I am well out of it as I'm sure you will be in time. The crucial question is, what will you do? I don't think you're an idiot at all. Perhaps by the measure of tests or the judgement of fools, you might fall into some category or other, but deep down, Forrest, I have seen that glowing sparkle of curiosity burning deep in your mind. Take the tide, my friend, and as you are carried along, make it work for you, fight the shallows and the snags and never give up. You are a good fellow, forrest, and you have a big heart. Your pal, Dan
Winston Groom (Forrest Gump (Forrest Gump, #1))
How can you be a lighteyes without light eyes?” Teft said with a scowl. “By having dark eyes,” Rock said, as if it were obvious. “We do not pick our leaders this way. Is complicated. But do not interrupt story.” He milked another reed, tossing the husk into a pile beside him. “The nuatoma, they see our lack of Shards as great shame. They want these weapons very badly. It is believed that the nuatoma who first obtains a Shardblade would become king, a thing we have not had for many years. No peak would fight another peak where a man held one of the blessed Blades.” “So you came to buy one?” Kaladin asked. No Shardbearer would sell his weapon. Each was a distinctive relic, taken from one of the Lost Radiants after their betrayal. Rock laughed. “Ha! Buy? No, we are not so foolish as this. But my nuatoma, he knew of your tradition, eh? It says that if a man kills a Shardbearer, he may take the Blade and Plate as his own. And so my nuatoma and his house, we made a grand procession, coming down to find and kill one of your Shardbearers.” Kaladin almost laughed. “I assume it proved more difficult than that.” “My nuatoma was not a fool,” Rock said, defensive. “He knew this thing would be difficult, but your tradition, it gives us hope, you see? Occasionally, a brave nuatoma will come down to duel a Shardbearer. Someday, one will win, and we will have Shards.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
It’s okay to be sad when you mess up, but don’t dwell for too long. The mistake has already been made, and you can’t erase the fact that it happened. You can either learn from it or mope about it.The choice is yours, but remember, we are only human; we were born to make mistakes. Simply put, if you have never made a mistake in your life, then thatmeans that you have never taken a risk. Taking risks means that you go outside ofyour comfort zone – that you go outside of your boundaries. The most successful people are the ones who are not afraid to give it their all and possibly humiliate themselves greatly in front of others. It’s like that one saying, ‘The personwho asks a question is a fool for five minutes, but the person who never asks and remains silent is a fool forever.’ You choose the way you want to live your life.
Sunita
What did theories matter any more? She wanted to say. The rats have taken over the ship, it's often as simple as that; the rest is narcissistic crap. It must be. (...) For exploitation read property and you have the whole bit. First the exploiter hits the wage-slave over the head with his superior wealth; then he brainwashes him into believing that the pursuit of property is a valid motive for breaking him at the grindstone. That way he has him hooked twice over. (...) "You disappoint me, Charlie. All of a sudden you lack consistency. You've made the perceptions. Why don't you go out and do something about them? Why do you appear here one minute as an intellectual who has the eye and brain to see what is not visible to the deluded masses, the next you have not the courage to go out and perform a small service - like theft - like murder - like blowing something up - say, a police station - for the benefit of those whose hearts and minds are enslaved by the capitalist overlords? Come on, Charlie, where's the action? You're the free soul around here. Don't give us the words, give us the deeds." (...) Anger suspended her bewilderment and dulled the pain of her disgrace (...) She wished terribly that she could go mad so that everyone would be sorry for her; she wished she was just a raving lunatic waiting to be let off, not a stupid little fool of a radical actress (...) (part I, chapter 7)
John le Carré (The Little Drummer Girl)
No doubt the world is entirely an imaginary world, but it is only once removed from the true world. At the door of the hovel where I lie, there stands the plank on which the dead are taken away. The gravedigger Jew has his spade ready. The grave waits and the worms are hungry; the shrouds are prepared-! carry them in my beggar's sack. Another shnorrer is waiting to inherit my bed of straw. When the time comes I will go joyfully. Whatever may be there, it will be real, without complication, without ridicule, without deception. God be praised: there even Gimpel cannot be deceived.
Isaac Bashevis Singer (Gimpel the Fool and Other Stories)
Mostly, this was the fault of white, Rust Belt, out-of-work Democrats. They had voted twice for Barack Obama, but now they were being told that they were racists or white supremacists for voting for Trump and giving him an Electoral College edge. The contrarian liberal genius Michael Moore had been a lonely prophet who had seen it coming, but the Clinton team had ignored him, just as they had ignored their own patriarch, Bill Clinton, who sounded the same warning. In a live performance, Moore had teased voters in Wilmington, Ohio, months before the election, telling them that he knew what they were planning to do. And they laughed with him, like guilty children caught in the act by a bemused cousin. He knew they were going to vote for Trump. He didn’t like it, but at least he was one person who could not be fooled. People who had been overlooked, despised, stomped on, used, taken for granted. This was their moment to speak. They had been shamed into telling the pollsters what they wanted to hear, but in the privacy of their polling booths, they had struck a blow. This
Doug Wead (Game of Thorns: The Inside Story of Hillary Clinton's Failed Campaign and Donald Trump's Winning Strategy)
The way they were treated should make you angry,” Richard said as he started away, “but not because you share an attribute with them.” Taken aback by his words, even looking a little hurt, Jennsen didn’t move. “What do you mean?” Richard paused and turned back to her. “That’s how the Imperial Order thinks. That’s how Owen’s people think. It’s a belief in granting disembodied prestige, or the mantle of guilt, to all those who share some specific trait or attribute. “The Imperial Order would like you to believe that your virtue, your ultimate value, or even your wickedness, arises entirely from being born a member of a given group, that free will itself is either impotent or nonexistent. They want you to believe that all people are merely interchangeable members of groups that share fixed, preordained characteristics, and they are predestined to live through a collective identity, the group will, unable to rise on individual merit because there can be no such thing as independent, individual merit, only group merit. “They believe that people can only rise above their station in life when selected to be awarded recognition because their group is due an indulgence, and so a representative, a stand-in for the group, must be selected to be awarded the badge of self-worth. Only the reflected light off this badge, they believe, can bring the radiance of self-worth to others of their group. “But those granted this badge live with the uneasy knowledge that it’s only an illusion of competence. It never brings any sincere self-respect because you can’t fool yourself. Ultimately, because it is counterfeit, the sham of esteem granted because of a connection with a group can only be propped up by force. “This belittling of mankind, the Order’s condemnation of everyone and everything human, is their transcendent judgment of man’s inadequacy. “When you direct your anger at me for having a trait borne by someone else, you pronounce me guilty for their crimes. That’s what happens when people say I’m a monster because our father was a monster. If you admire someone simply because you believe their group is deserving, then you embrace the same corrupt ethics. “The Imperial Order says that no individual should have the right to achieve something on his own, to accomplish what someone else cannot, and so magic must be stripped from mankind. They say that accomplishment is corrupt because it is rooted in the evil of self-interest, therefore the fruits of that accomplishment are tainted by its evil. This is why they preach that any gain must be sacrificed to those who have not earned it. They hold that only through such sacrifice can those fruits be purified and made good. “We believe, on the other hand, that your own individual life is the value and its own end, and what you achieve is yours. “Only you can achieve self-worth for yourself. Any group offering it to you, or demanding it of you, comes bearing chains of slavery.
Terry Goodkind (Naked Empire (Sword of Truth, #8))
I believe that social media has become a treacherous platform for love interests. Before the Internet invaded our lives, I’m sure that each single person liked a lot of people at one time. Before falling into a committed relationship, there are steps taken to get there. Often, this involves talking to and even dating a few people at once. That’s logical. But with Facebook, your competition is suddenly splattered in your face. All I had to do was click onto Number 23’s profile and scan one after another wall post from ladies who may or may not be his mating potentials or mating pasts. I see their names and faces. When I click onto their photos, I open a Pandora’s box into their lives. I see their friends, professions, achievements, hobbies, and bodies. I evaluate, I compare, and when I’m insecure, I tear apart. I copy, paste, email, and text the images to my friends, so that they can assure me that I’m prettier, smarter, have bigger breasts, clearer skin, have something that would make him a fool to want her over me. Suddenly, I am stalking, letting fits of rage overcome me with violent hatred for these women who I’ve never met.
Maggie Georgiana Young (Just Another Number)
Bring Cecily home,” he said curtly. “I won’t have her at risk, even in the slightest way.” “I’ll take care of Cecily,” came the terse reply. “She’s better off without you in her life.” Tate’s eyes widened. “I beg your pardon?” he asked, affronted. “You know what I mean,” Holden said. “Let her heal. She’s too young to consign herself to spinsterhood over a man who doesn’t even see her.” “Infatuation dies,” Tate said. Holden nodded. “Yes, it does. Goodbye.” “So does hero worship,” he continued, laboring the point. “And that’s why after eight years, Cecily has had one raging affair after the other,” he said facetiously. The words had power. They wounded. “You fool,” Holden said in a soft tone. “Do you really think she’d let any man touch her except you?” He went to his office door and gestured toward the desk. “Don’t forget your gadget,” he added quietly. “Wait!” Holden paused with his hand on the doorknob and turned. “What?” Tate held the device in his hands, watching the lights flicker on it. “Mixing two cultures when one of them is all but extinct is a selfish thing,” he said after a minute. “It has nothing to do with personal feelings. It’s a matter of necessity.” Holden let go of the doorknob and moved to stand directly in front of Tate. “If I had a son,” he said, almost choking on the word, “I’d tell him that there are things even more important than lofty principles. I’d tell him…that love is a rare and precious thing, and that substitutes are notoriously unfulfilling.” Tate searched the older man’s eyes. “You’re a fine one to talk.” Holden’s face fell. “Yes, that’s true.” He turned away. Why should he feel guilty? But he did. “I didn’t mean to say that,” Tate said, irritated by his remorse and the other man’s defeated posture. “I can’t help the way I feel about my culture.” “If it weren’t for the cultural difference, how would you feel about Cecily?” Tate hesitated. “It wouldn’t change anything. She’s been my responsibility. I’ve taken care of her. It would be gratitude on her part, even a little hero worship, nothing more. I couldn’t take advantage of that. Besides, she’s involved with Colby.” “And you couldn’t live with being the second man.” Tate’s face hardened. His eyes flashed. Holden shook his head. “You’re just brimming over with excuses, aren’t you? It isn’t the race thing, it isn’t the culture thing, it isn’t even the guardian-ward thing. You’re afraid.” Tate’s mouth made a thin line. He didn’t reply. “When you love someone, you give up control of yourself,” he continued quietly. “You have to consider the other person’s needs, wants, fears. What you do affects the other person. There’s a certain loss of freedom as well.” He moved a step closer. “The point I’m making is that Cecily already fills that place in your life. You’re still protecting her, and it doesn’t matter that there’s another man. Because you can’t stop looking out for her. Everything you said in this office proves that.” He searched Tate’s turbulent eyes. “You don’t like Colby Lane, and it isn’t because you think Cecily’s involved with him. It’s because he’s been tied to one woman so tight that he can’t struggle free of his love for her, even after years of divorce. That’s how you feel, isn’t it, Tate? You can’t get free of Cecily, either. But Colby’s always around and she indulges him. She might marry him in an act of desperation. And then what will you do? Will your noble excuses matter a damn then?
Diana Palmer (Paper Rose (Hutton & Co. #2))
It's a fine day for a prayer. But then, most days are.' 'That's what you were doing? Praying?' At his nod, I asked, 'For what do you petition the gods?' He raised his brows. 'Petition?' 'Isn't that what prayer is? Begging the gods to give you what you want?' He laughed, his voice deep as a booming wind, but kinder. 'I suppose that is how some men pray. Not I. Not anymore.' 'What do you mean?' 'Oh, I think that children pray so, to find a lost doll or that Father will bring home a good haul of fish, or that no one will discover a forgotten chore. Children think they know what is best for themselves, and do not fear to ask the divine for it. But I have been a man for many years, and I should be shamed if I did not know better by now.' I eased my back into a more comfortable position against the railing. I suppose if you are used to the swaying of a ship, it might be restful. My muscles constantly fought against it, and I was beginning to ache in every limb. 'So. How does a man pray, then?' He looked on me with amusement, then levered himself down to sit beside me. 'Don't you know? How do you pray, then?' 'I don't.' And then I rethought, and laughed aloud. 'Unless I'm terrified. Then I suppose I pray as a child does. 'Get me out of this, and I'll never be so stupid again. Just let me live.' He laughed with me. 'Well, it looks as if, so far, your prayers have been granted. And have you kept your promise to the divine?' I shook my head, smiling ruefully. 'I'm afraid not. I just find a new direction to be foolish in.' 'Exactly. So do we all. Hence, I've learned I am not wise enough to ask the divine for anything.' 'So. How do you pray then, if you are not asking for something?' 'Ah. Well, prayer for me is more listening than asking. And, after all these years, I find I have but one prayer left. It has taken me a lifetime to find my prayer, and I think it is the same one that all men find, if they but ponder on it longer enough.
Robin Hobb (Fool's Fate (Tawny Man, #3))
How good one feels when one is full—how satisfied with ourselves and with the world!  People who have tried it, tell me that a clear conscience makes you very happy and contented; but a full stomach does the business quite as well, and is cheaper, and more easily obtained.  One feels so forgiving and generous after a substantial and well-digested meal—so noble-minded, so kindly-hearted. It is very strange, this domination of our intellect by our digestive organs.  We cannot work, we cannot think, unless our stomach wills so.  It dictates to us our emotions, our passions.  After eggs and bacon, it says, “Work!”  After beefsteak and porter, it says, “Sleep!”  After a cup of tea (two spoonsful for each cup, and don’t let it stand more than three minutes), it says to the brain, “Now, rise, and show your strength.  Be eloquent, and deep, and tender; see, with a clear eye, into Nature and into life; spread your white wings of quivering thought, and soar, a god-like spirit, over the whirling world beneath you, up through long lanes of flaming stars to the gates of eternity!” After hot muffins, it says, “Be dull and soulless, like a beast of the field—a brainless animal, with listless eye, unlit by any ray of fancy, or of hope, or fear, or love, or life.”  And after brandy, taken in sufficient quantity, it says, “Now, come, fool, grin and tumble, that your fellow-men may laugh—drivel in folly, and splutter in senseless sounds, and show what a helpless ninny is poor man whose wit and will are drowned, like kittens, side by side, in half an inch of alcohol.” We
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
Even a superstitious man has certain inalienable rights. He has a right to harbor and indulge his imbecilities as long as he pleases, provided only he does not try to inflict them upon other men by force. He has a right to argue for them as eloquently as he can, in season and out of season. He has a right to teach them to his children. But certainly he has no right to be protected against the free criticism of those who do not hold them. He has no right to demand that they be treated as sacred. He has no right to preach them without challenge.... The meaning of religious freedom, I fear, is sometimes greatly misapprehended. It is taken to be a sort of immunity, not merely from governmental control but also from public opinion. A dunderhead gets himself a long-tailed coat, rises behind the sacred desk and emits such bilge as would gag a Hottentot. Is it to pass unchallenged? If so, then what we have is not religious freedom at all, but the most intolerable and outrageous variety of religious despotism. Any fool, once he is admitted to holy orders, becomes infallible. Any half-wit, by the simple device of ascribing his delusions to revelation, takes on an authority that is denied to all the rest of us. (MR 216)
S.T. Joshi (The Unbelievers: The Evolution of Modern Atheism)
It will interest you, as a phenomenon. You see, the fihn studio of today is really the palace of the sixteenth century. There one sees what Shakespeare saw: the absolute power of the tyrant, the courtiers, the flatterers, the jesters, the cunningly atnbitious intriguers. 111ere are fantastically beautiful wo1ne11, there are incompetent favorites. There are great 1nen "vho are suddenly disgr aced. There is the nlost insane extravagance, and unexpected parsimony over a few pence. There is enormous splendor, "vhich is a sham; and also horrible squalor hidden behind the scenery. There are vast schemes, abandoned because of so1ne caprice. There are secrets which everybody knows and no one speaks of. There are even t\;vo or three honest advisers. 111ese are the court fools, ,;vho speak the deepest wisdotn in puns, lest they should be taken seriously. They gritnace, and tear their hair privately, and weep.
Christopher Isherwood (Prater Violet)
Someone else was approaching, and Jackson was none too happy about it. He hadn’t seen Devonmont since the house party and wouldn’t mind never seeing the man again, but since Devonmont was his new sister-in-law’s cousin, that was unlikely. As the man neared them, Celia cast Jackson an assessing glance. “You do know he never meant a thing to me.” “That makes me only slightly less inclined to smash his face in.” “Jackson!” she said laughingly. “You would never do any such thing.” “Try me.” He glanced at her. “Don’t let this sober façade fool you, sweeting. When it comes to you, I can be as jealous as the next man.” “Well, you have no reason.” She leaned up to kiss his cheek and whisper, “You’re the only man I’ll ever love.” He was still reveling in that remark when Devonmont reached them. “I take it this would not be a good time for me to kiss the bride?” he drawled. Jackson glared at him. “That’s what I thought,” Devonmont said, laughing. “But seriously, Pinter, you’re a very lucky man.” “How well I know it,” Jackson said. “And I say most sincerely that your wife is a very lucky woman as well.” Jackson was taken aback. “Thank you, sir,” he managed. After Devonmont nodded and walked away, Celia said, “Surely that softens you toward him a little.” “Perhaps,” Jackson conceded. “Though it’s a good thing Lyons isn’t here. I don’t think I could be civil to both in one day.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
O Thebes! garland yourself in all the green there is — ivy green, olive green, fennel green, growing green, yearning green, wet sap green, new grape green, green of youth and green of branches, green of mint and green of marsh grass, green of tea leaves, oak and pine, green of washed needles and early rain, green of weeds and green of oceans, green of bottles, ferns and apples, green of dawn-soaked dew and slender green of roots, green fresh out of pools, green slipped under fools, green of the green fuse, green of the honeyed muse, green of the rough caress of ritual, green undaunted by reason or delirium, green of jealous joy, green of the secret holy violence of the thyrsos, green of the sacred iridescence of the dancе — and let all the land of Thebes dance! with Dionysos leading, to the mountains! to the mountains! where the mob of women waits! They’ve forsaken their shuttles, they’ve left their looms, they’ve dropped their aprons and taken up their stations on Dionysos’ mountain!
Anne Carson (The Bacchae)
Were you ever in France, Mr. Martin?" said Candide. "Yes," said Martin, "I have been in several provinces. In some one-half of the people are fools, in others they are too cunning; in some they are weak and simple, in others they affect to be witty; in all, the principal occupation is love, the next is slander, and the third is talking nonsense." "But, Mr. Martin, have you seen Paris?" "Yes, I have. All these kinds are found there. It is a chaos—a confused multitude, where everybody seeks pleasure and scarcely any one finds it, at least as it appeared to me. I made a short stay there. On my arrival I was robbed of all I had by pickpockets at the fair of St. Germain. I myself was taken for a robber and was imprisoned for eight days, after which I served as corrector of the press to gain the money necessary for my return to Holland on foot. I knew the whole scribbling rabble, the party rabble, the fanatic rabble. It is said that there are very polite people in that city, and I wish to believe it.
Voltaire (Candide)
[L]ife presents itself by no means as a gift for enjoyment, but as a task, a drudgery to be performed; and in accordance with this we see, in great and small, universal need, ceaseless cares, constant pressure, endless strife, compulsory activity, with extreme exertion of all the powers of body and mind. Many millions, united into nations, strive for the common good, each individual on account of his own; but many thousands fall as a sacrifice for it. Now senseless delusions, now intriguing politics, incite them to wars with each other; then the sweat and the blood of the great multitude must flow, to carry out the ideas of individuals, or to expiate their faults. In peace industry and trade are active, inventions work miracles, seas are navigated, delicacies are collected from all ends of the world, the waves engulf thousands. All push and drive, others acting; the tumult is indescribable. But the ultimate aim of it all, what is it? To sustain ephemeral and tormented individuals through a short span of time in the most fortunate case with endurable want and comparative freedom from pain, which, however, is at once attended with ennui; then the reproduction of this race and its striving. In this evident disproportion between the trouble and the reward, the will to live appears to us from this point of view, if taken objectively, as a fool, or subjectively, as a delusion, seized by which everything living works with the utmost exertion of its strength for some thing that is of no value. But when we consider it more closely, we shall find here also that it is rather a blind pressure, a tendency entirely without ground or motive.
Thomas Ligotti (The Conspiracy Against the Human Race: A Contrivance of Horror)
The story of the “exquisite cadavers” is as follows. In the aftermath of the First World War, a collection of surrealist poets—which included André Breton, their pope, Paul Eluard, and others—got together in cafés and tried the following exercise (modern literary critics attribute the exercise to the depressed mood after the war and the need to escape reality). On a folded piece of paper, in turn, each one of them would write a predetermined part of a sentence, not knowing the others’ choice. The first would pick an adjective, the second a noun, the third a verb, the fourth an adjective, and the fifth a noun. The first publicized exercise of such random (and collective) arrangement produced the following poetic sentence: The exquisite cadavers shall drink the new wine. (Les cadavres exquis boiront le vin nouveau.) Impressive? It sounds even more poetic in the native French. Quite impressive poetry has been produced in such a manner, sometimes with the aid of a computer. But poetry has never been truly taken seriously outside of the beauty of its associations, whether they have been produced by the random ranting of one or more disorganized brains, or the more elaborate constructions of one conscious creator.
Nassim Nicholas Taleb (Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets (Incerto Book 1))
Yet the very smell of food made her stomach oddly unsettled and she set down the bowl of porridge without taking a spoonful. That infuriated Dragon,still watching from the stable. As though the circumstances were not bad enough,a night without sleep had left him even more on edge. It was all he could do not to stomp out into the yard and demand she swallow every bite. After which he would take her in his arms, kiss her lingeringly, beseech her to tell him he could not possibly be wrong to trust her,and generally make a slobbering fool of himself to rival those great dolts Grani and Sleipnir. No,that he would not do. He would instead have a word with the men on the watchtowers, telling them to keep an eye on his wife and leaving them to make of that what they would while he went off to the river, there to immerse himself in blessedly cold water and cast off the shadows of sleeplessness. When he returned, freshly garbed but not having taken time to shave, he found the day unfolding much as usual. People were coming and going about their daily tasks,now that the barn was rebuilt, apparently determined to ignore the fact that the lady of their manor was tied to a punishment post. Not Magda,though. That stalwart passed him with as close to a glare as she would ever come and bustled out to ask Rycca advice about something or other. The sheer ludicrousness of that struck Dragon and he was chuckling when Magda passed by again,which earned him another stern frown. That was the height of levity for the day.Hours passed and nothing happened. Magda came and went,clucking over Rycca's failure to eat and glaring more at Dragon every time she saw him. Several of the other women began to do the same. He took that as an indication that those who had gotten to know Rycca best held her blameless. His venture into Byzantine intrigue of the previous day rankled all the more. He tried not to think about it. The day dragged on. With the stronghold as busy as ever, Dragon told himself no one would be so foolish as to approach Rycca with intent to do her harm. Yet he found excuse after excuse to be in the yard himself.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Once again this unspeakable man had caused her to make a complete fool of herself, and the realization made her eyes blaze with renewed fury as she turned her head and looked at him. Despite Ian’s apparent nonchalance he had been watching her closely, and he stiffened, sensing instinctively that she was suddenly and inexplicably angrier than before. He nodded to the gun, and when he spoke there was no more mockery in his voice; instead it was carefully neutral. “I think there are a few things you ought to consider before you use that.” Though she had no intention of using it, Elizabeth listened attentively as he continued in that same helpful voice. “First of all, you’ll have to be very fast and very calm if you intend to shoot me and reload before Jake there gets to you. Second, I think it’s only fair to warn you that there’s going to be a great deal of blood all over the place. I’m not complaining, you understand, but I think it’s only right to warn you that you’re never again going to be able to wear that charming gown you have on.” Elizabeth felt her stomach lurch. “You’ll hang, of course,” he continued conversationally, “but that won’t be nearly as distressing as the scandal you’ll have to face first.” Too disgusted with herself and with him to react to that last mocking remark, Elizabeth put her chin up and managed to say with great dignity, “I’ve had enough of this, Mr. Thornton. I did not think anything could equal your swinish behavior at our prior meetings, but you’ve managed to do it. Unfortunately, I am not so ill-bred as you and therefore have scruples against assaulting someone who is weaker than I, which is what I would be doing if I were to shoot an unarmed man. Lucinda, we are leaving,” she said, then she glanced back at her silent adversary, who’d taken a threatening step, and she shook her head, saying with extreme, mocking civility, “No, please-do not bother to see us out, sir, there’s no need. Besides, I wish to remember you just as you are at this moment-helpless and thwarted.” It was odd, but now, at the low point of her life, Elizabeth felt almost exhilarated because she was finally doing something to avenge her pride instead of meekly accepting her fate. Lucinda had marched out onto the porch already, and Elizabeth tried to think of something to dissuade him from retrieving his gun when she threw it away outside. She decided to repeat his own advice, which she began to do as she backed away toward the door. “I know you’re loath to see us leave like this,” she said, her voice and her hand betraying a slight, fearful tremor. “However, before you consider coming after us, I beg you will take your own excellent advice and pause to consider if killing me is worth hanging for.” Whirling on her heel, Elizabeth took one running step, then cried out in pained surprise as she was jerked off her feet and a hard blow to her forearm sent the gun flying to the floor at the same time her arm was yanked up and twisted behind her back. “Yes,” he said in an awful voice near her ear, “I actually think it would be worth it.” Just when she thought her arm would surely snap, her captor gave her a hard shove that sent her stumbling headlong out into the yard, and the door slammed shut behind her. “Well! I never,” Lucinda said, her bosom heaving with rage as she glowered at the closed door. “Neither have I,” said Elizabeth, shaking dirt off her hem and deciding to retreat with as much dignity as possible. “We can talk about what a madman he is once we’re down the path, out of sight of the house. So if you’ll please take that end of the trunk?” With a black look Lucinda complied, and they marched down the path, both of them concentrating on keeping their backs as straight as possible.
Judith McNaught (Almost Heaven (Sequels, #3))
The Levellers . . . only change and pervert the natural order of things: they load the edifice of society by setting up in the air what the solidity of the structure requires to be on the ground. . . . Far am I from denying in theory, full as far is my heart from withholding in practice (if I were of power to give or to withhold), the real rights of men. In denying their false claims of right, I do not mean to injure those which are real, and are such as their pretended rights would totally destroy. . . . In this partnership all men have equal rights; but not to equal things. . . . Government is a contrivance of human wisdom to provide for human wants. Men have a right that these wants should be provided for by this wisdom. Among these wants is to be reckoned the want, out of civil society, of a sufficient restraint upon their passions. Society requires not only that the passions of individuals should be subjected, but that even in the mass and body, as well as in the individuals, the inclinations of men should frequently be thwarted, their will controlled, and their passions brought into subjection. This can only be done by a power out of themselves, and not, in the exercise of its function, subject to that will and to those passions which it is its office to bridle and subdue. In this sense the restraints on men, as well as their liberties, are to be reckoned among their rights. . . . Society is, indeed, a contract. Subordinate contracts for objects of mere occasional interest may be dissolved at pleasure; but the state ought not to be considered as nothing better than a partnership agreement in a trade of pepper and coffee, calico or tobacco, or some other such low concern, to be taken up for a little temporary interest, and to be dissolved by the fancy of the parties. It is to looked on with other reverence; because it is not a partnership in things subservient only to the gross animal existence of a temporary and perishable nature. It is a partnership in all science, a partnership in all art, a partnership in every virtue and in all perfection. As the ends of such a partnership cannot be obtained in many generations, it becomes a partnership not only between those who are living, but between those who are living, those who are dead, and those who are to be born. . . . You would not cure the evil by resolving that there should be no more monarchs, nor ministers of state, nor of the Gospel— no interpreters of law, no general officers, no public councils. You might change the names: the things in some shape must remain. A certain quantum of power must always exist in the community, in some hands, and under some appellation. Wise men will apply their remedies to vices, not to names— to the causes of evil, which are permanent, not to the occasional organs by which they act, and the transitory modes in which they appear. Otherwise you will be wise historically, a fool in practice. . . . The effects of the incapacity shown by the popular leaders in all the great members of the commonwealth are to be covered with the 'all-atoning name' of Liberty. . . . But what is liberty without wisdom and without virtue? It is the greatest of all possible evils; for it is folly, vice, and madness, without tuition or restraint. Those who know what virtuous liberty is cannot bear to see it disgraced by incapable heads, on account of their having high-sounding words in their mouths. . . . To make a government requires no great prudence. Settle the seat of power, teach obedience, and the work is done. To give freedom is still more easy. It is not necessary to guide; it only requires to let go the rein. But to form a free government, that is to temper together these opposite elements of liberty and restraint in one consistent work, requires much thought, deep reflection, a sagacious, powerful, and combining mind.
Edmund Burke
Last Thoughts On Woody Guthrie When yer head gets twisted and yer mind grows numb When you think you're too old, too young, too smart or too dumb When yer laggin' behind an' losin' yer pace In a slow-motion crawl of life's busy race No matter what yer doing if you start givin' up If the wine don't come to the top of yer cup If the wind's got you sideways with with one hand holdin' on And the other starts slipping and the feeling is gone And yer train engine fire needs a new spark to catch it And the wood's easy findin' but yer lazy to fetch it And yer sidewalk starts curlin' and the street gets too long And you start walkin' backwards though you know its wrong And lonesome comes up as down goes the day And tomorrow's mornin' seems so far away And you feel the reins from yer pony are slippin' And yer rope is a-slidin' 'cause yer hands are a-drippin' And yer sun-decked desert and evergreen valleys Turn to broken down slums and trash-can alleys And yer sky cries water and yer drain pipe's a-pourin' And the lightnin's a-flashing and the thunder's a-crashin' And the windows are rattlin' and breakin' and the roof tops a-shakin' And yer whole world's a-slammin' and bangin' And yer minutes of sun turn to hours of storm And to yourself you sometimes say "I never knew it was gonna be this way Why didn't they tell me the day I was born" And you start gettin' chills and yer jumping from sweat And you're lookin' for somethin' you ain't quite found yet And yer knee-deep in the dark water with yer hands in the air And the whole world's a-watchin' with a window peek stare And yer good gal leaves and she's long gone a-flying And yer heart feels sick like fish when they're fryin' And yer jackhammer falls from yer hand to yer feet And you need it badly but it lays on the street And yer bell's bangin' loudly but you can't hear its beat And you think yer ears might a been hurt Or yer eyes've turned filthy from the sight-blindin' dirt And you figured you failed in yesterdays rush When you were faked out an' fooled white facing a four flush And all the time you were holdin' three queens And it's makin you mad, it's makin' you mean Like in the middle of Life magazine Bouncin' around a pinball machine And there's something on yer mind you wanna be saying That somebody someplace oughta be hearin' But it's trapped on yer tongue and sealed in yer head And it bothers you badly when your layin' in bed And no matter how you try you just can't say it And yer scared to yer soul you just might forget it And yer eyes get swimmy from the tears in yer head And yer pillows of feathers turn to blankets of lead And the lion's mouth opens and yer staring at his teeth And his jaws start closin with you underneath And yer flat on your belly with yer hands tied behind And you wish you'd never taken that last detour sign And you say to yourself just what am I doin' On this road I'm walkin', on this trail I'm turnin' On this curve I'm hanging On this pathway I'm strolling, in the space I'm taking In this air I'm inhaling Am I mixed up too much, am I mixed up too hard Why am I walking, where am I running What am I saying, what am I knowing On this guitar I'm playing, on this banjo I'm frailin' On this mandolin I'm strummin', in the song I'm singin' In the tune I'm hummin', in the words I'm writin' In the words that I'm thinkin' In this ocean of hours I'm all the time drinkin' Who am I helping, what am I breaking What am I giving, what am I taking But you try with your whole soul best Never to think these thoughts and never to let Them kind of thoughts gain ground Or make yer heart pound ...
Bob Dylan
When he was gone the men on the bench began to laugh. One of them rose to better see the map. Es un fantasma, he said. Fantasma? Sí, sí. Claro. Cómo? Cómo? Porque el viejo está loco es como. Loco? Billy stood looking at the map. No es correcto? he said. The man threw up his hands. He said that what they beheld was but a decoration. He said that anyway it was not so much a question of a correct map but of any map at all. He said that in that country were fires and earthquakes and floods and that one needed to know the country itself and not simply the landmarks therein. Besides, he said, when had that old man last journeyed to those mountains? Or journeyed anywhere at all? His map was after all not really so much a map as a picture of a voyage. And what voyage was that? And when? Un dibujo de un viaje, he said. Un viaje pasado, un viaje antigun. He threw up one hand in dismissal. As if no more could be said. Billy looked at the other three men on the bench. They watched with a certain brightness of eye so that he wondered if he were being made a fool of. But the one seated at the right leaned forward and tapped the ash from his cigarette and addressed the man standing and said that as far as that went there were certainly other dangers to a journey than losing one's way. He said that plans were one thing and journeys another. He said it was a mistake to discount the good will inherent in the old man's desire to guide them for it too must be taken into account and would in itself lend strength and resolution to them in their journey. The man who was standing weighed these words and then erased them in the air before him with a slow fanning motion of his forefinger. He said that the jovenes could hardly be expected to apportion credence in the matter of the map. He said that in any case a bad map was worse than no map at all for it engendered in the traveler a false confidence and might easily cause him to set aside those instincts which would otherwise guide him if he would but place himself in their care. He said that to follow a false map was to invite disaster. He gestured at the sketching in the dirt. As if to invite them to behold its futility. The second man on the bench nodded his agreement in this and said that the map in question was a folly and that the dogs in the street would piss upon it. But man on the right only smiled and said that for that matter the dogs would piss upon their graves as well and how was this an argument? The man standing said that what argued for one case argued for all and that in any event our graves make no claims outside of their own simple coordinates and no advice as to how to arrive there but only the assurance that arrive we shall. It may even be that those who lie in desecrated graves-by dogs of whatever manner-could have words of a more cautionary nature and better suited to the realities of the world. At this the man at the left who'd so far not spoke at all rose laughing and gestured for the two boys to follow and they went with him out of the square and into the street leaving the disputants to their rustic parkbench tertulia.
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
How I Got That Name Marilyn Chin an essay on assimilation I am Marilyn Mei Ling Chin Oh, how I love the resoluteness of that first person singular followed by that stalwart indicative of “be," without the uncertain i-n-g of “becoming.” Of course, the name had been changed somewhere between Angel Island and the sea, when my father the paperson in the late 1950s obsessed with a bombshell blond transliterated “Mei Ling” to “Marilyn.” And nobody dared question his initial impulse—for we all know lust drove men to greatness, not goodness, not decency. And there I was, a wayward pink baby, named after some tragic white woman swollen with gin and Nembutal. My mother couldn’t pronounce the “r.” She dubbed me “Numba one female offshoot” for brevity: henceforth, she will live and die in sublime ignorance, flanked by loving children and the “kitchen deity.” While my father dithers, a tomcat in Hong Kong trash— a gambler, a petty thug, who bought a chain of chopsuey joints in Piss River, Oregon, with bootlegged Gucci cash. Nobody dared question his integrity given his nice, devout daughters and his bright, industrious sons as if filial piety were the standard by which all earthly men are measured. * Oh, how trustworthy our daughters, how thrifty our sons! How we’ve managed to fool the experts in education, statistic and demography— We’re not very creative but not adverse to rote-learning. Indeed, they can use us. But the “Model Minority” is a tease. We know you are watching now, so we refuse to give you any! Oh, bamboo shoots, bamboo shoots! The further west we go, we’ll hit east; the deeper down we dig, we’ll find China. History has turned its stomach on a black polluted beach— where life doesn’t hinge on that red, red wheelbarrow, but whether or not our new lover in the final episode of “Santa Barbara” will lean over a scented candle and call us a “bitch.” Oh God, where have we gone wrong? We have no inner resources! * Then, one redolent spring morning the Great Patriarch Chin peered down from his kiosk in heaven and saw that his descendants were ugly. One had a squarish head and a nose without a bridge Another’s profile—long and knobbed as a gourd. A third, the sad, brutish one may never, never marry. And I, his least favorite— “not quite boiled, not quite cooked," a plump pomfret simmering in my juices— too listless to fight for my people’s destiny. “To kill without resistance is not slaughter” says the proverb. So, I wait for imminent death. The fact that this death is also metaphorical is testament to my lethargy. * So here lies Marilyn Mei Ling Chin, married once, twice to so-and-so, a Lee and a Wong, granddaughter of Jack “the patriarch” and the brooding Suilin Fong, daughter of the virtuous Yuet Kuen Wong and G.G. Chin the infamous, sister of a dozen, cousin of a million, survived by everbody and forgotten by all. She was neither black nor white, neither cherished nor vanquished, just another squatter in her own bamboo grove minding her poetry— when one day heaven was unmerciful, and a chasm opened where she stood. Like the jowls of a mighty white whale, or the jaws of a metaphysical Godzilla, it swallowed her whole. She did not flinch nor writhe, nor fret about the afterlife, but stayed! Solid as wood, happily a little gnawed, tattered, mesmerized by all that was lavished upon her and all that was taken away!
Marilyn Chin