Taj Love Quotes

Taj Mahal is not just a monument, but a symbol of love.

Shah Jahan who proved an emperor to be shorter than a lover, who turned a grave into a temple who gave his beloved a place of God and converted love into a prayer.

I found the Taj Mahal as the most appropriate example of artistically expressed love.

Rahul had wondered how someone could love their beloved so much that their dedication to them became one of the wonders of the world.

She is the glorious reincarnation of every woman ever loved. It was her face that launched the Trojan War, her untimely demise that inspired the building of India's Taj Mahal. She is every angel in Michelangelo's Sistine Chapel.

All right fine!” she snapped. “I’m in love with you. There. I said it. Now get over yourself.” “You know, I think those are the words written on the Taj Mahal: ‘I said it. Now get over yourself.’ Some of the greatest love stories have started with those words.

The world believes it was built by love but reading Shah Jahan’s own words on the Taj, one could say it was grief that built the Taj Mahal and it was sorrow that saw it through sixteen years till completion.

When you left you left behind a field of silent flowers under a sky full of unstirred clouds...you left a million butterflies mid-silky flutters You left like midnight rain against my dreaming ears Oh and how you left leaving my coffee scentless and my couch comfortless leaving upon my fingers the melting snow of you you left behind a calendar full of empty days and seasons full of aimless wanders leaving me alone with an armful of sunsets your reflection behind in every puddle your whispers upon every curtain your fragrance inside every petal you left your echoes in between the silence of my eyes Oh and how you left leaving my sands footless and my shores songless leaving me with windows full of moistened moonlight nights and nights of only a half-warmed soul and when you left... you left behind a lifetime of moments untouched the light of a million stars unshed and when you left you somehow left my poem...unfinished. (Published in Taj Mahal Review Vol.11 Number 1 June 2012)

Ubi me prejaka reč. Ne stigoh da se sklonim. Reče je ona jutros, uz slavujevu pesmu. Sad neku tugu tešku iz sebe zalud gonim, To njeno zbogom beše premnogo i za česmu MOJIH MUCAVIH REČI I BOLNOG PONIŽENJA... I puče reč kao bič, fijukom za sva vremena, Dok se još nečem nadah, dok bejah sav sa sobom. Sad sam niko i ništa – sam sebi svoja sena, Osušen bor na hridi pred vetrovitim dobom UBI ME PREJAKA REČ, UMREŠE SNOVIĐENJA... Ne reče ko je krivac za taj metak od reči, Nekuda odskakuta, sva gipka kao srna... U meni prošlo vreme kao parastos ječi, A negde ispred oka mota se kosa crna I OKO, BADEM ZRELI, NADOŠLO ZA VOLJENJA... Možda ću doći sebi kada pobegnu laste, Kad leto zaboravim i sav u jesen odem. Kad lepo što je, zaspi, a noć počne da raste U meni i za mene, kad mrak okom ubodem... UBI ME PREJAKA REČ, UMREŠE SNOVIĐENJA... U toj ću noći i ja sa svojim snom umreti, Kunući ono zbogom što ga izreče ona. A nije dobro nikom svom bolu da se sveti, Neka sve ide Nebu, nek' sudi Vasiona... UBI ME PREJAKA REČ, UMREŠE SVA VOLJENJA...

I think of how the Taj embodies both love and grief. So did my friendship with Melissa. In life, I’m realizing, you don’t get one without the other.

The four borders of the Taj Mahal are designed to be identical, as if there were a mirror situated on one side, though one can never tell on which one. Stone reflected in the water. God reflected in human beings. Love reflected in heartbreak. Truth reflected in stories. We live, toil and die under the same invisible dome. Rich and poor, Mohammedan and baptized, free and slave, man and woman, Sultan and mahout, master and apprentice … I have come to believe that if there is one shape that reaches out to all of us, it is the dome. That is where all the distinctions disappear and every single sound, whether of joy or sorrow, merges into one huge silence of all-encompassing love. When I think of this world in such a way, I feel dazed and disoriented, and cannot tell any longer where the future begins and the past ends; where the West falls and the East rises.

Shah Jahan built Taj Mahal because he was a king, I wrote a beautiful book for my wife, though I was never an Author…

K'o magle što nema ni trag Po zelenim brdima sad, Tako moj ne ostaje trag Na tvom telu nigde, nikad. Vetar i soko kad su jedno, Kuda minu taj tren i dan? Tako na čas mi smo jedno A onda tišina i san. K'o zvezde noću nad nama Što sjaje skrite u tami, Tako svetlost je u nama I kad smo daleko, sami.

We have scholars galore, and kings and emperors, and statesmen and military leaders, and artists in profusion, and inventors, discoverers, explorers - but where are the great lovers? After a moment's reflection one is back to Abelard and Heloise, or Anthony and Cleopatra, or the story of the Taj Mahal. So much of it is fictive, expanded and glorified by the poverty-stricken lovers whose prayers are answered only by myth and legend.

I may be a monster, but I’m a sensitive monster… I went to church, I have a sister, I’m Italian, and I’ve probably seen the sun set and rise as many times as anyone. I liked cutting the umbilical cord at my son Taj’s birth. I liked smelling the placenta. I like the act of making love rather than saying, “I fucked you!” If anybody wants to see the spiritual side of Steven Tyler, well, it’s fucking there!

Once upon a teenage mistake, Ash thought he was in forever love, the kind of love that started wars and built the Taj Mahal. He knew at that moment how wrong he'd been. Without his even realizing it, Ash had fallen for Fee, harder and faster than he'd ever fallen for anyone. This was the love he'd thought he'd had before, but there was no real comparison between the two. It was like putting a matchstick beside a raging inferno—one of them would be completely consumed.

Tale of Taj al-Muluk and the Princess Dunya (The Lover and the Loved).

You’re still in love with her. She makes you want to live life. Personally, and this is just me, man, if I ever met a woman who saved me that way, I’d devote some temples to her or something. That’s how the Taj Mahal got started, I’m sure.

Most stupid Question Most of the time people ask What is Important for you Love Or Money My Answer :- Love inspire to Build Taj Mahal And Money Full fill the Dream Love Inspire you to give good life to your family and Money Do it For survive Soul, you need love For survive Body,You need Money

Međutim, onaj ko ne voli pripadnike drugih naroda, ne voli, naglasio sam, ni svoj narod, te ako kažem da ne volim strance, ja u isto vreme priznajem da živim u praznini, lišen bilo čije ljubavi. A onaj u kome nema ljubavi, ni podarene ni ponuđene, taj i više nije ljudsko biće, jer ljubav je ono što nas definiše u sistemu prirode koju nastanjujemo.

I recognized the great monument from the illustration in the copy of /The Jungle Book/ that my mother kept in the top drawer of my bedside table. When I went with Sophia to the Taj Mahal for the first time, I was not as enchanted by the real mausoleum as I had been by its plaster, paint, and paper replica in the studio; the original posed a dreadfully seductive promise in cool marble of a strangely painful loveliness, a lover's lie that death itself might in some mysterious way, because of love, be lovely.

I looked into the wind, feeling the day alternately warm and cool and warm again on my face and arms as the breeze turned and returned across the bay. A small fleet of fishing canoes drifted past us on their way back to the fishermen’s sandy refuge near the slum. I suddenly remembered the day in the rain, sailing in a canoe across the flooded forecourt of the Taj Mahal Hotel and beneath the booming, resonant dome of the Gateway Monument. I remembered Vinod’s love song, and the rain that night as Karla came into my arms.

We entered the Taj Mahal, the most romantic place on the planet, and possibly the most beautiful building on earth. We ate curry with our driver in a Delhi street café late at night and had the best chicken tikka I’ve ever tasted in an Agra restaurant. After the madness of Delhi, we were astonished that Agra could be even more mental. And we loved it. We marvelled at the architecture of the Red Fort, where Shah Jahan spent the last three years of his life, imprisoned and staring across at the Taj Mahal, the tomb of his favourite wife. We spent two days in a village constructed specifically for tiger safaris, although I didn’t see a tiger, my wife and son were more fortunate. We noticed in Mussoorie, 230 miles from the Tibetan border, evidence of Tibetan features in the faces of the Indians, and we paid just 770 rupees for the three of us to eat heartily in a Tibetan restaurant. Walking along the road accompanied by a cow became as common place as seeing a whole family of four without crash helmets on a motorcycle, a car going around a roundabout the wrong way, and cars approaching towards us on the wrong side of a duel carriageway. India has no traffic rules it seems.

Many people don’t realize this, but the Taj Mahal is a single mausoleum, designed, constructed, and maintained for one woman: Mumtaz Mahal, the favorite wife of Emperor Shah Jahan. The emperor was so distressed by the death of his beloved that he commissioned the construction of the Taj Mahal. He preserved her body for the more than twenty years it took to build (from 1632 to 1653); he spent thirty-two million rupees (nearly a billion dollars in today’s currency), and employed twenty thousand of the world’s greatest artisans, imported Italian marble (which was not an easy thing to do in seventeenth-century India—and not to mention that India had its own makrana marble he could have been using), all to create a private tomb worthy of his lost love.

Elephanta caves, Mumbai-- I entered a world made of shadows and sudden brightness. The play of the light, the vastness of the space and its irregular form, the figures carved on the walls: all of it gave the place a sacred character, sacred in the deepest meaning of the word. In the shadows were the powerful reliefs and statues, many of them mutilated by the fanaticism of the Portuguese and the Muslims, but all of them majestic, solid, made of a solar material. Corporeal beauty, turned into living stone. Divinities of the earth, sexual incarnations of the most abstract thought, gods that were simultaneously intellectual and carnal, terrible and peaceful. ............................................................................ Gothic architecture is the music turned to stone; one could say that Hindu architecture is sculpted dance. The Absolute, the principle in whose matrix all contradictions dissolve (Brahma), is “neither this nor this nor this.” It is the way in which the great temples at Ellora, Ajanta, Karli, and other sites were built, carved out of mountains. In Islamic architecture, nothing is sculptural—exactly the opposite of the Hindu. The Red Fort, on the bank of the wide Jamuna River, is as powerful as a fort and as graceful as a palace. It is difficult to think of another tower that combines the height, solidity, and slender elegance of the Qutab Minar. The reddish stone, contrasting with the transparency of the air and the blue of the sky, gives the monument a vertical dynamism, like a huge rocket aimed at the stars. The mausoleum is like a poem made not of words but of trees, pools, avenues of sand and flowers: strict meters that cross and recross in angles that are obvious but no less surprising rhymes. Everything has been transformed into a construction made of cubes, hemispheres, and arcs: the universe reduced to its essential geometric elements. The abolition of time turned into space, space turned into a collection of shapes that are simultaneously solid and light, creations of another space, made of air. There is nothing terrifying in these tombs: they give the sensation of infinity and pacify the soul. The simplicity and harmony of their forms satisfy one of the most profound necessities of the spirit: the longing for order, the love of proportion. At the same time they arouse our fantasies. These monuments and gardens incite us to dream and to fly. They are magic carpets. Compare Ellora with the Taj Mahal, or the frescoes of Ajanta with Mughal miniatures. These are not distinct artistic styles, but rather two different visions of the world.

Not long after I learned about Frozen, I went to see a friend of mine who works in the music industry. We sat in his living room on the Upper East Side, facing each other in easy chairs, as he worked his way through a mountain of CDs. He played “Angel,” by the reggae singer Shaggy, and then “The Joker,” by the Steve Miller Band, and told me to listen very carefully to the similarity in bass lines. He played Led Zeppelin’s “Whole Lotta Love” and then Muddy Waters’s “You Need Love,” to show the extent to which Led Zeppelin had mined the blues for inspiration. He played “Twice My Age,” by Shabba Ranks and Krystal, and then the saccharine ’70s pop standard “Seasons in the Sun,” until I could hear the echoes of the second song in the first. He played “Last Christmas,” by Wham! followed by Barry Manilow’s “Can’t Smile Without You” to explain why Manilow might have been startled when he first heard that song, and then “Joanna,” by Kool and the Gang, because, in a different way, “Last Christmas” was an homage to Kool and the Gang as well. “That sound you hear in Nirvana,” my friend said at one point, “that soft and then loud kind of exploding thing, a lot of that was inspired by the Pixies. Yet Kurt Cobain” — Nirvana’s lead singer and songwriter — “was such a genius that he managed to make it his own. And ‘Smells Like Teen Spirit’?” — here he was referring to perhaps the best-known Nirvana song. “That’s Boston’s ‘More Than a Feeling.’ ” He began to hum the riff of the Boston hit, and said, “The first time I heard ‘Teen Spirit,’ I said, ‘That guitar lick is from “More Than a Feeling.” ’ But it was different — it was urgent and brilliant and new.” He played another CD. It was Rod Stewart’s “Do Ya Think I’m Sexy,” a huge hit from the 1970s. The chorus has a distinctive, catchy hook — the kind of tune that millions of Americans probably hummed in the shower the year it came out. Then he put on “Taj Mahal,” by the Brazilian artist Jorge Ben Jor, which was recorded several years before the Rod Stewart song. In his twenties, my friend was a DJ at various downtown clubs, and at some point he’d become interested in world music. “I caught it back then,” he said. A small, sly smile spread across his face. The opening bars of “Taj Mahal” were very South American, a world away from what we had just listened to. And then I heard it. It was so obvious and unambiguous that I laughed out loud; virtually note for note, it was the hook from “Do Ya Think I’m Sexy.” It was possible that Rod Stewart had independently come up with that riff, because resemblance is not proof of influence. It was also possible that he’d been in Brazil, listened to some local music, and liked what he heard.

At the tail end of the Steel Wheels tour we liberated Prague, or so it felt. We played a concert there soon after the revolution that ended the communist regime. 'Tanks Roll Out, Stones Roll In' was the headline. It was a great coup by Václav Havel, the politician who had taken Czechoslovakia through a bloodless coup only months earlier, a brilliant move. Tanks were going out, and now we're going to have the Stones. We were glad to be part of it. Havel is perhaps the only head of state who has made, or would imagine making, a speech about the role that rock music played in political events leading to a revolution in the Eastern Bloc of Europe. He is the one politician I'm proud to have met. Lovely guy. He had a huge brass telescope in the palace, once he was president, and it was focused on the prison cell where he did six years. 'And every day I look through there to try and figure things out.' We lit the state palace for him. They couldn't afford to do it, so we asked Patrick Woodroffe, our lighting guru, to relight the huge castle. Patrick set him up, Taj Mahal'd him. We gave Václav this little white remote control with a tongue on it. He was like a kid, pushing buttons and going, whoa! It's not often you get to hang with presidents like that and say, Jesus, I like the cat.

Profound love, respect, spirituality, superstition, pietism: the path to eminence.

Groceries, baby, listen to your friend Richard. You go set your lily-white ass down in that meditation cave every day for the next three months and I promise you this--you're gonna start seeing some stuff that's so damn beautiful it'll make you wanna throw rocks at the Taj Mahal.

The large hall, together with the tomb chamber over the actual burials below and the outer dome above, was the Taj Mahal’s core. A bronze lamp hanging above the cenotaphs cast a golden glow. During the day nobody noticed the lamp, even fewer were aware of its romantic history. A gift from Lord Curzon, a viceroy of British India, it was inlaid with silver and gold, and modelled on the design of a lamp that hung in the mosque of Sultan Beybars II of Cairo. The story went that on a visit to the Taj, Lord Curzon was so dismayed by the smoky country lanterns used by his guides to show him around, that he resolved to present the Taj with worthy lighting. For a century now, Mehrunisa reflected, an Englishman’s love had illuminated the imperial Mughal tomb.

In portraiture I look for people that I recognise - 'Look, it's Uncle Tony' - or for the faces of film stars. The Madame Tussaud's school of art appreciation. In realist works I look for detail; 'Look at the eyelashes!' I say, in idiotic admiration at the fineness of the brush. 'Look at the reflection in his eye!' In abstract art I look for colour - 'I love the blue' as if the works of Rothko and Mondrian were little more than immense paint charts. I understand the superficial thrill of seeing the object in the flesh, so to speak; the sightseeing approach that lumps together the Grand Canyon, the Taj Mahal and the Sistine Chapel as items to tick off. I understand rarity and uniqueness, the 'how much?' school of criticism.

Can’t change the meaning of the “N” word. There’s no endearment, love, or fellowship in its use-- just ignorance and hate.

Svaka žena može da vam izgleda interesantnije od vaše supruge; ona samo davi. Ono što vi međutim ne znate je da se sve žene vode istom filozofijom. Dan ili dva su zanimjive, a kad vas se dočešaju, počinje prava stvar - počinju da dave. Isto važi i za muškarce. Kada upozna ženu na plaži, u parku, pored reke, pretvara se da je Aleksandar Veliki, hoda kao lav. A za dva dana se isti taj muškarac pretvori u pacova.

Uspješan suživot zahtijeva da se razlike između dvije osobe u najmanju ruku svedu na točku međusobnog toleriranja, premda je taj stupanj često moguće dostići tek nakon što se volja barem jedne od dviju strana smanji toliko da je njome moguće upravljati - otprilike kao kada se tumor izloži golemoj dozi radijacije.

This is something that her friends in relationships love to do, she's discovering; they want to play the game, spin through faces, imagine. This is why Taj is better to talk to: with Taj, she doesn't feel like she's a vicarious little adventure, five minutes of make-believe.

Ne možete ponoviti trenutak kad ste nekome prvi put obećali ljubav ili kad ste prvi put osjetili da vas netko voli. Ne možete ponovno proživjeti taj osjećaj straha, divljenja, nesigurnosti, strasti i želje jer se nikad ne dogodi dvaput. Tražite ga ponovno do kraja života, ali nikad se ne ponovi. To ne znači da ne možete voljeti drugu osobu ili nastaviti sa životom; samo znači da se jedan spontani trenutak, sekunda u kojoj ste se odlučili na to, kad vam je srce lupalo, a glava bila prepuna pitanja Što ako? – taj trenutak – neće više nikada dogoditi na isti način. Nikada neće biti intenzivan kao prvi put.

„Ne možete ponoviti trenutak kad ste nekome prvi put obećali ljubav ili kad ste prvi put osjetili da vas netko voli. Ne možete ponovno proživjeti taj osjećaj straha, divljenja, nesigurnosti, strasti i želje jer se nikad ne dogodi dvaput. Tražite ga ponovno do kraja života, ali nikad se ne ponovi. To ne znači da ne možete voljeti drugu osobu ili nastaviti sa životom; samo znači da se jedan spontani trenutak, sekunda u kojoj ste se odlučili na to, kad vam je srce lupalo, a glava bila prepuna pitanja Što ako? – taj trenutak – neće više nikada dogoditi na isti način. Nikada neće biti intenzivan kao prvi put.

But the journey to the building of the Taj Mahal is not straightforward. It involves monstrous egos, a flawless aesthetic vision, profligacy and also, fragile as the bulbul’s song, love.

There are seven wonders in India and the Taj mahal is one of them. Shah Jahan built the Taj Mahal in Agra, Uttar Pradesh, In 1653 after the death of Mumtaz, his loved one. It was built over 22 years with the help of 20,000 craftsmen and 1,000 elephants. It is not only one of the wonders of India, but also one of the wonders of the world, and remains very popular with tourists from across the globe.

Bitter truth about money Money can't buy you everything. True !! But the whole needs of your life, bread, food, home, medicine, education—nobody gifts you your whole life, nor is it free. Money is not so important.Yeh, absolutely right. Ohhh but it's just controlling, ruling, and running the whole world. And every second of life depends on this unimportant thing. Every bad thing happens just because of money. Problems in relationships, problems in nature, proud behavior, right? HUMAN..Human is evil; he needs something to blame for all his crimes.Money is an object and an easy, soft target. What's important in life? Money or love? The answer is simple. Love inspired to build the Taj Mahal. and Money fulfilled the dream. After all, we must learn to be happy in situations where we are. God is with One Who knows patient

Shah Jahan built Taj Mahal for his wife, I wrote a book..

You took away the meaning of temporary and threw the winds of eternity at me

For many, the Taj Mahal is the most romantic monument in the world, an extraordinary demonstration of a husband’s love for his wife. But it represents something else too: globalised international trade that brought such wealth to the Mughal ruler that he was able to contemplate this extraordinary gesture to his beloved spouse. His ability to complete it stemmed from the profound shifts in the world’s axis, for Europe and India’s glory came at the expense of the Americas.

No dust from her behavior ever settled on the mirror of the Emperor's mind. (Court Poet)

Love is not about with whom you sleep, Love is all about with whom you rest in peace" (Symbol of Love - Taj Mahal)

Znaš li da je najmanji kamen najteže razbiti? Taj kamen...baš to smo mi.

I’ve been around the world, and I thought I’d seen everything it had to offer until that night, until I saw you. In all my life, I’ve never seen anything so beautiful, not standing in the Blue Mosque or the Taj Mahal. Not in the streets of Rome or canals of Venice. Making you smile gives me life. Making you laugh gives me hope. Making you happy is all I want, other than to keep you

We have choices! We have her grandmother’s green curry chicken, a spicy lamb with red chilies and Thai basil, crab-stuffed prawns with bucatini pasta and blistered Marzano tomatoes, whatever ‘blistered’ means. She also did a porcini-mushroom-and-Gruyère-stuffed pork tenderloin with a spinach-and-Parmesan risotto, a curried ginger-and-carrot soup with seared scallops, and those green beans with crispy lardons that you love.

An incel is angry about being a virgin. You’re an angry guy. Six billion enemies, zero friends, zero-plus lovers. Furious. So many resentments. I’m just wondering who you were really trying to kill. Some girl who brushed you off? Some guy at the gym or on the Israeli border? Maybe your mother? That’s what one of my friends thinks, and she’s a lot smarter than me. Was I the proxy murderee? Whose face did you see when you were stabbing me?This conversation is over.No, no. The point about this is, it’s happening in my head, so it’s not over until my head says it is. You don’t even have to think of things to say. I’ll put the words into your mouth.Then they will be worthless.I’m thinking about some other killers who were motivated by religion: the men in the hijacked airplanes on September 11, 2001, and the men in Mumbai murderously attacking the Taj Palace and Oberoi hotels, a Jewish Chabad center, and the much-loved Leopold Café, on November 26, 2008.

I don’t believe that building the Taj Mahal for Mumtaz is the truest expression of love. Instead, I see love in Dashrath Manjhi, who broke through a mountain with his bare hands—for his wife, for her dreams, for their unbreakable bond.

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