Taffy Quotes

We've searched our database for all the quotes and captions related to Taffy. Here they are! All 100 of them:

We walked on the beach, fed blue corn ships to the seagulls, and munched on blue jelly beans, blue saltwater taffy and all the other free samples my mom brought home from work. I guess I should explain the blue food. See, Gabe had once told my mom there was no such thing. They had this fight, which seemed like a really small thing at the time. But ever since, my mom went out of her way to eat blue. She baked blue birthday cakes. She mixed blueberry smoothies. She bought blue-corn tortilla chips and brought home blue candy from the shop.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
It's strange how memory gets twisted and pulled like taffy in its retelling, how a single event can mean something different to everyone present.
Lisa Unger (Beautiful Lies (Ridley Jones, #1))
There's nothing wrong with stretching the truth. We stretch taffy, and that just makes it more delicious.
Stephen Colbert
A wife isn’t like an ultra-girlfriend or a permanent girlfriend. She’s an entirely new thing. She’s something you made together, with you as an ingredient. She couldn’t be the wife without you.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Whatever kind of woman you are, even when you’re a lot of kinds of women, you’re still always just a woman, which is to say you’re always a little bit less than a man.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
I used to think of two people in love like that. Like puzzle pieces, fitting together. But it's not like that at all. Love pulls a part of you out, and it pulls a part of him - like taffy, stretching but not separating. The tendrils of each one wrap around the other, until they meld together. One, but not quite. Separate, but not quite.
Tammara Webber (Here Without You (Between the Lines, #4))
The world around me and my past seem far away and distorted, as if time and space were taffy being stretched and looped and twisted out of shape.
Daniel Keyes (Flowers for Algernon)
Demetri: It's about the girl I fell in love with. The taffy girl at Seaside. The very beautiful girl that I have to let go of, and it kills me to let go of the girl who stole my heart. A heart I won't ever give back, because it belongs to her now, my best friend.
Rachel Van Dyken (Pull (Seaside, #2))
How could you be this far along in life and still so unsettled? How could you know so much and still be this baffled by it all? Was this what enlightenment felt like, an understanding that life is a cancer that metastasizes so slowly you only have a vague and intermittent sense of your dying? That the dying is happening slowly enough that you get used to it? Or maybe that wasn’t life. Maybe that was just middle age.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Bramble's lips were tight. Her fists still shook. "Take it back," she said. She gazed at the floor, but the words whipped. "We don't want the picture. We don't want your charity. Take it back!" Teddie drew himself up to his full, towering taffy height. "N-dash it-O!" he said. "It's not charity and I won't take it back! It's a gift! A gift, dash it all! Because I liked your mum! And I like your sisters! And you, Bramble! I love you!" The words echoed. Everyone's hands clasped over their mouths, and they stared at Lord Teddie, who panted but kept a tight chin up. Bramble's lips were still pursed. They were white. "Young man," said the King gently. "Your ship leaves soon?" Azalea guessed that, with the fiasco of everything, the King had annulled any arrangements between Bramble and Lord Teddie. Lord Teddie's entire taffylike form slumped. He turned to go, all bounciness dissolved. "Do you mean it?" Lord Teddie turned quickly. Bramble's lips remained tight, but her gaze was up, blazing yellow. "Gad, yes," said Lord Teddie. "I love you so much, my fingers hurt!" "Oh!" Bramble slapped he hand over her mouth and doubled over. "Oh-oh-oh-oh!" She shook. It was hard to tell if she was crying, or coughing, or ill. "Oh!" In a billow of skirts, Bramble leaped. It was a grand jete worthy of the Delchastrian prima ballerina. She landed right on Lord Teddie, who had no choice but to catch her, and threw her arms around his neck. Then, to everyone's shock, she pressed her lips full on his. "Oh...my," said Clover. No one seemed more surprised than Lord Teddie who stumbled back under Bramble's assault.
Heather Dixon Wallwork (Entwined)
It was hard to admit that those days were over, but it was hard to admit that any days were over, that the days themselves didn't stretch like pulled taffy and sag to the floor.
Amelia Gray (Threats)
Be like a taffy - sweet, long-lasting, tough, flexible, and colorful. - Kailin Gow
Kailin Gow
That was what I knew for sure, that this was the only way to get someone to listen to a woman—to tell her story through a man; Trojan horse yourself into a man, and people would give a shit about you.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Sleepovers, as far as Toby could tell, consisted of the girls in her class getting together and forming alliances and lobbing microaggressions at each other in an all-night cold war, and they did this voluntarily.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
We fall in love and we decide to marry in this one incredible moment, and what if everything that happens after that is about trying to remember that moment?
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Taffy. He thinks about taffy. He thinks it would take his teeth out now, but he would eat it anyhow, if it meant eating it with her.
Mitch Albom (The Five People You Meet in Heaven)
It was like those T-shirts all my daughter’s friends were wearing to school now, the ones that said THE FUTURE IS FEMALE in big block letters. How they march around in broad daylight in shirts like that. But the only reason it’s tolerated is that everyone knows it’s just a lie we tell to girls to make their marginalization bearable. They know that eventually the girls will be punished for their futures, so they let them wear their dumb message shirts now.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Rachel and I, we’d been raised to do what we wanted to do, and we had; we’d been successful, and we’d shown everyone. We didn’t need to wear apocryphal T-shirts because we already knew the secret, which was this: that when you did succeed, when you did outearn and outpace, when you did exceed all expectations, nothing around you really shifted. You still had to tiptoe around the fragility of a man, which was okay for the women who got to shop and drink martinis all day—this was their compensation; they had done their own negotiations—but was absolutely intolerable for anyone who was out there working and getting respect and becoming the person that others had to tiptoe around. That these men could be so delicate, that they could lack any inkling of self-examination when it came time to try to figure out why their women didn’t seem to be batshit enthusiastic over another night of bolstering and patting and fellating every insecurity out of them—this was the thing we’d find intolerable.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
I never misrepresented myself," he'd say. That was a favorite, as if people weren't supposed to evolve and change and make requests of each other to bend and grow and expand.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
That was maybe the the worst insult of adulthood, that even your silly, non-life-threatening, non-base desires got swallowed up by routine and maturity and edged out of your life for good.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
He said to the big fellow with the taffy hair, “Before we finish off this operation, I need to hit you up with some ideas.” At that moment, Cade noticed how physically similar Preston was to Merlin Olsen, the NFL great, actor, and all-round good man. He marveled at Preston, the man who couldn’t be happier, as he twirled his head from monitor to monitor, adjusting joysticks and pressing buttons in this claustrophobic workspace.
John M. Vermillion (Awful Reckoning: A Cade Chase and Simon Pack Novel)
AGAIN I’LL SAY IT: Life is a process in which you collect people and prune them when they stop working for you. The only exception to that rule is the friends you make in college.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Like every other woman in the world who has ever been told to calm down, Rachel had no idea how to behave.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
He would never be comforted by the adage "God doesn't give us more than we can handle" after that. Because what is the metric of handling something? Not killing yourself?
Taffy Brodesser-Akner (Fleishman Is in Trouble)
This is what we do. Not so much argue as joust, in jest. We can't stop pushing and pulling the taffy of words and concepts.
Larry Duberstein (The Twoweeks)
There were so many ways of being a woman in the world, but all of them still rendered her just a woman, which is to say: a target.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Here is the problem: You can only desire something you don't have-that's how desire works. And we had each other. Resolutely. Neither of us with a stray glance at another. After Adam and I were married, when I'd go out into the world, I'd see that the men I found myself drawn to were almost replicas of Adam, just like that guy in Lisbon. I wanted nothing different. I just missed the longing. We are not supposed to want the longing, but there it is. So what do you do with that? Forget it, there's no use talking about this. Talking about this doesn't make it better.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
If you are a smart woman, you cannot stand by and remain sane once you fully understand, as a smart person does, the constraints of this world on a woman. I couldn’t bear it. I saw it too clearly and
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Of course I work,” she said. “I’m a mom.” But I was a mom, too, so what was what I did called?) But also: No one had to tell me it was harder to have a job and be a mother. It was obvious. It was two full-time occupations. It’s just math. Because having a job made you no less of a mother; you still had to do all that shit, too. Keeping track of your kids from afar isn’t easier. Entrusting them to a stranger who was available for babysitting by virtue of the fact that she was incapable of doing anything else is not something that fills a person with faith and relaxation. Now that I have worked and stayed at home, I can confirm all of this. Now that I stay at home, I can say it out loud. But now that I don’t work, no one is listening. No one listens to stay-at-home mothers, which, I guess, is why we were so careful about their feelings in the first place.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
That was why you heard about people in their thirties and forties going to law school but never medical school. It wasn't just the time it would take to get licensed. It was the realization as you got older about how fallible you were in every aspect of your life.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Everyone has the pushed and prodded and tugged look that rich people have, like they're just giant pieces of taffy, ready to be molded.
Lauren Oliver (Vanishing Girls)
He’s right and I’m pissed. I’m mad because I’m no longer a Jawbreaker. I’m more of a Gummy Bear or a friggin’ Laffy Taffy.
Tracey Ward (Backs Against the Wall (Survival, #2))
The men hadn’t had any external troubles. They didn’t have a fear that they didn’t belong. They hadn’t had any obstacles. They were born knowing they belonged, and they were reassured at every turn just in case they’d forgotten. But they were still creative and still people, and so they reached for problems out of an artistic sense of yearning. Their problems weren’t real. They had no identity struggle, no illness, no money fears. Instead, they had found the true stuff of their souls—of all our souls—the wound lying beneath all the survivalism and circumstance.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
I made lunch. I made dinner. I made breakfast. I made lunch. I made dinner. I made breakfast. I made lunch. I made dinner.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
They became sophisticated in a way that she wasn’t-in a way she’d never be because sophistication is either your first language or you always have an accent in it.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
It's crazy that the friends you're fondest of from your youth sometimes resemble people you would cross the street to avoid as an adult.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
She was becoming, it seemed to him, the kind of girl that it was completely exhausting to be.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
We aren't meant to comprehend endings. We aren't meant to understand death. Death's whole gig is not being understood.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
It was a scandal, calling out women for changing the rules on men with no warning because of their vapid women’s lib and their stupid sexual awakenings. Sexual awakenings were not supposed to extend beyond what was merely an upgrade in enjoyment for men.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
A wife isn't like an ultra-girlfriend or a permanent girlfriend. She's an entirely new thing. She's something you made together, with you as an ingredient. She couldn't be the wife without you. So hating her or turning on her or talking to your friends about the troubles you have with her would be like hating your own finger.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
He lived with his mother, father and sister; had a room of his own, with the fourth-floor windows staring on seas of rooftops and the glitter of winter nights when home lights brownly wave beneath the heater whiter blaze of stars--those stars that in the North, in the clear nights, all hang frozen tears by the billions, with January Milky Ways like silver taffy, veils of frost in the stillness, huge blinked, throbbing to the slow beat of time and universal blood.
Jack Kerouac (Maggie Cassidy)
What if one of the imperatives we never understood was about love and therefore marriage? Meaning, what if we search to make sure we are lovable and worthy of someone who commits to us absolutely and exclusively, and the only way we can truly confirm we are worth these things is if someone wants to marry us; someone says, ‘Yes, you are the one I will love exclusively. You are worthy of this.’ And then, only when you’re actually married, once this need is fulfilled, you can for the first time wonder if you even wanted to be married or not.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
By now, we're all familiar with the literary post-apocalyptic world's metaphors. The zombies are our anxieties. The vampires are our greed. Our fairies are hope. Our werewolves are … what again? Something
Taffy Brodesser-Akner
Toby had been told all his life that being in love means never having to say you’re sorry. But no, it was actually being divorced that meant never having to say you’re sorry.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Whatever kind of woman you are, even when you're a lot of kinds of women, you're still always just a woman, which is to say you're always a little bit less than a man.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
He didn’t feel bad for her anymore. Instead, he just felt foolish, the way quiet, smart people can make you feel dumb just for existing.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
The stories he heard from divorced women were all the same—not the details, but the themes: This thing I thought was just a whim was actually an important part of my spouse’s identity, and still I’m surprised. This thing they had always been doing they kept doing and still I’m surprised.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
The expectation now was for a woman to show up, panting with horniness, on all fours, just begging for it. Then, once it was over, wink and giggle and recede into some background and pretend that this was all okay, that the intimacy was a physical need she had and feel free to never call her again.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
But also, divorce is about forgetfulness—a decision to stop remembering the moment before all the chaos—the moment they fell in love, the moment they knew they were more special together than apart. Marriages live in service to the memory of those moments. Their marriage would not forgive them for getting older, and they would not forgive their marriage for witnessing it.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
She imagined she could pull Time like taffy, stretching it longer and longer between her hands until the finest point had been reached, the point just before breaking, and she could live there. A point at the center of time with no going forward, no going back. Clasped in this way, without speaking, walking into no discernible ending, she could almost believe they tread on time.
Sarah Blake (The Postmistress)
What was so much better than stability and the love of a good person who rooted for you? We fall in love and we decide to marry in this one incredible moment, and what if everything that happens after that is about trying to remember that moment?
Taffy Brodesser-Akner (Fleishman Is in Trouble)
As usual, he saves his wife's for last. He leans on the cane and he looks at the headstone and he thinks about many things. Taffy. He thinks about taffy. He thinks it would take his teeth out now, but he would eat it anyhow, if it meant eating it with her.
Mitch Albom (The Five People You Meet in Heaven)
...one of those gated communities where there's one token African-American couple and four token Jewish couples. Children and vegetarians are not allowed. Residents must vote Republican and own small dogs with rhinestone collars, stupid eyes, and names that end in i. Taffi is good, Cassi is better, and something like Rififi is the total shit.
Stephen King (Duma Key)
Being at the hospital was like being inside the future, but as it was imagined by science fiction films in the last part of the twentieth century, not the actual future we ended up with, where everything just turned out being smaller and flimsier than it used to be.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
There has never been, in the history of all human interaction, a way for a woman to explain effectively that she’s calm when a man has suggested she isn’t.
Taffy Brodesser-Akner (Long Island Compromise)
I’m not a perv,” Seth said, even though there were literally hundreds of women who would absolutely have classified Seth as a perv.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
It was an insult to having enough—to knowing that there was such a thing as enough. Inside those houses weren’t altruistic, good people whom fortune had smiled down on in exchange for their kind acts and good works. No, inside those columned, great-lawned homes were pirates for whom there was never enough. There was never enough money, goods, clothing, safety, security, club memberships, bottles of old wine. There was not a number at which anyone said, “I have a good life. I’d like to see if I can help someone else have a good life.” These were criminals—yes, most of them were real, live criminals. Not always with jailable offenses, but certainly morally abhorrent ones: They had offshore accounts or they underpaid their assistants or they didn’t pay taxes on their housekeepers or they were NRA members.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
But being an unmarried man at a certain age, it’s like there’s no place for you in the world. The world needs you to have a family, or you’re always someone’s bachelor friend who he can use for a good time, but who has nothing substantial himself.” Toby was shocked, maybe unfairly but still, that Seth had such a depth of understanding of his place in the world.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
What was so much better than stability and the love of a good person who rooted for you? We fall in love and we decide to marry in this one incredible moment, and what if everything that happens after that is trying to remember that moment? We watch ourselves and our spouses change, and the work is to constantly recall the reasons you did this in the first place.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
But he liked it all, that was his secret. He saw how fleeting it would all be, how quickly the kids went through the different phases, and how once those small things were gone, they never returned. A walking child never crawled again. So secretly, it was okay with him. Rachel loved her children, he was sure of that, but she was never natural around them. She was afraid to be alone with them most of the time. She grew impatient if they hung on her or talked too long, always feeling the pull of being elsewhere. Toby could have either or both of them on his lap for hours before even realizing it. At work, he was able to sit with his patients, knowing that this was not a stepping-stone for his life but life itself. Can you imagine what it’s like to have arrived where you want to be at such a young age? That was what she never understood: that ambition didn’t always run uphill. Sometimes, when you were happy, it jogged in place.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
There’s lots of sticky things here,” he said. “I see blackstrap molasses, wild clover honey, corn syrup, aged balsamic vinegar, apple butter, strawberry jam, caramel sauce, maple syrup, butterscotch topping, maraschino liqueur, virgin and extra-virgin olive oil, lemon curd, dried apricots, mango chutney, crema di noci, tamarind paste, hot mustard, marshmallows, creamed corn, peanut butter, grape preserves, salt water taffy, condensed milk, pumpkin pie filling, and glue.
Lemony Snicket (The Slippery Slope (A Series of Unfortunate Events, #10))
She never once thought she deserved happiness. She never once wondered if there was something better out there. This was their marriage; this was their family. It was theirs, they owned it, they made it. If there was one thing she’d learned from her grandmother, it was an understanding that life isn’t always what you want it to be, and obligations are obligations and nothing less.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
More than the fuchsia fennels breaking out of the crabapple tree, more than the neighbor's almost obscene display of cherry limbs shoving their cotton candy-colored blossoms to the slate sky of Spring rains, it's the greening of the trees that really gets to me. When all the shock of white and taffy, the world's baubles and trinkets, leave the pavement strewn with the confetti of aftermath, the leaves come. Patient, plodding, a green skin growing over whatever winter did to us, a return to the strange idea of continuous living despite the mess of us, the hurt, the empty. Fine then, I'll take it, the trees seem to say, a new slick leaf unfurling like a fist to an open palm, I'll take it all.
Ada Limon (The Carrying)
How could we not impugn marriage, then? It becomes so intertwined with your quality of life, as one of the only institutions operating constantly throughout every other moment of your existence, that the person you are married to doesn’t stand a chance. You hold hands while you’re walking down the street when you’re happy, you turn away icily to stare out the window as the car goes over the bridge when you’re not, and exactly none of this has anything to do with that person’s behavior. It has to do with how you feel about yourself, and the person closest to you gets mistaken for the circumstance and you think, Maybe if I excised this thing, I’d be me again. But you’re not you anymore. That hasn’t been you in a long time. It’s not his fault. It just happened. It was always going to just happen.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
He understood divorce in a macro way, of course. But he had not yet adjusted to it in a micro way, in the other-side-of-the-bed-being-empty way, in the nobody-to-tell-you-were-running-late way, in the you-belong-to-no-one way.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
There are few things more validating than to see someone who is like you, and love them instead of hate them.
Taffy Brodesser-Akner (Long Island Compromise)
that ambition didn’t always run uphill. Sometimes, when you were happy, it jogged in place.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Life is a process in which you collect people and prune them when they stop working for you. The only exception to that rule is the friends you make in college.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
I went back to the bench and lit a cigarette and inhaled, the smoke entering my body and filling it with poison, with something.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
The dinner bell rings, and everyone trots off, Frederick coming in last with his taffy-colored hair and wounded eyes, bootlaces trailing. Werner washes Frederick’s mess tin for him; he shares homework answers, shoe polish, sweets from Dr. Hauptmann; they run next to each other during field exercises. A brass pin weighs lightly on each of their lapels; one hundred and fourteen hobnailed boots spark against pebbles on the trail. The castle with its towers and battlements looms below them like some misty vision of foregone glory. Werner’s blood gallops through his ventricles, his thoughts on Hauptmann’s transceiver, on solder, fuses, batteries, antennas; his boot and Frederick’s touch the ground at the exact same moment.
Anthony Doerr (All the Light We Cannot See)
He didn’t want to be set up with people. He didn’t want to know what his friends thought he was worthy of. All of this was still so new that the only thing he could tolerate was the ice-cold democracy of a dating app.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Amicable amicable amicable. Did you ever notice that you only use the word amicable in relation to divorce? Was it because it was so often used for divorce that you didn’t want to poison anything else with it? The way you could say “malignant” for things other than cancer but you never did?
Taffy Brodesser-Akner (Fleishman Is in Trouble)
You opted in. You didn’t tell them about your asterisks, how you were secretly and privately better than the world you participated in, despite all outward appearances. You thought you could be part of it just a little.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
By any measure the mathematics of the engagement were preposterously against them. The Yamato displaced nearly seventy thousand tons. She alone matched almost exactly in weight all thirteen ships of Taffy 3. Each of her three main gun turrets weighed more than an entire Fletcher-class destroyer.
James D. Hornfischer (The Last Stand of the Tin Can Sailors: The Extraordinary World War II Story of the U.S. Navy's Finest Hour)
People under forty had optimism. They had optimism for the future; they didn’t accept that their future was going to resemble their present with alarming specificity. They had velocity. He couldn’t bear velocity just at that moment.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
It went on. Each lie I told required another to thicken the paste over the previous. It was useless, like when I learned to crochet and made a long string of loops. Being useless builds character, Miss Paulsen had said. Perhaps she was home now, drinking a weak Earl Grey from last night’s tea bag, massaging her taffied scalp.
Ruta Sepetys (Out of the Easy)
The next nine days stretched out like taffy. Mrs. Casnoff went back to Hecate, which was kind of a relief. Having her at Thorne had been a little too "worlds colliding" for me.I spent most of my time in my room, recovering from my injury. But staring at the wall gave me lots of time to think, mostly about Archer. I'd seen the look on his face right after the explosion had gone off. He'd been scared. Shocked, even, and not in the "Whoops, my assassination didn't go off as planned" way. He hadn't known it was coming, which meant he couldn't have been the one who planted the gift. Which meant there was someone else who wanted to kill me, a thought that made me want to never leave the safe cocoon of my bed.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Rico laughed a little, feeling helpless. "Is your life always this...I don't know-" "Tide of chaos washing ashore on the beach of what the fuck? Yesh.
Amy Lane (Bitter Taffy (Candy Man, #2))
Toby walked the kids through the hot night over to Seventy-ninth and Park, where Cyndi and Todd Leffer lived. On the way, with Hannah still ignoring him, he listened to Solly make a case for watching Indiana Jones and the Temple of Doom again, and they passed a building where he had a clear memory of getting blown by a woman in a stairwell just three weeks ago.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
The girl collected dry wood in her skirt as if happy to discover that skirts were good for something after all. He handed her the match safe and she started the fire in the little cookstove. With the butcher knife she expertly carved the bacon. She sang to herself. This was life as she knew it, and it was good. No roofs, no streets. Her new-washed taffy hair flew in loose ribbons in the morning breeze. Every so often she lifted her head to run her gaze over the live oaks around them and listen for an enemy presence. Then she went back to slinging rashers into the skillet.
Paulette Jiles (News of the World)
I tried to bend over and touch my toes this morning,” I tell the girls. “I tipped over, hit my head on the desk, and then had to call for Nana to get up. I’m literally the size of an Oompa Loompa.” “You’re the most beautiful Oompa Loompa in the world,” Hope declares. “Because she’s not orange.” “Oompa Loompas were orange?” I try to conjure up a mental picture of them but can only recall their white overalls. Carin purses her lips. “Were they supposed to be candies? Like orange slices? Or maybe candy corn?” “They were squirrels,” Hope informs us. “No way,” we both say at once. “Yes way. I read it on the back of a Laffy Taffy when I was like ten. It was a trivia question and I’d just seen the movie. I was terrified of squirrels for years afterwards.” “Shit. Learn something new every day.” I push my body upright, a task that takes a certain amount of upper body strength these days, and toddle over to inspect the crib. “I don’t believe you,” Carin tells Hope. “The movie is about candy. It’s called Willy Wonka and the Chocolate Factory. Since when are squirrels candies? I can buy into a bunny because, you know, the chocolate Easter bunnies, but not a squirrel.” “Look it up, Careful. I’m right.” “You’re ruining my childhood.” Carin turns to me. “Don’t do this to your daughter.” “Raise her to believe Oompa Loompas are squirrels?” “Yes
Elle Kennedy (The Goal (Off-Campus, #4))
Campaign ads are often nothing more than political taffy. The ingredients- the facts gathered by researchers such as Alan and me- are mixed together and prepared for the machine. The media experts who create and produce the TV ads stretch and pull this concoction of information to its breaking point, and sometimes beyond. It's cut into thiry & sixty second spots and presented to voters for their viewing consumption.
Alan Huffman (We're with Nobody: Two Insiders Reveal the Dark Side of American Politics)
My own eyes were wide open, waiting to see all the ways the world would change now that we had crossed through, past the limit of civilization and into the dark land, where whites keep their rule by savagery and fear. I waited for the sky to darken, for the crows that would wheel across the clouds. But it was the same winding road, the same spreading green countryside, the same taffy-blue sky. Same on either side of the Fence.
Ben H. Winters (Underground Airlines)
We had a signal. When I turned the pail upside down by the kitchen house, that meant everything was clear. Mauma would open the window and throw down a taffy she stole from missus’ room. Sometimes here came a bundle of cloth scraps—real nice calicos, gingham, muslin, some import linen. One time, that true brass thimble. Her favorite thing to take was scarlet-red thread. She would wind it up in her pocket and walk right out the house with it.
Sue Monk Kidd (The Invention of Wings)
Or because his biggest fear was to be known and rejected, and the only way he could face the rejection that comes along with being human was to never let himself be known—that way, what was rejected wasn’t him at all, but a projection of him.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Klaus leaned out the window and began to pour the mixture of blackstrap molasses, wild clover honey, corn syrup, aged balsamic vinegar, apple butter, strawberry jam, caramel sauce, maple syrup, butterscotch topping, maraschino liqueur, virgin and extra-virgin olive oil, lemon curd, dried apricots, mango chutney, crema di noci, tamarind paste, hot mustard, marshmallows, creamed corn, peanut butter, grape preserves, salt water taffy, condensed milk, pumpkin pie filling, and glue onto the closest wheels, while his sister tossed the hammocks out of the door, and if you have read anything of the Baudelaire orphans' lives - which I hope you have not - then you will not be surprised to read that Violet's invention worked perfectly.
Lemony Snicket (The Slippery Slope (A Series of Unfortunate Events, #10))
Writers use both their blood and their brains to explore the darkest recesses of their pooling self. Writing allows us to harness the whimsy of the collaborative mind and body, pull our tissue apart like taffy, and expose the composition of our life sustaining organs. Telling our personal story forces us to account for any actions that made us laugh, cry, scream and shout, or hide behind a cloak of mootness. Critical examination of the self allows one to disintegrate the envelope of their present personality and make up a new imaging.
Kilroy J. Oldster (Dead Toad Scrolls)
Living like this means you don't have a container anymore for the different days, can't hold in a little twenty-four-hour-sized box set of events that constitute a unit, something you can compartmentalize, something with a beginning and an end, something to fill with a to-do list. Living like this means that it all runs together, a cold and bright December morning with your father or a lazy evening in late August, one of those sunsets that seem to take longer than is possible, where the sun just refuses to go down, where the hour seems to elongate to the point that it doesn't seem like it can stretch any farther without detaching completely from the hour before it, like a piece of taffy, like under sea molten lava forming a new island, a piece of time detaching from the seafloor and floating up to the surface.
Charles Yu (How to Live Safely in a Science Fictional Universe)
I wrote mostly about men. I hadn't interviewed a lot of women. Whenever I did, the stories were always about the struggle to be the kind of woman who got interviewed—the writers who were counted out, the politicians who were mistaken for secretaries, the actresses who were told they were too fat and tall and short and skinny and ugly and pretty. It was all the same story, which is not to say it wasn't important. But it was boring. The first time I interviewed a man, I understood we were talking about something more like the soul. The men hadn't had any external troubles. They didn't have a fear that they didn't belong. They hadn't had any obstacles. They were born knowing they belonged, and they were reassured at every turn just in case they'd forgotten. But they were still creative and still people, and so they reached for problems out of an artistic sense of yearning. Their problems weren't real. They had no identity struggle, no illness, no money fears. Instead, they had found the true stuff of their souls—of all our souls—the wound lying beneath all the survivalism and circumstance.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
In recent years, only their hatred had true intimacy, meaning that when they fought, they were able to say the most specifically cruel things they’d mined from years of experience with each other. He trod hard on her extraordinary maternal inconsistency; she went for his masculinity like it was an artery. But when they weren’t fighting, the intimacy was gone. Their conversations were so cold and distant that if you’d overheard them in a restaurant on one of their forced date nights, you would have wondered if they’d known each other for more than a few weeks.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Once, she woke him up in the middle of the night after she came home from some event, and began poking around in the blanket for his boxers like she was looking for batteries in the junk drawer, and when she saw nothing was going on down there, she said, “I guess this is it, then.” He had no idea what she meant. She began crying and screaming at him, telling him how miserable she was.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Werner shyly. “Oh, come on, you didn’t already know?” With his glasses on, Frederick’s expression seems to ease; his face makes more sense—this, Werner thinks, is who he is. A soft-skinned boy in glasses with taffy-colored hair and the finest trace of a mustache needled across his lip. Bird lover. Rich kid. “I barely hit anything in marksmanship. You really didn’t know?” “Maybe,” says Werner. “Maybe I knew. How did you pass the eye exams?” “Memorized the charts.” “Don’t they have different ones?” “I memorized all four. Father got them ahead of time. Mother helped me study.” “What about your binoculars?” “They’re prescription. Cost a fortune.” They sit in a big kitchen at a butcher’s block with a marble cap. The maid named Fanni emerges with a dark loaf and a round of
Anthony Doerr (All the Light We Cannot See)
Adam and I left the party, and we got into bed and tried to get through another episode of the drug cartel show we were watching that everyone said got really good at the end of the third season, but we were only up to the second, and we had existential angst about whether we should be watching something that only promised to be good but wasn’t yet. We agreed the answer was yes, that hope was good, and in those moments—the ones when we endured, the ones where we agreed, the ones where we disagreed and found the other person’s point dumb enough to laugh out loud, the ones where he still agreed to do our fully choreographed wedding dance in the kitchen for no reason at all and to no music, the ones where he showed me a window into how much smarter he was than I was and how even though he was that smart he never needed to flaunt it, the ones where we rolled our eyes at how dumb everyone else was, the ones where he evacuated me from my misery and made me a cheese omelet because I was stoned and wanted something warm and milky, that was when I remembered the most essential thing about Adam and me, which was that I never once doubted if I should be with him.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Family is the nucleus unit of any society. Although modern science allows us to create life in a petri dish, I believe God designed humans—like all other animals—to be born of a male and a female union in the context of family according to His divine plan for our spiritual development. Family grounds us and grows us. We first learn how to relate to others through our family relationships. We learn to change and adapt according to the needs of our family. For instance, a mother will notice the subtle moves and shiftings of her baby in her womb. As the baby squirms and moves about, the mother will adjust her body to make the baby more comfortable. Sometimes I think back to the days when I carried my own babies. Tending to their tiniest needs, I began to understand that God tends to our smallest needs just as well.
Taffi Dollar (Embracing the Love God Wants You to Have: A Life of Peace, Joy, and Victory)
Jenn,” I said very loudly, sidestepping Jackson and inserting myself between the two of them. “There you are. I’ve been looking for you.” “Have you?” she asked, her sweet face tipped back and her impossibly pretty eyes arresting mine. “Yes. I have,” I said, then promptly forgot what I was going to say next. I sensed a hovering presence behind me so I glanced over my shoulder at Jackson—the hoverer—and frowned impatiently. “Do you mind? Give a man some space.” “That’s real funny, Cletus,” he said, not sounding amused. “Because I was just—” “Do you have any—uh—taffy?” I asked Jennifer, not wanting to hear Jackson’s complaining. If he was going to complain, I decided it was best to pretend he was a ghost. Taffy was the first thing to pop into my mind. “Taffy?” Her dark eyebrows drew together; I wondered if her real hair color would be the same dark shade as her eyebrows. I hoped so. “Yes. Taffy,” I said gently, and smiled when she smiled and shrugged. “I like to live dangerously.” She opened her mouth, just about to ask me something and I couldn’t wait to find out what, when Jackson cut in impatiently. “By eating taffy?” “Yep,” I turned just my head and gave him my profile. “It puts my dental fillings in grave peril.
Penny Reid (Beard Science (Winston Brothers, #3))
How could it be, she wondered. How could it be that the simple act of having a child did this to you? Had every birth in the world ruined every woman in the world? Was this a secret they’d been keeping, or had she just not been listening? Underneath all the vacuous, cruel wisdom the women who saw her in her late stages of pregnancy imparted to her, most of which had to do with banking sleep or measuring every precious moment because it all goes so fast, were they really telling her to mark her personhood? The other women in her prenatal yoga class had kept up an email chain, and in their messages, she tried to discern that they, too, were terrified and violated and sad and broken, but they weren’t. Trust her, they just weren’t. They made jokes about how they were tired and it was a tragedy that one of them had had an epidural and it was a tragedy that one of them couldn’t produce enough milk for her baby and had to supplement with formula. She wanted to write back to tell them she couldn’t look in the mirror at herself. She wanted someone to understand how small she was now. She wanted to ask one of them if this was the real her—if the real her had been revealed to her suddenly that day in the hospital, or if she would somehow bounce back. Bouncing back was a language they understood: their vaginas needed to bounce back, their breasts needed to bounce back, would their abdomens ever bounce back. With a few small adjustments, these women would acclimate to life. They would recognize themselves. But would Rachel? Would Rachel bounce back? The entire phrase “bouncing back” seemed to her like it existed to make fun of her. There was no bouncing. There was no back.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
I have to tell you, Major, if we don't get these bombs and stop this Jap fleet, they're gonna come in here and bomb the hell out of this place and maybe recapture it. Then their planes will be dropping these bombs on you. I've gotta have these bombs, sir, or we'll have a disaster on our hands.' Lupo asked who the major's superior was. The Army officer mentioned a colonel who stationed out toward the front. 'He's out fighting a war, and I'm not going to bother him." 'Well," Lupo said, "that's just too bad." The pilot pulled out his service revolver and pointed it at the major. Then Lupo handed the pistol to his radioman, Earl Gifford, instructing the flabbergasted aircrewman to hold the Army officer at bay. Lupo climbed into the cockpit of his plane and hailed the Fanshaw Bay on the radio. His fellow pilots from VC-68 and other Taffy 3 squadrons were already inbound
James D. Hornfischer (The Last Stand of the Tin Can Sailors: The Extraordinary World War II Story of the U.S. Navy's Finest Hour)
5-4-10 Tuesday 8:00 A.M. Made a large batch of chili and spaghetti to freeze yesterday. And some walnut fudge! Relieved the electricity is still on. It’s another beautiful sunny day with fluffy white clouds drifting by. The last cloud bank looked like a dog with nursing pups. I open the window and let in some fresh air filled with the scent of apple and plum blossoms and flowering lilacs. Feels like it’s close to 70 degrees. There’s a boy on a skate board being pulled along by his St. Bernard, who keeps turning around to see if his young friend is still on board. I’m thinking of a scene still vividly displayed in my memory. I was nine years old. I cut through the country club on my way home from school and followed a narrow stream, sucking on a jawbreaker from Ben Franklins, and I had some cherry and strawberry pixie straws, and banana and vanilla taffy inside my coat pocket. The temperature was in the fifties so it almost felt like spring. There were still large patches of snow on the fairways in the shadows and the ground was soggy from the melt off. Enthralled with the multi-layers of ice, thin sheets and tiny ice sickles gleaming under the afternoon sun, dripping, streaming into the pristine water below, running over the ribbons of green grass, forming miniature rapids and gently flowing rippling waves and all the reflections of a crystal cathedral, merging with the hidden world of a child. Seemingly endless natural sculptures. Then the hollow percussion sounds of the ice thudding, crackling under my feet, breaking off little ice flows carried away into a snow-covered cavern and out the other side of the tunnel. And I followed it all the way to bridge under Maple Road as if I didn't have a care in the world.
Andrew Neff (The Mind Game Company: The Players)
In those monologues [from men], I found my own gripes. They felt counted out, the way I felt counted out. They felt ignored, the way I felt ignored. They felt like they'd failed. They had regret. They were insecure. They worried about their legacies. They said all the things I wasn't allowed to say aloud without fear of appearing grandiose or self-centred or conceited or narcissistic. I imposed my narrative onto theirs, like in one of those biology textbooks where you can place the musculature picture over the bone picture of the human body. I wrote about my problems through men. That was when I knew for sure, that this was the only way to get someone to listen to a woman—to tell her story through a man; Trojan horse yourself into a man, and people would give a shit about you. So I wrote heartfelt stories about their lives, extrapolating from what they gave me and running with what I already knew from being human[...] I realised all humans are essentially the same, but only some of us, the men, were truly allowed to be that without apology. The mens' humanity was sexy and complicated; ours (mine) was to be kept in the dark at the bottom of the story and was only interesting in the service of the man's humanity.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
These questions weren’t really about him; no, they were questions about how perceptive people were and what they missed and who else was about to announce their divorce and whether the undercurrent of tension in their own marriages would eventually lead to their demise. Did the fight I had with my wife on our actual anniversary that was particularly vicious mean we’re going to get divorced? Do we argue too much? Do we have enough sex? Is everyone else having more sex? Can you get divorced within six months of an absentminded hand-kiss at a bat mitzvah? How miserable is too miserable? How miserable is too miserable? One day he would not be recently divorced, but he would never forget those questions, the way people pretended to care for him while they were really asking after themselves.
Taffy Brodesser-Akner (Fleishman Is in Trouble)