Tabletop Quotes

We've searched our database for all the quotes and captions related to Tabletop. Here they are! All 100 of them:

I sat, a solitary man, In a crowded London shop, An open book and empty cup On the marble table-top. While on the shop and street I gazed My body of a sudden blazed; And twenty minutes more or less It seemed, so great my happiness, That I was blessed and could bless.
W.B. Yeats (The Winding Stair And Other Poems)
What I mean to say is, we had been considerable. Had been loved. Not lonely, not lost, not freakish, but wise, each in his or her own way. Our departures caused pain. Those who had loved us sat upon their beds, heads in hand; lowered their faces to tabletops, making animal noises. We had been loved, I say, and remembering us, even many years later, people would smile, briefly gladdened at the memory.
George Saunders (Lincoln in the Bardo)
In researching this volume, I interviewed veterans who had been at the front during World War II. I read countless books, examined film footage, and listened to many detailed and intense stories firsthand, but the one comment that affected me the most came from a former soldier who lowered his gaze to the tabletop and said, ‘I never watch war movies.
Hiromu Arakawa (Fullmetal Alchemist Complete Box Set)
Courage like Daniel’s only comes from God.” Leith leaned a hand against the tabletop. “Daniel didn’t keep praying and trusting because he had courage. He had courage because he prayed and trusted.
Tricia Mingerink (Deny (The Blades of Acktar, #2))
Excuse me?" I said, palms down on the Formica tabletop. "Coffee? I thought we came here for pie." "I don't eat the kind of pie they serve here." I felt a flash of heat go through my stomach. I knew firsthand the kind of pie Ranger liked.
Janet Evanovich (To the Nines (Stephanie Plum, #9))
I wondered how anyone could have been so sure about a concept so tenuous and impossible as always that they'd be willing to carve it into a tabletop.
Morgan Matson (Amy & Roger's Epic Detour)
I looked away from his direct gaze and down at the scratched surface of the table. Someone had etched into it RYAN LOVES MEGAN ALWAYS...I wondered who Ryan and Megan were. And if, wherever they were, they'd made it. I wondered how anyone could have been so sure about a concept so tenuous and impossible as 'always' that they'd be willing to carve it into a tabletop.
Morgan Matson (Amy & Roger's Epic Detour)
I am different when my nails are done. I am more dynamic. I gesticulate more, I am better at scaring my staff. I can indicate impatience by drumming on tabletops and I can wrap up a meeting with a few choice clatters.
Marian Keyes
We both touched wood on the cafe table and the waiter came to see what it was we wanted. But what we wanted he, nor anyone else, nor knocking on wood or on marble, as this cafe table-top was, could ever bring us. But we did not know it that night and we were very happy.
Ernest Hemingway (A Moveable Feast)
My fiftieth year had come and gone, I sat, a solitary man, In a crowded London shop, An open book and empty cup On the marble table-top. While on the shop and street I gazed My body of a sudden blazed; And twenty minutes more or less It seemed, so great my happiness, That I was blessed and could bless.
W.B. Yeats (The Collected Poems of W.B. Yeats)
This is all lie, she want to say to them. The dead are not hovering nearby to knock politely at teacups and tabletops and whisper through billowing curtains.
Erin Morgenstern (The Night Circus)
What I mean to say is, we had been considerable. Had been loved. Not lonely, not lost, not freakish, but wise, each in his or her own way. Our departures caused pain. Those who had loved us sat upon their beds, heads in hand; lowered their faces to tabletops, making animal noises. We had been loved, I say, and remembering us, even many years later, people would smile, briefly gladdened at the memory.
George Saunders (Lincoln in the Bardo)
The men's gazes are heavy on us. Heavy and pointed, three dull sabers to our chests. They would be high-fiving if it were them. Crowing and banging tabletops. We don't move or even smile.
Megan Abbott (Give Me Your Hand)
Perhaps a person gains by accumulating obstacles. The more obstacles set up to prevent happiness from appearing, the greater the shock when it does appear, just as the rebound of a spring will be all the more powerful the greater the pressure that has been exerted to compress it. Care must be taken, however, to select large obstacles, for only those of sufficient scope and scale have the capacity to lift us out of context and force life to appear in an entirely new and unexpected light. For example, should you litter the floor and tabletops of your room with small objects, they constitute little more than a nuisance, an inconvenient clutter that frustrates you and leaves you irritable; the petty is mean. Cursing, you step around the objects, pick them up, knock them aside. Should you, on the other hand, encounter in your room a nine thousand pound granite boulder, the surprise it evokes, the extreme steps that must be taken to deal with it, compel you to see with new eyes. Difficulties illuminate existence, but they must be fresh and of high quality.
Tom Robbins (Even Cowgirls Get the Blues)
But if you want him, you might have to fight for him." I let my head fall to the tabletop. "For the love of all that is dead and Chinese, please, no more fighting. This army needs a break.
Paula Stokes (The Art of Lainey (The Art of Lainey, #1))
She smiled and sipped from her glass. There was altogether too much of her sitting there, the broad expanse of thigh cradled in the insubstantial stocking and the garters with the pale flesh pursed and her full breasts and the sootblack piping of her eyelids, a gaudish rake of metaldust in prussian blue where cerulean moths fluttered her awake from some outlandish dream. Suttree gradually going awash in the sheer outrageous sentience of her. Their glasses clicked on the tabletop. Her hot spiced tongue fat in his mouth and her hands all over him like the very witch of fuck.
Cormac McCarthy (Suttree)
Time is like wax, dripping from a candle flame. In the moment, it is molten and falling, with the capability to transform into any shape. Then the moment passes, and the wax hits the tabletop, and solidifies into the shape it will always be. It becomes the past, a solid, single record of what happened, still holding in its wild curves and contours the potential of every shape it could have held. It is impossible, no matter how blessed you are by luck or the government or some remote, invisible deity gently steering your life with hands made of moonlight and wind, it is impossible not to feel a little sad looking at that bit of wax, that bit of the past. It is impossible not to think of all the wild forms that wax now will never take. ... ... But then you remember, I remember, that we are even now in another bit of molten wax. We are in a moment and it is still falling, still volatile, and we will never be anywhere else. We will always be in that most dangerous, most exciting, most possible time of all: the now, where we never can know what shape the next moment will take. Stay tune fore... well, let's just find out together, shall we?
Joseph Fink (Mostly Void, Partially Stars (Welcome to Night Vale Episodes, #1))
He reached for a tabletop and ran his hands over it, clutching the edge until his knuckles turned white. He wanted to know that it was solid. Eddis knew that all the world would seem to him insubstantial, as if it might tear away and reveal something else infinitely larger and more terrifying.
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
What does it do?” “I don’t know.” Robert shrugged. “It was on the original Roosevelt desk. We think it fired a pistol concealed beneath the tabletop.
Jacopo della Quercia (The Great Abraham Lincoln Pocket Watch Conspiracy)
I’d love to be a tabletop in Paris, where food is art and life combined in one, where people gather and talk for hours. I want lovers to meet over me. I’d want to be covered in drops of candle wax and breadcrumbs and rings from the bottom of wineglasses. I would never be lonely, and I would always serve a good purpose.
Maureen Johnson (The Last Little Blue Envelope (Little Blue Envelope, #2))
This corner of history was as real as the tiled floor under our feet or the wooden tabletop under our fingers. The people to whom it had happened had actually lived and breathed and felt and thought and then died, as we did - as we would.
Elizabeth Kostova
Her mother rolled an avocado back and forth on the spotless tabletop. The floor and the tabletop and the walls were all the same clean color, and everything was equally clean and unused. The avocado was, of course, fake, as all avocados were.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
Whether by chance conjunction or not, the “wind-up bird” was a powerful presence in Cinnamon’s story. The cry of this bird was audible only to certain special people, who were guided by it toward inescapable ruin. The will of human beings meant nothing, then, as the veterinarian always seemed to feel. People were no more than dolls set on tabletops, the springs in their backs wound up tight, dolls set to move in ways they could not choose, moving in directions they could not choose. Nearly all within range of the wind-up bird’s cry were ruined, lost. Most of them died, plunging over the edge of the table.
Haruki Murakami (The Wind-Up Bird Chronicle)
I thought if you wore that, no matter what face you saw every morning in the mirror," he said in his deep voice, "you'll never forget who you really are." My eyes filling with tear, I held my hand out across the tabletop. He grasped my fingers, his grip strong and reassuring. "As if I ever could," I said, my voice clogged with emotion, "with you around to remind me.
Meg Cabot (Teen Idol)
I thought of Maddie and my chest swelled with pride. “She understands me. She understands what I gotta do. She’s stronger than she looks. She can take it.” My finger traced over a knot in the tabletop. “She knows who I am… both sides of me. She’s plenty strong enough.” AK shook his head and huffed out a laugh. “That she fucking is, brother. A fucking pint-sized warrior.
Tillie Cole (Souls Unfractured (Hades Hangmen, #3))
This corner of history was as real as the tiled floor under our feet or the wooden tabletop under our fingers. The people to whom it had happened had actually lived and breathed and felt and thought and then died, as we did—as we would.
Elizabeth Kostova (The Historian)
Anyone who’d stop feeling up or finger banging a woman in favour of taking a fucking phone call is an inconsiderate asshole you shouldn’t be opening your legs for.” “I’m seeing that now.” “I’m serious, Lydia.” I studied the tabletop, needing a moment to pull myself together. “How long have we known each other? What, half an hour, an hour?” “Ah.” Turning in his seat, he checked out an old wooden clock on the kitchen wall. “Yeah. about that.” “Are you aware that most people wait a little longer before discussing the rules of etiquette in regards to finger banging? Who they should and shouldn’t open their legs for? Things like that.” “That so?” “It is.” “Well, fuck.” He sat back, outright grinning at me.
Kylie Scott (Dirty (Dive Bar, #1))
His eyes hit mine again, jarring me with their sudden anger, and he moved forward, insisting on caging me in with his fists on the tabletop."You want to talk about that night? The night you almost got yourself killed? What do you want me to say, Anna? Would you like to hear how it was the worst bloody night of my life?
Wendy Higgins (Sweet Peril (Sweet, #2))
The cafeteria in the Chicago’s Children’s Memorial Hospital basement was the saddest place in the world—and forever it shall be—with its grim neon lights and gray tabletops and the diffuse foreboding of those who stepped away from suffering children to have a grilled cheese sandwich.
Aleksandar Hemon (The Book of My Lives)
In a tabletop game? Chance and probability. The higher your ability score, the better your chances. You roll a die to see if you succeed. For you, here and now?” She grinned. “Believe you can do it and try hard.
Kate Milford (Greenglass House)
Towles burn. Bathroom inferno! Chanel No. 5, it burns. Oil paintings of racehorses and dead pheasants burn. The reproduction Oriental carpets burn. Evie's bad dried flower arrangements, they're these little tabletop infernos. Too cute! Evie's Katty Kathy doll, it melts, then it burns. Evie's collection of big carnival stuffed animals—Cootie, Poochie, Pam-Pam, Mr. Bunnits, Choochie, Poo Poo and Ringer—it's fun-fur holocaust. Too sweet. Too precious.
Chuck Palahniuk (Invisible Monsters)
We both touched wood on the café table and the waiter came to see what it was we wanted. But what we wanted not he, nor anyone else, nor knocking on wood or marble, as this café table-top was, could ever bring us. But we did not know it that night and we were very happy.
Ernest Hemingway (A Moveable Feast)
You are a speck. This whole life that seems so huge to us? asall of human enterprise even? Fuck us. We are so tiny," as he said "so tiny" he bent over until his forehead was nearly touching the tabletop, as if he was homing in on the speck that was them. "I can't stand to think we only add up to a blip. I need to think we're more than that." "Deal with it." he looked around as if someone had called his name.
Carol Anshaw (Carry the One)
Illuminating,” Mr. Parnassus said, a twinkle in his eye. “Theodore?” He chirped and growled, head resting on the tabletop. Everyone laughed. Except for Linus, that is, because he wasn’t sure what had happened. “He learned that buttons are the best things in the world,” Ms. Chapelwhite said to Linus, glancing fondly down at Theodore.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
Do you want this ice cream?" he asked her, whisking the dish all around the tabletop. "I mean, do you truly want it? Would you fight for this ice cream? Would you bear a deep wound in order to possess this ice cream completely? How deep a wound? What if it was as deep as the grave? What does this ice cream really mean to you, Miss Cabrini?
Helen Oyeyemi (Boy, Snow, Bird)
I tried to distract myself by reading the various things that people had carved into the tabletop over the years. I traced my finger over a star that was carved deeply into the wood. Our school was either too cheap to buy new tables, or else they were smart enough to know that the new ones would be carved up within weeks. Curse that teenage angst.
Sara C. Roethle (Xoe: or Vampires, and Werewolves, and Demons, Oh My! (Xoe Meyers, #1))
Tamsin gave a strangled cry, sweeping her arm across her cluttered tabletop, relishing the chaos and clatter of her belongings tumbling to the stone floor. A crystal splintered. Her mug shattered, scattering chunks of hardened clay across the room. Loose papers floated into the fire, the flames devouring the dark ink until the words no longer existed.
Adrienne Tooley (Sweet & Bitter Magic)
In the dining room, the tulips had started hanging their heads over the rim of their vase as if they were admiring their own reflections in the polished tabletop.
Anne Tyler (French Braid)
The dead are not hovering nearby to knock politely at teacups and tabletops and whisper through billowing curtains.
Erin Morgenstern (The Night Circus)
He could see the inchworm in his mind even now, that snip of green elastic with it's tiny blunt legs, coiling and stretching its way toward the tabletop, on a mission whose nature was a mystery. Survival, he understood now - that was all. That contracting and straining, that frantic rearing-up to look around: It was nothing less than the urgent business of staying alive.
Julie Orringer (The Invisible Bridge)
Beth drummed her fingers on the tabletop. “I don’t know what you guys think, but it’s not that.” Colin laughed loudly, “Thought you said you didn’t know what we thought?” -Destiny Found, 2010
Jennifer L. Feuerstein
He pours himself more coffee, draws out a final, really final, line on the tabletop. Maybe he’s just not … awake enough to be gifted. Maybe one day, why not today, he’ll bust out of his lifelong drowse.
Michael Cunningham (The Snow Queen)
Dungeons & Dragons was like that. Forget that half the kids in school probably went around slaying dragons and stashing loot on their PlayStations or iPads. It's different when you actually have to roll the dice.
John David Anderson (Posted)
At that, Ascher stood up. “Hi,” she said, smiling brightly. “You don’t know me. I’m Hannah. Back off my partner before you get hurt.” “I know who you are, hot stuff,” I drawled, not standing. I set my staff down across the table. “And I already backed off your partner. You can tell from how there aren’t any splatter marks. Play nice, Ascher.” Her smile vanished at my response, and her dark eyes narrowed. She drummed her nails on the tabletop exactly once, slowly, as if contemplating a decision. A smirk touched her mouth. “So you’re the infamous Dresden.” Her eyes went past me, to Karrin. Ascher was a foot taller than she was. “And this is your bodyguard? Seriously? Aren’t they supposed to be a little bigger?” “She represents the Lollipop Guild,” I replied. “She’ll represent them right through the front and out the back of your skull if you don’t show a little respect.
Jim Butcher (Skin Game (The Dresden Files, #15))
He laid his white right hand tidily atop his white left hand, on the tabletop. Smith smiled appreciatively, but still declined to come out to play. Septimus tapped the toe of his shoe on the floor. Tap-tap-tap: a foot tutting.
Francis Spufford (Golden Hill)
Most of their conversations are in the past by now. They've reached that stage in the proceedings and both of them know it and don't speak of that either. But there is still great softness in two hands linked together on a tabletop.
Damon Galgut (The Promise)
A naturalist should look at the world with warm affection, if not ardent love. The life the scalpel has ended ought to be honored by a caring, devoted appreciation for that creature’s unrepeatable individuality, and for the fact that, at the same time, strange as this may seem, this life stands for the entire natural kingdom. Examined with attention, the dissected hare illuminates the parts and properties of all other animals and, by extension, their environment. The hare, like a blade of grass or a piece of coal, is not simply a small fraction of the whole but contains the whole within itself. This makes us all one. If anything, because we are all made of the same stuff. Our flesh is the debris of dead stars, and this is also true of the apple and its tree, of each hair on the spider’s legs, and of the rock rusting on planet Mars. Each minuscule being has spokes radiating out to all of creation. Some of the raindrops falling on the potato plants in your farm back in Sweden were once in a tiger’s bladder. From one living thing, the properties of any other may be predicted. Looking at any particle with sufficient care, and following the chain that links all things together, we can arrive at the universe—the correspondences are there, if the eye is skillful enough to detect them. The guts of the anatomized hare faithfully render the picture of the entire world. And because that hare is everything, it is also us. Having understood and experienced this marvelous congruity, man can no longer examine his surroundings merely as a surface scattered with alien objects and creatures related to him only by their usefulness. The carpenter who can only devise tabletops while walking through the forest, the poet who can only remember his own private sorrows while looking at the falling snow, the naturalist who can only attach a label to every leaf and a pin to every insect—all of them are debasing nature by turning it into a storehouse, a symbol, or a fact. Knowing nature, Lorimer would often say, means learning how to be. And to achieve this, we must listen to the constant sermon of things. Our highest task is to make out the words to better partake in the ecstasy of existence.
Hernan Diaz (In the Distance)
We both touched wood on the café table and the wait came to see what it was we wanted. But what we wanted not he, nor anyone else, nor knocking on wood or marble, as this café table-top was, could ever bring us. But we did not know it that night and we were very happy.
Ernest Hemingway (A Moveable Feast)
eyes were rimmed with red and framed by dark circles. He looked like a man at the gallows with a noose around his neck, waiting for the floor to drop away beneath his feet. The man leaned forward and placed his palms on the digital tabletop, where a haphazard scattering of apps
Joseph John (The Eighth Day)
Napoleonic naval wargames are less satisfying because so much of an encounter involves sailing in parallel lines while players roll dice at each other - and then the British win.
Rick Priestley (Tabletop Wargames: A Designers’ and Writers’ Handbook)
The consumer expects a reward for the slightest effort—or better, for no effort at all. He cares only about what he gets from the world, not about what he might add to it. Living on the surface, jumping from thing to thing, his energy is diffused, like milk spreading across a tabletop. He makes no impact on the world; when his time on earth is over, it’s as if he never lived. The creator won’t accept that fate. Everything he does is with the intention of making an impact on the world. His code ensures this: He doesn’t accept the world as he finds it; he brings things into the world that aren’t already there. He doesn’t follow the herd; he sets his own course. He ignores the reactions of others. He resists superficial distractions. He remains focused on his goals even if he has to sacrifice his immediate gratification. Anyone can live by this code, but very few of us do. It means putting your life in the service of higher forces. These forces can’t be found on the surface of life; they’re found in its depths. The creator’s energy must have the singular focus of a drill boring through stone. As difficult as that is, a creator is rewarded many times over for his efforts. You don’t have to be an artist to be a creator. You can add something to the world in any human activity—even the most routine. Your job, your role as a parent, your relationships, your contribution to your community—all become more meaningful when you put your personal stamp on them using higher forces. For
Phil Stutz (The Tools: 5 Tools to Help You Find Courage, Creativity, and Willpower--and Inspire You to Live Life in Forward Motion)
So there’s a video deep in the depths of YouTube of the three of us lip-syncing to the Jonas Brothers and pretending to play guitars and drums in Hailey’s bedroom. She decided she was Joe, I was Nick, and Maya was Kevin. I really wanted to be Joe – I secretly loved him the most, but Hailey said she should have him, so I let her. I let her have her way a lot. Still do. That’s part of being Williamson Starr, I guess. “I so have to find that video,” Jess says. “Nooo,” Hailey goes, sliding off the tabletop. “It must never be found.” She sits across from us. “Never. Ne-ver. If I remembered that account’s password, I’d delete it.” “Ooh, what was the account’s name?” Jess asks. “JoBro Lover or something? Wait, no, JoBro Lova. Everybody liked to misspell shit in middle school.
Angie Thomas (The Hate U Give six-chapter sample)
By the time James had dressed and made his way down to the Great Hal for breakfast, it was nearly ten o’clock. Less than a dozen students could be seen moving disconsolately among the detritus of the morning’s earlier rush. At the far corner of the Slytherin table, Zane sat hunched and squinting under a beam of sunlight. Across from him was Ralph, who saw James enter and waved him over. As James made his way across the Hal , four or five house-elves, each wearing large linen napkins with the Hogwarts crest embroidered on them, circled the tables, meandering in what at first appeared to be random paths. Occasional y, one of them would duck beneath the surface of a table and then reappear a moment later, tossing a stray fork or half a biscuit casual y onto the mess of the table. As James passed one of the elves, it straightened, raised its spindly arms, and then brought them swiftly down. The contents on the table in front of him swirled together as if caught in a miniature cyclone. With a great clattering of dishes and silverware, the corners of the tablecloth shot upwards and twisted around the pile of breakfast debris, creating a huge clanking bag floating improbably over the polished wood table. The house-elf leaped from floor to bench to tabletop, and then jumped, turning in midair and landing lightly on top of the bag. It grasped the twisted top of the bag, using the knot as if it were a set of reins, and turned the bag, driving it bobbingly toward the gigantic service doors in the side of the Hal . James ducked as the bag swooped over his head.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
Did you know that Ethiopia might have fifteen-hundred rock churches? Most are carved ou of rock outcropping. Some date back to the 13th century. Even the locals have forgotten where they are all located. Some are in caves, in the ground, and on top of tabletop mountains like Debre Damo. If the falashas wanted to hide the Ark, they would have lots of choices that were more secure than the middle of Axum.
J.J. Gainer
For three thousand years it had been the concent’s policy to accept any and all folding chairs and collapsible tables made available to it, and never throw one away. On one and only one occasion, this had turned out to be a wise policy: the millennial Apert of 3000, when 27,500 pilgrims had swarmed in through the gates to enjoy a square meal and see the End of the World. We had folding chairs made of bamboo, machined aluminum, aerospace composites, injection-molded poly, salvaged rebar, hand-carved wood, bent twigs, advanced newmatter, tree stumps, lashed sticks, brazed scrap metal, and plaited grass. Tabletops could be made of old-growth lumber, particle board, extruded titanium, recycled paper, plate glass, rattan, or substances on whose true nature I did not wish to speculate. Their lengths ranged from two to twenty-four feet and their weights from that of a dried flower to that of a buffalo.
Neal Stephenson (Anathem)
Oh yes, thank you, Kitty,’ she said and then sat and looked at her food. At one point she keeled forward and laid her cheek along her cigarette arm, which was stuck out straight across the tabletop. She was weeping. If such a thing can be said of someone who was making no sound and shedding no tears. Then she straightened up, pushed the palm of her hand up across her cheek and resumed her cigarette, ate through exhaled smoke, and poured herself some red wine.
Anne Enright (Actress)
It was simple. His world was Kate. If he denied that, he might as well stop breathing right now. “I have to go,” he blurted out, standing up so suddenly that his thighs hit the edge of the table, sending walnut shell shards skittering across the tabletop. “I thought you might,” Colin murmured. Benedict just smiled and said, “Go.” His brothers, Anthony realized, were a bit smarter than they let on. “We’ll speak to you in a week or so?” Colin asked. Anthony had to grin. He and his brothers had met at their club every day for the past fortnight. Colin’s oh-so-innocent query could only imply one thing— that it was obvious that Anthony had completely lost his heart to his wife and planned to spend at least the next seven days proving it to her. And that the family he was creating had grown as important as the one he’d been born into. “Two weeks,” Anthony replied, yanking on his coat. “Maybe three.” His brothers just grinned.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Olivia stared at a knot in the wooden tabletop, trying to convince herself that a child like the one inside her was better off not being born. But she couldn’t hold with that. People don’t give up their own lives, she thought, no matter how bad they are. They hang on, hoping for better, even when they know darn well there’s not much chance of better coming to call. Look at Mourning, born without any parents. Do I think it would be better if he’d never come into the world?
Yael Politis (Olivia, Mourning (The Olivia Series, #1))
Hanging from every corner, above every window, standing on every shelf and tabletop, were dozens of handmade birdcages. Nomi had crafted them all, mostly out of old fishing twine, scraps of nets, and chicken wire. Woven in between the bars of the cages were bits of seashells, crab shells, pebbles, and driftwood she had scavenged along the beach. In a pinch she had made a few out of old clothes hangers she had scissored apart and woven together with strips of a negligee or shirt. Each one was personal, each one was unique, each one was a story
Brooke Warra (Sanitarium #42)
Thanksgiving dinner is vast and steaming, crowded over the tabletop in hot platters bumping against each other. There are three open bottles of wine, all different colors, and there seem to be far more plates and silverware than are actually needed. Among the guests' contributions, there's a big round fatayer- a lamb pie- that Aziz bought from the green-eyed girl at the Iranian bakery; six sliced cylinders of cranberry sauce from Um-Nadia; whole roasted walnuts in chili sauce from Cristobal; plus Victor brought three homemade pumpkin pies and a half-gallon of whipping cream.
Diana Abu-Jaber (Crescent)
Worse, the long, sleepless night in a room stored with mementoes of Alton's life confronted Rusty with the tracks of a ghost. Like a mattress sagging under the weight of an unseen body and a fluffed pillow impressed with the indentation of its head, the room seemed to mold itself around Alton's absence. The shirts that hung over creased pants in the small armoire remembered the boy's shoulders. Toy soldiers, headless and one-legged after a childhood of tabletop battles, did not desert the formation Alton had last ordered. A half-finished model airplane on his desk did not complete itself. As Rusty pitched from side to side in the narrow bed, his eyes fell upon object after object, which each in its own voice seemed to utter Alton's name as a kind of question--a question, he well knew, that would never be answered. THe chorus of Alton's things, silently protesting their perplexed abandonment, disturbed Rusty's sleep like crickets chirping in the dark. It felt to him as if everything is the room was hardening around Alton's absence And what was a ghost, anyway, he began to understand while lying in a dead man's bed, but a felt absence, a keen unpresence?
John Biguenet (Oyster)
If we isolate the stray thought, the passing thought,” he said, “the thought whose origin is unfathomable, then we begin to understand that we are routinely deranged, everyday crazy.” We loved the idea of being everyday crazy. It rang so true, so real. “In our privatest mind,” he said, “there is only chaos and blur. We invented logic to beat back our creatural selves. We assert or deny. We follow M with N.” Our privatest mind, we thought. Did he really say that? “The only laws that matter are laws of thought.” His fists were clenched on the tabletop, knuckles white. “The rest is devil worship," he said.
Don DeLillo (The Angel Esmeralda)
That was the first time in my life that anyone had rejected me so completely.' Tsukuru said. 'And the ones who did it were the people I trusted the most, my four best friends in the world. I was so close to them that they had been like an extension of my own body. Searching for the reason, or correcting a misunderstanding, was beyond me. I was simply, and utterly, in shock. So much so that I thought I might never recover. It felt like something inside me snapped.' The bartender brought over the glass of wine and replenished the bowl of nuts. Once he'd left, Sara turned to Tsukuru. 'I've never experienced that myself, but I think I can imagine how stunned you must have been. I understand that you couldn't recover from it quickly. But still, after time had passed and the shock had worn off, wasn't there something you could have done? I mean, it was so unfair. Why didn't you challenge it? I don't see how you could stand it.' Tsukuru shook his head slightly. 'The next morning I made up some excuse to tell my family and took the bullet train back to Tokyo. I couldn't stand being in Nagoya for one more day. All I could think of was getting away from there.' 'If it had been me, I would have stayed there and not left until I got to the bottom of it,' Sara said. 'I wasn't strong enough for that.' Tsukuru said. 'You didn't want to find out the truth?' Tsukuru stared at his hands on the tabletop, careful choosing his words. 'I think I was afraid of pursuing it, of whatever facts might come of light. Of actually coming face-to-face with them. Whatever the truth was, I didn't think it would save me. I'm not sure why, but I was certain of it.' 'And you're certain of it now?' 'I don't know,' Tsukuru said. 'But I was then.' 'So you went back to Tokyo, stayed holed up in your apartment, closed your eyes, and covered up your ears.' 'You could say that, yes.
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
If you’re going to make an error in life, err on the side of overestimating your capabilities (obviously, as long as it doesn’t jeopardize your life). By the way, this is something that’s hard to do, since the human capacity is so much greater than most of us would ever dream. In fact, many studies have focused on the differences between people who are depressed and people who are extremely optimistic. After attempting to learn a new skill, the pessimists are always more accurate about how they did, while the optimists see their behavior as being more effective than it actually was. Yet this unrealistic evaluation of their own performance is the secret of their future success. Invariably the optimists eventually end up mastering the skill while the pessimists fail. Why? Optimists are those who, despite having no references for success, or even references of failure, manage to ignore those references, leaving unassembled such cognitive tabletops as “I failed” or “I can’t succeed.” Instead, optimists produce faith references, summoning forth their imagination to picture themselves doing something different next time and succeeding. It is this special ability, this unique focus, which allows them to persist until eventually they gain the distinctions that put them over the top. The reason success eludes most people is that they have insufficient references of succeeding in the past. But an optimist operates with beliefs such as, “The past doesn’t equal the future.” All great leaders, all people who have achieved success in any area of life, know the power of continuously pursuing their vision, even if all the details of how to achieve it aren’t yet available. If you develop the absolute sense of certainty that powerful beliefs provide, then you can get yourself to accomplish virtually anything, including those things that other people are certain are impossible.
Anthony Robbins (Awaken the Giant Within: How to Take Immediate Control of Your Mental, Emotional, Physical and Financial Destiny!)
MacDermid.” Cork’s mother and Grandma Dilsey sat at the kitchen table, each with a cup of coffee, and spread out between them on the tabletop was a jumble of photographs. “Your grandfather,” Grandma Dilsey said when Cork looked over her shoulder. He was a man Cork had never known. Handsome and smiling, he stood with a much younger version of Cork’s grandmother in front of a small white clapboard building, the one-room schoolhouse on the rez where Grandma Dilsey had taught and which had been enlarged to become the community center. Patrick “Paddy” O’Connor had been superintendent in the Tamarack County School District then. He’d died
William Kent Krueger (Lightning Strike (Cork O'Connor, #0))
He went into another bar already drunk, found himself confronted by a ghost. Earlier that night he had glimpsed hints of them--in the curl of a lip that sparked a memory, a flicker of an eyelid, the way someone's hand lingered on a tabletop. Those shoes. That dress. But when you encountered a real ghost--the Thing Entire--it was a shock. . .it took your breath. Not away. It didn't take your breath away--your breath wasn't going anywhere. Your breath was still in you, locked up, not of use to you. Took your pulse only to mutter dire predictionsfor the future because the Ghost Entire trapped Control somewhere between the person he had been and the person he had become. And yet it was still just a wraith. Just a woman he had known in high school.
Jeff VanderMeer (Authority (Southern Reach, #2))
Lady Isabeau was tall for a woman, nearly as tall as Molly, but slender where Molly was stout, with a smooth immobile face that looked as if it had been carved from ivory, pale and serene. Hob stared at her: glossy black hair bound about the brows with a broad white linen fillet and partly concealed by a veil that draped down her neck; dark eyes beneath dark brows plucked thin; unsmiling lips, full and well-shaped. There was so little expression on her face, and its beauty was so unworldly, that Hob had a moment when he thought her an apparition, or a graven figure. “Blanche comme la neige,” came to his mind, a song Molly had taught him, “belle comme le jour.” The thinnest of scars ran from her hairline down her forehead, divided her left eyebrow, and curved along her cheek to the corner of her mouth, and seemed at once to augment her beauty and to reinforce its carven stillness, as if some wright's chisel had slipped in the course of fashioning her visage. A linen band of the sort known as a barbette ran down from the fillet at her temples and passed under her chin, framing her face, and rendering her features all the more austere. Her gown was a muted purple; heavy embroidery of red and blue circled its neckline, and it was gathered by a zone of gray silk, sewn with pearls, that circled her hips. From this belt depended a silver ring, as wide around as a big man's fist. On the ring was a bunch of black iron keys, of varying sizes: the symbol and reality of her standing as administrator of the household. As she spoke, she fiddled with the keys as though they were prayer beads; they gave off a continual muted clink, just barely audible to Hob above the rumble of voices, the thuds and thumps of plank tabletops settling onto their trestles.
Douglas Nicholas
I look back at Silas, who is adding more sugar to his coffee. “Okay. Fine. One class, but only because I might not get another chance once we’re back in Ellison. And you have to promise not to tell Scarlett.” “Only if you let me pay for it,” he counters. “Silas,” I say threateningly. He shrugs. “You and Lett are broke. And besides, if you pay for it, Scarlett will know the money is missing.” “Fine,” I say dismissively. “Great. Let’s go get you signed up, then,” he says, rising and dropping a few crumbled dollars onto the tabletop. I remain seated, mouth open. “Now?” “No time like the present. I suppose I’ve taken Operation Rosie-Gets-a-Life as a personal mission. It’s too similar to Operation Silas-Gets-a-Life for me to ignore.” He extends a hand to me, and, without thinking, I take it. My heart rate quickens and I want to pull him toward me. Oh god. What am I thinking? I pull my hand away again and smile nervously. Silas smiles almost sheepishly. Did he feel the same stirring sensation?
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
What about sleeping arrangements?" Cassandra felt her stomach flip, not unpleasantly, and her face began to warm. "Perhaps we should have our own rooms, and you could visit?" "Certainly." Tom fiddled with a pencil. "I'll want to visit fairly often." She glanced at the empty doorway before turning her attention back to him. "How often?" Tom set down the pencil and drummed his fingers on the tabletop. "In the past, I've gone for long periods of time without... hang it, what's the polite word for it?" "I don't think there is a polite one." "During a drought, so to speak, I've always focused my energy on work. But when it's available... that is... when I've found the right woman... I tend to be..." Tom paused, mentally riffling through various words. "... demanding. Do you understand?" "No." That provoked a wry grin. Tom lowered his head briefly, then slanted a look up at her. A flicker of firelight caught in his green eye and made it gleam like a cat's. "What I'm trying to say is, I expect I'll be keeping you busy every night, for a while.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Something had to be done, for if there was ever a man who deserved killing - this was he. Georgiana surveyed the room in the silence, finally deciding to take control, returning to the tabletop, taking her spot on the roulette field. "I shouldn't have to remind any of you that every one of you has a secret kept in our confidence." Temple understood immediately what she was saying, pulling himself back up to stand on a table. "If a breath of what happened here tonight--" Bourne rose, too. "Not that anything has happened here tonight--" "Nothing besides obvious self defense," Georgiana said. "And, of course, saving two perfectly innocent people from their own demise," Duncan pointed out, joining her. Cross spoke from his place on the floor. "But if something had happened, and information left this room, every one of your secrets--" "To a man," Georgiana said. Duncan climbed up beside her. "Will be printed in my papers." There was a beat as the words sank in around the room, silence fell as the membership of the Fallen Angel remembered why they came to this place, where their dues were paid in secrets. For the tables. The gaming began almost immediately.
Sarah MacLean (Never Judge a Lady by Her Cover (The Rules of Scoundrels, #4))
He sat beside his brother and glanced at the notes. “The broken pew in the chapel has been repaired—you can cross that off the list. The keg of caviar arrived yesterday. It’s in the icehouse. I don’t know whether the extra camp chairs are here yet. I’ll ask Sims.” He paused to drink half his coffee in one swallow. “Where’s Kathleen? Still abed?” “Are you joking? She’s been awake for hours. At the moment she’s with the housekeeper, showing deliverymen where to set the flower arrangements.” A fond smile crossed Devon’s lips as he rolled the pencil against the tabletop with the flat of his hand. “You know my wife—every detail has to be perfect.” “It’s like staging a production at St. James’s Music Hall. Without, sadly, the chorus girls in pink tights.” West drained the rest of his coffee. “My God, will this day never end?” “It’s only six o’clock in the morning,” Devon pointed out. They both sighed. “I’ve never thanked you properly for marrying Kathleen at the registrar’s office,” West commented. “I want you to know how much I enjoyed it.” “You weren’t there.” “That’s why I enjoyed it.” Devon’s lips twitched. “I was glad not to have to wait,” he said. “But had there been more time, I wouldn’t have minded going through a more elaborate ceremony for Kathleen’s sake.” “Please. Shovel that manure in someone else’s direction.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
A plane in mathematics is not merely a flat surface but a flat surface of infinite thinness and size. Trivial? Not to us. When I say plane, I'm not thinking of a tabletop or sheet of glass or a piece of paper. You might point to any one of these objects; but all of them are precisely that: objects. They exist in the world. And because they do, they are defined by their breadth and reach. To a mathematician, a tabletop is no more a plane than a slice of rum cake is. In the world we know, in fact, the only thing that can actually be called a plane--or a portion of one, anyhow--is a shadow. You see? Words fail us. Even the world fails us. Are there not a thousand forms of sorrow? Is the sorrow of death the same as the sorrow of knowing the pain in a child's future? What about the melancholy of music? Is it the same as the melancholy of a summer dusk? Is the loss I was feeling for my father the same I would have felt for a man better-fit to the world who might have thrown a baseball with me or taken me out in the mornings to fish? Both we call grief. I don't think we have words for our feeling any more than we have words for our thoughts. I don't even believe that we actually do the things we call thinking and feeling. We do something, but it is only out of crudeness that we call it thinking; and when we do the other thing, we call it feeling. But I can tell you, if you asked Archimedes ... or Brahmagupta ... or Hilbert ... when they'd first known that they'd solved their great problem, I suspect they'd all say they had a feeling.
Ethan Canin (A Doubter's Almanac)
Have you…” “Have I what?” Gray prompted, promptly kicking himself for doing so. God only knew what she’d ask now. Or what damn fool thing he’d say in response. “Have you ever seen a Botticelli? Painting, I mean. A real one, in person?” The breath he’d been holding whooshed out of him. “Yes.” “Oh.” She bit her lip. “What was it like?” “I…” His hand gestured uselessly. “I haven’t words to describe it.” “Try.” Her eyes were too clear, too piercing. He swallowed and shifted his gaze to a damp lock of hair curling at her temple “Perfect. Luminous. So beautiful, your chest aches. And so smooth, like glass. Your fingers itch to touch it.” “But you can’t.” “No,” he said quietly, his gaze sliding back to meet hers. “It isn’t allowed.” “And you care what others will allow?” She took a step toward him, her fingers trailing along the grooved tabletop. “What if you were alone, and there was no one to see? Would you touch it then?” Gray shook his head and dropped his gaze to his hands. “It’s not…” He paused, picking over his words like fruits in an island market. Testing and discarding twice as many as he chose. “There’s a varnish, you see. Some sort of gloss. If I touched it with these rough hands, I’d mar it somehow. Make it a bit less beautiful. Couldn’t live with myself then.” “So-“ She leaned one hip against the table’s edge, making her whole body one sinuous, sweeping curve. Gray sucked in a lungful of heat. “It isn’t the rules that prevent you.” “Not really. No.” Silence again. Vast and echoing, like the long, marble-tiled galleries of the Uffizi.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
His world turned on its head for the second time at precisely ten eighteen p.m. He’d been taken into custody a little under ninety minutes earlier, but that had nothing to do with it. They did the job efficiently, boxing him in, two in front and two behind. Four men, swift and grim, clearly plainclothes law enforcement officers. One of the men in front of him stepped close, said something. He shook his head. ‘Non parlo Croato. Solo Italiano.’ The man nodded as if unsurprised, tipped his head: come with us. He followed the front pair to the unmarked saloon parked up on the kerb ahead. Before he got in the back he glimpsed the glitter of light off the restless water of the bay, the masts of the boats shifting in the embrace of the marina at the bottom of the hill. He glanced at his watch. Five past nine. Fifty-five minutes to go. * The room was a cliché: ivory linoleum curling at the edges, dusty fluorescent lighting strips with one bulb flickering like an eyelid with a tic, cheap wooden tabletop with metal legs bolted to the floor. The smell was of tobacco and sour sweat. He sat facing the door, alone. After seventeen minutes, at nine forty-four by the clock on the wall, the door opened. A woman came in, dark-haired, with glasses like an owl’s eyes. Two of the men who had picked him up followed her in. One seated himself in the chair. The other leaned against the wall, arms folded. She stood across the table from him, his passport grasped loosely between her fingertips like a soiled rag. Without introduction she said, her Italian accented but fluent, ‘Alberto Manta, of Lugano, Switzerland. Arrived in Zagreb on September second. Checked in at Hotel Neboder here in Rijeka the same day.
Tim Stevens (Ratcatcher (John Purkiss, #1))
Ryder! What’s taking you so long?” “I’m on my way!” he yells back. It feels like forever before he pushes open the door and ducks inside. Then I see why it took him so long. He’s somehow got the three cats tucked under one arm and the cake plate clutched in the other hand. No spare for a flashlight or lantern--so he accomplished this all in the dark. “Here,” he says, handing off the cake to me before releasing Kirk, Spock, and Sulu into the crate and latching the door. “Seriously, Ryder? You brought the cake?” He shrugs. “I was hungry.” Hmm, I guess all that kissing worked up his appetite. For cake. I’m not sure if I should be offended or not. On the plus side, he doesn’t look like he’s about to puke. So we’re making progress as far as his fear of storms goes. I guess that’s something. “Did you happen to bring a fork?” I ask, setting the plate on the makeshift tabletop. He produces two from his pocket, holding them up triumphantly. So we eat cake while the sirens blare. Actually, it doesn’t sound that bad out there. Still, the fact that we’re so calm--that Ryder’s so calm--should tell you how routine this is getting. As long as we don’t hear that awful freight-train sound, we’re good. “What happened to the cake?” he asks between bites. “It looks like someone mutilated it while I was gone.” “Sorry,” I mutter. “Guess I did some stress bingeing. You realize you’re not wearing a shirt, right?” He glances down and shrugs, his cheeks flushing ever so slightly. “Sorry ’bout that.” It might seem silly that he’s apologizing, but at Magnolia Landing, you don’t come to the table unless you’re fully dressed. It’s one of Laura Grace’s most unbendable rules--you dress for meals, even breakfast. Not that this counts as a meal, and I’m not sure you could call this plywood-on-top-of-a-crate thing a “table.” But still… By the time the sirens shut off, we’ve completely cleaned the plate, even scraping off the hardened frosting with our fingers. “That was quick,” I say, setting aside the now-empty plate. Ryder nods. “I guess we should give it a minute or two. You know, make sure it’s not coming back on.” So we wait. Silently. Ryder can’t even meet my eyes, and all I want to do is stare at his lips. This is crazy. I mean, what do we do now--now that the sirens are off and the cake is gone? Apparently, the answer is pretend like nothing happened.
Kristi Cook (Magnolia (Magnolia Branch, #1))
We have not begun to live’, Yeats writes, ‘until we conceive life as a tragedy.’ Newman confessed that he considered most men to be irretrievably damned, although he spent his life ‘trying to make that truth less terrible to human reason’. Goethe could call his life ‘the perpetual rolling of a rock that must be raised up again forever’. Martin Luther told a woman who wished him a long life: ‘Madam, rather than live forty more years, I would give up my chance of paradise.’ No, the Outsider does not make light work of living; at the best, it is hard going; at the worst (to borrow a phrase from Eliot) ‘an intolerable shirt of flame’, It was this vision that made Axel declare: ‘As for living, our servants will do that for us.’ Axel was a mystic; at least, he had the makings of a mystic. For that is just what the mystic says: ‘I refuse to Uve.’ But he doesn’t intend to die. There is another way of living that involves a sort of death: ‘to die in order to Uve’. Axel would have locked himself up in his castle on the Rhine and read Hermetic philosophy. He saw men and the world as Newman saw them, as Eliot saw them in ‘Burnt Norton’: ... strained, time-ridden faces Distracted from distraction by distraction Filled with fancies and empty of meaning Tumid apathy with no concentration Men and bits of paper, whirled by the cold wind That blows before and after time But he was not willing to regard himself as hopelessly damned merely because the rest of the world seems to be. He set out to find his own salvation; and although he did it with a strong romantic bias for Gothic castles and golden-haired girls, he still set out in the right direction. And what are the clues in the search for self-expression? There are the moments of insight, the glimpses of harmony. Yeats records one such moment in his poem ‘Vacillation’: My fiftieth year had come and gone I sat, a solitary man In a crowded London shop An open book and empty cup On the marble table-top While on the shop and street I gazed My body of a sudden blazed And twenty minutes more or less It seemed, so great my happiness That I was blessed, and could bless It is an important experience, this moment of Yea-saying, of reconciliation with the ‘devil-ridden chaos’, for it gives the Outsider an important glimpse into the state of mind that the visionary wants to achieve permanently.
Colin Wilson
What the devil was Davy doing up there with a marlinespike? That’s what I’d like to know. It’s a sailors duty.” She put her head in her hands. “I’m afraid that’s my fault, too. I’d been talking to him about moving up to the forecastle, and I…I think he wanted to impress me.” Gray choked on a laugh. “Well, of course he did. You ought to take care how you bat those eyelashes, sweetheart. One of these days, you’re likely to knock a man overboard.” The legs of her chair scraped the floor as she stood. The color returned to her cheeks. “If Davy was trying to impress me, it’s as much your fault as mine.” “How is that my fault?” Gray’s frustration came right back to a boil. He hated himself for growling at her, but he couldn’t seem to help it. “You’re the one who humiliated him in front of the crew, with all those questions. You goaded him into saying he…well, you know what he said.” “Yes, I know what he said.” Gray stepped toward her until only the table separated them. “I know what he said. And don’t pretend you didn’t enjoy it. Don’t pretend you don’t use those men to feed your vanity.” “My vanity? What would you know about feeding my vanity? You don’t so much as breathe in my direction. At least the sailors speak to me. And if that entire ‘Kind of the Sea’ display wasn’t one long exercise in feeding your own vanity, I’m sure I don’t know what is.” She jabbed one finger on the tabletop and lowered her voice. “Those men may flirt with me, but they worship you. You know it. You wanted to feel it. Bask in it. And you did so at Davy’s expense.” “At least I only teased the boy. I’m not the one poised to break his heart.” She blinked. “It’s only infatuation. He’s not really in love with me.” He pounded the table. “Of course the boy’s in love with you! They all are. You talk to them, you listen to their stories-even Wiggins’s prattling, God only knows why. You draw them little sketches, you make them paintings for Christmas. You remind them of everything they’ve left behind, everything they pray they’ll one day hold again. And you do it all looking like some sort of Botticelli goddess, surely the most beautiful thing they’ve ever laid eyes on. Damn it, how’s a man to keep from falling in love with you?” Silence. She stared at him. She blinked. Her lips parted, and she drew a quick breath. Say something, Gray silently pleaded. Anything. But she only stared at him. What the hell had he just said? Was it truly that bad? He frowned, reliving the past minute in his mind. Oh, God. Gray rubbed his face with one hand, then gave a sharp tug on his hair. It was that bad. Damn it to hell. If Joss were here, he’d have a good laugh at his expense.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
That black horse we used for packin’ up here is the most cantankerous beast alive,” Jake grumbled, rubbing his arm. Ian lifted his gaze from the initials on the tabletop and turned to Jake, making no attempt to hide his amusement. “Bit you, did he?” “Damn right he bit me!” the older man said bitterly. “He’s been after a chuck of me since we left the coach at Hayborn and loaded those sacks on his back to bring up here.” “I warned you he bites anything he can reach. Keep your arm out of his way when you’re saddling him.” “It weren’t my arm he was after, it was my arse! Opened his mouth and went for it, only I saw him outter the corner of my eye and swung around, so he missed.” Jakes’s frown darkened when he saw the amusement in Ian’s expression. “Can’t see why you’ve bothered to feed him all these years. He doesn’t deserve to share a stable with your other horses-beauties they are, every one but him.” “Try slinging packs over the backs of one of those and you’ll see why I took him. He was suitable for using as a pack mule; none of my other cattle would have been,” ian said, frowning as he lifted his head and looked about at the months of accumulated dirt covering everything. “He’s slower’n a pack mule,” Jake replied. “Mean and stubborn and slow,” he concluded, but he, too, was frowning a little as he looked around at the thick layers of dust coating every surface. “Thought you said you’d arranged for some village wenches to come up here and clean and cook fer us. This place is a mess.” “I did. I dictated a message to Peters for the caretaker, asking him to stock the place with food and to have two women come up here to clean and cook. The food is here, and there are chickens out in the barn. He must be having difficulty finding two women to stay up here.” “Comely women, I hope,” Jake said. “Did you tell him to make the wenches comely?” Ian paused in his study of the spiderwebs strewn across the ceiling and cast him an amused look. “You wanted me to tell a seventy-year-old caretaker who’s half-blind to make certain the wenches were comely?” “Couldn’ta hurt ‘t mention it,” Jake grumbled, but he looked chastened. “The village is only twelve miles away. You can always stroll down there if you’ve urgent need of a woman while we’re here. Of course, the trip back up here may kill you,” he joked referring to the winding path up the cliff that seemed to be almost vertical. “Never mind women,” Jake said in an abrupt change of heart, his tanned, weathered face breaking into a broad grin. “I’m here for a fortnight of fishin’ and relaxin’, and that’s enough for any man. It’ll be like the old days, Ian-peace and quiet and naught else. No hoity-toity servants hearin’ every word what’s spoke, no carriages and barouches and matchmaking mamas arrivin’ at your house. I tell you, my boy, though I’ve not wanted to complain about the way you’ve been livin’ the past year, I don’t like these servents o’ yours above half. That’s why I didn’t come t’visit you very often. Yer butler at Montmayne holds his nose so far in t’air, it’s amazin’ he gets any oxhegen, and that French chef o’ yers practically threw me out of his kitchens. That what he called ‘em-his kitchens, and-“ The old seaman abruptly broke off, his expression going from irate to crestfallen, “Ian,” he said anxiously, “did you ever learn t’ cook while we was apart?” “No, did you?” “Hell and damnation, no!” Jake said, appalled at the prospect of having to eat anything he fixed himself.
Judith McNaught (Almost Heaven (Sequels, #3))
Sun's down," muttered one of the guardsmen by the windows. "Then it's time." Grady made to push away from the table, and the rest began to follow. "No," said Kit. Grady paused with his palm pressed flat against the tabletop; all the other men froze. "What?" "No," Kit said once more, very polite. "Be seated. All of you." "Why are we wasting-" "Be seated." Even his old nemesis knew to obey that tone. It sliced across the room slick as steel, resounding into silence. The guard at the window let fall the drapery, a soft stir of cloth that barely touched the air. He could almost feel his father's ghost, watching, waiting. Christoff remained silent until they were done, until the last of them had sunk into nervous attention, staring at him through the gloom. "I claim her," he said. "I will hunt her alone." Grady twitched. "But-" "I claim her," he repeated, silkier and more deadly than before. "She is mine. And if you have issue with that-any of you-I invite you to tell me now. We'll settle it here. I will not abide insubordination." Reckless, red-faced, Grady shot back to his feet. Kit was on his own in half a heartbeat, his arm slashing out, a streak of metal flashing across the table. The stiletto struck deep into the wall mere inches behind the other man's head, the hilt of carnelian and worked gold an ominous blur against the silk. Silently, weightlessly, the outermost curl of Parrish Grady's wig drifted down to the dining table, settling feather-light against the dark wood. No one else moved; no one spoke. "I beg your pardon," said Kit cordially into the hush. "Was there something you wished to say?" Grady looked down at the severed lock, then back up at Kit. His throat worked, though no sound came out. Slowly, in awkward motion, he resumed his seat. "Excellent." Christoff sent a cold smile around the room. "Anyone else?" -a guardsmen, Grady, & Kit
Shana Abe (The Smoke Thief (Drakon, #1))
They can attend the red team event to demonstrate their support, just as New York Police Department (NYPD) Commissioner Ray Kelly and his successor William Bratton made it a point to participate in every single tabletop exercise, described in chapter 4, that was conducted with senior commanders during his tenure. Red teams can also be rewarded for their work—for example, the CIA Red Cell has received the National Intelligence Meritorious Unit Citation on multiple occasions—or a proficient red teamer can conspicuously be promoted to a more senior position.
Micah Zenko (Red Team: How to Succeed By Thinking Like the Enemy)
When a man could no longer pay his debts, the soldiers would seize the tabletop he would be using to display his wares (banco) and break it (rotta). Hence, bankruptcy.
Jodi Taylor (No Time Like the Past (The Chronicles of St. Mary's, #5))
Not that far away, Ms. Fate, the Nightside’s very own leather-costumed transvestite superheroine, was dancing on a tabletop with demon girl reporter Bettie Divine.
Simon R. Green (Tales from the Nightside (Nightside #short stories))
ay cheese!" If you're like most women I know, you have at least one family and friends photo area in your home. My entire home is practically a photo gallery! Walls, tabletops, and my refrigerator door are all crowded with the faces of people I love. My husband, Bob, my children, grandchildren, new friends, old friends you name 'em and I've displayed 'em. How precious are these gatherings of faces to us. And it's so fitting, isn't it? Because our family and friends' pictures tell the story of their lives.. .and ours! Cherish your family and friends and those priceless moments. Hold them close. Seek out your friends and enjoy their company more often. Treasure their faces, their characteristics, their uniqueness. But also make room for new people.. .and add them to the gallery in your heart. ant to hold a spring garden party? It can be a birthday, a graduation, or just a celebration. For invitations, glue inexpensive packets of seeds to index cards and write in your party information. Pass them out or stick them in envelopes and mail them. Decorate a picnic table with an umbrella and bright floral sheets or vinyl cloths. Why not decorate the awnings and porch posts to make it even more festive? Flowers, flowers, and flowers everywhere create a bright, aromatic space. If you're limber and energetic or you're inviting kids, spread sheets on the ground for an authentic, old-fashioned picnic. A little red wagon or painted tub with a potted plant makes a fun off-to-the-side "centerpiece." Use a clean watering can for your lemonade pitcher. Engage your imagination and have fun entertaining.
Emilie Barnes (365 Things Every Woman Should Know)
What I told you is the truth.” “Really? You want to keep heading down that path? Because I went to the pub.” Pope drummed his fingers on the tabletop. “They don’t even have a female bartender on staff, and nobody saw you there four nights ago.” “Somebody’s lying.” “So what I’m wondering is...why’d you really come to
Blake Crouch (Pines (Wayward Pines, #1))
The ColU, sitting on its tabletop, seemed to Stef to twinkle. ‘I’m Colius the Oracle now.
Stephen Baxter (Ultima)
… I notice differences in how we all handle the mahjong tiles. Pat and Amy treat the tiles with something bordering on reverence. They silently select tiles for discard from their racks and place them gently on the tabletop, in a dainty almost whispering motion. Sue and I place our discard tiles down so they make that clicking sound I have always loved hearing. Betty flings her tiles onto the tabletop with a throw-away motion befitting the worthless items they are.
Meredith Marple (What Took So Long?: A Group-Phobic, Uncomfortable Competitor's Journey to Mahjong - A Memoir Essay)
She arched an eyebrow. “You already know?” “I stole his soul, lost his soul, exorcised his soul from another person’s body, stuffed him in a bottle, pulled a short con, and now the Choir thinks I’m Gilles de Rais.” Pixie just stared at me. She rested her palms on the tabletop. “You have got,” she said, “to do a better job of keeping me in the loop.” “It’s been a really busy couple of days.
Craig Schaefer (Redemption Song (Daniel Faust, #2))
Mike Warren sat next to Timmy Bates on the delicate antique chairs at the round parlor table where afternoon sodas and floats had once been part of the pharmacy fare. He drummed his fingers on the tabletop and thought about the breakfast he should be having at The Quaker Café. Being called out at six in the morning to fight a fire was a hard way to start the day.
Brenda Bevan Remmes (Home to Cedar Branch (Quaker Café, #2))
least.” “Get us that, maybe we’ll pull a rabbit out of the technical hat.” Wells knew he should end the conversation there, but he couldn’t help himself. “Are we good? What’s done is done?” Gideon hesitated after he heard the translation. He looked at the tabletop, seemed to consider a half-dozen answers. “If I’d wanted to shoot you, I would have already,” he said finally. “Let’s get Orli.” He pushed back, walked out without a word to Shafer or Wright. He still had the limp. 21 BEIJING Cheung sat alone in his office, trying to focus on a report on the problems with the air-to-air missiles for the J-31, when his phone rattled. Somehow
Alex Berenson (The Wolves (John Wells, #10))
f you're living in a place that's just not big enough for that huge Christmas tree you'd love to have, get branches of evergreen, balsam, or juniper and use them to outline mirrors, arrange on mantels or windowsills, or decorate tabletops and bookshelves. Add gold or silver balls or showcase your holiday collectibles among the branches, such as snow villages, angels, and Christmas teacups. And don't forget to use plenty of unlit candles in seasonal colors. If you do light them, make sure the branches are arranged so they're not a fire hazard. Add a nativity scene to set the significant tone of the season. Make your home warm and welcoming, overflowing with love and good cheer. hose food shows on TV don't have anything on me! Cooking with your friends-inviting them to sit with you while you prepare a fantastic meal is something I've been doing for years. More often, though, I'll put my friends to work. We all have fun pitching in. I've had some of my best conversations while I was stirring a pot of soup and someone else was tossing a salad. I've also had some of my closest times with my husband in that warm, creative room in our house. Good talk seems to happen naturally in the kitchen. And teamwork is great fun! No one is lonely; no one feels left out. Creativity flourishes as you work together.
Emilie Barnes (365 Things Every Woman Should Know)
watching someone investing countless hours into completing a tabletop puzzle can reveal frustrated face contortions and even sounds of muttered profanity. Although puzzles offer no prize other than the satisfaction of completion, for some the painstaking search for the right pieces can be a wonderfully mesmerizing struggle.
Nir Eyal (Hooked: How to Build Habit-Forming Products)
A whole new smart glass industry has been incubating for a decade. As the global construction industry comes back to life, the thousands of smart glass installations in North America, Europe, Asia and Australia are evidence of the technology’s rapidly escalating adoption rate. Corning, the world leader in specialized glass and ceramic products, has produced a series of YouTube clips called A Day Made of Glass. In them, every piece of glass in the home contains intelligence and sensors that serve as a ubiquitous contextual computing system. In Corning’s vision, the home is one big connected computer and every piece of glass is a screen that you touch to move an image from one glass surface to the next. For example, you can look up a recipe on your phone and drag the result to a space on your stovetop next to your burner as you prepare the dish. If you are video chatting on a smart glass tabletop, you can slide the image onto your TV screen without missing a beat.
Robert Scoble (Age of Context: Mobile, Sensors, Data and the Future of Privacy)
The décor was Late-Period Dump: ripped-vinyl booths, neon Old Style signs, veneer tabletops, black-speckled linoleum in which 80 percent of the specks weren’t. The kind of place that was vastly improved by dim lighting and alcoholic impairment. Frankie loved it. “Your grandpa used to bring me here,” Frankie said to Matty. “This is where real men drink.
Daryl Gregory (Spoonbenders)
Introduce tabletop plants... Using potted plants is a great idea as they don't need to be replaced in the same way that flowers do.
Oliver Heath (Design A Healthy Home: 100 ways to transform your space for physical and mental wellbeing)
THE FIVE HUNDRED or so homes atop Acoma are still heated by wood, with mounded clay ovens outside that look like big beehives. The old timbered ladders, baked white by the sun, still rise to the top terraces, and there are deep footpaths along the tabletop of the rock. It is not a museum, but a living town, somewhat iced in time. The wind dominates all other sounds.
Timothy Egan (Lasso the Wind: Away to the New West)
The special thing about games, and tabletop games in particular, is the way they actively train you to think from within their rules. Other forms of art do this too, but in a more roundabout way that requires a certain sensitivity and willingness to taken in by the television show you're watching or the book you're reading. With games, it's a prerequisite. If you don't think the way the game wants you to think, at least a little bit, you're not really playing the game at all.
Eric Thurm (Avidly Reads Board Games)
Key Elements of Five Year Plan ’77 What follows did not happen overnight. Among the guidelines set in February 1977 (remember, Fair Trade on alcohol was not finally ended until 1978): Emphasize edibles vs. non-edibles. I figured that the supermarkets would raise their prices on foods to make up for the newly reduced margins on milk and alcohol. This would give us all the more room to underprice them. During the next five years we got rid of film, hosiery, light bulbs and hardware, greeting cards, batteries, magazines, all health and beauty aids except those with a “health food” twist. We began to cut back sharply on soaps and cleaners and paper goods. The only non-edibles we emphasized were “tabletop” items like wineglasses, cork pullers, and candles. It was quite clear that we should put more emphasis on food and less on alcohol and milk. Within edibles, drop all ordinary branded products like Best Foods, Folgers, or Weber’s bread. I felt that a dichotomy was developing between “groceries” and “food.” By “groceries,” I mean the highly advertised, highly packaged, “value added” products being emphasized by supermarkets, the kinds that brought slotting allowances and co-op advertising allowances. By embracing these “plastic” products, I felt the supermarkets were abandoning “food” and the product knowledge required to buy and sell it. But this position wasn’t entirely altruistic. The plan of February 20, 1977, declared, “Most independent supermarkets have been driven out of business, because they stupidly tried to compete with the big chains in plastic goods, in which the big chains excel.” Focus on discontinuity of supplies. Be willing to discontinue any product if we are unable to offer the right deal to the customer. Instead of national brands, focus on either Trader Joe’s label products or “no label” products like nuts and dried fruits. This was intended to enable the Trader Joe’s label to pick up momentum in the stores. And it worked.
Joe Coulombe (Becoming Trader Joe: How I Did Business My Way and Still Beat the Big Guys)
darshini’, that which is visible. Under Prabhakar’s direction, a friend opened the first Cafe Darshini in Jayanagar in 1983. Roughly modelled on McDonald’s, it had modern kitchen machinery visible from the public area. In front of it was the counter where order-takers handed over the prepared items directly to the customer. There was no furniture other than a new device: an elbow-high pole on which rested a small round tabletop. The customer was to put his plate on the tabletop and eat standing. The only staff in the public area was a cleaning boy who would wipe the tabletop clean as soon as a customer left.
T.J.S. George (Askew: A Short Biography of Bangalore)
His gaze trails from my face down to my chest, then to my hands, my fingers fidgeting on the tabletop. “But the chains should be on you,” he purrs. “And they will be again when I have you at my mercy.” Can I get a mop in visiting room three?
Susan Trombley (My Primal Mate (Iriduan Universe Love Stories #3))
Having come so close to losing everything, I am freed now of all fear, hesitation, and timidity, and, once revived, intent to devoutly wander the earth, imbibing, smelling, sampling, loving whomever I please; touching, tasting, standing very still among the beautiful things of this world, such as, for example: a sleeping dog dream-kicking in a tree-shade triangle; a sugar pyramid upon a blackwood tabletop being rearranged grain-by-grain by an indiscernible draft; a cloud passing ship-like above a rounded green hill, atop which a line of colored shirts energetically dance in the wind, while down below in town, a purple-blue day unfolds (the muse of spring incarnate), each most-grasses, flower pierced yard gone positively mad with—" Saunders, 27
George Saunders (Lincoln in the Bardo)