T Mac Quotes

We've searched our database for all the quotes and captions related to T Mac. Here they are! All 100 of them:

β€œ
To be trusted is a greater compliment than to be loved.
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George MacDonald
β€œ
He pulls me around and kisses me. "You're Mac," he says. "And I'm Jericho. And nothing else matters. Never will. You exist in a place that is beyond all rules for me. Do you understand that?" I do. Jericho Barrons just told me he loves me.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
You have to be burning with an idea, or a problem, or a wrong that you want to right. If you're not passionate enough from the start, you'll never stick it out.
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Steve Jobs
β€œ
There are two types of people in this world. People who hate clowns...and clowns. (Bobby Pendragon)
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D.J. MacHale (The Quillan Games (Pendragon, #7))
β€œ
V'lane: Are you busy tomorrow MacKayla ? Barrons: She's working on old texts with me. V'lane: Ah. Old texts. A banner day at the bookstore. Barrons: We're translating Kama Sutra...with interactive aids.
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Karen Marie Moning (Shadowfever (Fever, #5))
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When you know who I am. Let me be your man.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
Last night you said you wanted to know what to expect so you could better select your attire. I told you we were going to visit a vampire in a Goth-den tonight. Why, then, Ms. Lane, do you look like a perky rainbow?
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Karen Marie Moning (Darkfever (Fever, #1))
β€œ
Now it was just the three of us: the leader, the warrior, and the kid about to wet his pants. Guess who I was.
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D.J. MacHale
β€œ
I am the literary equivalent of a Big Mac and fries.
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Stephen King
β€œ
You're leaving me, Rainbow Girl.
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Karen Marie Moning (Dreamfever (Fever, #4))
β€œ
Love knows no right or wrong. Love is. Only is.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
Details matter, it's worth waiting to get it right.
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Steve Jobs
β€œ
Life is too short to wake up with regrets. So love the people who treat you right. Forget about those who don’t. Believe everything happens for a reason. If you get a chance, take it. If it changes your life, let it. Nobody said life would be easy, they just promised it would most likely be worth it.
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Harvey MacKay
β€œ
I would rather be what God chose to make me than the most glorious creature that I could think of; for to have been thought about, born in God's thought, and then made by God, is the dearest, grandest and most precious thing in all thinking.
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George MacDonald
β€œ
Certainly work is not always required of a man. There is such a thing as a sacred idleness, the cultivation of which is now fearfully neglected.
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George MacDonald (Wilfrid Cumbermede)
β€œ
You have to trust in something - your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.
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Steve Jobs
β€œ
Catholics don't believe in divorce. We do believe in murder. There's always Confession, after all. --Brianna Fraser to Roger MacKenzie
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Diana Gabaldon (An Echo in the Bone (Outlander, #7))
β€œ
Few delights can equal the mere presence of one whom we trust utterly.
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George MacDonald
β€œ
I'm not the hero, Mac. Never have been. Never will be. Let us be perfectly clear: I'm not the antihero, either, so quit waiting to discover my hidden potential. There's nothing to redeem me.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
They'll try to kill you." "Good thing I'm hard to kill." Only one thing concerned me. "Will you?" "Never. I'm the one who will always watch over you. Always be there to fuck you back to your senses when you need it, the one who will never let you die.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
Asleep by the Smiths Vapour Trail by Ride Scarborough Fair by Simon & Garfunkel A Whiter Shade of Pale by Procol Harum Dear Prudence by the Beatles Gypsy by Suzanne Vega Nights in White Satin by the Moody Blues Daydream by Smashing Pumpkins Dusk by Genesis (before Phil Collins was even in the band!) MLK by U2 Blackbird by the Beatles Landslide by Fleetwood Mac Asleep by the Smiths (again!) -Charlie's mixtape
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Stephen Chbosky (The Perks of Being a Wallflower)
β€œ
You only really fall apart in front of the people you know can piece you back together.
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Sarah Dessen (Saint Anything)
β€œ
And exactly how old are you MacRieve ?" "Twelve hundreds, give or take." "Great Hekate, you're a relic. Don't you have a museum exhibit to be in somewhere ?
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Kresley Cole (Dark Needs at Night's Edge (Immortals After Dark, #4))
β€œ
I couldnβ€˜t tell the difference between the two of you anymore!" he roared. I smashed my fist into his face. Lies roll off us. Itβ€˜s the truths we work hardest to silence. Then you werenβ€˜t looking hard enough! Iβ€˜m the one with boobs!" I know youβ€˜re the one with boobs!Theyβ€˜re in my fucking face every fucking time I turn around!
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Karen Marie Moning (Bloodfever (Fever, #2))
β€œ
Her heart - like every heart, if only its fallen sides were cleared away - was an inexhaustible fountain of love: she loved everything she saw.
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George MacDonald (The Day Boy and the Night Girl)
β€œ
I see God in a sunrise, not in repetitious ritual.
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Karen Marie Moning (Bloodfever (Fever, #2))
β€œ
What are you" -Mac "I don't follow" -Jericho "You dropped 30 feet in that warehouse. You should have broken something. What are you?" -Mac "A man with a rope." -Jericho
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Karen Marie Moning (Darkfever (Fever, #1))
β€œ
Seeing is not believing - it is only seeing.
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George MacDonald (The Princess and the Goblin)
β€œ
The entire time I'm burning in Hell, I'll regret each tear I made you weep. But if Hell were the price for twenty days with you, I'd condemn myself again and again. - Cian MacKeltar
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Karen Marie Moning (Spell of the Highlander (Highlander, #7))
β€œ
Everyone is born creative; everyone is given a box of crayons in kindergarten. Then when you hit puberty they take the crayons away and replace them with dry, uninspiring books on algebra, history, etc. Being suddenly hit years later with the 'creative bug' is just a wee voice telling you, 'I'd like my crayons back, please.
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Hugh MacLeod (Ignore Everybody: and 39 Other Keys to Creativity)
β€œ
Oh ye of little faith. Not for IYD... But you didn't even try.
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Karen Marie Moning (Dreamfever (Fever, #4))
β€œ
I was born on the night of Samhain, when the barrier between the worlds is whisper-thin and when magic, old magic, sings its heady and sweet song to anyone who cares to hear it.
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Carolyn MacCullough (Once a Witch (Witch, #1))
β€œ
Whoever said the pen is mightier than the sword obviously never encountered automatic weapons.
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Douglas MacArthur
β€œ
Forget men, I want to marry my MacBook. It’s dependable, reliable and you can even go shopping with it.
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Alexandra Potter (You're The One That I Don't Want)
β€œ
She stabbed the earth with her big fork as if she could make Cookie Mac’s blood sprout from it.
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Susan Rowland (The Alchemy Fire Murder (Mary Wandwalker #2))
β€œ
Barrons was powerful, broodingly good-looking, insanely wealthy, frighteningly intelligent, and had exquisite taste, not to mention a hard body that emitted some kind of constant low-level charge. Bottom line: He was the stuff of heroes. And psychotic killers.
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Karen Marie Moning (Faefever (Fever, #3))
β€œ
Home, Ms. Lane?” His deep voice was gently amused. β€œI have to call it something,” I said morosely. β€œThey say home is where the heart is. I think mine’s satin-lined and six feet under.
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Karen Marie Moning (Bloodfever (Fever, #2))
β€œ
Stop staring at my dick," he growled. Oh, yes it was definitely an illusion. "Barrons loved me staring at his dick,"I informed it. "he would have been happy if I'd stared at his dick all day long, composing odes to its perfection.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
Every time I think I’m getting smarter I realize that I’ve just done something stupid. Dad says there are three kinds of people in the world: those who don’t know, and don’t know they don’t know; those who don’t know and do know they don’t know; and those who know and know how much they still don’t know. Heavy stuff, I know. I think I’ve finally graduated from the don’t-knows that don’t know to the don’t-knows that do.
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Karen Marie Moning (Bloodfever (Fever, #2))
β€œ
And you can tell Darroc that Ms. Lane is mine. If he wants her, he can bloody well come and get her
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Karen Marie Moning (Dreamfever (Fever, #4))
β€œ
It's often only in the lies we refuse to speak that any truth can be heard at all.
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Karen Marie Moning (Darkfever (Fever, #1))
β€œ
Punch me." "Don't be absurd." "Come on, punch me, Barrons." "I'm not punching you." "I said, punch--OW!" He decked me.
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Karen Marie Moning (Bloodfever (Fever, #2))
β€œ
What do you know about dragons?” β€œThey're big, scaly, four-legged creatures with wings who terrorized small villages until a virgin was offered up as a sacrifice.” His grinned again. β€œI do miss the virgins.
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Katie MacAlister (You Slay Me (Aisling Grey, #1))
β€œ
Most people are good and occasionally do something they know is bad. Some people are bad and struggle every day to keep it under control. Others are corrupt to the core and don’t give a damn, as long as they don’t get caught. But evil is a completely different creature, Mac. Evil is bad that believes it’s good.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
You hated my rainbows, now you don't like my leather. Is there anything you like on me?
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Karen Marie Moning (Dreamfever (Fever, #4))
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He raised a brow. 'Petunia, Ms. Lane?' I scowled. "Ass, Barrons.
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Karen Marie Moning (Darkfever (Fever, #1))
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We have to save the world," I reminded him. He reached for me. "The world can wait. I can't.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
Kisses should not leave you satisfied. They should leave you wanting.
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Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
β€œ
Men, it has been well said, think in herds; it will be seen that they go mad in herds, while they only recover their senses slowly, one by one.
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Charles Mackay (Extraordinary Popular Delusions and the Madness of Crowds)
β€œ
Although it may not seem like it, this isn’t a story about darkness. It’s about light. Kahlil Gibran says Your joy can fill you only as deeply your sorrow has carved you. If you’ve never tasted bitterness, sweet is just another pleasant flavor on your tongue. One day I’m going to hold a lot of joy.
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Karen Marie Moning (Bloodfever (Fever, #2))
β€œ
Don't leave me, Rainbow Girl." Rainbow Girl. Was that who I was? It seemed so long ago. I smiled faintly. "Remember the skirt I wore to MallucΓ©'s the night you told me to dress Goth?" "It's upstairs in your closet. Never throw it away. It looked like a wet dream on you.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
Time is free, but it's priceless. You can't own it, but you can use it. You can't keep it, but you can spend it. Once you've lost it you can never get it back.
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Harvey MacKay
β€œ
If I'm a little girl, then that makes you a serious pervert.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
Doing the will of God leaves me no time for disputing about His plans.
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George MacDonald
β€œ
You're trying to block out every bit of noise. But people are made of noise, Mac. The world is full of noise. And finding quiet isn't about pushing everything out. It's just about pulling yourself in.
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Victoria Schwab (The Archived (The Archived, #1))
β€œ
Accept me or kill me MacKayla. But choose. Fucking Choose.
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Karen Marie Moning (Shadowfever (Fever, #5))
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I'm not good, Mac. Never have been.' What-true confession time? my eyes tease. Don't need it. 'I want what I want and I take it.' Is he warning me? What could he possibly threaten me with now? 'There's nothing I can't live with. Only things I won't live without.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
There are two kinds of people in the world Ms. Lane: those who survive no matter the cost and those who are walking victims.
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Karen Marie Moning (Darkfever (Fever, #1))
β€œ
The price of being a sheep is boredom. The price of being a wolf is loneliness. Choose one or the other with great care.
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Hugh MacLeod
β€œ
Let me be clear. Last I was aware you were neither my husband nor my father nor my King. Therefore, any control you may imagine you hold over me is just that- imaginary
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Sarah MacLean (The Season)
β€œ
Come, then, affliction, if my Father wills, and be my frowning friend. A friend that frowns is better than a smiling enemy.
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George MacDonald
β€œ
There are many types of pain. The only one that aspirin won't help is a hurting heart. That's why there is alcohol.
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Brian MacLearn
β€œ
Sex either blows your fucking mind, or it’s not good enough.
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Karen Marie Moning (Burned (Fever, #7))
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I write, not for children,but for the child-like, whether they be of five, or fifty, or seventy-five.
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George MacDonald
β€œ
I'm the terrorist, do what I say or I'll terrorize you.
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D.J. MacHale (Raven Rise (Pendragon, #9))
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I loved and adored you, but I drained you like a thirsty man at a spring. I loved what you could give me - your admiration, your acceptance, your love, your forgiveness. I forgot to love you for yourself.
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Jennifer Ashley (Lady Isabella's Scandalous Marriage (MacKenzies & McBrides, #2))
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Why is discipline important? Discipline teaches us to operate by principle rather than desire. Saying no to our impulses (even the ones that are not inherently sinful) puts us in control of our appetites rather than vice versa. It deposes our lust and permits truth, virtue, and integrity to rule our minds instead.
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John F. MacArthur Jr.
β€œ
I'm sorry I hurt your hand...with my face." -Bobby Pendragon
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D.J. MacHale
β€œ
All that is not God is death.
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George MacDonald (Unspoken Sermons: Series I, II, III)
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People must believe what they can, and those who believe more must not be hard upon those who believe less. I doubt if you would have believed it all yourself if you hadn't seen some of it.
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George MacDonald (The Princess and the Goblin)
β€œ
I sat down and tried to write a story. "Ian MacArthur is a wonderful sweet fellow who wears glasses and peers out of them with delight." That was the first sentence. The problem was that I just couldn't think of the next one. After cleaning my room three times, I decided to leave Ian alone for a while because I was starting to get mad at him.
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Stephen Chbosky (The Perks of Being a Wallflower)
β€œ
I don't have any idea what to wear anymore, so I tried to cover all bases." "Try skin." "Little chilly for that." We looked at each other across the coffee table. His eyes didn't say, I'd heat you up, and mine didn't say What are you waiting for? He didn't reply, Fuck if I'm making the first move, so I was careful not to say, I wish you would, because I can't, because I'm... and he didn't snap ...choking on your pride?! "As if you aren't." "Excuse me?" "Really Barrons," I said drily. "I'm not the only one who didn't just not have that conversation, and you know it." There was the faint, sexy lift of his lip. "You're a piece of work, Ms. Lane." "Right back at you.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
I’m asking the questions tonight.” One day I was going to write a book: How to Dictate to a Dictator and Evade an Evader, subtitled How to Handle Jericho Barrons.
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Karen Marie Moning (Bloodfever (Fever, #2))
β€œ
To try to be brave is to be brave.
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George MacDonald
β€œ
People are talking about immigration, emigration and the rest of the fucking thing. It's all fucking crap. We're all human beings, we're all mammals, we're all rocks, plants, rivers. Fucking borders are just such a pain in the fucking arse.
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Shane MacGowan
β€œ
Aingeal, there is only one thing on my body that's ten inches long, and if you'll recall, the scar is no' it.
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Kresley Cole (If You Deceive (MacCarrick Brothers, #3))
β€œ
Ancient eyes had stared at me, filled with ancient grief. And something more. Something so alien and unexpected that I'd almost burst into tears. I'd seen many things in his eyes in the time that I'd known him: lust, amusement, sympathy, mockery, caution, fury. But I had never seen this. Hope. Jericho Barrons had hope, and I was the reason for it. I would never forget his smile. It had illuminated him from the inside out.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
Hobey-Ho, let's go.
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D.J. MacHale
β€œ
We are all very anxious to be understood, and it is very hard not to be. But there is one thing much more necessary.' What is that, grandmother?' To understand other people.' Yes, grandmother. I must be fair - for if I'm not fair to other people, I'm not worth being understood myself. I see.
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George MacDonald (The Princess and the Goblin)
β€œ
Integrity is not a conditional word. It doesn't blow in the wind or change with the weather. It is your inner image of yourself, and if you look in there and see a man who won't cheat, then you know he never will. Integrity is not a search for the rewards of integrity. Maybe all you ever get for it is the largest kick in the ass the world can provide. It is not supposed to be a productive asset.
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John D. MacDonald
β€œ
Because I wanted you." He turned from the window to face me. "More than I ever wanted anything in my life," he added softly. I continued staring at him, dumbstruck. Whatever I had been expecting, it wasn't this. Seeing my openmouthed expression, he continued lightly. "When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself, 'Jamie Fraser, for all ye canna see what she looks like, and for all she weighs as much as a good draft horse, this is the woman'" I started toward him, and he backed away, talking rapidly. "I said to myself, 'She's mended ye twice in as many hours, me lad; life amongst the MacKenzies being what it is, it might be as well to wed a woman as can stanch a wound and set broken bones.' And I said to myself, 'Jamie, lad, if her touch feels so bonny on your collarbone, imagine what it might feel like lower down...'" He dodged around a chair. "Of course, I thought it might ha' just been the effects of spending four months in a monastery, without benefit of female companionship, but then that ride through the dark together"--he paused to sigh theatrically, neatly evading my grab at his sleeve--"with that lovely broad arse wedged between my thighs"--he ducked a blow aimed at his left ear and sidestepped, getting a low table between us--"and that rock-solid head thumping me in the chest"--a small metal ornament bounced off his own head and went clanging to the floor--"I said to myself..." He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?" I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house. "You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath. "Have I not...just been...saying so?
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Diana Gabaldon (Outlander (Outlander, #1))
β€œ
There’s nothing as cozy as a piece of candy and a book.
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Betty MacDonald (Mrs. Piggle-Wiggle's Magic (Mrs. Piggle Wiggle, #2))
β€œ
Crivens!
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Terry Pratchett (The Wee Free Men (Discworld, #30))
β€œ
Burns from dropped matches, Ms. Lane? Matches one might have dropped while flirting with a pernicious Fae, Ms. Lane? Have you any idea the value of this rug?” I didn’t think his nostrils could flare any wider. His eyes were black flame. β€œPernicious? Good grief, is English your second language? Third?” Only someone who’d learned English from a dictionary would use such a word. β€œFifth,” he snarled. β€œAnswer me.
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Karen Marie Moning (Bloodfever (Fever, #2))
β€œ
Never underestimate a well-dressed bimbo.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
What do you want, MacGuffin, a duel?” β€œNo.” Julian held out both hands, one palm flat, the other held over it in a fist. β€œRock, paper, scissors. Two out of three.” Ty rolled his eyes and held out his fist, apparently willing to play. Julian hit his palm three times, and Ty kept time with his fist in the air. But when Julian threw a paper, Ty reached into his jacket with his other hand and pulled his gun, aiming it at Julian. β€œTy!” Zane said in exasperation from the front seat. β€œGlock, paper, scissors. I win.” β€œYou are an ass,” Julian muttered.
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Abigail Roux (Armed & Dangerous (Cut & Run, #5))
β€œ
It is by loving, and not by being loved, that one can come nearest the soul of another; yea, that, where two love, it is the loving of each other, that originates and perfects and assures their blessedness. I knew that love gives to him that loveth, power over over any soul be loved, even if that soul know him not, bringing him inwardly close to that spirit; a power that cannot be but for good; for in proportion as selfishness intrudes, the love ceases, and the power which springs therefrom dies. Yet all love will, one day, meet with its return.
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George MacDonald (Phantastes)
β€œ
You are remembered for the rules you break.
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Douglas MacArthur
β€œ
Philosophy is really homesickness.
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George MacDonald
β€œ
No story ever really ends, and I think I know why.
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George MacDonald
β€œ
Adam swore harshly. "New werewolves are dangerous, woman. Especially when they are cold and hungry." He looked at Mac, and his voice changed completely, the heat and anger gone, "Mercy, come here." I didn't look down to see what he'd noticed in Mac's face. I took a step, but Mac was wrapped around my left leg. I stopped before I fell. "Uhm. I'm a little stuck for the moment.
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Patricia Briggs (Moon Called (Mercy Thompson, #1))
β€œ
This is what it's all been about with you," he said in an even tone. "All the fear, all the running. The nightmares." When she nodded, he said, "You called him the devil." "He is." What are you thinking, Scot? "But you... married him?" MacRieve's disgusted with me. "Basically? Yes." "Ceremony and everything?" She swallowed. "He tricked me into it. I-I was only sixteen." A muscle ticked in his cheek and his irises grew pale. "Then know this..." She stopped breathing. "Lass, I'm about to make you a widow--
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Kresley Cole (Pleasure of a Dark Prince (Immortals After Dark, #8))
β€œ
Some people wouldn't see a traitor when they looked at me. Some people would see a survivor. Call me anything you likeβ€”I sleep fine at night. But you will look at me when you say it. Or I'll get so far in your face you'll be seeing me with your eyes closed. You'll be seeing me in your nightmares. I'll scorch myself on the backs of your eyelids. Get off my back and stay off it. I'm not the woman I used to be. If you want a war with me, you'll get one. Just try me. Give me an excuse to go play in that dark place inside my head.
”
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
Had he stood outside my door as I'd stood outside his, fists at his sides, lips drawn back? Did it have him as bad as it had me? Was it eating at him, gnawing at him with the same sharp vicious little teeth that wouldn't let me sleep? Yes, it was. I could see the rage of insatiable uninvited lust in every line of that dark, stoic face that had once been too subtly etched for me to read. I wasn't the only one lying awake at night, fevered with memories, tossing, turning, soaking my sheets, burning up--not for Fae sex, but him, damn it all to hell, him.
”
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Karen Marie Moning (Dreamfever (Fever, #4))
β€œ
What does Γ‰loa mean?” He narrowed his gaze, answered her literally. β€œIt’s the name of an angel.” Penelope tilted her head, thinking. β€œI’ve never heard of him.” β€œYou wouldn’t have.” β€œWas he a fallen angel?” β€œShe was, yes.” He hesitated, not wanting to tell her the story, but unable to stop himself. β€œLucifer tricked her into falling from heaven.” β€œTricked her how?” He met her gaze. β€œShe fell in love with him.” Penelope’s eyes widened. β€œDid he love her?” Like an addict loves his addiction. β€œThe only way he knew how.” She shook her head. β€œHow could he trick her?” β€œHe never told her his name.
”
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Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
β€œ
Mountains seem to answer an increasing imaginative need in the West. More and more people are discovering a desire for them, and a powerful solace in them. At bottom, mountains, like all wildernesses, challenge our complacent conviction - so easy to lapse into - that the world has been made for humans by humans. Most of us exist for most of the time in worlds which are humanly arranged, themed and controlled. One forgets that there are environments which do not respond to the flick of a switch or the twist of a dial, and which have their own rhythms and orders of existence. Mountains correct this amnesia. By speaking of greater forces than we can possibly invoke, and by confronting us with greater spans of time than we can possibly envisage, mountains refute our excessive trust in the man-made. They pose profound questions about our durability and the importance of our schemes. They induce, I suppose, a modesty in us.
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Robert Macfarlane (Mountains of the Mind: Adventures in Reaching the Summit)
β€œ
The fight unfolded like background noise. White noise. In the foreground, even with his ghastly pale face looking dead in my hands, my fingers clenching his ragged hair, all I could see was random images of Fang, not dead. Fang telling me stupid fart jokes from the dog crate next to mine at the school, trying to make me laugh. Fang asleep at Jeb's old house, and me jumping wildly on his bed to wake him up. Him pretending to be asleep. Me laughing when I "accidentally" kicked him where it counts. Him dumping me off the bed. Fang gagging on my first attempt at cooking dinner after Jeb disappeared. Him spitting out the mac and cheese. Me dumping the rest of the bowl on him in response. Fang on the beach, that first time he was badly injured. Me realizing how I felt about him. Fang kissing me. So close I couldn't even see his dark eyes anymore. The first time. The second time. The third. I could always remember each and every one of them. Would always remember them. Fang. Not. Dead.
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James Patterson (Fang (Maximum Ride, #6))
β€œ
I, Gavin MacKenzie, sexy cowboy man of Baker City, Oregon … being of sound mind and hot body … do hereby declare that I love you, Andie Marks, lawyer extraordinaire, and want to be married to you until I’m so old, I either die or my pecker falls off.I will have sex with you whenever you want, and I will always give you the option to be on top if that’s what will make you happy. Blowjobs will always be optional but appreciated.I will change diapers when called for, both for our children and for you when you’re old and decrepit. I will never spit in public or burp too loudly or say mean things about your friends.I promise never to raise my hand against you in anger or tell you that you’re useless or threaten to hurt people who you love. Ten-four, over and out, happily ever after. Those are my vows.
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Elle Casey (Shine Not Burn (Shine Not Burn, #1))
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Ryodan doesn’t like Mac. He never has. She got between him and his best boy-bud. I give him a look. β€œI’ll tell you a secret, Ryodan. You mess with her, Barrons’ll kill you.” I drag a finger across my neck. β€œJust like that. You aren’t all that. Barrons’ll stomp your ass, hand’s down.” He smiles faintly. β€œI’ll be damned. You have a crush on Barrons.” β€œI do not have a crushβ€”β€œ β€œYou do, too. It’s all over your face. Anybody could see it.” β€œSometimes, boss, you’re just wrong.” β€œI’m never wrong. You might as well take out a billboard. β€˜Dani O’Malley thinks Jericho Barrons is hot.’ My offer to teach you is still open. Save you from future embarrassment. If I can see it on your face, he can, too. ” β€œHe never figured it out before,” I grumble then realize I just admitted it. Ryodan has a tricky way of wording things that makes you say things you didn’t mean to say. β€œMaybe I’ll ask Barrons to teach me,” I mutter and turn away from the stairs, heading for his office. I run smack into his chest. β€œDude, move. Trying to get somewhere here.” β€œNo one but me is ever going to teach you, Dani.” He touches me before I see it coming, has his hand under my chin, turning my face up. My shiver is instant and uncontrollable. β€œThat’s non-negotiable. You signed a contract with me that grants exclusivity. You won’t like it if you try to break it.
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Karen Marie Moning (Iced (Fever, #6))
β€œ
This is an ode to all of those that have never asked for one. A thank you in words to all of those that do not do what they do so well for the thanking. This is to the mothers. This is to the ones who match our first scream with their loudest scream; who harmonize in our shared pain and joy and terrified wonder when life begins. This is to the mothers. To the ones who stay up late and wake up early and always know the distance between their soft humming song and our tired ears. To the lips that find their way to our foreheads and know, somehow always know, if too much heat is living in our skin. To the hands that spread the jam on the bread and the mesmerizing patient removal of the crust we just cannot stomach. This is to the mothers. To the ones who shout the loudest and fight the hardest and sacrifice the most to keep the smiles glued to our faces and the magic spinning through our days. To the pride they have for us that cannot fit inside after all they have endured. To the leaking of it out their eyes and onto the backs of their hands, to the trails of makeup left behind as they smile through those tears and somehow always manage a laugh. This is to the patience and perseverance and unyielding promise that at any moment they would give up their lives to protect ours. This is to the mothers. To the single mom’s working four jobs to put the cheese in the mac and the apple back into the juice so their children, like birds in a nest, can find food in their mouths and pillows under their heads. To the dreams put on hold and the complete and total rearrangement of all priority. This is to the stay-at-home moms and those that find the energy to go to work every day; to the widows and the happily married. To the young mothers and those that deal with the unexpected announcement of a new arrival far later than they ever anticipated. This is to the mothers. This is to the sack lunches and sleepover parties, to the soccer games and oranges slices at halftime. This is to the hot chocolate after snowy walks and the arguing with the umpire at the little league game. To the frosting ofbirthday cakes and the candles that are always lit on time; to the Easter egg hunts, the slip-n-slides and the iced tea on summer days. This is to the ones that show us the way to finding our own way. To the cutting of the cord, quite literally the first time and even more painfully and metaphorically the second time around. To the mothers who become grandmothers and great-grandmothers and if time is gentle enough, live to see the children of their children have children of their own. To the love. My goodness to the love that never stops and comes from somewhere only mothers have seen and know the secret location of. To the love that grows stronger as their hands grow weaker and the spread of jam becomes slower and the Easter eggs get easier to find and sack lunches no longer need making. This is to the way the tears look falling from the smile lines around their eyes and the mascara that just might always be smeared with the remains of their pride for all they have created. This is to the mothers.
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Tyler Knott Gregson