T Bag Best Quotes

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It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them. I was so preposterously serious in those days, such a humorless little prig. Lightly, lightly – it’s the best advice ever given me. When it comes to dying even. Nothing ponderous, or portentous, or emphatic. No rhetoric, no tremolos, no self conscious persona putting on its celebrated imitation of Christ or Little Nell. And of course, no theology, no metaphysics. Just the fact of dying and the fact of the clear light. So throw away your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and self-pity and despair. That’s why you must walk so lightly. Lightly my darling, on tiptoes and no luggage, not even a sponge bag, completely unencumbered.
Aldous Huxley (Island)
A toast” I yelled, climbing onto a chair. On my way to the top, I stole someone’s beer and held it out in front of me. “To douche bags!” I said gesturing to Brad. “And to girls that break your heart.” I bowed to Abby. My throat tightened. “And to the absolute fucking horror of losing your best friend because you were stupid enough to fall in love with her.
Jamie McGuire (Walking Disaster (Beautiful, #2))
What did that stupid deserting crap-bag ex-boyfriend, ex-best friend with the most perfect stupid hair do? He DIDN'T delete his crap off the desktop before he fled my life and left me all alone. That's what he did.
James Patterson (Fang (Maximum Ride, #6))
You know the best thing about aeroplanes? Apart from the peanuts in the little silver bags, I mean. It's looking out of the windows at the clouds, and thinking, maybe I could go walking in there. Maybe it's a special place where everything's okay. Sometimes I do go walking in the clouds, but it's just cold and wet and empty. But when you look out of a plane it's a special world... and I like that.
Neil Gaiman (The Sandman, Vol. 7: Brief Lives)
The guys were totally skuzzy, grinning horribly, showing holes where teeth should be. “Boys, God doesn’t like you,” Fang intoned behind them. Whaaat? I thought, dumbfounded. “Wha!” they said, whirling. At that moment, Fang snapped out his huge wings and shone the penlight under his chin so it raked his cheekbones and eyes. My mouth dropped open. He looked like the angel of death. His dark wings filled the hallway almost to the ceiling, and he moved them up and down. “God doesn’t like bad people,” he said, using a really weird, deep voice. “What the heck?” one of the squatters murmured shallowly, his mouth slack, his eyes bugging out of his head. I whipped my own wings open. Fun, anyway. “This was a test,” I said, using my best spooky voice. “And guess what? You both failed.” The bums stopped dead, looks of horror and amazement on their faces. Then Fang growled, “Rowr!” He stepped forward, sweeping his wings up and down: the avenging demon. I almost cracked up. “Rowr!” I said myself, shaking my wings out. “Ahhhhh!” the guys yelled, backpedaling fast. Unfortunately, they were standing at the top of the staircase. They fell awkwardly, trying to grab each other, and rolled down two flights like lumpy bags of potatoes, shrieking the whole way. Fang and I slapped each other a quick high five—and we were out of there, jack.
James Patterson (School's Out—Forever (Maximum Ride, #2))
Have you ever heard the phrase, Living well is the best revenge?" "Where I come from, someone's head in a bag is generally considered the best revenge
Lois McMaster Bujold (CryoBurn (Vorkosigan Saga, #14))
Despite my best efforts, I'm not quite perfect. Let's just say I'm like one of those Hopi blankets where they leave a tiny flaw so as to not affront the Lord.
Jen Lancaster (Bitter Is the New Black: Confessions of a Condescending, Egomaniacal, Self-Centered Smartass, Or, Why You Should Never Carry A Prada Bag to the Unemployment Office)
To be most effective, flattery is always best applied with a trowel.
Alan Bradley (The Weed That Strings the Hangman's Bag (Flavia de Luce, #2))
Your past is like a bag of bricks; set it down and walk away. Quit collecting every painful word, memory and mistake. Collect hope.
Bryant McGill (Simple Reminders: Inspiration for Living Your Best Life)
Mark held up his plastic bag. Inside it, a small orange fish swam around in a circle. "This is the best patrol we've ever done," he said. "I have never been awarded a fish before.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
If a man tells you he's an asshole & that you deserve better, believe him...it's a warning. It's best you listen before he proves it to you.
April Mae Monterrosa
When you go out hunting wicked spirits, it's the simple things that matter most. The silvered point of your rapier flashing in the dark; the iron filings scattered on the floor; the sealed canisters of best Greek Fire, ready as a last resort... But tea bags, brown and fresh and plenty of them, and made (for preference) by Pitkin Brothers of Bond Street, are perhaps the simplest and best of all. OK, they may not save your life like a sword-tip or an iron circle can, and they haven't the protective power of a sudden wall of fire. But they do provide something just as vital. They help keep you sane.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
He advances like a floating Dracula. The menace is ruined by the sporting-goods-store bag loudly crinkling against his leg. A shoebox is in it, judging from the shape. Imagine the wretched sales assistant who had to help Joshua choose shoes.I require shoes to ensure I can effectively run down the targets I am paid to assassinate in my spare time. I require the best value for my money. I am size eleven
Sally Thorne (The Hating Game)
Things conceived by minds and made by hands can never be quite the same, even if they try their best to be identical, because they're never the same from day to day or even moment to moment.
Stephen King (Bag of Bones)
Real love feels less like a throbbing, pulsing animal begging for its freedom and beating against the inside of my chest and more like, 'Hey, that place you like had fish tacos today and i got you some while i was out', as it sets a bag spotted with grease on the dining room table. It's not a game you don't understand the rules of, or a test you never got the materials to study for. It never leaves you wondering who could possibly be texting at 3 am. Or what you could possibly do to make it come home and stay there. It's fucking boring, dude. I don't walk around mired in uneasiness, waiting for the other shoe to drop. No parsing through spun tales about why it took her so long to come back from the store. No checking her emails or calling her job to make sure she's actually there. No sitting in my car outside her house at dawn, to make sure she's alone when she leaves. This feels safe, and steadfast, and predictable. And secure. It's boring as shit. And it's easily the best thing I've ever felt.
Samantha Irby (We Are Never Meeting in Real Life.)
Adjusting her frames, Dagmar said, “It’s time for you to stop talking.” “I don’t want to.” “But you will stop talking.” “We’re on my territory now, Beast. You can’t strut around here and pretend you rule all—” “Quiet.” “But—” She raised her right forefinger. “She—” Dagmar raised that damn forefinger higher. “It’s just—” Now she brandished both forefingers. “Stop.” He gave Dagmar his best pout, which she completely ignored, turning her back on him to again face Annwyl. “Think there might be some place private we can talk, my lady?” Gwenvael’s mouth dropped open. “Did you just dismiss—” Dagmar held up that damn forefinger again but didn’t even bother to look at him when she did. Annwyl’s grin was wide and bright. A smile Gwenvael hadn’t seen from her in far too long. “Right this way, Lady Dagmar.” “Thank you.” Dagmar brusquely snapped her fingers at Gwenvael. “And don’t forget to bring my bags up once I get a room, Defiler.” Annwyl fairly glowed as she followed Dagmar from the room, her smile growing by the second. Gwenvael faced his sister. “It’s Ruiner, which is a vast difference.So get it right!” he yelled at the empty doorway.
G.A. Aiken (What a Dragon Should Know (Dragon Kin, #3))
I am not a perfectionist…if you believe that your best is good enough, you will find happiness. The unknown can be exciting and full of opportunity but you have to be involved and you have to be able to evolve.
Alice Bag (Violence Girl: East L.A. Rage to Hollywood Stage, a Chicana Punk Story)
Dark shadows of grief haunted his expression. More than any one person should be asked to bear. But that was the problem with grief. No one ever asked for it. It arrived with its bags packed for an extended stay. It settled into your best guest room and demanded to be waited on all day long, and which it finally shuffled out the door, it left behind permanent scratches on your furniture.
Maria V. Snyder (Night Study (Soulfinders, #2; Study, #5))
You're such a cheater. The best wood in your golf bag is your pencil!
Rex Pickett (Sideways)
...she waited until she and my grandfather Anthel were just home from their honeymoon, and then sat him down and told him this: "Honey, I know you like to take a drink, and that's all right, but be forewarned that I ain't your maid and I ain't your punching bag, and if you ever raise your hand to me you'd best kill me. Because otherwise I'll wait until you're asleep; sew you into the bed; and beat you to death with a frying pan." Until he died, I am told, my grandfather was a gentle man.
Haven Kimmel (A Girl Named Zippy: Growing Up Small In Mooreland, Indiana)
. “And I stole some oxen jerky out of Bercelak’s bag. He makes the best oxen jerky.” “Bercelak the Vengeful cooks?” “Aye. And he’s surprisingly good at it, too!
G.A. Aiken (A Tale of Two Dragons (Dragon Kin, #0.2))
The best customers are the ones who just have to buy a record on a Saturday, even if there's nothing they really want; unless they go home clutching a flat, square carrier bag, they feel uncomfortable. You can spot the vinyl addicts because after a while they get fed up with the rack they are flicking through, march over to a completely different section of the shop, pull a sleeve out from the middle somewhere, and come over to the counter; this is because they have been making a list of possible purchases in their head ("If I don't find anything in the next five minutes, that blues compilation I saw half an hour ago will have to do"), and suddenly sicken themselves with the amount of time they have wasted looking for something they don't really want.
Nick Hornby (High Fidelity)
Things conceived by minds and made by hands can never be quite the same, even when they try their best to be identical, because we’re never the same from day to day or even moment to moment.
Stephen King (Bag of Bones)
Are you Darah, Renee or Taylor? You look like a Taylor to me," he said, looking me up and down. I wasn't at my best, considering I was dressed for moving heavy objects in a blue UMaine t-shirt and black soccer shorts, and I had my light brown hair in a haphazard bun against the back of my neck. His eyes raked up and down twice, and for some reason the way he assessed me made me blush and want to kick him in the balls at the same time. "There must be a mistake," I said. He adjusted his bag on his shoulder. "That's a creative name. What do you shorten it to? Missy?
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
You two have to promise to be careful!" Sinead handed Amy a small plastic bag. "I made you a going-away present–a high-powered miniature smoke bomb. Could come in handy against the Vespers. It works with knockout gas, so I tossed in a couple of breathing filters." "That's the Cahill equivalent of a Hallmark moment," Dan observed. "A smoke bomb. When you care enough to send the very best–explosives." "I'm not a flowers-and-candy kind of girl," Sinead informed him.
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
I bought you something" Willows blurts out. "You bought...What?" Willow closes her eyes for a second. She's a little surprised she's going to give it to him after all, but there's no going back now. She has to. "At the bookstore." She reaches into her bag again, and pushes the package across the table towards him. Guy takes the book out of the bag slowly, Willow waits for him to look disappointed, to look confused that she would buy him such a battered, old- "I love it when used books have notes in the margins, it's the best," Guy says as he flips through the pages. "I always imagine who read it before me." He pauses and looks at one of Prospero's speeches. "I have way too much homework to read this now, but you know what? Screw it. I want to know why it's your favorite Shakespeare. Thank you, that was really nice of you. I mean, you really didn't have to." "But I did anyway," Willow says so quietly she's not even sure hears her. Hey," Guy frowns for a second. "You didn't write anything in here." "Oh, I didn't even think...I, well, I wouldn't even know what to write," Willow says shyly. "Well, maybe you'll think of something later," he says. Willow watches Guy read the opening. There's no mistaking it. His smile is genuine, and she can't help thinking that if she can't make David look like this, at least she can do it for someone.
Julia Hoban (Willow)
Slowly but surely, the darkness revealed light; and as the dim light shine brighter, I was mentally, physically, and emotionally prepared to battle the raging storms and the unfair, distasteful barriers. When my bags were too heavy and weighing me down, the darkness taught me when to put them down and focus on me. It taught me when to let go and know I could not change the situation. Most importantly, the darkness taught me that I could work through my trying times and make the best of what I was given.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
The people I love the best jump into work head first without dallying in the shallows and swim off with sure strokes almost out of sight. They seem to become natives of that element, the black sleek heads of seals bouncing like half submerged balls. I love people who harness themselves, an ox to a heavy cart, who pull like water buffalo, with massive patience, who strain in the mud and the muck to move things forward, who do what has to be done, again and again. I want to be with people who submerge in the task, who go into the fields to harvest and work in a row and pass the bags along, who stand in the line and haul in their places, who are not parlor generals and field deserters but move in a common rhythm when the food must come in or the fire be put out. The work of the world is common as mud. Botched, it smears the hands, crumbles to dust. But the thing worth doing well done has a shape that satisfies, clean and evident. Greek amphoras for wine or oil, Hopi vases that held corn, are put in museums but you know they were made to be used. The pitcher cries for water to carry and a person for work that is real.
Marge Piercy (To Be of Use: Poems)
(I pull the second to last item out of my bag. Her purple hair clip. She told me once how much it meant to her, and why she always keeps it.) This purple hair clip? It really is magic…just like your dad told you it was. It’s magic because, no matter how many times it lets you down…you keep having hope in it. You keep trusting it. No matter how many times it fails you, You never fail it. Just like you never fail me. I love that about you, because of you. (I set it back down and pull out a strip of paper and unfold it.) Your mother. (I sigh) Your mother was an amazing woman, Lake. I'm blessed that I got to know her, And that she was a part of my life, too. I came to love her as my own mom…just as she came to love Caulder and I as her own. I didn’t love her because of you, Lake. I loved her because of her. So, thank you for sharing her with us. She had more advice about Life and love and happiness and heartache than anyone I've ever known. But the best advice she ever gave me? The best advice she ever gave us? (I read the quote in my hands) "Sometimes two people have to fall apart, to realize how much they need to fall back together." (She’s definitely crying now. I place the slip back inside the satchel and take a step closer to the edge of the stage as I hold her gaze.) The last item I have wouldn’t fit, because you’re actually sitting in it. That booth. You’re sitting in the exact same spot you sat in when you watched your first performance on this stage. The way you watched this stage with passion in your eyes…I'll never forget that moment. It's the moment I knew it was too late. I was too far gone by then. I was in love with you. I was in love with you because of you. (I back up and sit down on the stool behind me, still holding her stare.) I could go on all night, Lake. I could go on and on and on about all the reasons I'm in love with you. And you know what? Some of them are the things that life has thrown our way. I do love you because you're the only other person I know that understands my situation. I do love you because both of us know what it's like to lose your mom and your dad. I do love you because you're raising your little brother, just like I am. I love you because of what you went through with your mother. I love you because of what we went through with your mother. I love the way you love Kel. I love the way you love Caulder. And I love the way I love Kel. So I'm not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them. And no, I don’t need days, or weeks, or months to think about why I love you. It’s an easy answer for me. I love you because of you. Because of every single thing about you.
Colleen Hoover (Point of Retreat (Slammed, #2))
As any bank robber can tell you (Nell would say), the best thing to do when running away is not to run. Just walk. Just stroll. A combination of ease and purposefulness is desirable. Then no one will notice you're running. In addition to which, don't carry heavy suitcases, or canvas bags full of money, or packsacks with body parts in them. Leave everything behind you except what's in your pockets. Lightest is best.
Margaret Atwood (Moral Disorder and Other Stories)
Ella finished her burger and dug into a side of fries. Hi watched, enraptured. She couldn't help but notice. “Would you like one?” “What? Sure.” Hi smiled, made no move. After a moment, Ella nudged the bowl his way. “Careful, they're still hot.” “Oh, no problem.” Hi fumbled for a fry. “I like food that's hot.” I caught Shelton slowly shaking his head. “Oh, shoot!” Ella winced. “I forgot to stop by the office. My mother had to drop off my shin guards.” She slid her fries over to Hi. “Enjoy. They're hot, which apparently you like.” “Got that right. Hot hot hot!” Hi awkwardly shoved another fry into his mouth. “Okay, wow.” Ella gathered her things, then brushed my cheek with a kiss. “Later, Tor.” Shouldering her bag, she hurried from the cafeteria. A loud thunk drew my attention back to the table. Hi's forehead was resting on his tray. “Tell me that wasn't as bad as I think.” “Worse,” Shelton said. “So, so much worse.” Then head rose, then thunked back down. “I don't remember parts. I think I lost time.” I patted his shoulder. “That's probably for the best.” “Such.” Thunk. “A.” Thunk. “Dumbass.” Thunk. Shelton laughed nervously. “See? That's why I don't talk.” Hi's face shot up. “Tell her I have brain seizures. A serious medical condition. Or that I have an evil twin who sometimes takes my place, but can't talk for crap.” “Got it," I promised. His head dropped once more.
Kathy Reichs (Exposure (Virals, #4))
YO MAMA SO POOR... Yo mama so poor when I saw her kicking a can down the street, I asked her what she was doing, she said "Moving." Yo mama so poor she can't afford to pay attention. Yo mama so poor when I ring the doorbell I hear the toilet flush. Yo mama so poor when she goes to KFC, she has to lick other people's fingers. Yo mama so poor she went to McDonald's and put a milkshake on layaway. Yo mama so poor your family ate cereal with a fork to save milk. Yo mama so poor her face is on the front of a foodstamp. Yo mama so poor she was in K-Mart with a box of garbage bags. I said, "What ya doin'?" She said, "Buying luggage." Yo mama so poor she waves around a popsicle stick and calls it air conditioning. Yo mama so poor she has the ducks throw bread at her.
Jess Franken (The 100 Best Yo Mama Jokes)
it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven. even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory. and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite. of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.
Annabel Giles (Birthday Girls)
And who knew the guy I thought could be crowned King of the Douche Bags once upon a time would turn out to be the best man I know.
Meghan March (Bad Judgment)
Where I come from, someone's head in a bag is generally considered the best revenge.
Lois McMaster Bujold (CryoBurn (Vorkosigan Saga, #14))
Humility is not weak, powerless, faint, a pushover, a punching bag or an abuse magnet, because above all — humility cares.
Bryant McGill (Simple Reminders: Inspiration for Living Your Best Life)
You have to look at Jews like Bina Gelbfish, to explain the wide range and persistence of the race. Jews who carry their homes in an old cowhide bag, on the back of a camel, in the bubble of air at the center of their brains. Jews who land on their feet, hit the ground running, ride out the vicissitudes, and make the best of what falls to hand, from Egypt to Babylon, from Minsk Gubernya to the district of Sitka. Methodological, organised, persistent, resourceful, prepared... A mere re-drawing of borders, a change in governments, those things can never faze a Jewess with a good supply of hand wipes in her bag.
Michael Chabon (The Yiddish Policemen's Union)
Children fail to realize that a mother doesn’t have to provide their “wants”. Her bags are heavy because they are filled by everyone’s “wants”. There isn’t one “want” in the bags a mother is carrying that belongs to her. She looks past her self-fulfillment. She feels as though her wants and needs are not important; therefore, they are never on the list. Children cannot see past their selfish ways. By law, a parent is supposed to provide shelter, food, clothing, make sure their children attend schools and have their annual health checkups. A mother isn’t required to put her children in extracurricular activities; that is a choice. Friends come and go; a marriage may last or fail, but once you’re a mother there is no such thing as divorcing your children. Being a mother is the hardest job ever; it is “till death do you part”. As a mother, you try your best to make sure your children do not make the same mistakes that you did.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
He unpacks his bag of tales with fingers quick as a weaver's picking the weft threads threading the warp. Watch his fingers. Watch his lips speaking the old familiar words: "Once there was and there was not, oh, best beloved, when the world was filled with wishes the way the sea is filled with fishes..." All those threads pulling us back to another world, another time, when goosegirls married well and frogs could rhyme, when maids spoke syllables of pearl and stepmothers came to grief. .... (from The Storyteller poem)
Jane Yolen (The Last Selchie Child)
I used to want to understand how the world worked. Little things, like heavy stuff goes at the bottom of the laundry bag, or big things, like the best way to get a boy to chase you is to ignore him, or medium things, like if you cut an onion under running water your eyes won't sting, and if you wash your fingers afterwards with lemon-juice they won't stink. I used to want to know all the secrets, and every time I learned one, I felt like I'd taken--a step. On a journey. To a place. A destination: to be the kind of person who knew all this stuff, the way everyone around me seemed to know all this stuff. I thought that once I knew enough secrets, I'd be like them.
Cory Doctorow (Someone Comes to Town, Someone Leaves Town)
My mouth dropped open, because even if it wasn't my best friend, I knew the guy who was presently rubbing the short stubble on his chin. The only new thing about him was the little scar on his left eyebrow. It was Gabriel Green, known to me as Gabe the douche bag. Great!
Stephanie Witter (By My Side)
Lucy reached in her bag and pulled out the book, knowing exactly where to search. I thank my Maker, that, in the midst of judgment, he has remembered mercy. I humbly entreat my Redeemer to give me strength to lead henceforth a purer life than I have done hitherto. There it was. Mercy. Grace. And just as she’d told James, fiction conveyed change and truth and was loved and digested again and again because it reflected the worst, the best, and all the moments in between of the human experience.
Katherine Reay (The Brontë Plot)
Over the years, I’d learned that under the bed was the best place to keep anything I didn’t want found, because there was so much crap—papers, magazines, dirty socks, grocery bags—that no one would ever suspect that anything of value was under there. Sort of like hiding in plain sight.
Kristin Walker (A Match Made in High School)
For best use, turn ON the Revenge Machine before attempting to use it. It also doesn’t have an OFF switch, because you have to destroy it—or it will destroy you. That's how I nearly lost my duffel bag full of ducks.
Jarod Kintz (One Out of Ten Dentists Agree: This Book Helps Fight Gingivitis. Maybe Tomorrow I’ll Ask Nine More Dentists.: A BearPaw Duck And Meme Farm Production)
The idea of safety had shrunk into particles - one snug moment, then the next. Meanwhile, the brain piped fugues of worry and staged mind-theaters full of tragedies and triumphs, because unfortunately, the fear of death does wonders to focus the mind, inspire creativity, and heightens the senses. Trusting one's hunches only seems gamble if one has time for seem; otherwise the brain goes on autopilot and trades the elite craft of analysis for the best rapid insights that float up from its danger files and ancient bag of tricks.
Diane Ackerman (The Zookeeper's Wife)
It's dark because you're trying too hard," said Susila. "Dark because you want it to be light. Remember what you used to tell me when I was a little girl. 'Lightly, child, lightly. You've got to learn to do everything lightly. Think lightly, act lightly, feel lightly. Yes, feel lightly, even though you're feeling deeply. Just lightly let things happen and lightly cope with them.' I was so preposterously serious in those days, such a humorless little prig. Lightly, lightly—it was the best advice ever given me. Well, now I'm going to say the same thing to you, Lakshmi . . . Lightly, my darling, lightly. Even when it comes to dying. Nothing ponderous, or portentous, or emphatic. No rhetoric, no tremolos, no self-conscious persona putting on its celebrated imitation of Christ or Goethe or Little Nell. And, of course, no theology, no metaphysics. Just the fact of dying and the fact of the Clear Light. So throw away all your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and self-pity and despair. That's why you must walk so lightly. Lightly, my darling. On tiptoes; and no luggage, not even a sponge bag. Completely unencumbered.
Aldous Huxley (Island)
There is no possible way this could go badly, especially if you start issuing orders. Heaven knows people who’ve spent their lives as punching bags do best when they have absolutely no control over a situation and someone else dominates them completely.
Jennifer Lynn Barnes (Bad Blood (The Naturals, #4))
An actor is no more than an assortment of odds and ends which barely add upp to a whole man. An actor is an interpreter of other men's words, often a soul which wishes to to reveal itself to the world but dare not, a craftsman, a bag of tricks, a vanity bag, a cool observer of mankind, a child, and at his best a kind of unfrocked priest who for an hour or two, can call on heacen and hell to mesmerise a group of innocents.
Alec Guinness
He gets a condom out of his bag and rolls it on while I wait for him.
Rachel Kramer Bussel (Best Women's Erotica of the Year, Volume 1 (Best Women's Erotica Series))
My life is hard. No one would rob me of that. The clothes I am wearing came out of a knotted up black plastic trash bag from a resale shop downtown. And not the downtown where shiny cars wink at you in the sunlight. If a car winks at you in this area it’s being driven by a person you would be best to avoid. My side of downtown is crumbling and skirted by chain link fences. --Rocky Evans
Gwenn Wright (Filter (The Von Strassenberg Saga, #1))
I would have liked the movie immeasurably better if, instead of being about a beautiful, smart virgin who acquired an unearned reputation and then cleared her name and bagged the super-nice boyfriend, it was a movie about a girl who actually had extremely hot sex with her queer best friend and then fcked a bunch nerds for Home Depot gift cards and was still presented as a sympathetic protagonist.
Melissa Febos (Girlhood)
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it. The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now. “Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.” My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament. “I haven't been wearing any cologne.” “Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.” “What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words. “I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.” His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed. “Citrus?” he asked. “Like lemons?” “Oranges mostly. And a little lime, too.” He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed. “What you smell are my pheromones, Anna.” A small, nervous laugh burst from my throat. “Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again. “People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.” I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone. “Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...” “Would you like to know your own scent?” he asked me. My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura. “Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.” He made no attempt to move out of the doorway. “You smell like pears with freesia undertones.” “Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
Wendy Higgins (Sweet Evil (Sweet, #1))
Look, I'm not here to lecture you about Eurocentricity or media bias; I just want to put forth the idea that maybe China has been the punching bag of the West for a very, very long time, and that nothing is gained from the continued demonization of its people... of my people. If you can accept that a single country can give birth to both a Donald Trump and a Donald Glover, a Steve Carell and a Stone Cold Steve Austin, you shouldn't have any difficulty accepting that the 1.3 billion people who call China home are just as varied in their ideologies and philosophies. There are the party officials, the pure-of-heart idealists, the Crazy Rich Asians, the activists, the social media influencers (smash that subscribe button!), the internet trolls and every conceivable thing in between–but perhaps most of all, there are the families like my parents, who simply did their best to stay out of trouble and survive from one day to the next.
Simu Liu (We Were Dreamers: An Immigrant Superhero Origin Story)
As winter went on, longer than long, we both freaked out. My mania grew to insane proportions. I sat in the study room at night, wildly typing out Dali-esque short stories. I sat at my desk in our room, drinking tea, flying on speed. She'd bang into the room in a fury. Or, she'd bang into the room, laughing like a maniac. Or, she'd bang into the room and sit under the desk eating Nutter-Butters. She was a sugar freak. She'd pour packets of sugar down her throat, or long Pixie-Stix. She was in constant motion. At first I wondered if she too had some food issues, subsisting mostly on sugar and peanut butter-and-jelly sandwiches on Wonder Bread, but my concern (as she pointed out) was “total transference, seriously, Max. Maybe you're just hungry.” Some Saturdays, we'd go to town together, buy bags and bags of candies, Tootsie Rolls (we both liked vanilla best; she always smelled delicious and wore straight vanilla extract as perfume, which made me hungry), and gummy worms and face- twisting sour things and butterscotch. We'd lie on our backs on the beds, listening to The Who and Queen, bellowing, “I AM THE CHAMPION, YES I AM THE CHAMPION” through mouths full of sticky stuff, or we'd swing from the pipes over the bed and fall shrieking to the floor.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
Though she'd try to do otherwise, she had never been able to stop cluttering her present with her past. Now somebody she didn't know would pack her treasures into plastic bags and carry them away. A life, at its end, is a pile of cloth and paper, and goods that can be bagged and labelled. None of the best things - the voice and the laugh, the tilt of the head, the things seen and felt and spoken - are allowed to stay behind.
Sonya Hartnett
Brother Lemon and Abby looked at each other, eyes gleaming in the shadows, and then he stood up. Rummaging in one of his duffle bags, he pulled out an athletic cup and slid it down the front of his pants. He caught Abby staring. "First place they go for," he explained. He adjusted himself and picked up a well worn bible.
Grady Hendrix (My Best Friend's Exorcism)
But Luce takes the attitude, when you start fretting the day-by- day you lose track of the long view. And the long view is, they need to learn to speak for themselves and do the best they can. For now, if they bag their own lunch and it's pickles and prunes and they say the words, all you do is put both thumbs up and say, Good job.
Charles Frazier (Nightwoods)
For my twenty-seventh birthday, I was really looking forward to your father's gift...But there was no box. There was no bag with tissue sticking out of the top. We sat down on his bed, in his closet room, as he gave me an envelope...Instead, there was a blank card with these instructions: 'Write down all of your goals.' Then he had me recite them back to him. And after every goal I read out loud to him, he replied, 'So it shall be. '... And despite having put anal beads up another grown man's ass in a previous relationship, I had never experienced and activity that was so intimate. And straight up free.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, & Advice for Living Your Best Life)
Even in the best of times, life is a mixed bag of disappointments and triumphs, heartaches and highs. Life hands out all of the above, and we don't get to pick how many of each we'll get, or in what order they'll show up. But we do get to choose how we'll walk through our days. Whether we'll cower under our covers ever morning, or rise up to take on the challenges.
Diane Guerrero (In the Country We Love: My Family Divided)
Travel is transition, and at its best it is a journey from home, a setting forth. I hated parachuting into a place. I needed to be able to link one place to another. One of the problems I had with travel in general was the ease and speed with which a person could be transported from the familiar to the strange, the moon shot whereby the New York office worker, say, is insinuated overnight into the middle of Africa to gape at gorillas. That was just a way of feeling foreign. The other way, going slowly, crossing national frontiers, scuttling past razor wire with my bag and my passport, was the best way of being reminded that there was a relationship between Here and There, and that a travel narrative was the story of There and Back.
Paul Theroux (Dark Star Safari: Overland from Cairo to Cape Town)
His house was perfect, whether you liked food, or sleep, or work, or story-telling, or singing, or just sitting and thinking best, or a pleasant mixture of them all. Evil things did not come into that valley. I wish I had time to tell you even a few of the tales or one or two of the songs that they heard in that house. All of them, the ponies as well, grew refreshed and strong in a few days there. Their clothes were mended as well as their bruises, their tempers and their hopes. Their bags were filled with food and provisions light to carry but strong to bring them over the mountain passes. Their plans were improved with the best advice. So the time came to midsummer eve, and they were to go on again with the early sun on midsummer morning.
J.R.R. Tolkien (The Hobbit)
He was really trying to be my friend, without all the emotional baggage we both carried - mine still with me, but carefully folded in vacuum bags so they'd occupy as little room as possible and his, hangin on his shoulders like lead armor, making him slouch sometimes. And yet, as pinned down as he was, he was the one comforting me, supporting not only his weight but mine, too. It wasn't fair.
Diana T. Scott (Our Demons, Best Friends)
We could just chill if you want." Emma raises a brow at Rachel. Rachel shrugs her innocence. "Nuh-uh. Don't look at me. I didn't teach him that." "Picked it up all on my own," he says, retrieving his pencil from the floor. "Figures," Emma sneers. "Aww, don't hate on me, boo." "Okay, I'm drawing the line at 'boo.' And don't call me 'shorty' either," Emma says. He laughs. "That was next." "No doubt. So, did anyone explain how you chill?" Galen shrugs. "As far as I can tell, chillin' is the equivalent of being in a coma, only awake." "That's about right." "Yeah. Doesn't sound that appealing. Are all humans lazy?" "Don't push it, Highness." But she's smirking. "If I'm Highness, then you're 'boo.' Period." Emma growls, but it doesn't sound as fierce as she intends. In fact, it's adorable. "Jeez! I won't call you Majesty either. And you Will. Not. Ever Call me 'boo' again." His grin feels like it reaches all the way to his ears as he nods. "Did...did I just win an argument?" She rolls her eyes. "Don't be stupid. We tied." He laughs. "If you say I won, I'll let you open your present." She glances at the gift bag and bites her lip-also adorable. She looks back at him. "Maybe I don't care about the present." "Oh, you definitely care," he says, confident. "No. I definitely do NOT," she says, crossing her arms. He runs a hand through his hair. If she makes it any more difficult, he'll have to tell her where they're going. He gives his best nonchalant shrug. "That changes everything. I just figured since you like history...Anyway, just forget it. I won't bother you about it anymore." He stands and walks over to the bag, fingering the polka-dot tissue paper Rachel engorged it with. "Even if I say you win, it's still a lie, you know." Emma huffs. Galen won't take the bait. Not today. "Fine. It's a lie. I just want to hear you say it." With an expression mixing surprise and suspicion in equal parts, she says it. And it sounds so sweet coming from those lips. "You won.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
He dreams he's with a very sad kid and they're in a graveyard digging some dead guy's head up and it's really important, like Continental-Emergency important, and Gately's the best digger but he's wicked hungry, like irresistibly hungry, and he's eating with both hands out of huge economy-size bags of corporate snacks so he can't really dig, while it gets later and later and the sad kid is trying to scream at Gately that the important thing was buried in the guy's head and to divert the Continental Emergency to start digging the guy's head up before it's too late, but the kid moves his mouth but nothing comes out and Joelle van D. appears with wings and no underwear and asks if they knew him, the dead guy with the head, and Gately starts talking about knowing him even though deep down he feels panic because he's got no idea who they're talking about, while the sad kid holds something terrible up by the hair and makes the face of somebody shouting in panic: TOO LATE.
David Foster Wallace (Infinite Jest)
You don’t smell like roses any more,” he said, then wanted to kick himself. He shouldn’t be noticing her scent. “I probably smell like boat.” No, she smelled sweet, perfect like … “Toffee?” Her eyes slid away guiltily. “Kaz said to pack what we needed for the journey. A girl has to eat.” She reached into her pocket and drew out a bag of toffees. “Want one?” Yes. “No.” She shrugged and popped one in her mouth. Her eyes rolled back, and she sighed happily. “So good.” It was a humiliating epiphany, but he knew he could have watched her eat all day. This was one of the things he’d liked best about Nina – she savoured everything, whether it was a toffee or cold water from a stream or dried reindeer meat.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Honey, I know you like to take a drink, and that's all right, but be forewarned that I ain't your maid and I ain't your punching-bag, and if you ever raise your hand to me you'd best kill me. Because otherwise I'll wait till you're asleep; sew you into the bed; and beat you to death with a frying pan.
Haven Kimmel (A Girl Named Zippy: Growing Up Small in Mooreland, Indiana)
Sorry. It’s a technique I use to fend off the panic — screaming at the top of my lungs.” “That’s the best technique you have?” “I have a few different techniques. I can also massage my balls." “Excuse me?” “I have balls. Massaging them really helps.” “Your… balls? You looked like a woman to me, pretty damn shapely from the back, at least.” “They’re Boading balls. Metal meditation balls. I massage them against each other in a circular motion in my palm. It helps calm me down.” I began to frantically search through my purse. “What’s all that rustling?” he asked. “I’m trying to find them. They’re somewhere in my bag.” Without light, I wasn’t able to easily locate them. “Shit, where are they?” He chuckled. “I have some balls you could massage if you’re in a pickle.
Vi Keeland (Mister Moneybags)
to Russell Vernon Hunter New York Spring 1932 My dear Vernon Hunter Your letter gives me such a vivid picture of some thing I love in space — love almost as passionately as I can love a person — that I am almost tempted to pack my little bag and go — but I will not go to it right this morning — No matter how much I love it — There is some thing in me that must finish jobs once started — when I can —. So I am here — and what you write of me is there The cockscomb is here too — I put it in much cold water and it came to life from a kind of flatness it had in the box when I opened it — tho it was very beautiful as it lay in the box a bit wilted when I opened it —. I love it — Thank you. I must confess to you — that I even have the desire to go into old Mexico — that I would have gone — undoubtedly — if it were only myself that I considered — You are wise — so wise — in staying in your own country that you know and love — I am divided between my man and a life with him — and some thing of the outdoors — of your world — that is in my blood — and that I know I will never get rid of — I have to get along with my divided self the best way I can —. So give my greetings to the sun and the sky — and the wind — and the dry never ending land —Sincerely Georgia O'Keeffe
Georgia O'Keeffe
The best example I know, of this astonishingly stupid attitude towards sport, is that of Franz Ferdinand. His, however, was an achievement with the gun. He used to shoot at Konopist with no less than seven weapons and four loaders, and he once killed more than 4,000 birds, himself, in one day. [A propos of statistics and quite beside the point: a Yorkshireman once drank 52½ pints of beer in one hour.] Now why did Franz Ferdinand do this? Even if he shot for twelve hours at a stretch, without pause for luncheon, it means that he killed six birds in each minute of the day. The mere manual labour, a pheasant every ten seconds for twelve successive hours, is enough to make a road-mender stagger; and there is little wonder that, by the time the unhappy archduke had accumulated his collection of 300,000 head of game, he was shooting with rubber pads on his coat and a bandage round his ears. The unfortunate man had practically stunned himself with gunpowder, long before they bagged him also at Sarajevo.
T.H. White (England Have My Bones)
When I was a kid growing up in the country, my dad taught me that the best way to carry something heavy is to carry something equally heavy in the other hand. From personal experience, this applies to buckets of water, overstuffed suitcases, concrete blocks, grocery bags filled with large cans of Spaghetti-Os, and dense emotions. Decades later, I remain a distracted and forgetful student of balance. Gratitude and sorrow aren't, as I once believed, mutually exclusive. They pair quite well together, one in each hand. It can be easy to ebb into the dark seas of sadness, staring too long at grief and disunity. The trick is to keep filling the other bucket.
Shannan Martin (The Ministry of Ordinary Places: Waking Up to God's Goodness Around You)
the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change. “Holy shit—is that a red velvet chaise lounge?” The guys exchange a WTF look. “Um…sure?” Justin says. “Why—” I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder. Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat. “What is happening right now?” Justin bursts out. I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.” Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing. Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position. “Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?” “What is happening?” We both ignore Justin’s baffled exclamation. “Show me the thumbs up,” Garrett says. I give the camera a wolfish grin and stick up my thumbs. My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.” He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag. As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures. I nod in approval. “Damn. I should go into modeling.” “You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.” Fuck, it totally does. Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.” I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.” “You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.” “Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.” “Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch
Elle Kennedy (The Mistake (Off-Campus, #2))
Katherine gave in to the wonder of the moment, imagining herself in the astronauts' place. What emotions welled up from the depths of their hearts as they regarded their watery blue home from the void of space? How did it feel to be separated by a nearly unimaginable gulf from the rest of humanity yet carry the hopes, dreams, and fears of their entire species there with them in their tiny, vulnerable craft? Most people she knew wouldn't have traded places with the astronauts for all of the gold in Fort Knox. The men existed all alone out their in the void of space, connected so tenuously to Earth, with the real possibility that something could go wrong. But given the chance to throw her lot in with the astronauts, Katherine Johnson would have packed her bags immediately. Even without the pressure of the space race, even without the mandate to beat the enemy. For Katherine Johnson, curiosity always bested fear.
Margot Lee Shetterly (Hidden Figures)
Even though we get a lot of people into the shop, only a small percentage of them buy anything. The best customers are the ones who just have to buy a record on a Saturday, even if there’s nothing they really want; unless they go home clutching a flat, square carrier bag they feel uncomfortable. You can spot the vinyl addicts because after a while they get fed up with the rack they are flicking through, march over to a completely different section of the shop, pull a sleeve out from the middle somewhere, and come over to the counter; this is because they have been making a list of possible purchases in their head (‘If I don’t find anything in the next five minutes, that blues compilation I saw half an hour ago will have to do’), and suddenly sicken themselves with the amount of time they have wasted looking for something that they don’t really want. I know that feeling well (these are my people, and I understand them better than I understand anybody in the world): it is a prickly, clammy, panicky sensation, and you go out of the shop reeling. You walk much more quickly afterwards, trying to recapture the part of the day that has escaped, and quite often you have the urge to read the international section of a newspaper, or go to see a Peter Greenaway film, to consume something solid and meaty which will lie on top of the candyfloss worthlessness clogging up your head.
Nick Hornby (High Fidelity)
Percy couldn't help smiling. "Reyna, you're too modest. Flying halfway across the world by yourself to answer Annabeth's plea, because you knew it was our best chance for peace? That's pretty freaking heroic." Reyna shrugged. " Says the demigod who fell into Tartarus and found his way back." "He had help," Annabeth said. "Oh, obviously," Reyna said. "Without you, I doubt Percy could find his way back out of a paper bag." "True," Annabeth agreed. "Hey!" Percy complained
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
She was in a coma, and had been unresponsive for years. Every Tuesday I’d visit her and read to her, and as I’d leave I’d always say, “I love you,” as I’d kiss her on her forehead. One day as I was leaving, I said my normal I love you and kissed her, when her eyes popped open, she looked directly into my eyes, smiled, and then she said, “Spaghetti for brains albino idea weasel.” And that was when I stabbed her with a piece of garlic toast. It seemed like the most appropriate response. The police didn’t seem to agree, and I could tell by the way they bagged the evidence in a To Go box that they thought I was the lowest of the low, lower perhaps than even a politician. Well, not quite that low, but certainly with the cockroaches, vultures, and aids-infested vampires.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
I think the problem is that I’m not the kind of person to fall in and out of love.” And now her pulse was pounding. The implication landed heavily. But she asked anyway: “What do you mean?” “I mean, I fell in love once and stayed there.” “Leo…” “You don’t have to feel the same. I’m just explaining where I am. It seems important to not leave anything unsaid.” Pausing, he added, “Though I admit maybe when you’re trapped with me in a sleeping bag… after we’ve both almost died, might not be the best time. Shit, I’m sorry.
Christina Lauren (Something Wilder)
She had no criticism of his dress, which was bagged at the knees, dropping at the lapels, rucked around the buttons, while she-although she wore a flowing white cotton-appeared (she knew it and wished it was not so) as starched and pressed as a Baptist in a riding habit. They were different, and yet not ill matched. They had both grown used to the attentions that are the eccentric’s lot-the covert glances, smiles, whispers, worse. Lucinda was accustomed to looking at no one in the street. It was an out-of-focus town of men with seas of bobbing hats. But on this night she felt the streets accept them. She thought: When we are two, they do not notice us. They think us a match. What wisdom does a mob have? It is a hydra, an organism, stupid or dangerous in much of its behaviour, but could it have, in spite of this, a proper judgement about which of its component parts fit best together? They pushed past bold-eyed young women with too many ribbons and jewels, past tight-laced maidens and complacent merchants with their bellies pushing so forcefully against their waistcoats that their shirts showed above their trousers. Lucinda was happy. Her arm rested on Oscar’s arm. She thought: Anyone can see I have been crying. She thought: I have pink eyes like a dormouse. But she did not really care.
Peter Carey (Oscar and Lucinda)
I don't know what they are. They aren't completely human, so I don't know what to call them." I pulled one of the bags over the man's head, then rolled it down to his waist. My fingers brushed Clare's; the feel of her skin sent a warm tingle firing up my arms. I met her gaze, and without thinking too much about it, I slid my right hand over hers. God, I had missed her. "Owen, there is a dead body between us," she said, her gaze never straying from mine. "Best be thankful for that, flower." I pushed down everything I wanted to say. There wasn't time, and her bloody kitchen definitely wasn't the place.
Elizabeth Morgan (She-Wolf (Blood, #0.5)))
He surveyed what remained of his crew. Rotty still hovered by the wreckage of the longboat. Jesper sat with elbows on knees, head in hands, Wylan beside him wearing the face of a near-stranger; Matthias stood gazing across the water in the direction of Hellgate like a stone sentinel. If Kaz was their leader, then Inej had been their lodestone, pulling them together when they seemed most likely to drift apart. Nina had disguised Kaz’s crow-and-cup tattoo before they’d entered the Ice Court, but he hadn’t let her near the R on his bicep. Now he touched his gloved fingers to where the sleeve of his coat covered that mark. Without meaning to, he’d let Kaz Rietveld return. He didn’t know if it had begun with Inej’s injury or that hideous ride in the prison wagon, but somehow he’d let it happen and it had cost him dearly. That didn’t mean he was going to let himself be bested by some thieving merch. Kaz looked south toward Ketterdam’s harbors. The beginnings of an idea scratched at the back of his skull, an itch, the barest inkling. It wasn’t a plan, but it might be the start of one. He could see the shape it would take—impossible, absurd, and requiring a serious chunk of cash. “Scheming face,” murmured Jesper. “Definitely,” agreed Wylan. Matthias folded his arms. “Digging in your bag of tricks, demjin?” Kaz flexed his fingers in his gloves. How did you survive the Barrel? When they took everything from you, you found a way to make something from nothing. “I’m going to invent a new trick,” Kaz said. “One Van Eck will never forget.” He turned to the others. If he could have gone after Inej alone, he would have, but not even he could pull that off. “I’ll need the right crew.” Wylan got to his feet. “For the Wraith.” Jesper followed, still not meeting Kaz’s eyes. “For Inej,” he said quietly. Matthias gave a single sharp nod. Inej had wanted Kaz to become someone else, a better person, a gentler thief. But that boy had no place here. That boy ended up starving in an alley. He ended up dead. That boy couldn’t get her back. I’m going to get my money, Kaz vowed. And I’m going to get my girl. Inej could never be his, not really, but he would find a way to give her the freedom he’d promised her so long ago. Dirtyhands had come to see the rough work done.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!
Rudyard Kipling
She kept herself busy for a moment, pouring hot water into a mug and giving Jay a chance to absorb what she’d just asked of him, letting him consider her request. Before the dance and before they were a couple, there would have been nothing to think about; he would never have told on her. They’d kept each other’s secrets. No matter what. But now everything—everything—had changed, and Violet was sometimes surprised by how far he would go to keep her out of harm’s way. She knew that, for him anyway, it meant that he would even betray her secrets if it meant she’d be safer in the end. She carried her steaming mug, with the tea bag steeping inside, and set it on the table as she sat down. Jay reluctantly sat too. He leaned forward and rested his elbows on his knees, watching her warily. Finally he sighed, “I won’t tell . . . if you make me one promise.” She met his eyes, hesitating at the look she saw on his face. The unusual mixture of tenderness and fear were at odds, but it made Violet feel warm and soft inside. He reached out his hand to her, and she took it, letting him pull her toward him. She settled onto his lap as he wrapped his arms around her. He nuzzled her neck, inhaling deeply as if the scent of her was somehow reassuring. “Next time . . .” he insisted in a voice quieter than before, “you call me.” She nodded, satisfied that he would keep her safe . . . secrets and all. It was completely astonishing to her—even after all these months—being in love with her best friend.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
I leave entry for the first day of the tenth month in the year the albatross came to the south-western halls This morning I fetched the small cardboard box with the word AQUARIUM and the picture of an octopus on it. It is the box that originally contained the shoes Dr Ketterley gave me. When Dr Ketterley told me to hide Myself from 16, I took the ornaments out of my hair and placed them in the box. But now, wanting to look my best when I enter the New World, I spent two or three hours putting them back in, all the pretty things that I have found or made: seashells, coral beads, pearls, tiny pebbles and interesting fishbones. When Raphael arrived, she seemed rather astonished at my pleasant appearance. I took my messenger bag with all my Journals and my favourite pens and we walked towards the two Minotaurs in the South-Eastern Corner. The shadows between them shimmered slightly. The shadows suggested the shape of a corridor or alleyway with dim walls and, at the end of it, lights, flashes of moving colour that my eye could not interpret. I took one last look at the Eternal House. I shivered. Raphael took my hand. Then, together, we walked into the corridor.
Susanna Clarke (Piranesi)
Wait." Walter went to the basket, taking what was a gray sleeve, drawing it out fro the middle of the heap. "Oh," He said. He held the shapeless wool sweater to his chest. Joyce had knit for months the year Daniel died, and here was the result, her handiwork, the garment that would fit a giant. It was nothing more than twelve skeins of yarn and thousands of loops, but it had the power to bring back in a flash the green-tiled walls of the hospital, the sound of an ambulance trying to cut through city traffic in the distance, the breathing of the dying boy, his father staring at the ceiling, the full greasy bucket of fried chicken on he bed table. "I'll take this one," Walter said, balling up the sweater as best he could, stuffing it into a shopping bag that was half full of the books he was taking home, that he was borrowing. "Oh, honey," Joyce said. "You don't want that old scrap." "You made it. I remember your making it." Keep it light, he said to himself, that's a boy. "There's a use for it. Don't you think so, Aunt Jeannie? No offense, Mom, but I could invade the Huns with it or strap the sleeves to my car tires in a blizzard, for traction, or protect our nation with it out in space, a shield against nuclear attack." Jeannie tittered in her usual way in spite of herself. "You always did have that sense of humor," she said as she went upstairs. When she was out of range, Joyce went to Walter's bag and retrieved the sweater. She laid it on the card table, the long arms hanging down, and she fingered the stitches. "Will you look at the mass of it," she exclaimed. "I don't even recall making it." ""'Memory -- that strange deceiver,'" Walter quoted.
Jane Hamilton (The Short History of a Prince)
Margo Brinker always thought summer would never end. It always felt like an annual celebration that thankfully stayed alive long day after long day, and warm night after warm night. And DC was the best place for it. Every year, spring would vanish with an explosion of cherry blossoms that let forth the confetti of silky little pink petals, giving way to the joys of summer. Farmer's markets popped up on every roadside. Vendors sold fresh, shining fruits, vegetables and herbs, wine from family vineyards, and handed over warm loaves of bread. Anyone with enough money and enough to do on a Sunday morning would peruse the tents, trying slices of crisp peaches and bites of juicy smoked sausage, and fill their fisherman net bags with weekly wares. Of all the summer months, Margo liked June the best. The sun-drunk beginning, when the days were long, long, long with the promise that summer would last forever. Sleeping late, waking only to catch the best tanning hours. It was the time when the last school year felt like a lifetime ago, and there were ages to go until the next one. Weekend cookouts smelled like the backyard- basil, tomatoes on the vine, and freshly cut grass. That familiar backyard scent was then smoked by the rich addition of burgers, hot dogs, and buttered buns sizzling over charcoal.
Beth Harbison (The Cookbook Club: A Novel of Food and Friendship)
Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident. I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?” He shook his head. “That’s true, but that’s not the reason we do it.” But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.” Mr. B. shook his head and scratched the stubble on his neck. I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?” Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.” Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?” “Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people. “Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?” No one answered. But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.” Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left. After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?” There was a vacant silence. “Think, people! There must be a reason. Why the brain? What were they trying to preserve?” When no one answered, he answered his own question. “The mind!” he said, exasperated. “The soul!” As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me. Who is cuter? A. Professor Bliss B. Brett Steyers C. Dante Berlin D. The mummy I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Let me see if I understand this," Jaenelle said. [...] "You and Falonar have decided to go your own ways," Jaenelle said with a patience that made Surreal wary. She shrugged. "It was a mutual decision." The bastard. "Uh-huh. So you packed your bags..." "It was his eyrie," Surreal cut in. "I certainly didn't want to live there." And I didn't want to watch him courting Nurian in ways he never thought to court me. "...and left Ebon Rih without telling Lucivar." "Who would have strung Falonar up by the heels"... or by the balls, which might have been interesting to watch... "before having a little chat." "No," Jaenelle said, "he would have waited for Chaosti to show up, and then he would have strung Falonar up by the heels." She paused. "Maybe by the heels." Which just confirmed why Surreal had slipped away from Ebon Rih before Lucivar had time to notice. As the Warlord Prince of Ebon Rih dealing with a Warlord Prince who was his second-in-command, Lucivar would have been nasty and explosive. Chaosti, the Warlord Prince of the Dea al Mon and a kinsman on her mother's side, would have approached Falonar with the protective viciousness that made Warlord Princes such a deadly facet of Blood society. Dealing with the male relatives she'd acquired since coming to Kaeleer was so much fun. "And you entered the Hall through one of the side doors to avoid seeing Daemon, who's working in his study and would have met you before you got out of the great hall." Feeling more wary by the minute, Surreal did her best to look indifferent. "No reason for him to get involved in this." Sweet Darkness, please don't let him think this is any business of his. "Besides, I don't need either of them getting all snarly and protective over something that was a mutual decision." "So instead of mentioning this to either of them, you went to the Keep and told Saetan." Surreal winced. "Well, I figured I should tell someone before leaving Ebon Rih." "Uh-huh. So you told the High Lord of Hell, the patriarch of this family, the man from whom Daemon and Lucivar inherited the temper you were trying to avoid." Jaenelle pushed the quilt aside and swung her legs over the side of the couch to sit up straight. "Did I miss something ?
Anne Bishop (Dreams Made Flesh (The Black Jewels, #5))
He sat down among the evidence at a barren communal desk in the basement of the station. He looked through the stack of extra fliers that my father had made up. He had memorized my face, but still he looked at them. He had come to believe that the best hope in my case might be the recent rise in development in the area. With all the land churning and changing, perhaps other clues whould be found that would provide the answer he needed. In the bottom of the box was the bag with my jingle-bell hat. When he'd handled it to my mother, she had collasped on the rug. He still couldn't pinpoint the moment he'd fallen in love with her. I knew it was the day he'd sat in our family room while my mother drew stick figures on butcher paper and Buckley and Nate slept toe to toe on the couch. I felt sorry for him. He had tried to solve my murder and he failed. He had tried to love my mother and he had failed. Len looked at the drawing of the cornfield that Lindsey had stolen and forced himself to acknowledge this: in his cautiousness, he had allowed a murderer to get away. He could not shake his guilt. He knew, if no one else did, that by being with my mother in the mall that day he was the one to blame for George Harvey's freedom. He took his wallet out of his back pocket and laid down the photos of all the unsolved cases he had ever worked on. Among them were his wife's. He turned them all face-down. 'Gone,' he wrote on each one of them. He would no longer wait for a date to mark an understanding of who or why or how. He would never understand all the reasons why his wife had killed herself. He would never understand how so many children went missing. He placed these photos in the box with my evidence and turned the lights off in the cold room.
Alice Sebold
Miss Wooding turned the nervous shade of pink that Rosaline found people often turned when her sexuality went from an idea they could support to a reality they had to confront. “I appreciate this is a sensitive topic and one that different people have different beliefs about. Which is why I have to be guided by the policies of our academy trust, and they make it quite clear that learners shouldn’t be taught about LGBTQ until year six.” “Oh do they?” asked Rosaline, doing her best to remember that Miss Wooding was probably a very nice person and not just a fuzzy cardigan draped over some regressive social values. “Because Amelie’s in year four and she manages to cope with my existence nearly every day.” Having concluded this was going to be one of those long grown-up conversations, Amelie had taken her Panda pencil case out of her bag and was diligently rearranging the contents. “I do,” she said. “I’m very good.” Miss Wooding actually wrung her hands. “Yes, but the other children—” “Are allowed to talk about their families as much as they like.” “Yes, but—” “Which,” Rosaline went on mercilessly, “when you think about it, is the definition of discrimination.” Amelie looked up again. “Discrimination is bad. We learned that in year three.” The d-word made Miss Wooding visibly flinch. “Now Mrs. Palmer—” “Ms. Palmer.” “I’m sure this is a misunderstanding.” “I’m sure it is.” Taking advantage of the fact that Miss Wooding had been temporarily pacified by the spectre of the Equality Act, Rosaline tried to strike a balance between defending her identity and catching her train. “I get that you have a weird professional duty to respect the wishes of people who want their kids to stay homophobic for as long as possible. But hopefully you get why that isn’t my problem. And if you ever try to make it Amelie’s problem again, I will lodge a formal complaint with the governors.” Miss Wooding de-flinched slightly. “As long as she doesn’t—” “No ‘as long as she doesn’t.’ You’re not teaching my daughter to be ashamed of me.” There was a long pause. Then Miss Wooding sighed. “Perhaps it’s best that we draw a line under this and say no more about it.” In Rosaline’s experience this was what victory over institutional prejudice looked like: nobody actually apologising or admitting they’d done anything wrong, but the institution in question generously offering to pretend that nothing had happened. So—win?
Alexis Hall (Rosaline Palmer Takes the Cake (Winner Bakes All, #1))
is well known, the article began, in nature, usually the males with the most prominent secondary sexual characteristics, such as the biggest antlers, deepest voices, broadest chests, and superior knowledge secure the best territories because they have fended off weaker males. The females choose to mate with these imposing alphas and are thereby inseminated with the best DNA around, which is passed on to the female’s offspring—one of the most powerful phenomena in the adaptation and continuance of life. Plus, the females get the best territory for their young. However, some stunted males, not strong, adorned, or smart enough to hold good territories, possess bags of tricks to fool the females. They parade their smaller forms around in pumped-up postures or shout frequently—even if in shrill voices. By relying on pretense and false signals, they manage to grab a copulation here or there. Pint-sized male bullfrogs, the author wrote, hunker down in the grass and hide near an alpha male who is croaking with great gusto to call in mates. When several females are attracted to his strong vocals at the same time, and the alpha is busy copulating with one, the weaker male leaps in and mates one of the others. The imposter males were referred to as “sneaky fuckers.
Delia Owens (Where the Crawdads Sing)
Part of what kept him standing in the restive group of men awaiting authorization to enter the airport was a kind of paralysis that resulted from Sylvanshine’s reflecting on the logistics of getting to the Peoria 047 REC—the issue of whether the REC sent a van for transfers or whether Sylvanshine would have to take a cab from the little airport had not been conclusively resolved—and then how to arrive and check in and where to store his three bags while he checked in and filled out his arrival and Post-code payroll and withholding forms and orientational materials then somehow get directions and proceed to the apartment that Systems had rented for him at government rates and get there in time to find someplace to eat that was either in walking distance or would require getting another cab—except the telephone in the alleged apartment wasn’t connected yet and he considered the prospects of being able to hail a cab from outside an apartment complex were at best iffy, and if he told the original cab he’d taken to the apartment to wait for him, there would be difficulties because how exactly would he reassure the cabbie that he really was coming right back out after dropping his bags and doing a quick spot check of the apartment’s condition and suitability instead of it being a ruse designed to defraud the driver of his fare, Sylvanshine ducking out the back of the Angler’s Cove apartment complex or even conceivably barricading himself in the apartment and not responding to the driver’s knock, or his ring if the apartment had a doorbell, which his and Reynolds’s current apartment in Martinsburg most assuredly did not, or the driver’s queries/threats through the apartment door, a scam that resided in Claude Sylvanshine’s awareness only because a number of independent Philadelphia commercial carriage operators had proposed heavy Schedule C losses under the proviso ‘Losses Through Theft of Service’ and detailed this type of scam as prevalent on the poorly typed or sometimes even handwritten attachments required to explain unusual or specific C-deductions like this, whereas were Sylvanshine to pay the fare and the tip and perhaps even a certain amount in advance on account so as to help assure the driver of his honorable intentions re the second leg of the sojourn there was no tangible guarantee that the average taxi driver—a cynical and ethically marginal species, hustlers, as even their smudged returns’ very low tip-income-vs.-number-of-fares-in-an-average-shift ratios in Philly had indicated—wouldn’t simply speed away with Sylvanshine’s money, creating enormous hassles in terms of filling out the internal forms for getting a percentage of his travel per diem reimbursed and also leaving Sylvanshine alone, famished (he was unable to eat before travel), phoneless, devoid of Reynolds’s counsel and logistical savvy in the sterile new unfurnished apartment, his stomach roiling in on itself in such a way that it would be all Sylvanshine could do to unpack in any kind of half-organized fashion and get to sleep on the nylon travel pallet on the unfinished floor in the possible presence of exotic Midwest bugs, to say nothing of putting in the hour of CPA exam review he’d promised himself this morning when he’d overslept slightly and then encountered last-minute packing problems that had canceled out the firmly scheduled hour of morning CPA review before one of the unmarked Systems vans arrived to take him and his bags out through Harpers Ferry and Ball’s Bluff to the airport, to say even less about any kind of systematic organization and mastery of the voluminous Post, Duty, Personnel, and Systems Protocols materials he should be receiving promptly after check-in and forms processing at the Post, which any reasonable Personnel Director would expect a new examiner to have thoroughly internalized before reporting for the first actual day interacting with REC examiners, and which there was no way in any real world that Sylvanshine could expect
David Foster Wallace (The Pale King)
It could snow We don’t take care. The end of November came without coldness, with haunting and limp rains, pretty much leaves still laying anywhere on the sidewalks. It comes a morning with another grey, compact, closed, air changes its texture. Under the pharmacy green cross the thermometer sticks, in red, two degrees. The number, a bit blurred thins down in the space. We didn’t expect it, but it grows, far inside us, the little sentence. It comes to the lips like a forgotten song: “It could snow …” We should not dare to mention it in loud voice, it is still so much autumn, all could finish in a stupid freezing sudden shower, in a fog of boredom. But the idea of a possible snow came back, it’s what matters. No downhill in a sledge-trash-bag, no snowman, no children shouting,no pictures of landscape metamorphosis. Largely best then all that, because the essential snow is inside the unformulated. Before. Something we didn’t know we knew. Before snow, before love, the same lack, the same dimmed grey which days’ triteness creates pretending to suffocate. We shall cross somebody: - This time it’s almost winter! - Yes we start to be crestfallen! Workers hang pieces of tinsel. We didn’t say too much. Especially do not frighten away the slight shade of the idea. The red thermometer went down, one degree. It could snow.
Philippe Delerm (Ma grand-mère avait les mêmes: les dessous affriolants des petites phrases)
One article on reproductive strategies was titled "Sneaky Fuckers." Kya laughed. As is well known, the article began, in nature, usually the males with the most prominent secondary sexual characteristics, such as the biggest antlers, deepest voices, broadest chests, and superior knowledge secure the best territories because they have fended off weaker males. The females choose to mate with these imposing alphas and are thereby inseminated with the best DNA around, which is passed on to the female's offspring- one of the most powerful phenomena in the adaptation and continuance of life. Plus, the females get the best territory for their young. However, some stunted males, not strong, adorned, or smart enough to hold good territories, possess bags of tricks to fool the females. They parade their smaller forms around in pumped-up postures or shout frequently- even if in shrill voices. By relying on pretense and false signals, they manage to grab a copulation here or there. Pint-sized male bullfrogs, the author wrote, hunker down in the grass and hide near an alpha male who is croaking with great gusto to call in mates. When several females are attracted to his strong vocals at the same time, and the alpha is busy copulating with one, the weaker male leaps in and mates one of the others. The imposter males were referred to as "sneaky fuckers." Kya remembered, those many years ago, Ma warning her older sisters about young men who overrevved their rusted-out pickups or drove jalopies around with radios blaring. "Unworthy boys make a lot of noise," Ma had said. She read a consolation for females. Nature is audacious enough to ensure that the males who send out dishonest signals or go from one female to the next almost always end up alone. Another article delved into the wild rivalries between sperm. Across most life-forms, males compete to inseminate females. Male lions occasionally fight to the death; rival bull elephants lock tusks and demolish the ground beneath their feet as they tear at each other's flesh. Though very ritualized, the conflicts can still end in mutilations. To avoid such injuries, inseminators of some species compete in less violent, more creative methods. Insects, the most imaginative. The penis of the male damselfly is equipped with a small scoop, which removes sperm ejected by a previous opponent before he supplies his own. Kya dropped the journal on her lap, her mind drifting with the clouds. Some female insects eat their mates, overstressed mammal mothers abandon their young, many males design risky or shifty ways to outsperm their competitors. Nothing seemed too indecorous as long as the tick and the tock of life carried on. She knew this was not a dark side to Nature, just inventive ways to endure against all odds. Surely for humans there was more.
Delia Owens (Where the Crawdads Sing)
We had been out for one of our evening rambles, Holmes and I, and had returned about six o’clock on a cold, frosty winter’s evening. As Holmes turned up the lamp the light fell upon a card on the table. He glanced at it, and then, with an ejaculation of disgust, threw it on the floor. I picked it up and read: CHARLES AUGUSTUS MILVERTON, Appledore Towers, Hampstead. Agent. “Who is he?” I asked. “The worst man in London,” Holmes answered, as he sat down and stretched his legs before the fire. “Is anything on the back of the card?” I turned it over. “Will call at 6:30--C.A.M.,” I read. “Hum! He’s about due. Do you feel a creeping, shrinking sensation, Watson, when you stand before the serpents in the Zoo, and see the slithery, gliding, venomous creatures, with their deadly eyes and wicked, flattened faces? Well, that’s how Milverton impresses me. I’ve had to do with fifty murderers in my career, but the worst of them never gave me the repulsion which I have for this fellow. And yet I can’t get out of doing business with him--indeed, he is here at my invitation.” “But who is he?” “I’ll tell you, Watson. He is the king of all the blackmailers. Heaven help the man, and still more the woman, whose secret and reputation come into the power of Milverton! With a smiling face and a heart of marble, he will squeeze and squeeze until he has drained them dry. The fellow is a genius in his way, and would have made his mark in some more savoury trade. His method is as follows: He allows it to be known that he is prepared to pay very high sums for letters which compromise people of wealth and position. He receives these wares not only from treacherous valets or maids, but frequently from genteel ruffians, who have gained the confidence and affection of trusting women. He deals with no niggard hand. I happen to know that he paid seven hundred pounds to a footman for a note two lines in length, and that the ruin of a noble family was the result. Everything which is in the market goes to Milverton, and there are hundreds in this great city who turn white at his name. No one knows where his grip may fall, for he is far too rich and far too cunning to work from hand to mouth. He will hold a card back for years in order to play it at the moment when the stake is best worth winning. I have said that he is the worst man in London, and I would ask you how could one compare the ruffian, who in hot blood bludgeons his mate, with this man, who methodically and at his leisure tortures the soul and wrings the nerves in order to add to his already swollen money-bags?” I had seldom heard my friend speak with such intensity of feeling.
Arthur Conan Doyle (The Complete Sherlock Holmes)
Or when you keep a sex-addiction meeting under surveillance because they’re the best places to pick up chicks.” Serge looked around the room at suspicious eyes. “Okay, maybe that last one’s just me. But you should try it. They keep the men’s and women’s meetings separate for obvious reasons. And there are so many more opportunities today because the whole country’s wallowing in this whiny new sex-rehab craze after some golfer diddled every pancake waitress on the seaboard. That’s not a disease; that’s cheating. He should have been sent to confession or marriage counseling after his wife finished chasing him around Orlando with a pitching wedge. But today, the nation is into humiliation, tearing down a lifetime of achievement by labeling some guy a damaged little dick weasel. The upside is the meetings. So what you do is wait on the sidewalk for the women to get out, pretending like you’re loitering. And because of the nature of the sessions they just left, there’s no need for idle chatter or lame pickup lines. You get right to business: ‘What’s your hang-up?’ And she answers, and you say, ‘What a coincidence. Me, too.’ Then, hang on to your hat! It’s like Forrest Gump’s box of chocolates. You never know what you’re going to get. Most people are aware of the obvious, like foot fetish or leather. But there are more than five hundred lesser-known but clinically documented paraphilia that make no sexual sense. Those are my favorites . . .” Serge began counting off on his fingers. “This one woman had Ursusagalmatophilia, which meant she got off on teddy bears—that was easily my weirdest three-way. And nasophilia, which meant she was completely into my nose, and she phoned a friend with mucophilia, which is mucus. The details on that one are a little disgusting. And formicophilia, which is being crawled on by insects, so the babe bought an ant farm. And symphorophilia—that’s staging car accidents, which means you have to time the air bags perfectly
Tim Dorsey (Pineapple Grenade (Serge Storms #15))
Beside him Mr. Harris folded his morning newspaper and held it out to Claude. "Seen this yet?" "No." "Don't read it," Mr. Harris said, folding the paper once more and sliding it under his rear. "It will only upset you, son." "It's a wicked paper... " Claude agreed, but Mr. Harris was overspeaking him. "It's the big black words that do it. The little grey ones don't matter very much, they're just fill-ins they take everyday from the wires. They concentrate their poison in the big black words, where it will radiate. Of course if you read the little stories too you've got sure proof that every word they wrote above, themselves, was a fat black lie, but by then you've absorbed a thousand greyer ones, and where and how to check on those? This way the mind deteriorates. The best way you can save yourself is not to read it, son." "No, I... " "That's right, if you're not careful," Mr. Harris went on, blue-eyed, red-faced, "you find yourself pretty soon hating everyone but God, the Babe, and a few dead senators. That's no fun. Men aren't so bad as that." "No." "That's right, you begin to worry about anyone who opens his mouth except to say ho it looks like rain, let's bowl. Otherwise you wonder what the hell he's trying to prove, or undermine. If he asks what time it is, you wonder what terrible thing is scheduled to happen, where it will happen, when. You can't even stand to be asked how you feel today - he's probably looking at the bumps on you, they may have grown more noticeable overnight. Soon you feel you should apologize for standing there where he can watch you dying in front of him, he'd rather for you to carry your head around in a little plaid bag, like your bowling ball. There's no joy in that. Men aren't so very bad." Mr. Harris paused to remove his Panama hat. Water seeped from his knobby forehead, which he mopped with a damp handkerchief. "I've offended you, son," he said. "Not at all, I entirely agree with you." Mr. Harris replaced his hat, folded his handkerchief. "I shouldn't shoot off this way," he said. "I read too much." "No, no. You're right...
Douglas Woolf (Wall to Wall (American Literature))
HERE ARE MY TEN BEEF NOODLE SOUP COMMANDMENTS: 1. Throw out the first: always flash-boil your bones and beef to get the “musk” out. I’ve gone back and forth on this a lot. I would sometimes brown the meat as opposed to boil, but decided in the end that for this soup, you gotta boil. If you brown, it’s overpowering. The lesson that beef noodle soup teaches you is restraint. Sometimes less is more if you want all the flavors in the dish to speak to you. 2. Make sure the oil is medium-high when the aromatics go down and get a slight caramelization. It’s a fine line. Too much caramelization and it becomes too heavy, but no caramelization and your stock is weak. 3. Rice wine can be tricky. Most people like to vaporize it so that all the alcohol is cooked off. I like to leave a little of the alcohol flavor ’cause it tends to cut through the grease a bit. 4. Absolutely no butter, lard, or duck fat. I’ve seen people in America try to “kick it up a notch” with animal fats and it ruins the soup. Peanut oil or die. 5. Don’t burn the chilis and peppercorns, not even a little bit. You want the spice and the numbness, but not the smokiness. 6. After sautéing the chilis/peppercorns, turn off the heat and let them sit in the oil to steep. This is another reason you want to turn the heat off early. 7. Strain your chilis/peppercorns out of the oil, put them in a muslin bag, and set them aside. Then add ginger/garlic/scallions to the oil in that order. Stage them. 8. I use tomatoes in my beef noodle soup, but I add them after the soup is finished and everything is strained. I let them hang out in the soup as it sits on the stove over the course of the day. I cut the tomatoes thin so they give off flavor without having to cook too long and so you can serve them still intact. 9. Always use either shank or chuck flap. Brisket is too tough. If you want to make it interesting, add pig’s foot or oxtail. 10. Do you. I don’t give you measurements with this because I gave you all the ingredients and the technique. The best part about beef noodle soup is that there are no rules. It just has to have beef, noodle, and soup. There are people that do clear broth beef noodle soup. Beef noodle soup with dairy. Beef noodle soup with pig’s blood. It would suck if you looked at my recipe and never made your own, ’cause everyone has a beef noodle soup in them. Show it to me.
Eddie Huang (Fresh Off the Boat)
I still don’t see why we couldn’t sleep in that cave,” Mari said as MacRieve led her out into the night. “Because my cave’s better than their cave.” “You know, that really figures.” After the rain, the din of cicadas and frogs resounded in the underbrush all around them, forcing her to raise her voice. “Is it far?” When he shook his head, she said, “Then why do I have to hold your hand through the jungle? This path looks like a tractor busted through here.” “I went back this way while you ate to make sure everything was clear. Brought your things here, too,” he said as he steered her toward a lit cave entrance. When they crossed the threshold, wings flapped in the shadows, building to a furor before settling. Inside, a fire burned. Beside it, she saw he’d unpacked some of his things, and had made up one pallet. “Well, no one can call you a pessimist, MacRieve.” She yanked her hand from his. “Deluded fits, though.” He merely leaned back against the wall, seeming content to watch her as she explored on her own. She’d read about this part of Guatemala and knew that here limestone caverns spread out underground like a vast web. Above them a cathedral ceiling soared, with stalactites jutting down. “What’s so special about this cave?” “Mine has bats.” She breathed, “If I stick with you, I’ll have nothing but the best.” “Bats mean fewer mosquitoes. And then there’s also the bathtub for you to enjoy.” He waved her attention to an area deeper within. A subterranean stream with a sandy beach meandered through the cavern. Her eyes widened. A small pool sat off to the side, not much larger than an oversize Jacuzzi, and laid out along its edge were her toiletries, her washcloth, and her towel. Her bag—filled with all of her clean clothes—was off just to the side. Mari cried out at the sight, doubling over to yank at her bootlaces. Freed of her boots, she hopped forward on one foot then the other as she snatched off her socks. She didn’t pause until she was about to start on the button fly of her shorts. She glanced up to find him watching her with a gleam of expectation in his eyes. “You will be leaving, of course.” “Or I could help you.” “I’ve had a bit of practice bathing myself and think I can stumble my way through this.” “But you’re tired. Why no’ let me help? Now that I’ve two hands again, I’m eager to use them.” “You give me privacy or I go without.” “Verra well.” He shrugged. “I’ll leave—because your going without is no’ an option. Call me if you need me.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
Harper walked over to her reception desk. “What’s with the Tyson look-alikes out there? I almost couldn’t get in here.” Pixie frowned. “Better go ask your boy-o. Famous rock star in the house.” Pixie accentuated her comment with the poke of her pen. Jeez, he was huge. And built. And shirtless. Okay, enough staring. Well, maybe just for another second. Trent was leaning over the guy, and she could tell from the wide-reaching spread of purple transfer lines that he was just beginning a sleeve on the other man’s lower arm. The guy in the chair might well be a rock star— although Harper would never admit she had no clue who he was— but he was wincing. Harper could totally feel for him. Trent was in his usual position— hat on backward, gloves on, and perched on a stool. Harper approached them nervously. The big guy’s size and presence were a little intimidating. “I don’t bite.” Oh God. He was talking to her. “Excuse me?” He sucked air in between clenched teeth. “I said I don’t bite. You can come closer.” His blue eyes were sparkling as he studied her closely. Trent looked up. “Hey, darlin’,” he said, putting the tattoo machine down and reaching for her hand. “Dred, this is my girl, Harper. Harper, this is Dred Zander from the band Preload. He’s one of the other judges I told you about.” Wow. Not that she knew much about the kind of music that Trent listened to, but even she had heard of Preload. That certainly explained the security outside. Dred reached out his hand and shook hers. “Nice to meet you, Harper. And a pity. For a minute, I thought you were coming over to see me.” “No,” Harper exclaimed quickly, looking over at Trent, who was grinning at her. “I mean, no, I was just bringing Trent some cookies.” Holy shit. Was she really that lame? It was like that moment in Dirty Dancing when Baby told Johnny she carried a watermelon. Dred turned and smiled enigmatically at Trent. “I see what you mean, man.” “Give.” Smiling, Trent held out his hand. Reaching inside her bag, she pulled out the cookies and handed the container to him. “Seriously, dude, she’s the best fucking cook on the planet.” Trent paused to take a giant bite. “You got to try one,” he mumbled, offering the container over. Harper watched, mortified, as a modern-day rock legend bit into one of her cookies. Dred chewed and groaned. “These are almost as good as sex.” Harper laughed. “Not quite,” Trent responded, giving her a look that made her burn. “You should try her pot roast. Could bring a grown man to his knees.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
her room now?” They were led down the hall by Beth. Before she turned away she took a last drag on her smoke and said, “However this comes out, there is no way my baby would have had anything to do with something like this, drawing of this asshole or not. No way. Do you hear me? Both of you?” “Loud and clear,” said Decker. But he thought if Debbie were involved she had already paid the ultimate price anyway. The state couldn’t exactly kill her again. Beth casually flicked the cigarette down the hall, where it sparked and then died out on the faded runner. Then she walked off. They opened the door and went into Debbie’s room. Decker stood in the middle of the tiny space and looked around. Lancaster said, “We’ll have the tech guys go through her online stuff. Photos on her phone, her laptop over there, the cloud, whatever. Instagram. Twitter. Facebook. Tumblr. Wherever else the kids do their electronic preening. Keeps changing. But our guys will know where to look.” Decker didn’t answer her. He just kept looking around, taking the room in, fitting things in little niches in his memory and then pulling them back out if something didn’t seem right as weighed against something else. “I just see a typical teenage girl’s room. But what do you see?” asked Lancaster finally. He didn’t look at her but said, “Same things you’re seeing. Give me a minute.” Decker walked around the small space, looked under piles of papers, in the young woman’s closet, knelt down to see under her bed, scrutinized the wall art that hung everywhere, including a whole section of People magazine covers. She also had chalkboard squares affixed to one wall. On them was a musical score and short snatches of poetry and personal messages to herself: Deb, Wake up each day with something to prove. “Pretty busy room,” noted Lancaster, who had perched on the edge of the girl’s desk. “We’ll have forensics come and bag it all.” She looked at Decker, obviously waiting for him to react to this, but instead he walked out of the room. “Decker!” “I’ll be back,” he called over his shoulder. She watched him go and then muttered, “Of all the partners I could have had, I got Rain Man, only giant size.” She pulled a stick of gum out of her bag, unwrapped it, and popped it into her mouth. Over the next several minutes she strolled the room and then came to the mirror on the back of the closet door. She appraised her appearance and ended it with the resigned sigh of a person who knows their best days physically are well in the past. She automatically reached for her smokes but then decided against it. Debbie’s room could be part of a criminal investigation. Her ash and smoke could only taint that investigation.
David Baldacci (Memory Man (Amos Decker, #1))
Then she bent her head over at the waist and tossed her head around to separate the curls. The elevator stopped and she heard the door open. She straightened up to find some big guy in a ball cap and sunglasses right in her face, charging into the elevator before she could even get out of it. He had both hands full of carry-out bags—Mexican food, judging from the smell. She looked at them, her mouth watering. Yep. Enrique’s. The best in town. He whirled around to punch the door-close button. “Hey,” she said. “I’m getting off here.” Some girl outside in the lobby yelled, “We know it’s you, Chase. You shouldn’t lie to us.” Startled, Elle looked at the guy’s face and saw, just before he reached for her, that it really was Chase Lomax in ragged shorts and flip-flops. He grabbed her up off her feet and bent his head. Found her mouth with his. “Wait for us,” another girl yelled. The sound of running feet echoed off the marble floor, slid to a stop. “Oh, no!” Kissing her, without so much as a “Hi, there, Elle.” Burning her up. She tried to struggle but he had both her arms pinned to her sides. And suddenly she wanted to stay right where she was forever because the shock was wearing off and she was starting to feel. A lot more than she ever had before. The door slid closed. The girls began banging on it. “We know your room number, Chase, honey,” they yelled. “See you there.” Loud giggles. “We’ll show you a real good time.” The elevator moved up, the voices faded away. But Chase kept on kissing her. She had to make him stop it. Right now. Who did he think he was, anyway? Somebody who could send lightning right through her whole body, that’s who. Lightning so strong it shook her to her toes. He had to stop this now. But she couldn’t move any part of her body. Except her lips. And her tongue . . . When he finally let her go she pulled back and away, fighting to get a handle on her breathing. “What’s the matter?” he demanded. Her blood rushed through her so fast it made her dizzy. “You’re asking me? It’s more like, what’s the matter with you? How’d you get the idea you could get away with kissing me like that without even bothering to say hello?” She touched her lips. They were still on fire. “You have got a helluva nerve, Chase Lomax.” He grinned at her as he took off his shades. He hung them in the neck of his huge, baggy T-shirt that had a bucking bull and rider with Git’R’Done written above it. He wore ragged denim shorts and flip-flops, for God’s sake. Chase Lomax was known for always being starched and ironed, custom-booted and hatted. “I asked if you’re all right because you were bent over double shaking your head when the doors opened,” he said. “Like you were in pain or something.” “I was drying my hair.” He stared, then burst out laughing. “Oh, well, then.” His laugh was contagious but she wouldn’t let herself join in. He could not get away with this scot-free. He’d shaken her up pretty good. “Oh. I see. You thought I needed help, so you just grabbed me and kissed me senseless. Is that how you treat somebody you think’s in pain?” He grinned that slow, charming grin of his again. “It made you feel better. Didn’t it?” He held her gaze and wouldn’t let it go. She must be a sight. She could feel heat in her cheeks, so her face must be red. Plus she was gasping, trying to slow her breathing. And her heart-beat. “You nearly scared me to death to try to get rid of those girls. And it was all wasted. They’re coming to your room.” Something flashed deep in his brown eyes. “Now you’ve hurt my feelings. I don’t think it was wasted,” he drawled. “I liked that kiss.
Genell Dellin (Montana Gold)